#used refs for this. every time i make art using refs and it turns out nicer than usual i'm like wow i can't believe this happened

[olibavee]

studying doodle...

[bukuoshin]

Btw, my Arnold Palmer hairpin I'm making is so bad that I feel like I should pen a formal apology to the man himself.

Check it out 👇

Extremely simian-like... Idk how I did this nor how to fix it. Oh, well! He will just be extremely simian-like, I fuckin guess.

[the-ancient-dragons]

Welcome back to Overcomplicating the Pyrrhian Tribes! This week: the beloved RainWings!!

You know what's up. Joy Ang and Tui are so cool and I am just me.

Details and explanation below!

Otherwise, next week are the chilly IceWings! See you then!!!

More overcomplicated dragons.

I knew the RainWings would be really important, and I think they turned out the best of all the ones I've done. I think they're my favourite because they are basically the perfect mix of extra realism spice without altering Joy's design too much. The SkyWing design is awesome and I love it to bits, but it is one of the two that are the farthest from canon.

As for the RainWing.... I had. So. Much. FUN. I heavily used chameleons and snakes - they're basically the two main species on my research board - but there is a dash of cuttlefish and frilled lizard in there. Where, you ask? Well if you look closely, all over the RainWing are little tiny flecks of darker colour. I found a beautiful reference of a close-up on a cuttlefish eye. Its skin is dotted in thousands of little marks and I thought that would be perfect for the RainWing, who can camouflage just as well as them. I don't know if it's been discussed in canon but I bet they could animate their scales more than just colour shifting - cuttlefish are known for using their rapidly shifting patterns to hypnotize prey. RainWings could do it too, sort of like Ka from Disney's 2D animated Jungle Book.

Speaking of Ka - snakes. I love snakes. The head structure of the RainWing here is very smooth and rounded with muscles based on snakes like the python. I was even going to originally draw them in a venom striking pose and got as far as completing the lineart, but ultimately decided it wouldn't fit the calm portraits of the other tribes.

Will you see it in the future? Hell yeah! Pure, unhinged, magical death spit. Looking at it now I might try to alter it to be a full piece of Glory attacking Scarlet or Crocodile.

In the striking pose you can see the frills much better, but I still took my time on this serene pose (this is where the frilled lizard influence comes in). If you notice that I've drawn every scale (every single scale) then, yes, I am insane. If you didn't know that yet, you know it now. You have to draw guide lines and follow them meticulously while you wonder why you don't make a scale brush, and then cry because you know the randomness and imperfections that come from drawing a thousand circles is how it looks natural. The eye area is actually my favourite part, since drawing dragon eyelids was the original inspiration for doing this. Did I mention that? I wanted to draw eyelids.

EYELIDS.

I digress. Besides the eyelids, I like the frills on the action pose, but this pose is where I like the body scales more. When zooming in on my chameleon colour refs, I noticed the very rhythmical distribution of their scales and figured I would give it a try. They actually do have extra large circular scales along their bodies, which is where I guess the canon RainWing design gets it from. Very clever, Joy!

Anyway, on this version, those small circular scales appear on the face. Not only that, but I added a bit of influence from the snouts of my ref chameleons by extending the nose bridges to wrap around the nose horn. They blend in so seamlessly and that's the reason why I love this design - it's subtle, barely there, mostly Joy but a little extra.

Wow, I talk too much. If you're here, thank you! It's not mandatory to read, but very appreciated. I heard once that visitors at an art gallery look at each piece an average of 2-3 seconds. Or was it 3-6? Idk, but it was shockingly short, and ever since then I've tried to encourage myself to pay more respect to other artists and glean their work for little details I skip after that quick glance. I could talk so much more about these designs but that would be like an hour long video, each, lol. If you have questions about anything, ask away!

[ohnoitstbskyen]

Hi Skyen, hope you're well! I'm seeking some advice and since you used to work doing mainly art commissions I figured asking you was worth a shot.

I'm a furry artist and I'm looking into doing commission work as a side gig while I finish animation college, and hopefully acquire enough experience/clients/notoriety to turn it into a full time job once I graduate.

Do you have any advice for someone literally just starting out with fresh accounts and zero following? Especially when it comes to reaching people and getting your first clients, and anything that one should take into account when working with NSFW specifically. Also advice for pricing your work is always useful 😅

No need to answer obvs but I'd appreciate your viewpoint if you want to share!

Got 2 asks on this exact subject so I'll write up what advice I can. One big caveat: I haven't worked as a commission artist for like half a decade at this point, and this job has a tendency to change fast, do not take anything I say as gospel. This is advice from a limited perspective, be critical of what I say and trust your peers and the people you are in community with before you trust me.

building audience

Step one is getting people to notice the artwork you create. Literally nothing else can happen until you have eyeballs on your work, and the most consistent and reliable way to make that happen is fanart. Ideally you'd want to produce fanart in a fandom you are personally engaged with and passionate about and familiar with, and which also has a sizeable community whose attention can help you build recognition and a base of followers.

This isn't always possible, and there's many a working artist who creates work for fandoms not out of deep personal connection, but because the fandom is large and relevant and a good way to capture the goodwill of algorithms and content feeds.

This approach has some downsides. For one, genuine fans can usually tell when someone's engagement with Their Thing is shallow, and for another it can be deeply creatively exhausting to chase the algorithm. I don't recommend this approach, but it is a valid means of building a business.

Another important consideration, especially when you are early in your career, is that volume tends to trump quality. Every artist will eventually learn that their shitty joke-doodle they sh*t out in ten minutes on a whim will get a billion reposts, and their complex personal work that took eight weeks to finish gets 2 likes from their closest mutuals and a comment from a bot saying "wow!"

In the age of the algorithm, what machines and for you pages value is a consistent, high-volume of output that generates user engagement. You will generally get further, faster, by producing a lot of work than you will producing great work. Again, this can be rough on your mental state, and a fast way to burn the fuck out, so please be careful and mind your health before all else.

The best way to build something that will last is to build your audience in communities and around fandoms and themes and ideas you genuinely care about and enjoy exploring and interacting with. Being your authentic self and creating work from your authentic interest is generally both healthier and long-term better for your career than trend-chasing. Treat trend-chasing and volume > quality output as tools in your toolbox, as creative and business decisions you can make to achieve a specific purpose, never ever EVER let them become the center of your praxis or your philosophy. Never ever EVER allow the Numbers™ to be your source of validation and accomplishment.

building business

Ok, so you've got eyes on your work. You've got some followers. How the hell do you get them to commission you?

Well, again, by demonstrating a capacity to create kinds of art for which there is demand. In the furry community, there's brisk trade in things like ref sheets and character design, for example. For most fandoms, ship art is a product which tends to be in demand. Being able to do really good expression sheets is a marketable skill. Being able to create compelling and clear emotes for streamers and creators is a marketable skill.

Showing the capacity to work in a wide range of styles is valuable. Showing the capacity to work in a wide range of genres is valuable. If you can do both comedy and romance your appeal expands. If you can do shonen-like action and angst as well, it expands again.

Equally, being incredibly good at a specific niche is valuable as well. Focusing hard on an under-served niche of work can give you a lot of opportunities to be the Go To person for that specific kind of thing.

