#vessel consecration

[itswilliamleonard]

sana completes the launch ritual

[windvexer]

Ritual Gestation and Birth: A relatively low-spoons method (at least I think so) of creating powerful* servitors, enchantments, etc

*Powerful as compared to other techniques that work worse.

A common spellcasting method is to immediately deploy the spell once the casting is complete. In fact, deployment is often a part of the casting ritual in and of itself.

A different option is to keep the spell vessel in a state of magical gestation over a period of days or weeks, so that it slowly matures, gains strength, and solidifies, until it's born into this world, ushered by your hands.

This method is opposed to one where huge amounts of energy need to be raised at once. It's not a technique I'm able to manage in a sustainable way, and I find the results to be a little too... jittery.

If you are a witch who must not, or may not, raise lots of energy at once, this technique may be more manageable. It involves supervising a pot of spell, a bit like a simmering pot of stew, but overall I find it to be less of a draining process. Perhaps other people will find the same.

I believe that creating a magical seed (or embryo, if you like), and tying it to a physical object - such as a candle, crystal, piece of jewelry, charm bag, poppet, and so on - is in and of itself a powerful act of magic. This is why a candle can be enchanted, immediately burned, and still result in miraculous effects.

However, I also believe that giving the seed time to magically gestate can produce deeply powerful, effective, and long-lasting (or perhaps better to say, permanent) results. This isn't the same as completing a casting and letting the enchantment sit until you're ready to use it - it's an active process of nurturing.

Instead of immediately sending a spell to go out and work, sending it to a gestation phase is an easy change. If our spellcasting methodologies are anything alike, all you've got to do (in crude terms) is to swap out your targeting/release portion of the spell with an introduction to the magical womb, or egg, or embryonic sack, (&etc), within which the spell will grow and gain strength.

Examples:

If you direct energy as you raise it, instead of chanting, focusing, writing, or affirming that the spell goes to the target as you raise the energy, instead C/F/W/A that the spell goes into the gestational vessel.

If you gather energy and imprint/program it before you deploy it, send it to the gestational vessel instead of the target.

If you fully enchant a spell vessel (such as enchanting a candle, or creating a poppet), after the spellcasting is complete, instruct the new spell to rest and grow strong within the gestational vessel, until it's time to be fully born.

After the spell is cast, and you have magically moved the spell into its gestation phase, the spell components should be placed securely within the gestational vessel and tended to until they're ready to be born.

The "gestational vessel" is a physical object - in Traditional Witchcraft, this is most suitably the cauldron. But the gestational vessel only needs to meet a few qualifications, regardless of its ability to make campfire stews:

The gestational vessel must have a secure lid, even a makeshift lid, which blocks out the light.

It must be large enough to completely hold the physical components of the spell which it gestates.

It must be able to be stored without disruption, where no unqualified persons may accidentally remove the lid or disturb it.

Additionally:

Moving the vessel doesn't seem to typically disrupt what's growing inside. It can be taken down from a shelf, etc.; as long as the lid isn't opened without due cause.

I do not personally consecrate gestational vessels to that special purpose. I tend to use multi-use vessel which I'll use for other things later.

When the spell is inside of the magical egg (tired of saying gestation), it becomes your job to tend to it by providing energy. This can take many forms, and is an intuitive process.

Feeding the spell can be done in any manner which you usually recharge objects, or provide offerings to spirits. The line is blurred here, I think.

Feed the spell more of what you fed it in order to create it; that is, more of the same energy you raised, more of the same emotion you spent, and so on.

If preferred, feed the spell food, candle, and incense offerings. A general offering of "white light," or another creative energy, also does well here.

Intuition may advise that different foods are wanted by the spell at different times. Do with that as you please.

Those able to "tune in" to the energies of their spells and environment may find it to be very easy to keep track of the embryonic spell's hunger. Otherwise, follow a simple schedule.

I usually do not find that spells need to be fed every day, and when they require feeding, I do not find that they respond to huge amounts of energy or offerings.

Feeding about every three days is a safer bet for me.

I notice that an excess of provided energy just seems to pool up and go to waste.

A feeding may be as simple as placing a bit of your dinner next to the gestation vessel along with an offering charm, or if you're able to, lighting a single tea light.

Persons interested in psychism may have an excellent time noting the energetic change in the spell as the gestation develops.

The lid may be carefully opened to peek inside, especially if normally helpful intuition fails without peeking in; but treat the vessel gently, as if a tiny embryonic baby chicken is inside. Be quiet and gentle, and avoid disrupting the lid unless you really need to.

Ahead of time, before you even cast the spell, you should have decided how long you're going to gestate it for. Three days, or a full moon cycle, or dark to full moon, are a good bet; so is one week if you're doing a planetary thing. I find that even a shorter gestation period provides delightful results compared to doing none at all.

Intuition may advise that the spell is ready to be born early, or would like to stay a little longer.

If intuition is not your ally in these matters, follow the schedule you've set. All will be well.

The appointed time has arrived - the spell is to be born! (Celestial enthusiasts may be wise the the idea of birthing their spell at a special hour, day, or election).

Frankly, popping off the vessel lid, saying, "your time of rest is done, you are now at full power, go now and begin your duties" will perfectly suffice.

But better can be achieved.

If possible, consider employing a birthing ritual. Here are ideas, in no particular order:

Symbols of a gateway or passageway are very good, even something as simple as two stones or two candles to mark a 'gate'.

Using an actual doorway, especially moving from indoors to outdoors (or vice-versa, depending on the nature of your spell).

Using a hag stone to represent pulling the spell from the faerie world into our physical one; the reverse process of how such a stone is often employed.

Using a family tradition, or religious or cultural tradition, to celebrate the birth of a new baby; even if this tradition is only symbolically simulated through key points ("I am the grandpa of this family, and as the grandpa, I announce the new baby's name!")

Doing something celebratory and evocative, like that Lion King scene where Rafiki holds up baby Simba, etc.

In general, the spell should be removed from the gestation pot in a ritualistic way, glistening with the gravity of ushering new life into this world.

The spell may be carefully taken from the vessel and passed through a doorway or liminal space; symbolically drawn through a hag stone or other physically impassable space; held up to greet the first light of the day, or the light of a certain moon phase; be passed over a fire; or any number of ritualistic acts to denote movement into a new phase of life.

At this time, you should magically assert that the spell is born, and ready to do its task.

Of course, you do more. And in these matters, I find that more is better.

A christening ceremony, or a baptism, is most excellently employed to further empower this new life to be a living being in our world, capable of great influence and change - as we all imagine our children will be.

A bit of anointing oil, a touch of holy water, a formal naming ceremony ("I name you, My Paycheck is Cleared. Your name is My Paycheck is Cleared."), whatever you like - especially include a small gift to the spell (perhaps a few coins to set it on the right path in life), or - I suppose this post has gotten long enough. You can perhaps imagine what more could be done.

When all is said and done, employ the spell; light it if it's a candle, whisper things to it if it's a poppet, hang it up if it's supposed to be hung up, and so on.

Do mind that such things, having being born into this world and given real life, do not tend to quit it so quickly as only bornless energies that are diffused just as they were raised; like waves, forming and dissipating.

Things with birthdays and names and birthday presents and baptisms and godparents tend to feel as if this world is theirs, too.

I am generally not very much of a "be careful" sort of poster, but for this sort of technique, I'd recommend being careful. It really does work fantastically, and that's the problem.

Feed the spell with your blood at the moment of conception, and at the moment of birth, for something extra delightful.

[hoseoksluna]

THE FUN DAY, pt. I. | kth ft. pjm

pairing: idol!military!boyfriend!taehyung x f. reader (ft. best friend!jimin)

genre: fluff, angst — the sad kind

word count: 4.8k

summary: you've prepared a fun day for your boyfriend's military vacation. thank god he's here, right?

pin: f. / playlist: fun / taglist: join / discord: join

warnings: suggestive but not described themes of sex and alcohol consumption.

note: i'm so EXCITED to bring you this fic that i can't wait until tomorrow to post this. everyone welcome TAEHYUNG and JIMIN to the hoseoksluna universe. i have to tell you a secret. taehyung was my first bias when i first became army. taehyungie was the first one to save me from the bunch—literally to resurrect me because in him i found all the things i used to love and fell out of. jazz, poetry, the aesthetics and arts. it is an honor to write about him and i think i will write another taehyung fic next week. if you have any ideas, drop them in my ask box and i will use them for inspiration. this fic is dedicated to my baby ruru @tkslovechild, my tatlim @jjk7k, and the beautiful anon that asked me for a tae fic while i was already working on this one. i love you all so much. enjoy this beautiful piece. <3 mwah.

𓂃 ౨ৎ .

I am much too alone in this world, yet not alone enough to truly consecrate the hour. I am much too small in this world, yet not small enough to be to you just object and thing, dark and smart. I want my free will and want it accompanying the path which leads to action; and want during times that beg questions, where something is up, to be among those in the know, or else be alone.

I want to mirror your image to its fullest perfection, never be blind or too old to uphold your weighty wavering reflection. I want to unfold. Nowhere I wish to stay crooked, bent; for there I would be dishonest, untrue. I want my conscience to be true before you; want to describe myself like a picture I observed for a long time, one close up, like a new word I learned and embraced, like the everday jug, like my mother's face, like a ship that carried me along through the deadliest storm.

