#I’m not sure why im making this post
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seilon · 3 months ago
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love when this is referred to as the gifted kid website. shockingly my mental disorders made me mentally disordered and school never really vibed with that so. couldn’t be me
#ppl always talking about their whatever grade reading level and how many books they’d read as kids and im just over here like🧍🏽#I’ve never been actually bad at english or reading but I couldn’t focus on reading books to save my fucking life#I hated those sheets where you had to read like a certain number of books or whatever over the course of a semester or the year or whatever#my GATE test scores for english were super high but my math was bad enough that I never qualified#and adhd made me not even perform well in English half the time because I couldn’t pay attention I couldn’t read long books I couldn’t turn#in my assignments or if I did they were late and etc etc etc#don’t get me started with math#I was the worst in my class in third grade at minute math and never made it to the levels of minute math my classmates did#(they posted results on the wall for everyone to see)#and in 6th grade I was put into an additional remedial math class#throughout middle-high school I was at the level of most classmates in terms of the classes I took but that’s only because I was not allowe#to fail and was put through absolute fucking hell with a billion tutors and grueling hours of extra work from them and blah blah blah#like I remember how I felt in those tutoring sessions and half the time I actually wanted to cry.#I didn’t start doing solidly genuinely Good in school until senior year of high school.#not coincidentally around the same time I started taking adderall I think#I had accommodations by 9th grade but they didn’t do that much except for the function that let me turn in assignments up to 2 days late#without penalty. which i had teachers question sometimes and i had to pull the Yeah it’s Literally Against The Law to not allow me this car#anyway. point is. i was never in the gate program and most of my friends were and it was mostly adhd related#adhd is considered such a quirky nothing disorder nowadays that I don’t even like mentioning I have it really. because what people think of#when I say the term is Not what i actually dealt with and made school torturous and made my parents lash out at me for things and etc etc#depression and dysphoria did not help either. but I digress#I’m not sure why im making this post#kibumblabs
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sabertoothwalrus · 9 months ago
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so I’ve been gaining a lot of insight into the animation industry recently, especially in regards to pitching & the creation of new shows. There’s a few ways to go about it.
First, there’s pitching to a studio. When you pitch, it has to be SHORT and CONCISE. You may write a lovingly detailed pitch bible that perfectly breaks down episodes and characterizations, and it might barely even get read. First impressions, first impressions, first impressions!
Most peoples’ first projects don’t get picked up. I’ve heard a few stories from directors that said they tried pitching a story they’d had for years, which got rejected, to then spend a week or even several hours in their car coming up with a new idea, only for that to get greenlit.
But that’s not the end of it. Just because a show gets greenlit, doesn’t mean it will ever get finished. There’s lots of things that can happen. Sometimes, unexpected major world events (like… a global pandemic) can cause projects to get chopped. Sometimes, a CEO change or studio merge means a single person can decide a project “no longer fits with the company’s brand.” Sometimes, the one producer that was rooting for your project gets laid off, and no one else cares enough, so it gets shelved. Sometimes, a streaming service decides to create an animation department, and then they decide they don’t want it anymore. Sometimes, the studio will be simultaneously be developing another project that was too similar to yours and they just didn’t think to tell you until they decide yours is the one with less potential.
On top of that, almost everyone in the industry is saying that “studios just don’t pick up original content anymore.” Studios want something they can franchise, something that will bring in money. New content is risky. Established fanbases are safer.
However! Studios can still be a very good thing. They can be unionized. They can provide better benefits and resources. They can have connections and infrastructure and a larger volume of workers. At a studio, you can divide the labor and produce more in less time. Longer episodes, longer seasons, more consistency in quality.
But this comes with all of the disadvantages of having more in the kitchen.
The alternative is indie animation.
With indie animation, you have total freedom. Full artistic control. It doesn’t even matter if your idea sucks ass, because there’s no one to tell you you can’t make it. You could make it anyway, and you can make it whatever you wanted.
The thing is, making animation is hard. In my production class last semester, the average maximum animation one person could make in that timeframe was 30-60 seconds, and that’s not even counting background design, sound design, or cleanup/color. To make a 5 minute animated short, you should probably have at least 5 people.