Perhaps the hardest part of all of this is marketing yourself. Not only showing that you have the skills, but actively informing your audience that you are available, eager and willing to practise your skill for a fee. You have to sell yourself. It sucks, but you have to do it. You have to advertise what you can do, and you have to suffer the rejection and annoyance that comes along with doing that.

You have to ask people to commission you. You have to raise your hand and demand attention. It's not fun, but it's business.

Walking the line between self-promotion and being a person is hard. I can't help you that much with it, it's a very personal balance to find. Stay in touch with your soul, but kill the part that cringes at yourself.

Ultimately, you best marketing asset is your portfolio. Every time you do work, show it off. Repost it, retweet it, spread it around. If someone is happy with what you've made for them, do your best to make sure that other people see that happiness. Ask your clients (politely) to tag you when they share your work.

Oh, and for the love of god, sign everything you create, slap watermarks on anything that's likely to get reposted, and make it impossible for someone not to find your business email on your profile.

building network

If you're a commission artist, you are in community with other commission artists. You share interests, you share experiences, you share needs.

Practise solidarity. Absolutely seek out professional peers to help your business, but equally seek out opportunities to help them with theirs. If someone comes to you for art and you don't have commission slots open, point them at a colleague who you know can do the work too. Gas up your peers and spread their work.

Be a symbiote, not a parasite. Respect the craft of your peers, and don't chase celebrities and big names in the hope of coasting on their coattails. It will fail.

smut

If you're a working artist, at some point you have to reckon with smut and r34.

These genres are excellent sources of income, and fertile ground to build a business and network of customers. BUT. Do not ever make the mistake of thinking that they are "the easy way" or a shortcut. Do not ever make the mistake of thinking you can simply offer to draw tiddies and rake in the cash.

It's work and graft same as literally any other form of labor, it's challenging on both a technical and creative level, and the audience can sense if you're looking down on them. If you approach this from a position of shame, of "eugh, I'm debasing myself by doing this for rent money," it will not work, and you will lose standing and respect in the eyes of every peer whose support you need to succeed.

Just as in all other forms of creativity, if you treat the audience as morons who will slurp up whatever slop you serve them, then you will attract clientele that agrees with you, and you will deserve the misery they will inflict upon you.

If you are going to work in smut, establish your boundaries and enforce them. Know that good clients will feel safer and more comfortable with an artist who clearly states their red lines and earnest interests than they will with someone who tries to attract more clients by pretending to be open to work that they are actually uncomfortable with.

Never, ever, EVER let a client push you to create work you are not comfortable creating. It scars your soul in both the short and long term.

Also, when working with this kind of content, know the rules of payment processors and know how to hide the nature of your business from them. PayPal should never, EVER know the details of the content you sell with their service. Frankly, neither should your bank, most likely.

Look to your peers for advice and best practises about this. And be meticulous about your bookkeeping.

money

I want to tell you to charge at least minimum wage for your time. I want to tell you to charge substantially more than that, because your labor is specialized and highly skilled.

But the economic reality of commission work is that there is a crushing downwards pressure on the labor price of art, which has only been made more devastating by the rise of generative AI, and especially when you are a young artist just starting out, you're going to find yourself in a position where charging even minimum wage for your time will turn away a huge proportion of your potential customers.

Again, your portfolio will be the greatest argument for the value of your work, but you have to build that portfolio first, and very often that means doing a f*kton of work for not remotely enough pay until the pressure of demand finally works in your favor.

I don't condone or justify this state of affairs. It is horrid and I hate it, but I don't know how to fix it either.

Making a living from content creation of any kind requires you to get lucky, on top of working obscene hours and foregoing rest and vacations. It's not a safe or sensible plan for a career or paying your bills.

My sensible advice is to get a "normal" job you can survive doing, and do your creative work on the side, and resign yourself to the possibility that the creative work may never actually pay your bills.

And that is soul-crushing, but I cannot stomach pretending that hard work and gumption will guarantee anyone a decent living if they just try hard enough.

There are people who are better at every aspect of my work than I am, and they struggle harder and work for longer, and they will never see half the success I have, because I happened to get lucky, and they happened not to. It's wretched.

I'm not telling you not to chase your dreams. I'm telling you to do it with your eyes open, and with compassion for yourself first before all else.

All of this to say: I can't tell you what to charge for your work. It depends on everything from your competition to your niche to your genre to your community to your economic situation. You have to figure it out on your own.

All I can tell you is never forget that your work is worth more than the market will let you charge, and to raise your prices as soon and as much as you can. Try to reach at least minimum wage for your time as fast as possible.

in conclusion

Again, I haven't been a commission artist full time for a long time, please do not take any of this as gospel. Listen to your peers before you listen to me.

But trust me about the solidarity. It will save you when all else fails.

[eybefioro]

(Kanji-less version, timelapse and ramblings under the cut)

ALSO OPEN THE IMAGE TUMBLR KILLED THE QUALITY AS USUAL

I wasn't sure sure which version was better, so here is the one without the ~~menacing~~ kanji! (And sorry. I'm sure the Kanji I did is horrible but I swear I tried my best)

So. Before some time before Good Omens consuming my every awaken thought, the media that lived in my head was JoJo's Bizarre Adventure. Because of a certain thing I am working on, my mind end up connecting the two and I HAD to do something about it or else I'd go crazy.

(Cues 3 min time lapse bc i spent -checks app- ALMOST 46 HOURS on this thing. Fuck)

Since JJBA is one of my fixations, at some point I end up watching every single interview with Araki (the author) I could get my hands into, and lo and behold he actually shared about his process quite a bit over the years. We even have access to some timelapses of him working on illustrations!!! I tried to follow a bit of his process, and one VERY interesting characteristic of his work is the JoJo pose – very dramatic covers/panels that showcase the character. He often uses fashion shoots as a references (Araki is very inspired by fashion, architecture and music and there is a million references in his work it's very very interesting and fun) like this:

So there I go on Pinterest looking for a fashion photo that inspires me (Google was shit. What is happening to that search engine?) AND I FOUND IT

YALL. IT WAS LIKE A SHOT RIGHT THROUGH MY BRAIN. I COULD SEE IT SO CLEARLY. Aziraphale and Crowley falling out of heaven together after the second coming. Azi holding him. Crowley giving the middle finger to all those fuckers bc HE GOT HIS ANGEL BACK.

But the thing is... the things is. I'm no artist. I have almost no experience drawing. And this is not exactly an easy pose, and is something pretty ambitious for a beginner like me (I can literally count on my hands the amount of digital drawings I have done. It's all on my blog even lol) so like.... the chances of this going well were very slim. But I am very happy with how it turned out!!

I have to thank @elenthyaolyenths and @gribouli LOTS for that. Elen teached me how wings worked, a bit of anatomy with that, a bit of how she makes those beautiful fluid pieces, Li taught me a bit about colors and light/Shadow. Their support was amazing and they're so so nice to me 🥹

I had so much trouble drawing this bc I'm still learning how digital painting works and how Ibis Paint works. Idk what half of the stuff there does LMAO yk the line work? All in one layer. Don't do that folks. I resized the canvas half way through and had to redo a bit of the line art bc I had to scale it a bit to make the proportions better. Half way in I figured out how to make masks (again, elenthya is an angel for telling me that exists) so I had to learn as I went how that thing works (I still don't know how to use it fully). Ibis Paint froze like 4 times bc my phone can't handle it well LMAO my precision is shit bc I mostly draw with my fingers so I had to gave up control and use the stabiliser on maximum... and so on.