𓂃 ౨ৎ . — I Am Much Too Alone in This World, Yet Not Alone by Rainer Maria Rilke

It was your love language, to dress up like your boyfriend. 

Dress pants, shirts and jackets. Linen, silk, leather. Pointed heels or oxford shoes. Grays, browns, beiges and whites. It was something that made you happy—and it was something that represented a vessel, made of unbreakable porcelain, for your love that you carried for Taehyung. 

He’s sitting in the corner of your bedroom, on a wooden stool he specifically placed at such a picturesque place. With the ivory curtains drifting along the nape of his neck, sheer enough to expose the small vase of tulips that stoop in a private longing for his touch. He fondles them often to preoccupy his mind when you take your usual long showers and he waits for the fashion shows you give him. He’s the one who says yes or no. These shoes, love. Look, they’re just like mine. And right at this moment, the wine-yellow petals are caught between his slender fingers when you come out and he doesn’t let go of them—because you’re not holding up the outfit for the day as you always are. 

For the fun day as you’ve called it. 

You’re dressed in it. Low-waisted gray dress pants with a little, tight, white shirt. Black stilettos, black shoulder purse. Your trench coat is waiting for you in the hall, hung up and lonely, but other than that you’re matching him fully. It feels as though you’re fading into him, becoming a singular being that has his DNA and his beauty, and when he beams up at you, boxy smile on full show, spine straight and tall on the stool, long fingers gripping its rim, Taehyung, with his gray suit and a white shirt, somehow validates that feeling. 

Somehow, in that peculiar Taehyung way of his. 

He extends his hands towards you, asking for your closeness. There’s a mist of murkiness that envelops him, with the saddened clouds beyond the window, standing in the place of the sun. It moves through you, this image of him reaching for you in this landscape, and you think he deserves to be painted like this. With black charcoal and a little bit of soft carmine to eternalize the blush of his cheeks—the only trace of color in the sketchbook. Your hands don’t know the art of drawing, but your heart does and while you take those necessary steps towards him, you feel the scratches of that dark pencil over that grainy flesh. 

His palms find your curves and you consider it unbelievable, the fact he’s still so big, despite the size of the stool and the height of your heels. No matter how much taller you grow, he’ll always be that tower that protects you from the blazing heat of the sun. 

He’s the epitome of autumn. No longer a boy, but a man, whose lungs are perfumed by apples, leaves, cinnamon, pumpkin spice and the slight iciness of the seasonal wind. Whose eyes witnessed the growth of your form since you were a little girl with two long braids. 

Childhood best friends turned to lovers, favored by the hanging, twinkling stars. 

You always saw him the most in autumn. Chasing you down during festivities that your mom couldn’t not be a part of, grabbing a hold of one of your braided pigtails with his already long fingers, then tickling you until you gave up. Ever so easy to catch because of the length of your hair. You knew, even as a little girl, that he was not just a part of your life, but your life itself. More than a companion, more than a friend. You dreamed about having his babies and that dream would come to life through your imagination whenever he would chase you down, years later, in the grand halls of the east wing of his grandiose family home, where nobody ever comes, just to steal a kiss or two. It was the moment you realized that you were no longer kids, even though you acted as such, but that you desired little legs to follow you in the fun of it all. 

And that kiss changed every autumn from that year on.

Stolen glances, the blush of cheeks, quivering fingers that no longer grabbed your braids. Not until many autumns later. You gave him your everything, every bit of your newly-bloomed femininity, your dream of having his babies and he folded it into the vinyls of his favorite jazz music that he would play every night whenever he needed inspiration or whenever he simply needed you. 

Newly. Not just yet as adults and no longer as kids. Somewhere in between. 

And then the duties of adulthood came. The natural process of drifting apart settled between your bodies and you no longer played in the stage between. Taehyung, the saxophone-playing jazz singer, moving foreign bodies into his personal, heart-sung rhythm. Not yours, never yours for a long time. You, working a day job that never paid enough, not for the dresses you yearned to wear at those clubs he would play at. 

But what you didn’t know was that drifting apart meant coming together eventually. 

He might have become your Turnip Head, silent and distant, but you were Sophie—and you found him. You found him while looking for something, or someone for the lack of better words, and he helped you. Over a cup of coffee he didn’t drink, at a jazz bar you always wanted to come to. Your date was a hit and miss and the guy never came, and your Turnip Head didn’t help you find your Howl. 

He helped you find himself. And from that moment on, you never drifted apart again. 

Who would’ve thought that seeking a relationship that did not resemble your dream nor your childhood would make you find him all over again. 

In autumn, too. 

Taehyung paid for your dresses, your female suits, paid for your drinks. Kissed you underneath those dimmed, brown lights before he went off to play songs that moved your body at last. Dancing alone to his songs was your dream come true until he set down his saxophone and joined you. Let his band mates play his favorite Etta James song as he took your hand and drifted upon the dance floor with you. Those who danced before this song sat down, let you have this opportunity for yourself, and Taehyung kissed you, after a long time, after many autumns had passed, right then and there. 

And both of you realized that you could never drift apart again. You could only drift together. 

You moved in together. He bought you tulips of every possible hue every week. Played you his new songs for you on the saxophone. Took you to art galleries. Took you sightseeing, sometimes alone with you, sometimes with Jimin joining you. Shared your dream about having babies with you and talked about it all the time. Tried it out, seized it many times, though the outcome both of you desired never came. Had a beautiful life with you until…

Until he thinned out into his Turnip Head form and skipped away to fulfill his country duties. 

But he’s here. Oh, he’s here. Buff and big, apples, cinnamon and pumpkin spice. Brown eyes that carry the memory of your growth, hands that clutch your hips and that hold the silky memory of your still long braids. Hands that edge around your slightly, barely puffy tummy and that don’t know that you are with a concoction of a small him and you, a divine magical realism, a dream that came true without his knowledge right after the last hours of his military vacation were up and he had to go back to serve the country. 

The reason behind this fun day. 

The day of his second vacation, the day you tell him. 

“You look just like me,” he breathes, the width of his smile never lessening, hands skipping over the space between your hips and your arms and grabbing your hands. It gets to you still, the way his eyes never look up at you, the way they never have, and you feel so sweetly small. Even more so when Taehyung stands to his feet and slides his suit jacket over your shoulders. You become even smaller, a fawn taken care of. A pregnant fawn. “And now you are me.” 

Oh, he doesn’t know just how much. Not yet. 

He sits back down and gently pushes you to take a step back. On wavering feet, like that freshly-born fawn, you waver on your feet, but Taehyung keeps you stable, leaning forward to make sure you’ve caught your balance. A wisp of his dark hair falls over his eye that he, at last, flicks up at you. And the sensation from it, it is nothing that you ever felt before. 

It is a step forward. 

It’s something that tells you: go ahead. 

You planned to tell him at the jazz bar where he kissed you for the first time as an adult and made you his. But now, now it feels more than right, amidst this strange newness that you don’t think you’ll ever experience again. 

You open your mouth, brace yourself, but Taehyung is faster. Ringing fills your ears, the atmosphere around you feels gooey—as if you’re walking through a limbo. 

“Jimin will meet us at the park.” 

Oh, yes. Walk in the park, a warm drink to go, then the jazz bar. Jimin is having his military break as well, about to sing in Taehyung’s honor, you already knew this, knew he would join you, but being in the presence of your boyfriend, the detail slipped out. 

The newness leaves. Taehyung straightens. Towers over you. The normalcy flattens over the chemistry between you and him, the atmosphere lessening to feathery lightness and when you move your arms to give back his jacket, your arms feel as though they’re not your own. 

Your smile falls. 

Jazz bar it is. 

“We should go,” you prompt, turning around, having all the balance in the world as you go fetch your purse and reapply your red lipstick. 

Taehyung watches you in the mirror, his boxy grin on eternal display, warming your heart. You think about how you can’t wait until his baby witnesses that smile for the first time—and wonder if God is molding, at this very hour, the same one upon their little face. It brings tears to your eyes, ones that you quickly blink away, and instead you focus on lining your lips with the tip of the lipstick with utmost precision. 

In your vast collection of lip liners, you don’t have a red one. Truth be told, you always feared this vibrant color. It represented a stigma you never liked—that only promiscuous women wear that color, but to you it was never that. 

It was a color that meant you lose your girlhood, your childhood upon wearing. 

And now, it is a color that announces the next era of your life: adulthood, but different, painted with motherly instincts that are of these vibrant hues. Womanhood. No longer fearful, but brave. 

Right. 

You want your baby to connect this color to you and know that you made it. You waited your whole life for their father and gave it to him in one of the autumns as a child. Without knowing, without realizing. 

That color is a legacy. 

As if he could hear your thoughts, Taehyung kisses the back of your head, halting your motions. Wraps his arms around you as he props his chin on the place he kissed—and right here, right now, you’re looking at a family portrait in the mirror. 

A living, breathing one. With lifting chests in tandem, growing smiles and a growing baby in your womb. 

Magical realism in full effect. 

And then Taehyung is off to fetch your trench coat, holding it up for your arms to slip inside its sleeves. Grabs your hand and revels in the autumn weather outside, boxy smile never faltering. Sings in the car on the way to the park, makes eye contact as he mouths the lyrics—kiss me once and kiss me twice, then kiss me once again, it’s been a long, long time—because he could never sing over that part. It’s too precious to his heart for him to do so. 

