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#victorian colonial
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Very nice restoration job on this cute 1908 Victorian colonial home in Brunswick, OH. The 5bd, 3ba, home has a price of $362,500 and it's already got a sale pending.
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What a lovely entry. Original doors and stairs. Note that the stairs are not as fancy b/c it's a more modest Colonial Victorian.
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What a lovely sitting room with a fireplace that appears original.
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That sitting room leads into this one. Maybe this is a dining room.
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The kitchen reno is wonderful. The cabinets look original.
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The perfect reno. This is a Victorian kitchen. I love it.
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Isn't the pantry amazing? Look at the cabinets.
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They've got this room set up as a home office.
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And, it opens to this room. These could be bedrooms, b/c there are 5 of them.
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This is nice. The 1st fl. bath has a vintage look with the original tub.
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On the 2nd level there's this huge room with a doorway to another room.
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It has double doors for privacy, or it can be a sitting room or den for the larger bedroom.
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Totally modernized shower room.
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Sunny bedroom.
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And, the last bedroom on this floor.
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Here we are on the 3rd level, so the attic is finished.
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There's a 3pc bath up here.
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This is so cute, there could be a kitchenette in the corner. The cabinets look original. It looks like a dollhouse.
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Nice yard, the home is on a .98 lot.
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Also love the 2 porches out front.
https://www.zillow.com/homedetails/3813-Sleepy-Hollow-Rd-Brunswick-OH-44212/34881434_zpid/?
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fatehbaz · 7 months
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when the British Empire's researchers realized that the cause of the ecological devastation was the British Empire:
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much to consider.
on the motives and origins of some forms of imperial "environmentalism".
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Since the material resources of colonies were vital to the metropolitan centers of empire, some of the earliest conservation practices were established outside of Europe [but established for the purpose of protecting the natural resources desired by metropolitan Europe]. [...] [T]ropical island colonies were crucial laboratories of empire, as garden incubators for the transplantation of peoples [slaves, laborers] and plants [cash crops] and for generating the European revival of Edenic discourse. Eighteenth-century environmentalism derived from colonial island contexts in which limited space and an ideological model of utopia contributed to new models of conservation [...]. [T]ropical island colonies were at the vanguard of establishing forest reserves and environmental legislation [...]. These forest reserves, like those established in New England and South Africa, did not necessarily represent "an atavistic interest in preserving the 'natural' [...]" but rather a "more manipulative and power-conscious interest in constructing a new landscape by planting trees [in monoculture or otherwise modified plantations] [...]" [...].
Text by: Elizabeth DeLoughrey and George B. Handley. "Introduction: Toward an Aesthetics of the Earth". Postcolonial Ecologies: Literatures of the Environment, edited by DeLoughrey and Handley. 2011.
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It is no accident that the earliest writers to comment specifically on rapid environmental change in the context of empires were scientists who were themselves often actors in the process of colonially stimulated environmental change. [...] As early as the mid-17th century [...] natural philosophers [...] in Bermuda, [...] in Barbados and [...] on St Helena [all British colonies] were all already well aware of characteristically high rates of soil erosion and deforestation in the colonial tropics [...]. On St Helena and Bermuda this early conservationism led, by 1715, to the gazetting of the first colonial forest reserves and forest protection laws. On French colonial Mauritius [...], Poivre and Philibert Commerson framed pioneering forest conservation [...] in the 1760s. In India William Roxburgh, Edward Balfour [...] ([...] Scottish medical scientists) wrote alarmist narratives relating deforestation to the danger of climate change. [...] East India Company scientists were also well aware of French experience in trying to prevent deforestation [...] [in] Mauritius. [...] Roxburgh [...] went on to further observe the incidence of global drought events which we know today were globally tele-connected El Nino events. [...] The writings of Edward Balfour and Hugh Cleghorn in the late 1840s in particular illustrate the extent of the permeation of a global environmental consciousness [...]. [T]he 1860s [were] a period which we could appropriately name the "first environmental decade", and which embodies a convergence of thinking about ecological change on a world scale [...]. It was in the particular circumstances of environmental change at the colonial periphery that what we would now term "environmentalism" first made itself felt [...]. Victorian texts such as [...] Ribbentrop's Forestry in the British Empire, Brown's Hydrology of South Africa, Cleghorn's Forests and Gardens of South India [...] were [...] vital to the onset of environmentalism [...]. One preoccupation stands out in them above all. This was a growing interest in the potential human impact on climate change [...] [and] global dessication. This fear grew steadily in the wake of colonial expansion [...]. Particularly after the 1860s, and even more after the great Indian famines of 1876 [...] these connections encouraged and stimulated the idea that human history and environmental change might be firmly linked.
