#underdog tale

[imthefailedartist]

This season is full of queens who aren't not forgettable but aren't memorable, and they are taking the screen time away from the ones who are. It's time for Mhi'ya, Morphine, Q, and the Banana to go.

Two aren't bringing it anywhere. The other two are only bringing it to the runway.

I like Morphine. Morphine should be this seasons underdog. We should be watching her growth from episode to episode, but for some reason, she's not getting that treatment.

. Dawn is here but keeps getting backgrounded.

Sapphira has no competition. Even on her bad day, I'm like, "Yeah, she deserved that win. She was better than everyone else."

Plane Jane is such an interesting case. I see the talent, I see the skills, but there's just no personality. If Amanda Tori Meating was still here, she'd probably be the one to bring it out of her, alas she's gone, and with it so goes Plane Jane's development.

This season is so weird.

[underdogarts]

Drew a Wren moment from a couple sessions ago, when they were mysteriously claimed by a once thought dormant fae god after the party helped get rid of corrupted fae magic on an island that we passed, and was branded with the title “Champion”👀 were all super interested to see where it goes hehe

[taistelutaide]

The harder the battle, the sweeter the victory.

[ilsee-ver]

he’s such a fucking liar and i’m so fucking tired of it, red bull the quickest on track and during the entire weekend???

[literaryvein-reblogs]

Writing Notes: The Shape of Story

by Christina Wodtke 

Start with Conflicted Characters

The character needs a goal, a motivation and a conflict.

The goal can be alien to your audience,

but the motivation must be shared by them, and

the conflict creates struggles that increase engagement.

Paint a Picture

Details transport you into the story.

The world disappears and you have a story play in your head.

Even though there are no literal pictures.

But be careful—Too many details and the story gets bogged down.

Make the Protagonist Suffer

“Be a Sadist. No matter how sweet and innocent your leading characters, make awful things happen to them - in order that the reader may see what they are made of.” (Kurt Vonnegut, How to Write a Great Story)

And when it can’t get any worse, make it worse before it gets better

The two key moments that create the peak of excitement in a story is the darkness before the dawn, and the dawn. 

The climax is the moment when the protagonist is either rescued or rescues themself.

In older tales, we saw a lot of Deux ex Machina (the hand of god) rescuing the hero. A hero could be rescued by luck, a partner, another hero…but modern audiences strongly prefer stories where the protagonist helps themself.

Resolution is Boring, Keep it Short

Interest grows with every additional conflict, but once the hero figures out the solution, our fascination collapses.

Don’t natter on while the audience’s mind is drifting.

Also Consider:

You need a good inciting incident to move your protagonist to action.

A setting is more than a place, it’s a situation and a moment in time. A vivid place has details.

Modern audiences prefer “return home changed” to “return home the same.”

EXAMPLES: ARCHETYPAL PLOTS ALONG THE ARC

Boy Meets Girl

Internal conflict is always satisfactory (e.g., she believes love interferes with his career, he believes love interferes with his beer.)

The crises usually revolves around betrayal — lying, cheating — and the climax shows it was a misunderstanding or we get atonement.

The struggle is always about them being separated.

The resolution is about binding them more tightly together than ever.

The Quest

You seek things, and find yourself.

Return home changed and don’t pass go.

Common elements include companions, a mentor, great losses and extreme character arcs.

The Underdog

Even though they do not have a shot in hell, the underdog wants something. They want it so bad.

Common elements include an enemy who blocks their path, and a coach who helps them forward.

In this case, they do not return home changed but rather move into a new life that fits their changed self.

Coming of Age

Naive person has the world teaches them a hard lesson, and they become a better person for it.

Struggle revolve around life sucking and then sucking more.

The hero grows and becomes better because of it, and via new understandings becomes competent.

In some tragedies, the world breaks them.

They can return home changed, but more often they move to a new life they have earned.

More Examples. Justice & Pursuit:

Weaving Multiple Plots:

Weaving multiple plots together to make subplots can further increase tension.

Multiple plots woven together makes the whole story not only unique but very compelling.

