#unpopular opinion i'm sure

[onlycatsdeservetobestanned]

Also, if my predictions about the film turn out to be true, it wouldn't be the first time that Mile and Apo were billed as co-leads, but Apo was the actual main. I know many people think they were equal leads in KinnPorsche because of the billing, but think about it. The whole story revolved around Porsche and his journey towards his supposed destiny as a long-lost mafia heir. All of the other characters revolved around Porsche and his destiny. Most of the story is told through Porsche's POV. Porsche had at least twice as much screen time as Kinn.

Kinn's character development was in service to Porsche's character and not his own. Kinn's journey was really about becoming a love interest that the audience could deem as worthy of Porsche, and his character development ended around episode 8, when he finally loved and trusted Porsche unconditionally. He didn't really develop much further since then.

Porsche was the protagonist and Kinn was the love interest. The show was Porsche's story. Now, whether or not they executed Porsche's story/journey well is another matter (spoiler alert: they did not).

[sequentialprophet]

Man, that one thing really got out of hand, huh :/

[benoitblanc]

no no you guys don't get it. the x files cancer arc was, excuse the pun, a fucking white whale of a tv plotline that would not have worked nearly as well on literally any other show. it was a complete hail mary. the writers' room nearly didn't make it happen because they were worried it would fall too deeply into soap opera territory. and on any other show, it would! but the x files is about four key things: mistrust in the government, faith in both science and the otherworldly, building a life around trauma, and the fine line between love and codependency. it is the only show where the entirety of this situation- a government experiment on an unwilling young catholic leads to a terminal illness that is counteracted by a literal scientific miracle in the eleventh hour due to her partner's refusal to accept her impending death- could both happen at all and happen well. none of the themes in the cancer arc were new to txf at all. they'd all been lurking, to some extent, in the background since the pilot. the cancer arc wasn't merely milking a left-field catastrophe for the drama, it shoved the overarching themes of the show to the front and said look. look what these people are to each other. look how impossible it is to face the darkness alone. regardless of when the plotline was conceived, it was always going to happen. it was the only way the story could have ever gone. they were always doomed from the beginning

[enixamyram]

My Unpopular Hazbin Hotel Opinions

Chaggie is one of the best couples and is underappreciated because it doesn't follow stereotypical romance tropes that have been forced down our throats by Hollywood for years.

The majority red colour doesn't bother me. In fact I think it works really well as a media tool to make Hell look depressing without being bland while places like Heaven stand out as being really magical because of the variety of color they have in comparison.

Vox, Velvette and Val are all entertaining characters with great designs and while I will enjoy karma and justice (hopefully) kicking their asses at the end, I also hope it isn't rushed and we can enjoy their chaotic relationship a bit longer.

As long as you respect canon, I don't see any problem with having fun with ships, even the OOC ones. (In fact I kinda like RadioStatic as a ship...)

There are no bad songs.

I hope it's revealed that characters like Angel and Husk did genuinely bad things that earned them places in hell. I feel like their greatest crimes being self inflicted abuse with drugs and alcohol takes away from Charlie's goal and the overall storyline.

I understand why people want Angel and Husk to have a relationship that's more emotional than sexual. But it feels a little unhealthy to say they would cut out sex entirely, like going from one extreme to the other is never a good thing.

Saying Niffty is like a child because of her size and goofiness while drunk is really almost dangerously problematic.

Velvette being treated like Val and Vox's daughter also feels really gross to me. Why is it always the women that get this treatment?

Hazbin Hotel is a passion project from an independent creator. Representation is important and great when included but it shouldn't necessarily be a check list everyone has to do. While I would love to see more plus sized characters, Vivzie clearly has an art style and she shouldn't be vilified for that. The same should not be said for mainstream media projects because they aren't telling a story out of love but rather to be popular and they have a much bigger impact on audiences so they should be held to higher standards.

[smultronviol]

Ppl going "waaahh unpopular opinion but Alice is kind of annoying and obnoxious and I don't think I'd like be her friend irl" is so funny to me bc like.

