#unless shit gets real

[kennahjune]

Was Having Some Thoughts

Was having some thoughts about Steve and Barb and how their personalities would’ve probably lined up so well had Barb not died.

Then I was thinking of writing a canon-divergence AU with alive Barb.

Then I thought: ghost Barb.

And now here we are.

Barb who, after dying in the Upside Down, returns to the Harrington Estate against her Will and essentially scaring the ever-loving fuck out of Steve.

Turns out, for some fucked up reason, Barb is tied to Steve.

Literally everything in the show stays the same (mostly) but with ghost Barb hovering over Steve’s shoulder and judging his every move. She likes Robin so fucking much when they both first meet her at Scoops (cause— unfortunately— wherever Steve goes Barb goes).

But where they both play it off as absolutely hating each other and just down right loathing the fact that they’re literally spiritually bonded, they both would also die for each other (in a sense).

Like Barb will call Steve a whore and Steve will shoot right back calling her a bitch but Barbs also there for the worst of Steve’s nightmares and migraines and Steve’s there for when Barb feels useless and just needs to talk.

The fuckery that is the Spring Break From Hell happens and it ends with Max and Eddie both well and alive cause fuck the canon.

But it also ends with Barb being tangible and actually there in the topside.

Idk

[moomoorare]

I really hope the qsmp members get together for another smp or something. Don't need it to be crazy lore wise like the qsmp was, especially bc of the work ethics and business aspect, but just hanging out and doing their own thing? Bantering, solving puzzles? Exchanging knowledge of their countries, folklore, culture food language, ohhh man I really want that back SO BADLY

[buzzingroyalty]

are you able to make it do the club penguin dance?

no but I can make him queak

[punkitt-is-here]

I understand not wanting to put yourself in a position to argue with people but it’s a shame you have to throw other trans women under the bus to do that.

I do not think having a reasonable conversation about gender identity is throwing anyone under the bus! I recognize that by having a larger audience I invite a lot of bystanders but I feel like that's the risk when you respond to my posts or send something in my inbox. I try and be respectful unless it's someone on anon who really pisses me off.

[athina-blaine]

I think the reason your labru fics managed to keep me hooked when i normally don't like a lot of fan content about them is that it's reciprocal. Laios and Kabru both look out for each other and take care of each other, when normally a lot of content for them is focused on Kabru being there foe Laios without much focus on the reverse. I love, love, love Nourish especially, with Laios not really understanding what Kabru's talking about but trying to engage and pay attention anyway, making him a tasty meal so he'll sit down and let himself unwind, and just showing how he cares about people

Thank you so much! You can assume whenever I'm writing from Laios' POV at any given moment I'm beating back the urge to spoil Kabru rotten. I want to give him a wardrobe of full of nice clothes. I want to make him dinner. I want to find him falling asleep at his desk and carry him back to bed. If there are 0 Kabru simps, I'm dead. The threat of complete and utter derailment looms large with every fic I write and I must tread carefully 😤

It doesn't surprise me that a lot of labru stuff focuses more on how Kabru supports Laios than the other way around, since that's how it largely manifests in the series. Laios, being the main character, has a lot of plates he's spinning in the air, but Kabru is uniquely focused on Laios and how Laios relates to his own goals. I'd be curious to count up the panels that has Kabru referring to Laios, both verbally or mentally, and compare it to other characters outside the main party, because I think the results would be quite funny haha

But while there is a disparity, the scenes where Laios reciprocates this support, in my opinion, are arc-defining. Laios, with zero prompting, realizes Kabru would be hungry after his resurrection and makes him something to eat with his own party's supplies. It's Kabru's aversion to monster cuisine that factors into his emotional bid to Marcille, in that you can't make a perfect menu that looks the same for everyone. And, crucially, Laios promises to share a meal with Kabru that doesn't include monsters. For the entire series, Kabru wanted to know whether Laios could be interested in people as much as he was interested in monsters, if he could prioritize people over monsters, and this is where he gets his answer. This is what convinces him to put his trust in Laios enough to help him escape from the Canaries and to let him try and talk down Marcille. Because Laios demonstrated he was capable of taking people's i.e. Kabru's wants and needs into consideration, even if it had nothing to do with monsters.