[writerbuddha]

Some people just cannot think outside of the oppressed-oppressor binary: you’re either “the Man” the obvious villain or you’re “kept down by the Man” who is “sticking it to the Man,” the obvious hero. As a writer/illustrator put it, criticizing George Lucas’ work: “the OT films were the little guys fighting an oppressor… but in the PT, the Jedi had all the power. They were the oppressors. That “fight the power” spirit was gone.” The Jedi Knights are cool as long as they’re hunted by the Empire of the Sith, because they’re “sticking it to the Man.” But if they’re respected by people, if they’re working with the Senate of the Galactic Republic, they’re “the Man” and the Sith and Anakin Skywalker (or somebody else, this Underdog or Little Guy who is supposedly oppressed by guardians of peace and justice is never properly identified, in order to avoid the easily disprovable specifics) are the one who’re “kept down by the Man,” and by default, they’re the ones who’re “sticking it to the Man,” because in their heads, empowered and respected are the characteristics of Evil. And this reveals a deeply troubling mindset: “fight the power” and being victimized by “the power” is what makes you a moral, ethical, good person, even if that power is held by democratically elected officials with checks and balances or fairy tale monks who dedicate their lives to psychological and spiritual progress and to make sure that everyone is protected and there’s peace and justice in the world.

And herein lies the problem: people who only feel secure in their identity as "Good People" if they're fighting against an oppressive power cannot function without it and sooner or later, their desperate yearning for it will create it - and then, they will never be motivated enough to demolish it.

[pearl-tarotist]

₊˚ପ⊹ Chose a pile: PACs that I never ended ༻¨*:·.

In this Pick A Pile, I bring different piles of various tarot readings that I never ended/ write more than one pile each.

It's random piles that focus on various areas, none of them are +18. I hope all of you enjoy it!

Not all those who wander are lost.

PILE 1: What will your future spouse find beautiful about you?

They like how intensely you are you. They are at aw that no matter how many styles and physical changes you go trough, there’s something unchangeable.

They ardently enjoy the look on your eyes, they think that they are always recognisable. Firmly, on the quote “the eyes are the window of the soul”.

They do also enjoy the touch of your hands, they like how soft they feel and how they can engulf your hands with theis. They like how, sometimes naughtily , you trace their skin with the tip of your fingers.

There’s also a freckle, for some, close to the eye or upper lip, that they enjoy kissing.

With the moon card, they enjoy the part of you no one can see, yes, emotionally and physically-wise. Emphasis on the chest zone. Your future spouse is always eager to see you naked. They deeply enjoy seeing you in the “purest” way, naked, with no make-up, no clothes nor masks that can hide who you are.

They are fond of your curves, the softness and the reaction of your skin, they could enjoy hugging you so hard that they leave some redness on you. You are just too cute not to annoy a little bit.

They also see behaviours on you that they find beautiful. You are strong and mature. They will feel safe around you. They could see you and think you are the perfect person to build a family with.

“There is nothing more beautiful than seeing a person being themselves. Imagine going through your day being unapologetically you.” (Steve Maraboli)

(4oP - The Chariot - The Moon - 10oP - King of Shells - Queen of Gems)

PILE 2: Your life as a fairytale

i.-Your “new” self: skills, magic.

  In a fairy-tale you would wake up in the middle of the night to be the underdog.

You would live in a big city, surrounded by commerce and loud noises, probably, a coastal city. Technology has no place in this city and you constantly hear stories of dangerous sea pirates and magicians. You like to watch through your window how people make business and speak to each other… to understand the real self of all of them… to not suffer the fate of being betrayed. Your skin holds a golden tone due to the sunlight and your cheeks are always sun-kissed. You dress with flowy clothes and leather boots.

You walk through people as a ghost, comfortable on seeing and on not being seen and when you found yourself involved in any drama you unroll the drama enough to end in the position that you want.

              In dangerous situations you would be forced to use your cleverness and intelligence to survive the obstacles of your adventure.  You would have to decide what you want and which option to choose even when both options are dangerous and unfavourable. There wouldn’t be time to smell the salty air of the shores nor to pay attention to the sand between your toes. Self-reflections and risking decisions are your thing. “For the skin of your teeth” would define your path and personality.

Surviving, barely, everything.

Your skills would involve: wittiness, the observation of details no one else sees, always being two steps in front of everyone and in general: finding the answers no one could have found. When someone asks for the answer to the riddle, you will be the only one answering.

“ What goes on four legs in the morning, on two legs at noon, and on three legs in the evening?”

