#very much a case of ''i with this media was about something else'' which isn't fair criticism but alas
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mwolf0epsilon · 11 months ago
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"Star Wars isn't dead y'all are just haters" "Disney saved Star Wars" "It's the Woke Agenda that ruined Star Wars"
My mans, Disney single-handedly destroyed the Sequel Trilogy despite the Force Awakens being the gateway to something potentially fantastic; MCU'd the Mandalorian (a story which originally had nothing to do with the Prequel and OG Trilogy aside from sharing a universe and exploring a sect of a completely different culture/ideology); ego-boosted both Filoni and Favreau to the point where their OC Verse is not only canon but openly disregarding the Star Wars Universe Bible/Lore; gave us a snippet of what an extremely misunderstood indigenous culture is actually like (instead of portraying them as the savages one of the white leads mislabeled as animals that deserved to be slaughtered) only to then wipe out the tribe we got to know for no reason other than shock value thus alienating indigenous/poc viewers in the most disrespectful way possible; completely threw away the entire message of TCW (that being a clone does not make you incapable of being your own person who has their own thoughts, ideals, moral compass and overall identity) by making TBB (a show that does have it's strong points in set design, soundtrack orchestration and overall sound design, but is extremely weak on both characterization and storytelling because they either make the meaningful plot points stretch too thin or focus on the wrong character completely) their go to show marketed for kids instead of the actual kids programming that people shit on for being for, surprise, kids; constantly disregards valid critique from their consumers (to the point where infighting in the Fandom has gotten extremely ugly) that people either give up on interacting completely or simply vanish and take all their things with them (because no one seems to understand where these critiques come from, or how being unable to admit your special little show is imperfect is actually not a good thing for both you and others).
This isn't even accounting for the fact the Fandom seems to have doubled in it's overall toxicity since Disney took over. Which is par for the course when a mega corporation takes hold of something that started out extremely political in nature anyway. The Cash Cow machine needs feeding after all...
#Eps Talks About:#Funny enough this started as an argument between my sisters#One of which isn't a Star Wars fan and the other who is an OJ and Prequels fan#My mom (who was the one to introduce us to star wars mind you) and I watched from the sidelines#Mom didn't care because she doesn't like Modern Star Wars stuff but I ended up putting an end to the argument#My younger sister is right that Disney put too much emphasis on SELLING Star Wars to newer generations to a detrimental degree#but that doesn't mean they invalidate what came prior to their shitshow or the message SW was created to uphold#in fact Andor and SW Visions S2 made a point of being the best homages to the OJ trilogy thus far by being very political in their messages#But my older sister is also right that the state of Fandoms these days is very much a US vs THEM situation in terms of how people make#themselves heard and how meeting in the middle is virtually impossible which is very much a product of social media and how people conduct#their personal image via either genuinely expressing their feelings on certain topics or simply using them for clout#It is a case of locking yourself in a room with an 'adversary' and trying to see who can scream the loudest until someone loses their voice#I love star wars but that doesn't mean I'm blind to the fact star wars also kinda sucks lmao but oh well these are just my thoughts that#I'm letting loose because I'm already pissed off from something else going wrong today and have no patience for some of the rancid shit#that keeps cropping up in either tags or posts I find in and out of Tumblr Dot Com
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lemonadeslice · 13 days ago
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as a horror fan, do you like anything by mike flanagan?
ehh not really. i like some of his earlier stuff okay; hush was kind of a gateway drug when i was a teenager, and i find the conceit of oculus interesting, but in general i'm not a big fan. i tend to find his stuff kind of cloying, and while i think themes of love and sentimentality can complement horror really nicely, i don't love his execution.
hush got me tho. as a person who lives in a remote forested area and once saw a strange man with a crossbow wander into their yard. well.
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qqueenofhades · 9 months ago
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What do you think of the movement to vote "uncommitted" in the primary? Personally I think it's a good idea as a protest vote, while not "allowing Trump to win" since it's, ya know, the primary. You're voting for "the Democrat you want to be the candidate for president" not who you actually want to be president. Most of the arguments I've seen against it seem to forget primaries exist...
Well, since you came to me and presumably do want my honest opinion on this topic, I'll share it with you. However, this will also be very blunt and candid, including some things which I haven't yet said in the 4+ months since the whole Israel/Hamas situation kicked off, and therefore also frustrated. This frustration should not be read as/taken as being directed at you personally, but since you're the conduit for this question, that's just something I want to highlight.
So. Why should you vote for Biden in the primary, and not "uncommitted" or whatever else?
First of all, what I desperately want to ask all these self-righteous VOTE UNCOMMITTED IN THE PRIMARY TO SEND BIDEN A MESSAGE types is: what exactly the fuck do you want this message to be, and what action do you expect Biden will take as a result? Is this actually based on an expectation of what he can/and or will actually do, or is it just a froth of misguided Online Leftist "rah rah this Bad Thing Happening Is All Biden's Fault," as we also notably went through when Roe was overturned by the Trump-stacked SCOTUS selected precisely for the purpose of overturning Roe? My god, the amount of bad "THIS IS BIDEN/THE DEMOCRATS' FAULT" posts that appeared, and are still circulating on the particularly idiotic corners of this site. Nothing could ever be Trump/the Republicans' fault in that case; it was the same old same old "DEMOCRATS DON'T CARE ENOUGH TO STOP THIS!!!" puerile fantasy. That's what we are getting now with Israel/Hamas. This isn't Hamas's fault for attacking Israel on October 7 (god forbid; the online left loves Hamas) and it isn't even the state of Israel and Netanyahu's fault for responding with full-scale genocide on Gaza. Or it is, somehow, but not so much that Biden personally couldn't magically reach in and stop it "if he really wanted to." I'm sick and fucking tired of this bullshit sixth-grade bad-faith disingenuous approach to playing Super Moral Social Justice Yahtzee and refusing to acknowledge the thousands of complex factors at play, especially when it involves blaming literally anyone other than Biden, personally (just like the Trump cultists, for whom "IT'S BIDEN'Z FAULT" is the beginning and end of their political theory, just like the Online Leftists). I'm sure this will get me called a genocide apologist by the Very Smart Moral Twitter Thinker types, but I don't think "Biden has failed to magically single-handedly solve this crisis, which stems from one of the most major and long-running issues in post-WWII and indeed pre-WWII world history, in four months" is actually a good reason to vote against him.
Likewise: withholding your vote might make more sense as a strategy if Biden was still only blindly supporting Israel and refusing to do anything to pressure them, which is demonstrably untrue. I know it's hard for some of these people to actually read the news and/or anything outside their ultra-curated Twitter feed, but it's been well-reported and well-documented that he is. If the US was directly involved in the bombing campaign on Gaza, sure, tell Biden that you will vote uncommitted to increase pressure on him to pull out. None of that is actually true, and the "information" about Biden's action in re: Gaza on both Twitter and Tumblr is basically just entirely malicious lies. So again: what message are you sending when you decide to be all precious and announce you're not voting for him? You don't want him to pressure Israel? You're willing to blow this up entirely and increase the media nonsense about BIDEN WEAK DEMOCRATS DIVIDED and give Trump an opening to exploit? You really want to announce to the Trump/Putin/Netanyahu axis of evil that their anti-Biden propaganda is working (since all three of them are working as hard as they fucking can to get Biden out of office, and as someone who opposes all three of them, I think this is a good idea to vote for Biden!) and they need to hammer harder on this wedge issue? Because that's all your oh-so-moral Uncommitted vote is doing. It's not a protest. It's not leverage. It is the withdrawing of leverage. If you want Biden in office so he can be pressured to listen to you and take action that you agree with, you will vote for him. Yes, in the primary. Yes, when it's not directly against Trump.
You want a ceasefire, you say? GREAT! WE ALL WANT A CEASEFIRE AND/OR ACTUAL PEACE AND RECOGNITION OF A PALESTINIAN STATE! That's in fact why you should be busting your fucking ass to make sure Biden gets re-elected, and to give him a strong show of support in the primary. Biden is the only candidate with a credible long-term (and like, baseline functional sane adult) plan for Gaza. Biden is the one who has been pressuring Netanyahu in every single contact to tone it down and stop acting like an insane murderous maniac and therefore torching any remains of sympathy for the attack Israel suffered in October. Biden is the one who has his entire diplomatic team working on high-level contacts with the Israeli government and the Hamas representatives via Qatar, while sufficiently threatening Iran to back down from frothing at the mouth to destroy Israel (once again, just like the rest of the antisemitic western left). Biden is the one who is pushing for this not to be World War III, and yet we get Baby's First Social Justice Activist screaming at him for being GENOCIDE JOE and blaming him personally for not, as I keep putting it, shapeshifting into Netanyahu's body and making this stop. "He should publicly call for a ceasefire!" Or, and this is just a suggestion, he should DO HIS FUCKING JOB and continue to work on serious problems that don't have instant socially media marketable catchphrases and won't come with instant gratification. Also, please tell me how you plan to get both Hamas and Israel to accept the same terms for a ceasefire, abide by it, and do exactly what Big Daddy Biden told them, because you, the dedicated anti-western anti-imperialist, think that's the best course of action?
Like. I mean. As vice president and now as president, Biden is actually one of the least foreign-intervention-happy leaders the US has ever had. He was originally against the Abbottabad raid to take out Osama bin Laden in 2011; he wound down the overseas drone assassination program (at which the Online Leftists screamed bloody murder at Obama, ignored in Trump, and then refused to give Biden any credit for ending) to almost nothing, he pulled the US out of Afghanistan, and even though he's been supporting Ukraine in its fight against Russia, he's also been extremely slow and cautious (in my opinion, too slow and cautious) at giving them all the military hardware they need, even before this latest blockade of aid in the House by Putin's favorite little bitch Mike Johnson. He has already presided over a historic shift in US policy toward Israel, in terms of conditioning the use of lethal aid, imposing reporting requirements, starting to criticize them publicly, and calling for the recognition of a Palestinian state and more humanitarian aid to get into Gaza. Yet in the Online Leftists' mind, because he is not personally out there Captain America-ing away the Israeli bombs and/or calling for Israel to be totally destroyed "from the river to the sea" as the Tumblr activists are fond of using no matter how often Jews ask them to stop, there is nothing he's actually doing! GENOCIDE JOE!!!!! Like, I thought the anti-western anti-American crowd thought all overseas American influence was evil (but all overseas Russian and/or Chinese influence is fine). When Biden actually doesn't recklessly intervene in foreign conflicts like Kennedy/Johnson/Nixon/Reagan/Bush 1/Bush 2/pretty much every American president in the latter half of the twentieth century, you'd think that would get him plaudits? NAH.
"Biden should stop selling Israel weapons without Congressional approval!" Okay, sure, he should. Which he did one time, and he also repeatedly promised to veto and/or not pass any only-Israel aid package that didn't also help Ukraine and Taiwan. He's also not beholden to the frothing antisemitic Online Leftists position that Israel should just lie down and let all of its citizens be killed and its state wiped from existence. Like. We also remember that Jewish voters exist in America, right? And that Jewish lives are something which are repeatedly and demonstrably under threat in the rest of the world, including from Hamas and the Houthis (who are genuinely terrible people and the western left's warm embrace of them as principled anti-Israel actors is all we need to know about their inherent brainrot and moral vacancy). We know that maybe going full masks-off antisemite (which Biden isn't going to do anyway, for any number of reasons) isn't the greatest plan and nothing to which you should be conditioning your vote? Likewise, please tell me how you plan to make Congress (especially the GOP-led clown car House) "do what Biden wants," since you're still beholden to that being the be-all-and-end-all of moral action? Or how you account for Congress at all, and not just think The President is An Almighty King?
Aside from all this, I am sick to my fucking back teeth of the Precious Moral Princesses (gender neutral) who have spent four years lying about everything Biden has done. We had the personally blaming him for Roe ending (he could unilaterally overturn SCOTUS if he really wanted!) We had the endless bashing about student debt, only to ignore him actually making the most major effort to forgive student debt in all the post-Reagan years. We have had a complete ignoring and/or distortion of his domestic policy accomplishments, which are some of the most momentous since FDR and LBJ. We have had an utter ignoring, revision, and downplaying of the damage Trump did in one term and how very much worse his second would be. We have had to endure "WELL YOU CAN'T ASK ME TO VOTE FOR BIDEN" at every single second for every single thing, because this is such a terrible onerous thing to ask them to lift one single fucking finger to give us some more time to come up with a better solution. And yet, as astutely pointed out by one of my anons yesterday, they utterly don't care whether the obvious outcome of this action is to help Trump get back into power. Apparently that's not a moral reach too far, but straining their delicate tender moral sensibilities to fucking do the goddamn bare minimum to help us out -- both in America and around the world -- no, no. We can't have that.