Labru appeals to me because of everything they have to offer each other, yes, but mostly because of everything Laios has to offer Kabru. Here you have this character who is routinely seen to have a suppressed appetite, who makes himself smaller in order to be more appealing to the people around him, who makes space for and services everybody but himself, and here you have this other character walk right up to him and say, "You look hungry. Let me make you something to eat."

[dykedvonte]

I keep seeing fanarts of ppl's OC's being on the ship, so do you think that if there was 6st crewmember (specifically, another woman) Anya would've been more safe? Like, someone to actually call Jimmy's begaviour out, someone Anya might wanna trust? Is there a possibility something might have changed (even if a little) or it would not have mattered at all?

-💀

I feel like the game would make it part of the commentary on where she would believe and help Anya but still be sort of dismissive? Like the whole “don’t waste time crying and being scared keep going and move on, don’t let him win”. It’s supposed to be positive and reinforcing but sometimes it does more damage in those times of mourning and grief, it feels patronizing, like you don’t understand what you’re going through but they do. Even if they did call out his behavior it’s still on Curly to act and while another voice would help, it’s still 4 against 2 on guys that don’t get it until they have to vs women who always have to.

I don’t mind mouthwashing OCs but I do get a bit bored as they tend to be borderline saviors or like Jimmy aligned. They are either more complicit than Curly or just Jimmy haters for no reason, outside of what the creators know about what he did to Anya. I am never irked by OCs but in a story like mouthwashing you really need to think about what your character adds to the commentary, especially if they are there during the crash. It’s nice to have like characters on Anya’s side more whole heartedly and interesting to see characters who placate Jimmy but sometimes it’s one note.

I can’t and don’t want to police peoples OCs it’s never my intention when I comment on trends I notice, but I do feel like the way people make their OCs interact with these two characters and especially Curly, really show a grave misunderstanding of the narrative and these characters as people vs roles in the story. Still, I know people just make up characters for fun and that’s fine. Great even, but I guys I’m focusing more on OCs that are supposed to have those serious dynamics. My favs tend to be pretty-Tulpar or post-Tulpar au OCs.

The inevitably of the crash is on Jimmy. He did that not because he wasn’t stopped but because all his means to kill Anya were taken. The gun, the axe. Even if Curly did strip him of his co-pilot privileges and try to keep him contained there’s only so many people. An extra body helps but they have jobs they have to do, he’s the only one steering the whole ship and Jimmy would likely have an out: food, bathroom, etc. He’s not new and if he couldn’t crash the ship directly, who’s to say he wouldn’t sabotage something else? A clunker like the Tulpar wouldn’t take much. An extra person helps but it’s just another thing that prolongs what a person like Jimmy is willing to do to shirk responsibility.

It’s more than just needing someone to stand up to him and think that’s what is missing when it comes to inserting a character into the mouthwashing setting.

[thelaurenshippen]

genuinely think it's good and healthy to follow at least one person in each of your fandoms who reblogs good gifsets but has just...absolutely dogshit takes on the show, or who ships that ship you despise. keeps things fresh. keeps things grounded. you gotta stay humble

[noise-misato-boy-destroyer]

hey im losing my fucking mind bc i keep remembering that time you posted with little to no makeup on and we look so similar it's stupid and im angry because i can obviously see how gorgeous you are but can't see it in the mirror most of the time

ig what im leading up to is... if you wanna get up to some freaky selfcest stuff hit me up :3c

Literally always??? My mirrors are always covered in smudges because I keep trying to kiss the really hot girl I see in it OwO one of my peak unrealistic goals is that I end up meeting my lost lost twin and we get ourselves shunned from the family because we can't stop kissing each other.

[covington-shenanigans]

christ alive I love my parents and I'm glad I got to see them but they are just. so fucking exhausting

[leupagus]

Really enjoying writing Book 2/Season 6 of this monstrosity, where instead of having Sansa and Jon fighting to regain Winterfell and all that nonsense with the "Battle of the Bastards," it's gonna be like 10K of Sansa being the Warden of the North equivalent of that mom who just needs FIVE MINUTES OF PEACE AND QUIET YOU GODDAMN KIDS

To the Lord Robin Arryn, Defender of the Vale and Warden of the East, and my Dear Cousin,

I write to you from Wint

"Sansa — sorry, Lady Sansa, you'll never believe—"

"Jeyne, you don't have to call me 'Lady Sansa,'" Sansa said as she looked up from her parchment. "You're the steward of Winterfell now."