Text by: Richard Grove and Vinita Damodaran. "Imperialism, Intellectual Networks, and Environmental Change: Origins and Evolution of Global Environmental History, 1676-2000: Part I". Economic and Political Weekly Vol. 41, No. 41. 14 October 2006.
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Policing the interior [of British colonial land] following the Naning War gave Newbold the opportunity for exploring the people and landscape around Melaka […]. Newbold took his knowledge of the tropical environment in the Straits Settlements [British Malaya] to Madras [British India], where he earned a reputation as a naturalist and an Orientalist of some eminence. He was later elected Fellow of the Royal Society. Familiar with the barren landscape of the tin mines of Negeri Sembilan, Newbold made a seminal link between deforestation and the sand dune formations and siltation […]. The observation, published in 1839 […], alerted […] Balfour about the potential threat of erosion to local climate and agriculture. […] Logan brought his Peninsular experience [in the British colonies of Malaya] directly within the focus of the deforestation debate in India […]. His lecture to the Bengal Asiatic Society in 1846 […] was hugely influential and put the Peninsula at the heart of the emerging discourse on tropical ecology. Penang, the perceived tropical paradise of abundance and stability, soon revealed its vulnerability to human [colonial] despoilment […].
Text by: Jeyamalar Kathirithamby-Wells. "Peninsular Malaysia in the Context of Natural History and Colonial Science". New Zealand Journal of Asian Studies 11, 1. June 2009.
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British colonial forestry was arguably one of the most extensive imperial frameworks of scientific natural resource management anywhere [...]. [T]he roots of conservation [...] lay in the role played by scientific communities in the colonial periphery [...]. In India,[...] in 1805 [...] the court of directors of the East India Company sent a dispatch enquiring [...] [about] the Royal Navy [and its potential use of wood from Malabar's forests] [...]. This enquiry led to the appointment of a forest committee which reported that extensive deforestation had taken place and recommended the protection of the Malabar forests on grounds that they were valuable property. [...] [T]o step up the extraction of teak to augment the strength of the Royal Navy [...] [b]etween 1806 and 1823, the forests of Malabar were protected by means of this monopoly [...]. The history of British colonial forestry, however, took a decisive turn in the post-1860 period [...]. Following the revolt of 1857, the government of India sought to pursue active interventionist policies [...]. Experts were deployed as 'scientific soldiers' and new agencies established. [...] The paradigm [...] was articulated explicitly in the first conference [Empire Forestry Conference] by R.S. Troup, a former Indian forest service officer and then the professor of forestry at Oxford. Troup began by sketching a linear model of the development of human relationship with forests, arguing that the human-forest interaction in civilized societies usually went through three distinct phases - destruction, conservation, and economic management. Conservation was a ‘wise and necessary measure’ but it was ‘only a stage towards the problem of how best to utilise the forest resources of the empire’. The ultimate ideal was economic management, [...] to exploit 'to the full [...]' and provide regular supplies [...] to industry.
Text by: Ravi Rajan. "Modernizing Nature: Tropical Forestry and the Contested Legacy of British Colonial Eco-Development, 1800-2000". Oxford Historical Monographs series, Oxford University Press. January 2006.
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The “planetary consciousness” produced by this systemizing of nature [during the rise of Linnaean taxonomy classification in eighteenth-century European science] […] increased the mobility of paradise discourse [...]. As European colonial expansion accelerated, the homogenizing transformation of people, economy and nature which it catalyzed also gave rise to a myth of lost paradise, which served as a register […] for obliterated cultures, peoples, and environments [devastated by that same European colonization], and as a measure of the rapid ecological changes, frequently deforestation and desiccation, generated by colonizing capital. On one hand, this myth served to suppress dissent by submerging it in melancholy, but on the other, it promoted the emergence of an imperialist environmental critique which would motivate the later establishment of colonial botanical gardens, potential Edens in which nature could be re-made. However, the subversive potential of the “green” critique voiced through the myth of endangered paradise was defused by the extent to which growing environmental sensibilities enabled imperialism to function more efficiently by appropriating botanical knowledge and indigenous conservation methods, thus continuing to serve the purposes of European capital.
Text by: Sharae Deckard. Paradise Discourse, Imperialism, and Globalization: Exploiting Eden. 2010.
