#very unnecessary tag

[treeroot06]

very icky.mp4

[littlemizzlinguistics]

Studying linguistics is actually so wonderful because when you explain youth slang to older professors, instead of complaining about how "your generation can't speak right/ you're butchering the language" they light up and go “really? That’s so wonderful! What an innovative construction! Isn't language wonderful?"

[graysanatimony]

I love how pictures of joker out can range from like beautiful, ethereal -god like even- men to like they just got dragged out of a bed straight through a hedge backwards and then got in a fight with a wild animal of some variety but still hot

[iamumbra195]

I hate when people talk about Ashler like it’s inconceivable to ship them.

They’ll be like “Oh, they had so much beef, they’re barely even friends.” Genuinely asking here, have you even read the webtoon if you think that?

Tyler had issues with practically everyone at the beginning, hell, most of the kids didn’t even like each other. Ben, Aiden, Ashlyn, and Logan all thought he was a jerk and he was acting like one because he was trying to protect himself and Taylor and the whole situation was stressful as hell. That’s why his character development is so good. Even Ashlyn remarks that he’s being less of a jerk in one chapter and Taylor says that he's begun to see the others as real friends, maybe even family.

They all eventually became allies and then friends, including Ashlyn and Tyler. Sure, they like to throw some sarcastic remarks at each other but that’s just their sense of humour and part of the appeal of their friendship. Same with Aiden and Tyler, they insult each other all the time but the insults that were originally meant to hurt are now used affectionately.

He gave Ashlyn a nickname guys. He gave a jokey nickname to cheer her up because she felt terrible about the fact that she had to leave him behind while he got terribly hurt, while he died. She literally started crying out of guilt and being overwhelmed by the whole situation. She cares about him and he cares about her and the whole gang cares about each other, which is why there are so many ships in the fandom to begin with.

So stop acting like anyone who ships Ashler is stupid and stop saying ‘they’re like siblings’ on every post about them. We know it’s probably not gonna be canon, hell, Red herself said romance isn’t the focus of the webtoon at all.

I don’t even like shipping in general but the TikTok fandom keeps pissing me off. Stop acting like everyone has to ship the same things as you and stop commenting shit like ‘cute edit but I wish it was Aidlyn’ or ‘They’re just friends, they act like siblings’. Like yeah, they’re not canon but you’d have to be blind if you couldn’t see why some people ship it. Stop shitting on people’s ships and let them have their fun, we all know they’re not canon.

NONE OF THEM ARE.

Anyway, that’s the end of my rant. Sorry, I keep getting Ashler hate every time I search it up on TikTok. It’s so stupid and annoying, let people ship who they want in peace and stop undermining Ashlyn and Tyler's canon friendship and character development to shit on people’s ships. It’s an insult to the characters and your ability to read between the lines.

Live, Laugh, Love Ashler.

[thebramblewood]

What's in Helena's Bag?

Makeup bag containing hand sanitizer, lotion, and more lip balms than one girl could ever need

Brush & claw clip for hair emergencies

Beloved pair of red sunglasses

MP3 player & earbuds for providing ultimate commuter playlist

Refillable water bottle & snacks for between-class munchies

Novel for sneak-reading chapters during dull lectures

Weeks-old unopened mail, long forgotten

Cheap digital camera to snap quick pics

Post-dining hall meal breath mints

Journal & pens to jot down creative writing ideas

Wallet with student ID & money

Apartment key

Phone, duh

@machinegrl tagged me for this quite a while ago now, and I've been wanting to do it but other things kept taking precendence! It's probably not the most interesting bag you've ever peeked inside, but it's one of the last glimpses of typical everyday college girl life we'll get.

Not tagging anyone because this has made the rounds a lot already. But please say I tagged you if you've been dying to do it!

[hotcat37]

Damn some ppl are so aggressive abt this new song lmao 😭 I completely understand not liking it or thinking that it being in English loses some of its meaning but calling Bojan a manipulator for saying that it's his most personal song yet is crazyyy 😭

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[celibatefish]

I enjoy the band Ween featuring Gene and Dean Ween but great fish heavens there's bad language and it scares me every time, I have to jump up and hide the moment they begin to mutter a single inappropriate word.

[karoiseka]

Thancred awoke abruptly, unmoving as much as he wanted to squirm away, to a tickling sensation on his inner knee.  Unmoving at least, because he did quite suddenly remember where he was, the small warm body tucked against and partially over him.  Only iron control let his heart settle from its rapid beating, breathing deeply–willing himself not to move as the tip of Karo’s tail tickled his leg once again.

Peace returning, he looked down best he could from his stretched out position to look down at the Miqo’te laying there.  He had just meant to go and check on her the prior afternoon, and they both had been surprised by the events that happened at that point.  A very unexpected turn of events, but one that he was not regretting.  He wouldn’t drag her down with unnecessary feelings–it was enough to have her in his arms, to feel her warmth.

To feel at home.

Day 1 of WolCred Week: Warmth/Home

Sequel of sorts to Heady from several years ago FFXIVWrite.

[enobariasdistrict2]

enemies to lovers isn't "he's generally an unpleasant person to be around, he constantly puts other people down and disrespects/condescends/ostracizes them, he's cruel and a bully... but his one redeeming quality is that he looks attractive" like. bestie that's not a redemption arc!! or a redeeming quality!!! a person can and should control their behaviors, but how they look literally has no bearing on their worth as a person!

like... this trope is about an initial misunderstanding and miscommunication that leads to mild conflict and resentment of each other,but eventually they move past this rocky start by revealing to each other their humanity and good qualities, and communicating what happened the first time they met so that they can clear up that situation, and slowly becoming good friends who enjoy spending time with each other and eventually become really close, and the realization that one accidental mishap/slip in behavior/aashole mistake isn't what defines a person and sometimes your first interpretation of them is sometimes wrong!! an entire opinion of someone should be formed based on their behaviors, values, actions, and morals, and quality time spent with this person, not because they have nice cheekbones.