I'm having so much trouble with everything in digital painting BUT IT'S SO MUCH FUN. THERE'S SO MANY POSSIBILITIES. I'm excited to keep going and learn more.

Back to the Jojo style. I LOVE IT SO MUCH. I love harsh lines and shadows, the dramatic effects, the detail, the crazy perspectives, the colors... THE WAY ARAKI DRAWS SMOKE AND CLOUDS.

This was my ref for the background, and to represent the heaven Crowley is flipping off and that they're falling from. (fuck this scene in the anime broke me. BUCCIARATI MY BELOVED)

AND THE CLOTHEEEEESSSSS I HAD SO MUCH FUN IMAGINING WHAT THEY'D WEAR IN ARAKI'S STYLE. Obviously Aziraphale is once again sporting something inspired by the crepes look bc omg that was so OVER THE TOP. I'm sure araki would come up with something crazier and more interesting than what I did, but I still think this is a fair shot.

As much as I love JoJo's style I have to say it isn't really an art style made to depict softness. Like. I don't think Araki ever drew something that looks soft. All the characters are slim or super strong, and the few ones that are fat he didn't really... Well. I'm gonna say it. Araki doesn't draw fat people, and when he does I don't think they're a good depiction. As I said he doesn't do softeness lol nothing looks soft in his style, not even fabric I think. It's all sharp lines, dark shadows (again, I love it but yeah) and thin (or extremely big in the first parts) people. This fits really well with Crowley but not so much with Aziraphale. If this was a pose that showed more of him I'd probably not do a great job at it. I think I'd need to go heavy on trying to make his clothes look soft and big to try to make it better.

Now WwwwwiiiIIIIIIINNNNNGGGGGZZZZZZZ!!!! Elen is such a magician at drawing wings. I can't believe she actually offered to help me with this one. I learned so much. I was taking inspiration from her work, I wanted to make them BIG and GLORIOUS as she does and I think I succeeded a bit at it (they're not as fluid and perfect as hers, obviously, but I think they still look nice.)

As she was explaining to me how the anatomy works and all we ended up talking about how they're like arms and the digits in bats and I decided to give Crowley that type of wings. I also discovered that Elenthya used to draw DRAGONS. DRAGONS YALL. SHE GAVE ME A DOODLE OF ONE AND IT'S SO AMAIZNG. So together with the bat wings I tried to give him some drangon-esque feel. And she also gave me the idea to make Crowley's wings more damaged, to give more weight to the drawing - Aziraphale helping him not to fall again, holding him in the descend.

Anyway. I talked too much already and no one has the patience for this lol I just like to register the process of me learning things. It's fun.

[dqrciedaily]

baby arsenal headcannons, arsenal wfc x teen!reader

a/n: i am so so so sorry that this isn’t an actual fic but i’ve left yous without anything for like two weeks so take this 🥰🥰🥰

warning - this isn’t proofread so pls ignore any mistakes x

-

1. she is maths no.1 public enemy - literally will stare at her homework for two hours instead of actually trying it. then the next day at school she gets in trouble for not doing it but she genuinely couldn’t care less because she’d rather have them email lia than try do trigonometry

2. her tiktok reposts and twitter likes have fans speculating like there is no tomorrow - she’s definitely liked transfer rumours on twitter before as well as reposting things she shouldn’t be and she reposts things that happened way back way but people think it’s about her current situation, leading to some very concerned fans in her tiktok comments and instagram requests.

3. baby girl has stina and laura wrapped around her finger - she’s cold? stina’s gonna give her the jumper she’s wearing. she’s hungry? laura’s up to make her something to eat, even though maus is perfectly capable of doing it herself. they’re basically on her beck and call.

4. she always curses out players in german on the pitch - when she was younger her brothers taught her the art of cursing people out in german then speaking in english to confuse them. however this did not work when arsenal played chelsea and she went flying after a tackle from nüsken, who very obviously understands german, leading to maus getting a yellow.

5. which leads to the next point which is that she gets her fair share of yellows - giving katie a run for her money, although most of hers come from back chatting the ref and not from actual gameplay, although she isn’t afraid to put in a heavy tackle here and there.

6. her + kyra = little shits on steroids - on the first media day of the season they decided to put y/n and kyra in three of the same interviews, let’s just say absolutely nothing productive happened until caitlin had to come in to do an interview with the two of them.

7. she’s lia’s no.1 reason for her early gray hairs - firstly maus is awful at answering phone calls, so if she’s out with her friends and lia needs something best believe she cannot contact her. secondly the amount of emails the school sends her may send lia into overdrive, she genuinely couldn’t care less if y/n didn’t do her homework as long as she’s passing all her classes, which she is (besides math but lia doesn’t need to know that.)

8. y/n has the best outfits - her instagram feed is filled with mirror pics of her outfits and they’re all just so good!!! she’s known for her fashionable clothes throughout the woso community.

9. she gets really really really nervous when doing interviews by herself - she already refuses to do orals in school because they stress her out too much, so after her first full 90 for arsenal she gets called to do an interview and poor girl is swaying from side to side the entire time, stumbling over her words and overall looking like a deer caught in headlights.

10. the first time she brings a girl or boy home lia gets a group of the girls to pretend they’re over for dinner without telling y/n - so then when y/n gets home she sees most of her teammates there and very hastily shoves her ‘friend’ upstairs, before going over to the girls who all tease her. then when she’s upstairs in her room with her ‘friend’ they all take turns coming upstairs to walk past the closed door to hear what they’re talking about.

11. she is a hugger of note - the first time she meant all the girls minus her shy demeanour she hugged every single teammate she met. she is also a massive cuddler, on the team bus she makes ours sit in the window seat (much to the brunettes complains) then uses kyra as a pillow which 1. forces kyra to be quiet because she doesn’t want to wake y/n and 2. she can’t move around the bus as she wants deciding to annoy everyone which the other girls are very thankful for.

12. her first crush on a girl was laura freigang, who she had seen around the german youth camps before - she even told her parents at one stage that she was going to go to penn state just like lau did but that phase was short lived when she then developed a crush on one of her teammates in her age group instead.

13. in another life she’s a dj who lives in ibiza - literally no explanation needed, she truly is a party animal at heart and would go to all the festivals and raves possible during the off season.

[mumblesplash]

more behind the scenes :D

so obviously my hgcz comic was a huge learning curve for me (i hadn't previously attempted a project this big EVER), and with this new and exciting experience came the opportunity to try something i'd never really done before: make actual character design refs!

i'm pretty happy with how they turned out, and more importantly they served several key purposes:

for one thing, both suits are specifically designed to make the character's poses as easy as possible to read--scar's leg braces especially don't allow for any visual misinterpretation of foreshortening or odd angles. the holster for grian's escrima sticks serves a similar function by giving a concrete sense of how his shoulders are positioned at a glance

also, crucially, they are both easy to draw. i was VERY aware that i was going to have to draw these guys dozens of times each, and i knew myself well enough to know i'd be adding in more than enough complexity with the posing and anatomy (and boy did i ever). i think i might have ended up with the least complex cuteguy design in the entire zine because of this, but in my defense he spends most of the comic pinned facedown on the floor. (this is also why i ended up simplifying his logo design in the final comic, if anyone was wondering)

more practical considerations included: hotguy's removable light-up vest, cuteguy wearing pants that could be rolled up so as to splint his broken leg, and his main weapon being escrima sticks so cleo had something to splint his leg with

i put arguably MORE effort into body language design (inasmuch as that's an actual thing, idk) but that's its own can of worms

of course, due to my nature the character design process deteriorated rapidly after i locked in my designs for hotguy and cuteguy. my design process for cleo was pretty much me drawing this sketch and going 'yeah that's what she looks like :)'

and my concept art for skizz was uh. this panel

i literally Just Drew Him. i was as surprised to discover what he looks like as you were.

looking back and comparing i can definitely see *some* benefits to designing character refs ahead of time, though to be more useful i think in the future i'd make sure the references include more closeup detail. or maybe i just refrain from things like putting an extremely distinct crack in a wraparound visor i have to draw over 100 times at every angle imaginable,,,

[deelavis]

WAIT WAIT WAIT, I just need to point something out that I noticed while doing visual research for drawing Mello with his gun.

