#utaawase

[waterlinkedgirl]

Musical Touken Ranbu: Hanakage Yureru Tomizu (The Shadows of Flowers Swaying In The Whetwater) english subs

About a month later than I'd have liked, but here they are! Even if its writing is a bit more messy than usual, its core is very solid. Of course, Chougi's live song more than got away with me (it's got Japanese Sign Language), so if you could, please watch it gently.

I dedicate this to the friends of mine who love Ichigo Hitofuri. May you be unapologetically yourself, right the way you are.

Keep in mind that this is only the subtitle file, timed and tled to the DMM senshuuraku and BD/DVD. The archive version will have a talk at the start, so the starting times of the subs will have to be delayed accordingly.

You can find the subtitles and my TL document here!

[mihotose]

[oneesanmarket]

Musical Touken Ranbu - Utaawase Ranbu Frenzy 2019 Saitoki

Size: A4 with 88 Pages Full color

Price: 25€/ 30USD

(Shipping price Not included)

Units Available: 1

(Send us a message or comment if you’re interested)

[kowaindar0u]

🦊🐸 :3 ayy

[ In Depth and Personal Munday meme ]

🦊 What is the ambiance like, where you are? Are there any sounds, or sights that might be distinctive?

Currently, where I've been living with my grandparents, I guess the most distinctive thing would be the geese LOL there's two ponds nearby and a big field past their backyard so we get soooo many geese flying and walking around and honking. Some other birds too!! Have some pics!

(Canada geese + 2 babies! / blue jay / a cute round lil bluebird 😭💙)

🐸 Something that makes you smile for fandom reasons?

Okay so the thing about tkrb is it makes me smile SO much (except for when it makes me cry, obviously) and I'm sooo glad I came back to it full-force after a while away ;;; but the big toumyu concerts like shinken ranbu sai, utaawase, etc always leave me like. Idk, so fuckin happy LOL, it's like the feeling after an irl concert!!

Also now I'm reading that question and I'm wondering if it means something non-fandom that makes me smile for fandom reasons, like it reminds me of it ??

well. It made me smile before but the first thing that comes to mind now is the hampsterdance LOL 💀💀💀💀 that counts right? cause it's STILL so fucking funny to me thinking about the toudans dealing with their saniwa turning into a hamster it's so RIDICULOUS

[liliyes]

Did not much today.

Only some hand sewing on my Utaawase Cosplay, with this it is to 95% done, only the silk fabric is missing.

And i did make a Strudel ( Cherry and Custard with some Ice).

It's a lazy Sunday at home and i try to relax a little bit.

[coolmika745]

Takiyasha Hime Onmyoji Manga Volume 1 Chapter 2 Part 1

Warning: This manga contains graphic and gorey scenes.

Here is the link to the chapter on Comic Walker.

Character List

Previous Summaries

Summary

The chapter began with the introduction of Ono no Yoshifuru . This was what it read: Councilor Ono no Yoshifuru, Senior Fourth Rank Lower Grade, (later Junior Third Rank). His ancestor was Ono no Imoko, who fought with Emperor Yang of the Sui Dynasty (which is in present day China). His Grandfather Ono was the Prime Minister of the Field and the Judge of Hell [1]. His older sister was one of the Rokkasen (Six Famous Poets), Ono no Komachi. His younger brother was Ono no Michikaze, one of the Sanseki (The Three Famous Calligraphers of Japan).

