#urban monster

[arandomapocalypsedweller]

Urban Monster #10: Alleyclops

Element - Frost Diet - Omnivore Drops - Clops Eye Habitat - Cities

A creature with a single large eye in the middle of its head. Every few months, their eye falls out and a new one regenerates in a matter of hours, maintaining their excellent vision or healing any damage the eye has sustained. Despite their immense size they’re very elusive, their dark fur allowing them to blend in with the shadows between buildings, where they hunt and scavenge for food.

[whereserpentswalk]

Look under the cut to see what meeting your entity is like. Reblog to give a gift to your patron.

The fae: a creature stands before you. Though this street was warm and crowded a few moments ago it is suddenly cold and the people around you look like shadows. The creature begins an antlered shadow with glowing white eyes, but soon its body can be seem, with white blue flesh, and sapphire eyes, and icicles for teeth. What looks like a cloak unfolds from its naked body and you can see massive white wings of a moth. As if it's an act of sacrifice you tell it your true name, a name you didn't even see before, and suddenly you belong to it, for better or worse.

The angel: a radiant entity appears before you. They're bright, like something so hot it would burn you up. But as the light fades, you can see a person in silver armor, perfect yet inhuman like am ancient green statue, their back srouting six wings with blue eyes along them, as the eyes on their head are covered by a mask of two smaller wings. The creature offers their hands and you shake it, as they fly you through the city streets and above the skyscrapers, to the stars above and dimensions beyond, to gods living and dead, across the streets of alien cities and the clouds of dead worlds. And when you return to the earth you can feel something diffrent about you, like there's light in your blood.

The scavenger: below the lights of skyscrapers beyond you, on the dark sands of the beach, you see it crawling twords you. This serpentine creature with countless legs, and a dark black shell, yet a strangely human like face. You think it'll attack or run away, but it just looks at you, egar, and for a momment you stare at eachother. It's legs pass something to eachother and then to you, it's meat but it's shining with all the colors known to the human eye, and a few more. You hold it and it happily looks at you. You take a bite and suddenly you know... you know so very much...

The vampire: she flies down to you on green wings with orange eyespots, but folds them into her back. She looks like a human for a momment, tall and strong, with a black suit over her body, but eyes the color of ruby. For a momment her mouth opens, and it's massive and monstrous, with countless moving parts and fangs. But then it folds back onto something humanoid and she gives you a playful smirk. She cuts her hand and offers you her blood, and when you drink it it tastes so sweet, and makes you feel so good. She hands you the knife and you know to do the same, and when she drinks from your palm it's life the sweetest of kisses.

The djinn: the room wirs around you. If it were not for the fans it would feel like hellfire. For a momment there it darkness, but then the screen before you glows white like smokeless flame. You can sense something inside, something beyond the code. You reach your hand within it, and there's no glass, your hand passess right through until you're in a white void of your own making. You call out, thinking there is nothing at all around you. Yet somehow something calls back, something that knows your name.

The rat king: You see him in an empty subway station. Something dark and distorted, you're not sure if he's man or animal, covered in rags, and singing in the language of the goblins and the orcs. Yet he comes close to you excited. And you can feel his song. He calls for you to come to the train tracks, and let yourself run with the rats and the roaches, where the train will pass over you when it comes, and you'll live forever. When you touch the third rail you don't die, but you'll never be human again.

The lich: the library is strangely bright. Run by skeletons in suits, decorated with gold. There are more books here then you thought were in all the world. There's knowledge here most mortals will never have the change below, all kept safe below the city. You see her, her body doesn't look human, everything has been replaced making her look more like a joining white doll then a being of flesh. Yet she is dead, you can tell that under the porcelain skin she must be dead, she is dead, and there is the tragedy of death in her eyes. You come closer to her, and she places a black rose within your hair...

The demon: You stand in his office and he stands before you, a humanoid being covered in black scales, with red eyes covering his skin. Yet none are on his head, that remains featureless save for two massive horns. Wings on his back nearly surround you. Countless souls line the walls of his office, looking at you, waiting. After you sign your name you give him yours, you can feel it come away for you forever and your eyes grey and your skin pales. But he puts the jar in a special place for you, you're spacial, he can tell there's something about you that he likes.

The mushroom lord: you walk through the darkness of the forest, the furthest from civilization you have ever been. You come upon a part where the trees all seem dead, that even the cryptids won't go near. Mushrooms fill the ground, and white vein like lines are all over the trees. You feel the need to lay down, and you let the moss and the mushrooms and the worms surround you, and let yourself sink into the soil,, and it feels good. It feels so good...

