#until you want to read the same book

[abbeyofcyn]

Turtle tots doodles

Top right was inspired by me and my sister. Too many photos of me squeezing her to death

[hauntingblue]

CAUSE THIS IS THRILLER (bark), THRILLER (bark) NIGHT

Usopp's outfit is so funny for reals

He got the whole squad laughing

Luffy enablers at it again.... (Robin.... I know.....)

The humor panels so far have been so good!!! God this arc is so funny

HE SAID IT‼️‼️

They look like birds 😭😭

It's just too good... luffy taking cerberus and zombies what can't he do

It's just banger after banger what can I say

Franky feeling for other people because of his guilt complex and sanji lying through his teeth and pulling out the women excuse to seem unaffected... yeah

Look at them.... look how they ate

Omg joyboy reference?? (No)

Sanji is rubbing off on usopp.... also chopper noticing that is sogeking's weapon akdhaksjak

ANOTHER SLAY!!!!!

Their priorities: I'm not strong enough, there isn't enough food, and nami isn't here

Franky going from wanting to kill brook for his jokes to making a joke like his after he hears his backstory... exactly (Robin was already enabling him before the backstory even fdagjsfha)

Sanji is altering his body and actually being on fire to communicate to us how fucking mad he is..... I need more of him going insane I do I do

My god what is he doing ALDJALAJALA

AHSAHAHQHAH THEY ARE THE SAME!!! naaah sanji wouldn't force a woman to be his wife

You cant see me but I am nodding my head in agreement over and over

You don't understand he altered his body to communicate to us how mad he is. He inploded himself and then reconstituted again. Those germa 66 genes are insane

You tell em usopp!!!! The first of many girls you've scared into defeat!!! Akdjqknql

Zoro zombie regressed to not trusting robin akdjaks he's still in there

ROBI-CHO SUPLEX??? HELL YEAAAAAH

There is zosa- [GUNSHOT GUNSHOT GUNSHOT GUNSHOT]

Super frapper gong.... he is doing combo shots with frobin... omg.... parents....

Everything is so fun I'm having such a good time reading.... and then zosan angst like damn I am being fed well here

[pocket-size-cthulhu]

The thing about Return of the King and the like 17 endings people make fun of is that each time something happens, you can see it in Frodo's face: there's something wrong. When he wakes up and is greeted by his companions, you can see it at the end of that scene. At the coronation; at the Green Dragon; when Sam woos Rosie; at the wedding; in his home; he's different. Changed. Distant. He's a shell of who he used to be. He's finding himself incapable of truly moving on. "How do you pick up the threads of an old life?" He's pale, a ghost of who he was, sort of floating through these familiar scenes that used to fill him with joy. The rot that consumed him for so long left him hollow.

You see him ride to the harbor like this. Pale and stony-faced as he says goodbye, like it makes him sad in a far-off way that can't really touch him.

But then, the moment he boards the ship, there's a change: he turns, and smiles, and it's a real smile, like for the first time in years he knows he's going to be alright. His face has a healthy glow. He's full of love for the people he's leaving behind, but he knows it's time to go and that for once in his kinda cursed life, everything is going to be ok.

That's why it has to have a bazillion ending catharsis scenes. If you didn't see Frodo, over and over, unhappy somehow despite all the happiness that surrounds him, his choice to leave would make no sense. And the magnitude of what he sacrificed to save Middle-Earth from its doom wouldn't settle on you the way it does. He saved the world at the cost of his own ruin. He sacrificed everything. He had no idea the cost would be so heavy - he expected to die, but he certainly didn't expect to survive but find himself unable to live. He tried to slip back into it the way Sam, Merry and Pippin did, but... It just didn't work. The corruption that had taken him was something that time alone could not heal.

So it shows us, over and over and over: Frodo can't stay here. He can't belong here anymore. He has to go. We get to witness his final moment of catharsis. And then we get one last scene where we see how Sam moves on, aching but one and whole, to live a life with people who are with him now. It's bittersweet! But it's right.

[icewindandboringhorror]

I've referenced before how I have a big google document to keep track of every media I've ever seen in my entire life (just for reference because I like to track everything possible lol… I am the Data Collector), but recently as I was updating it, I thought of actually evaluating them to find out random percentages (like for example, out of Total Shows Watched, what percentage did I finish vs. stop watching, what percentage did I like or dislike, etc.)...

Evaluating these things is made easier by the fact that I already place everything on each subsection of the list into 6 broad ranking categories, so I don't have to go back and guess to figure out how I feel about them or anything. The categories are: Ranking 5 - overall best* (despite some criticisms of course because I'm too much of an Analyzer to ever find anything Perfect lol) Ranking 4 - more positive than neutral, but not good enough to be 5 Ranking 3 - either the good + bad negate each other, OR it's just not memorable/interesting in any way enough to be ranked higher or lower (this is the Default category ALL things are placed in if no other rank applies) Ranking 2 - maybe a few redeemable elements but largely more negatives than positives Ranking 1 - So bad that it circles around to being fascinating to observe in some way (not necessarily Funny, or Good, but just interesting somehow) Ranking 0 - Bad in a genuinely frustrating or obnoxious manner

*("best" primarily defined here as most interesting, rather than most good in a technical sense, or some other measure. I tend to value more highly whether there's something novel or thoughtful about the worldbuilding, tone, writing, base premise, etc - than about whether it's actually executed perfectly.)