Buckle in, this was supposed to be a short thought about the narrative use of trigger discipline but now there is extensive image research.

If you don't know about the concept of trigger discipline, it basically means that when holding a gun your finger should be resting outside of the trigger guard and should only be on the trigger of a gun if you actually intend on shooting what it's pointed at, at that moment.

While I was looking for ref of Mello holding his gun the first thing I noticed was that he has HORRENDOUS trigger discipline, I mean look at this.

Pretty much every instance, even in promotional art when his gun is at his side, he has his finger on the trigger. I thought it must just be a character choice with the amount of guns that are drawn in this series. Even when Halle is in the shower (bottom right image) he keeps his finger on the trigger. I also use the top right example with Halle, as this is the second she walks in the door. BUT THEN I saw this post and noticed...

is his finger in the trigger guard???

Proportionally it is quite ambiguous in this shot. However even if his finger is inside the guard what strikes me is also how the other instances we see Mello with his gun he is choked up on the trigger. Though when pointed at Near, his grip is quite loose. Let's start from the beginning of the sequence.

We first see Mello on page 126, if you are unfamiliar with the manga, at this point Mello and Halle have been in contact for a week. They are tenuous allies. When Mello moves his gun away he keeps his finger on the trigger, this will be an important point for later.

Next page, Halle has entered the shower. Mello continues to keep his finger on the trigger of his gun, even though he knows Halle is unarmed.

2 pages later, Mello still has his finger firmly on the trigger. This is one of the best shots of his gun that we get in the manga and is quite indicative of how we see him handling his gun throughout the story. Also we can see the safety, the small switch above his thumb, is set to off.

I'm going to skip ahead but note that between Pg. 129 and Pg. 135 we see Mello enter the SPK headquarters with his gun on Halle. He has his finger on the trigger the whole time.

After Near asks Geovanni and Rester to lower their guns, Mello does as well. But for the first time we also see him place his finger outside the guard.

Now the moment when he turns his gun to Near. While his finger is in the guard, ready to pull the trigger when he points his gun at Near, something that struck me was how differently his hand is drawn in these few panels. As you saw previously, Mello normally has his finger curled tightly around the trigger of this gun, even when at his side. However in the first panel of Pg. 137, I wasn't even sure if he had his finger in the trigger guard with how it is drawn. It isn't until the final 2 panels that we see him tighten his grip. I find this to be a very interesting departure from the rest of the times we see Mello using his gun.

Finally, after Halle breaks them apart and Mello lowers his gun we see him actually use trigger discipline!!! For the rest of the scene!!! Regardless of your shipping preferences, I find this to be an incredible detail in how Mello behavior shifts around Near. While Near seems to make him fly off the handle emotionally, he also shows an increase in care with his weapon when around him. Another fun little drawing detail to notice (and another reason I find these choices to be intentional) you can see in the final panel of the last example that the safety of the gun is now engaged, while in all the other panels it was not. For reference, Mello uses a Beretta 92FS Sword Cutlass pistol, though stylistically it seems to be based off of Benvolio's Taurus PT99 AFS from Romeo + Juliet, right down to the cross hanging from the handle! This shows an incredible level of detail when it comes to the handling of guns in the manga.

Listen I know I've got yaoi brain worms, so if anyone has any other examples of Mello using trigger discipline I would love to see them!

[zero-and-crew]

Anti!AU :D

So! At least 70 people voted yes on this poll we posted here ! Which means there's a few people who decided they're interested in hearing about our AU idea! Information under the cut!

(Adult) Anti!Irep Reference image!

This was a collab piece with @bubbleberryuniverse ! It did the line art :3 it also has its own au, Petrified!Peri ! You should check that out!!!

Content warnings for kidnapping !

The AU starts during the events of Fairly Oddbaby, when Anti-Cosmo manages to get his hands on Peri— and successfully take him to a second location. (The location is unknown to anyone but AC! And Wanda, Cosmo and Timmy— along with pretty much every fairy in fairy world) search EVERYWHERE they can think of for poor little Peri.

Anti-Wanda is kept there too, for a short time. That way she can't accidentally foil his plans. And, she gets to help take care of the cute little bouncing ball of a baby.

Anti-Cosmo keeps him there to keep him hidden, he doesn't start to drain the babies magic like he does in the original episode— his plans are much more long term. His plans are to raise Peri, who is still called Poof at this time in the AU, to use his magic for evil. (Side note, I'm not thinking AC would torture Peri! I imagine he'd be like an emotionally distant dad or teacher at worst, if that makes sense?)

Peri, still a baby, is slowly turning evil. It's how he's being raised, after all. His mind is being filled with evil thoughts, ideas and beliefs. There's still a piece of him that's nice... deep down.. Somewhere. But he's losing more of it as the days go by. He's never known anything other than this life with AC, and occasionally getting visits from AW.

The specifics of this aren't quite figured out yet, but, after several invasions from the fairies searching for Peri, they slowly start to lose hope. Some probably thinking the fairy baby was never born, some might think he died. Whatever it is, the searching slowly stops.

Then, suddenly, a square anti-fairy baby named Foop is born.

But no one notices. No one cares.

Except his parents, of course!

Both of them are excited to have their own son— just as they are in the original! Anti-Wanda might be a bit of an idiot, and Anti-Cosmo may be emotionally lacking as a father, but they are happy to have him! Honestly! Anti-Cosmo even takes him to meet Peri! But... his son doesn't seem too excited about what he's doing. Maybe with time, he'll grow to enjoy helping out! Right?

Irep doesn't talk about those days, ever. The only three people who truly know what went down are Anti-Cosmo, Peri, and Irep.

Well.. One day, Irep had enough. He was tired of being used to help train his counterpart— it hurt. It hurt him in many ways. But with his limited knowledge of the world, it took him a while. Eventually, he found some fairies who might be willing to help an anti-fairy.

EDIT: We have more for this! We just have to draw up Peri's ref, and wanted to start small. If it gets enough engagement, we might make a sideblog for the au specifically.

[zephyrine-gale]

Your art is so pretty 😭🩵 do you happen to have any advice on how to improve/ any art tips?