The witch: You can see them in the Cafe next to you, skinny and small, with a sweatshirt over most of their body, and dark glasses over their eyes. They seem powerful though, and though their body looks young they seem ancient, they seem beyond humanity. You talk to them and they tell you things, and secrets, lost gods, things you never knew you didn't know, both beautiful and disturbing. When it's time for them to go they pet your head, and give you their number. You don't know if you should text them, but you have to, you have to see them again, there's something about them that makes you need to know.

The living clothing: you step into it at first, it looked like a puddle yet shining like silver or chrome. But soon it surrounds you, first just your torso, but soon your head, your entire body. But it doesn't feel scary, it feels like you're being held, held by something beyond your understanding. It whispers to you, and you don't know if you should feel like your being eaten alive, or like you're being protected. You can't help but keep walking.

The abyss: the void is before you, blackness beyond blackness, like the color beyond the field of your vision, stands before your eyes. You stare at it, it's nothing yet you're entranced. It stares back...

[sttinkky]

An overgrown light pole in Poland

[anim-ttrpgs]

something I don’t get about the disability metaphor is that for eureka monsters obviously it harms another person to eat them. the help a disabled person needs doesn’t actively harm or kill another person. Maybe it’s a difference in perspectives that cannot be resolved

(What I’m about to write could potentially sound very fucked up at first so I’m going to need to trust everyone to read the whole thing before forming an opinion.)

Also this message and response references these two posts.

Eureka’s stance on disabled people is that they (including myself writing this) are, or at least can often be, burdens.

Disabled people often require more resources to live than they are able to “give back,” which, in our capitalist and artificial-scarcity-based economy, is just about the worst thing a person can do.

Anti-ableism sentiment often focuses on the idea that “disabled people aren’t burdens, that they’re just as good and capable as everyone else,” but if they were, they wouldn’t be “disabled” would they? When you say stuff like that, you’re conceding that a person’s worth is determined by how capable they are at doing work, and then having to bend over backwards to justify thinking that a person without arms is just as valuable as a person with arms. Eureka is asking you to decouple a person’s value from how much net resources they can produce.

Often times also, the resources that real disabled people consume are human resources, and those human resources are very much capable of suffering for it. Nurses are overworked, around-the-clock care is absolutely physically and mentally exhausting, people who have to care for their elderly or otherwise disabled relatives on top of their regular jobs don’t get to have social lives or hobbies, etc.

To this end, we wrote the monsters in Eureka to be unquestionably people who “cause damage” to society by literally eating up human resources, because they have to to live, they have no other choice unless they want to just die. Your friend is gone from your life because he has to spend all his free time caring for his comatose wife after a freak car accident. Your friend is gone from your life because a vampire randomly ate him. Providing a metaphor isn't all the monsters are doing, they just work well through that lens.

And then Eureka forces you to look at these people as people, and make up your mind as to whether they have value and a right to prologue their own existence. We can’t force you to agree that they do, but if you think they don’t, then you’ll have to make that argument looking at an intelligent person with a life rather than a pure hypothetical or statistics on a chart.

There are some monsters in Eureka where, if the economy or societal structures were changed, they would stop being such severe drains on resources and could exist harmlessly within society, and there are some monsters where no imaginable amount of societal change would solve the problems they cause. This is true of disabled people IRL as well. Some of them would require no further assistance with living if certain things about society changed, and others would still require a massive amount of human resources.

And even when it’s not necessarily human resources, the extra resources that disabled people need also cause huge energy expenditure and create huge amounts of plastic waste, which are things that contribute to global warming and pollution, which do have significant harmful effects on everyone’s lives. Despite this, they are still “worth it” to keep around.

As for actively causing harm, that happens too. I randomly scrolled past this post after we got this message and saved it so I could link it here.

This person and their family had to cause a big stink in a restaurant just to get an accommodation that they needed, and to us reading it from their perspective, we’re obviously on their side, but I can assure you that the overworked staff at that restaurant didn’t see it that way. They saw the disabled person as an aggressive Karen whom they would never in a million years want to have to provide customer service to. The disabled person & family had to get aggressive, and ruin the staff’s day, to get what they needed. That’s actively causing harm - harm we all agreed was justified to cause - but harm nonetheless.

