#until you want to read the same book

[abbeyofcyn]

Turtle tots doodles

Top right was inspired by me and my sister. Too many photos of me squeezing her to death

[moonyspetwolf]

Okay so I’ve seen like 20 videos on tiktok of people saying they have no idea how exy is played so I’m gonna make a post about how I understand the rules. I’m not really an athlete but I know a bit about sports and I also coincidentally went to the same school that PSU is based on

(I haven’t read the books in like 5 years so if I’m wrong about something feel free to correct me)

First thing, exy is played inside, not outside. The game can’t work in an outdoor stadium and I’ll explain why in a minute. The stadium is like a combination basketball court and hockey rink. Wood flooring and plexiglass walls surrounding the court. There are two goals on each end.

Okay so the lineup. From what I remember there’s 4 positions you can play on an exy team: dealer, backliner, striker, and goalie.

Backliner is pretty straightforward just classic defense. They protect the goal and focus on the other team’s strikers. I think it’s similar to basketball where they’re assigned a mark (opposing striker) who they have to cover during the game. That doesn’t mean they’re not free to move or check other strikers either, but basically they try to stop the other team from scoring any goals. I’m not sure if it’s against the rules for them to make an attempt on a goal or not.

Strikers are similarly straightforward. They’re straight offense. Their job is to get as many goals as possible. They work against the opposing team’s backliner and shoot at the goal

The dealer is the most confusing position but I think they basically control possession of the ball, so I think their job is to get the ball from the other team and make sure it gets to their strikers. At the start of the game or after any breaks they’re the ones who deal the ball and try to pass to their teammates. Idk if they operate similar to backliners or not, like checking, tackling, etc.

The goalie is the same as any other sport- their job is to protect the goal. Goalies have special racket that are bigger and heavier than other players. They also wear special padding to protect them since they’re constantly getting exy balls chucked at them and often have to use parts of their body to block them.

(Side note: if exy balls are anything like lacrosse balls they seriously hurt to get hit with. They’re dense and heavy, when they work up enough speed it feels like getting hit by a slightly bouncy cannon ball)

From what I can remember, at any given time there are two backliners, two strikers, one dealer, and one goalie on the court for each team. Players are subbed in and out as needed (I might be remembering the numbers wrong, maybe they have 3 backliners at a time idk)

Exy is a high contact sport similar to lacrosse, so players are free to use physical force against each other. They can check, tackle, and basically do whatever it takes to get the ball. Just like in hockey, players often get into fights. Excessive use of violence can get them flagged by referees, but it’s by no means a gentle sport. Players go into it with the expectation of getting thrown around and bruised.

Players wear padding and helmets to protect themselves, but bruises, sprains, concussions, and broken bones aren’t uncommon within the sport.

There are some basic rules for how the game is played. Exy is kinda like lacrosse in that players pass the ball back and forth with their raquets. I don’t know a lot about all the rules of lacrosse but I know exy has a rule about possession that’s similar to basketball. In basketball a player has to dribble the ball while they’re moving, if they hold it in their hands without dribbling for too many steps it’s called traveling and it’s a foul. Exy is the same, a player can only be in possession of the ball for 10 (?) steps before they have to pass it. If they carry it farther than that it’s traveling (idk if there’s a special term for it in exy speak). There are ways for players to get around this. They can either pass the ball to a teammate after they’ve taken their 10 steps OR they can rebound it off a wall, catch it in their racquet, and keep moving. This is the reason exy has to be played inside and not outside, so that the players can use the walls. If it’s played outside they can’t rebound the ball and they have to rely strictly on passing back and forth, which isn’t always possible especially if a player is being heavily guarded. I’m not positive if this possession rule applies to all players or only strikers, but it would make sense for it to be all players.

I can’t remember if the books say anything about who is allowed to shoot at the goal. Obviously strikers can but I can’t remember if there are any rules saying backliners, dealers, and goalies can’t score points

The game is played in 2 halves, a total of 4 quarters. I’m not sure if the book ever says how long each quarter is but it’s probably safe to assume each is 15 minutes, so a total of 1 hour playing time. However with timeouts, breaks, penalty time and other interruptions games usually last far longer.