And here's the amount of shows that have so far been placed into each category -

TV shows ~ Rank 5 (highest) - 20 shows ~ Rank 4 (mid-high) - 28 shows ~ Rank 3 (neutral/default/meh) - 114 shows ~ Rank 2 (mid low) -33 shows ~ Rank 1 (low low but intriguingly so) - 14 shows ~ Rank 0 (iredeemably low) - 2 shows

This would make for a total of 211 TV shows overall. However, there are 57 shows within these list marked as "didn't finish" (typically meaning I quit on the very first or second episode - but log them still to keep a record that I at least had a brief view of them).

So my total of genuinely fully watched shows would be more 154. 211 Total, but a More Accurate Total of 154.

Counting them all and using the Total Number Of The List (211) -- that means roughly 9.5% of all total shows I have ever watched (or at least attempted to watch) have been Mostly Good, 13% have been Moderately Okay, 54% have been either entirely Forgettable or some mix of good + bad that lands them right in the Neutral Middle, 15.6% have been Mostly Bad, 6.6% have been Bad (but in an interesting way), and 0.9% have been Terribly Bad.

Additionally, I didn't even get past the first two episodes of about 27% of the total.

Sooo, discounting ones I didn't finish, my total TV shows ever watched in my life would be about 154 (maybe give or take a few, assuming I might have forgotten some from very long ago).

But instead of entire life, let's just say this is the total for 'About 20 Years' (so, not counting very early childhood when I likely wouldn't remember things I saw/have no detailed recollection of them (like for example, I'm sure at some point when I was like 4yrs old I must have seen an episode of Spongebob or something, but I have zero distinct memories of it, can't quote anything of it, and barely recall the premise - so I don't count it on the list, etc.)).

In that case, 154 divided by 20 would be roughly 7.7 shows a year.

Which is actually surprisingly low considering that I often have stuff on in the background for hours whilst I make sculptures and do costumes and stuff (maybe I should have also marked some distinction between 'things I fully paid attention to' and 'things I kind of half listened to whilst sculpting', but that would further split the categories too much probably lol), but I guess a lot of that is youtube videos or random documentaries, so .. eh.. maybe I get it being lower.

Now, doing the same thing for movies-

Movies ~ Rank 5 (highest) - 4 movies (3.4% of total) ~ Rank 4 (mid-high) - 12 movies (10.3% of total) ~ Rank 3 (neutral/default/meh) - 91 movies (78.4% of total) ~ Rank 2 (mid low) - 8 movies (6.8% of total) ~ Rank 1 (low but interesting) - 1 movie (0.8% of total) ~ Rank 0 (irredeemably low) - none in this category (0%)

That makes 116 for a Total (Actually Remembered) Movies Watched In Lifetime (Or At Least In 20 Years).

116 divided by 20 is roughly 5 or 6 movies a year (I feel this has probably been skewed though by adding everything since like elementary school onwards, as I remember a lot more movies from child/teen years.. Whereas, the past 3 years I feel like I've barely seen maybe even 5 movies?? lol). I also have "Didn't Finish" marked on 18 of them. Which means I quit halfway through about 15% of the total movies.

So, a for broader summary stuff..

I seem to be less forgiving to movies than tv shows, by far. Which makes sense to me, I guess, because I love elaboration and details, so "short form" things that only last an hour or two are often lost on me a bit. My biggest complaint with movies is indeed usually walking away just wishing there had been more exposition, more scenes where characters are doing nothing, more "mindless bantering" conversations, more Quiet Downtime and Lore Elaboration and so on lol, so... of course most 1-2hr films end up feeling a bit Not Enough To Draw My Interest/Nothingy to me.

If you count 5 and 4 as "like" and rankings 2 to 0 as "dislike", then for TV shows I at least somewhat liked 48 of them, and at least somewhat disliked 47 of them.. So it's almost exactly the same lol. I'm just about equally as likely to find something bad as I am to find something redeeming about it. But overall, the largest chance is that I just won't really care much for it at all and it will be tossed into the 'neutral' pile, forgotten forever. Movies have a bit better of a balance, "liking" 16 of them, and "disliking" only 9 of them. So I'm slightly more likely to enjoy a movie than to find it annoying - though still VASTLY more likely to just not find it anything in particular, possibly not even finishing it.

ANYWAY.. this is vague and literally pointless, but like I said, I just really find information fun. Like my document where I've rated every apple flavor I've ever tried (like 40 of them now?), or reviewed every oreo flavor (32?), or ranking data from my entire 10 years of Trying To Make Friends process (out of 100 people, roughly 8% chance of a moderate compatibility, 3% chance of high), or etc. etc.. I love to have random pointless things to analyze I suppose lol.