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clove-pinks · 3 months
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An unknown surveyor, posed circa 1854 with the instruments of his craft on a tripod (Met collection).
You can tell it's 1850s between the bowtie and the hair/beard decisions.
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sneakydraws · 7 months
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Since that gothic anthy piece I've been thinking about a whole gothic rgu au... I'd really have to dig in deeper into indian-british history in order to develop this further (and to dress everyone more accurately) but I'm tentatively placing this in the 1830s... Akio could be an indian nobleman who worked with/for the east india company... Maybe did some shady stuff for it and was rewarded with a lavish mansion in the uk... Utena is some plucky orphaned girl who becomes his protégé... Anthy is the woman hidden away in the attic... But utena glimpses her at night... Mrs rochester core...
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suzannahnatters · 3 months
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Okay. Look. I'm willing to grant that late-eighteenth-century utilitarian philosopher Jeremy Bentham may have had some ideas that weren't entirely bad. He certainly seems to be influential in the history of English thought. But I will never be able to take the man seriously. This is because I was introduced to him at university during a criminology unit which informed me that he thought people who might be likely to commit crimes should definitely be pre-emptively imprisoned. I didn't think you could come up with a more fat-headed notion if you tried your entire life...but Jeremy Bentham tried very hard, and I have to admit, he nearly outdid himself...
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You see, for very serious philosophical reasons, Bentham decided that he didn't want to be buried or cremated decently, like a normal person. Oh, no - he wanted to be mummified and put on display so that nobody would ever forget him. He also wanted his head to be specially preserved according to mummification techniques practiced by the Maori people of New Zealand, and studied so that future generations would have the benefit of knowing all the secrets of his prodigious intellect. It's quite an understandable megalomaniacal impulse that you may recall from Egyptian pharaohs and Communist dictators, except that Vladimir Ilyich Lenin never asked for his corpse to be wheeled out to join his friends at parties. Trouble arose almost at once when the head was detached from the body and the mummification process began. Bentham had stipulated Maori mummification techniques, but he made the rather basic error of not asking an actual Maori person to do the work. The result went a bit awry and turned out something so disturbing that nobody could imagine wanting it at a party. So a wax head was commissioned and attached to the corpse instead. Then the whole thing was put on display at the University College of London.  Sometimes the real, not-quite-right head was put on display too, at the corpse's feet, where you really had to get close in order to see it. If you happen to spot Jeremy Bentham on a visit to London today, however, you'll notice that the original head is no longer there. And it's not, as you might think, so that people can have their lunches undisturbed. The real reason is much sillier. You see, University College has a rival institution, King's College, and in 1975 some King's College students got together and kidnapped the head as a prank. They subsequently held it to ransom for 100 pounds and rumour even has it that before it was returned to UCL they even played football with the mummified relic. I'm very sad to say that this is probably not true, because the head is probably too fragile to last long on the playing-field. But I don't think it could possibly have happened to a better person.
I'm really annoyed that this silly historical fact completely slipped my mind at the time that I was writing Dark Clouds, my 1890s gaslamp fantasy heist romp which is set partly at the University College. Maybe someday Miss Dark and her larcenous crew will have to pay Jeremy Bentham a visit...
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clouseplayssims · 5 months
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Whenever I get the urge to build a new neighborhood:
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warlordfelwinter · 1 month
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i want to play thousand year old vampire. it's been sitting on my shelf for like 3 years. my problem is that i cannot decide on a time period for my vampire to be from because i don't know enough about any historical periods
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Do you think they'd call this period in English history the Charles era or would it be more like the Post Second Elizbethian era?
Unclear. It didn't always go by monarch's name, in the past- sure, you had the Victorian era and the Georgian era before it, but you also have what we now call the Restoration era, and the sub-era of the Regency within Georgian, and the Tudor era named for a royal family rather than a specific monarch- though I have heard the term "Henrician" batted around for Henry VIII's reign. I still have to keep looking up what "Jacobean" comes from, because I always forget the exact explanation (James in Latin is Jacobeus, and the king was James I). I've also heard terms like "Thatcher-era," and of course after Edwardian you get periods named for historical events or attitudes on both sides of the pond: WWI, the Roaring Twenties, the Depression, WWII, etc.
(Shoutout to Regency for being extra-confusing: the literal English Regency was in the middle of stylistic/social period we use the term for. It was 1811-1820, but the aesthetics, media, and manners we think of as "Regency" span roughly the 1790s through 1830.)