Thanks for sharing your work, stay safe!🩵

thank you so much!! these are some things that come to mind

study your favorite artists + what they do successfully (i think this person has a neat way of doing studies! there's a lot of artist studies on youtube, I think it's a respectful way to emulate and learn from an art style without claiming it's yours)

real life is your best reference! you'll be able to see how values, shapes, textures work irl, and in turn that could also help you see how other artists choose to simplify and stylize things

also don't be afraid to use refs for your art. my reference doc for my kzsc comic alone was 179 pages, with the first 60~ being ingame pose/outfit/weapon refs, and the rest being inspos from manga panels I liked + other art pieces that I felt captured motion and paneling really well.

draw things you like! and don't expect that every piece you draw has to be perfect (especially if you're trying to gain an audience with your art). you'll get burnt out really fast that way :'> not every piece has to be posted; even for me, I think 60% of what I've been drawing has been OCs that I don't post, but they make me happy!

it's normal to feel like you're missing out on trends given how fast things go by nowadays, but its important to work at your own pace.

but also don't force yourself to draw if you're not feeling it/haven't had breaks in a long time. it's really important to get up and stretch so you don't injure your hand too, health is important!

[eldstunga]

Hi! I really love your art! The lines are so bold but the colours so natural that it feels distinct but grounded?? I'm obsessed with the shapes in your work

I was wondering if you had any advice for drawing bodies? Whenever I try it either my proportions are off or an arm ends up looking like a calf or something.

First of all, thank you <3 That's so nice and I think "lines bold, colours natural" is some truly aspirational words to say about my art, I'll strive to be what you say I am <3 I do not, unfortunately, have any great tips on drawing bodies - it's a very wide topic and fundamentally just really bloody hard. I fail horribly 9 times out of 10. How to approach it I think varies a lot with like...HOW you are struggling, and who you are as a person. For proportions and anatomy there are definitely books to look at, and some rules of thumb that can help you - anything from "the shoulders are about 2.5-3 heads wide" through "feet are the same length as the forearm", "elbows are in line with the navel and the navel is two sternums down" etc etc. For me, realising just how big the ribcage actually is and learning how to use that as a unit of measure was a big event (the torso is about two ribcages long). Look at references, Draw over low opacity references and try to look for patterns that help YOU. Like... "Hm, do the shoulders line up with something useful?"

Having a good ref model to double check things helps too. The pen is pointing to about the bottom of the ribcage. But there's also stuff like maybe you're getting too hung up on construction and then it might help more to try to draw from references by ONLY blocking in a silhouette first. This helps me sometimes still:

Or you could be like me, struggle with all of the above and then some - like how to make poses look natural and/or dynamic? Weight distribution is a whole other topic.. gah, it never ends, but it's fun to learn.

Lastly, this took me way too long to realise and I think it should be said: Do not fret too much about STUDYING. The unfair thing is that the better you are at something, the better you will be at actually learning from doing studies and exercises or reading books. We accept this with many other disciplines and sports but rarely art. Mileage is king, and mileage is best gained from having fun and enjoying what you do. If you find studies suffering and frustrating you're probably better off just drawing what you enjoy and fuck it if it isn't "pushing your boundaries" or whatever. Eventually you'll get to the point where studies start to give more than they take, and then you're home free. I'm not gonna recommend a billion resources you likely won't enjoy but here are some things I genuinely found helpful lately: * a physical anatomy model, they're pricy and not necessary but being able to just look at it every now and then, turn it over etc helps. * The "Morpho" series of books, they do not teach anatomy, but they are very useful quick reference books and much more easily digested than most anatomy material. Just try to find a real anatomy book to read once your appetite is up as well.

The zig-zag/Lightning bolt method for arms and legs, fuckin' thing revolutionised how I sketch: https://www.youtube.com/watch?v=yCkmB030GpQ

Gottfried Bammes "The Complete guide to Anatomy for Artists and Illustrators" This thing is insane, it's from the 50's and like 600 pages long. You could absolutely kill someone with it, but a lot of the pages are more philosophical or art history you can skip and despite its age and fear factor this dude writes in a witty, clever and just wonderful way that I've seen nowhere else. Fantastic photos. By far, FAR the best anatomy book I've ever seen. It's not a book I'd recommend for someone starting out, I would not have been able to digest it like four years ago, but once you get to a certain point it's amazing.

That's a lot, uhhh, feel free to ask me for more specific tips this was a bit of a rant. Hope some of it was useful!

[mono-dot-jpeg]

morning routine - jingyuan

summary; just a lion and his cub waking up

genre/extra tags; fluff, quite a bit of fluff, jingyuan is a single father no drama (/ref), reader is younger than yanqing

[platonic] [5-9 year old! reader] [gender neutral reader]

word count; 523

a/n; this made me realize that i dont remember the last time i watched the lion king. but nonetheless, i am a man of the people and i give them what they want (within reason). it's kind of close to the scene im pretty sure you're talking abt but i just changed it a bit. hope you enjoy!

also i realized, looking at jingyuan's art, mimi has a mane so mimi would realistically be a boy, no? but like mimi is referred to it/its. i mean honestly mimi being a boy is cute to me KSDJKSJ and also it makes sense since mimi had a mane and lionesses dont. whatever-

daylight burns into the window, waking you up earlier than your lazybones dad. but to be fair, anyone could wake up earlier than him. he was a hardworking man. for the most part. but he was a single father too. your father.

you cherish the time you spend with him every day. you may not know everything but he teaches you everything. he tells you of the world you both live in, how there is war and peace, how someday you would have to lead alongside him and yanqing. you were enamored with the world that people have helped build. and you were determined to help protect it.

but for now, you can still be a kid.

"dad!" you press a hand on his face, squishing his cheek. "dad wake up!" you push against him, hearing his grumbling as he turns to face away from you. "dad!" you whined. you brush your head against his heavy white locks as if you were a cat. "we were gonna spend the day together. wake up!"

"you wake up earlier than me, are you sure you're my kid?" he jokes tiredly as he laughs.

"come on! let's go papa!" you climb over him, earning a grunt and groan as you slide off the bed. you make your way to get ready. you see mimi striding out of his bed, yawning and stretching. "hi mimi! good morning!" you greeted the large lion, who brushes against you chuffing a tired greeting. "papa! hurry!" you called out to him, you can hear your father shuffling around the bedroom and grumbling his responses.

you feel yourself get picked up before you can open the bathroom door. you laugh as jingyuan tosses you up for a moment and catches you, holding you under his arm like a sack of flour. "you already have too much energy in the morning. we have some time to relax."

"you promised you would teach me today!" you squirmed in his hold as he opens the door to the bathroom.

"well, let's not get too hasty." he hummed, placing you on your feet and onto your step stool in the bathroom. he doesn't say it out loud but he wonders how much faster you're going to grow up or how much faster you want to grow up. "i'll teach you when the time is right. for now, you have to learn how to be a kid."

"but 'm already a kid! i wanna be like you!" you start to brush your teeth. jingyuan takes his time to get you ready as he's fixing your bedhead and pinching your cheeks, making you whine through your brushing.

he smiles gently, "you don't need to be me. you can be you. the world is yours, alright?" he pats your head as you nodded rapidly.

when you finish brushing your teeth, you raise your arms to him to get carried. he obliges and you hug him tightly. "i'm gonna make this world the best for us!"

"well, you have to get out of your pajamas first for that." he chuckles, pressing his forehead against yours as a sign of affection.