The wind accompanies you and grabs your other hand as you walk down the pathway lined with half-barren trees and a still pond. Taehyung hums the Bing Crosby song that seems to be playing on loop within his mind and it is the only greenery that spreads around through his husky voice. All else—the pond, the trees and the last of their leaves that dance around you, the shrubberies and the clouds up above—are smeared with sullen blues and grays, to which Taehyung is everlastingly immune. 

Jimin is standing by an antique coffee stand, dressed to the nines in an outfit he most definitely must be cold in. Black dress pants with a jacket that stuns you. A matching Hussar one, with golden braiding. A military piece of clothing from another time. You think it suits the fun day quite delightfully, but not as much as it suits him. The golden detail goes hand in hand with his golden hair and you think he needs his picture taken. 

“Jimin!” you call out, making his confused little face turn in your direction, and he swivels his body to face you altogether. He holds two cups of coffee in both of his hands, one for him and one for you. You melt at that and look up at Taehyung to see his boxy smile ever so frozen and beautiful, pointed at his best friend. 

When you reach him, he hugs you. His cold skin stings you and you quickly warm him up with rubbing motions against his back. Scrunch your brows in puzzlement when he doesn’t hug Taehyung nor even look at him. 

But all is swept away when Jimin exclaims in discomfort and takes a rapid sip of his boiling drink. 

“Jimin, where’s your coat?” you ask him in pity, watching him shake and moan in pain once he burns his tongue. He uses the cup to warm up both of his hands. 

“I didn’t think Paris would be so cold in October,” he explains in a hushed, livid tone, drawing the rim of the paper cup back to his lips as if he didn’t learn his lesson. Typical Jimin. “But this outfit is for Taehyung anyways, so I’ll survive.” 

He talks of him but he doesn’t look at him. Makes heart eyes at the misting coffee, instead. Like Taehyung isn’t here at all. 

Strange. 

You shake off the thought. 

“Go stand by the pond before you freeze. I want to take a picture of you,” you say, softly, pulling your phone out of your purse. Glancing up, you expect Jimin to be ready with his pose, but he’s looking at you as if you said the most outrageous thing in the world. Eyes wide, mouth downturned in horror. You laugh and place a hand on his arm. “Go, Jimin. This is a special day and special days ask for special pictures.” 

Jimin sighs and nods, despite the fact he doesn’t really look like he wants to do it. 

“Fine, but I’m keeping the coffee in my hand.” 

Your tender laughter prolongs. “Fair enough. Go pose with your little heat pack.” 

Gazing out at the pond, Taehyung is already standing there. With his brown coat over his gray suit, he coalesces with the autumnal scenery and you think he belongs there. That a statue should be made of him right where his feet are planted, for people to remember and appreciate his beauty. You snap a few pictures of him before Jimin makes his way towards the stone bannister and stops right in front of Taehyung, who towers over him. Jimin lifts his cup and smiles a little tight smile, the mist from his coffee eclipsing over him like a soft fog. Switching to portrait mode, Taehyung is gone by the time your screen clears out and shows Jimin by his lonesome self, setting his coffee cup down on the bannister and turning around for some dramatic, aesthetic shots. Taehyung laughs in your ear, catches your slipping purse and places it back on your shoulder, and what he says next gives your life a whole new meaning. 

“Jimin is cute, but he’s strong and sane enough to protect you while I’m gone.”

You pivot back, piercing your sight right through him, not believing those words were just flung out of him like that. Taehyung never mentioned you having a protector while being in the military and even the whole concept of it confuses you even deeper as Jimin is serving as well. He might not be in the special forces like your boyfriend is, but he’s serving nonetheless. The systems are the same, no matter the department. 

Before you can ask him what he meant by that, the sing-song tone of Jimin’s voice reaches you. He calls out your name with a bit of alarm. 

“What’s wrong?” 

You gaze back and meet his eyes in full motion—he’s already taking long steps towards you and grabbing your arm, taking your confusion to another level.  

“What happened?” he asks, his pupils thin dots that ripple through your skin with stiff, panicky electroshocks. You glance back at Taehyung to discover that he’s not standing behind you at all, but behind Jimin, clutching his shoulder. 

You blink. “Nothing.” 

Jimin lets go of your arm and inhales the autumnal air. The pond, suddenly, heaves. 

“Let’s go somewhere warm,” Jimin suggests and you agree with him with a nod of your head. Pinpricks of iciness kisses your fingertips, despite the fact you’re still holding your own cup of coffee that Jimin bought you. 

A strange feeling seizes you. 

The jazz bar is an embrace of snug heat that embraces your womb first before greeting the rest of your body. You can’t help but to touch your baby, say to her in your heart: this is your Daddy’s most favorite place in the whole wide world. And the feeling is so surreal that it washes away the strange sensation that clung to you so heavily. 

You’re the first customers to come. Jimin sighs in absolute relief and he’s standing in the middle of the dance floor, frozen in time, as he lets the warmth of the place defrost his bones. Your cup of coffee was long finished and discharged; Jimin’s drank his in long sips that took seconds to finish, too, and the whole ordeal was so funny to you that it’s given you a sense of lightness that you needed. 

Taehyung hasn’t spoken a word since you left your apartment. 

He sits at the bar stool like he sat in your shared bedroom. One leg propped on the footrest while the other is relaxed on the floor, one hand folded on the apex of his thigh, the other drumming on the bar while the band he doesn’t know is rehearsing their instruments. You take a seat right beside him and feel like the parents you’re about to become. Sophisticated, classical, sublime. 

The pretentious kind, but in a good way. 

That thought makes you smile softly until the bartender asks you if you’d like anything. You politely decline her, even though you’d love a glass of wine with the daddy to be beside you. You can’t drink, not for many months to come. You wait for her to ask Taehyung the same question, but she doesn’t even lift her eyes to his direction. She wipes down the wood of the bar and leaps away. 

Nobody fucking asks Taehyung anything. 

Amidst a hearty guitar strumming solo, Jimin notices the furrow of your brows, the downturned pout of your mouth that opens to ask Taehyung about the strangeness that keeps occurring today. But before you get the words out, Jimin calls out your name into the microphone, the vowels made sweet by the sound of his princely voice. He stands with the band behind his back, his Hussar jacket exquisitely fitting the dimmed background. He holds out his hand for you, a poignant glint perched on top of his irises, and he flattens his puffy, pink lips. 

“Don’t be sad. Tonight is for Taehyung and all sadness is prohibited,” he says with his feigned announcer articulations, the corners of his mouth rounding in a similar manner to yours, in sympathy. “We will have to kindly ask you to leave if you proceed in your sadness. Please, join me here.” 

You roll your eyes, but the smile gracing your features couldn’t be erased even with the force of the whole wide world. You stand to your feet and paddle your way to him, the heels of your stilettos clicking on the worn parquets. Jimin gives you a soft grin and places his microphone down, meeting you halfway on the dance floor and taking your hand. 

It is when he begins to sing, just for you, that you perceive that the instrumental song the guitarist played is one, which is contained in one of Taehyung’s vinyls. The ones he would play in the darkest of nights and sing the lyrics to your bare body. Tears prick your waterline when Jimin guides you into a gentle slow dance while maintaining the tones of the song with utmost perfection. 

And Taehyung is carried in every languid motion and in every vocal cord that is strained upon this hour in his honor. 

I’m in the mood for love, simply because you’re near me…

You gaze back at Taehyung, who sits still and smiles his boxy smile. Frozen and beautiful, but unbreathing. 

Still and unbreathing. 

Frozen. 

You halt your movements. 

Jimin stops the dance, ends the song with a deep hum that pulses through you along with the notion that something isn’t right, but very, very wrong. 

“I wish Taehyung were here,” Jimin says with a deep sigh, holding both of your hands, and an uncanny, perplexing feeling constricts your throat. 

Your breath shivers, vision blurry. “But he is here.” 

Jimin lets go of your hands and you lament his touch. You need to be touched because you feel yourself shrinking into a fawn most vulnerable that doesn’t know what’s real anymore. A fawn just born, pathetically ignorant of the world and of her loved ones.

“I know, but I wish he were here for real.” 

A cold sweat drips down your spine, paralyzing you. Your constricted throat dries up like a well and you can’t swallow. You can’t think, you can’t blink—your lungs can’t lift to inhale any air and they mirror Taehyung’s still ones, unbreathing. 

It is a surprise to you, the question that flows out of you. 

“Jimin, who is sitting at the bar?” 

A wrinkle forms between his brows as he sweeps his gaze over all those bar stools and doesn’t linger at the occupied space that you know is there. A perturbing energy thuds in his eyes once he returns them to yours, and that alarming potency in him rises once again. 

“Who do you see there?” he asks, carefully, leaving his mouth parted as he anticipates your answer. 

You peer back behind you and don’t find any bar stools occupied. Not single one. 

No Taehyung, smiling his boxy smile. 

No Taehyung behind Jimin. 

No Taehyung behind you. 

A sob rumbles out of you in unison with your realization that you were, indeed, very wrong. You catch your sob, covering your mouth with your fingers as your tears spurt down onto your cheeks. 

And then the memories arrive, the reality.