I doubt anyone tracks things in their life in this same exact way, but I'd be interested in hearing any at least somewhat similar data !!! (like, how many TV shows you watch a year on average, and what percentage of those you like vs. dislike (if you keep track of that sort of thing), etc.)). I guess it might be easier with movies, since I think some people use those websites where you curate a list of movies you've seen and you can rate them or something, so maybe the numbers are already available on those places. :0

[moonyspetwolf]

Okay so I’ve seen like 20 videos on tiktok of people saying they have no idea how exy is played so I’m gonna make a post about how I understand the rules. I’m not really an athlete but I know a bit about sports and I also coincidentally went to the same school that PSU is based on

(I haven’t read the books in like 5 years so if I’m wrong about something feel free to correct me)

First thing, exy is played inside, not outside. The game can’t work in an outdoor stadium and I’ll explain why in a minute. The stadium is like a combination basketball court and hockey rink. Wood flooring and plexiglass walls surrounding the court. There are two goals on each end.

Okay so the lineup. From what I remember there’s 4 positions you can play on an exy team: dealer, backliner, striker, and goalie.

Backliner is pretty straightforward just classic defense. They protect the goal and focus on the other team’s strikers. I think it’s similar to basketball where they’re assigned a mark (opposing striker) who they have to cover during the game. That doesn’t mean they’re not free to move or check other strikers either, but basically they try to stop the other team from scoring any goals. I’m not sure if it’s against the rules for them to make an attempt on a goal or not.

Strikers are similarly straightforward. They’re straight offense. Their job is to get as many goals as possible. They work against the opposing team’s backliner and shoot at the goal

The dealer is the most confusing position but I think they basically control possession of the ball, so I think their job is to get the ball from the other team and make sure it gets to their strikers. At the start of the game or after any breaks they’re the ones who deal the ball and try to pass to their teammates. Idk if they operate similar to backliners or not, like checking, tackling, etc.

The goalie is the same as any other sport- their job is to protect the goal. Goalies have special racket that are bigger and heavier than other players. They also wear special padding to protect them since they’re constantly getting exy balls chucked at them and often have to use parts of their body to block them.

(Side note: if exy balls are anything like lacrosse balls they seriously hurt to get hit with. They’re dense and heavy, when they work up enough speed it feels like getting hit by a slightly bouncy cannon ball)

From what I can remember, at any given time there are two backliners, two strikers, one dealer, and one goalie on the court for each team. Players are subbed in and out as needed (I might be remembering the numbers wrong, maybe they have 3 backliners at a time idk)

Exy is a high contact sport similar to lacrosse, so players are free to use physical force against each other. They can check, tackle, and basically do whatever it takes to get the ball. Just like in hockey, players often get into fights. Excessive use of violence can get them flagged by referees, but it’s by no means a gentle sport. Players go into it with the expectation of getting thrown around and bruised.

Players wear padding and helmets to protect themselves, but bruises, sprains, concussions, and broken bones aren’t uncommon within the sport.

There are some basic rules for how the game is played. Exy is kinda like lacrosse in that players pass the ball back and forth with their raquets. I don’t know a lot about all the rules of lacrosse but I know exy has a rule about possession that’s similar to basketball. In basketball a player has to dribble the ball while they’re moving, if they hold it in their hands without dribbling for too many steps it’s called traveling and it’s a foul. Exy is the same, a player can only be in possession of the ball for 10 (?) steps before they have to pass it. If they carry it farther than that it’s traveling (idk if there’s a special term for it in exy speak). There are ways for players to get around this. They can either pass the ball to a teammate after they’ve taken their 10 steps OR they can rebound it off a wall, catch it in their racquet, and keep moving. This is the reason exy has to be played inside and not outside, so that the players can use the walls. If it’s played outside they can’t rebound the ball and they have to rely strictly on passing back and forth, which isn’t always possible especially if a player is being heavily guarded. I’m not positive if this possession rule applies to all players or only strikers, but it would make sense for it to be all players.

I can’t remember if the books say anything about who is allowed to shoot at the goal. Obviously strikers can but I can’t remember if there are any rules saying backliners, dealers, and goalies can’t score points

The game is played in 2 halves, a total of 4 quarters. I’m not sure if the book ever says how long each quarter is but it’s probably safe to assume each is 15 minutes, so a total of 1 hour playing time. However with timeouts, breaks, penalty time and other interruptions games usually last far longer.

The foxes are a unique team because they’re much smaller than pretty much any other team in the league. They only have 9 players by the end of the year, so they can’t sub players in and out as easily. Most teams have upwards of 18 people so the players are usually on court for a much shorter time and have more time to rest between playing time. In the foxes vs. Trojans game, USC decided to play with the same size roster as the foxes meaning they rarely got to sub out players, which is why they were so exhausted by the end. Throwing yourself around a huge court at top speed for an hour is tiring.

That’s all I can think of at the moment, I’m not an expert and it’s been a while since I’ve read the books but I think exy is a pretty cool sport :)

[unfinishedslurs]

LOUMAND EPIC DIVORCE FIGHT PT.3

if loumand has 1 million fans I am one of them if loumand has 5 fans I am one of them if loumand has 1 fan it is me if loumand has 0 fans I have been removed from this mortal plane if the world is against loumand I am against the world. failmarriage enjoyers come get y’all’s juice

“What happened to those ‘Great Laws,’ Armand?” He asked, fury rising in him again. “You know, the ones you killed my daughter for?”

“What do you want me to say? Would you have me apologize again so you can refuse it? To tell you that if I could go back and change it, I would? To turn back the wheel of time itself and undo it all? I cannot.”

Louis wanted to strangle him. Would, if he didn’t know that Armand would just sit there and let him, not feeling a damn thing. “I want you to feel fucking sorry!”