Yoshifuru asked the woman with the glasses about what happened to everyone in the house, she answered that they were living in peace. Yoshifuru asked if she used medicine or something on them and said that it would have been convenient not to wake him up regardless if they are planning to steal from him or take his life and asked the 'Thief Without Stealing Group' what do they want with him. The woman did not answer, but remarked that people on the battlefield see thing differently than others. Yoshifuru wondered if she was talking about a riot instead of a battlefield? The woman told him that she was doing a lot of research. Yoshifuru asked what she was looking for. The woman told him that their princess will ask him directly and that it was for his own good not to lie. The Princess who was Taira no Satsuki AKA Takiyashahime made a grand entrance on a carriage carried by a giant spider. Takiyashahime demanded to know where the box or bag that was supposedly entrusted to Yoshifuru at Kumoiji Temple in Higashiyama within the last twenty years is. Yoshifuru said that he did not know what he was entrusted and where the box or the bag is. Takiyashahime asked him what were the contents inside, but realized that the item might not have been at the mansion and asked him did he hid it somewhere else. Yoshifuru said that he did not know and could not answer. Takiyashahime told him that if she found out that he lied she will come back to the manison and the flashback ended.

Seimei commented on the incident and said that it was interested. Hiromasa added that since there were no casualties and nothing was stolen would calling the incident funny be appropriate. Seimei just said that saying that it was interesting was good enough. Yasunori said that the source for searching for a princess in a party coat was Kumoiji Temple.

Seimei looked at Yasunori in disbelief and asked if that was the reason his teacher was at his house tonight. Yasunori said that it doesn't matter and he just wanted Seimei to hear it because strange things were happening lately and the upper part of the Dairi Utaawase is nearer.[2] He also reminded Seimei that women were being murdered in quick succession. Seimei responded and said that it seemed that 8 pregnant women were murdered in just over a month. Yasunori corrected him and said that they were actually 9 pregnant women that was murdered, which shocked Hiromasa. Yasunori told Seimei that a man who was grilling charcoal in Mount Kurama that afternoon found a woman's corpse in the mountains. The woman was from the Imperial Palace and returned to her house in Kifune after she became pregnant, but disappeared two days ago. Seimei commented about it saying surely it is not an accident or the work of a beast. Yasunori continued and said that he had seen it to, but it looked like the women were already dead and the child in the womb was scraped out. Seimei asked if the children were males or females. Yasunori told him that they were males. Seimei asked what happened to the children that were scraped out of the womb, but from what I translated Yasunori did not see what happened to the children. Seimei said those were unpleasant events and Hiromasa agreed. Seimei then suggested that they should leave the murder investigation to the Prosecution Office unless there is a request to corporate with the Onmyo Dormitory.

Yasunori told Seimei that he is about to talk about the main topic and Seimei remarked that Yasunori is too long-winded. Yasunori asked Hiromasa if he knew who Taira no Sadamori was. Hiromasa knew him as the Guard General but only knew him enough to greet him.

The narrator said that it was the story of a certain warrior meaning Taira no Sadamori.

[1] Yoshifuru's Grandfather Ono name was Ono no Takamura. I posted a link to the page on Japanese Wiki Corpus, in which he became a Judge of Hell.

[2] Here is a link to more information about the Tentoku Dairi Utaawase.

[3] I posted information about Taira no Sadamori because the second incident that Yasunori mentioned seemed to be a reference to his actions in "The Tale of the Times Now Past".

My Twitter Post that discusses this manga is here.

[ikusayu-no-hana]

random question ig but when do you think they're gonna introduce Kasen in toumyu?

ok incoming long answer from a tousute girl:

I mean, I have the barest hints of what goes on in myu since I haven't seen much past utaawase, and kokoro oboe I presume expands much more upon the workings of the government/timelines/general meta. Sooo not my area of expertise here. Any speculations I make will, perhaps, be discordant with the logic that is much more clearer for actually Active & Participating myu fans.

Anywho, given kousui's revelation that, well, the first ever manifested sword has been snapped and is long gone, I'm not sure if that implies that swords that are broken can never be recovered (since kasen is such a common drop, but then again, I think myu deviates from the typical sword summoning the game describes given the rituals for matsui and kuwana) or that he does indeed exist in myu honmaru, the successor of the previous kasen, and that he is simply unmentioned by those who knew him to keep the past in the past.