[yourlocalartsonist]

MONTHLY MFIP UPDATE✨✨

9/24 | Month 2 | Next Month | Month 1

Hey folks 🦐 I finally got the chance to make this month’s MFIP Update cuz god damn life was kicking my ass. College is fine for the most part tbh, just a lot of reading and writing cuz of the specific classes I chose. HOWEVER I have 💥FUCKING PMDD💥 so um skill issue on my part but it’s why I’ve been kinda exhausted as shit this week and was late with the update so my bad folks! (Also for more info on PMDD, click here! I don’t wanna spend this post yapping about it but wanted to leave a resource to spread awareness just in case :3). Also, Imma be tagging some of y'all who have been reading/supporting MFIP consistently just for this post, so yk you guys actually know these updates exist. I was gonna do that for the first ever update but as with many things, I forgor, so I'm doing it now! They’re supposed to come out on the 18th of every month, but yk sometimes life happens and I’m a lil late. It won’t be any earlier than the 18th tho so look out for these once it hits that date! Anywho, cheers to this month’s update!

Alrighty folks we be starting with the Art~!

Alrighty so obvious new thing, WE GOT RAPH’S REF SHEEEEEEEET TEEHEEEEEEE

BRO IM SO HYPE ABOUT IT! It turned out so genuinely amazing and I’m ridiculously proud of it! Especially cuz I honestly thought Raph was gonna be a harder design to figure out yk? I’m not used to drawing his body type, I wasn’t as familiar with his outfit, and even tho I’ve sketched him a few times before, I was just a bit nervous with Raph. Funfact, he’s also been the hardest to figure out how to write back when I was first starting MFIP. I genuinely don’t know why, but I got there eventually (I actually really love writing him now—) and same thing happened with his design!

Since MFIP’s taking place a few months after the Krang invasion, i’m able to take creative liberties and update the boys’ designs more! For some clarification btw, in my story’s lore, the invasion took place in September 2020, and MFIP starts on March 2021. Anywhizzle, my ideas for the boys’ designs is to combine their movie look with their show look, cuz while I do LOVE the black on them, it doesn’t feel right to me to not make them still unique in their own ways. These guys are all about authenticity, so why make their gear exactly the same, ya get me? I basically recolored his show gear to be black and red (and added a lil asymmetry on his legs) cuz I think it makes Raph feel older and more sure about himself, just feels right for him! I also just think the red fade on the black is hella cool! Fun lil color theory i think application, the black is more of a really dark, inky blue, so it makes the red pop out even more! I decided to make a bow out of his mask tails, too! I don’t wanna spoil the entire lore reasoning for it yet (it’ll pop up in the story), but I can indeed say it’s intentional that it looks a little like a lunamoth with damaged tails :3 I also took a BUNCH of creative liberties with his sais’ handles, since we haven’t really seen it much so like idk gaslight yourselves into thinking it’s always been this epic✨✨

Also I gave him his shorts back because FUCK YOU I LIKED THE RED TRIMMMM—

OH I ALMOST FORGOT yes he has longer eyelashes! I saw he grows to have really pretty eyelashes in the future cuz of his turtle species, and I wanted to lean into that by showing they’re starting to grow now :3

Bullshit Gag Because Yes‼️‼️

There ain’t shit to say about this, I just pulled a silly. I saw the fact Donnie was supposed to have a “Doctor Donatello” persona in the deleted episode where Dale turns into a werewolf. I’m really heavily on the train of Leo being the team medic and into medicine in general. I don’t think it makes sense for Donnie to be the medic judging by his sensory issues and this mf being as much of a germaphobe as my mom, and in my opinion it felt too stereotypical anyway to have Donnie be the medic. Ofc, to each their own, and this is just my interpretation of it, but I thought it’d be funny if Donnie still had this persona and was passionate about it, but was like horrifically bad at being a doctor. I made this dumbass sketch that I’ll finish sometime in the future (it’s gonna be a chapter in Arc 3 probably) and I just wanted to share it with yall~

THEY’RE HUMAN NOW⁉️

My ass wanted to show off cuz I’m sketching out some ideas of what my human designs for the boys culd be. I already did Leo’s like ages ago so he’s not on here but I’m realizing as I’m typing this my dumbass forgor to post it so um my bad I will do that in a few days—

But I wanted to design (or more accurately, redesign cuz I did draw em once a while back but I’m not satisfied with them) and I think I ate so far so uh yea. There isn’t any logic to sharing this, I just thought it was cool😭

And actually, imma share them here too just so y’all can see my boy ;w;

(A lil outdated cuz I didn’t give him lips at the time)

Okay there we go~

As you can see, I want all the boys to look kinda etherial and like they'd turn heads, and I think I am SUCCEEDING SO HARD SO FAR CUZ DAMNNNN THEY'RE ALL PRETTY AS SHIIIIIIIT TEEHEE✨ Also am tryna make sure they actually look Blasian since that's what the canon of my story says they are. I'll talk about them more another time when I have all of them on here~

But yea that's all for art this time folks :> ONTO THE NEXT THINGGG

Chapter Progress Time Whoop Whoooop‼️‼️

I didn’t make much progress on anything this month due to college—again, it’s fine, but there’s a shit ton of time management going on in my part to just manage everything and make sure I’m on track—BUT I am indeed still working on chapter 10. We’re up to 20 pages now which is only two more pages written from last month, but it’s kinda cool writing Donnie and I feel like I’m getting a better understanding of him! One thing I’ve been tryna do is understand autism better as a condition cuz I do wanna acknowledge and show bro’s autism instead of just ignoring it due to a lack of understanding. Donnie ain’t Donnie without it, ya know? I don’t know everything and tbh I would say I still have A LOT to learn on the subject matter, but I’m tryna expand my knowledge every opportunity I get and experimenting with how to better show it! This is to say tho, I’M NOT A MEDICAL PROFESSIONAL, NOR AN EXPERT ON THE AUTISM SPECTRUM. This is what I’m finding and comprehending via my own research, and can tbh end up being wrong so please don’t quote me as a reliable source, I’m still learning ;v;

I remember one of the things I kept hearing about was autism leading people to struggle with empathy. The best way I heard it being described was someone bringing the example of when their friend was upset. That person can’t truly feel their friend’s emotions because they’re not the one experiencing it, so can’t properly understand how it’s making their friend feel. But they can see that their friend is communicating their sadness, and they still try to comfort them and make sure their friend knows they’re there for support. I understood it as bringing logic to emotions in a sense; collecting data and figuring out how to handle the situation based on the data rather than using intuition alone.

I’ve been using that to figure out how Donnie might handle more emotionally subtle situations, where he might try to rationally work through what’s happening and kinda substitute it in place of natural empathy. Like the little tidbit I gave above! Instead of just automatically being able to get vibes that the other person is upset, I felt maybe Donnie would instead notice the fact their tone is kinda different from before; it’s basically a data point. With that data point in mind, he could connect it to past experiences where a tone change could indicate a mood change, and as a result he might conclude that Salena’s tone change means she’s upset. I comprehend it as manually working through empathy rather than it being second nature, if that makes sense. Obviously and thankfully Donnie isn’t gonna spend the entire chapter playing a guessing game or anything with Salena’s emotions, it’s just one lil moment that I thought was cool challenge to myself with when writing him! I really love putting myself in the characters’ shoes when I’m writing them or their dialogue. I highly recommend it as a tool too, since it's helped me a lot with staying in character!