Armand rolled his eyes, but Louis had spent over seventy years sleeping next to the monster under the bed. Had decades to learn his tricks and tells. Not all of them, like he might have thought once, but enough to spot the minuscule shift in his expression. The brief twitch of his mouth and the shuttered blink before his face flattened.

There he is, he thought triumphantly. A reaction, a real one. Something that alluded to the man beneath the mask he always wore, not nearly as impenetrable as he thought it was.

“‘Sorry,’” he scoffed, lifting his chin haughtily. “Sorrow is for mortals. We are vampires, Louis. We do not have the time to waste on regrets and what-if’s.”

As if he hadn’t seen into Armand’s mind countless times. As if he had not held him through a thousand nights of wishing he could go back and save his Maker, save Riccardo, save his brothers. As if he had not once confessed to Louis that he sometimes wished he could go back and die a human death in Marius’ arms. The audacity of the lie was almost like a slap in the face of their entire companionship. Or was Armand telling the truth, and those memories the lie? How much did Louis know him, really?

He couldn’t be sure anymore, but he was confident that it was better than any living being on this earth. Enough to get through the lies and rip into the man underneath, the fragile heart in the photograph. If Armand owed him anything, it was this.

“No time? We got nothing but time! You really expect me to believe that when your fledgling is flaunting himself in front of millions with no Maker in sight? You telling me you’re a deadbeat ‘cuz you don’t feel regret?”

Armand’s mouth pursed before he stepped back. “Don’t speak of things you don’t understand,” he warned, eyes darting back and forth. Settling on the closest window like he was thinking about an escape.

Louis didn’t give him one. “Oh, I understand plenty,” he scoffed. “I probably understand better than you. What, you thought you’d make our ‘symbol of love’ immortal for shits and giggles?”

That finally got a visible reaction out of him, swiveling his head back to look at Louis with wide eyes. “I didn’t—“

“You let your coven fucking lynch me because of my fledgling, but eight decades later you’re doing the same damn thing! To the ill and infirmed, no less.”

“What do you want from me?” Armand finally burst out, whirling around on him in an incandescent rage. Louis felt himself smile, could feel his lip splitting as his fangs dropped. “I have apologized time and time again—“

“Only ‘cuz you thought it would fix things!”

“—spent years throwing myself at your feet for your mercy—“

“Mercy? Did you show my daughter—“

“Will it ever be enough? Over seventy years devoted to you—“

“A drop in a bucket compared to the fact that it was over half my life—“

“I don’t know what else I can do!”

“Say sorry and fucking mean it this time!” He roared. “Feel fucking sorry for lying to me throughout our entire companionship! Say something real for once!”

They both fell silent at that, chests heaving through some faded muscle memory. Puppets just going through the motions yet again. What was it that Armand said? Mark it on the calendar, align it with Ursa Major. Louis and Armand’s tri-annual blow-up fight to kingdom come.

Louis’ voice trembled as he said, “I want to know why. None of that ‘I could not prevent it’ shit. I want you to tell me why you let them kill my daughter.”

Armand sank down on the couch, shoulders slumping. Submission and acceptance coloring every inch of him. “Why?” He murmured, staring at his knees. “It will not change anything.”

Louis sat on the other end, keeping as much distance between them as he could. “Humor me.”

“…it is true, that it was because of Madeleine,” he finally admitted. “She was somewhat of a last straw. I had told you before, the creation of more creatures like us was something I could not condone. If you did not love me enough to understand and accept that, how could I trust you over the people in my coven? How could I believe you would not leave me to whatever caught your fancy next?”

“And saving me?”

“Lestat—“

“I don’t mean on stage. Why didn’t you let me die in the coffin? I was almost gone. It would have been over, and then you would have had your coven and spent the rest of eternity directing plays, fooling an audience, listening to Santiago blabbering on…”

“So you’d submit me to a punishment worse than death,” Armand said dryly.

He almost cracked a smile before he remembered himself. “I’m not in the mood to be funny right now.”

Armand sighed, as if Louis was some insufferable child he was humoring. It pissed him off, but yelling wouldn’t get him what he wanted right now. Even if it would be cathartic and incredibly deserved. “The coven wasn’t the same, after,” he said. “They had lost respect for me. In part, I suspect, because they could sense the regret you seem so insistent on. Santiago had never liked me much—“

“He wanted to fuck you.”

“He got off on forcing me to submit. He knew the name I had told you. I don’t know how, whether he heard you say it or if he plucked it out of your head through the appalling shields Lestat had not trained you on—“

“Don’t talk about him. This is about us.”

He looked briefly incensed at that, and he could almost hear the retort, “But you can speak about Daniel?” He didn’t say it, though, because Daniel was different. Daniel had been theirs, in a way that Louis couldn’t put to words.

Armand must have known that too, because he moved on without comment. “The coven could sense my guilt, my regret, and they closed in on me. Is that what you wished to hear? That I saved you to save my own skin?”

“Okay.”

Armand looked at him in surprise, frowning. “Okay?” He echoed.

“That was about what I expected to hear.” He learned back against the couch, letting the cushion swallow him and his regrets. It stung, but he was still too angry to really feel it. What was one more betrayal? What was one more petty grievance eighty years in the past?