[o-wyrmlight]

Did you know that there's a harrier dog breed

H. Harrier Du Bois. Get it. Because th. The dog is a. Harrier dog. And Harrier is Harry's name. You get it. Give him a dog. Harrier and his harrier. Harry and Hairy. Yeah. Anyway

[mcybree]

Was Jimmy ever truly in love with Scott any smp yes or no

depends on how you want to define it. Jimmy has a tendency to hype up the people he’s teamed with, and that + the way he very openly admires Scott / puts him on a pedestal in Third Life* can be easily read as “falling in love” with him. I personally believe this is the case, considering the way this dulled out in subsequent life seasons, but honestly it’s all up to interpretation? You could make a good argument for this being a platonic crush of sorts, but I think 3l!fh is more compelling if read romantically on Jimmy’s side, especially with how fh fucks with the expectations of what romance is (see: scott’s oddly traditional idea of romance, while Jimmy just seems happy to exist around him). For esmp1!fh though i think jimmy was just happy to be given attention LMAO he alliance-zoned that guy

*im referring specifically to how jimmy complimented scott’s building abilities on at least three different (but probably more) occasions, even when scott specified that he took his house’s design off google

It is very interesting to compare how Jimmy is w/ Scott VS his recent(ish) interactions with Joel, though. bc despite both relationships being often read as romantic, Jimmy expresses that very differently with each of them. I’m inclined to think that this is bc there is an air of un-seriousness with Joel, where it could just be brushed off as “bros being bros” instead of a serious romance, bc serious romance comes with standards attached that jimmy likely doesnt give much thought to or even care for. Like. Smallidarity to me isnt even dating I do just think they’re like that

[icewindandboringhorror]

Apparently I can meet my goal of roughly 400,000 words in 6 months if I just somehow write at least 2,200 words a day ghbjh... Almost 2,500 today... huzzah...

[whirliko]

just a reminder that i do look at my activity and see the tags yall use when u rb my stuff

[undertheopensky]

At what point do I stop tagging Tears of the Kingdom spoilers?

[gracemarkss]

my biggest issue with chris carter is honestly that i cannot for the life of me pin down what exactly he's trying to communicate about bodily autonomy and reproductive exploitation. these are clearly central themes of the show and he's got a real preoccupation with women's reproductive capabilities especially. the entire plot under-girding the show is an international government conspiracy in which, in order to fend off an alien invasion or develop military weapons or both, women are abducted, experimented on, and impregnated without their knowledge in order to create hybrid superhumans with weird powers; these women are subsequently tracked and then disposed of via an incurable cancer. i think the show generally frames this as an ultimately fruitless effort, which solves nothing and creates more problems than it solves. this project is evil, medical rape is bad, and what's happened to these women is a terrible injustice. the ends - potentially saving the world, or at least some of it, from some sort of apocalyptic event - do not justify the means.

but then you have small potatoes, post modern prometheus, the william plot. we're supposed to laugh at the woman who genuinely believes she's given birth to luke skywalker's baby. we're supposed to feel sorry for the monster, because all he wanted was a female companion. in both small potatoes and pmp, women who lack the ability to get pregnant otherwise, whether due to infertility or no male partner, are impregnated via rape, and both episodes seem to communicate an "all's well that ends well" message because these women wanted children and they got them. the women in small potatoes thought they were having sex with their husbands; the women in pmp were unconscious; the result was children and that was the goal these women were working toward; everything's find. both episodes have comedic, whimsical tones; neither rapist, imo is truly held accountable for their crimes (even though van blundht goes to prison, he basically gets the last word, and while i find him pathetic i feel the episode wants him to be seen as sympathetic - he's such a romantic, women just won't give him the time of day because he's ugly)

with william, carter obfuscates the reality of his conception and presents the possibility that he is the product of csm artificially inseminating scully while she's unconscious. but scully is another woman who wanted a child, thought it wasn't a possibility, and got one anyway. does it matter that she may have experienced a terrible violation in the process?

idk maybe i'm missing something vital, but i can't figure it out. i can't parse what he's trying to say about these themes that are so central to the story he's writing. rape is bad when it's the government but ok if it's a lonely sad sack guy, especially when it results in pregnancy and the victim really wanted a kid? women should be ok with pregnancy regardless of how it came about?

i feel like carter views women's reproduction as though it's magical or divine and not a basic biological process that exists everywhere in nature (one that in humans does indeed make women vulnerable to exploitation and violence; controlling women's bodies and reproduction results in a great deal of power and that's why governments, cultural institutions, and individual men have been trying and largely succeeding in doing so for centuries - this is a basic aspect of patriarchy). other people have talked about their interpretation of shades of the madonna-whore complex visible in his writing and the hang ups he seems to have around female sexual desire. what's the difference between the women who are abducted as part of the project, who are framed as victims, and those who are violated in sp or pmp, who are framed more as people to be laughed at, and not explicitly as victimized? what's the difference between the men involved in the project, and van blundht and the monster? why are non consensual pregnancies even utilized as plot drivers in these episodes at all? what are they adding? what is he saying?? it just ends up feeling really gross to me.

this is obviously a fraught and sensitive topic. it's just that these themes are so vital to the overall plot of the show and i feel insane that i can't pin down what we're supposed to take away from them, because the messaging imo is so inconsistent and contradictory. maybe there are no answers and this is just a result of sloppy and insensitive writing as a result of the cc and most of the writers room being men and failing to really grasp the magnitude of these topics.