But Jimin ceases their flow with the warmth of his even more careful question. 

“Did you see him at the park, too?” 

You can only nod, but you can’t look at him. You stare at nothing in particular and it seems that what Jimin has ceased, he allows to stream through the pond of your thoughts, accompanied by his vocalized truth. 

“Taehyung isn’t here. He should’ve been here with us, but he had to go to North Korea. There was a conflict, remember? You know this.” 

Taehyung’s apologetic text message appears before your eyes. The letter that came first before his phone call, where he explained to you that he can’t have his vacation and visit you because he has to go and save his country. The real, known reason between the pair of you and Jimin behind this fun day. To honor Taehyung for what he’s doing. The day you wanted to share, as well, that you were pregnant. 

The aloneness has gotten to you, helped by your blessed state. Confused your mind to the point that you imagined him here when he’s not here at all. 

Jimin calls your name and you glance at him. Perhaps he can see the truth dawning on you by the way pity twists his features. He caresses your arm and leaves his hand there, his heat locking in the realization. 

“What has happened to you?” 

Another onrush of tears clouds your vision. Your spine bends. And you can’t. 

You can’t not tell him. You can’t keep it in. 

“I’m pregnant.” 

Jimin’s eyes widen and it merely takes him a second to envelop you in his embrace. He coos your name, rubs your back, a whimper resonates in his chest against yours as he holds back his tears. The music falls into nothingness—and nothing is said for a time that appears to be as long as the season of autumn. 

And then, somehow, you’re outside of the jazz club, sitting on Jimin’s Hussar jacket that he put down on the cold ground for you beside him. And the silence continues until it doesn’t. 

“Does he know?” he asks, and you feel his irises gliding across the side of your face that you cannot turn. 

It’s you who’s frozen this time. 

Still and unbreathing. 

With no smiling Taehyung at your hip. 

“I wanted to tell him tonight,” you say, quietly, with your hands helplessly in your lap. “On the day of his vacation that he looked forward to.” 

Jimin sighs, the sound full of that terrible pity. “How far along are you?” 

It’s a question that brings life to your numb hands and you take them to your belly. 

“Three months.” 

A beat of silence. 

You fondle your growing baby. Jimin seems to be watching you, considering his following words, but you fear to move your eyes. Lift them in expectation to see Taehyung only to meet the half-barren trees and the leaves on the ground that have absurdly regained their vivid colors. 

Lift them to look at Jimin and meet the outcome of your autumn-long aloneness. 

“He’ll be back in a month and I’ll talk to the Sergeant and offer my own vacation. I’ll give it up so you can see him and tell him.” 

A sob lodges itself in your throat and you tilt to the side, leaning your head on Jimin’s shoulder. He, in response, leans his against yours. 

“I don’t think your Sergeant will even hear you out,” you say, humorlessly, your personal pain still prickling the flesh of your heart. 

But then Taehyung’s words wash over you. 

Jimin is cute, but he’s strong and sane enough to protect you while I’m gone.

Jimin, Taehyung’s best friend, who’s been there for him through thick and thin, long before you came into the picture. Jimin, who stuck by your side when sightseeing, and took your pictures. Who devoured dinners with you and drank a whole bottle of liquor with you when Taehyung abstained. 

Jimin, your best friend, too. 

“Will you be here for me while he’s gone?” you ask, the sob in your throat enlarging, preventing you from speaking, but you push through. “So I won't get delusional again?” 

Jimin takes your hand in his, squeezing it firmly in your lap, his thumb brushing over your little, half-swollen belly. 

“It’s the least I can do. Let’s get you home.” 

And he does. 

He calls a cab. Walks with you up the stairs, lingers at the door, watches you take off your heels—watches the comprehension of this day being anything but fun take form on your face and posture, and he hugs you. Reassures you that he will be here the whole week until his vacation is over, and even long after that. 

And you nod. Thank him. Turn your head away when he clicks the door shut behind him. Walk over to the window and stifle your tears when you see him head over to the liquor store in front of your apartment and leave with a bottle of spirits hanging from his fingertips. 

And the tears rush out, despite your efforts, when your gaze cascades down onto the windowsill and onto the vase, where white wine-doused tulips stooped in yearning for Taehyung’s touch a few hours ago. 

They aren’t stooping. They’re flaccid, dead and withered. Like the fun day you prepared.

Because Taehyung hasn’t bought any newly blooming tulips in a long while. 

𓂃 ౨ৎ LOVE-KISSED BABIES: @jjk7k , @tkslovechild , @euphoricmyth , @cinmmongirl , @ririkookiemonster , @perfectiondazesworld , @https-mei , @bangtansonyeondanue , @jungkoock , @cinmmongirl , @hoseokkie-caeks , @kam9404 , @fr0ggieth1nk , @parkinglot-nights

© 2024 hoseoksluna, all rights reserved

BACK to masterlist | read part two

[literaryvein-reblogs]

10 More Words Related to Medieval Art & Architecture

to include in your poem/story

1. Monstrance: A vessel created to display the consecrated Host, the body of Christ. They were first created in response to the Feast of Corpus Christ established in 1263 that enabled the faithful to see and venerate the consecrated Host on a crescent moon-shaped mount. Monstrances were used in liturgical processions, especially on feast days, and were also placed on the altar.

2. Ogee Arch or Ogive: An arch with a pointed apex, formed by the intersection of two S curves usually confined to decoration and not used in arcade arches. Ogee arches were used only in the late Gothic period.

3. Pediment: A triangular space above a window or entrance. Originally, the triangular space was formed by the end of a gable roof and later was used decoratively.

4. Quatrefoil: An ornamental form which has four lobes or foils. It may resemble a four-petaled flower.

5. Refectory: Dining room in a monastery.

Refectory at Mont-Saint-Michael, France

6. Scriptorium: Area in a monastery where books and documents were written, copied, and illuminated.

7. Trefoil: An ornamental form which has three lobes or foils.

8. Trumeau Figure: Statue decorating a trumeau (i.e., vertical architectural member between the leaves of a doorway. Trumenus were often highly decorated). Usually this was a human figure, usually a religious personage.

9. Tympanum (plural, tympana): The semicircular area enclosed by the arch above the lintel of an arched entranceway. This area is often decorated with sculpture in the Romanesque and Gothic periods.

10. West End: The area of the church opposite the east end. The west end usually functions as the main entrance to the church. When one enters a church from the west end, the left side is the north side, and the right is the south side.

If these writing notes helped with your poem/story, please tag me. Or leave a link in the replies. I'd love to read them!

Words Related to Medieval Art & Architecture (pt. 1)

[lilianasgrimoire]

Herbs & Correspondences G-L

Galangal Root - Also called Lo John the Conqueror or Lo John. Carry into legal proceedings to help win. Money, gambling and hex breaking.  Also aids luck and psychic development. Element Fire. 

Garlic - Magical uses include speed, health and endurance, also protection, exorcism and purification. Use also to promote your inner strength.  Element Fire. 

Gentian - Increases spell power. Good luck and works well in love & romance spells. Element Fire. 

Ginger - Increases magic power. Success, love, money and power.  Element Fire. 

Ginseng - Promotes love, beauty, healing and lust.  Element Fire. 

Hawthorn Wood- Associated with Beltane. Magical uses include chastity, fertility, fairy magic, fishing magic, and rebirth.  Success in career, work, and employment. Use it to work with the fae. Used in weddings and handfasting's to increase fertility. Element Water.  Hawthorne Berries aid chastity. Hope, protection and happiness. Element Fire.  

Hearts Ease - Also called Violet.  It helps to mend a broken heart. Aids rebirth, peace, wishes and luck.  Calms the nerves and promotes peace and tranquility. Element Water.  

Hemlock - Use to paralyze a situation and a funeral herb. Highly Toxic.  Element Water.   

Henbane - Dried leaves are used in the consecration of ceremonial vessels. Used in love sachets and charms to gain the love of the person desired. Highly Toxic. Element Water.  

Hibiscus - Attracting love and lust.  Use in divination. Associated with lunar magic.  Element Water. 

High John - (The Conqueror) An "all purpose" herb.  Use it for strength, confidence, conquering any situation.  Good luck, prosperity and protection. Element Fire.   

Holly Hock - Protecting, all Fairy magic, abundance, personal growth and aids passing. Related to Lammas. Element Earth. 

Horehound - Protective against evil doings. Helps with mental clarity during ritual; stimulates creativity/inspiration; balances personal energies and healing.  Element Earth.  

Horsetail - Use for strength and resolve. Protection, cleansing and clearing unwanted emotions.  Element Earth. 

Hyssop - Used for purification.  Banishing, protection and healing.  Element Fire. 

Irish Moss - Used for luck. Ideal for gamblers!  Attracts money and customers for self-employed. Offers protection. Element Water 

Ivy - Protection, healing and fertility.  Use for love and hang at handfasting's.  Element Fire. 

Jasmine - The herb of attraction.  Helps prophetic dreaming, money and love. Element Water. 

Juniper - See Cedar berries.  

Lady's Mantle - Aphrodisiac and transmutation. Use in love spells and those of fertility.  Increases magic power in spells and connects with fairy lore. Element Water. 

Laurel- See Bay leaf. 

Lavender - Magical uses include healing, sleep and peace. It also promotes chastity and love. Increases longevity of life, tranquility and happiness.  Element Air. 