Armand considered him for a moment. “It was also because I love you,” he said softly. “I do not want you to doubt that. The coven was only part of it. I found I could not bear the thought of your death.”

Found out too late, but hindsight is 20/20. What did it matter that Louis still had stones rattling around in his ankles? The constant reminder weighing him down, never as badly as the memories that came with them. If Armand had decided to wipe the trial from his mind, would he have removed them as well, or left them? Would Louis know why his footsteps felt so strange, what the aching in his heels heart meant when it echoed in his heart? He wished they were back in Dubai, so he could feel the comfort of his rock garden beneath his feet.

“Okay,” he said again. “Now pause the bullshit for a minute.”

Pause. Blink. Head tilt. He could see the cogs turning in Armand’s head like clockwork. For a master manipulator, he was always incredibly predictable. Or maybe Louis had spent too much time with him. “I’m not lying to you.”

“No,” he agreed, “but we’re going around the real problem. You said Madeleine was the last straw, but that was me. Let’s go back to that. Why did you kill my daughter?”

“The Great Laws—“

“I didn’t ask about them.”

Armand fell silent, studiously not looking at him. Louis settled back and waited him out.

Finally he spoke, very quietly. If they weren’t vampires he wouldn’t even have heard him. “I fear that if I tell you the truth, I will forsake the last bit of affection you may still hold for me.”

“If you don’t tell me, you’re gonna get the exact same result,” he said. “So I don’t think it matters.”

The blow struck. Armand swayed as if taking a physical hit, taking a deep breath he didn’t need. When he looked at Louis, his eyes were lined red with tears he didn’t let fall. Truth, or another tactic for sympathy? It didn’t matter. He had plenty of experience ignoring Armand’s tears in the bedroom, he couldn’t let himself falter when it mattered most.

“She reminded me of myself. Of the youth I once had.” It came out of him in a rush, as if he’d been holding the words back for centuries. “Amadeo begged his master to turn him for over a decade, and each refusal battered his very soul. As he grew older, taller, as hair began to grow on his face and chest and between his legs, as his master took him to his bed less and less. Amadeo was loved, yes, yet it was not until I was nearly thirty and dying that my master saw fit to give me the gift. I was jealous, Louis, is that what you wanted to hear? She had everything Amadeo had ever wanted, yet she cursed her own fortune with every breath she took. I forced her to reckon with it, quietly delighted in watching her perform a song that made her more miserable with every note. I thought she was a spoiled, inconsequential flea who would not make it another fifty years. I believed her to be the reason you refused my companionship. A hundred reasons, each of them more petty than the last. What does it matter? You will hate me no matter what.”

Louis thought he might be sick.

Armand closed his eyes, drawing back into himself. “If that was the only reason,” he said almost gently, “I would not have done it. But I had seen dozens like her over the centuries. Children are not meant for the gift. Either madness takes them, or they cannot bear the constant infantilization, or something else, it doesn’t matter. One by one they walk into the sun. The absence of choice can be a mercy.”

He clearly believed what he was saying, which just made it even worse. How much “mercy” had Armand offered over the years?

Even deeper down, Louis wondered if he was right. The first vampire they ever met in Europe had cast herself into the flames before their eyes. Louis himself had run headfirst into the sun and nearly succeeded. How many others had destroyed themselves because they could not bear the Gift they were given?

“Not Claudia. She was strong.” Stronger than Louis had ever been, certainly.

“They all say that, and yet they all succumb eventually.”

“She wouldn’t have”

Armand sighed. “I supposed we’ll never know,” he acquiesced. Louis could tell his heart wasn’t in it.

He let it slide this time. At least the words were true. “No, we won’t.”

They sat in silence for a time, not looking at each other. The only sound from the cars driving outside. They did not need to breathe, to blink, to move at all. As still as the pictures Louis used to take, back when things seemed like they might turn out okay.

Finally, Louis exhaled slowly. Armand turned toward him, but said nothing.

“Okay,” he said. “Okay. I don’t forgive you.”

Armand didn’t flinch. Didn’t blink. Just stared at him motionless, as if he was waiting for something.

“I don’t forgive you,” he repeated pointedly. “But I’m not going to kill you.”

“I don’t understand.”

Of course he didn’t. Hadn’t that been what he was aiming for when he turned Daniel? If you touch him, Louis had said, and Armand had given his fascinating boy the worst curse he could imagine as soon as his back was turned. 500 years passively yearning for an end no one would provide. Louis wouldn’t be the one to grant him mercy.

His final gift to Armand, or maybe his final “fuck you.” A long life. An eternity at his fingertips, exactly as Amadeo had once begged for. The chance to grow even more powerful until little Arun could never be hurt again. A chance to torture himself for the rest of time in a hell of his own making. A chance to better himself, if Louis was feeling generous.

He wasn’t sure, but after seventy-seven years of standing hand in hand with this man, this monster, this little boy trembling in the midst of all the power he held, he thought it was a kind of salvation. For both of them.

Besides, Daniel was thriving better than either of them in the throes of the Gift. Armand had to have known he would.

“I don’t either,” he said. “You’d deserve it. But I’m tired, Armand, and I loved you once. I think that counts for something.”

Armand’s eyes widened. He stood quickly, putting distance between them, but not before Louis saw a bloody tear slip down his cheek. “Don’t say that to me when you don’t mean it. I cannot bear it.”