And it is CRUCIAL you have a production manager. Ideally someone who’s not already doing art for the project. Most projects without a production manager will fall apart pretty quickly. Once the adrenaline and impulse-fueled motivation wears off, you need someone to hold you accountable and enforce deadlines and proper time management.
Speaking of time, that’s also hard to get. The more people you have, the more likely schedules won’t line up. Most people will have school, or other jobs.
And it costs MONEY!!!!!! You either have everyone work for free and volunteer their time & energy, or you establish a business as a proper indie studio, with people who may or may not have experience on how to handle paying someone else’s salary. And the money has to come from somewhere, so you have to rely on crowdfunding like patreon or kickstarter. (This, by the way, is why I could never fault an indie animation for releasing merch with their pilot.)
And like, maybe you wanna do a series, and all your friends agree to volunteer their labor and time to make the first episode, but it was unanimously not sustainable. Deciding not to produce a second episode until you can raise enough money is not being suddenly greedy, it’s attempting to compensate people rather than expecting them to be continuously taken advantage of.
You have to consider your output as well. There are some outliers like Worthikids, who afaik does all his animation himself, and afaik can work on it full-time thanks to his patreon subscribers. And he still has only produced a total of 30 minutes of animation (for Big Top Burger specifically) in the past 4 years. This is an IMPRESSIVE feat and this is with using a lot of 3D as part of his pipeline!!
Indie animation also has the complication of being more accessible for fandoms. When you’re posting your Official Canon Content on youtube, it doesn’t look a lot different than the fandom-created video essay in the sidebar next to it. What’s canon vs what’s fanon becomes less distinguishable. The boundaries are blurrier. When the creator is just some guy you follow on twitter, it’s easier to prod them for info regarding ships and theories and word-of-god confirmation. They don’t have a PR team or entire international tv networks to appeal to. And this is when creators get frustrated that their fans snowball and turn their creation into something they don’t recognize (and no longer enjoy) anymore.
So it’s tricky.
Thankfully, the threshold to learn animation is fairly low nowadays!! There are TONS of resources online to learn it on your own without forking over a couple hundred thousand to a private art college. There are conventions and discord servers and events where you can network, if you know where to look.
I know it can seem discouraging in the face of capitalism, but I think that’s all the more reason why it’s so important to BE DETERMINED about animation!! We’re already starting to see the beginning of an indie animation boom, and I think it’s a testament to humanity’s desire to tell stories and create art. Even if there’s no financial gain, we do whatever it takes to tell our stories anyway.
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gojooooo · 1 month ago
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man i love open endings. the fact that thanks to yuuji there might indeed be the next time sukuna talks about in case some idiot decides to eat a finger again. and we need fics where yuuji is that idiot
#hiding this in the tags but i think jjk and mha kinda conveyed the same concept#i haven’t mentioned it because sukuita always steals 100% of my attention but gojo’s moment was great too! as i said i think gege stayed#true to his characters till the end and i’ve always thought gojo coming back to life was absolute bs not because i didn’t want him back but#because it would completely ruin what was trying to be told through his story. he carried out the destiny he was doomed to carry out and#gege even specified this for us and /why/ it’s going to be different for yuuji#it can also be found in the way gojo and sukuna fought vs yuuji and sukuna#and it’s rly similar to horikoshi’s concept of the new generation reaching out to the villains and trying to understand them & /that/ is#what ‘the greatest hero’ truly means#ok now i’m digressing because gojo was more about himself and the title he was stuck with but it’s all so similar you know#which brings me to my point (finally)#the fact that the villains always ‘loses’ in the end. and i’m thinking that letting them live would be such a risky direction to take bc#it’s so easy to make it either corny or unrealistic. if the whole thing is about succeeding in reaching out then it’s going to happen at the#very last. and realistically it’s going to be too late. they’re going to be too far gone and it sucks but that’s how it is#shoto can discuss soba with touya but he’s still slowly dying. you know#so the best we can hope for is that the battle the villain fought at least leaves a mark and they sure did#something something the bad guy changing the good guy as much as he changed him#so yeah um maybe i am making sense maybe i am not but i woke up this morning and kinda went insane because it dawned on me that yuuji gave#sukuna another chance to life taking himself out of the equation#UGH. CIGARETTE EMOJI#speaking of which i’ve been (im)patiently waiting for olasketches and cruyuu’s reactions#my fave people on tumblr are genuinely the first people i think about after something good happens#my post
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ottosbigtop · 9 months ago
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Thinking abt trolls 3 and why it picked up so much traction compared 2 the other 2 movies. Like technological advancements aside I think the main thing is just the character lineup.