Lemon Balm - Also called Melissa. Love, success and healing.  Aids psychic/spiritual development. Supports mental health disorders and compassion. Element Water.     

Lemon Grass - Psychic cleansing and opening.  Use in lust potions and when using Dragon Magic.  Element Air.  

Licorice Root - Love, lust, and fidelity. Also attracts passion. Element Water. 

Lilac - Wisdom, memory, good luck and spiritual aid.  Element Water. 

Linden Flower - Wisdom, justice, love and protection. Element Air. 

Lime Tree Leaf - Healing, calm and love.  Aids strength and tranquility.  Element Air. 

Little John - See Galangal root. 

Lungwort - Use in air magic or as an offering to the Gods of air.  Offers safe travel when flying. Element Air.  

[lunar-witches]

🍁🔮 10 Autumn Witchy Practices🌙🍂

1. 🌕 Harvest Moon Rites 🌾

Under the luminescent embrace of the Harvest Moon, unveil rituals of abundance, manifestation, and profound connection. Ignite candles, consecrate your sacred space, and let the moon's ethereal glow infuse your spells with celestial might.

2. 🎃 The Magic of the Pumpkin 🎃

Beyond their pumpkin spice allure, pumpkins hold an enchanting power. Carve intricate sigils, transform them into altars, or concoct elixirs infused with their mystical essence. These gourds harbor the key to banishing negativity and inviting prosperity.

3. 🌿 Herbal Alchemy 🍂

Autumn bestows a trove of botanical treasures, each brimming with magical potency. Sage purifies, rosemary shields, and cinnamon invokes warmth and abundance. Mix these sacred herbs to craft your own elixirs and brews, weaving your intentions into existence.

4. 🍂 Communion with the Woods 🌲

Step into the ancient embrace of the forest, where whispers of forgotten wisdom linger. Wander among the trees, meditate beneath their boughs, or collect leaves to attune yourself to the Earth's ancient heartbeat.

5. 🕯️ The Enchantment of Candle Magic ✨

Autumn's chill beckons the flicker of candles, a gateway to the supernatural. Harness the essence of colors and scents to amplify your spells. Pink for love, purple for wisdom—light the way to your desires and witness their manifestation.

6. 🍎 Divination with Apples 🍏

Beyond the bobbing game lies an age-old divination practice. Inscribe your queries upon apple peels, release them into a vessel of water, and interpret the apple's message as it floats toward your answer. It's like conversing with the spirits themselves.

7. 🌙 Moonwater's Mystique 🌊

Capture the moon's ethereal energy with the creation of moonwater. Leave a vessel under the moonlight to charge, and use this elixir for cleansing and empowering your magical tools. It's the alchemical elixir that bridges the realms.

8. 🍁 Tarot of the Autumn Leaves 🍂

Trade your tarot deck for the wisdom of autumn's multicolored leaves. Attribute meanings to each leaf type and let the breeze guide your selection. Mother Nature herself shall unfurl the secrets of your destiny.

9. 🎶 The Enchanted Melody 🎶

Compose a bewitching playlist that resonates with your inner mystic. Whether it's the haunting melodies of Loreena McKennitt, the ethereal ballads of Donovan, or the timeless harmonies of Fleetwood Mac, let the music inspire your enchantments, guiding your spirits as you dance beneath the moonlight.

10. 🧹 The Broomstick's Esoteric Purpose 🧹

While soaring on broomsticks remains the stuff of legend, your broom holds symbolic significance. Use it to cleanse your sacred space, banish negativity, and usher in blessings and abundance. It's the earthly bridge to the astral realms.

My Ko-Fi

[beatingdrumspouringwine]

Personal Dionysian Ritual

This is the ritual form I use for my Sunday worship (or, in this case, first-day-of-Anthesteria worship). I think this may hit closer to Catholic or Christian formats than historic Greek pagan ritual formats, at least if the book Hellenic Polytheism - Household Worship is to be believed. But this format is just a bit easier on me in terms of supplies, time, and ability to keep it semi-covert. I don't have the ability to light fires in my current space, but when I do, I usually include a prayer to Hestia at the beginning and end.

Dionysian Ritual (for Sundays) (Usually) (It's not set in stone)

Approach the altar or worship space. With you, there must be:

A bowl or other vessel filled with water (can be small).

Optionally, you may have:

Wine

Barley

Sea salt

Divination tools (I prefer tarot, or Sappho/Homeromanteions when I can get my hands on it).

A candle or other source of heat/light/incense (smells, basically)

Place the bowl of water either in front of your statue of Dionysos, or, if no statue is available, in a central spot in your space of worship. The wine and extra supplies may be placed anywhere else. Begin:

Orphic Hymn to Dionysos (Apostolos N. Athanassakis translation) I call upon loud-roaring and reveling Dionysos, primeval, two-natured, Thrice-born, Bacchic Lord, savage, ineffable, two-horned and two-shaped. Ivy-covered, bull-faced, warlike, howling, pure, You take raw flesh, You have triennial feasts, wrapped in foliage, decked in grape clusters. Resourceful Eubouleus, immortal God sired by Zeus when He mated with Persephone in unspeakable union, Harken to my voice, O blessed one, and with your fair-girdled nurses, Breathe on me in spirit of perfect kindness.

After the Orphic hymn, consecrate the bowl of water to make khernips. You may add salt if desired.

Dionysian Khernips Prayer (In between each verse of the Khernips Prayer, I move from just having the bowl on the altar, to holding the sides of the bowl, to holding the bowl up for the last verse.)

After the Khernips Prayer, I pray to Hagios as I actually ritually wash myself with the newly made khernips.

Hagios (For every verse of Hagios, I start with washing my face, then move to washing my hands, and finally sprinkle khernips on my feet, especially if I'm planning on dancing. This isn't actual washing, but more like lightly splashing water on the different parts of me that I wash.)

After Hagios, if there is wine, then I consecrate that, which I'll link my prayer for below. If there isn't, then I libate clean water (will be writing a prayer for that at some point soon), and move on to the next part of the ritual.

Wine Consecration to Dionysos (From the part where I say "This is the gift that..." through to "on the slopes of Mount Kithairon", I raise the wine towards my statue Dionysos as though toasting Him, which is inspired by art showing Maenads serving Dionysos wine.)

After the wine consecration, I pour out a libation of wine to Dionysos while praying my prayer to Dionysos Theoinos:

Theoinos

After the prayer to Theoinos, whatever happens next is up to you. If I'm doing any divination, I'll say a prayer to Dionysos Mantis before going ahead with it. Otherwise, I may dance, or talk about my day, or simply do prayer after prayer after prayer until I've kind of exhausted my talking point. Since most of my rituals are done at night, however, the consistent part is frequently the end, which is my second prayer to Dionysos Nyktelios:

Nyktelios II

And there you have it! I definitely finished this a bit later than I was planning, but that's okay - I got it out, and that's all that matters! I hope everyone has a good night and a beautiful Anthesteria, and that this was helpful to some degree :)

[ginandoldlace]

The gold Ampulla is used to hold the consecrated oil with which a sovereign is anointed during the coronation ceremony. It is cast in the form of an eagle with outspread wings. The head of the eagle is removable, and there is an opening in the beak for pouring the oil.

The design is based on an earlier, smaller vessel, which was based on a fourteenth-century legend: the Virgin Mary is said to have appeared to St Thomas Becket and presented him with a golden eagle and a vial of oil for anointing future kings of England. Oil from the Ampulla is poured onto the twelfth-century Anointing Spoon at the most sacred moment of the coronation. The gesture of anointing, when the Archbishop touches holy oil onto the head, breast and hands of the sovereign, dates back to the Old Testament Book of Kings, where the anointing of Solomon as King is described.

[kurithedweeb]

This is an elaboration of my answer about clothing culture in DoS (this one) on veiling within priesthood for @tsunami1022! There’s some context and the original commented question in the post, but my answer is too long to put in the comments so here it is. I myself am not religious or studying religion so don’t expect this to match up with any actual religion, this is just what I imagine for Ru’aun. We’re gonna talk specifically about veiling in the Church of the Matron Irene.

The act of covering their face is a way to elevate the veiled closer to the goddess. You don’t look upon a holy power without consequences, so being veiled is a disciple’s way of giving themselves a layer of protection and being able to look and be closer to the goddess. There’s different levels to it. I mentioned that devotees cover their eyes, members of the church cover the lower half of the face and the High Priest’s entire face is covered.

The covering of the eyes allows you to look up to the goddess. To see her and study her. It allows her to look back at you and take notice that you don’t have to shy away, so when you pray she may hear you above the din of the masses. Still, you may look at her, but you won’t see her clearly. She’s a vision to interpret, shapes to read like shadow puppets. The mask over the eyes is the only veil that may be removed outside of worship. It’s something you wear to church and for your prayers at dawn and dusk, and most people remove it when going about their daily lives but scholars and prayermen (staff of the church and those housed on church grounds) only remove it when washing or sleeping.

Covering the mouth allows your words to mingle with the words of the goddess. Outside the church, your word is taken as her message, you are the middleman between the divine and the mortal. Only the most dedicated to her teachings can interpret the Matron for the masses, those who have followed their entire lives and intend to follow until their deaths, the priests and nuns. These veils are never taken off, not even to eat and drink, and can be stripped from the veiled by the High Priest or local Lord if they act against Irene’s teachings. You cannot be seen without it, and the dorms on church grounds are all single rooms so you can wash and sleep without breaking this rule.