Last Lil Segment Y'all

Aight so, I wanted to try doing something cool if y'all are up for it. I really love rambling about my story and lore and characters blah blah blah, but I don't really know how to do so tbh. I'm not that familiar with how social medias work cuz I just never took it seriously, and I don't wanna just keep being like HEYYYYY ASK BOX IS OPENNNNN like I'm screaming from the top of the hill either. Sooooo insteaddddd

I think it'd be fun to do Q&As here! Or at least something similar. I'll open my ask box again and feel free to send any questions you want; it can be about the story, past lore, design questions, getting to know the characters, absolutely anything! Then when I'm gonna do my update for the month, I'll compile all y'all's asks, (prolly will have to tag to make sure you guys know I answered it, or if you ask anon then uh idk look out for the monthly update) and then answer them during the monthly update as the last section! I think it'll be a cool way to make this feel more interactive, and gives me an excuse to ramble. Don't be afraid to ask potentially spoilery questions either! If it's something I can't spoil yet or even give hints or vague answers about, I'll just say so in the update!

Anywhizzle, That's All Folks~!

I'm glad there was so much to talk about this month! I actually deadass thought it would be short but I should know better with my yapping' ass💀✨ But yeah, thanks for reading everyone! I hope y'all enjoy the rest of your days, and I shall see you next month~ Bye :D

Tageroonies:

@yosajaeofficial @chaoticspeedrun @ramblehour @randomcerealbrand @goldanrabbit @m1sf0rtun3 @foundthethief @ackalice @jellyfishheartsss @dollyrin @harukonene @iieieiw @mwantstossleep @zipzaizen @hypocriticaltypwriter @lordfreg @rainbowpr1sm @idioticsky @oleander-nin @cheeselord-official @skittlesqueen101

By the way, if you guys think you’d like to be tagged whenever an MFIP chapter is posted, lmk in a reblog or comment (no asks or dms plz, too inconvenient) and I’ll be sure to tag so it’s more reliable than tumblr notifs :3🫶

ROTTMNT: Moths Fly In Packs

[itsyagurlchip]

Another ROTTMNT request!!

Platonic, funny hc about the 4 brothers reacting to younger sister reader who has a gloomy/angsty personality who acts like a tragic heroin but in reality everything in her life is completely okay.

She's just a bit dramatic like leo and dee xD

☀︎⋆.ೃ࿔*:･OUr Our YEA~☀︎⋆.ೃ࿔*:･

alt title; reader loves a style but does little research on it and uses pinterest as a ref

ᯓᡣ𐭩 warnings: cussing(!) cringe(!) stereotyped emos (!) crack(!)

ᯓᡣ𐭩 ngl- i feel reader w/ this one 😭😭 Thank you so much for requesting <33 btw, this is not to make fun of actual emos, you guy's aesthetic is beautiful <3 instead, this is actually written from a 2 day experience by your's truly! There is absolutely no plot in this, so if you can't follow at all I don't blame you.

ᯓᡣ𐭩 "Oh god she's blasting SleepToken again-"

kanabo; a japanese weapon similar to a spiked bat, used for offense.

"YOU DON'T EVEN KNOW ME!" You screamed as you slammed the door closed.

Raph stood there, stunned and confused.

"I don't get it...all Raph told her to do was to wash the dishes?" He sighed and walked away. Deeply, he was too tired for this shit and the headache he has was forming faster the more he thought about it. He needed a nap.

Meanwhile Leo and Donnie were snickering in the far corner, watching the whole ordeal go down.

"broooooo"

"That cannot be real-" Leo said, holding his gut trying not to shit on himself at the atrocity you just committed.

"Of- ha- of course it itz! I caught it on camera!" Donnie waved the evidence in the air.

The two burst into obnoxious laughter, echoing throughout the sewers.

So yea..you're a bit cringe. But who's stopping you?

You truly believed that this wasn't a phase.

And future you is looking down at you in tears.

YOU WERE ONLY ELEVEN- !

The group was fighting a tiger villian. Silly cat, he had guns. Tch, that was nothing for someone like you.

"I blast you into the abyss as dark as my soul" You said, raising your kanabo, swinging the weapon in a circular motion, aiming for your target.

"What the f-" And he got blasted. You hated how your weapon was pink...

It all started with the "pick me girl" trend.

You hated those people (despite them not even existing half the time).

So, you wanted to be different 😈

And thus, the color black was an immediate yes

Mikey, not really caring about the sudden change in his sibling's style, used you for his art inspiration! Even if you begged and begged for him to draw you with hair.

(he already sketched it, but won't tell you. he's not gonna let it go that far into your head💀)

"Turn- now pose, ohhhh! Lookin great Pink! Wooo, you got it girl!"

"The only thing I deserve to have is a dirt pit. To put myself in, not your praise."

"Oh- oh."

Looking through pinterest you found your first outfit inspo and fell in love.

While not actually having any problems, mentally or physically (from what you know), you felt like you fit into this category so well!

Your scales were black, check

You love eyeliner, check

Your siblings force you to do things that you didn't want to (chores) , check

You were all set.

All it took was a few hundred dollars from Donnie's bank and you were ready to show the world-

WHO YOU TRULY WERE 😈

"YOU'RE ALL AGAINST ME!"

"we are literally just asking you to go on this mission-"

"TO KILL ME OF COURSE! YOU NEVER CARED ABOUT ME"

"okay"

They just let you sort your feelings out, poor baby.

No one actually knew when it really started

But suddenly you started to ask April for her makeup and nail polish for the first time.

And April, bless her, did so each and every time.

"Of course honeybun!"

Worst part was, you never gave it back.

"Hey, have you boys seen my makeup bag? I can't find it no where."

The boys sighed, already sick of the shenanigans, and pointed towards your room where every light was off.

Walking inside, April came in to see a singular lamp shining, with you underneath it writing inside of a black notebook.

"Hey Pink! Watcha doin sweetheart?" April nervously said, "It's pretty dark in here-"

"Writing down the names of my enemies. They need to suffer the pain I go through everyday, not only the physical- but the mental."

April wasn't really sure what you were going on about, but she spotted her makeup bag and dipped.

-

Donnie walked into your room, music blasting at goddam 3 in the morning.

"ARe yoU inSane!?!?" Donnie yelled as Ely Ottto raged over his voice.

"THIS IS THE REAL ME DONNIE! DEAL WITH ME!!!" You flipped him off, head banging as you jump up and down on the mattress. The plushies that were sitting on the bed even had black marker scribbled all over them.

This was too much damn noise! And quite frankly, very much overstimulating for this time of night for anyone to experience.

"Oh hoh hoh- no I AM NOT MISSY! YOU WILL TURN THIS MUSIC DOWN THIS INSTANT!"

"YOUR NOT MY DAD BOZO!" Like a child (*cough cough*) you blew a raspberry at him and turned the music up louder.

Donnie was twitching in anger as he disabled your speaker with a tap of a few buttons.

"I HATE YOU" You yelled, stomping towards him and pushing him out. Slamming the door, you screamed into your pillow (as if that would muffle the sound.)

Dear supreme pizza in the sky-

Oddly enough your behavior would also vary between people.

For example, you wouldn't take shit from Donnie, even if he was trying to help you, you would even go as far to make fun of him for no reason.

You would talk about your woes and suffering with April and Mikey, even when they didn't understand it half the time because it was ever on subject???

You simply just ignored Raph when he told you to do something.