He looked as pained as Louis had ever seen him, despair twisting his features at the words Louis had never afforded him when they were together. He was beautiful in his misery, as beautiful as he was in anything. He hated him for it as much as he’d loved him once. The Temptation of Amadeo, rendered in flesh and blood and the viscera of honesty.

“I do. I did,” he said, twisting the knife just to be cruel. “Guess it doesn’t matter now.”

Armand shook his head. Opened his mouth, then froze, caught between words. Still as a painting in the low lamplight. Louis could see the brush strokes on his face, see every piece of art he had shown him overlaid with the real man in front of him.

“Right,” Louis said, when enough time had passed that he was certain Armand wouldn’t say anything. “Glad we had this talk.”

“Are you?”

Louis surprised himself when he answered, “Yeah, actually. I am. You?”

“I don’t know.” He looked frail, sad, tired, but no closer to walking into the fire than he had been when Louis had cornered him.

He thought that deep down, he was probably relieved by it. The confirmation that Louis wouldn’t kill him, that the love between them hadn’t been a complete lie. Still, how would he know? His lack of understanding of Armand’s innermost thoughts had been made abruptly clear to him with a script marked in red ink.

“Anything else we should talk about?” He asked. “Any other lies? Any other Danny’s knocking around in my brain, waiting for me to remember them?”

“No. No, there was only one. Daniel Malloy is not an experience you can replicate, I suspect.”

“Thank God for that.”

He almost smiled at that. “Indeed.”

“Speaking of Daniel Malloy,” Louis said, standing up. “For fucks sake, pick up the damn phone. Give our boy a call.”

Our boy. A slip he hated himself for instantly. It was too easy to fall into their old patterns, something that was probably by design. Shock flashed over Armand’s face before it was replaced by humor. “He hates it when you call him that,” he pointed out.

“I’ve had to deal with that shit for a century, he can handle it.”

“He finds it arousing.”

“You’re not the only one who can read minds around here, you know.”

“Are you going to do anything about it?”

As if Armand still had any right to know who was in his bed. “Are you? Don’t think I didn’t pick up on his thoughts about ‘Rashid.’ You feeding him your blood was probably a dream come true for him. Did you get to pick his brain about it before it was closed to you forever? What did he think of the taste?”

Armand’s lips thinned, and he turned away.

Louis didn’t let him leave without a final blow. “You gonna tell him about the other memories you erased?”

He stiffened. “You have no right—“

“I have every right, and you know it.”

“If you must know, the answer is no. What difference would it make?”

A pretty damn big one, if you asked Louis. He felt it every time he talked to Daniel, the yawning cavern of curiosity surrounding the blank afterimages in his memory, the way he could clearly sense something wasn’t right. Searching the globe for Armand, chasing him in some kind of fucked up role reversal only one of them was aware of. And then Armand, clearly punishing himself with every echoed heartbeat, every kill Daniel took to like a shark in a reef. Only making them both miserable as he hid in solitude.

“Honesty, Arun,” Louis snapped.

They both froze. Fuck. Fuck. Falling into old habits indeed, the world's most ill-timed Freudian Slip. He’d tried so hard to stay away from it, to wrangle Armand’s honesty from him in a way that didn’t depend on the command of his submission. He’d finally gotten what he wanted, and then he had to go and screw it up.

“I am not Arun to you, anymore.” Armand’s voice trembled. “I would prefer you did not use it.”

Louis nodded, even though Armand couldn’t see him. Bit back the instinctive apology on his tongue.

“I do not see the use in continuing this pointless conversation. Is there anything else you want of me, anything else you require?”

Yes. He wanted to shake him, tell him that they weren’t done here. He still had questions. He wanted to strip Armand down to the bone, rip his flesh off piece by piece and expose the skeleton underneath. Would that finally reveal the truth, or would he have to go deeper? Into bone marrow, the stem cells, his DNA. Would that allow Louis to know him?

It didn’t matter. The mask had gone up, and Louis didn’t have the energy to pull it back down again.

“No.”

Armand nodded once, his back still to Louis, before walking to the door. He paused with his hand on the knob. “I have always been a coward, Louis,” he confessed, still staring straight ahead. Louis could see the set of his shoulders, the clench of his fist, but not his face. “There is your truth.” He twisted the knob, opened the door. “You will not see me again, if you do not wish.”

Before Louis could reply, he was gone.

[monstermoviedean]

"it's the same in other countries" no the fuck it is not. "yeah in my entirely different field it's exactly the same" no the fuck it is not. literally any anecdote i tell about my (limited!) teaching experience gets me a starbucks drive thru meme response. it is NOT the same. you do not fucking get it.

[alagaisia]

Hey if you’re still enjoying and engaging with Harry Potter in any capacity you can unfollow me 😊 please and thank you

Like. I get it. I was super into it as a kid too. I did not have the social context to pick up on the antisemitism or transphobia or sexism or fatphobia or bioessentialism or racism or anything else. I also picked up on surface-level language of Fighting Back Against Evil and ascribed my own values onto what that meant and thought we were all on the same page. I remember when the original kids who grew up with the books started becoming adult fans and picking up on the (blatant!) antisemitism and everybody was still mostly willing to give JKR the benefit of the doubt on it. (“She was writing kids books!” They said. “She didn’t know she was penning a global phenomenon! She picked a common literary trend in European fairy tales (antisemitic caricature) and didn’t examine it closely. It’s a mistake anyone could make,” we said. “She would probably do things differently now. After all, she word-of-god confirmed the vaguest hints she dropped that Dumbledore might be gay,” we said.) There was actually a span of several years where biases inherent in the actual real content of the Harry Potter series were coming to light and even the people pointing them out still seemed mostly to think it was an unfortunate accident.