Movie one was mostly branch and poppy. All the kidnapped trolls operated as One entity really so it’s not like u could particularly??? Care about them too much. Bridget and Gristle were really really fun but the villain wasn’t anything particularly special or noteworthy judging by just how little people. Talk about her. OH and also creek was there (literally forgor im rereading this for typos and adding this now) but like. Oh no the guy who showed up for like 5 minutes is a Bad guy and im supposed to care about the quest to save him mostly just because theyre telling the audience they should care because Poppy cares . But theres just not a lot of setup (and Creeks just not that. Interesting?)
Second movie had considerably More bangers and was definitely going in the right direction character wise. But it had the Opposite problem with wayyy too many guys that were really interesting and not a lot of time to do anything with them. You get King Trollex’s intro, Biggie, Cooper and Prince D and their parents, Delta Dawn, and Allll the bounty hunter trolls, PLUS Barb and the rock trolls. Barb was definitely a prime example of a major upgrade from the movies, having a villain that the audience actually vibed with and u could Tell by fan reactions I think. (Parb sweep) But there was just. Sooo so much, on top of the lore dump and a plot that you really had to get cool with really quick to get invested in. theres a bunch of new trolls and these strings that are definitely super important promise (lie)
The third one feels like they finally like. Know what theyre doing. With their own universe. No big lore dumps, theres not even any Explanation for what Mount Rageous is, they just introduce you to it and the Rageons with confidence thru Velvet and Veneer and expect you to get it. Plus, theres still a lot of characters, but theyre much more tangibly connected now. All the brozone brothers are well established and have preestablished relationships with each Other so even if we dont get much time with them it doesn’t feel like theyre that out of place. It still requires some suspension of disbelief vis a vis “Branch had Four super secret brothers hes Never mentioned,” but they make it work and frankly, the set-up is a lot more easier to get invested in than “secret magical strings that Invented Magic I Guess.”
And with Brozone and Viva theres a connection To the main characters rather than just being tag-alongs for tag-alongs sake. They’ve all got their own niches to make them individually compelling but theres a connecting thread here so they still feel like they’re a part of the story. And they’re all there to do something!! And then Velvet and Veneer of course continue the vibe that Barb had of being villains with enough screen time and personality that you like them As characters and arent just viewing them as The Plot Obstacle. Which is cool i think. Overall i just think the third movie felt a Lot more confident to do what the fuck ever and thats Really good.