God forbid a cast of characters be multifaceted and have actual flaws and unpleasant aspects other than "grr angsty hero" and "whoops i'm so clumsy". Sometimes character dynamics and arcs need to be prioritized above "who would i personally be niceys with irl"

2. bro just WAIT until you hear about season 1 jon lol

[findmeinthefallair]

"It's been a year, I feel so heavy... Mama, will this feeling ever stop?"

“Mijo. It hurts. But you have so many people who love you. We can help you carry that feeling and one day it might not feel as heavy.”

(Dialogue by @childlikegoblinqueen, with some smol additions by me)

[dmc-questions-anon]

Even if you don't agree with any, just which one do you think holds the most weight.

Full option 4: Vergil with plastic chair, child support, and Dante doesn't know what sex is aren't funny jokes anymore and haven't ever really been all that funny.

Full option 8: DMC 5's gameplay isn't all that great, the combat is really fun, but it's better when you had to run around and collect items to progress like in the older game's and they should go back to that.

Reminder to be nice! Absolutely no arguing. I don't mind friendly debates, but full blown arguments will cause this poll to be deleted.

[trappedinafantasy37]

🔥

"I wanna make Minthara nice!" "I wanna make Minthara good!" "I wanna make Minthara less evil!". Shut up. Seriously. Shut the hell up. Making the bad guy good is sooooo cliche and overdone at this point. Plus, Minthara is as great as she is because she is evil and is selectively nice to the ones she likes.

Baldur's Gate 3 is all about subverting expectations. So let's subvert expectations shall we. We shouldn't be talking about making the evil guys better. We should be talking about making the good guys worse. I want to make Wyll and Karlach evil. I'm gonna ramble a little bit...

The potential for a corruption plot is literally built into Wyll's storyline with him having a literal devil on his shoulders the whole time. I mean, we can kinda get a glimpse of how that corruption would work in Act 1 when it comes to Wyll facing Karlach. Not to mention, Wyll being the son of the Grand Duke and having his father and city turn their backs on him after sacrificing his soul to save everyone would also present a perfect opportunity for Wyll to just say "fuck 'em". But can you just imagine the story potential of Grand Duke Wyll Ravengard who is still pacted with Mizora? The absolute utter nightmare that would bring cause then the Hells would have control of Baldur's Gate?

The only real way to even play a corrupt Wyll is to do his origin. But it would be so much more fascinating to BE one of the influences in his corruption. This would also make his decision to break the pact so much more impactful and it would be HIS choice. Now I have always firmly held the belief that when it comes to his pact, it is always up to the player because Wyll will always make the same choice and he will always choose his father. So, it has to be the players choice if you want some different outcome. Wyll choosing his father may end up having him sell his soul to Zariel for eternity, but it doesn't corrupt him or change it. But, what if it did? What if we had the ability to have a negative impact on Wyll and this choice would be him making a choice of his soul in whether or not he wants to be a good man or to listen to the corrupting voices around him. Because, to his core, Wyll is a good man. But that good nature can be overpowered by the influences around him. If anything, this scene could play out similarly to how it does for Shadowheart and the Nightsong.

And Karlach, oh Karlach. I love my fiery ball of sunshine. But I find it so odd that someone who spent every single day for 10 years fighting a war isn't the least bit hardened by it. No anxiety, no PTSD, no paranoia, no trust issues. It's actually amazing that Karlach comes out as nice as she is from the Blood War, but is a missed opportunity. As refreshing as it is, I do find it strange that she comes out so trusting of people and having so much faith in others. If Karlach was a little bit more mistrusting and a little bit more paranoid, it would be an easy little thing to leverage into making her worse.