Charles I's reign was called the Caroline or Carolean era, also from the Latin version of his name. So maybe, going by monarch's names, this is the second Caroline era?
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fmk-polls · 10 months
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dwellordream · 7 months
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Howard Zinn, A People’s History of the United States
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hunterartemis · 2 years
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The Kate Sharmas in Real Life : Indian women in 19th Century Attire
As an Austenite, I find Bridgerton an abomination, from the costume to plotline. However, like many people I found the 2nd season a bit tolerable especially the storytelling. Simone Ashley who was Kate Sharma (it’s rather pronounced as “sher-ma”) reminded me someone, especially someone dressed in western clothes in colonial India.
It is a preconceived notion by many that Indian people, especially women did not wore western clothes until it was post 1960s, but it is not true. The most fundamental garment, a blouse for saree was a Victorian addition. The eastern Indian women often worn saree as a single garment, and in ancient times, Saree or “akhanda vastra” (undivided cloth) was worn with a “kanchuki” underneath, or an Indian version of Bandeau. Blouse, in its modern form was then called a Chemise (semij, as the local vernacular called it). It came as in late 19th century, and the trendsetters were Upper class Bengali women. Rabindranath Tagore mentions how modern yet scandalising it was for a woman to wear a “Semij” in his numerous novels, especially in Chokher Bali .The picture below is of Princess Sudhira of Cooch Behar wearing what can be deemed as the earliest Indo-Western Fusion fashion in 1900s (she was known to have some good european wardrobe)
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You might be thinking, Indo-Western garment is not anything near to the empire line Regency costume! yes, it is not. But before you at me, behold this historical photograph.
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She is Maharani Suniti Devi, Queen of the Princely state of Cooch Behar, North Bengal. This shot was taken at 1902. I Know I am 100 years too late but during the 1813 Indian royals were busy from saving their states from the British Subsidiary Alliances, and Artisans were getting crushed by the flooding capitalists as the Monopoly of the East Indian Company was abolished by the 1813 Charter Act--- long story short, they didn’t wear the western garments that early. I picked her photo specifically because Simone Ashley, as Kate Sharma reminded me of her. Tall, slim, thin mouth, bright eyes, voluminous hair and dark skin. 
It is not that there are no dark skin rulers in India, and there were no royal women who donned western clothes--there are: in Fact the Daughter of Daleep Singh, the last Sikh Emperor and the Maharani of Kapurthala, both were photographed in Late Edwardian costumes in the beginning of 20th century. My pick is specially Suniti Devi because she exudes a classic ethnic Bengali beauty. I am emphasising on the fact Bengali because in Indian pop-culture Bengali women are portrayed as docile soft shy beings venerated for their big eyes and pliant beauty. However here you can see that this women is anything but. She is properly clothed in Late Victorian gown. From the prim contours of the waist it is clear that she is wearing proper undergarments like longline corset; light bustle as it was fashionable at that time and the correct petticoat. Loose but well arranged Gibson curls define her thick Bengali waves at the front of the head. The entire thing does not come off as costume-like, she looks like she was made for wearing it: she was not obviously corset trained because Indians often prefer loose fitted clothing and yet she does not look least bit out of place in that dress. 
Despite everything western in that dress from the Gibson hair to the black passmentary lace detaiiing on the white skirt, there is a distinct Indianness that graces the outfit. A long trail of English tulle is draped across the chest, as to emulate the shoulder drape of the saree: in India, a gentleman’s daughter is required to cover her chest with the drape of saree or a light scarf with Salwar. She didn’t need to; she was a Maharani, she could go without it, but she chose to drape it anyway. she also wears bangles in both hands, again a Custom by Bengali women who think a girl should not leave her wrists empty, because it symbolises widowhood. It was unlikely for a Victorian or Edwardian woman to wear bangles in both hands, especially without gloves-- but she did it anyway.
This distinct Indianness with western outfit is the exact essence which Kate replicated in the Wedding Scene
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fatehbaz · 1 year
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Didn't wanna clog up your post, and these sources are more about relationships of time with space/place, but here's some stuff that I've encountered:
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“Temporal sovereignty”. Contemporary US/Australian claims over time-keeping. Reclaiming agency by operating on Indigenous/alternative time schedules. The importance of the “time revolution” in the Victorian era to Euro-American understandings of geology and deep past, precipitating nineteenth-century conquest of time. Mid-twentieth century understanding of “deep time” and its co-option by the Australian state. "Deep time dreaming".