Like. These people allegedly want a ceasefire, and they want it to come about by asking literally nothing more of them then posting snide anti-Biden diatribes on social media. That's the extent of the effort they're willing to put in. They can't even trouble themselves to take the first step of voting for people who want to address this crisis in a constructive way. So yeah, I have a hard time believing this is anything deeply felt in regard to opposing genocide, and just wants what makes them look morally superior. Also: I don't care if your feelings are genuinely pure and strong and you obviously oppose what's happening in Gaza (we all do!) and want it to end. In that case, why the fuck aren't you throwing your support (yes! Even in the primary!) behind the one guy who's actually working to fix it and not just posting empty platitudes on Twitter? It likewise does not excuse you from the harmful consequences of your rhetoric and actions, if you decide that the best way to act on your deep-seated and genuine desire to stop the genocide is just to blindly bash Biden all day every day. Not voting for Biden in the primary does not excuse the fact that this election is against Trump and everything horrible that he represents, and that we are in this situation largely because the online left has learned literally fucking nothing from 2016 and is eager to do it all over again. Not voting for Biden in the primary does not give you a special Gold Star Moral Activist sticker announcing that you were too virtuous to engage in the process now, but if you're sufficiently placated, you maybe will do it in November. Miss me with that bullshit. I've spent eight years pleading with people to help us fix this mess, by -- yes! engaging with the flawed process that makes partial changes!!! -- and all I hear is that same fucking nonsense. That is a large part of why this response is so steamed.
Anyway. In short, I don't think voting "uncommitted" is a good idea, I think it only helps Trump in the short and long term, I think it protests nothing, I think it represents the same old tired anti-voting schlock that I have had more than fucking enough of, and I don't endorse it by any means. However, you will see that while I can strongly and unequivocally give you my opinion that it is a bad idea, I cannot actually reach through the screen, take control of your body, and force you to obey me one way or the other. So maybe, just maybe, Biden can't do the same with Netanyahu. Weird.
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queerly-autistic · 10 months ago
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I've been thinking about potential pick-up of Our Flag Means Death by another streamer, and how it all might be tying in with the current BBC release, and I have some thoughts about what might be happening and what we can do to give the show the best chance of being picked up.
I think it's important to start by saying that all the whisperings that I heard over the past few months (including from some people who work at/with the BBC) pointed firmly towards a scheduled March release for Our Flag Means Death on the BBC. Needless to say, this means I was extremely surprised when they suddenly announced it was dropping at the beginning of February. I think it's also clear from everything I've seen that the BBC's marketing/social media plan for the release was not ready for February (there was no trailer, which was odd), which, again, really supports the idea that the show was initially schedule for a March release, not a February release.
I firmly believe the release was brought forward. The question is: why? Is it because they saw how much noise and press the show (and our campaign) was getting, and decided to try and capitalise on it? Or is there something else going on?
On top of that, we now have specific questions about Our Flag Means Death appearing on YouGov UK, including asking whether respondents would watch another series. This doesn't just happen. The charity I work for has commissioned YouGov polling (including some very recently) which I have been tangentially involved with, and so I know that this sort of polling is not easy work, and it's not cheap. Someone has put time AND money into commissioning this polling. This is significant. Someone is not only watching, but they are specifically watching the UK response to the show, and putting questions to the UK audience about it.
I have strong suspicions that a streamer (or several streamers) are interested in picking up the show, and are using the UK release as a live case study (Apple, Amazon and Netflix also have a presence in the UK, so we are a big target audience for them in a way we never were for Max). This could account for both the potential bringing forward of the BBC release (they didn't want to wait until March), and the YouGov polling that's going on (bear in mind, the YouGov questions were specifically as part of a wider survey about streaming services).
And this isn't just a passing interest: working with the BBC to bring forward the release, and investing time and money into YouGov polling? That's a strong interest. That's so interested they've already invested something into it.
Of course, I don't know anything for certain, so take everything with a pinch of salt (it's just a theory...a gay pirates theory...), but I think it's something to consider as a strong possibility.
So what does this mean for us?
It means we need to keep streaming on iPlayer. Watch it as many times as you can. Share it with your friends and family. If you're outside the UK, get yourself a VPN and join the party. Watch the live broadcasts on Monday nights (if you have iPlayer, you can stream the live broadcast - this is what I do because I don't have a TV). Keep tweeting about it (add the #OurFlagBBC hashtag to the existing hashtags we're using). Tag and email the UK media (including TV guides and radio shows) and ask them to talk about the show/our campaign. If you're tagging/emailing Apple, Amazon or Netflix, make sure you mention you're from the UK (and tag their UK specific social media accounts).
According to Parrot Analytics, the demand in the UK for the show is rising - let's keep adding to that!
You can also sign up to YouGov and rate the show (more instructions in the quote retweets of the tweet I linked to earlier), and keep answering questions about TV shows and streaming (and marking Our Flag Means Death as one of your interests) as a way to try and get them to give you the specific questions about the show (these start as a question about streaming and streaming services, which then turn into questions about OFMD, so if you get a survey like that, take it!).
It's also worth considering that if there's any validity to this, then there's a possibility that they might be waiting until after the show has finished airing in the UK (the finale is airing on 25th March) to crunch all the numbers together. This means that if we don't hear anything in the next few weeks, do not despair! We need to buckle in for a long fight, and to keep pushing the show and making noise over the next few weeks and months, especially around the BBC release.
This show is worth the fight. Let's get our damned men back!
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lotusarchon · 2 months ago
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nezha is a child in the show isn't he? why are you shipping yourself with a minor and writing romance with him?that's so creepy,,,, how are you talking about dynamicsimp when you're doing worst 🤮
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Found this cute Nezha fanart anyways
I knew I had to deal with one of y'all eventually but I didn't think it'd be this soon. Damn, at least let me hit 100 followers first 😞
Anyways uh. Nezha's first introduction in season 3 came out in like, what, 2022? I'm assuming it is, because I started LMK in March of 2023, before s4 was released and already found the show up till s3 by then. S5 just released this year, of which we've seen a weird increase of Nezha screentime of which I'm not complaining.
Point blank. The Nezha age controversies are getting old and boring. New fans and old fans need to chill out with those issue about the age business.
1) It's confirmed the Lego Monkie Kid version of the deity known as Nezha is an adult.
2) This is a god of an Eastern religion who is still very much worshipped to our modern day. If you did your research, you should be able to take note that Nezha isn't only seen as a child god, but even portrayed as someone older. I'm not a Daoist nor Chinese, so I advise you check this blog ( @/ruibaozha ) for more information on the subject matter.
3) As is the case with modern media and adaptations, different shows will portray religious figures according to what works for their plot. In the movie Nezha 2019 (forgot the title whoops), Nezha is portrayed as a child, as we are seeing a comedic but angsty interpretation of his origins. In the Legend Of Hei, we see him portrayed as a child, assuming for comedic purposes and to bond with the MC Hei.
3.2) If LMK wanted to portray Nezha as a child like his appearances in Journey To The West, and the Fengshen Yanyi (?), you must understand then his design and personality would've been portrayed more childish or at the very least a mixture of mature and childish. We can see this by comparing LMK Nezha and TLOH Nezha = both are stern but where one acts, looks and often shows childish traits, the other acts like an exhausted 25 year old who needs therapy. LMK HAS made children in the past, as we've seen with the Lady Bone Demon's Host and in season 1 a few kids here and there as background characters. If the show wanted Nezha to be a child, I'm certain they would've given him a similar model.
4) If in the instance that, let's say, the god known as Nezha was a child, and LMK Nezha is an adult, you SHOULD separate fiction from religion. Do keep in mind that Sun Wukong is still very much worshipped, however, I have seen fans, in and outside of LMK, who have written heavy NSFW and simped for him. A god is not the same as a fictional character, because by that logic we shouldn't be simping much less writing NSFW of Wukong either, given his story in JTTW where he becomes a Buddha.
5) I do not like proshipping much like any sane person. I also HATE aging up minors in fiction just for something like self shipping or to write nsfw. I have been in fandoms before this one: Jujutsu Kaisen, Tokyo Revengers, and My Hero Academia specifically, and it makes me uncomfortable seeing porn written of actual minors with excuse of them being aged up. I'm not so hypocritical I'd dare to want to do the same, not when I'm uncomfortable with anyone else doing it. If LMK Nezha was a minor, and there were sources to even prove as well within the series he's a child, then obviously, I would NOT be shipping myself with him, much less write romantic/nsfw content with him. I'm an adult, and I don't feel comfortable with minors in general, so why would I want to write romantic content about a FICTIONAL minor??
If you can find any source that proves me wrong, I'd like for you to do so. But until then, you, and everyone else who still wants to entertain Nezha's age; please stop.
I get it. Some of you like to headcanon him as a child so as such, seeing content with him as romantic or nsfw is uncomfortable. I understand, I do; I headcanon Mei as an aroace lesbian so sometimes it's uncomfortable finding any kind of content with her being paired with others. I do understand where you're coming from with your discomfort.
But I feel like, considering season 5 and hopefully if there's a season 6, the whole thing is just dust now. S3 must've been released in 2022, so it's been nearly two years since Nezha's appearance in the show. People headcanon he's a child, and people prefer to like the confirmation he's an adult. We get it, that's what fandoms are, different views etc.
But calling people proshippers or creepy or pedophiles for not adhering to YOUR headcanons is not only fucking stupid, it's just hilarious and way too old, AND just...boring. Especially considering I feel uncomfortable around minors and hate proshipping with a passion. There's genuinely nothing wrong with liking a headcanon, but if someone likes something that isn't problematic and doesn't adhere to your preference, I think you need to breathe a bit.
I was saving this off for last however, you hit the nail on the coffin with this. There is a literal document talking about the disgusting actions of DynamicSimp. If you still choose to like them that's fine, but forgive me for pointing out how hypocritical it is for you to bring up the person who purposely shared porn with minors to someone who avoids minors like they're the rat plague of the Middle Ages. 🤔
"you talk about DynamicSimp but you're doing worst"
Do you mean writing porn for a character who is confirmed to be an adult? Do you mean ensuring that my 18+ blog isn't found by minors and if it is I'll block them? Do you mean supporting someone who's harassed others about Nezha's age?? Do you mean being an absolute creep around children?? Do you mean breaking the boundaries where people have clearly expressed discomfort? Do you mean romanticizing abuse amongst other things for an au clearly being consumed by minors with no regards or wellbeings?
I wonder who's the worst. Me, the adult who only recently turned 18 and has limited his interaction with minors outside of family members, or the however old they are person who has a literal document and their victims speaking up about their actions, and who to my current knowledge has not spoken up about this and is still posting and carrying on without a care in the world?
Well zoinks Scoob, guess we're not making outta this one alive 😟
Edit: .....*disappointed sighs* I think some people really oughta chill out in my comments. Anon, I blame this on you 😭 why did you bring this here holy fucking shit dawg.
Alright. Alright uh.
Okay, so while I do appreciate being told the reasons as to WHY Nezha was "aged up", because a writer wanted to justify shipping Wukong and Nezha...I feel like the entire, "ah, but this says, and that says here-" about Nezha's age is just ridiculous at this point.
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Yes, I understand, this is justifiably weird.
However.
Has anyone else refuted Nezha's age?? And I mean the canon show writers? Has anyone working on Lego Monkie Kid made a statement saying: "This person is disgusting, LMK Nezha is a child." Because, respectfully, unless canon sources provide information on it, I'm not going off based on the fandom opinions.
I'm not happy I have to edit this post to add this, much less try to explain anything, but, oh well.
1) "Ali, you're just trying to justify yourself and keep writing for a child." Listen. I've been groomed and dealt with fucking weirdos my entire life. Trust me when I say whenever I hear about proshipping it SICKENS me to the core. I HATE proshipping. I don't care what the excuse is, proshipping is disgusting.
I'm not mentioning the interesting fellows in my comments because it's pointless and honestly to make drama over this is stupid. But I was given some context to understand where they're coming from, and I do in fact appreciate it. Justifiably I don't blame them for their annoyance/disgust towards the writer Sarah (?).
What I will say though; typically in a situation like this, I'm certain someone in the team would've made a statement about this to explain that the writer is wrong. I'd assume at least one writer, someone OFFICIALLY on the team would've denied this proclamation of Nezha being an adult. I have not seen ANYTHING that says the show denies Nezha being an adult.
2) My friend, who was also in the comments (hi), is a native Chinese and a Buddhist for six years. I also have another friend who I'm not mentioning but ALSO is Chinese and WORSHIPS Nezha. They have more knowledge than someone like me does have on this matter, and I find it really odd how people immediately cite wiki and website sources to say, "Nezha is an eternal child!", and, "No where else says Nezha is an adult."
As I've said. If there are sources including the staff from Lego Monkie Kid that claims Nezha is a child, then I am more than willing to delete any content I've made with him. Full honesty, I have no intention of keeping any content with canon, confirmed minors on my blog.
But not only have I found anything that says the official story writers deny Nezha's an adult, but my friends, who are again, both Daoist and native Chinese, are aware that he ISN'T an eternal child.
If you are Daoist and/or worship Nezha, then by all means you can tell me that what I'm doing is wrong and correct me about Nezha's age. I'm willing to listen. If you also find information where the writers claim Saraha is wrong for her statement, provide it. I'm a person that likes reasoning, and I'm willing to see reason.
3) "Ali, you're not gonna see reason you're just trying to defend yourself again-"
Okay, backstory time: last year when I joined LMK, when I myself was a minor, I thought it was okay to write nsfw content for the character who was Lady Bone Demon's Host. My friends at the time did not tell me what I was doing was bad, so of course I kept it up, until someone pointed out that Bai He (fan name) is actually a minor in the show and was also confirmed by the show's producers. I felt so disgusted about it I deleted all my posts made on my old AO3 about her (which is faeriicrafts and still up surprisingly) and offered a sincere apology to the fandom about writing nsfw content for her. I changed and learned, and now I feel grossly uncomfortable seeing anyone writing nsfw for her despite the canon confirmations.