When everything’s lost, you save them.

ii.-Your group of friends:

You have lost friends along the way in this fairy-tale. Some adventures ended and you had to return to your normal life and your daily projects. You do not keep contact with them on the regular, but sometimes at night you stay under the moon’s gaze and think of them. To the ones you can see and the one you are not able to reach.

At least two of them are fine and you can see them from time to time. Once you saw him in the market corner, convincing someone to make an unfavourable business, you smiled and thought about how they have not changed.

Then, you saw her, dancing heavily and breathless in the bar with a little child, hair messy and a smile that reached her eyes. Her skirt flowed graciously at the sound of the music and the cracks of the fire. She saw you looking and asked you to dance with her but you were tired, so you just sat down in a chair drinking a soft drink.

To the ones you have lost, you think about them at night, thinking about if you could have saved them if you had done things differently. You know you need to stop this self-pitying, but you are not ready yet to let them go.

iii.-Your lover/companion of life:

Your lover was a breath of fresh air, he was the beginning that you needed to leave all the pain and sadness behind. He is happiness and a reason to drink… to cheer for the Gods that have put both of you together and have made your cups full of love.

He is a warrior, always ready to defend you and to take care of you. Reckless and unafraid, your lover stole your heart without doubts. In the same way he charges for battle, he charged for you… You love the warmness of waking up in his arms and the coldness that leave your body when he hugs you at night. He cleans your cheeks with affections when you get dirty and is not afraid to argue with you if it is for your well-being.

You have found stability and the person you do not need to convince to stay, he has chosen you.

 2 of swords //The moon + 5 of Cups// Ace of cups + knight of wands.

PILE 3: Shufflemancy:romantic messages 

۵♡۵ Let’s forget about the problems, worries and economical issues. I just want to party and enjoy this beautiful night with you. Let’s forget about anything else that’s just not us. (Time of our lives- Pitbull).

۵♡۵ I want to have a date with you at the beach, next to the water, let’s have the perfect summer date. (Water-Brad Paisley)

۵♡۵ I just want you to be mine, but I know we are not together. That’s why I hate when you keep secrets from me. I worry about every guy you set your eyes on. (Secrets-The weekend).

۵♡۵ I am going to try my best to earn your trust as it seems that you have trust issues, but I cannot do it if you give up and start going after every guy you want because you get bored of the routine. I am also getting tired. (Emergency -Paramore).

۵♡۵ If maybe…I stoped chasing you, would you come to me? Would you lay next to me? Just like butterflies… (Chasing cars - Snow Patrol).

۵♡۵ I don’t want to be friends, I want the all or nothing. I don’t know how to make it more obvious to you, please understand. ۵♡۵ I wonder why you let me get to close to you if you were just going to push me back. I do wonder too if all your words and what you said was a lie. (Fingers crossed - Lauren Spencer Smith).

In general there is someone kind of disappointed about the fact that you decided to break up with them or just stop talking to them; this person is definitly still into you but it’s unable to handle all of your trust issues. This person still thinks about you daily.

[thesirencult]

Pick A Card : Soul Connection

An intuitive reading about a soul meant to find yours. In epic tales there is a literally mechanism called "recognition". The hero and his counterpart recognize eachother even after years of estrangement. Like Penelope and Odysseus. A love so deep not even multiple lifetimes can erase. A soul kindred to yours you would recognize in a sea of people.

"I could recognize him by touch alone, by smell; I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world."

disclaimer : a tarot reading should never be used in place of professional counselling. Your reading cannot offer legal, medical, business, or financial advice nor does any portion of your reading herein purport to. You should not rely on a tarot reading to make any decision that would affect your legal, financial, or medical condition. If your inquiry involves the law, finance, or medicine, then you should seek the advice of a licensed or qualified legal, financial, or medical professional. Also, tarot reading cannot replace qualified mental health care. A tarot reading can only facilitate how you cope spiritually with a given situation.

PILE 1

The soul meant to find yours is a gentle one. Themes that come up here remind me of couples like Queen Victoria and Albert. I t will be love at first sight. Whatever your genders are, the "supposed" feminine will be the dominant one.

Your person will take the backseat as you run things. You may come from a wealthier background or simply seem "high value". Lady and the trump vibes.

This person will fight for those who didn't get the same opportunities to grow. They cheer for the underdog. This person will love your firey nature and how "bossy" you are. One thing you have to be careful with in this relationship is to keep things balanced as sometimes they might feel like you do not respect them or you don't spend enough time with them.