That time has passed. Years ago! We are long past the first months of “maybe she doesn’t realize this seemingly-feminist tweet she liked was made by a noted TERF” and then “how could she not realize that these many veiled TERF-y things she’s retweeted have implications for the many queer fans of her work” and finally “oh wow okay JKR just dropped an entire transphobic manifesto on twitter. I guess the transphobia was the point.”

Yeah, there were a few months after that where people were still processing and still working through how they felt about Harry Potter and all of its flaws with the context of the now open transphobia of the creator. I was there for that. Remember how I was one of the kids who built it up into something noble and worthwhile based on my own beliefs about what messages it was probably trying to convey? Turns out it wasn’t trying to say any of those things, and when you take the time to examine all of the terrible shit that made its way into the text whether JKR intended it to be there or not, the whole series falls apart. It’s weird to discover that there’s a room in your house that’s rotten to the core, but eventually you figure out you can’t live like that, still going in there and holding your nose and pretending it’s still the same room you thought it was when the termites were only inside of the walls and hadn’t yet started chewing their way through the furniture. Because what’s going to happen is that they are going to infest the rest of your house. If you decide you can ignore transphobia and antisemitism and everything else just because you liked the color of the wallpaper, the rest of your principles are going to crumble too. You get rid of that fucking room. You put those books on a high shelf in the back of your closet behind other outgrown clothes and interests and you move the fuck on.

JKR uses the money made from her transphobic antisemitic children’s books to actively funding hate groups and to lobby for legislation that will and has actually affected the actual lives of trans people in an entire country. We are past the point of grieving something you were wrong about in childhood. Kids are wrong about a lot of stuff. You grow up and you learn new information and you change your behaviors based on it. You have to choose. It is transphobic to pretend there is not transphobia where there is. It is transphobic to support the work of someone who is using those funds to take rights from trans people with every fucking dollar. It is hateful to continue to engage positively with a story that at its very core is rooted in hate and bigotry and prejudice. You can choose to do all of those things but you cannot claim ignorance of them and you cannot choose those things and still pretend that choosing them upholds the values we convinced ourselves that Harry Potter stood for over a decade ago as uninformed children. You cannot choose to do those things and pretend to still support your trans and queer and Jewish neighbors. I do not want you in my neighborhood. Leave.

[seilon]

love when this is referred to as the gifted kid website. shockingly my mental disorders made me mentally disordered and school never really vibed with that so. couldn’t be me

[mermaidsirennikita]

People are ridiculously entitled and it’s genuinely so disheartening. Books are someone’s ART. You don’t just get to alter a name in someone else’s creative work. (I’m appalled people out there think this is remotely acceptable - writers are not court jesters nor do they exist to please everyone - no human being nor their creative work does, in fact!) Thanks for putting your various responses out there! Here’s hoping people learn to respect and appreciate artists and creators once again

Quoth Nora Roberts:

I am not here to be a slave to certain reader’s wants, needs, whims. Again, I write what I write, and these are MY characters, in my books. Not yours. They are yours to enjoy or not, but they belong to me, they come from me...

You don’t have to agree, but I’m not writing for your particular point of view. Again, I’ve explained my reasons for this. I won’t do so again. My characters, my books, my decision. If you want something else, read something else.

And yes, I said that, too. Blast away, it changes nothing. I am not obliged to meet an individual’s demands.

So.

First off:

If you're really super chill about the idea of being able to change what writers write just because you didn't like a detail you think is small and irrelevant, I would sincerely encourage you to read La Nora's full thoughts on similar issues... and yeah, I'm gonna equate something as "small" as a name with what Nora's talking about here. Because it is ALL the author's domain. I've never personally subscribed to the idea that a work "isn't yours anymore" once it's out in the world. The way people interpret and interact with it isn't yours, sure. But it's still your creation, and you should be the only person with control over the content.

... and sometimes, I, as a reader, don't like what authors do with their content. I get it. I don't like that Lisa Kleypas edited her work years after publishing it, because I'm big on the "own what you wrote originally even if it's uncomfy" train... (for the most part--editing the fetishization of Cam and Kev would've made sense to me). And I don't think there's anything wrong with readers pointing out problematic shit in a writer's work, offering critique in an open forum, as Smart Bitches, Trashy books did when reading Hello, Stranger, which I speculate may have prompted some of Lisa's edits.

But! I can't say that it would ever be my right as a reader to, say, use future technology to tell my reading device "edit out the times Cam says shit that reads super fetishized". It's just kind of repellent to me to imagine rewriting someone's work in any way without their permission. Fuck, I don't even like the idea of estates releasing sequels or revised versions of books unless the author indicated that such was in their wishes in their will. (See: the TWO official Gone with the Wind sequels/prequels/whatever authorized by Margaret Mitchell's estate.)