Jeyne Poole, hanging onto the handle of the door and swinging it absently back and forth like she'd done back when they were ten years old, frowned. "My da always said the Lord and Lady of Winterfell were worthy of respect."

Sansa leaned back in her chair. Father had dealt with the business of the holdfast in the Library Tower, so he could wrestle with the accounts without being interrupted every twenty minutes. Sansa had always thought that a bit unfair, since it meant you had to climb all those stairs just to find him, but now she was wondering if she could perhaps build the tower twenty or thirty feet higher. The exercise would probably do her good. "Your father always called mine 'oi, you,' if I recall correctly."

The look Jeyne gave her was deeply unimpressed. "Aye, and you always complained about it. Do you want to hear about the cow loose in the guest house or not?"

erfell at last, which was the dearest wish of your beloved goodfather Petyr. His dying words were to express the hope that both his goodson and his niece be safe and secure in their homes, and I am glad to say tha

"Lady Sansa, Master Mikken has refused another dozen apprentices. He said they're all 'knuckleheaded clods who wouldn't know a round ball fuller from a chisel punch." This time it was her master-at-arms, who'd been Rodrick Cassel's round-faced child named Beth when Sansa had left. Now he went by Cass and looked like he could wrestle a (very short) bear if needs be.

"I don't know a round ball fuller from a chisel punch," Sansa replied, frowning.

Cass shrugged. "Well, and nor do I. But that's near fifty lads he's turned away. We need someone helping with the forges. We've been making do with the army smiths that Prince Stannis let us—"

"Prince Stannis?" He was going to hate that.

Another shrug. "We've got to call him something, milady. You won't call him 'king,' nor will any of your bannermen, but his soldiers give us no end of trouble when we call him 'lord.' So 'prince' it is. And he is one, too, ain't he? King Robert's brother. That'd make him a prince, right?"

Sansa answered with a shrug of her own. By the time Stannis and his companies returned from the Dreadfort, everyone in the North would likely have settled on Prince Stannis, which would lead to a great deal of shouting and probably threats of lighting people on fire, but she had at least a fortnight to think of something.

"As I was saying, we can't use the Baratheon smiths forever, and the ones from our bannermen have all gone home with their bannermen. Mikken needs apprentices, and we need our forge at full strength."

"All right, let's go speak with him," Sansa sighed.

t through the goodness of Stannis, of House Baratheon, and his masterful command of the armies of the North and the Stormlands, I am now secure as Warden of the North.

Not only that, but your dear cousin, my brother Rickon has somehow survived all the danger that the North has presented, while it was under the thrall of the Ironborn and House Bolton. He is now safe and I will reu

"My lady?" Maester Wolkan peered his head into the room.

[necrotic-nephilim]

Hello! New to comics and I don't really feel like the New-52 comics are for me and would really like to read and understand Pre-flashpoint and all the dark and good stuff there. Is there an order or starting point you would recommend? Thanks for your time, and I hope you have a great day!

hi! i'm so glad you want to get into comics! i'd love to help with some recs! since you're here, i'm going to assume you're a Batfamily fan and most of my recs will cater to that, but i will try to encompass a bit of everything to help you just understand some big moments and all this mess that is DC canon. adding a cut bc jesus this got long.

so your starting point for pre-Flashpoint is going to be Crisis on Infinite Earths. the TLDR of this event is: DC had a big multiverse in the 70s and early 80s that wasn't friendly to new readers. to try to push their titles more and become a proper competitor to Marvel, they created an in-universe storyline that nuked the multiverse and gave a solid entry point for new fans going forward. this is why you hear terms like Pre-Crisis and Post-Crisis. it refers to the comics canon before and after this event, in 1985. some characters had some big changes (for example: pre-Crisis Jason Todd was a circus kid whose parents were killed by Killer Croc) but most remained largely the same, just simplified. you don't *have* to start with Crisis on Infinite Earths if you don't want to. it's a *good* storyline, but it's a big one and a lot of big multiverse-scale stuff happens. so as long as you understand it as "big event that nuked DC's multiverse and gave the world a clean slate in 1985", then you've basically got the gist. also Barry Allen dies during it, but he comes back so don't worry about it.

in general, if DC has some big timeline/canon-altering event, they're going to call it a Crisis Event. the only Crisis Events that will matter to you, trying to get into pre-Flashpoint are