Justifiably, if more information about Nezha is released within Lego Monkie Kid, of which it's confirmed he's a child, I am more than eager to delete everything I've written about him, and even apologize again for writing nsfw with a minor.
To be honest, I just feel uncomfortable with the comments who are denying actual Daoists for the sake of; "I've done my research, no other sources has said Nezha is an adult, you're lying about worshipping him!!"
It's uncomfortable and really off-putting how you can tell someone that about their religion. Yes, this is for you specifically, that one commenter who jumped in and on my friend. Even if she has long since stopped worshipping Nezha, she very much did once. And I've gone to actual Daoists to ask more information about Nezha and the religion in general, who has in fact confirmed Nezha isn't just a child. I get that this is the internet, people can lie about anything. But it's still uncomfortable, solely because had anyone else claimed they're Daoist or ex Daoist and agreed with your opinion, you wouldn't have said that.
I'll reopen my comments within a few minutes, but don't be a disrespectful cunt. And can you maybe not deny someone about their religion? Even if you don't believe them, that's genuinely not an excuse. Because I know damn well, had she agreed with your statement, you wouldn't have pulled that.
Gods. I can't say I'm not surprised, but I'm just impressed about the lengths people will go for something.
Anyways, I've said my piece. If official show writers (because my Daoist friends have already told me what I needed to know) claim Nezha is a child, I'll delete my stuff with him. If not, then I'm not stopping posting Nezha content.
Toodles.
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endiness · 7 months ago
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okay, i have gone through probably 50+ s2 interviews of hc researching this so far and i have to say that at this point i really don't see how he wasn't deliberately trying to manipulate the fanbase and the media against the writers and the show to get them onto his side. (and also, like, a very specific, extremely toxic section of the fandom at that.) (it's the sexist incel gamerbros. i'm talking about them.)
"I wanted to represent as much of a book-accurate Geralt as possible and a lot of the fans did as well, and so I campaigned really hard to make sure that he was more verbose, he sounded more intellectual, his choice of words was more thought out and that his approach to Cirilla and everyone else wasn’t antagonistic. Because it initially came across as he was just grumpy all the time with everyone and everything and I really wanted to show this three-dimensional character […] It’s gonna be tough to do the stuff which is as brilliant as Sapkowski’s writing, but it’s something I’m always gonna campaign for and it’s hopefully fit into the vision of the show."
there are so many interviews (ie virtually every interview out of 50+ with the exception of maybe, like, 3) where hc says the exact same thing about how he just cares so much about book accuracy, specifically where geralt's characterization is concerned, and that he really started to push for a more book accurate geralt in s2 and wanted him to be more verbose and intelligent and show that he isn't just a one dimensional character who just grunts and says hmm all the time like in s1 — and at no point does he ever take any responsibility for how that was due to his acting choices in the first place because he would cut his lines.
he also just straight up lies about the situation because the writers originally wrote geralt as being more verbose and book accurate in s1 but then changed the way they were writing him due to the acting choices he made. and yet he acts like that was never the case and that geralt was never originally written that way and he pushes this idea that a book accurate geralt went against lauren's vision. even though, once again, that was the original vision and it only changed due to him.
and on the extremely rare occasion (i'm talking, like, maybe 2 con panels here) that he ever takes any kind of responsibility for his role in all of that, he still waffles about and tries to present this image that he wasn't really cutting that many lines and they weren't really that important anyway and it didn't really matter:
"I didn't even cut that much. Just little bits when someone says how they feel, I thought if Geralt says nothing, and maybe the well-known grunts or hmms and sometimes the occasional f-word, people can take from that what they will."
even though that can't be true as confirmed by joey:
"Henry likes to cut his lines, 'cause he's lazy. No, he literally just likes to cut them. He likes to do more up here [frames his face with his hands] and just with face and hmms and grunts. There's a lot of hmms, and so I often have to take a lot of his lines and turn it into a lot of my stuff so that the plot happens."
and even hc himself confirms this and what joey said in a s1 interview:
"All the grunts, I either added or I didn't say anything and just grunted instead. It was often up to the other actors to go, 'I think he's not gonna say anything now.'"
i also have to point out that hc directly links his push for a more book accurate geralt to reading comments on reddit as i think that's very relevant to what section of the fandom exactly that he's pandering to and why he's been so vocal about it while lying about the role he played in everything and what actually happened:
"I’m on all the Reddit forums. I’m reading all the reviews. I’m literally trying to get everyone’s information. Some of it is not useful, and other criticisms are incredibly useful. I take it all in, and I look forward to bringing it even closer and closer to Sapkowski’s writing. I think any of those criticisms, they often lie in things like I was saying—we don’t have the advantage of a long involved conversation or dialogue with Geralt, so they are criticisms which I think I was prepared for. So for me, it’s about seeing that, understanding it, and working out how I can do my job better within the framework provided, [how to] appease and make those people feel comfortable that I do actually understand this character—and love this character just as much as they do."
"As a source for information, it's really helpful for me to see what everyone's saying, what everyone's thinking, and to see how much my thinking falls in line with whichever side of that spectrum it is and whether I'm doing the wrong thing, for example, by campaigning hard for the book Geralt to exist or whether I'm doing the right thing."
and just another important thing to point out imo: virtually the only times hc ever takes any responsibility in any capacity whatsoever for his own role in the show not adhering to the books (which even then he barely does and it's still always with a lot of excuses), it's only ever at con panels — which are far less likely to get picked up by news outlets and seen by a broader audience — and not in formal interview settings. (except for, i think, one interview he gave early on when s2 first went on hiatus. but even then, it still has the same problems that the con panels have where he comes up with a lot of excuses that don't match what happened.)
then there's an interview hc gave where he went on about how he added some book dialogue into a scene and he made it out to be like it was some kind of rebellion against the writers and he didn't consult them as he was just going to do what he wanted, consequences be damned:
"I did not feel like having long discussion about whether I could add this bit somewhere. So I just did it, said the words in front of the camera, and was ready to face the consequences."
and meanwhile what actually happened was that lauren eventually let hc have free reign and rewrite a scene that he was unhappy with. which, y'know. kinda fucking weird to present what happened in the way he did.
and then there's him pushing this narrative that the female characters — namely yennefer and ciri — were given more depth and focus than geralt and the male characters as if that came at their expense and all of which is somehow due to lauren's women-centric vision of the show as if that's somehow opposed to how the books themselves are:
"On season two, I wanted to bring as much of 'Book' Geralt into the show that Lauren's vision and that the plot would allow. That's a tricky thing to do, because the plot, as Lauren has said, is very centred around bringing women into the centre of The Witcher."
"In Season 1, there wasn't really much of an opportunity for expansive dialogue which Geralt is known for — in the books, he's often known to monologue — because we had two original origin stories which were the center point of the show."
"Lauren’s vision was more of an ensemble piece than the first Witcher books. It’s driven a lot more by the characters of Yennefer and Cirilla."
"I wanted to make sure we really explored as much as showrunner's vision could allow. She has her own plan, so I’ve got to toe that line between book Geralt and Lauren’s vision."
"I wanted to try and bring as much of the book’s Geralt into Season 2 as possible, and as much as the vision, the plot and storylines would allow. The toughest part for me was finding that balance between the showrunners’ vision and my love for the books, and trying to bring that Geralt to the showrunners’ vision."
"It’s important for me to have the character be three-dimensional and it’s tricky to do, as I was saying earlier, because there���s a certain vision and there’s a certain set, storyline and plot. And so, it was about me trying to find Geralt’s place within that."
"There’s only so much space to provide the same character from the books within the showrunner’s vision. But, I did my best to provide a bit more of a three-dimensional character with a bit more emotionality."
"It's important to me that the men in the story are three dimensional as well."
like, first off — and not to continually reiterate this but — that's not true. in s1, geralt was originally written as being just as verbose and intellectual as he was in the books and that only changed due to hc cutting his lines and we know that joey often had to take his lines, too. so there was, in fact, always plenty of time for geralt to be book accurate and for yennefer and ciri to have their own focus. these things were never mutually exclusive and it's definitely some kinda take to imply otherwise.
secondly, while it is true that geralt is the main character of the short stories, ciri is the main character of the main series starting from blood of elves, the book that s2 adapted. and despite claims otherwise, her pov has always had the most focus — yes, even more than geralt (sans baptism of fire, obvs.) and it's not like ciri is the only female pov, either, or that there aren't other important female characters that make up the series. there's yennefer, triss, milva, philippa, fringilla, nimue, condwiramurs, kenna — and that's just off the top of my head. there are plenty more where that came from. women and their stories have always played a central role in the books. nothing about that goes against them or is unique to lauren's vision.
and just with boe in particular, like. triss's pov is either focused on more than geralt's or at least about as much as his depending on how you want to break things down. and with dandelion following very close behind them, too! like, ciri may be the main character of the main series and geralt may be the main character of the short stories and their povs are the most focused on overall, but the books are still very much an ensemble piece made up of a collage of many, many povs to paint a full picture of the universe. and, yeah, the women make up a huge part of that. so the show focusing on ciri and yennefer and the women — and, yes, the men as well because it does actually do that! — is um, still book accurate. so y'know, why the fuck is he presenting this idea that's somehow not the case.
in general, hc emphasizes in a lot of interviews how much he fought for "male characters to be three dimensional." which yeah, given the context of everything else, is some suspicious kinda phrasing because it gives this undertone that the show wasn't writing three dimensional male characters in the first place as opposed to the women and that it's only due to his efforts that anything changed.
also, i have to highlight this quote of him talking about the three dimensionality of men because ~curious that he omits women from the list of people real menTM can be loving and caring toward:
"I believe that real men are very sensitive. They are very capable of doing things which can be violent, if possible, or necessary. But at the same time, they are incredibly capable of love and caring amongst men and towards children and family and all sorts."
and then there's the way hc talks about changing things which comes across as so suspicious, too, imo. especially when there is every other cast member to compare him to. because the way the rest of the cast has talked about this is that they all very consistently say that the whole process is very collaborative and that lauren is very much willing to hear them out about their thoughts and concerns and that it really feels like a team effort and that everyone is working together. and meanwhile the vibes that hc gives off is either "me vs the world (ie the writers)" or "but there's nothing that i can really do to change anything and it's all on the writers~" either way, his attitude very much comes off like all bad decisions are the writers' fault but meanwhile any good decision was due to him and him alone (or maybe the rest of the cast, but definitely not the writers.) like, weird af to play it off that way especially since every other cast member didn't seem to have any problems and they all gave credit where credit was due ie to lauren and the writers.
in conclusion, it'd be one thing if hc had just taken the l and admitted that he is the one who fucked up geralt's characterization in s1 and so he sought to rectify that in s2. but yeah, he doesn't really do that. instead he lies over, like, 50 times to create this narrative of him pushing for book accuracy as if that's somehow in opposition to lauren and the writers and as if they didn't originally write geralt book accurately in the first place and as if he played no role in the lack of book accuracy at all. and then that there's also him pushing this subtle (or not so subtle) narrative about how the women were taking a more central role as opposed to the men and that's somehow unlike the books and something purely due to lauren's vision, too? even though women have always played a central role in the books to the point where ciri is the main character of the main series? and that he's directly linked this narrative he's pushing to reading comments on reddit? (and that he also has a history, since s1, of trying to cater to game stans?) yeah, i just don't see how this doesn't add up to him trying to manipulate the media and audience — especially the worst parts of the fanbase — against the writers and the show and onto his side.
(also just one last thing i'd like to note as i find it super weird that when hc was asked about giving freya any advice, he immediately shut down the notion that he would ever do anything like that and he would never offer her any unsolicited advice and he would only ever give her any if she came to him first. like, there are literally s1 and s2 interviews where freya talks about hc giving her advice. i mean, maybe she did come to him in the first place, idk. but the immediacy in which he shut down the idea that he would ever do anything like that as if offering someone younger than you advice and being a mentor to them is wrong… weird. sus, even. like, why are you scrambling to cover your ass for something that's not even bad and, also, why are you lying about it by omission in the very least.)
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just-a-ghost00 · 4 months ago
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Crush series - How to manifest further connection with them?
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Deck used : threads of fate oracle
Group 1 - Connect to heart, The Explorer, Soul work, Compassion
This is very simple but also very sweet. Your guides suggest you to be more vocal about how you feel for this person. "Shout it from the rooftops, litterally" lmao I guess if you're the shy type that would be a difficult thing to do but that's the whole point. Your guides want you to battle with your fears and get out of your comfort zone. Being more gentle with yourself is another thing you can do. They're saying "your crush will enjoy that you are taking care of yourself because as much as they love the attention you give them, they value the attention you give yourself more". Awww. Your crush/person of interest wants to see you happy and thriving above anything else. When you do things that you like, when you travel, when you take care of yourself or are not afraid to show your vulnerable side, all of this will bring them closer to you. Especially for those of you that have them on your social media. They are watching everything you do. Though they don't interact, they see everything. When you post about them, it makes them happy. When you post about your passions and hobbies, it makes them happy. When you write about how sad you are because of what's going on in the world, not only are they happy that you find the courage to express what troubles you but they are also in awe and extremely proud of you. Show the extent of your love for life, for people, lay your heart bare, be your authentic self. The more you do that, the stronger they will be drawn to you. Also I'm picking up on make up and body image. If for instance you always wore make up on your selfies, they want to see your bare face. If you didn't like to show your body they will feel happy that you are more confident to do so with them. Of course, you should only do what you feel comfortable with. There's no pressure put on you to do these things. But I hope you get that metaphorical idea of shedding layers. They suggest you to let your guards down, leave masks behind and show your true nature. Be natural is what they mean.