They could be an INFJ. Sympathetic, compassionate and protective. Practical and detail oriented, this is the safe place you need to come back to after your long trips towards the stars.

PILE 2

The love of your life will be able to see you. The real you. They won't overlook the greyness in your face. "You're Losing Me" by Taylor Swift is a song that can talk about your past.

No one stopped hurting you even though they knew they wouldn't be able to bring you back. They didn't care.

This person is everything that you deserve. They will help you heal. No sad songs with this one. Your happily ever after. This person is a soldier. They would die for love.

Your people pleasing tendencies won't go unnoticed with this one. They care about YOU, not what you can do about THEM.

Give them a chance when they come around. Sweet energy. Safe. Boy-Girl-They next door energy. A sweetheart with a great smile and a kind glint in their eyes. My heart feels warm writing about them. Hallmark movies ain't got nothing on them. Their love is simple and "perfect". No questions and worries. Your safe place.

Your energy reminds me of those wedding photos you see on Instagram of couples in small American towns posing with their golden retriever and smiling at each other. Don't let your past wounds f*ck this up. Sincerely, from one people pleaser to another. If you picked this pile we would have been besties in real life. Lots of love and hugs your way.

P.S. They will always choose you. You are not the first, but the ONLY choice.

PILE 3

Your whole life you have felt alone and isolated. Like life is a party you have not been invited. I wouldn't say you are a "pick me", you are far from that. You just feel like there is no one there for you to keep your hands warm. You have always longed for someone that will look behind the mirror and realize there is someone is behind it. You struggle with finding your inner voice.

The catch here is that you have the ability to choose anyone behind the mirror. You have the ability to show who you truly are. Be wild and crazy. Unstoppable. You didn't come here to do pretty and quiet. You are here to awake others and break the glass.

The person meant for you, your other half is very different from you. They are way more hedonistic and may find solace is the material realm. They will do everything to make you feel wanted and beautiful. This person will see you for who you truly are and they won't feel intimidated. Your "black cat energy" won't drive them away. They have some skeletons in the closet themselves. Disturbing and compelling, this one would make a great "50 Shades Of Grey" type of movie. lol. They could listen a lot to the Weeknd or they used to live a very "rough" lifestyle in the past. Love at first sight. Intense. You slap them and they will kiss you. They will buffle you. "Why doe sthis mfer stick around somehow?".

In all honesty, in this lifetime, your other half will be overbearing. They won't back down until they take you down with them. Penelope Cruz and Javier Bardem come to mind in Jamon Jamon. This person may also come from money or have a lot of money and they want you to be their dark princess/prince. It will feel like taking a panther or feral cat and trying to domesticate it. Good try. You are still dangerous though, but they don't mind a few scratches.

[j-emini]

@ the f1 gods pls don't forget that monza is for the underdogs, the unexpected victories, the dreamers. it's built on tales of unfaltering determination and astonishing feats against all odds. monza teaches us that greatness is not always about starting at the front, but defying expectations to persue victory.

[setarmare]

in love with the idea of the db's followers being as remembered in history as the db themself. imagine:

engineers, for generations, mumbling the formula called 'Remiel's Constant' under their breaths as they develop machinery, because it's such a foundational discovery on Remiel's part for a new age of engineering

in contrast, future alchemists agonizing over Xelzaz' thousands of alchemical discoveries a night before their finals, bemoaning why he was so diligent in cranking out formula after formula because now they have so much to memorize

historians and casual history buffs alike locked in discourse on whether or not the last prince of the Thalmor actually colluded with the Dragonborn in the Second Great War to help bring down the Dominion, with vaguely-worded correspondence for evidence

adaptations of the tale where every single follower is at least someone's 'blorbo'

the ballad of Inigo the Brave being a cultural touchstone for Khajiit rep and spawning Tamriel's version of the rogue, underdog hero archetype. even when it's a totally fictional work, if the protagonist (or charming side character) is weirdly charismatic, roguishly handsome, and with a heart of gold, chances are the creator was inspired by Inigo's legacy.

the massive misunderstandings of the dragonborn's original history. Thanks to anti-Thalmor sentiments long after the Second Great War, Nebarra was deemed as a traitor figure to the Dragonborn, but this sentiment was overturned centuries after uncovering contemporaries' journal entries on their friendship

when you ask someone who they think Sir Kaidan was to the dragonborn, there's an equal chance of them firmly believing he was their lover, platonic best friend, or loyal but professional lieutenant. they will have reams of evidence to back it up, no matter which stance they take.

many who have felt that they never perfectly fit into the demands of their faith or community, not just bosmer, resonating with Auri's story. realizing that while they may be an outlier in their own eyes, they can still do a lot of good in the world, and that has to count for something.

common sayings based on (real or not) stories of the followers. if a place is crowded, it's common to joke, "guess the dragonborn's in town."

just. yeah.