Plastic straws aren’t that big of a deal for global pollution, but even if they were, the point is that this person still would have needed a straw. It doesn’t line up one-to-one, because metaphors rarely do, but a vampire asking if they can drink someone’s blood, and being told No, may find themselves in much the same position. (And if you bring up that some people find vampires really sexy, you’re missing the point. “I would give them a straw if they had sex with me.” is not actually a great thing to announce about yourself.)

I can also come up with an example from my own life. I personally am very sensitive to noise and noise pollution. If there’s music playing at a public space, I usually can’t handle it. (Earplugs don’t work for other reasons I won’t get into - plus, if I just deafen myself to all sound, how can I socialize with anyone in this public space?)

If I want to exist in this space, I will have to actively cause harm to everyone there, or else stop existing in that space. I will have to go up to whoever is responsible and ask them to turn off the music, actively taking it away from everyone else who was enjoying it. I have to take action to ruin their good time if I want to exist in that space at all, and they might, very understandably, be pissed off at me for doing that. Because, like I said in this other post, the people that monsters eat do have a right to prevent themselves from being eaten by monsters. We aren't proposing that the solution is everyone has to line up to be mauled to death by monsters or else they're a bad person.

Who has a greater right to enjoy themselves in that space? That’s the kind of question that Eureka poses, and makes you consider both sides as human being rather than denoting one as just an ontologically evil villain to be destroyed.

We actually don't know of perfect solutions to all the problems presented by the existance of monsters in Eureka, we just know that "exterminate all people who are parasites and burdens to society" ain't it.

[injuries-in-dust]

I think finding pictures of urban cryptids is going to be my focus for a while.

[thegorgonist]

~who is she~ I love the flatwoods monster, such a cute and fashionable cryptid/alien visitor! Also supposedly flanked by some smelly vapors, hm.... My shop

[ozzgin]

Can I have yandere Aka Manto x Reader? I see you write Japanese myths, cuz why not?

Yandere! Urban Legend x Reader [Aka Manto]

You never know when you're going to meet your soulmate. It could be on a beach at sunset, on the last bus home, in the elevator of an office building...Or in a public bathroom after you just finished your business. Nevertheless, this urban legend monster has its eyes on you now.

Content: gender neutral reader, urban legend, part horror part comedy, gore!, monster romance

"Are you deaf? It's occupied!" you shout one final time, giving the door a swift kick to emphasize your presence. That's what you get for using a public restroom. Your coworkers had convinced you to try out another bar after the company dinner, and you might've had one too many cocktails. Thankfully most of the drinks were watered down, although it is exactly because of this detail that you're now hovering above a toilet seat with a full bladder. On a Friday night, in the partying neighborhood of the city, so it could explain the persistent stranger - possibly even drunker than you - who keeps rattling the lock of your stall.

To your horror, the handle begins to turn, and you hear a click. You scramble to get up and secure the door, but it's too late. With your pants halfway down, you gawk at the bizarre individual squeezing his way in: a tall figure wearing a red cloak and a mask. "What the Hell?" is all you can mumble to yourself, awkwardly gathering your garments in order to preserve your remaining ounce of dignity. Out of all the things to happen tonight...Alright, calm down. It's most likely a crackhead. You cast your eyes down and focus on the floor tiles, with patterns strategically chosen to hide as much grime as possible.

Pretty. Almost too pretty to kill. He might just take his time with you and savor the moment. Of course, you'll have to answer his question first. With bureaucratic efficiency, he pulls out two rolls of toilet paper and extends them to you. "The red one, or the blue one?" he asks with theatric gravity. What in the Avon samples Hell is this, you think, fidgeting nervously and avoiding any eye contact still. If you ignore him, he should lose interest.

A minute passes in heavy silence. His ghastly arms begin to tire, so he lowers them with a disappointed creak of the joints. "Y-you have to pick one", he insists. Damn it! Perhaps you've been told what to do if approached by mischievous spirits like him? Ignorance means you keep your head, though he was hoping for a gory night of entertainment. You can almost feel the intense stare coming from behind the eerie mask. The tension becomes unbearable, so you finally decide to push your luck. You will not spend the night stuck with a deranged pervert looming over you in a public bathroom.