Group 2 - Boundaries, Transmute, Compassion, Play
If group 1's reading was about being transparent and showing their true self, in your case spirit advises you to keep a part of mystery. Your crush will enjoy someone who is secretive, doesn't lay their private life bare for everyone to see. They will appreciate someone that has strong boundaries, that respects and loves themselves enough to cut people that are being disrespectful off. You are advised to do things for your own happiness and satisfaction, regardless of what people may think. Your crush will appreciate someone that is a bit of a lone wolf, that isn't afraid to be alone and face their shadows. They will appreciate someone that is honest and owns up to their mistakes. Someone that isn't disdainful but that won't lick people's boots either. If you show signs of being independent, having your own mind about certain subjects, if you are rather reserved and only let in people that you trust, your crush is likely to highly respect and admire you. They like a person that is a little hard to get. Similarly to group 1, you are encouraged to be more gentle with yourself and allow yourself times of pleasure because you deserve them. Let's say that your crush meets you in town because you're getting a haircut they would think "wow this person takes good care of themselves". Or if they meet you at the gym doing your own thing, they would be impressed, even more so if that is something they also do. They would appreciate to know that you have common interests, things that you can bond over. I'm also suddenly thinking of activities like arcade games, laser games and such. If this person knew that you were doing such things they would be happy because then they'd know 'oh this is someone I can have fun with, they aren't scared of trying new things'.
Group 3 - The Pillar, Underworld, Paradox, Ask body
Do things that are unconventional, daring, that would make this person puzzled or intrigued. Also, group 3 is usually my witchy group lmao So for those of you that have psychic abilities, you are encouraged to use those to your advantage lmao Careful though, we're not talking about spells here. We're talking about using your skills to understand this person better. We're talking about asking your spirit guides and allies to act in your favor. You are also encouraged to focus on your career and achievements. To take on opportunities that will make you the next hot topic. You're encouraged to increase your notoriety, broaden your audience. I will use a specific example that may only speak to some of you. If you're a tarot reader, consider doing a type of readings that would draw a different type of audience like celebrity crush readings. Or instead of using Tumblr, try using a different platform like Insta or Tiktok. This will give you visibility and your crush may end up hearing about you on social media. For some reason that seems important. For others I'm actually getting that you should be helping the one helping your crush gain notoriety, supporting them behind the scenes. (That sounds familiar lmao)
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absolutebl · 13 days ago
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Hello! I discovered your blog relatively recently so forgive me if you’ve already done this but would you consider compiling a list of all the times crossdressing has been done in bl? Whether as a plot-device, for comedy, for serious reasons, just all the times crossdressing as a trope has appeared.
In a similar vein if you wanted to explore it I’d also be interested in the breadth of trans rep in bl/queer shows and movies in Asian media and if that ever blends into the crossdressing (maybe also drag would be interesting to throw into the mix as well?). Also just an exploration of Queer Femme characters that are not made fun of or villainized by the narrative would be cool! Basically just exploring femme queer aspects in bl in all its good, bad, and I’m sure sometimes ugly forms!
Hi, welcome! Ooo, crossdressing. Frankly I can't think of many and I don't have great recall on this one so I will have to ask the feed.
BL's With Crossdressing
Meet You At The Blossom (China 2024) - major plot point
Nobleman Ryus Wedding (Korea 2021) - historical, entire premise
Kieta Hatsukoi AKA My Love Mix-Up! (Japan 2021)
Love Stage (Japan 2020) - major plot point (better executed in the anime version)
Love Stage (Thailand 2022) - major plot point better executed than either Japanese version
About Youth (Taiwan 2022)
I Told Sunset About You (Thailand 2020)
Jack & Joker (Thailand 2024)
My Bromance the movie (Thailand 2014)
My Love Mix-up (Thailand 2023)
I Am Your King (Thailand 2017) - this is Mark Siwat's first BL, and yeah, he's the one cross dressing (he plays the femme rich boy in Jack & Joker)
The Sign (Thailand 2024) - historical costume for the girl of the past being played by a boy is a gender mix of female/male attire, it's very clever
YYY (Thailand 2022)
I feel like Gun has crossdressed in one of his. Theory of Love maybe?
Mr Cinderella (Vietnam 2022)
My Sky (Vietnam 2017) - trigger warning
My Lascivious Boss (Vietnam 2021) - major plot point
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Moots et al...... other (older?) BLs with cross dressing?
Others worth noting
Either the representation or the BL is in question, or it's not exactly crossdressing it's something else. Still, some obscure ones just in case.
Wait For Me at Udagawachou AKA Udagawachou de Matteteyo (Japan 2015) - may be triggering involves body dysmorphia and fetishization of trans identity, but if you can you should watch this
Spring of Crush (Korea 2022) - this is a bromance
Rainbow Prince (Pinoy 2022)
DNA Says Love You (Taiwan 2022)
Great Men Academy (Thailand 2019)
3 Will Be Free (Thailand 2019)
Love Sick 2024 (Thailand) - made an aggressively male character from the original into a newly out 3rd gender/trans character in the new version, very intentional modernization choice, fascinating. Directly addresses dead naming among other things in the few scenes she has.
Saneha Stories series from Thailand
You should follow Cooheart on IG he does some fantastic gender bending and crossdressing styles. He's the fashion icon gift that keeps on giving.
Thai BL has tons of representation and use of characters/actors of Thai third gender, a lot of which is for comedy. Rarely if ever in BL more like Diary of the Tootsies. I would say my favorite and most beloved 3rd G rep is in The Sign. But that is is different than what you asked for.
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Femme rep I have talked about before, most specifically in the context of Daisy in Secret Crush On You......
More Queer Lens & Thai BL 
BL Linguistics & Queer Identity I Am Gay versus I Like Men 
Husband Wife Language in Thai BL (SOTUS, TharnType + a lot of 2022 BL) 
Thai BL Lacks Representation of Butch & Transgender Men (and why this has to do with Thailand's 3rd Gender) 
Thai Military Service & Thai BL
Hope that helps.
(source)
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persephonewritessometimes · 2 years ago
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Aaron Hotchner x bau!reader
Where after months ( cuz shes new n young working there)they cant také anymore their attraction to each other.
Key sentences: Hotch: I’m old enough to be your father. R: Should I call you Daddy then?
Smut n fluff
Please
Author's Note: oooo thank you for this request anon!! thinking many thoughts, head very full
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Summary: It's no secret that you have a thing for your boss - a man 25 years your senior. What happens when he reveals he has feelings for you too?
Pairing: Aaron Hotchner x (AFAB) Reader
Word Count: 5108 (i got carried away hehe)
Warnings: MINORS DO NOT INTERACT!!! UNDER 18? PLEASE KEEP SCROLLING! SMUT; DADDY KINK; SIR KINK; OVERSTIMULATION; MULTIPLE ORGASMS; UNPROTECTED P IN V (don't be like them y'all, stay safe); DOM!HOTCH, SUB!READER; READER IS HORNY; FINGERING; ORAL (F RECEIVING) reader gets distracted by Hotch's hands, pining, confession of feelings, reader blacks out from cumming really hard; Hotch calls reader "good girl, princess, baby"; Morgan is a cheeky bastard (as per usual)
This work is meant for readers aged 18 and over. You are responsible for your own media consumption.
“Y/N, you're staring, again," Morgan says with a chuckle and I quickly find somewhere else to look that isn't our section chief. Which I was definitely not having rated-R thoughts about.
"Shut up, Morgan," I mutter.
"Why don't you just tell him how you feel?" I turn and stare at him now, eyes wide in disbelief.
"Sure, why don't I just tell a much older man that every time I look at him, I feel weak in the knees and sweaty? That would really go over well." I say, sarcastically.
"We're getting tired of watching you eye-fuck him, Y/N." Emily sighs, jumping into the conversation.
"It's getting kind of pathetic at this point," Morgan adds and I smack him on the shoulder.
"You guys are being mean. Let me pine in peace."
"Y/N, none of us are at peace when you start acting like a dog in heat every time Hotch walks in the room. It's genuinely hard to watch." Morgan shoots back, grinning at me. I feel my cheeks grow hot at his brazen comment. "Just put us out of our misery and get laid for once, damn." I feel my cheeks growing even hotter.
"He - he doesn't like me like that." I'm tripping over my words, embarrassed that everyone can see what's clearly written by my body language when Hotch is around.
"Y/N, sweetie, you're smart, but sometimes you're an idiot," Emily says kindly. "He likes you."
"Trust us, we know," Morgan adds.
"How?" I say and cross my arms over my chest.
"Really? Okay. Whenever he's giving a briefing and you're standing next to him, his body gravitates towards yours, you're the first person he looks for in every room, Y/N, two weeks ago on that case in Charleston he almost throttled the officer that merely tried to flirt with you."
"Wait, that officer was flirting with me?" I've only been here a few months, so I haven't learned how to read people as well as him yet.
"Oh my god, she actually is an idiot." Morgan groans. "Yes! He always got you coffee refills without asking, offered you the first pick of the donuts, and gave you, and only you, a very thorough tour of the precinct. He was trying to impress you." He looks at me closely. "How the fuck did you get this job?" I shrug.
"Impeccable academic record?" I suggest timidly, and he snorts.
"Just pay attention to Hotch. More than you are already. You'll see."
"He's old enough to be my dad," I say.
"Why do I have the feeling that only fuels your fantasies?" Morgan mutters. "I'm done with this conversation. Either you tell him, Y/N, or I will."
"MORGAN!" He just throws his hands up in the air giving me an exasperated look. "Em? A little back up here?"
"As much as I hate to agree with Morgan, he has a point. It’s kind of hard to focus on work when we all know what’s going on except for you two. I mean this in the nicest way possible, but just say something, for the sake of everyone who has to be in a room with you guys. I could cut the tension between you two like a knife.” She gives me a small smile.
“I- I’m just nervous. What if you guys are wrong?” She places her hand over mine.
“We’re not wrong, Y/N. We even asked Reid to weigh in and he agrees with us. Just say something.” I frown and head back to my desk, needing to be alone with my thoughts for a while. I’m deep in a stack of paperwork when Hotch calls the team into a meeting. I sigh, set my pen aside, and make my way into the boardroom. I’m on high alert, due to Morgan’s comment, and as I step into the room, I glance at Hotch to find him already looking at me. He looks away quickly and I watch as the tips of his ears turn pink. Oh my god, they were right.
I’m hyper-aware of him the whole meeting, so much so that I barely heard a word he was saying.
“Y/N? Are you paying attention?” Hotch asks, looking at me.
“Uh, yes, sir.” I blurt out in a panic. I wasn’t expecting him to directly address me.
“YES SIR?” Morgan hollers. “That’s a new one.” Even Em is hiding a smile behind her hand. Hotch glares at him.
“Don’t tease her, Morgan. Y/N, please pay attention.”
“I will, sorry Hotch.” He just nods and goes back to what he was saying. I tried to pay attention I really did but I found myself watching his hands as he talked. He gestures at the screen, then to something in the paper he had given us, then puts his hand on his hip. His fingers are so thick I wonder if two would even fit inside of me. I’m thinking about him fingering me on his desk, pussy splayed and dripping for him, and I shift in my seat, feeling the wetness in my panties. Dammit, Y/N, don’t get carried away.
“Y/N, seriously,” Hotch sighs a few minutes later and I’m dragged from my dirty daydream. “I need you to pay attention or leave. Are you okay?”
“I’m fine. I’m sorry. I don’t know what’s wrong with me today.”
“I’ve got an idea,” Morgan whispers with a grin. I glare at him.
“I’m trying to pay attention, I swear.”
“Are you sick? You look a bit warm, why don’t you step out for a few minutes.” I just nod, too embarrassed to look him in the eyes. “And I want to see you in my office when we’re done with this meeting.” I nod again and feel my stomach drop to my ass in nervousness. I quickly walk out of the room and am pacing when the door opens up and Morgan walks out, a shit-eating grin on his face.
“What the hell were you thinking about in there?” He whispers, then pauses, “Actually, I’m not sure I want to know.”
“Just leave me alone, Morgan. I’m embarrassed enough already.” I say quietly.
“Oh, baby girl, I’m sorry. I didn’t mean to tease you too much. You’re just an easy target. If it helps any, Hotch was downright flushed after you left. He stumbled over his words. Twice. I’ve never seen him that flustered. It’s like he knew what you were thinking about.” He nudges me with his shoulder. “Don’t sweat it, okay?”
“You’re not the one who has to face him in his office,” I grumble.