Whichever one it is, or if it is some third alternative, I think it'd be interesting to get a myu based on the concept of broken-sword-manifests-again-and-has-to-deal-with-unspoken-grief-in-his-comrades'-eyes. Plus it could be a plot point that drives manba's character arc forward can he catch a break from feeling constant guilt for once. but again, I'm not sure how far they could take that (since sute already does cover the rudiments of that same kind of trope, and is also having manba go off on his kiwame journey to bring a sword back) or if that will tie into the bigger overarching toumyu plot <- have only cursorily heard of snippets of this

There's also the fact that there aren't any swords in myu that kasen has a direct connection to, save for matsui, kotegiri and ookurikara, but those are all characters that have had their own myu productions recently and so I'm not keeping my hopes of them appearing in another myu any time soon. I'd really love to see how myu matsui and kasen play out because we've never gotten their actual interaction anywhere.

But we can hope, right? That a not-wadakuma-kasen will grace the myu cast and dazzle us with sequined non-kimono, prominently western-dress inspired idol outfits, all the while uncharacteristically stripping off layer upon layer of clothing and making incendiary eyes at the camera?

short answer: definitely before I kick the bucket!

[otaku-mama73]

Watch Toumyu for FREE! (May 2 - 7, 2022)

If you were ever curious about Musical Touken Ranbu (Toumyu), but for whatever reason couldn't get around to checking it out, now is your chance to watch for FREE! (VPN required)

Toumyu will be offering FREE livestreams of 6 of its previous gala concert performances during Japan's Golden Week, from May 2 - 7th. During this week, one show will be livestreamed per evening at 20:00 JST on DMM.com.

May 2 ~ Shinken Ranbusai 2016 ~ May 3 ~ Shinken Ranbusai 2017 ~ May 4 ~ Shinken Ranbusai 2018 ~ May 5 ~ Utaawase Ranbu Kyoran ~ May 6 ~ Kotobuki Ranbu Ongyokusai (Hizamaru Senshuuraku) ~ May 7 ~ Kotobuki Ranbu Ongyokusai (Sengo Senshuuraku) ~

Simply login to your DMM account (or register for free if you don't have one), turn on your VPN, navigate to THIS page, click on the big red-orange button, and all 6 shows will be reserved for viewing according to the above schedule.

All this will lead up to the highly anticipated premiere of Shinken Ranbusai 2022 on May 8th, 2022! All 28 performances in 7 cities will be offered for sale (3800Y per show) on DMM HERE.

For a helpful guide on how to use DMM, please refer to Riku's post HERE.

[smithsonianlibraries]

Japanese painter Asai Chu is well known for being a prominent yoga (Western-style) painters in Japan during the Meiji period. In this two volume book, Tōsei fūzoku gojūban utaawase, he and writer Ikebe Yoshikata collaborated to create this book of uta awase, a poetry contest of sorts. Together, the set contains fifty humorous East-meets-West scenes taking a look at modernization during the Meiji period.

While we don’t have a translation of the text, the whimsical illustrations are delightful and well worth exploring!

[tima520]

[lytoshi]

Hi ✨

I am willing to share the recording of said Toumyu / Tousute 's DVDs/lives, if someone would have the recording of Bakuten 2020:

-Utaawase 2019

-Daienren 2020 (though please note it is not a "performance" as it was canceled due to Covid19, it's kind of a talk show with almost all Tousute and Toumyu's actors)

-Kishou Hongi

‼️I do have the DVD of most performances and plan to buy Bakuten 2020 as well but I couldn't buy the DMM live this time that's why I'm asking. Please consider buying the DVD even if you get the recordings, to support the cast and the production‼️

[waterlinkedgirl]

Musical Touken Ranbu: Tokyo Kokoro Oboe english sub

I know this isn’t the TsuruKara Souki you were expecting, but on the plus side, neither was I expecting this! Since I’m watching this with a friend soon, I figured, why not? It is very high up in my faves list, after all 🥺

Following my predecessors, the start of the subtitles has a little intro blurb on each of the historical figures, and I’m also planning on making a little research file in which I’ll try to explain a few things about Masakado and horses, Masakado and Kikyou, Ota Dokan and the yamabuki (Japanese kerria) girl, and some details about Tenkai as person and his planning of Edo as city.