Crisis On Infinite Earths - the above, starts the Post-Crisis/pre-Flashpoint timeline

Zero Hour: Crisis In Time - an event in the 90s that sought to fix some of the kinks that the above Crisis caused, like fixing the origins of the Legion of Superheroes and other Golden/Silver Age characters, not *super* important tbh

Infinite Crisis - this was a big event that brought back some characters who got nuked by Crisis on Infinite Earths, unfucked Power Girl's backstory, and set the groundwork to bring back the multiverse. if you've heard "Superboy Prime punched a hole in reality and it brought back Jason Todd" yeah, this is the story where it happened

Final Crisis - a big event that was partly meta commentary but heroes fought Darkseid, Batman died for a hot second, it was all a big deal about evil winning and all that

Flashpoint - the event that nuked this timeline, a big storyline to do with Flash and the timeline that would result in the New-52 in 2011

are you confused yet? good embrace the confusion it's going to become second nature of a comic fan. you don't need to read these events as a beginner. you really don't i promise. they'll sound big and important, but besides Crisis On Infinite Earths and Flashpoint, the start and end of this era, the rest you can just kind of breeze by so long as you understand the big plot points like Batman dying or Superboy Prime punching reality. unless you really care about a character central to these stories, skip 'em for now.

now for any character, if they have a Year One comic? that is a very safe bet as a place to start. it is what it sounds like. Batman: Year One is going to be Bruce's first year as Batman. same as Green Arrow: Year One, Batgirl: Year One, etc. when in doubt, if there's a Year One, start with Year One. (note: for Superman, his "year one" type story is called Superman: Birthright and it is worth reading if you like Superman)

for Batman, i am holding you by the shoulders when i say this: people will tell you to read The Killing Joke. they're liars. do not listen to them. it's a bad story. you don't need it. do not let the Joker fanboys lie to you. people will also say Dark Knight Returns. don't listen to *them* either. i *like* DKR, i talk about it a lot here. it's not a good intro to Batman. it's an AU story, it's not canon, ignore it for now.

now where you *should* start with Batman, imo, is as followed

Batman: Year One - as said above, Year Ones are good, this is solid to start with

Batman: The Long Halloween - this is an iconic story and it's a followup to year One

Batman: Dark Legacy - the followup to Long Halloween, also a very good story

Batman: Hush - this story is a solid starter if you want to understand the general vibe of Gotham, the typical characters you see in the Batfamily, and a good Batman villain

once you've got the basics down, you *can* get into the big boy storylines like Batman: Knightfall and Batman: No Man's Land, but don't worry about those right now. they're long and complicated and shouldn't really be your starting point no matter how good they are.

other very good pre-Flashpoint comics that are easy to pick up and iconic storylines

Death of Superman - this is a long arc in the Superman run that if you collect in trades, goes Death of Superman, Funeral For A Friend, Reign of the Supermen, Return of Superman, Doomsday. it's long, but a very iconic storyline

Wonder Woman by George Perez - this the run that helped define modern Wonder Woman within the pre-Flashpoint era

JLA: Year One - if you want a good Justice League story where you get characters besides Batman, Wonder Woman, and Superman taking the shine, this is a great place to start

Green Arrow by Mike Grell - start with Green Arrow: The Longbow Hunters and then go into Green Arrow (1988). this has the darker, very 80s vibes that gets a bit gritty and very realistic with the issues it faces bc Green Arrow comics tend to be more rooted

The New Teen Titans by Marv Wolfman - this technically starts before pre-Flashpoint, don't worry about it it's fine. a good run for all of these characters, can get a little confusing, it is okay to be confused do not be afraid to google shit

so, some big stories out of the way i'm just. honestly going to run down the line of the major pre-Flashpoint Batfamily members and give you comic recs for them that you can start with. (besides Bruce obviously, bc well. see above)

Dick Grayson

NIghtwing: Year One

Robin: Year One

Nightwing (1995)

Tim Drake

Batman: A Lonely Place of Dying

Robin (1990)

Robin II: Joker's Wild

Robin III: Cry of the Huntress

Robin (1993)

Barbara Gordon

Batgirl: Year One

Birds of Prey (1999)

Jason Todd

Batman: The Cult (as Robin)

Batman: Death in the Family (as Robin)

Batman: Under The Red Hood

Red Hood: Lost Days

Cassandra Cain

Batgirl (2000)