“Well, just make sure you guys close the blinds.”
“MORGAN! Shut up!” He’s laughing as he walks away. JJ and Em shoot me sympathetic smiles as they walk by and Reid pats me on the shoulder. Hotch doesn’t say a word as he walks out of the boardroom, and I diligently follow him to his office.
“Take a seat.” He says, gesturing at the chair and my eyes follow his hand again. Y/N! Stop! That’s what got you in trouble in the first place! I quickly take a seat, clasping my hands in my lap. “Now do you want to tell me why you were so distracted today?” He asks, looking at me. I feel the heat creep up my chest and onto my cheeks.
“I-um-no. No, I don’t.” He raises an eyebrow at that.
“Really? Because Morgan seems to have an idea. Maybe I should go ask him what he thinks.”
“No!” I blurt out. “Sorry. It’s just…embarrassing.” He just looks at me and I sigh before whispering, “Your hands. I was distracted by your hands.”
“My…hands?” He says slowly.
“Yes, sir, I mean Hotch, sorry. I know it’s not appropriate and I apologize.”
“What is it about my hands?” He asks, his voice low and in a tone that makes my heartbeat travel down to my pussy. I shift in my seat, a movement that most likely does not go unnoticed by him. “Y/N. Look at me.” I take a shaky breath and look up at him, all rational thoughts leaving my head when I see that his cheeks are pink, and his pupils are so blown I can barely see the brown. “What is it. About my hands.” He enunciates every word.
“They’re big,” I whisper.
“And what does that make you think about?”
“Please don’t make me say it.”
“No, no I want to hear you say it.”
In the smallest voice possible I say, “I was wondering if your fingers would even fit in me.” I hear him take in a sharp breath. “What it would feel like to be spread out on your desk with - with your fingers inside of me.”
“Careful, Y/N, you’re walking a thin line.” He murmurs.
“Haven’t I crossed it already, sir?”
“I’m old enough to be your father.” He says, words clipped. I get a sudden burst of confidence and stare him down.
“Should I call you Daddy, then?” I ask sweetly. I watch as he tightens his jaw.
“Watch your mouth, little girl. You don’t want to see how mean Daddy can get.”
“And what if I want to find out, Daddy?” I watch as his nostrils flare and he takes a deep breath.
“That’s enough, Y/N.” He spits out and I still, and fear that I’m about to lose my job to ill-timed arousal. My breath hitches as he leans back in his chair, eyes carefully watching me. “What am I gonna do with you?”
“Whatever you’d like to, sir,” I say simply and I watch his jaw tick again.
“Listen to me very carefully. We are going to go downstairs, you are going to gather your things, and you are not going to say a single word. I’m going to tell everyone that you’re not feeling well enough to drive, so I’m taking you home.” I swallow hard, not believing that this is actually happening right now. “Do you understand?” I nod quickly. “I need to hear you say you understand. Or else this stops now, and we don’t speak of it again.”
“I understand completely, sir.”
“Good girl.” He says in a low voice and a whimper escapes me before I can shove it down. He stiffens. “Do you like that? Hearing that you’re a good girl?” My pussy clenches around nothing, begging to be filled.
“Yes, Daddy.” He hums, getting up quickly and my mouth goes dry when I see the tented fabric of his pants. He shrugs off his suit jacket and slings it over his forearm and in front of his body, effectively hiding his raging boner. He walks over to me, and I hastily get up from the chair, and he grabs my arm, gripping it just hard enough to keep me grounded and lucid despite the lust-filled thoughts in my head. He yanks open his office door and we make our way down the stairs. I keep my head down as we approach my desk, the bullpen so quiet you could hear a pin drop.
“Y/N isn’t feeling well. I’m driving her home.” Hotch says, letting go of my arm so I can grab my jacket and purse. I glance at him, nodding that I have everything, and he grabs my arm again, and we hastily walk towards the elevator.
“GO EASY ON HER, HOTCH!” Morgan shouts, and I hear Em laugh.
“Shut up, Morgan.” Hotch growls over his shoulder, and I glance back at Morgan, who mouths ‘Good luck’ at me. “Don’t look at him. The only person you should be looking at is me, princess.” We get in the elevator, and he pushes the button so hard I think that he’s going to break the damn thing.
“Jesus, what’s got you so riled up?” I say sweetly, not caring that I’d probably pay for that question later. I just want to see him snap, lose that carefully cultivated control and unleash himself on me. He turns on me in a second, caging my body between the wall of the elevator and the hard planes of his body. He grabs my chin, tilting my face up to look at him.
“Watch yourself. I’d hate for you to get into something you can’t handle.”
“I can take whatever you throw at me, sir.” He laughs.
“Yeah, right, princess. Keep talking a big game – we’ll see how far that gets you.”
“Well, it got me here, didn’t it?”
“Right where you wanted, I presume?” He asks, tilting his head and there’s nothing friendly in his eyes. I just nod, sucking in a breath when he pushes his body closer to mine and his hard-on is pressing into my thigh. “Before this goes further: green for go, yellow for slow down, red for hard stop, no questions asked. Do you understand?” I nod, and he raises his eyebrows.
“I understand!” I blurt out.
“Good.” He suddenly dips his head down, nose bumping into mine as we share the same breaths for a few seconds. “I’m going to ruin you.” He whispers onto my lips, not quite kissing me.
“Please. Ruin me, Daddy,” I whisper and he’s kissing me as soon as the last word is out of my mouth. It’s overwhelming, the way he kisses, stealing all the air from my lungs in a millisecond. I gasp when the hand from my chin drops to my chest, reaching into my dress shirt and under my tank top to tweak my right nipple. He takes that opportunity to slip his tongue into my mouth, tasting me. The elevator dings and his hand disappears from my shirt and his lips retreat. I whine at the sudden loss of contact, as we had just gone from 100 miles an hour to 0 miles an hour.
“I know, princess, I’m sorry. You don’t want Daddy to get caught, do you?” I shake my head vigorously and he chuckles, escorting me to his car, and opens the passenger door for me, ever the gentleman. He gets in and starts the car as I buckle my seatbelt. He backs out of the parking spot, placing one hand on the back of my headrest and I suck in a sharp breath. He glances at me. “Really? You’re turned on by my driving?”
“I can’t help it. I’m sorry.” I breathe out, not daring to look at him. My cheeks are warm, and I feel frazzled. I jump when his hand comes to rest on my thigh, dangerously close to where I want him. I shift my hips, trying to get him closer to where I need him. He smacks my thigh abruptly.
“Don’t do that. You can wait.” He says gruffly.
“I can’t. I can’t wait.” I gasp out. “Please. Please touch me. I need you. Please, sir, I’ll do anything.”
“I’ll oblige you, but only because you begged so prettily. I like it when you sound desperate. One rule though: no cumming without my permission.” His hand slips under my skirt and I thank god that this was one of the rare days I decided to wear one. His fingers ghost over my cunt, the lightest touch and my breathing is already starting to labor. When his fingers press my clit from outside my panties my hips buck into the air. “Someone’s responsive.” He says, more to himself than me. His fingers trail lower, and he groans when he feels the wet spot. “Already this wet for me, princess?”
“Only for you, Daddy.” I whimper when he pushes my panties to the side, hand now free to touch as he pleases. His fingers come up to tease my clit again before one deftly slips inside of me. I let out a choked sound, tight around him. Just one finger feels thick, and when he slips in another finger I keen, tightening again.
“Jesus, you’re tight.” He curls his fingers and hits that spot inside of me that I struggle to hit by myself. I gasp, hand closing around his wrist, and I don’t know if I’m trying to stop him or egg him on. He continues to work his fingers in me as he drives and I’m not sure how he’s managing to stay on the road. I know I should reciprocate but the feeling of his fingers plunging in and out of me has made every thought I’ve ever had flee my brain. After a few minutes, my thighs start to shake and I’m panting, so close to a mind-blowing orgasm that I forget he told me I can’t cum without his permission. His fingers slip out of me seconds before I hit my peak.
“NO!” I shout, shaking in the passenger seat, sitting in a small puddle of my own arousal. I hope it stains his impeccable leather seats.
“Only good girls get to cum, and you haven’t been a good girl today, baby,” He says, “Open.” I open my mouth and he slips the fingers he just had inside of me into my awaiting mouth. I suck his fingers off earnestly, just like I would to his cock if he gave me the chance. He pulls his fingers out with a pop and I realize he’s parked the car in his garage. Is this really happening? I think to myself. “Color?” He asks me, turning my face so I can look into his eyes. I could get lost in his eyes.
“Green,” I say quickly.
“Good girl,” He whispers and meets my mouth in a messy kiss full of tongue, need, and teeth.
I don’t know how we made it inside, but as soon as I cross through the doorway, Hotch throws me over his shoulder, and I shriek. He carries me to the bedroom, dropping me on the bed. I’m paralyzed as I watch him rip his tie off, dress shirt following soon after. He’s beautiful, and I want to run my hands all over him and feel every scar. My eyes are tracing his chest and ever the profiler, he notices.
“You can touch. It’s okay.” He walks over to me, planting himself between my legs. I timidly touch his stomach, trailing my hands up his abdomen, running my fingers along his scars in quiet admiration. He suddenly takes my hand, kissing it, a break in the dominant façade. I give him a soft smile, one that has always been reserved for him, and his breath hitches in his chest. His hands cup my face, looking into my eyes, and I’ve never felt safer than I have at this moment. I close my eyes, leaning into his touch, my hands resting on his wrists. It feels like we’re the only people in the world, two souls destined to collide. His next kiss is gentle as if he doesn’t want to ruin the moment, but he tosses his resolve out the window when I bite his bottom lip. He growls, pushing me onto my back and stepping out of his pants and boxers. I push myself up on my elbows to watch him and gasp when he’s revealed to me completely. He’s big. Bigger than I’ve had before. I knew it would be big because of his damn hands. “You’re far too dressed for my liking.” He mutters, and the next moment he actually rips my shirt off of me, buttons flying everywhere.
“HOTCH!” He stops, looking at me.
“Try again, sweetheart.”
“Sorry. Daddy.”
“Much better. And Daddy will buy you a new one, okay?” I nod, suddenly unable to think as he slides off my tank top and unclasps my bra. My nipples are aching to be touched and as if he can read my mind, his head dips down to take my left nipple in his mouth. I suck in a breath, my hand coming to rest on the back of his head. His tongue laves over my nipple, and I swear I see God for a moment. He moves to the other side and my cunt is begging for attention. He slides my skirt and panties off without once leaving my chest. And when I’m naked before him, he kisses his way up my throat, leaving hickeys that will definitely be hard to hide.
“Daddy, people will see.”
“And? They should know whom you belong to.” He says plainly, he leans back, admiring my form and my hips jump up on their own accord, grazing his weeping tip in the process.
“Fuck, princess, don’t do that.”
“Please, please, please, Daddy, I need you so bad.”
“Daddy has to make sure you’re ready for him. I don’t know if my fat cock will fit in your tight little pussy.” I whimper at his words, more turned on than I’ve ever been in my entire life. He slides down my body, pressing kisses into my skin as he goes until he gets on his knees, dragging me towards the edge of the bed. He slings both of my legs over his shoulder, pressing a chaste kiss into my thigh. “Your pussy is dripping for me, princess. Can I taste it?”
“Please,” I manage to whisper, and I watch as his head dips down and he licks up my pussy. He groans against my clit when he tastes me, and I shout in surprise at the added stimulation. He chuckles against me and goes to work, tongue thrusting shallowly in me before coming up to tease my clit. He’s getting me closer to the edge and when I feel two of his fingers slide into me easily, I sigh contentedly. He finds the spongy spot inside of me with ease, hitting it every time he thrusts his fingers into me. I’m hurtling towards my peak when I gasp out, “Daddy, please, I’m close, can I cum? Please? I’ll be a good girl, I promise. Your good girl.” His eyes flick up and he watches me, never stopping, and watches as my abdomen tenses and I start to clench around his fingers, panting. He pulls his mouth away from me just long enough to whisper,
“You can let go, princess.” And resumes his torturous pace on me. My hand shoots down to grip his hair and a few seconds later my orgasm rips through me. I shout loudly, hips moving with abandon against his face, and he doesn’t let up, continuing to lick and finger me through it until I’m twitching with overstimulation.
“Daddy, please, too much.”
“You wanted to cum, princess, so you’re going to cum until I’m done.” He growls and goes back to eating me out. I had no time to come down from my first orgasm and my body is already sprinting full speed ahead toward my second. My thighs clench around his face but it doesn’t stop him. He stills his fingers inside me and simply presses them into my G-spot, never letting up, just putting constant pressure on it.
I’m babbling at this point, nothing coherent coming from my lips except for ‘daddy’ and ‘please’. My orgasm blindsides me and I clench hard around his fingers and scream, not caring if anyone can hear me. My vision goes spotty as I continue to cum until he finally slips his fingers out and I feel like I can breathe again. I’m gasping for air as his touch trails along my hips.
“Still with me, pretty girl?” I nod still gasping. “Color?”
“Green, green, green.” I pant out quickly and he chuckles. He gives me a few more seconds to come down, tracing gentle patterns into my sides and he kisses me once my breathing slows. I pull away to bite my way down his neck, leaving my own marks on him. “Daddy, need you inside me, please.”