And Leo, pray for his soul, would play along. Or even worse, bully you *kindly*

Leo was walking you to the park, walking with a crip like those bloxburg characters when you don't take a bath. His head was facing the concrete, set in a mock scowl, mimicking your own.

You rolled your eyes and walked faster, flipping the wig you bought.

-

Good thing it lasted for another two days, or everyone (not including Leo) would've blown their tops.

Man- had to get the rest of that brainrot out. phew~

heres part 2 btw

૮₍˶• .•⑅₎ა tags: @kittykittyanon @radicallxser @oleander-nin @towomatos @thealphagirl

૮₍˶• .•⑅₎ა @ziipzeepzop-eez @wheezdostuff @spongejuice @cyb3r-st4r @nuncscioquidsitamor-14

@voidthegod

if you would like to be added, check my blog. if you would like to be added, check my blog. SEE? I SAID IT TWICE!!

[dollya-robinprotector]

If it's alright to know, can I ask how you got to draw boobas and abs so well? Any references/tutorials you can share?

Or maybe tell us your secret on how to draw clothes, folds and wrinkles?

I really admire you and your art. I tend to look at your blog for inspiration for my own drawings haha

That's a lot to unravel on just one ask isn't it? But, hm... Well let's talk about abs, or more specific, how I draw men.

Would you believe it if I said I did NOT know how to draw men? Male, boy, guys, dudes,... I just did not know how to draw them, and I don't even know for certain if I know now.

I'm serious. It's not just that "never good enough" thing every artists have, it is what it is. I just didn't know how to draw men, so I avoided entirely drawing any men-related stuffs if possible. Female are easier, they're soft and delicate and dainty and just vibe with my way more. I love gesture and dynamic, so doing men's strong and huge and stoic anatomy is torture, if they don't have at least some more feminine trait like long hair,... Almost any attempt I made to draw them are just miserable I can barely look at them second time.

My attempts at drawing men since 2018. You can already compare the fem character is more relaxed than the stiffy stuffy male O)-( And this is already my most proud piece I could show

So, what happened?

✨I brute forced myself✨

I joined this segg game fandom and forced myself to draw hetero nsfw, not very often as it should, but I really tried.

I created male designs that are challenging to me and forced myself to👏just👏fucking👏draw👏them.

That's why you can see very clear how M!Robin (which I drew first and tend to draw the most) has soft and round features, resemble to how I draw females. Next is M!Sydney with his long hair and soft face but more solid body underneath soft and covered clothes, that's how I practiced the "outline".

Next is Kylar, Whitney when I started moving to "facial expressions" and "abs" since Whitney needs to look the most solid out of all the school LIs. From that on you can see how I created Homestead AU and Alex design, which combined many factors I listed above. Andddd now I'm working on the Great Hawk for more "furry" look :D

But, honestly, the game was on since I created Lyah. I actually had him in mind very early, but just after the dance pieces and the Nymph comic did he took his shape correctly.

Lyah was truly a challenge, so everytime I draw him I went absolutely wild and then discovered something new :D

Like, how thick should his neck is to be just enough, to let people know he's a muscular man but not the Rock level

How to make his tits or his ass look bouncy and plump even when he's wearing clothes

How the fuck do muscles work when his hand turn like this, or like that, or round the back,... Those subtle lines on his arms cost me my fucking life O)-(

Like that and that... The wrinkles? Fold? Abs? His penis? Everything, I fucking brute forced myself to just search for the refs, muscles chart, and draw my shit out. But that's exactly why I still don't even know if I'm doing good enough.

Well, according to my friends, who are WAYYY better than me, I'm still having very very VERY far to go O)-(

So, yeah, I guess the first and formost thing is just keep practicing and moving out from your comfort zone, little by little. I'm honored that I can be inspiration to someone, anyone, and I hope we could keep moving forward together ✨

[ryuichirou]

How do you draw Idia’s hair so good?? I struggle with the basic shapes so much!

Sorry for the late reply! Your ask got us excited because Idia’s hair is such a pain to draw, but also such a fun detail, and I’m very happy that you like the way I draw it <3

Katsu suggested to me to record a speedpaint, and uhh, here it is. Please, don’t mind the wonky anatomy and me horsing around with zooming in and out randomly. As you can see, I struggle with Idia’s hair myself and constantly redraw it until I’m satisfied or at least tired enough to say “eh, that’ll do”. In case you’re wondering, it took me ~25-30 minutes to do the hair, and the original video was 59 min long lol I always spend a lot of time moving, reshaping and redrawing details when I draw Idia…

I’ll also list some tips and thoughts about it based on the way I draw it…

The shape of Idia’s hair is not at all consistent. Even in Toboso’s art it looks slightly different sometimes, which makes sense, because Idia has magical fire hair and technically you could do whatever you want with it.

But some rules tend to apply each time. For example, even though Idia’s hair is long and seems naturally “heavy” because of it, the individual strands tend to be turned upwards, like fire would. Not every single one, but the shorter ones and the ones closer to Idia’s head tend to do so. 

It’s wavy, but not too wavy. If the hair starts looking too “soft”, add sharp edges, random strands sticking out, rough shapes, etc.

Oh, and it’s important to remember that it floats. This means, it doesn’t just go straight down, it does this weird “S” shape. It’s also hella long, I always forget just how long Idia’s hair is. If the magic fire logic didn’t apply to it, it would reach the ground easily. The volume of his hair is much bigger than I tend to remember too: it's quite thick and luscious lol So please give him lots of hair!

Tiny little flames + “holes” in the main ehh body of hair (wow there must be a way to phrase it better) make everything look good and more believable. Have fun with it. You might’ve noticed, I draw and redraw and move them around a lot in my speedpaint.

Obviously, I am no expert, and every artist I know draws Idia’s hair a little bit differently. The speedpaint doesn’t show it, but I always have some of Toboso’s artworks of Idia open when I draw him, just to make sure his design is not too off. I would definitely recommend looking at refs while drawing Idia (or anyone), and maybe even trying to redraw the hair from Toboso’s artworks once or twice as a study, it’ll probably make it easier to understand how Idia’s hair works.

You haven’t asked about the colouring, but I love colouring Idia’s hair, so I’ll talk about it a little. Colouring Idia’s hair is simultaneously the most fun and the most tedious part of drawing him lol 15 minutes of my hour long video is just me filling Idia’s hair with the base blue colour with a lasso (I refuse to use a bucket tool…)

But once you’re done with the base, this is where the fun begins. Because at this stage you can be pretty rough, just add in darker and deeper blues near the middle/core(?) of the hair mass. It doesn’t have to be very even or pretty, add some smaller dark spots; we personally really love it when Idia has this round little blob on his bangs. In the video you can see that I added it later on because I forgot about it lol

After the dark part is done, erase the ends of it a little bit with a soft brush. Not too much, we should still be able to see the shapes.

Then, on a separate layer set on overlay mode, with the same soft brush add some additional brighter spots, to make the hair look glowy. I used the same light blue as the base colour, and the overlay gives it a pretty hue.

And finally, add some white highlights at the ends of the strands. This is the stage when everything stops looking wrong and weird and starts looking like Idia, at least to me.

Phew, I think this is everything I wanted to say… I hope it was at least somewhat helpful.

Sorry for the long post, I just love talking about the drawing process. And about Idia too!

Once again, thank you for your kind words; I’m very happy that you like my art.

Have a good day!