Laura Rademaker. “60,000 Years is not forever: ‘time revolutions’ and Indigenous pasts.” Postcolonial Studies. September 2021.
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How "time is a form of enclosure". Checkpoints, "baroque processes to apply for permits to travel", fences, incapacity to change residences, and other "debilitating infrastructures" work to "turn able bodies into a range of disabled bodies" by "stretching time". This is a "slow death" and a simultaneous "slowing down of life" because "it takes so long to get anywhere" and "movement is suffocated". Thus "time itself is held hostage". This "suspended state" of anxiety and endless wait-times "wreaks multigenerational psychological and physical havoc". "Checkpoints ensure one is never sure of reaching work on time. Fear of not getting to work then adds to the labor of getting to work [...]. Bodies in line at checkpoints [...] [experience] the fractalizing of the emotive, cognitive, physiological capacities" through a "constant state of uncertainty". "The cordoning of time through space contributes to an overall 'lack of jurisdiction over the functions of one's own senses' [...] endemic to the operation of colonial rule". This "extraction of time" produces a "depleted" and tired person "beholden to the logistics" of administrative apparatuses, community suffers and "communing is thrawted".
Jabir K. Puar. "Spatial debilities: Slow Life and Carceral Capitalism [...]." South Atlantic Quarterly 120. April 2021.
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The "apocalyptic temporality" that presumes extinction. Indigenous Polynesian/Pacific perceptions and ways of being "destabilize the colonial present" and also "transfigure the past" by "contesting linear and teleological Western time". Indigenous "ontologies of cyclical temporality or inhabitation of heterogenous time". How United States and Europe colonized Oceania for weapons testing and conquest of tropical Edens while rendering local Indigenous people "ungrievable" and "without future". "Pacific time is a layering of oral and somatic memory". Instead of accepting an apocalyptic future or doomsday or nightmare, assert the possibility of a livable future, in spite of "Western temporal closures".
Rebecca Oh. “Making Time: Pacific Futures in Kiribati’s Migration with Dignity, Kathy Jetnil-Kijiner’s Iep Jaltok, and Keri Hume’s Stonefish.” MFS Modern Fiction Studies. Winter 2020.
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Colonial "space-time homogenization". The experience of "homogenous, empty time". Orientalist "time lag" and the naturalization of a supposed East-West hemispheric divide. Late Victorian imperial conceptions of temporality. The British establishment of the Greenwich meridian and International Date Line. The influence of British imperial seafaring and cartography on the establishment of time and on European/US feelings towards the Pacific Ocean. How the origin of English science fiction literature, space travel aspirations, and time travel narratives coincided with the Yellow Peril and xenophobia targeting East Asia.
Timothy J. Yamamura. "Fictions of Science, American Orientalism, and the Alien/Asian of Percival Lowell". Dis-Orienting Planets: Racial Representation of Asia in Science Fiction. 2017.
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Imprisonment as time-control. Here “the question of the past the present and the future indeed time itself looms” especially around the prisoner. “The law renders punishment in units of time”, taking away a the right to a future. There are alternative worlds, many of them, which have been practiced and brought into being, which colonization tried to obscure. There is “a whole anthropology of people without future embedded in the assumptions that justify mass imprisonment as poverty management”. "The prison’s logic exterminates time as we know it”. In prison, bodies have been alienated from time and history ... the punishment seems endless ... to “achieve a measure of agency and possibility it is necessary to redeem time”, to refuse the doom, fated to a life of abandonment.
Avery Gordon. “Some Thoughts on Haunting and Futurity.” borderlands. 2011.
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Bursting the Limits of Time: The Reconstruction of Geohistory in the Age of Revolution (Martin J.S. Rudwick, 2010) explores how the advent of European sciences like geology, preceding the "time revolution" when Europeans experienced revelations about the scale of "deep time", happened alongside and after the Haitian Revolution and other abolitionist movements. French, German, and British naturalists translated the explosion of "new" scientific knowledge from the colonies, so that the metropolitan European audience became a market for historical and scientific "narratives" about how "nature" and time functioned.
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Prartik Chakrabarti's writing on time, temporality, and "the deep past" as British imperial concepts built in conversation with colonial encounters with South Asia. (British Empire reaching such heights in the middle of the nineteenth century at the same time that the newly professionalized sciences of geology were providing revelations about the previously unknown vast scale of "deep time". New colonial anthropology/ethnology also presumed to connect this "primitive" past with "primitive" people.)
See Chakrabarti's "Gondwana and the Politics of Deep Past". Past & Present. 2019.