“Are you sure you’re ready for me, princess?”
“Yes! Yes! So ready! Please just fuck me!”
“Okay, let me grab a condom.”
“No!” I shout, grabbing his shoulders. “I’m clean. Please, I want to feel you. Just you.”
“You’re going to be the death of me, you know that?” He says, kissing the tip of my nose. I watch as he pumps himself a few times and lines up with my entrance. He pushes in, just barely, and stays there until I’m begging him to push the rest of the way in.
“Please, Daddy, I want to feel full. I feel so empty.” He sheathes himself in me in one quick motion and I gasp. “Thank you, Daddy,” I whisper onto his lips.
“Fucking hell, Y/N, you’re so goddamn tight.” He’s still above me, and I can see his shoulders shaking in restraint. “You feel like heaven.”
“Please move, please. Let go, I can take it.” I whisper, peering into his eyes and he pulls out a little bit to thrust shallowly. He swallows my moan with his lips, kissing me with the fervor of a man starved. He starts off at a slow pace and despite being sensitive from my previous two orgasms, I need more. I dig my nails into his shoulder. “Please, for the love of God, fuck me. Hard. Please. I can take it. All of it.” He looks at me hard, searching for any hesitation, but his dick is literally inside of me, so there’s no hesitation on my part. I nod up at him and he leans down to kiss me as he starts to set a brutal pace. His hips are slamming against mine and when I shift my hips up to meet his thrusts he hits my G-spot with every thrust. “SHIT!” I shout, the words quickly turning into a loud moan as his thumb comes down to flick at my clit. I’m shaking with arousal, and I can feel his balls slap against my ass with how hard he’s fucking me.
“Come on, pretty girl, I know you’ve got one more in you. Give it to Daddy. I want to feel you cum around my cock.” There are no thoughts in my head anymore, everything in me has zeroed in on the feeling of him literally fucking me into the mattress. “You look so pretty fucked out like this, bet you can’t think of anything but my cock inside of you, huh?” I nod and he laughs, kissing me hard. He leans back just enough to change the angle by shifting my calf onto his shoulder. He thrusts, hard, and I whimper. “You make such pretty sounds when I’m fucking you.” He picks up the pace again, moving his thumb on my clit in tight circles. I let out a broken moan as he hits just the right spot inside of me, and he takes note of it, hitting the same spot repeatedly, thumb keeping its pace on my clit. It’s overwhelming and I know that this orgasm is going to ruin other men for me. No one can do it like him. “Y/N,” his voice is low, “Look at me, baby, I want to watch you fall apart.” I drag my eyes open and look at him with dazed eyes. One particularly hard thrust and a drag of his thumb over my clit and I’m cumming violently, thrashing against him and gripping the bed sheets, my body spasming and I feel him fuck me through it and spill inside of me with a shouted curse before I black out.
I come to and can feel a warm washcloth being dragged between my legs gingerly. I hiss at the contact.
“Oh, thank god, are you okay?” I nod, throat raspy from screaming. “Can I get you anything?” I shake my head no, and the warm washcloth returns, I jump at the sensation. “I know, I have to clean you up though, okay?” He finishes in the next couple of moments and throws the washcloth into the hamper.
“How long was I out?” I say softly.
“Five minutes? Maybe six.” I nod.
“Sorry.”
“Sorry? Y/N, that was the biggest ego boost I’ve had in years.” He chuckles and I let out a weak laugh.
“Help me up?” I whisper, holding my hands out toward him. He obliges, gently grabbing my hands and pulling me into a sitting position. My vision starts to go spotty again. “Oh, Jesus,” I say, starting to slump forwards. His arms wrap around me quickly, holding me against his chest until my vision starts to return to normal. His thumbs are rubbing my back and I wish I could stay in this moment forever. “I’m okay, I think,” I whisper after a minute and try to pull away but he only lets me get a few inches away, eyes worriedly searching my face. “Hotch, I’m fine. I swear. Now let me go so I can go pee.” He lets go of me slowly and when I stand up to walk toward the bathroom, my legs buckle underneath me. “Oh, come on!” I exclaim, but Hotch is right there to catch me. He scoops me up despite my protests and carries me bridal style to the bathroom, setting me down on the toilet. “Thank you,” I whisper, suddenly embarrassed.
“No, don’t do that. I can see you trying to hide, getting embarrassed.”
“Am I that obvious?”
“Yeah, when your guard is down, you’re easy to read.”
“So, uh, do we just pretend this never happened? Go back to the way things were. I assume that’s what you want?” I bury my face in my hands, unable to look at him.
“Go back to the way things were? Y/N, baby, no. I can’t go back. This was not a one-time thing. I’m yours if you’ll have me.” I peek at him from between my fingers.
“Wait, you’re being serious right now?”
“Dead serious.” He gets on his knees in front of me. “I’ve wanted you from the first moment you walked into my office. I just didn’t think you’d reciprocate, until Morgan made a comment two months ago about your body language, and that’s when I had the hunch you felt the same way.”
“So, you’ve known I’ve been pining over you for months and didn’t think to say anything?” My pitch gets higher as the sentence goes on.
“I didn’t want to make you uncomfortable.”
“Yes, I’m clearly uncomfortable with you as I’m sitting in front of you, naked,” I say drily and he laughs again.
“Yeah, I know, I’m an idiot.”
“Yes, you are,” I say, smiling, before adding, “But you’re my idiot.” His eyes brighten at that.
“Yeah?”
“Yeah. As you said, I’m yours if you’ll have me.”
“Good. Because I’m never letting go of you.” I feel my cheeks grow warm.
“Good, because I don’t want you to.”
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deusvervewrites · 9 months ago
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The First Line
A lot of people out there will tell you that the first line of a novel is the most important. I've seen the wisdom that the first line must grab the readers attention, be some kind of a "hook" to draw them in deeper, or to tonally reflect the main themes. That the first line needs to throw the reader into the thick of it!
But how true is that really? It's been nagging me for a while now as someone who has started more fics than I've completed.
Out of curiosity, I grabbed a handful of my favorite novels and compiled their first lines.
"There are many legends about my mother." Daughter of the Moon Goddess, Sue Lynn Tan
This line doesn't really establish much about the plot of this book. Not the narrator's name, goal, conflict, or even the setting. We can make some inferences from the existence of legends around someone, but 'legendary' only narrows anything down because of the book's title. It is, however, indicative of the narration style and the novel's prose.
"Mary Jekyll stared down at her mother's coffin." The Strange Case of the Alchemist's Daughter, Theodora Cross
This line puts us right into a scene. Some real In Medias Res. Except... it's not really an action scene. It's a somber affair. And from Mary's staring, it's safe to say she has some heavy thoughts on the matter.
We can also make some assumptions from the wording choice. Looking down at the coffin suggests that she is standing over it, so we know at once this takes place during the funeral.
Interestingly--and I'm going to break my soft rule of not addressing the rest of the text here--this line does not allude to the novel's framing device.
"The temperature of the room dropped fast." Bartimaeus: The Amulet of Samarkand, Jonathan Stroud
This is another opening that's setting a scene instead of trying to introduce us to the cast or conflict, or even to the setting. Why is it getting colder? We can infer from the fact that the temperature is dropping fast that this probably isn't a good thing or at least not a normal thing.
"I've seen Steelheart bleed." Steelheart, Brandon Sanderson
This line fascinates me. It says a lot and, at the same time, very little. We know that someone named Steelheart exists, obviously. However, the narrator is giving gravitas to the sight of them bleeding. So we've already learned that Steelheart doesn't bleed very often, and seeing it was worth remembering. But who Steelheart is and why the narrator cares? Nothing in this line indicates that.
"Kendra stared out the side window of the SUV, watching foliage blur past." Fablehaven, Brandon Mull
I think this is the most relatable opening line I have listed here, since I can instantly in my mind picture the expression on Kendra's face knowing nothing else about her, or where she's going. We can guess she's probably not happy to be going there since she's staring out the window with what I would assume to be boredom. That's some conflict there. But, like, extremely minor conflict.
"The tired old carriage, pulled by two tired old horses, rumbled onto the wharf, its creaky wheels bumpety-bumping on the uneven planks, waking Peter from his restless slumber." Peter and the Starcatchers, Dave Barry and Ridley Pearson
Well this sentence rambled on a bit didn't it? But it's very evocative. It tells us very little about the story (beyond Peter's name) but it sets the scene beautifully. Not only is it evocative of the scenery, but the time period (from the horse-drawn carriage) and the tone as well. We also know that Peter wasn't sleeping very well, which indicates that he's either anxious about something or that sleeping in this carriage wasn't very easy. Or both.
"In a hole in the ground there lived a hobbit." J.R.R. Tolkien, The Hobbit
This is the kind of line that would get me murdered by a lot of writing advice that I've seen over the years. This line tells you next to nothing, not even whether or not its weird for hobbits to live in holes. What this line does do is ease us into the narration style that Tolkien employs, which is generally slow and descriptive.
Okay...?
So what was the point of all of that?
Well, this experiment has solidified my opinion on something. As I said, I've been having thoughts about opening lines, but I think that the actual first line of the book is not as important as the first scene of the book. None of these lines out of context are that good. Sure, The Hobbit is iconic, but that's not because that line itself is phenomenal. It's practically "Once Upon A Time."
But it works for the scene.
The first scene is far more interesting to me than the first line. I'm not so impatient that if the first line fails to captivate me I'll toss the book aside. And I know that's true for other people because H. Bomberguy posted a four-hour video on plagiarism and we all watched it.
What this means, I think, is that we don't need to treat our audience as if we're in an arms race against their dwindling attention spans as if we'll lose them forever to TikTok if the first sentence isn't the pinnacle of literature.
People will give a work a chance. That's what the summary is for; to tell people if they'll like it so they can know to give it a try.
If you were afraid to write, or to share your writing, because you didn't think the first line was good enough... I don't think that matters. I think that people won't hate it. Won't turn up their noses in disgust.
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I JUST FINISHED SONK ADVENTURE 2 IM NOT OKAY OMG
The scene with Shadow falling to earth was funny at first and it all happened so fast i was still trying to wrap my head around it. Ppl talk about that scene a lot which theyre so right for, but i need to talk about the scenes after because oh my god they broke me!?!??!
Sonic, coming back onto the ark, completely silent. Everyone asking if Shadow made it back and he just slowly shakes his head without a word.
The scene where Sonic gives Rouge Shadow's inhibitior ring hold so much more weight to me after actually playing the game: In the short time they knew each other, Shadow saved Rouge's life. Twice. This is the only possession she has to remember him by. Knuckles asks her what shes going to do now and she actually stops to reflect and remarks how shes thinking of changing jobs, something else on her mind now(What exactly shes referring to in this moment isnt stated but theres a fair few connections to draw there). After almost getting killed during a heist and never getting a chance to thank the guy who saved her from it, that's a pretty good and strangely mature call to make from a writing standpoint. This whole scene has a similar feeling like that, like the jokes and the extravagance thats typical of the cutscenes have really been toned down with intention.
This one genuinely shocked me, and im really surprised i havent come across anything about it yet because the scene between Eggman and Tails was actually super deep?? There are a lot of different Sonic medias as far as I im aware that have touched on the paralells between Eggman and Tails: their small similarities and how well they work together when they have to, but the scene here really stuck out to me. Eggman is talking about how much he admired his grandfather as a child, how much his work inspired him to learn and create and strive to be great like him, drifting off to question whether or not he really wanted to see them all fall. Tail's response is very chipper and optimistic, but i really like the idea of Eggman having almost this turning point here, having to face something so saddening as watching someone you love curse the world and everyone on it(including you). After arguably some of the most dangerous and threatening feats have been accomplished by Eggman in this game as the story's primary antagonist, is this moment a nod to him maybe stopping to think about what he's done? Im amazed by how much meaning can be taken from these few seconds of dialogue!!
Finally, the last two moments. Amy, despite having had her own short heart to heart with Shadow before the final battle and ultimately being the one to spurr Shadow on to fight alongside Sonic and the others, doesn't seem as upset by Shadows death as Sonic is. This is genuinely, in my limited knowledge of Sonic media, one of the only instances i have seen Sonic be thoroughly shaken up by something and brushed it off when someone asks him whats wrong. In most cases, he's just relatively unfazed from an emotional standpoint like that, so theres nothing to brush off in the first place. But here, the ever-yapping blue blur remains silent for a while, just staring at Earth in a similar paralell to how Shadow used to. It isn't until Amy comes by that he looks away. Its the really subtle details here that get me: Sonic doesn't look or respond to her right away. There's a prominent pause of silence before he turns to her and says its nothing, switching the topic immediately to rush her along. Sonic, typically impatient and eager to move to the next adventure, slows down and is the last to leave the deck, delivers the farewell line to end the game. Again, the contrast in how slowly and soft he speaks here in comparison to literally anything else he says in the game is insane. The pause between "Shadow" and "the Hedgehog" is still very funny to me and im not lost on how the delivery does end up being chopped up quite goofy like that, but if that isnt an absolutely insane way to end off the game with such a somber, emotional moment...