The foxes are a unique team because they’re much smaller than pretty much any other team in the league. They only have 9 players by the end of the year, so they can’t sub players in and out as easily. Most teams have upwards of 18 people so the players are usually on court for a much shorter time and have more time to rest between playing time. In the foxes vs. Trojans game, USC decided to play with the same size roster as the foxes meaning they rarely got to sub out players, which is why they were so exhausted by the end. Throwing yourself around a huge court at top speed for an hour is tiring.

That’s all I can think of at the moment, I’m not an expert and it’s been a while since I’ve read the books but I think exy is a pretty cool sport :)

[hauntingblue]

CAUSE THIS IS THRILLER (bark), THRILLER (bark) NIGHT

Usopp's outfit is so funny for reals

He got the whole squad laughing

Luffy enablers at it again.... (Robin.... I know.....)

The humor panels so far have been so good!!! God this arc is so funny

HE SAID IT‼️‼️

They look like birds 😭😭

It's just too good... luffy taking cerberus and zombies what can't he do

It's just banger after banger what can I say

Franky feeling for other people because of his guilt complex and sanji lying through his teeth and pulling out the women excuse to seem unaffected... yeah

Look at them.... look how they ate

Omg joyboy reference?? (No)

Sanji is rubbing off on usopp.... also chopper noticing that is sogeking's weapon akdhaksjak

ANOTHER SLAY!!!!!

Their priorities: I'm not strong enough, there isn't enough food, and nami isn't here

Franky going from wanting to kill brook for his jokes to making a joke like his after he hears his backstory... exactly (Robin was already enabling him before the backstory even fdagjsfha)

Sanji is altering his body and actually being on fire to communicate to us how fucking mad he is..... I need more of him going insane I do I do

My god what is he doing ALDJALAJALA

AHSAHAHQHAH THEY ARE THE SAME!!! naaah sanji wouldn't force a woman to be his wife

You cant see me but I am nodding my head in agreement over and over

You don't understand he altered his body to communicate to us how mad he is. He inploded himself and then reconstituted again. Those germa 66 genes are insane

You tell em usopp!!!! The first of many girls you've scared into defeat!!! Akdjqknql

Zoro zombie regressed to not trusting robin akdjaks he's still in there

ROBI-CHO SUPLEX??? HELL YEAAAAAH

There is zosa- [GUNSHOT GUNSHOT GUNSHOT GUNSHOT]

Super frapper gong.... he is doing combo shots with frobin... omg.... parents....

Everything is so fun I'm having such a good time reading.... and then zosan angst like damn I am being fed well here

[alagaisia]

Hey if you’re still enjoying and engaging with Harry Potter in any capacity you can unfollow me 😊 please and thank you

Like. I get it. I was super into it as a kid too. I did not have the social context to pick up on the antisemitism or transphobia or sexism or fatphobia or bioessentialism or racism or anything else. I also picked up on surface-level language of Fighting Back Against Evil and ascribed my own values onto what that meant and thought we were all on the same page. I remember when the original kids who grew up with the books started becoming adult fans and picking up on the (blatant!) antisemitism and everybody was still mostly willing to give JKR the benefit of the doubt on it. (“She was writing kids books!” They said. “She didn’t know she was penning a global phenomenon! She picked a common literary trend in European fairy tales (antisemitic caricature) and didn’t examine it closely. It’s a mistake anyone could make,” we said. “She would probably do things differently now. After all, she word-of-god confirmed the vaguest hints she dropped that Dumbledore might be gay,” we said.) There was actually a span of several years where biases inherent in the actual real content of the Harry Potter series were coming to light and even the people pointing them out still seemed mostly to think it was an unfortunate accident.