We, as readers, have our lanes. The writers have theirs. And sometimes, as writers, they do tiny things or BIG things in their lanes that we dislike. (I love Tiffany Reisz's Original Sinners series, for the most part. I really, REALLY hate the most recent book in the series. HATE. IT. But the only thing I can do about that shit is just pretend that book never happened, which I actually can fairly efficiently because I do in fact control what my brain does. Or, seek out books that give me what that series didn't with that most recent book. Sierra Simone's do a bangin' job.) But you know... Not only do I not think it is safe for me to merge into their lane... I don't want writers to feel like they have to submit to demand and give away pieces of their work in order to keep selling.

(And honestly? For the vast majority, I don't think it would make enough of a difference anyway--writers are often sold bills of goods with new strategies or tech. "This will change the way you sell books". Most writers won't ever be able to write full time anyway, and I find the way that this fantasy that you'll be able to do otherwise with THIS TECH optimizing your writing time, or THIS SUBSCRIPTION increasing the eyeballs that will see your book... Scammy. Not all of it's bad! But the selling strategy that you'll make more money... If you're selling on KU, if five extra people buy your book you're still making pennies, so it's gotta be more than one thing that converges to create the sale, and a lot of that, I gotta say, is word of mouth and people just LIKING YOUR SHIT. And I'd argue that they're more likely to like your shit if you're invested as a writer.)

Second:

No need to thank me! I honestly think that the majority of readers do appreciate what writers do (or don't feel either way about it and just read like people have always read lol) but I don't know. I can't really tell what it is--the sort of "fandom" that's been created around books (and like, author fan clubs and such have always existed, but obviously the accessibility is so different), new tech developing very rapidly when for centuries books were relatively stagnant technologically speaking, the fanficification of EVERY type of media it feels like... But the sense of entitlement that certain readers feel does seem to have grown. Or maybe it's simply become more visible. I mean, Nora Roberts has from the dawn of her writing career taken off had fans that can communicate with her, and I'm sure many have written letters like "Go give these characters a baby :(".

My biggest thing is always going to be this: some books ain't gonna be for you. There are books that sound so Caroline. I read them, and for whatever reason--writing style, one character choice, something ephemeral I can't name--they aren't. Everyone else loves these books. I'd love to love these books. I'd love to discuss these books. I'm not in the party. And that's FINE. Not every party is going to be a party I'm down for! One of my best friends loooooves Tessa Bailey and Tessa-like contemporaries. Tessa, by and large, doesn't work for me. So my friend and I can't discuss a lot of books in depth. Do I wish historicals worked for her so that I could nerd out with her? Sure! But I can't make something that doesn't work for her work for her, and I can't make Tessa's books work for me.

And I know that people will be like "it's just a name bitch", but... it's a slippery slope to me, just like ALL of AI and AI-related tech has been a slippery slope. Like, y'all said AI wasn't gonna be a big deal and would just make things easier, and people are now selling AI-written books under their names. Everyone said that authors would have control over how AI interacted with their books, and books are being scraped for AI on the daily.

I do not want anyone to have final control over what is and isn't in a book but the person who wrote the book. I do not want writers to feel like they need to cede any amount of control over the copy in that book over to readers in order to succeed.

And I honestly think it would be a lot healthier for everyone involved if we as readers (viewers, general audiences) just accepted that we don't get everything we want, and creatives are not here to dance to our tune. They are people, and they want to tell the stories they want to tell. Your power? Is in your dollar. If you don't like that shit, don't buy it. If you don't want to support it... don't! Fuck, if you want to talk shit on the internet about how the most recent book in the series was absolutely not for you, that's your right, too.

I don't want you fucking with a single word on the page, though. Feel free to go write your own shit--prosper! But that part of what Nora said that rings true to me most is "they come from me". These books come from writers. You have them because of those writers. So, I don't know, dude. Just take what's there, and if you dislike it, spit it out and move on to the thing you will like. Authors aren't churn factories to produce what you want, and ROMANCE as a genre, however commercial it is and however much it does have that One Rule that defines it as a genre... Is still something that writers should be allowed to experiment with. That's the work writers put in. The work readers put in? Finding shit that works for us. And I'm telling you... With a little practice, it ain't hard. How do y'all think I have all these books to recommend? Lmao

[shorlinesorrows]

just got the time to start the sunshine court and I'm Vibrating out of my skin

[marmolita]

getting back into ffxv 5+ years after the first time means I have to migrate my playlists to a new music app, which sadly I have to do by clicking on each individual song because every service hates me and I hate them all too

also this has revealed to me that Google mysteriously deleted some of my files (don't worry I have a backup)

BUT more importantly I am reconnecting with my Noctis playlist, which includes discovering that I still remember all the words to some Gackt songs from 2000 😅

[mars-ipan]

it’s actually so important to me that komahina make each other worse before they can start to make each other better

[vanyafresita]

WWGRRRAAAAAAAHHHHHHH <- it wants to buy a secondhand book that is on sale, but it already has several books to-read right there in its bookshelf

[onepiexe]

ive not been on here at all oh my god

[theres-whump-in-that-nebula]

Reading over a talk script and realizing the structure is so clunky that there’s absolutely nothing to sink your teeth into

[sad amateur actor sounds]