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what-even-is-sleep · 5 months ago
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thinking about Bodkin again bc I mean,,, ALL THE SYMBOLISM OHHHHHGH. i NEED some tumblr film analysis hobbyists to watch this show and tell me all the themes n such
#yes I’m making all these posts in a row#it’s bc I’m obsessed atm#mypost#Bodkin#bodkin netflix#PLEASSEEEEE#WHY DID THE PAPER MACHE HEAD LOOK LIKE GILBERT#CAN WE HAVE AN IN-DEPTH CONVERSATION ABOUT EVERYTHING ABOUT GILBERT BEING FORCED TO SWALLOW/CHOKE ON HIS WORDS (recorder) BUT THAT SOUND—HIS#STORY (HIS pov. however ‘abstract’ and detatched from consequence it may have been) BEING WHAT CATCHES EMMY AND DOVEs ATTENTION TO SAVE HIM#. LIKE#OUGHHHHHWJEHQIHSJSBWJXNAJSNNQJZNWHXJWHXJEBXNDUSBJS#AND THE WOLF IMAGERY PLS SOMEONE TELL ME ABOUT THAT#IS THERE MORE THAN THE SURFACE? what do I not understand? as im writing this out am thinking: ok its cause dove is a lone wolf#WAITTTT WAIT OMFG AND when she remembers that her mom told her to howl when she was lost… bc wolves actually have family and I’m p sure the#lone wolf thing is a myth… after she realizes that she’s not alone and she can choose to interact#GOD GRAHHHHH IM GOING CRAZY OVER THIS SHOW#other things I’m thinking abt (will maybe make a post abt?)#OUGH YEAH OK dove symbolism: wolf/lone wolf. sunglasses/shielding herself (OUGH AND SHE PICKS UP THAT XTRA LAYER OF DEFENCE WHEN SHE COMES#BACK TO HOMELAND/familiar space… bc she’s vulnerable to her past here…. hrahhh#. also LMFAO when she calls the sheriff a piggy#hrmmmmm aughhh I want to dissect Gilbert and Seamus’s friendship oughhh#ok wait even more on Dove: I want to dig into when she calls Emmy Emmy vs Sizargd (will have to look up the spelling whoops) —was it always#blatant manipulation? how much of it is a reflection of what she is? hrmmmm there’s so much there I think#another Q: why did Emmy call the tech guy Shitpants again at the end? ik there were the stakes I just wanna dig into her character more. why#would she say the shitpants thing instead of manipulating him in other ways? (not saying her was was unreasonable at all lol-j wanna dig#into her character.#OH prob something abt the whole ‘her needing to release her anger’ thing? idk ahh I want to analyze her more
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ennard-is-near · 6 months ago
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I don’t see a lot of HC’s or depictions of Michael where he’s really quiet (or selectively mute) which is sort of surprising to me. Idk, maybe I’m not looking hard enough but I think it’s a cool idea!
I mean, is the silent protagonist of most of the games. He talks twice that I can think of, before he accidentally kills his brother and once in a weird speech where he’s vowing to find his father. But the first thing is before the incident that would probably prompt his silence and the second I’m not sure if that even actually happened? Like who is he talking to? That might just be for the player, but even if it isn’t that’s just one time and he’s monologuing. Other than that he’s completely quiet throughout the games even as he’s having his shit rocked by animatronics.
I personally think it’s really cool when characters don’t talk or are super quiet in media. I think that it makes sense for Michael and I personally imagine him being super quiet after the bite of 83. He’s traumatized obviously, and also doesn’t really have anyone to talk to anyway.
I don’t know, just something I’ve thought about.
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imaginarypasta · 2 months ago
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literally i feel ridiculous after watching this show and not liking it. the person i watched it with is all “it was funny and cute is that not enough for you” like internal consistency and themes don’t matter at all and im crazy for thinking they do. but then i go online and the reception is negative but it’s just laundry lists of “bad things” that were depicted and little about the actual writing or production
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junos-cacophony · 2 months ago
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Why the fuck do I exist? Did God create me just to ruin others? I’m the cause of so much problems. If I didn’t fucking exist maybe things WOULD be better. Why the actual fuck did I do this. I’m a terrible fucking person. I wish I could just go to sleep & never wake up. Everything I fucking do ruins others. I ruin everything. Literally. How the fuck did I even get here? How am I still alive? Fear of death? Spite? I’m not sure. But I don’t want to be here anymore. I wish I could jump from the school rooftop & never look back. It’s so tempting. One day, I’ll try. Maybe by then I’ll have fixed all my mistakes.
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the-terrible-theys · 2 years ago
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found a tier list thing for ranking all the wks creature power suit designs and figured it’d be fun :)
tier list maker is linked here if you’re curious
anyway here’s mine!
Tumblr media Tumblr media Tumblr media Tumblr media
edit: i keep getting notifs for this so i wanted to add that the tiermaker was done by @/galmiahthepigeon !