That time has passed. Years ago! We are long past the first months of “maybe she doesn’t realize this seemingly-feminist tweet she liked was made by a noted TERF” and then “how could she not realize that these many veiled TERF-y things she’s retweeted have implications for the many queer fans of her work” and finally “oh wow okay JKR just dropped an entire transphobic manifesto on twitter. I guess the transphobia was the point.”

Yeah, there were a few months after that where people were still processing and still working through how they felt about Harry Potter and all of its flaws with the context of the now open transphobia of the creator. I was there for that. Remember how I was one of the kids who built it up into something noble and worthwhile based on my own beliefs about what messages it was probably trying to convey? Turns out it wasn’t trying to say any of those things, and when you take the time to examine all of the terrible shit that made its way into the text whether JKR intended it to be there or not, the whole series falls apart. It’s weird to discover that there’s a room in your house that’s rotten to the core, but eventually you figure out you can’t live like that, still going in there and holding your nose and pretending it’s still the same room you thought it was when the termites were only inside of the walls and hadn’t yet started chewing their way through the furniture. Because what’s going to happen is that they are going to infest the rest of your house. If you decide you can ignore transphobia and antisemitism and everything else just because you liked the color of the wallpaper, the rest of your principles are going to crumble too. You get rid of that fucking room. You put those books on a high shelf in the back of your closet behind other outgrown clothes and interests and you move the fuck on.

JKR uses the money made from her transphobic antisemitic children’s books to actively funding hate groups and to lobby for legislation that will and has actually affected the actual lives of trans people in an entire country. We are past the point of grieving something you were wrong about in childhood. Kids are wrong about a lot of stuff. You grow up and you learn new information and you change your behaviors based on it. You have to choose. It is transphobic to pretend there is not transphobia where there is. It is transphobic to support the work of someone who is using those funds to take rights from trans people with every fucking dollar. It is hateful to continue to engage positively with a story that at its very core is rooted in hate and bigotry and prejudice. You can choose to do all of those things but you cannot claim ignorance of them and you cannot choose those things and still pretend that choosing them upholds the values we convinced ourselves that Harry Potter stood for over a decade ago as uninformed children. You cannot choose to do those things and pretend to still support your trans and queer and Jewish neighbors. I do not want you in my neighborhood. Leave.

[seilon]

love when this is referred to as the gifted kid website. shockingly my mental disorders made me mentally disordered and school never really vibed with that so. couldn’t be me

[mermaidsirennikita]

People are ridiculously entitled and it’s genuinely so disheartening. Books are someone’s ART. You don’t just get to alter a name in someone else’s creative work. (I’m appalled people out there think this is remotely acceptable - writers are not court jesters nor do they exist to please everyone - no human being nor their creative work does, in fact!) Thanks for putting your various responses out there! Here’s hoping people learn to respect and appreciate artists and creators once again

Quoth Nora Roberts:

I am not here to be a slave to certain reader’s wants, needs, whims. Again, I write what I write, and these are MY characters, in my books. Not yours. They are yours to enjoy or not, but they belong to me, they come from me...

You don’t have to agree, but I’m not writing for your particular point of view. Again, I’ve explained my reasons for this. I won’t do so again. My characters, my books, my decision. If you want something else, read something else.

And yes, I said that, too. Blast away, it changes nothing. I am not obliged to meet an individual’s demands.

So.

First off:

If you're really super chill about the idea of being able to change what writers write just because you didn't like a detail you think is small and irrelevant, I would sincerely encourage you to read La Nora's full thoughts on similar issues... and yeah, I'm gonna equate something as "small" as a name with what Nora's talking about here. Because it is ALL the author's domain. I've never personally subscribed to the idea that a work "isn't yours anymore" once it's out in the world. The way people interpret and interact with it isn't yours, sure. But it's still your creation, and you should be the only person with control over the content.