The High Priest is considered a vassal of Irene, a vessel if she wished it. He may speak to her and she may speak to him. He is the closest to divinity a person can get. To look upon his true face is seen as equal to looking upon the true face of Irene. She speaks through him. He doesn’t interpret anything, she and he are there together, his words are hers as far as anyone is concerned. He has several veils that suit different ceremonies and these can be exchanged for or worn together with different masks to show tone because you can’t read his expression. He may only remove the veil in the most intimate moments of his life: the embrace of a lover, the moment he is married, the death of a family member, the birth of his child, and as part of the ceremony to pass on the mantle of High Priest.

Aside from the different roles the different forms of veiling take, there’s also universal meanings. Veiling in real-world religions has a number of meanings: it’s seen as a symbol of holiness, purity, modesty, protection and mystery, and it can also be a connection between the veiled and their God. In Christianity, which I believe is what the canon church of Irene is based on, objects and people are sometimes veiled because they have a certain dignity and close relation to holy power—this includes the hands of the priest since they’re consecrated, the veil of a bride, and the habits of nuns who are supposed to consider themselves married to God. For the Church of the Matron, another important symbol is unity. 

When you devote yourself to the Matron, your veil becomes your new face, so much so that some disciples who have been best friends for a decade can’t recognize each other without their veils. You are the closest mortals have come to Irene’s divinity, your name and face are sacred things now that belong to her, and you are no longer an individual. You are an extension of her power. You are now a shard of the whole of the Church of the Matron; you too are just a touch holy.

Anyway, the veils are shields from divinity on both sides! It’s a huge scandal within the church (keep it hush-hush from the public for the public image) for a veil to be relinquished or stripped from a wearer.

[hazyaltcare]

A devotional/prayer style poem for a Goddess of Vengeance, something to recite as a prayer or to invoke the spirit.

o goddess, o goddess, we invoke your power, let this prayer be a vessel for your consecration. may you hear our plea- may you right the wrongs- may your divine might strike true! o vengeance, o vengeance, o blessing and curse, bestow us reprisal through our supplication. may you hear our plea- may you right the wrongs- may your divine might strike true! o great force of nature, o justice so fair, guide our bodies and souls towards vindication. may you hear our plea- may you right the wrongs- may your divine might strike true!

(This is quite a long invocation, but you can certainly cut it up into its constituent parts as needed.)

Mod Vintage (Tn)

[arcane-abomination]

I talked about how channeling Eldritch energy and earthly energy through the same tools can sometimes make the energy flow difficult to work with. Why is that? Well, the short answer is this; Eldritch energy comes from other places in the universe and/or other dimensions. Sometimes it’s makeup is far too different from our earthly energy to work with it within the same tool. (This isn’t always the case but 8/10 times it usually is) It would be like lighting a fire inside a bowl of water…it just won’t happen. In order to work with Fire and Water in harmony, you need to put them in their own unique vessels. This sounds simple enough but it can get complicated when introducing things like the grimoire and sigils into the mix.

In this post I’m gonna talk about some of the ways you can more easily use these conflicting energies to create harmony in your craft. Please check out my ELDRITCH CONSECRATION RITUAL as well for further reading as this post will NOT be going over any actual spellwork.

⚜️ The Grimoire ⚜️

Now, just from reading the introduction, you might be thinking, “well now I need a whole separate grimoire for my Eldritch work.” Well I’m here to tell you that no, you do not. As long as you know how to consecrate things properly. You see, when most people concentrate their book they do it as a whole, but with Eldritch energy you need to enchant specific sections or pages separately.

It can definitely be a little tedious to go through each page and concentrate them one by one or section by section. But, in the end it’s definitely worth it. I like to do mine as a create the pages so it’s not to demanding.

🌹Page Sharing🌹

This can be achieved by simply redefining how we concentrate. Instead of doing page by page. One could do paragraph by paragraph. Or even symbol by symbol. It would be like having both a fire vessel and a water vessel side by side on the same altar, within the same circle. That way all the energy is separated yet can still work in tandem with each other.

Another fun trick is to write something and concentrate it one way, then take a whole knew writing utensil and go over the same lines. Consecrating those new strokes with the other energy. Since the inks are differently charges all the magic is still there in the form of individual vessels but it’s appears as if it’s only one.

⚜️ Sigils ⚜️

Sigils can be a great way to call on energy, but how can Eldritch energy share a sigil with earthly energy? Well for starters the same method of overlaying energies can be used as stated above. But you can also consecrate different strokes of the sigils as well. Again, I realize this is tedious but well worth it.

Likewise, whole pages of in-depth Sigil grids, seals, and talismans can be done this way. Every symbol, every line, every piece, can have its own consecration.

⚜️Potions ⚜️

I feel like this one should be easy enough to grasp on your own but I will talk about it any way just in case, there’s an off chance somebody doesn’t know. Charming individual ingredients to mix into the potion as their own vessels will sold the “energy mixing” issue for this one.

⚜️ Closing ⚜️

I hope this helps to give you some ideas. It’s definitely not as difficult as some people think, more so just tedious. But as I’ve said several times now, it’s well worth it in the end

[mostlysignssomeportents]

Naomi Kritzer's "Liberty's Daughter"

Tomorrow (November 22), I'll be joined by Vass Bednar at the Toronto Metro Reference Library for a talk about my new novel, The Lost Cause, a preapocalyptic tale of hope in the climate emergency.

There's so much sf about "competent men" running their families with entrepreneurial zeal, clarity of vision and a firm confident hand. But there's precious little fiction about how much being raised by a Heinlein dad would suuuck. But it would, and in Naomi Kritzer's Liberty's Daughter, we get a peek inside the nightmare:

https://fairwoodpress.com/store/p148/LIBERTY%27S_DAUGHTER.html

Beck Garrison is a seasteader, living on a floating platform built by libertarian cranks to get away from big government, taxes, and the idea that people owe each other care and consideration. Various kinds of market trufans have built their own fiefdoms: there's a sin city, a biotech free-for-all, a lawless Mad Max zone, and so on.

Beck's father, Paul, is some kind of local functionary. He's wealthy and respected, both a power-broker and a power in his own right. He pays for Beck to get private tutoring (no public schools – no public anything) and if she needs bailing out from some kind of sticky situation, he's got her on his account with Alpha Dogs, the toughest mercenaries on the sea (no police, either). An armed society is a polite society, after all.

Beck has a job, naturally (there ain't no such thing as a free lunch). She's a finder: for all that the steaders worship commerce as a sacrament consecrated to the holy Invisible Hand, there's not a lot of retail at sea. California – the nearest onshore neighbor – has lots of pesky taxes, and besides, it's a long ways off. Besides, space is at a premium on the stead, so people don't have attics and basements to fill with excess consumer junk.

Instead, when a steader needs something – a shoelace, a fashion accessory, or any other creature comfort – they hire a finder like Beck to clamber around between the decks of the aircraft carriers, scows, yachts and other vessels comprising the stead. It's a good way for Beck to earn spending money, and she's a natural at it. After all, she's been a steader since she was four, when her mother died in a drunk driving accident and her father took her to sea.

The story opens with a finding job. Beck wants a pair of sparkly shoes for her client, and the woman who owns them is an indentured servant whose sister has gone missing. Find the sister, get the shoes.

Indentured servant? Yeah, of course. Freedom of contract is the one freedom from which all the others flow, so you can sell yourself into bond labor. Hell, maybe you can earn enough to buy a share in the stead and become a co-owner/citizen.

This is the setup for Beck's adventure, which sees her liberating bond slaves tricked into fatal work details, getting involved in reality TV production, meeting illegal IWW organizers, and becoming embroiled in a pandemic that threatens the lives of all the steaders. It's a coming of age novel, told with the same straightforward, spunky zeal of Heinlein's juvies, but from the perspective of the daughter, not the dad.

Kritzer makes it clear that growing up under the thumb of a TANSTAAFL-worshipping, self-regarding, wealthy autocrat who worships selfishness as the necessary precondition for market clearing would be a goddamned nightmare. She also thinks through some of the important implications of life in one of these offshore libertarian archipelagos, like the fact that the wealthy residents would be overwhelming drawn from the ranks of corporate criminals and tax-cheats, and the underclass would be bail-skipping proles ensnared in the War on Drugs.

But Liberty's Daughter isn't a hymn to big government. Most of the steaders are escaping the US government, a state whose authoritarian and cruel proclivities are well-documented. Kritzer uses the labor dispute at the core of the novel to reveal market authoritarianism – the coercive power that hunger and poverty transfers from the have-nots to the haves. Think of Anatole France's wry observation that "the law, in its majestic equality, equally forbids the rich as well as the poor to sleep under bridges, to beg in the streets, and to steal bread."