A lot of Karlachs story kinda reminds me of the main plot of Cyberpunk 2077 where you have a character who has a literal ticking time bomb within them. But I specifically wanna draw the parallels between Karlachs engine and the cybernetic enhancements. In Cyberpunk, there is this condition called "cyberpsychosis" in which someone just fucking snaps and goes bonkers and starts killing everything around them for no reason. There is no known reason as to why it happens and the only common element amongst all cyberpsychoes is that they have at least 1 cybernetic enhancement. There also is no way to prevent it from happening, no way to predict that it will happen, and no cure for cyberpsychosis. With Karlachs heart and a lot of her cardio vascular system having been replaced by an infernal engine, I feel like this would also serve great potential for internal corruption and have a fantasy version of "cyberpsychosis". Infernal magic is constantly coursing through her and she is literally on fire all the time. This should definitely have an impact on her. And the only way to prevent her from going full "cyberpsycho" is to do the upgrades with Dammon. Your decision at the grove and/or Last Light would have an impact on Karlachs future sanity.

She would be a ticking time bomb in more ways than one and it would be inevitable. Either she dies cause her enhancement gives out, or she loses her damn mind and you're forced to put her down. This is what would make her ending so much more tragic. It's already hard enough watching her burn on the pier. It would absolutely shatter my damn heart to have to put her down cause the engine corrupted her mind. The Avernus ending is damn near identical to the Sun ending in Cyberpunk 2077 as you have found a temporary way to halt the affliction, but no known way to cure it. Just the hope that there might be a cure.

How many times do we have to watch evil characters become better? Does that not get boring? Stop focusing on making evil companions better. Focus on making good companions worse. It's a hell of a lot more interesting but also adds a lot more nuance to their characters and makes them feel more alive. Especially when in all these cases, none of them are born evil or want to be evil, but are made evil by their circumstances. Being evil is easy, but being good is hard. Good is also what is expected of us. And I find it much more compelling to watch a good character fight the temptation of evilness, than to watch an evil character find annoyance in being good.

[spop-romanticizes-abuse]

[holocene-sims]

i did the pack tier list i keep seeing on here for funsies!!

honestly, i soon started forgetting which kits were which, so most of them were promptly chucked into the UGH category. some of the kits i do love, though...not sure if that's tragic or not lol

i also found a tier list for sims 3 EPs. it is uhhhh wild seeing the difference in released expansions between the games on paper, i kind of forget about how many releases sims 4 has

[thursdayinspace]

Tell me all your Requiem thoughts please

All of them would amount to quite an essay because I have a lot of (mostly positive) feelings about it, but I assume this is about my tags saying I have conflicting feelings about the scene in that motel room bed where Mulder tells Scully that there has to be an end and that she should go home. So I will happily talk about that!

I want to preface this by saying that I absolutely love their dynamic throughout the episode. And I love that moment when she comes to him feeling sick and he lays down on the bed with her and holds her and tells her there's more for her, that he wants her to have more. He wants her to be happy. There is so much love between them there, and it's so strong and so gentle at the same time, it's one of the most moving and beautiful moments between them without a doubt and I love it and it never fails to make me cry.

But. I still have very ambivalent feelings about the whole arc with Scully wanting to be a mother. NOT with the motel room scene (I love that one), but specifically with the arc. These feelings have nothing to do with the show or the characters specifically, and it's not an issue I had with it when it aired, but rather something that's only begun bothering me recently. I just sometimes wish that they hadn't introduced it at all, or done it better. For the simple reason that not all women want to be mothers, or they decide against it for other reasons -- like feeling passionate about their work and making that their priority, which is a perfectly valid reason to decide against something you might want very badly otherwise. And sometimes it doesn't sit quite right with me, especially in light of CC's general take on women, that eventually Scully simply has to want to have a child. I may be wrong about this and this might be the most unpopular opinion ever, and that's fine, but it reads to me a bit like "she must want this because she is a woman and women want kids."

The way it's written, it makes absolute sense for Mulder to tell her that there has to be an end, that he wants her to have everything she wishes for. I just sometimes wish for a version of events where we had seen her more conflicted about it. Where she could have made it clear in the moment that if it came to a choice between that dream and their mission, she'd choose to continue their work, with him. I also wish for a version of events where Mulder could have admitted that having a family is his dream as much as it is hers, because why does it have to be the woman who wants a family while the man wants to keep saving the world? (Just as a personal aside, I have friends who are right now getting divorced because he wants kids and she doesn't. It just rubs me the wrong way sometimes when the wish for a family is the woman's job.)