I’m also planning to include some translation notes (specifically on ほころび・る hokorobi/ru because that deserves to be mentioned) in the file, some interpretations on the girl with the Noh mask, and a few fun facts about how each of the historical figures relates to Inari or foxes. Because in the context of the roles Suishinshi and the Gous get given throughout TKO, as well as the themes present in it, it may be interesting to keep a certain little fox in the back of your mind while watching!

Keep in mind that this is only the subtitle file, timed and tled to the DMM archive distribution.

You can download the subs for the DMM archive distribution here,

and with lots of thanks to a friend, the subs for the BD/DVD version can be found here!

The research file will be able to be found here too, at a later date.

[mihotose]

shunya saying mononoke is the first time he'll be with araki outside of myu

[metallschrott]

It’s like “When Token danshi KNOW what “fanservice” means”)))))

[kowaindar0u]

//

decided to watch utaawase for the first time

i'm halfway through rn

MY GOD it's so fucking FUNNY LMAO like SO UNSERIOUS i am DYING

the comedy is SO good lol

editing to add THERE ARE SO MANY MOMENTS THAT HAVE MADE ME JUST LOSE MY SHIT LMAOOOOOOOOOOOOOOOOO GODDDDDDD

for example ishikirimaru just pulled his glove off with his teeth and now i'm banging my fist on my desk i wanna scream LOL

editing again

THEY JUST SUMMONED ANOTHER GOU DIDNT THEY

edit again

"don't you think so, shizukagata" BINCH LMAO

[kirinyakou]

Fan Account Summary From Touken Ranbu Utaawase

Since the DVD is being released today, I decided to post a fan experience for this since I loved this performance.

**Note This is a general fan account and not for a specific performance as I watched multiple performances spanning different cities; Fukuoka and Hiroshima. And the ad-lib and small gestures in each one is different so I am not able to recall everything per show.

Tickets

I pre-purchased all but one of my tickets before the performances online, I was lucky and was able to buy the last one at the venue. (This really depends on the sold-out status online.) I also noticed a lot of people lining up in both Hiroshima and Fukuoka performances trading tickets with the ticketing office. Some people also had signs asking to exchange tickets privately as well.

During the Fukuoka performances since all the seats were not sold out online, you could purchase the tickets before the showing started. This this was a performance during the weekday I think that might have been the reason that lots of upper seats were empty. The Hiroshima performances were during the weekend so all the tickets had already sold out online.

Buying Goods                                                                            

In Fukuoka, the line wasn’t very long as I arrived pretty early and before the first performance of the day. However in Hiroshima I arrived in the morning and the line was super long something that I wasn’t expecting. It was already a 4 person line and it was coiling from the main level where goods were sold to second floor outside. I wanted to be able to purchase the goods I wanted the first day. They did have a limit on the Hoodie Ribbons. Everyone was only allowed to buy 1. So I had to line up a few times to get the ribbons for the other characters. It was easy to do this right after a performance, as the lines at that time were really short in comparison. Only a few items were listed as sold out by the end of Day 2. I thought they generally had a good stock.

While waiting in line, they had staff hand out leaflets like they do at Comiket. It was helpful especially if you weren’t sure what you wanted or you were able to see the large banners at the front. As you get closer to the ‘entrance’ of the sells booth they will have a display with the actually products so you will be able to have a better idea of what you want.

There was also a separate line for the Gacha items and it was just as long as the regular merch line. I didn’t go for those, so I don’t have much to add about this.