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roys-our-boy · 6 months ago
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Reverse 1999 has such a death grip on my brain right now I can’t stop thinking about it
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gently-decaying-flowers · 5 months ago
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sometimes it takes really really paying attention to the lyrics for a song to sink in for me
sometimes what the artist is saying makes me very sad
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hum--hallelujah · 1 year ago
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it's Crab who does the saving. of course it is, the nurse, the silent, confident, so very calm one of them. the one who loves Benzedrine more than he could ever speak. of course it is. but he's not calm, and he's not confident. he is not the doctor. he's not meant to be. he's always been meant to be the support. that's where he thrives, where he was born to be. of course he would be the nurse. his heart is pounding and he's breathing fast, too fast, and sweating, he can feel it. he's terrified that he's wrong, that he's going to be wrong, that he's going to do something wrong and kill Benze instead of save him. he can't get the moment out of his head. the split second, not ten minutes ago, walking into the station and Benze on a chair, slumped over the table, unresponsive. he thinks his heart stopped, but it's beating too hard for asystole right now. he knows diagnostics. Benze taught him this. he knows what an overdose looks like not because of books the way Benze learned it but because he's seen it happen before. not often, but when partiers in the Zones get their hands on City drugs, they're prone to taking it too far. this isn't party drugs, though. that isn't Benze. the bottle on the table, empty but for a drop, reads morphine. Crab thinks of this morning, before they'd left for the track. Benze had been down, and hard, with a headache. he said it was normal. he said it was fine. but he hid under a blanket and groaned whenever Sandman or Donnie talked too loud. he'd been in pain. how long has this been happening? how bad has it gotten to warrant this? how desperate must he have been the first time to stop the pain? how hadn't Crab known? he'd sat on the edge of the bed before leaving and kissed Benzedrine's temple. he's morbidly glad for that. fatalistic, but if that's the last interaction they'll ever have had, at least it was that. his hands are shaking when he signs at Sandman and Donnie, either or, whoever has more presence of mind, to find- he doesn't have the time to fingerspell it. Benze's lips are turning blue. he's not responding to- the word is stimuli. the sign is a mimicry of poking someone. so it's Crab who retrieves the medicine, of course it is, of course it's Crab. this vial is labeled kloxxado. Benze called it naloxone when he found it in their inventory the first time. Crab's hands are shaking as he preps a new injection. most things work fastest intravenously. the blood does it. the heart does it. his heart is thumping out of control. his heart is beating just to keep Benze's the same. his best friend doesn't even respond when he sticks the needle into his arm. Benze might be the one who’s dying (he can’t die, Crab won’t let him, of course he won’t, he can’t-) but Crab thinks maybe he’s only alive for Benze. like maybe if Benze dies he will too. like maybe the only thing keeping his heart beating is the fluttering pulse he can feel as he holds onto Benze’s wrist. he feels like he’s gonna pass out but he does all the right things, keeps his best friend alive despite himself because of course he does. he’s the caregiver. he’s the nurse. his heart is beating for this. (his heart is beating for Benze)
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if you don’t count the calm belts, there are seven seas in one piece. four blues, paradise, new world, and the mythical all blue. either the calm belts don’t count or oda didn’t think of them until later because i really think this is too good to be unintentional. he uses a lot of pirate/sailor lore, and i honestly can’t imagine he wouldn’t use the seven seas thing too. it’s just such a lovely, romantic thing to have the seventh sea be the all blue.
(and no, the sky sea does not count. because i said so.)
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sunnibits · 2 years ago
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anyways not to pull out the “I’m literally neurodivergent and a minor” card but I honestly something makes the whole Discourse™️ thing in this fandom extra funny for me is the fact that I’m a minor (or at least will be for two more months lmao) and most of the people I see arguing all the time are like. grown ass adults in their 20s and 30s. like I’m sorry but isn’t it my job to be annoying and immature on the internet?? and y’all’s job to mind ur own business and be normal???? I think someone missed a memo here like don’t y’all have taxes to do or something 🤨 stop writing 2k+ word discourse posts online and go grocery shopping girl. your bread is literally growing mold as we speak
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milo-is-rambling · 1 year ago
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Sometimes this -> :)))) is just not strong enough for what I mean
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turnleft · 1 year ago
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judy hale jewish
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