Batman: No Man's Land

Jean-Paul Valley

Batman: Sword of Azrael

Batman: Knightfall

Stephanie Brown

Huntress/Spoiler: Blunt Trauma

Batgirl (2009)

Selina Kyle

Catwoman by Ed Brubaker

Helena Bertinelli

Batman/Huntress: Cry For Blood

Huntress: Year One

Birds of Prey: Manhunt

Damian Wayne

Batman & Robin (2009)

there are other very important pre-Flashpoint stories for all of these characters, but these are starting points more than anything. figure out what characters you're interested and go from there. understanding the universe at large helps, do not get me wrong. but at the end of the day, comics are a choose your own adventure of who you want to give a shit about. you're *never* going to read everything "important" and you're probably not going to understand everything. that's okay. don't treat it like a media you need to "complete" like a tv show or a movie, but more like an open world game where you decide what characters/teams/stories you like the most.

pre-Flashpoint covers a lot of ground. some stuff will be darker and grittier, some stuff will be more light-hearted. it will all be about what titles you pick up and what characters you decide you want to read about. you're obviously going to get a much more grounded storyline out of Green Arrow than you are say, a JLA comic. i prefer the more grounded, "street level" sorts of characters. (if you like gritty detective stories, i will be biased and highly recommend the Question (1987) just because. i love him okay.) but you might find you like sometimes more worldly and big scale. at the end of the day: don't force yourself to love a comic you're not enjoying, even if you like that character. you can put that shit down. sometimes, "important stories" are by shitty writers that you won't enjoy reading and you shouldn't make this hobby a chore. i don't care how "critically acclaimed" it is, you don't have to like it if it doesn't click for you. and on the flipside, a comic might be considered "bad" but you may enjoy it (a personal example: Robin III: Cry of the Huntress is considered a very weak comic. don't care. i love it anyway.) accept the cringe, have fun, and enjoy yourself at the end of the day. none of it will make sense anyway so just read what sounds cool to you.

this was all over the place and rambly, but i hope it helps at least a little! welcome to comics anon! if you or anyone else would like more character-specific recs, feel free to ask! if i don't know, i can at the very least hopefully point you in the right direction <3

[roachgore]

ya boy went to the tezuka museum

[talesfromthebandgeekmafia]

Can’t believe the world is potentially two hours away from a canon blackbonnet sex scene in Our Flag Means Death. what a time we live in

[mallevsmaleficarum]

alright, since all important faculty members are evil, maybe augefort is the bbeg for senior year

[weirfq1]

with all these gaston crackships/rarepairs that are coming out lately it would be so fucking funny if he had a flig with all the main characters (ambar, nina, simon... hell luna too if you want) and they all know it except matteo

[hikarry]

Okay children, gather around. It's "Spencer Complains and Acts a Little Mad" Time:

I have been raw dogging life for 1 month without my adhd/depression/anxiety/mood stabilizers medication and without a single Therapy appointment

I haven't left my house in 1 month, I haven't spoken to any of my (in person) friends in over 1 month, I haven't seen my family in 1 month, I haven't seen my bloody cat in over 1 month, I've barely left my bloody room in over 1 month, and I've been listening to my bloody voice almost every day for 1 hour so I can finish editing the bloody podcast for over a month

To top it all of: I haven't had a decent night's sleep in about 4 days now (in which I just don't sleep or I have extremely vivid nightmares with my departed mother and/or scenarios where I die over and over and over again but can't speak to ask for help before it happens - fun for all the family, if you ask me) and I might or might not be completely and absolutely going insane, with only Good Omens season 1 (6/6) and season 2 (5/6) and the existence of Crowley/red haired Fire Pokemon David Tennant Edition being my sole producer of any amount of serotonin

How am I alive? Good question. Beautiful genderfluid demonic content can be some very nice very distracting content for individuals that simp for Fire Type David Tennant Pokemon like myself

I am quite sure my only contact with anything mental health related in the past weeks has been my best friend whom is very very annoying and refuses to leave me the heck alone and whom is a nurse and is working extra time to advice my stupid ass the best she can, bless her heart

So, with my personal nurse's permission, I have doubled my sleeping medication for the night and, as Fall Out Boy once wrote for the song "Alone Together" in one of my favorite albums to have ever been created "Save Rock and Roll": I'll check in tomorrow if I don't wake up dead