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We must witness and consider "multiple space-times" to understand how "unfree labour" of plantations was "foundational" to contemporary work, movement, subjugation, health, etc. We must "trace the geneaology of contemporary sovereign institutions of terror, discipline and segregation" [workplaces, imperial/colonial nations, factories, mines, etc.] back in time to plantations. How "the [plantation] estate hierarchy survives in post-plantation" times and places, with the plantation "being a major blueprint of socialization into [contemporary] work". The plantation was "a laboratory for [...] migration regulation in subsequent epochs" that practiced methods of racializing and criminalizing.
Irene Peano, Marta Macedo, and Colette Le Petitcorps. "Introduction: Viewing Plantations at the Intersection of Political Ecologies and Multiple Space-Times". Global Plantations in the Modern World: Sovereignties, Ecologies, Afterlives. 2023.
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“Slow life” and the relationship between “settler colonialism, carceral capitalism, and the modulation of ... registers of time,” including “historical time, the stealing of time through the expansion of labor time, ... and the cordoning off of space through time”. For example, as in occupied zones or at border checkpoints, “the cordoning off of space through time” includes physical architecture like fences and customs, obstacles that impede movement and rhythm, so that “nothing ever happens on time” and there is “a stretching of time”. All the wasted time spent in line, showing papers, waiting for confirmation, etc. “is not a by-product of surveillance, it is the point of surveillance”. Such that “uncertainty becomes a primary affective orientation ... flesh as felt” with a racializing effect“. "This is a biopolitics conditioned through pure capacitation and its metrics”:
Jasbir Puar. In: “Mass Debilitation and Algorithmic Governance” by Ezekiel Dixon-Roman and Jasbir Puar. e-flux Journal Issue #123. December 2021.
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"Starfish time". Indigenous Australian/Aboriginal perceptions of time and "attending to more-than-human agencies of time". Acknowledging the timescales of entire ecosystems, as part of multispecies relationships, a "transcorporeal collaboration". Cyclical time vs linear time. Contrasting timescales experienced by insects that only live a few days and creatures that live for decades. "Starfish may seem to be still" but they slowly move; "larval time" and "the time it takes for eggs to develop and hatch"'. The "immensity of the alterity is literally incomprehensible"; "we can't know what these beings know" but we "should seek respect and be aware of how our lives are entangled".
Bawaka Country including, S. Wright, S.  Suchet-Pearson, K. Lloyd, L. Burarrwanga, R. Ganambarr, M. Ganambarr-Stubbs, B. Ganambarr, D. Maymuru. “Gathering of the Clouds: Attending to Indigenous understandings of time and climate through songspirals.” Geoforum. January 2020.
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The use of calendars, dates, clocks, and industrial/corporate temporality as fundamental to the rise of plantations and financialization in United States/Europe, with a case study of the modern Colombian/Latin American state. Observance of certain dates and strict adherence to specific calendars support "mythologized deeds and heroic retellings" of colonization and industrialization. “The evolution and internalization of disciplined concepts of time” were intimately tied to the rise of wage labor in industrializing England and later during the global ascendancy of work and industrialized plantation monoculture, but the persistence of alternative time should “serve as a reminder that futures and the demarcation of epochs are never as simple as a neatly organized calendar”.
Timothy Lorek. “Keeping Time with Colombian Plantation Calendars.” Edge Effects. April 2020.
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Indigenous people of Alaska and the US control over time management. For the past 50 years, Yupiak people have been subject to US government’s “investment in a certain way of being in time” which “standardized the clock” and disrupted human relationships with salmon. This US management model “anonymized care” and made “a way of attending to the life and death of others that strips life of the social and ecological bonds that imbue it” with resilience and meaning, which “ignores not only the temporality of Yupiaq peoples relations with fish, but also the human relations that human-fish relations make possible”. This disregards “the continuity of salmon lives but also the duration of Yupiat lifeworlds ... life is doubly negated” ... “futures depend on an orientation to salmon in the present”.
William Voinot-Baron. “Inescapable Temporalities: Chinook Salmon and the Non-Sovereignty of Co-Management in Southwest Alaska.” July 2019.
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"Idling" and "being idle" as a form of reclaiming agency and life. Case studies of fugitive Blackness in Caribbean plantation societies. “Disruptive waiting”. “The maroon’s relationship to time challenges [both] the totalizing time of the modern state, but also the [...] narratives to negotiate struggle in the [...] present" in "antagonistic relationship with colonial power". Defying the “European narrative of modernity”. Refusing to be productive.