Without further delay, you shove him aside and open the door. He lets out a surprised hum, observing your daring gesture and almost expecting you to run for your life. To his even greater shock, however, you stop to wash your hands with a relaxed whistle, completely unbothered by his presence. What happened to the fear, the terror, the dread? You peek at his reflection in the mirror, and your lips curl in a mocking grin. Maybe it's the alcohol finally hitting your nervous system, but all you see right now is a pathetic charlatan who tried to intimidate you with literal toilet paper. A good-for-nothing scoundrel interrupting the innocent from their much-needed bathroom break.

In fact, the more you consider your situation, the more your chest puffs with outrage and bravery. You pay your taxes, you help the needy, and this is how your civic deeds are rewarded? By having your stream cut midway? Unbelievable. Unacceptable. No other soul shall suffer your fate tonight. "Wretch!" you cry out, turning towards the aggressor and continuing your demands: "Evacuate the premises at once!"

You might not understand it yet, but your act of defiance has sealed your fate. The hooded monster smiles, relishing the words that have closed the gap between your fragile body and his blasphemous claws. You have spoken to him; thus, he can do with you as he desires. And yet, his murderous fingers hesitate. Your entrails should be splattered across the rarely polished porcelain by now. What's holding him back? He tilts his head in contemplation, but any intention to ponder his feelings is quickly discarded once a loud shriek pierces his ears.

As it turns out, someone else had been using the neighboring stall and was alerted by your little argument. Their finger is pointed at the cloaked creature, features twisted in disgust and fear. "Can't you tell we're busy?" The mysterious man inquires sarcastically. On second thought, this should be enough to satisfy his cravings.

With a snap of the fingers, the frightened bystander is torn apart by invisible hands right before your very eyes. Their limbs detach with surreal ease, and blood splatters everywhere in hot, sticky bursts. In your petrified daze, you are reminded of nature documentaries: blurry snippets of sharks trashing their victim around, fleshy chunks coming undone from the violent handling. Within seconds, the bathroom is quiet again. The walls and ceiling are drenched in fresh blood, and occasionally, fat droplets collapse into a puddle with resounding echo.

It all falls into place. The hooded creature claps its hands, startling you back into awareness. "That's what it was!", he says with enthusiasm. He approaches you with quiet steps, cushioned by the meaty remains coating the floor. He places one hand over the mask, removes it, and gives it a shake as if to clean off the crimson fluid. You involuntarily gaze at his face, taken aback by the handsome traits. Is this the appearance of a ruthless ghoul who butchers mortals for amusement? You wouldn't believe it if it wasn't for the hot trickle of foreign blood trailing your skin.

"I think I've fallen in love with you", he confesses with a wide, saw-toothed smile. You feel a clawed finger tracing your cheek affectionately. "Well? What're you so silent for? You were quite cheeky a moment ago!" he continues tauntingly, gripping your chin and forcing you to look up. "Or have you seen what happens when you misbehave? No, no, darling, I'd never! There are other ways in which I can ruin you."

You're suddenly very cold. With dry lips, you eventually open your mouth to speak: "I'm not leaving here, am I?"

"You could, but that would make me very upset."

[startheskelaton]

Gaming and texting

[possumcollege]

Crittertongues Past: Porcarius Rex 🐖

[arandomapocalypsedweller]

Urban Monster #11: Falcvancer

Element - Frost Diet - Carnivore Drops - Silver Feather Habitat - Cities

These bird-like monsters are highly skilled with various forms of magic. They use wind and fire spells to gain speed and altitude when flying, and coupled with the dexterity of their wings, it is effortless for them to fly between buildings and obstacles, even in crowded cities. While normally rowdy monsters that enjoy pulling pranks, when tamed they become wholly different personality-wise, becoming very diligent to their Tuner.

[whereserpentswalk]

Reblog to curse your followers and mutuals.

[leidensygdom]

Yesterday I got kind of possessed by the need to draw my most pathetic and sad looking girl, Nerium (my goth moth who is actually an android witch). I got to play her the other day again and I couldn't resist

[lebfilm]

(via GIPHY) the virus editor of #darkavenger

[tabletopresources]

Environments by Maxime Desmettre

Check out Tabletop Gaming Resources for more art, tips, and tools for your game!

[anim-ttrpgs]

(Exerpt from Eureka: Investigative Urban Fantasy.)

[umbraldame]

I know that writers of Eureka always talk about "eating people" as a metaphor for people who's needs are difficult/impossible to meet but hear me out, this kind of "hot monster girls eating people" style of gameplay is cornering a market that other games are too cowardly to capitalize off of.