If you're familiar with Kritzer's work, you won't be surprised to learn that she tells a zippy, fast moving tale that smuggles in sharp observations about the cleavage lines between solidarity and selfishness. Her story "So Much Cooking" – published years before the pandemic – captured life under lockdown with eerie prescience:

https://pluralistic.net/2020/04/17/pack-of-knaves/#so-much-cooking

More recently, her "Better Living Through Algorithms" is a dazzling display of knifework that'll cut you a dozen times before you even notice that you're bleeding:

https://pluralistic.net/2023/05/02/wunderkammer/#jubillee

If you habitually read Kritzer's short fiction, Liberty's Daughter might be familiar to you, as it is adapted from a series of stories that originally ran in The Magazine of Fantasy and Science Fiction. Kritzer's YA debut, Catfishing on the CatNet, was also adapted from a short story, "Cat Pictures Please," which won the Hugo Award in 2016:

https://boingboing.net/2019/11/19/setec-astronomy-kitteh.html

"Libertarian exit" – buying a country, or an archipelago, or just a luxury bunker – has been in the air lately. It's a major element of my new novel, The Lost Cause, which came out this month – anarchocapitalist wreckers try to sabotage the Green New Deal from the seastead they've moored to the tallest point in the drowned Grand Caymans and declared to be a sovereign nation:

https://us.macmillan.com/books/9781250865939/the-lost-cause

Kritzer is great at catching that zeitgeist. Seasteading is part of a long, bitter dream of a certain kind of selfish person to escape society, a tale told in lurid and fascinating detail in Raymond Craib's 2022 history Adventure Capitalism:

https://pluralistic.net/2022/06/14/this-way-to-the-egress/#terra-nullius

There's a longstanding joke to the effect that you can shut down any discussion of the merits of a libertarian exit by asking three questions about the brave new world:

Whether you can sell your organs;

Whether you can sell yourself into slavery; and

Whether there is any age of consent.

Kritzer tackles the first two, but tacks around the third. Instead, by giving us a young adult protagonist who has been raised in a rusting libertopia, she finds a decidedly less incendiary way to think about the role of autonomy in adolescents, and thus generates far more light than heat.

The result is a cracking read with a sting in its tail.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/11/21/podkaynes-dad-was-a-dick/#age-of-consent

[windvexer]

Spirit Vessel Theory & Practical DIY (Traditional Witchcraft Flavored)

(Written in response to an Anon whom I think is probably involved in spirit conjure community, which is where conjurers put spirits inside of a vessel for you and ship them to you. Anon requested to know tips on how to transfer a spirit to a new vessel)

✨big heckin UPG ALERT ahead for the ENTIRE POST✨

In this post, a spirit vessel is any object, including a container filled with objects, which serves as a spirit's physical foothold into our present reality.

Three Varieties of Spirit Vessels: Telephone, Body, House

Please note the particular absence of trap or prison: there is no need for any practitioner to trap or seal a spirit inside of a vessel. This is what we do to unwanted spirits to relocate them to a second location, and it's not how we treat our friends.

My categorization of spirit vessels relates to how the spirit is intended to engage with the vessel.

Telephone Vessel: This is the kind I've most commonly seen and heard of in the conjure community. The spirit lives/exists Elsewhere, but the practitioner has given them a link of communication to this physical object.

The practitioner then works over the object to "call" the spirit and ask it to arrive in their location, or visit it Elsewhere, or just talk while they are in separate locations.

In my opinion, the "telephone" vessel is the least impactful type for the purposes of allowing spirits into our lives, but it's great at what it does: serving as a telephone line. However, as I hope this post will go on to show, it's also the easiest to make because the vessel requires the least amount of preparation and care.

Body Vessel: This is when the spirit vessel is meant to be the body of the spirit as it dwells on Earth. When a vessel is consecrated and dedicated to a spirit, it's understood to be the spirit itself. The form that the vessel takes influences the spirit's ability to work in our reality.

Body vessels may end up looking like little figurine versions of the spirit in question, but they can also be containers specially prepared with decorations and objects heavily linked to the spirit's essence.

Direct examples in witchcraft and folk magic include house and kitchen dollies that are meant to help lighten the load of chores or stop food from burning. Such dolls may be equipped with little brooms, multiple hands, and so forth, to assist with chores.

Another example of a body vessel is the Decaying River God. To create this vessel, I made a deal with the river and then embodied a spirit into this intuitively crafted form. Now, that physical object has become the sacred body of a spirit.

Just as the kitchen doll may be given a broom to assist with sweeping, a spirit's body may be equipped with tools to grant them additional influence and abilities in our world. A related example in witchcraft is to put the feet of small, scurrying Earthen animals (such as a rat or mole) into charm bags, so that the spell can scamper to its destination.

Just because the spirit has a body vessel does not mean they are permanently bound inside of that vessel. Accidentally breaking or losing the vessel isn't like harming the spirit (although obviously it's to be avoided).

Spirits which were born Elsewhere are perhaps more likely to come and go from body vessels, but even beings born with the creation of their body may still leave that physical space and return to it as desired.

House Vessel: This is the same thing as a spirit house or shrine, just a step to the left. We might equip the body vessel with objects that grant the spirit additional powers and capabilities, but in the house vessel, I tend to organize things to be a pleasant and enjoyable respite for the spirit, almost like a custom bedroom.

There may be no object or representation that's intended to be the body of the spirit at all. Nonetheless, the space is still one where the spirit may be fully invited and present, and gives them a strong foothold in our world.

The only real difference I draw between a house vessel and a shrine or spirit house is the intent. A shrine may be to venerate, and a spirit house may be a kind act of providing shelter. But the house vessel's intent is to create a space that makes it easier for a spirit to fully Show Up to our present reality.

Which Variety is Best?

This depends on your needs. For the purposes of witchcraft, spirits are often best given bodies that reflect their nature and empower them to carry out your purpose. I also hold this to be true for spells and any other variety of guy.

Spirits whom we're getting to know, but aren't quite sure of yet, may be best limited to "telephone" status.

House vessels - I haven't got a lot to say, except bringing up the point of them.

You can have multiple telephone lines and house vessels, yet intuition advises that really only one Body should do for the average spirit.

Vessels Themselves Can Suck So It's Worthwhile to Put Some Thought Into It

I believe that the more a spirit vessel is the embodiment of the spirit themselves, the easier it is for the spirit to use that vessel to interact with us and our present reality.

An extreme example can help demonstrate this point.

Imagine you've gotten to know a water spirit. A mermaid, let's say, from an ocean world of pure, opalescent waters, where coral reefs are cities and pet jellyfish are decorated with pearls.

Imagine that the vessel for this mermaid is a jar painted red and decorated with symbols of fire, then further charged with fiery energy. Within the jar is rusty nails, polluted water from the side of the highway, and a heaping spoonful of chili flakes.

I would hazard a guess that you couldn't even agree to get that mermaid to use such a vessel as a telephone line, much less use it as their physical body.

It's not that the spirit is snooty - it's that you're asking him to come into contact with things that irritate and burn him. Not only would it require a huge amount of energy to overcome these differences, but the vessel would nonetheless cause him discomfort.

Intuition may even advise that a simple bowl of water would create a vastly improved "house" vessel for this spirit.

But if it's true that a vessel can be incompatible with a spirit, then it's reasonable to assume that a vessel can be made more and more compatible with a spirit, until it is highly compatible and therefore very easy for the spirit to link to it and use it.

To really improve our mermaid vessel, we might embroider the outside of a bag with a representation of a coral reef, place jellyfish charms and imitation pearls inside of it, and often soak the entire bag in cool, pure water.

This may be the perfect vessel for our mermaid, but totally unsuitable to the pollution monster, who wants to live inside of the rusty nails jar.

This is the primary reason why I find simple unmodified single-object vessels to be not that great. (Examples of this would be, a crystal ring or antique object purchased and used without modifying it to the tastes of the spirit)

While a spirit may select such an object from a lineup and request it's use as a vessel, that doesn't mean that it's going to be an effective vessel.

Especially combined with beliefs in witchcraft about the magical impact of modifying vessels to encapsulate the power of a spell or spirit,

I believe that an unmodified object for use as a spirit vessel is like casting a candle spell with a plain candle to which no herbs or energies are added, and all you do is imprint your raw intent and light the candle.

It'll maybe work, but not nearly as well as it could.

Therefore I believe the form of the vessel matters beyond whether or not the spirit personally likes it, and extends into the realm of sorcerous technique - spirit manifestation is affected depending on if the spirit vessel is made well or made poorly, and especially how much it is physically personalized to the spirit.

Creation of a Useful Vessel

In all cases: Modify the object(s) of the vessel as much as possible to reflect the nature and known qualities of the spirit. As much as possible, work with the spirit to choose modifications, or, work with known lore or with the assistance of spirit workers or diviners.

In the case where a single object (such as a stone) must be used:

Tie the object up in a net where each knot represents a foothold for the spirit to cling on to, or, where each knot ties up a bundle of energy of the sort of thing the spirit likes. (Can be then worn as necklace)

Paint or carve the object, even in a hidden area.

Add additional decorations and embellishments to reflect either the nature of the spirit, or to represent useful tools that the spirit can use to access the object.

Carve out the middle and add bits of paper (with name and permissions written on), and stuff with relevant herbs.

Sight-unseen, I wouldn't recommend single object vessels if you can't heavily/permanently modify them.

In the case where a container vessel (such as a bag, box, or bottle) may be used:

Decorate the exterior, and if space permits the interior, of the container to best reflect an environment enjoyable to the spirit. Consider various techniques: painting, embroidery, carving, burning, and so forth.