BUT! I know that Mulder and Scully are not in the same place emotionally about their work. Mulder has been committed to it pretty much his entire life. It's never been just a job for him. It always has to come first, and whatever dreams he may also have, he cannot give up the quest for the truth. Scully believes in the work too, it's important to her, she has suffered so much because of it and never stopped going. That says everything we need to know about how important it is to her. She doesn't want to give it up. It's been more than a job for her too for a long time. Her wish for a child is never about not being committed to what they do. And I think it becomes clear enough over time that Mulder does indeed want the same things she does, it's just more between the lines, less obvious. I do believe that under different circumstances, they would have decided to have a family together -- we see more to that effect later on in season 8 and at the end of season 9, not to mention in the revival. Which is why my issues with all of it are more about the way the story is handled, and less about it existing in the first place.

One more But: I do like the fact that a woman who loves her work and is fully committed to it can still want to be a mother. Both things can be true. And that can lead to great personal conflict. And that is a very interesting thing to explore. I just also feel like that is exactly what they didn't do. They sort of just stop at "she wants this one thing and also this other thing." She wants to keep fighting and searching for truths and she wants a kid, but what that would mean for her future is something that is never really properly addressed. It's never properly addressed what it does to her feelings, being torn between two things that mean so much to her. But that would have been really interesting to see. What does she actually want? What is going on in her heart and her soul?

Still, that scene, Requiem as a whole, is still very well done, in my opinion. Within the context of the story they're telling, that scene with them curled up in bed together is beautiful. It's as close to a declaration of love as we get at that point. And he's talking about her health as much as about her wish for a child. He's telling her that her happiness and safety is more important to him than anything else in the world. Her reaction is to hold onto his hand and touch her lips to it -- she doesn't want to go. He means as much to her as she means to him. His happiness and safety come first for her too. And I think they both know in that moment that she would never do what he's suggesting. I don't think she'd ever leave and let him continue on his own. He says "There's so much more you need to do with your life. There's so much more than this." But what is "more?"

Long story short: I love the scene in the motel room. I love the love between them and the tenderness of that moment. But I wish CC had been better at writing women, and had taken more time throughout all the episodes that address this to flesh out that part of the story, both for Scully and for Mulder.

Please, feel absolutely free to disagree with me, I never mind discussing these things or even being convinced otherwise. This is just my take on it.

[earlgodwin]

here's another the borgias unpopular opinion: (what i'm about to say is a bit negative so look away if you don't wanna see it)

i pretty much never clicked with micheletto's character like...at all. no hate obviously, sean harris was great, and he had chemistry with françois arnaud, but the character is mostly a mystery—nothing i find intriguing or sympathetic about him, no layers at all. he just exists to be only cesare's obedient assassin. the only thing i found interesting about him was his episode with lucrezia where he killed the king ferdinand so she could bring her child with her. but the whole thing about how he has a heart somewhere, even though he claims he doesn't (i doubt he does since he literally flexed to cesare how he used to smother babies but alas), didn't even move me a little. plus maybe it's just me, but any trope about found family or anything similar has always been boring to me, as i'm obsessed with the idea of this dysfunctional family unintentionally hurting each other by expressing their love for each other in twisted ways and that they're incapable of escaping their father’s blood and his game of ambitions. so i'm pretty much not interested in anyone outside the borgia family

[coulsonlives]

Re-reading the comics and I totally forgot how dark they are

[snowe-zolynn-rogers]

Hot Take:

I feel like, if Eclipse fans weren't just labeled as simps, there wouldn't be as many Eclipse fans being so incredibly defensive of him.

[eccentriccryptid]

I don't know maybe it's just me but I'm not impressed when there are 12/13/14 year old Olympians. Like those are kids. The oldest on the podium for women's skateboarding was 16. Those are children and I don't think they should have the pressure of their country and the eyes of the world on them. Do we forget what happened during figure skating in 2022? I don't know, I've thought this for a while but after that it really just solidified it for me.

[whos-hotter-jjba]

Hottest JoJo Character Bracket - Match 1-16