Trading Goods

Around the area, you’ll find the fans of certain characters/actors will have pins/and other goods for trading. So you can trade with them if the items you got from the gacha were not the characters/actors you like. Everyone will usually carry a clear case and they keep it open so you will be able to easily see which character they are looking for. And usually they dress in the colour of the characters so that’s also another way of finding out who you want to trade with.

Performance Time

As it got close to the opening time, people started to line up at the different entrances. This was determined by where your location was on the ticket. There wasn’t definite signage for this, usually others figured out where to line up based on where others were waiting.

I had heard a lot of about staff checking tickets to see if the name matched for other types of concerts not Touken Ranbu in general. That didn’t happen to me though. However I was worried about it as the rules for ticketing in 2019 seemed to have changed compared to past years. The staff at the door will take your ticket and rip the stub. Then you continue ahead where they will check your bag for cameras. They will ask you this as well.

Once you are inside the venue, there was a table for all the promotional material for the actors. It wasn’t promotional material for Touken Ranbu but for their other works. There were free for anyone to take. Further along there were tables with boxes with each of the actors names on it for fan gifts.

Finding the section entrance wasn’t difficult as they labelled all the pillars. They had staff at various doorways who ca direct you to your seat if you are lost. I also noticed a lot of fans in kimonos and the audience age group was wide as well. This year they had a main stage and then an isolated stage in the middle of the venue. They alternated skits between the two. I was a little difficult to see the middle stage if you sat facing to the main stage, so you really had to rely on the screens.

Opening Skit

The opening skit started with Kotegiri Gou practicing for the concert. It’s the video that was released on youtube that featured Tsurumaru prior to the start of the Utawase Performances. He is then later joined by Monoyoshi Sadamune, Kunihiro Horikawa.

The skit is mainly to tell you the rules that need to be followed during the performance, such as no filming and photos, no smoking inside etc. And also to turn on and off your penlight at certain times. And Gou will ask what will happen to you if you don’t follow these and here is where the adlib starts.

The adlib of the skit changes per showing so you will usually hear something new. For one of the Fukuoka showing, the joke was about turning into mentaiko and the other was about having to commit seppoku.

One of the Hiroshima ones was probably the most memorable. Since the performance was right at Christmas, it was themed just for it. When Gou asked what would happen, Kunihiro replied back that you would turn into Santa-san.

Kunihiro: *acts like santa, bend back pretending that he was lugging a large sack on his back* HO HO HO

He then proceed to hand out a ‘Kane-san’ to both Gou and Monoyoshi. He said ‘For you’ (in English) as he handed it out. And Monoyoshi would reply back ‘For me’ also in English.

Now it was time for the real start. The performance opened with all of the swords appearing in Shinto clothing. Each one had their own emblem on the front and there were two main coloured groups. Red and Blue. Tsurumaru appeared with a torch taking center position.

The first skit was about a nostalgic sound that Ishikimaru heard. He was trying to recall where/what sound it was. First Kogitsunemaru entered and joined him. Then Tsurumaru entered asking to play a round. I guess it was Tsurumaru and Ookurihara that was farm duty as Ookurihara entered and made his complaint. Next Yasusada entered from behind. It was also quite cute that Yasusada did a called out to other swords when he entered the sage where Kogitsunemaru, Tsurumaru and Ishikirimaru played go. Whenever he did a hotscotch entrance he would pronounce the name and surprise Kogitsunemaru while attaching their motto line. For one instance he used Hizamarul and shouted A-ni-ja.

お百度祷歌 from this skit became one of my favorite songs and was quite memorable.

The next skit was Tonbokiri’s dream. It started with everyone, (Nagasone Kotetsu, Aoi, Kunihiro, Yasusada and even Tomoe) asking for conpeito. In the end eveyone was denied of the treat. I loved how Tomoe would enter and speak with a mouthful of dango.

That’s when his dream started where everything thing becomes a conpeito. During the last song, as he was holding on to the last note, Yasusada would gesture to the crowd to encourage use to keep applauding/cheering.