... and sometimes, I, as a reader, don't like what authors do with their content. I get it. I don't like that Lisa Kleypas edited her work years after publishing it, because I'm big on the "own what you wrote originally even if it's uncomfy" train... (for the most part--editing the fetishization of Cam and Kev would've made sense to me). And I don't think there's anything wrong with readers pointing out problematic shit in a writer's work, offering critique in an open forum, as Smart Bitches, Trashy books did when reading Hello, Stranger, which I speculate may have prompted some of Lisa's edits.

But! I can't say that it would ever be my right as a reader to, say, use future technology to tell my reading device "edit out the times Cam says shit that reads super fetishized". It's just kind of repellent to me to imagine rewriting someone's work in any way without their permission. Fuck, I don't even like the idea of estates releasing sequels or revised versions of books unless the author indicated that such was in their wishes in their will. (See: the TWO official Gone with the Wind sequels/prequels/whatever authorized by Margaret Mitchell's estate.)

We, as readers, have our lanes. The writers have theirs. And sometimes, as writers, they do tiny things or BIG things in their lanes that we dislike. (I love Tiffany Reisz's Original Sinners series, for the most part. I really, REALLY hate the most recent book in the series. HATE. IT. But the only thing I can do about that shit is just pretend that book never happened, which I actually can fairly efficiently because I do in fact control what my brain does. Or, seek out books that give me what that series didn't with that most recent book. Sierra Simone's do a bangin' job.) But you know... Not only do I not think it is safe for me to merge into their lane... I don't want writers to feel like they have to submit to demand and give away pieces of their work in order to keep selling.

(And honestly? For the vast majority, I don't think it would make enough of a difference anyway--writers are often sold bills of goods with new strategies or tech. "This will change the way you sell books". Most writers won't ever be able to write full time anyway, and I find the way that this fantasy that you'll be able to do otherwise with THIS TECH optimizing your writing time, or THIS SUBSCRIPTION increasing the eyeballs that will see your book... Scammy. Not all of it's bad! But the selling strategy that you'll make more money... If you're selling on KU, if five extra people buy your book you're still making pennies, so it's gotta be more than one thing that converges to create the sale, and a lot of that, I gotta say, is word of mouth and people just LIKING YOUR SHIT. And I'd argue that they're more likely to like your shit if you're invested as a writer.)

Second:

No need to thank me! I honestly think that the majority of readers do appreciate what writers do (or don't feel either way about it and just read like people have always read lol) but I don't know. I can't really tell what it is--the sort of "fandom" that's been created around books (and like, author fan clubs and such have always existed, but obviously the accessibility is so different), new tech developing very rapidly when for centuries books were relatively stagnant technologically speaking, the fanficification of EVERY type of media it feels like... But the sense of entitlement that certain readers feel does seem to have grown. Or maybe it's simply become more visible. I mean, Nora Roberts has from the dawn of her writing career taken off had fans that can communicate with her, and I'm sure many have written letters like "Go give these characters a baby :(".

My biggest thing is always going to be this: some books ain't gonna be for you. There are books that sound so Caroline. I read them, and for whatever reason--writing style, one character choice, something ephemeral I can't name--they aren't. Everyone else loves these books. I'd love to love these books. I'd love to discuss these books. I'm not in the party. And that's FINE. Not every party is going to be a party I'm down for! One of my best friends loooooves Tessa Bailey and Tessa-like contemporaries. Tessa, by and large, doesn't work for me. So my friend and I can't discuss a lot of books in depth. Do I wish historicals worked for her so that I could nerd out with her? Sure! But I can't make something that doesn't work for her work for her, and I can't make Tessa's books work for me.

And I know that people will be like "it's just a name bitch", but... it's a slippery slope to me, just like ALL of AI and AI-related tech has been a slippery slope. Like, y'all said AI wasn't gonna be a big deal and would just make things easier, and people are now selling AI-written books under their names. Everyone said that authors would have control over how AI interacted with their books, and books are being scraped for AI on the daily.

I do not want anyone to have final control over what is and isn't in a book but the person who wrote the book. I do not want writers to feel like they need to cede any amount of control over the copy in that book over to readers in order to succeed.