Amanda Lagji. “Marooned time: disruptive waiting and idleness in Carpentier and Coetzee.” Safundi: The Journal of South African and American Studies. March 2018.
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Indigenous futures. "It is important to remember that some futures never went anywhere" and "yet they survive. These are futures suppressed and cancelled by colonial power." These are "parallel futures". "Colonial power must control the past so as to deny the emergence of" an alternative future; "colonial power creates a future in advance so that no others will take its place". Poor, racialized, Black, Indigenous people manifest alternative futures.
Pedro Neves Marques. "Parallel Futures: One or Many Dystopias?" e-flux. April 2019.
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The "legacy of slavery and the labor of the unfree shape and are part of the environment we inhabit". The "idea of the plantation is migratory" and it lives on "as the persistent blueprint of our contemporary spatial troubles", so we must seek out "secretive histories" that no longer "rehearse lifelessness".
Katherine McKittrick. “Plantation Futures.” Small Axe. 2013.
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“The temporal dispossession” of Congolese people. There is an “impossibility” of “predictable time” because temporal dispossession “disrupts the possibility of building a future”. Livelihoods/income is driven by market and price fluctuations in United States and Europe tech industries, so “there is an inescapable day-to-day sense of uncertainty”. As Mbembe says, “in Africa, the spread of terror ... blows apart temporal frames”.
James H. Smith. ‘Tantalus in the Digital Age: Coltan ore, temporal dispossession, and “movement” in the Eastern Democratic Republic of the Congo.’ American Ethnologist Volume 38 Issue 1. February 2011.
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“Slow death”. Chronic illness not just as a byproduct of colonialism/dispossession, but also as part of its aim, a weapon that debilitates people, who become exhausted. Dooming poor and racialized people to lives “without future” through debility, “a condition of being worn out”. Relationship of illness, lack of healthcare, and debt as functionally incapacitating, a form of death sentence. A “zone of temporality” unfolding unlike abrupt/sudden traumatic events and becoming an inescapable condition.
Jasbir K. Puar. The Right to Maim: Debility, Capacity, Disability. 2017.
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The extension of poverty, landlessness, homeless, and imprisonment. "To be unable to transcend the horror of such a world order is what hell means", and "without a glimpse of an elsewhere or otherwise, we are living in hell". The utopian is not only or merely a “fantasy of” and for “the future collectivity” but can be claimed and built and lived here, now. There is "no guarantee" of “coming millenniums or historically inevitable socialisms”, no guarantee that “the time is right” one day if we wait just long enough. Instead: "can a past that the present has not yet caught up with be summoned to haunt the present as an alternative?" The "utopian margins", an alternate world crossing time and place, an "imaginative space and temporality to trace the remains of what "was almost or not quite, of the future yet to come", living as if it were the present. Colonialism tried to crush the many headed hydra of the revolutionary Atlantic, those who challenged the making of the modern world system.
Avery F. Gordon. As interviewed by Brenna Bhandar and  Rafeef Ziadah. “Revolutionary Feminisms: Avery F. Gordon.” As transcribed and published online in the Blog section of Verso Books. 2 September 2020. And: Avery Gordon. “Some thoughts on the Utopian.” 2016.
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The US/European "city is the site of regulatory regimes" that try to impose a definitive narrative about history, progress, and possible futures. But it cannot achieve "a wholly Apollonian, seamlessly regulated realm" because the land "continues to be haunted by the neglected, the disposed of, the repressed". The "commodification" of landscapes "circulates an imaginary geography" mediated through advertisements, labels, soap operas, television, etc. which celebrate "sanctioned narratives and institutionalized rhetoric". A "wild zone" of informal spaces, debris. "Ruins are places where the things, people, and "other memories can be articulated". There is "a spectral residue" that "haunts dominant ways of seeing and being". "Alternative stories might be assembled", so that we can respect the people banished to abandonment, the periphery, and reclaim agency.
Tim Edensor. “The ghosts of industrial ruins: ordering and disordering memory in excessive space.” Environment and Planning D: Society and Space volume 23. 2005.
Also, how "master narratives of history as progress decompose" when faced with "a continuously remembered past" when "the ghosts of this past rear up in the ruin" to expose "the debris of unprecedented material destruction" of colonialism/empire-building. These "hauntings rupture linear temporality" and recall those people beaten down as "the trash of history". It is "essential to see the things and the people [...] banished to the periphery [...]."