I personally thought camera work that aired on the large screen for this skit wasn’t very good. At the Fukuoka performances as they did a lot of extreme close up on the face, especially for this skit. Spi did make certain facial expressions but it could have been framed better. But it was better by the time I went to the Hiroshima performances.

After that were the 3 songs until the next skit featuring Aoi. This one was performed at the center stage.

Next was Akashi’s skit back on the center stage. His story on the incident with the Plum Blossom Tree. The idea was that when something bad happens people tend to lie. And thus using the incident of him breaking off the branch of the tree he was able to place the blame on someone else. Imanotsugi was his first victim and Kogitsunemaru was the second. This broke my heart right here when Kogistunemaru believed it was his fault!

Next up was the Tokugawa family. The Time Renegade would bring a sea beam and leave it at the middle stage. Nobuyasu who figured out the motive of the assassination attempt, tries to save his father with the help of Hideyasu. As each sea bream was pick up by Ieyasu, they would go and take it back. The first time was by slowing time down, second was where Hideyasu held up the sea bream covering his face and started talking, pretended to be the father of the one that Ieyasu was holding and was able to successfully get it back. In one of the performances Ieyasu dropped the sea bream before heading it back. The last one, they retrieved by shooting darts to make the two faint. They exaggerated the liveliness of the fish quite a bit when ever they picked up the sea bream. It was almost like almost rodeo-like.

Next skit two skits were on the center stage. Kanesada appeared in a yukata and was soon followed by Kotetsu and Aoi. The had a little talk on how they kept their hair. They sang 夕涼み 時つ風 and it was quite the surprise to see who was playing the guitar. It was Kunihiro! He appeared in his red tracksuit at left main stage playing the guitar.

‘Two Kistunes’ skit featured Akashi, Kunihiro, Nagasone Kotetsu and Otegine being fooled by a fox that took Kogitsunemaru’s form. And vice versa. The song in this one, was more upbeat and fun. The switch between the two Kogitsunemarus was well done I thought.

During the skit with pulling of the sweet potato, it was cute how Tomoe discovered this giant leaf and he attempts to pull it up, by just lifting up his sleeve. He maintained his graceful figure and pulled up the hem of his sleeve just a couple of cm, and took a step forward assuming that it was enough. Eventually Mutsunokami came in along with Yasusada to help. And they eventually roped in Ookurihara. However not without him saying that he was able to do it himself first!

During 百万回のありがとう Mutsunokami was at the upper left rafters, so I was able to see him up close during the Fukuoka Performances. There was a girl behind me who was decked out in his colours and ribbons so he waved very excitedly towards our section. Unfortunately Kogistunemaru was stayed in the middle ground level so I was only able to see him up close during the Hiroshima performances.

During the final ceremony performance, the new sword manifested. And it turned out to be Kuwana Gou! I had no idea at first who was playing the mysterious character that appeared.

Ending

At the end, after all the characters are announced, and everyone appeared back on stage, there was a short announcement asking us to not post or mention anything on twitter about the new appearance of Kuwana Gou. It was quite how everyone in the audience answered with ‘Hai’. And some of them on stage stared to make the ‘x’ symbol.

Then everyone did their comments/thanks.

The most memorable one for me was during the Hiroshima performance Imanotsurugis’ in which he pulled out a white piece of paper and said that he had message from Iwatoshi. The message from Iwatoshi asked that Master give a lot of presents to Imanotsrugi since it was Christmas. However that plan was quickly foiled as Kogitsunemaru pulled the paper away from Imanotsurugi and exposed it as a blank piece of paper.

I was disappointed that neither the Fukuoka or the Hiroshima performances had the silver and gold streamers dropped so I wasn’t able to get one to commemorate the performances this year. T_T

But overall I really enjoyed the skits this year and the song list was great too. I love hearing Spi sing live, so I think he parts were well highlighted this year.

FIN