Sonadow or no sonadow, take it as you will, its undeniable how impactful this adventure in particular is to Sonic. How much Shadow meant to him by the end of the game. How much his sacrifice meant. I really see his discussion with Rouge as both a way to comfort her, and to comfort himself. To say out loud how heroic and brave he'd seen Shadow to be, regardless of the intention that came from his creation. Sonic is big on freedom and giving people the opportunity to live how they want to, and Shadow's sacrifice in that regard means even more to him. He had just come to understand what he had truly promised Maria he'd do, joined Sonic whole-heartedly to help save the planet, and never got to experience anything beyond that. Given Eggmans continuous antangonistic streak at that point (I'm not fully aware of the other villain's Sonic had faced up until that point), it's rare that Sonic actually gets to see someone who opposed him change for the better!! And not only was Shadow one of the first to do so, but he was a speedy teen hedgehog!!! Just like Sonic himself!!! Its like Shadow said, there was so much more to them that they never got to find out about each other!! The fact that Shadow gave up all of that possibility, all of his own personal freedom to help Sonic save the planet and the freedom of all the people on it? That hits. HARD.
Im not familiar with the full canon of how Sonic actually managed to get one of Shadow's inhibitior rings to give to Rouge, as he's actually not shown in any scene taking them off during the final battle(i actually dont even think their mechanics are properly explained which is more confusing but yk), but getting into more headcanony, sonadow adjacent space for a second? I like to think Shadow actually took two of his rings off/had two break off before he fell. Sonic gave one to Rouge, and secretly kept the other for himself. He obviously didn't want his friends to ask him more questions about how he was feeling, so he hid it in his quills before he greeted them back on the ark. Shadow ended up meaning a lot to Sonic, and it's really interesting to think about what was running through Sonic's mind when all was said and done.
Uhhh anyways good game very very infuriating at times but very good game i have a true taste for the appeal of Sonic games now and i want to play them all. If you actually made it this far, thank you for reading my silly sonk rant! If you have any information you know of to patch the spaces where I'm lacking or just want to discuss your own thoughts on the ending feel free!! Have a good day or night wherever you are :]
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tacky-optic · 6 months ago
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SINNERS, ALL OF 'EM
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the seven deadly sins + the gang = way too much overthinking
Lupin's Gluttony The world's his for the talking, yet he can never be satisfied. That'd be a real bummer if he were anyone else, but that hunger for more challenges, more adventures, seems to only add more fuel to an already roaring fire. He's a Glutton for a lot of things: Punishment, mainly. But also attention and experiences. His curiosity is insatiable. The only issue with Lupin's Gluttony is that he isn't inherently wasteful, which is a pretty glaring caveat. In that case, the big question would be "does the damage he leave in his wake outweigh that which was stolen in the first place?"
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Jigen's Sloth/Envy "Man, I'm too old for this shit" incarnate, with a little dash of "I'm still going to silently judge you from my dark little corner, though" on top. It isn't Sloth "I'm gonna take a decade to get to this" so much as it is "I'm gonna do what you want me to do so rapidly and effectively that you're gonna think twice about waking me up again after I get back to my nap." But he really doesn't do jack-all if it isn't Lupin-related. If it were just him all on his lonesome, he'd kind of just rot. He is indifferent to his effectiveness. Bored, even. His loyalty to Lupin is an inherent aversion of his responsibilities as an individual.
His Envy brings him to action. He's a man of a lot of subtle wants and no willpower to take them, but with the right motivator, he'll bring down armies. Fujiko is a pretty good spur-on, as well as anything that remotely puts Lupin in the line of inconvenience or danger. If it's for one of his very, very few friends, he'd go through hell and high water just to get them a decent sandwich or something. Just be thankful his Envy's benign instead of malicious...
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Goemon's Pride Mr. "Once again, I have cut a worthless object". There's literally an entire movie about his ego getting so utterly shattered that he gets all cagey/stabby mode about it for the rest of the movie, on top of training so hard he rewrites his entire goddamn nervous system just so he can do said stabby better. It's fantastic. To dedicate oneself so fully to one skill, then to restrict it to your own judgement as to not tarnish it, feels like the antithesis of humility. Pride, in a biblical sense, is to sever oneself from God; to become so wholly individual and confident in said fact that you forsake conventional belief in favor of your own. So congrats on netting the literal Worst sin, Goemon, you've earned it. God ain't shit when you can cut through anything.
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Fujiko's Greed Does... does this even need elaborating. She's a woman that knows exactly what she wants and exactly how to get it, plain and simple. Why settle for anything less than the best?
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Zenigata's Wrath/Lust What a wombo-combo, damn. This guy's the definition of love/hate. He's a man simultaneously impassioned and overwhelmed by his emotions, yet they lend so heavily to his professional and personal effectiveness that without them, he wouldn't be him anymore. Wrath and Lust go hand in hand, in a roundabout sort of way. It's about loving something so much that you want to crush it. A brutal dimorphous expression of emotion. To long for something to intensely, so vehemently, that it guides every action, fuels every decision... Underneath it all, would it even be possible to know what you are if that drive is all that defines you? Could you even call that living? We're talking about a guy who unironically wears heart boxers and almost exclusively eats cup noodle, people. This symbolism's very disturbing...
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That's A Wrap You can always argue other sins for each of the cast members, of course. Lust for Lupin, Wrath for Jigen, Envy for Zenigata-- whatever. At the end of the day, they're all objectively terrible people. It's semi-safe to say that outside of religious contexts, the seven deadly sins have grown subjective in common culture/media. So why not take liberties? I sure as hell did. It's a goddamn miracle these managed to turn out so succinct.
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juana-the-iguana · 1 year ago
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Sometimes I just think of fan interpretations of the cut-away between Zuko telling Katara that he knows where the man who killed her mother is and her packing things and getting ready to leave, and Aang and Katara having their last in-person interactions on screen (when they are lone together in EIP and when they are in a group in the finale) be fights to them kissing at the end.
People who support Kat-aang and do not like Zutara (and specifically comment in the Zutara tag about this) often say that Zuko had to convince Katara to go after her mother's killer. A lot of those people also assume that Aang must have apologized to Katara off-screen for the EIP kiss.
I have had a lot of people who share these interpretations accuse me and other people of not having "media literacy" because we can't clearly understand he must have apologized off screen. The irony is that is the exact opposite of the truth.
The cut away between Zuko telling Katara he knew how to find her mother's killer and her getting ready to leave signifies swiftness. Her response to this knowledge is so clear that showing her reaction would actually take away from conveying it. Things are moving fast, her mind was made up right away and she kept moving so the scene did too. And because she is moving so quickly, the audience can fill in the fact that any conversation she may have had with Zuko about this (How do you know this? When did you find out? etc.) did not play a role in her decision to find her mother's killer.
We know from both her past actions (being haunted by her mother's death, her righteous fury) and her future ones (trying to take Appa without talking to Aang or anyone else, telling Sokka that he didn't love their mother like she did, bloodbending) there is nothing Zuko could have said in a period of time that would have been a few hours, tops, that could have made her that angry or driven if those emotions were not already there. Zuko telling Katara he knows where her mother is isn't actually the completion of that narrative moment: her affirming that she needs to confront said killer when her actions are questions is. (I should note that part of the cut away could have been to leave room for a commercial break - I can't remember if that was the case when this aired on television - which would break up the viewing, but does not take away from the fact that Katara's shown response to this knowledge is to leave as quickly as possible).
Now compare that with the EIP kiss. We see the full moment play out, from Aang meeting Katara on the balcony to pressuring her to commit to him to kissing her when her eyes are close to her getting upset to her running away to him reflecting on what happened... Set up, action, response, reflection. This is an emotional scene, Katara is clearly distressed and this is one of the few times we actually see her mad at Aang. Their kiss at the end is another emotional moment, as it marks the culmination of Aang's journey as an Avatar. There needs to be a bridge between these intense scenes for them to make sense. Kat-aangers will argue that the EIP kiss is A and the ending kiss is C, so B must be the implied apology. But if A and C both matter a lot, and there needs to be a connection between the two things, then B should matter a lot too. C is the last scene in the show! This bridge should be shown, or at the very least referenced!
Unlike the TSR scenes, there is so much time between EIP and the finale that there is no clear flow between these moments. To the contrary, there are moments that break up this romantic sub-subplot, from them playing at the beach together again to them fighting again over how to deal with the Fire Lord and Aang running away (something worth noting is that Katara is the last person who is talking when he runs away - he literally left her - and she lets him go after a light touch on the shoulder from Zuko). Fight, friends, fight, love.
Since that B scene, the thing that bridges together Katara and Aang's relationship, is not there, then it either isn't important or did not happen.
Now let's get into media literacy. Media literacy isn't filling in gaps to make things make sense. Media literacy is understanding the messages that a piece of media is sending, intentionally or unintentionally. Even, in theory, if Zuko did have some conversation with Katara convincing her to seek out Yon Ra, it isn't shown and it isn't alluded to, so it doesn't matter. What we are supposed to take away from that episode is that Katara was ready to hunt down Yon Ra, she needed closure and got it, and that Zuko helped her. The same can be said for an apology after EIP. It doesn't matter if one happened off-screen, if it wasn't shown or referenced to, so it isn't important to the narrative. And if Aang making amends for hurting Katara isn't important to the narrative, but her kissing him after he fulfills his duty as the Avatar is, that is a huge statement about their relationship. Katara only rejected Aang because he wasn't an Avatar yet, so the only thing that matters in their relationship is him being the Avatar.
But the thing about media literacy is it isn't just about what is shown on the screen itself. It is about the bigger picture, what this is trying to convey as a message to the viewers.
So what does the gap in time in TSR tell us? Katara is this caring, nurturing friend who, in her brother's words, doesn't hate anyone except the people who took her mother. If she doesn't hate anyone except for the people who took her mother away from her, and she was immediately able to act on that hate when she got the chance to seek closure, then that hurt must have been closer to the surface than anyone thought. She acted fine, but her trauma was still there.
So what does this mean? She was able to address the anger conveyed in the scene in the episode and by the end of it, even though she was still conflicted about Yon Ra, she made peace with Zuko. Zuko whose mere presence caused her distress for weeks, not only because of his betrayal, but because he reminded her of her mother's death. Zuko who became her good friend and saved her life later on. Confronting her demons not only brought her peace, it improved her life tremendously.
So what is the "media literate" message from the lack of apology? The absence conveys is that the most important thing needed for Katara to like Aang was for him to fulfill his role as the Avatar, because that is the only thing that changed in between those two scenes. He didn't treat her any differently, he didn't apologize for hurting her, in fact its vague that he even acknowledged that what he did was wrong because it hurt her (the "I'm so stupid!" could easily mean he blew his chance, not that he cared). And Katara never went through the process of forgiving him or making peace with him wronging her. She never even acknowledged that he underwent a significant change as a person in the last episode either (Aang, who ran away from his duties at the start of the series, faces them head on in the last episode. YMMV on how good that was developed) - if it's not shown, it doesn't matter.
So what does this mean? It doesn't matter when Katara is hurt, conflict resolution doesn't matter, and apparently Aang's personality doesn't matter either. Their interpersonal relationship and emotional connection mean very little. Men do great things and women love them for it, how they act or are treated does not matter.
And before anyone comments "they're kids, it's not a big deal," this is a direct response to accusations about media literacy which, by definition, is a big deal - it's about the messages being made to viewers and its commentary on how society works and how things should be.
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generic-sonic-fan · 10 months ago
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I’d love to hear your headcannons on what G.U.N. thinks of the sonic cast! Idk what it is exactly but the idea of G.U.N. coming up with a bunch of plans in regards to (mostly) a bunch of teens and kids is intriguing to me
This is such a fun and interesting prompt, thank you so much for sending it! I love worldbuilding in the Sonic universe lol. LONG post below cut
Sonic:
The ultimate worst case scenario.
Much in the same way an ICBM can be anywhere in the world within 30 minutes, Sonic can be anywhere at any time and cause MASSIVE amounts of destruction.
GUN wasn't nearly as worried about Sonic before they tried to frame him in SA2. They thought it'd be easy to pin the blame of Shadow's behaviors on Sonic and then pardon him later.
They were wrong.
Now GUN threat evaluators place Sonic just behind Eggman in world threat level. They struggle to understand what his morals might be and all their attempts to reach out to Sonic and ask him to clarify have been met with a "nah!" from the hedgehog himself.
There's one group in particular within the organization who are extremely paranoid about Sonic to the point of suggesting proactive measures against him.
. . . which everyone else in the organization either laughs at/ignores/prohibits.
There is no set-in-stone contingency for Sonic, as nobody can agree on one, but the plan that has the most consensus is to somehow utilize Team Dark.
Any attempts to discuss this with Team Dark have been turned down. Shadow refuses to speak of it, Rouge laughs it off, and Omega refuses to collaborate because he promised Shadow he wouldn't.
Tails:
Due to Tails' extensive social media presence, GUN feels like they have pretty good tabs on what's going on in Tails' head at any given moment, so they're a lot less paranoid about him.
A very exclusive group of people brainstorm what the contingencies might be on the off chance Tails does present a threat to the world.
(Because even in discussing Tails, they're much more worried about Sonic's reaction to them have contingencies for the fox)
A lot of their contingencies for Tails are the same as those for Eggman. GUN feels pretty prepared for any sort of Tails Overlord scenario, actually.