And I honestly think it would be a lot healthier for everyone involved if we as readers (viewers, general audiences) just accepted that we don't get everything we want, and creatives are not here to dance to our tune. They are people, and they want to tell the stories they want to tell. Your power? Is in your dollar. If you don't like that shit, don't buy it. If you don't want to support it... don't! Fuck, if you want to talk shit on the internet about how the most recent book in the series was absolutely not for you, that's your right, too.

I don't want you fucking with a single word on the page, though. Feel free to go write your own shit--prosper! But that part of what Nora said that rings true to me most is "they come from me". These books come from writers. You have them because of those writers. So, I don't know, dude. Just take what's there, and if you dislike it, spit it out and move on to the thing you will like. Authors aren't churn factories to produce what you want, and ROMANCE as a genre, however commercial it is and however much it does have that One Rule that defines it as a genre... Is still something that writers should be allowed to experiment with. That's the work writers put in. The work readers put in? Finding shit that works for us. And I'm telling you... With a little practice, it ain't hard. How do y'all think I have all these books to recommend? Lmao

[shorlinesorrows]

just got the time to start the sunshine court and I'm Vibrating out of my skin

[marmolita]

getting back into ffxv 5+ years after the first time means I have to migrate my playlists to a new music app, which sadly I have to do by clicking on each individual song because every service hates me and I hate them all too

also this has revealed to me that Google mysteriously deleted some of my files (don't worry I have a backup)

BUT more importantly I am reconnecting with my Noctis playlist, which includes discovering that I still remember all the words to some Gackt songs from 2000 😅

[coquelicoq]

i think of all the books i've ever read, le père goriot takes the prize for taking the longest to get interesting, as it doesn't happen until the very last sentence. i'm just bopping along for over 400 pages of whatever and then he slaps me in the face with the last sentence and immediately peaces out. okay you got my attention, just in time to throw it away. respect.

[vanyafresita]

WWGRRRAAAAAAAHHHHHHH <- it wants to buy a secondhand book that is on sale, but it already has several books to-read right there in its bookshelf

[lostandbackagain]

were the black prince's sisters brought up at all in tcor?? i was always interested in hearing more about them and i am not going to be reading tcor anytime soon lol

fully answering this so if anyone doesn't have the tag blacklisted, dead dove inside

yes! I thought he was supposed to have two but only one--Haniah, suuuch a pretty name--was talked about in tcor. she was killed when nyame was 12ish in an attack on the motley folk because citizens of whatever country they were in started spreading rumors that the strolling players were child traffickers so there was a massacre. to distract nyame, orpheus' henchman causes another attack in-book that was given C R I M I N A L L Y little screen time or attention that dredges up bad memories.

nyame also gets cursed with spell of Your-Long-Healed-Pain-Is-Fresh-Like-It-Just-Happened later on in the book so he keeps feeling like his sister is dying over and over again. I can't be mad, I did say a few months ago I wanted to see him tortured (affectionate)

also you didn't ask but nyame and haniah's mother was long-dead by the time haniah died but there's a line that implies she had been badly burned at some point? if I could draw you all would never see the end of mom-with-burn-scars and the kids 😤

[boyswanna-be-her]

very online old white people will see a person younger than them with two-tone hair and become more triggered than any US combat veteran

[onepiexe]

ive not been on here at all oh my god

[theres-whump-in-that-nebula]

Reading over a talk script and realizing the structure is so clunky that there’s absolutely nothing to sink your teeth into

[sad amateur actor sounds]

[bnuyy]

🌸. . .

[cat-dragron]

Going from Ancillary Sword into August Kitko and the Mechs from Space is such like... whiplash to my brain. Ancillary Sword was challenging to read in a way I wasn't expecting but man was it rich as hell, the depth of the worlds and characters in that book are insane. Meanwhile reading AKatMfS is like... the premise is so cool and seems right up my alley but something about the writing is just not gelling with me for whatever reason. I want to get through this book so badly because I am interested but like... part of me is just wondering is this it?? Is this all there is to it?