Selectively include objects which reflect the spirit's nature, including dried plants, stones, feathers, seeds, bones, and various objects from nature; also charms, trinkets, and tokens (factory-made is fine); also prayers or poems, or drawings or artwork, all of these things symbolic of the spirit and attempting to demonstrate its nature and totality

Include a written sigil or signature of the spirit, and it's name or known names, and epithets. Often best done in fancy magical ink if any is on hand. (I use Sharpies; no need to over-think it)

Charms, amulets, plants, prepared powders or oils, or otherwise, for the purpose of facilitating spirit manifestation and ease of travel between worlds; examples may include specially prepared threads to symbolize links and roads, special spirit-calling powder, magnets to "draw towards," symbols of the Crossroads or of safe and easy travel, and so forth.

In the case where the spirit is likened to an earthly animal, bones or preserved body parts are a very good addition.

In the case where the vessel is itself in the form of a body, such as a figurine or doll:

Hand-craft or heavily modify the creation to represent the vibes as much as possible

Dress, accessorize, ornament, and decorate the figure to represent the spirit or it's known attributes and purposes.

As handicrafters known more about their trade than I do, I don't want to over-comment. Make them a little body. Yes.

Inviting the Spirit to Utilize the Vessel

Unfortunately I will decline to try and provide a specific step-by-step ritual, mostly because I work more intuitively and don't actually have one written up.

But I'll do my best to explain how you can go about it, and some things to consider.

Basically, you'll want to conceptualize four steps:

Final magical preparations

Consecration

Dedication

Invitation

I'll try to explain the reasoning behind including these things, and of course, you'll want to modify or change all of them according to your preferences and needs.

In all cases: Use your magic to make the vessel lovely and filled with spiritual virtues that resonate deeply with the nature of the spirit. This is necessarily vague; a troubleshooting primer for energy work is beyond the scope of this post.

The timing of this work is very well done on special days where the spirit-roads are open, on full moons, or on Mondays.

In cases where the spirit already has a vessel and you want to give them a new one, there is no difference in operation. Make profane and reclaim the old vessel afterwords according to your desires.

Fill the vessel with two types of energy: The first being dense caloric energies from foods, especially oil, nuts, seeds, eggs, and fatty meat. This can be done by placing a food offering next to the vessel and dedicating the food to the spirit.

The second being ethereal and subtle energies, such as produced from blessed incense or energy work. This can be done by blessing and offering incense as you normally do, or channeling your personal energy into the vessel.

Consecrate the vessel: Perform any charm or ritual in your practice which delineates an object as being sacred and separate from the everyday, and turns the object into a Spirit Vessel. (Add'l details below)

Dedicate the vessel: Perform any charm or ritual in your practice which functions to formally gift-give an object to a god or a spirit.

Sometimes, a consecration and a dedication are done in the same ritual, especially when a god is concerned. E.g., "Witchfather, by your name this wand is made holy (consecration). I give this wand to you; it is yours, and when I use it, your hand guides it (dedication)."

The most simplest format of this is something like, "by [the powers I believe allow me to make thing sacred], I make this object sacred [and perhaps I sprinkle some saltwater or whatever formula I believe is necessary to help me make things sacred]. This object is now the vessel for a spirit. Now, it is a Spirit Vessel."

The above being the idea of a consecration; the dedication then being something like,

"[Spirit Name], I invite you into my world and my life. I give you Permission to dwell in this Spirit Vessel and make it your body and your home. I give you Permission to walk in this world through the conduit of this Spirit Vessel. It belongs to you, it is you."

(The above dedication perhaps also revealing something about why "telephone lines" may be a safer bet, the dedication for those being something like, "[Spirit Name], I invite you to observe this vessel and place your fingerprint upon it, so that when I work over it I call out to you, and you can hear me easily no matter how far apart we are.")

Anyway, put some real thought into exactly how much you want this spirit to manifest in your life, because spirit experiences - even when desired and invited - can be very intense and scary, especially if up to that point your experiences with spirits has been limited.

Invite the spirit into the vessel: If not included in your dedication, also formally invite the spirit.

"[Spirit Name], I've prepared this special Vessel for you, and given it to you. I have prepared the way with earthly and aethereal energies, so you may be well-fed and have the power to move within our world. [That's the offering bit innit]. Come now at this time and here in this place, and claim this Vessel as your own."

Etc., something like that.

At this time, the ritual is over with and you can commune with the spirit as desired or close the ritual down in your normal techniques.

Again, if there is an additional/old spirit vessel you no longer want to use, try talking with the spirit about what to do with it; but you can just let it "run dry" and then carefully undo the magic on it. After that, do with it as you please.

[a-word-a-day-for-writers]

𝐀𝐦𝐩𝐮𝐥

1. A small bottle or flask; a phial.

2. esp. A vessel for holding consecrated oil, or for other sacred uses. (In this sense ampulla is now commonly used.)

[pagan-stitches]

Today is the second day of Christmas (or 3rd depending on which custom you follow) and the Feast Day of Saint John the Evangelist.

Customs

Let's start with a traditional prayer for the day:

O glorious Apostle, who, on account of thy virginal purity, wast so beloved by Jesus as to deserve to lay thy head upon his divine breast, and to be left, in his place, as son to his most holy Mother; I beg thee to inflame me with a most ardent love towards Jesus and Mary. Obtain for me from our Lord that I, too, with a heart purified from earthly affections, may be made worthy to be ever united to Jesus as a faithful disciple, and to Mary as a devoted son, both here on earth and eternally in heaven. Amen.

As to customs, the most famous is that in his happy memory, Catholics bring wine to church, which the priest blesses, turning it into a sacramental called the "Love of St. John." Catholics use this sacramental wine for special occasions throughout the year and to give to the sick. The blessing as given in the 1962 Rituale Romanum:

Blessing of Wine on the Feast of St. John, Apostle and Evangelist

At the end of the principal Mass on the feast of St. John, Apostle and Evangelist, after the last Gospel, the priest, retaining all vestments except the maniple, blesses wine brought by the people. This is done in memory and in honor of St. John, who drank without any ill effects the poisoned wine offered to him by his enemies.

P: Our help is in the name of the Lord.

All: Who made heaven and earth.

P: The Lord be with you.

All: May He also be with you.

Let us pray. If it please You, Lord God, bless + and consecrate + this vessel of wine (or any other beverage) by the power of Your right hand; and grant that, through the merits of St. John, apostle and evangelist, all Your faithful who drink of it may find it a help and a protection. As the blessed John drank the poisoned potion without any ill effects, so may all who today drink the blessed wine in his honor be delivered from poisoning and similar harmful things. And as they offer themselves body and soul to You, may they obtain pardon of all their sins; through Christ our Lord.

All: Amen.

Lord, bless + this creature drink, so that it may be a health- giving medicine to all who use it; and grant by Your grace that all who taste of it may enjoy bodily and spiritual health in calling on Your holy name; through Christ our Lord.

All: Amen.

May the blessing of almighty God, Father, Son, + and Holy Spirit, come on this wine (or any other beverage) and remain always.

All: Amen.

It is sprinkled with holy water. If the blessing is given privately outside of Mass, the priest is vested in surplice and stole and performs the ceremony as given above.

When the blessed wine is drunk on his Feast Day, we drink it before dinner as a toast to St. John. The Father of the house lifts his glass toward Mother and says, "I drink you the love of St. John." The Mother replies "I thank you for the Love of St. John" and then turns to the oldest child, lifts her glass, and says, "I drink you the love of St. John..." -- and on it goes down the line until each has been toasted.

The wine may be drunk as is before and with dinner, as above, or may be mulled.

[templeofvengeance]

@shallliveoninsong (Jing Yuan)

It's a different universe, so far removed from his usual domain. A place he didn't belong and should not be-- and yet, wherever the moon shined, there he was. Well, not the moon. Many. So many moons. The Xianzhou Luofu was passing by a planet that had over a hundred moons, dwarfed by the size of the vessel, but seeing all the same.

It might as well be consecrated ground, to the lunar god. His power was great, here. Yes. This was good.

Khonshu was used to operating when faith was low, but here? He was starting from zero, which meant using this time well. Reach out to as many as possible on board the ship. Faith wasn't just active worship, after all. Knowing that he was real, believing in his presence like one would believe in gravity or magnetism, was plenty enough to sustain him. And if any of these people found themselves mortally wounded someday (or losing their sanity) under the light of a moon, it would be that much easier to reach out with an offer...

But, one thing at a time.

He'd been watching the one in charge of the vessel through his giant office 'window' (whatever one would call the entire back wall, partially blocked with rings and a circular crest resembling a lion), waiting for an opportunity to make an appearance. The man seemed tired, yet didn't leave, even when all his guards had gone. Good a time as any then, wasn't it?

Khonshu manifested slowly, a shadow in front of the window behind Jing Yuan. He used the form that had become his default lately: Roughly nine feet tall, a birdlike skull head floating unconnected from the rest of his mummy-wrapped body. (Stupid, to sneak up on a warrior like that? Maybe. Oh well. Not like he cared if the man chose to attack.)

"'Seat of Divine Foresight'... Hm. That's a lofty name." Pretentious, more like. He'd say so if he wasn't making some effort to be nice. "Have you earned that title?"