Minus Sonic, that is.
Current GUN protocol is to treat Tails very very nicely so that Sonic doesn't start getting concerned.
This is why Tails is allowed to be Omega's primary mechanic.
Knuckles:
GUN sent drones directly to Angel Island. Once.
Their old protocol was for him to remain "uncontacted". Yikes.
After Knuckles started getting more involved in struggles against Eggman, GUN started doing more research into him.
Because he mostly stays up on Angel Island and acts as a competent guardian of the Master Emerald, GUN isn't too worried about him? If anything, they're glad that someone with a significant power level is preventing Eggman from stealing the ME.
They've tried to initiate diplomatic contact with him but he's turned them down every time
He knows that GUN monitors the ME from afar- sometimes on clear days he sees a GUN drone floating a few miles off of Angel Island.
It's a bit of an uneasy truce honestly. GUN's biggest concern is that Knuckles could start using the ME for his own purposes, but so far it hasn't looked like that would ever be the case.
As for contingency plans- GUN has asked Rouge if she thinks she'd be able to steal the Master Emerald. (To which she's replied yes, of course.)
The plan is to get the ME off of Angel Island and into a specially designed GUN stronghold in an undisclosed location.
Once the guardian is separated from his emerald, GUN is pretty sure they'll be able to deal with him.
(They are VASTLY underestimating him due to a lack of data)
Amy:
No contingency plans. She's flying under GUN's radar.
They probably should have something in place for her honestly.
See Knuckles' note about vast underestimation due to a lack of data.
Shadow:
The contingency for Shadow is the most detailed contingency file GUN has.
. . . and Shadow himself has helped write some of it.
The file has a long and storied history reaching all the way back 50 years. It's always been something on GUN's mind.
The current contingency is based on the idea that the first thing he'll do once he goes rogue is try to collect the chaos emeralds.
A lot of the plan involves setting a trap with lots and lots of firepower.
There's also an addendum of the plan about utilizing the other members of Team Dark, either to combat against Shadow or as hostages. Shadow is unaware of the latter. In either strategy, Omega is considered vital.
GUN has a lot of scientific data on Shadow's weaknesses to certain kinds/amounts of chaos radiation and all that jazz, so they feel a lot more confident about their ability to bring him down compared to Sonic.
Something about the enemy you know being better than the enemy you don't.
Rouge:
GUN has determined that Rouge is very unlikely to be a world-ending threat.
But a GUN-ending threat? Absolutely.
Rouge going rogue is the worst case scenario for GUN's continued survival as an organization.
They know they can't keep her out of their files or any of their locations. If she wants to sell all of their secrets or steal all of their tech, they know they're very unlikely to stop her.
Current contingencies include using the other members of Team Dark to persuade her against destroying the organization if they're willing to cooperate, or taking them hostage to negotiate if they're not.
They also plan on a public smear campaign against her- basically revealing everything they know about her while she tries to reveal everything about them.
Rouge knows about all of these plans, of course.
There's definitely a tension between her and GUN because of this.
The current plan is to treat her well and convince her to stay on GUN's side at all costs (usually through bribery!)
Omega:
GUN's contingencies for Omega are really, really barebones.
It pretty much just boils down to "destroy him".
They aren't too worried about him, kinda like with Tails. GUN knows how to destroy Badniks. They've been destroying Badniks for lots of years at this point.
If anything, they consider Omega to be the least threatening member of Team Dark and the best lynchpin for if either other member of the team goes rogue.
(It should be noted that they still expect any scenario where Omega goes rogue to have the highest number of immediate civilian casualties.)
See my fic on this
Silver:
HOO BOY, is GUN worried about Silver.
Not because of his powerset- GUN is pretty sure they can just knock him on the head to neutralize him.
(Like Knuckles and Amy, they are vastly underestimating him)
But the time travel shenanigans scare the shit out of them.
GUN is the sort of organization to have protocols in place for working with future or past versions of themselves.
They also fund a shitload of research into detecting changes and potential threats in the timeline.
(They detected the Sonic Generations incident when it happened and it remains one of the most intensely studied events.)
(They've also detected a strange sort of time blip over Soleanna, but every time someone gets interested in studying it, their drive seems to wane until they're no longer concerned about it. Strange. . .)
TL;DR: They treat Silver like a fucking SCP. Current protocol is for all agents to limit contact with him in order to prevent damage to the timeline.
Honestly if GUN wasn't so scared of him, Silver wouldn't exactly be opposed to getting their help managing the timeline shenanigans.
Blaze:
Blaze has not initiated any sort of formal diplomacy with any government or organization in Sonic's dimension.
GUN tracks the unique energy signatures of the Sol Emeralds through their strange link/interaction with the Chaos emeralds.
They haven't quite figured out what's going on.
And frankly, they don't actually know that Blaze is from another dimension.
They see her very rarely. They know that something is strange about her energy readings but just assume that she's one of Sonic's lesser known friends who doesn't get out very often.
Team Chaotix:
I'm grouping them together because GUN doesn't have any contingencies for them. Vector, Espio, and Charmy are all under their radar.
They should be worried about Espio. They're already worried about Rouge's stealth capabilities. I'm pretty sure whoever's managing these contingencies within GUN would have a heart attack upon learning that somebody on this planet figured out how to actually turn invisible.
And that's it!
I'd actually like to end this post with a bit of a weird note- I don't think that GUN would be evil for developing contingencies like this.
I myself work in the field of safety. This field includes things such as occupational safety, and most pertinently for this post, emergency management. I've actually helped write protocols for companies about what workplaces should do in the event of an active shooter or other outside threat such as a natural disaster or a civil conflict.
(If I lived and worked in Sonic's universe, I would most certainly have to write safety protocols about what to do if Eggman attacks, for example!)
It's important to have protocols in place for the worst case scenario, no matter how unlikely or unthinkable that scenario is. And in Sonic's universe, this is especially important! This is a universe where society is regularly attacked by a mustache-twirling, robot-building terrorist! Of course GUN is going to keep tabs on other individuals who could post a similar threat and plan on how to stop them should they ever become a threat to the public.
I'm definitely not excusing GUN for any of the shady things they've done in canon, but it is an interesting point to think about that they're the best equipped to handle any sort of Dark Sonic/Sonic.exe/insert your favorite name for "this character but evil" here/mirror universe scenario.
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egg-emperor · 3 months ago
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Ohshima has said that Eggman isnt evil in his concepts, he is meant to be humanity
I see that people are passing this around again. Why do people love holding word of god with so much higher regard than what's in the media that's actually been reviewed, finalized, firmly established and published? What someone says outside of the games doesn't change what we see in the games.
What Ohshima said was literally in a Twitter Private message. Someone saying something in private DMs can't be where people get their sources from and have it hold up.
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If this was actually the case in canon, it would've been clearly established there, which it isn't. Eggman knows and embraces that he's evil all the time in the actual games.
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Ohshima is right about Eggman wanting to make the world beautiful using science and nature but it's in his own selfish twisted definition, not genuinely making it beautiful and nice for anyone else.
We see this by how he purposefully makes Eggmanland and the Interstellar Amusement Park dangerous and embraces and boasts the dangers. He even closed off Planet Wisp to the public because it wasn't "dangerous enough" for visitors yet.
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Now Ohsima is specifically saying that Eggman isn't evil in Adventure but if we're gonna focus on that, this also straight up isn't factual there either. Eggman is not a hero in Adventure, he specifically awakened Chaos to destroy Station Square and only tried to stop him because he betrayed him and became a threat to him and his plans.
I made a big post breaking the DM down and showing how, using the game itself which will always be the real true solid source to go by, that in both in English and Japanese Adventure, what Ohshima said just isn't what's happening in the game. Here's a quick reiteration of that post:
Eggman specifically intends for Chaos to destroy Station Square, so he can build Eggmanland on the ruins. This was his entire plan behind summoning and feeding him emeralds in the first place and it was always his method of how he was going to go about conquering the city using Chaos.
Sonic story:
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Tails story:
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The only problem he has is Chaos betraying him and making him his enemy, which means he's now a threat to him too and that's when it's a problem.
Last story:
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He specifically states that it's because he defied him/didn't follow his orders. Instead Chaos is doing it on his own terms and making him his enemy and attacking him too, meaning he can't build Eggmanland and is now in danger himself too. Otherwise he'd love that shit because it was literally his goal to destroy it XD
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JP translations are showing me the context doesn't change and Eggman's reasonings remain exactly the same.
Sonic story:
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Tails story:
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Last story:
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Yeah, he's extremely blatant with his selfish reasoning in both versions. The Egg Carrier 2 was always created as a back up in case Chaos betrayed him and because he did, Eggman tried to attack him.
It had nothing to do with Eggman being a hero and wanting to protect the world, unless you count saving the world for him to rule, which is always his selfish motive behind wanting to save the world, besides saving his own life.
I love and respect Ohshima and appreciate his work a lot of course, he designed my favorite character of all time. But this just isn't factual and canon information and should not be used as a source.
He can have ideas and his own takes on the characters but that's very different than him having a position in writing him this way in an actual game and it becoming official and confirmed.
Because that's not what this is, this is his opinion and I have no issue with him saying it because he's very clear about it being just that:
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This is far from a declaration of canon, it's happening in DMs and he's literally just sharing his own idea for something but it hasn't been reviewed, developed, finalized and put into the final official media so it doesn't just become canon.
If what he was saying here aligned with what we see in the actual games and served as an explanation backed up by the games then it could be considered evidence but it isn't because the official media shows and tells us very very different all the time.
People really need to stop holding word of god over the official finalized media. It seems to often come from a place of hating the canon, so the second that someone who has worked on it in an official capacity says the opposite of what was shown in canon, people are eager to have it replace the truth
It's like how in official media, Eggman's age is established as "Unknown" but now people want to claim he's canonically in his 40s just because Iizuka estimated Eggman's age and said he's "probably under 50", even though in the finalized official media he's implied to be at least 50+. I broke that down using actual game canon evidence in this post.
People keep taking word of god when a creator says something on the spot that hasn't been finalized and established in canon and every single time, they omit the way said creator says it's just their opinion like Ohshima, or that something is probably the case, like how Iizuka estimated Eggman's age but said it still isn't confirmed.
Creators cannot suddenly change what's long established in canon on the spot and it does not replace what we see in the actual official media that's gone through all the necessary checks, development, and approval. I figured people would've understood this by now after famous authors infamously doing it and everyone hating it.
And in this case they're actually not doing what those authors did because they're not saying that it's the final canon fact. They're saying that it's just their opinion, or just a probable estimate. But fans want them to be like those authors that just randomly declare a bunch of stuff that contradicts the original media for some reason lol
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elfwreck · 2 years ago
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Do you think ao3 is going to have a problem in the future?
hot damn isn't that an open-ended question.
...er. yes. Yes, I think AO3 will have "a problem" at some point in "the future."
Which problem is up for debate.
I don't think AO3 is going to be taken down or even substantially hurt by lawsuits from media companies or authors who hate fanfic. I think the time for that was over 10 years ago; if Disney hated fanfic and thought it was illegal, they would've gone after AO3 before it was internationally famous with more than 5 million users. Before it had won a Hugo Award.
Doesn't mean I think a lawsuit isn't possible, and the current SCOTUS in the US is run by a pack of corporate shills, but... it's a hard stretch to get a copyright-creativity case to go that far, and even with such a court, the outcome wouldn't be guaranteed. And no media company wants to be the test case for a lawsuit that decides "actually yknow what? Fanfic is pretty much legal."
I think there will be more regions that block AO3, in one way or another. Not many places have China's control over the internet, but there are other blocks, like pestering Google and demanding they filter search results.
I think antis are going to continue to scream about AO3 allowing content they don't like, even if the term "anti' changes and they wind up calling themselves something else. I think this may create some kinds of problems, including with payment processors, depending on where and how they yell. I don't think any of that will shut down AO3 or change its policies.
The thing to keep in mind is: AO3 does not need to grow. AO3 is not a venture-capital company. It does not have ROR. It does not generate profits. It is not accountable to anyone but itself for its policies and activities. It was designed by a small pack of fans who decided "we're damn tired of being pushed off our fic archive websites, and even more tired of VC-backed things showing up and trying to fleece us for profits while simultaneously insisting to their mainstream stockholders that they don't approve of smut, that they dislike slash, that they think fanfic is copyright infringement. We need to own the servers and set our own policies."
AO3's going to face plenty of problems in the future. A lot of people do not like smut, or do not like some kinds of smut, and think it should be illegal. Or they think it should be restricted. Or at the very least, the people who host it, write it, and read it, should be ashamed, and if they're not, they need to be Taught A Lesson.
Repeat with: slash fanfic, RPF, fanworks based on children's shows, and fanfic in general.
A lot of people think AO3 is Doing Fandom Wrong, and some of those people are going to cause problems. Some of those people are probably government officials, so the problems are going to be big.
But I don't think any of them are going to succeed in shutting down AO3 (although accessing it may get more difficult from some parts of the world), and they're definitely not going to change the core policies.
AO3 was started by people who'd been watching the legal and cultural landscape around fanfic for decades. It's run today by people with the same kinds of experience, the same kinds of beliefs about fandom culture.
I am not worried about the future of AO3.
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