Tim Edensor. "Haunting in the ruins: matter and immateriality". Space and Culture Issue 11. 2002.
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"Many kinds of time" of bacteria, fungi, algae, humans, and "Western colonialism meet on the gravestones". Some creatures, like lichen, are very long-lived and "these temporal feats alert us that modernity is not the only kind of time, and that our metronomic synchrony is not the only time that matters". The "long duree evolutionary rapprochements to the quick boom and bust of investment capital" where "minor forms of space and time merge with great ones". Extinction is "a breakdown of coordinations with reverberating effects". Ghosts remind us that we live in an impossible present, a time of rupture. "Deep histories tumble in unruly graves that are bulldozed into gardens of Progress". "Endings come with the death of a leaf, the death of a city, the death of a friendship".
Elaine  Gan, Anna Tsing, Heather Swanson, and Nils Burbandt. “Introduction: Haunted Landscapes of the Anthropocene.” Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene. 2017.
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Everywhen: Australia and the Language of Deep History. (Edited by Ann McGrath, Laura Rademaker, and Jakelin Troy. 2023.)
Chapters include: "Bugarrigarra Nyurdany, Because of the Dreaming: A Discussion of Time and Place in Yawuru Cosmology" (Sarah Yu et al.); "Songs and the Deep Present" (Linda Barwick); "Yirriyengburnama-langwa mamawura-langwa: Talking about Time in Anindilyakwa (James Bednall); "Across 'Koori Time' and Space (John Maynard)
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reasoningdaily · 4 months
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This engraving titled A Tread-Mill Scene in Jamaica (also published in a variant version titled An Interior View of Jamaican House of Correction) played an important role in the abolitionist campaign against the apprenticeship system. Apprenticeship — planned as a six-year transitional system and in the end lasting only four years — was introduced in Jamaica in 1834.
It renamed enslaved people as “apprentices” and compelled them to work for those who had formerly been their owners. Although apprenticeship was initially accepted by most British antislavery campaigners as a gradual means of ending slavery, the conflicts and violence that accompanied it eventually convinced these abolitionists to campaign for its end.
Because apprentice-holders, unlike slaveholders, were not legally permitted to use direct physical violence as a means of control, apprenticeship saw an increase in the use of the prison system as a form of labor discipline. Many of the most serious and widely publicized abuses during apprenticeship took place in Jamaican prisons. This abolitionist print, which illustrated a shocking first-person account, A Narrative of Events . . . , by James Williams, a former apprentice, attempts to capture them all.
At the center of the image is a treadmill. Treadmills were introduced into most Jamaican prisons during apprenticeship as a supposedly humane form of punishment. As this abolitionist exposé emphasizes, they soon became sites of torture. Prisoners were supposed to step regularly upward, several inches at a time, turning the wheel as they did so. In practice, the wheel often turned so fast that those “working” it had no chance of maintaining their footing, and so slipped off, hanging by wrists strapped to a bar above the wheel as the wheel turned and its steps repeatedly struck their legs.
Prison drivers flogged those who came off the wheel and sometimes those who had not, in an attempt to force them to continue to step or to refind their footing if they had fallen off. The whip added to the pain inflicted by the punishment.
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yallemagne · 2 years
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Someone tell me how Quincey is the easiest man to draw ever. Is it because he’s American??? I must just still be recovering from Jack,,, And I'm gonna have to draw him again soon,,,
LIKE C’MON THIS MAN IS WEARING A HAT AND I CAN STILL DRAW HIM? DOWNRIGHT WITCHCRAFT. 
The jacket on the latter page is what I imagine he’s hanging in England wearing. The gun to the right of him is a Winchester!
I actually envision him to be on the shorter side of average height. You wouldn’t be able to tell from the fact I always give my characters too-long legs. 
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vanishingsydney · 2 years
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Balmain Watch House (1854). One of the very oldest buildings still standing in the Inner West. Designed by Chief Colonial Architect Edmund Blacket and built of Sydney Sandstone. Original top storey replaced in 1881. Remained a police lock-up until 1925. Then became the home of the local Police Sergeant until 1944. Later fell into dereliction and badly damaged by fire and vandals; earmarked for demolition before being saved and restored by local community groups in the 1980's. Now an exhibition space for hire. Heritage Listed. Balmain.
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asshole-rebel-psycho · 4 months
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Having curls is crazy
Some days you look like a cave man and some days you put your hair back only to discover that you have the tightly formed corkscrew curl of a young Victorian woman waiting to be courted by Mr. Darcy at the ball.
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