[commsroom]

cutter was born in the 20s, and he'd become "arthur keller" by the early 70s, so obviously pryce's story at the beginning of brave new world can't be taken literally - that's not even an old man, much less "older than anyone she had ever met." it's also inarguable she was an adult already working on her... ideas for the human body when cutter sought her out; "i want you to make a doll for me" and "i found people who had some very bold ideas about how to... tune up the human body [...] i funded their work, and provided them with a willing test subject" are pretty definitely referring to the same events. so, it's fairy tale language, but the question is: why? why frame it this way?

one part of it is the "fountain of youth" in connection to immortality, strength, and health. the implication isn't literally that cutter is very old and pryce is very young; it's that she represents this power, and that he wants her to bestow it upon him: "then you and i will fix the world. i will be young and you will be whole." cutter and pryce choose to look eternally 28, while referring to and conducting themselves as if they're very old: it's not just vanity, it's part of their self-mythology. simultaneously young and old, having overcome the natural order.

that mythology of "overcoming" natural limitations is especially significant for pryce: characterizing herself as a "little girl" within her own story is both self-victimizing and self-aggrandizing. pryce does not see herself as disabled so much as temporarily inconvenienced; even the usual limitations of the human body are something she hopes to transcend. "instead of being wretched or afraid, the little girl decided to be clever." she was put at a disadvantage, but overcame it all by herself because she was smarter and better than other people. by extension, anyone who can't do what she did just isn't good enough, even as she's closing doors behind her and making it harder for others like her. and at the same time: it's an underdog story that requires her to have been an underdog. she hasn't been in a very, very long time, but the power she holds over others remains justified in her self-perception by this image of a sick little girl who was hurt by the world. there's an implication of inherent worthiness, and even a sort of expected assumed innocence in characterizing it that way. the first thing people notice about pryce is her eyes, and... sure, maybe it's the technology, but if cutter can catch bullets without any visible signs, it seems likely to me that, like her age, this is at least in part an aesthetic choice. it intimidates people. she's turned this point of hurt and vulnerability into a power play, and remains attached to it.

and that's the other part of the mythologizing that's going on: presumably, pryce was not the only person who worked on all of this. cutter funded others. but the story retroactively simplifies it, in a childish fairy tale way, and paints an image of them as exceptional, uniquely capable and so uniquely deserving, people.

i think there's something interesting to consider here about pryce in contrast to hera: that pryce is a woman who self-justifies her cruelty via a mythologized girlhood, while hera is a woman who was never a girl, who was never considered innocent or even allowed the same recognition of the ways she's been a victim. pryce resents humanity and all it represents, resents her body and its limitations, feels that being human has only caused her suffering, but still clearly believes that she has more of a claim to humanity than hera does by nature of her biology and upbringing. pryce's "bootstraps" attitude re: disability and her own self-victimization are the crucial things here, but i think that is also particularly interesting if you read hera as a trans woman.

(incidentally, this is part of why i have a particular love for hera designs where she's just a regular woman, more angular, and maybe even older looking - a natural 30-something in contrast to an unnaturally maintained 28 - than pryce. they're both women who have chosen how they want to look, and it highlights something.)

[from-the-coffee-shop-in-edoras]

“All your words are but to say…when the men have died in battle and honour, you have leave to be burned in the house, for the men will need it no more.” – Éowyn

We all love this line, where Éowyn is really giving it to Aragorn over the unjustness of her exclusion from battle with imagery that is jarringly evocative. But what if she isn’t just painting a powerful rhetorical picture but is referencing the life of an ACTUAL WOMAN: Aerin of the House of Hador and kinswoman of Húrin (seen in the Silm/Children of Húrin)? What if Éowyn’s language is letting us know that these stories and legends of First Age communities of Men are still alive and well in Third Age Rohan’s oral history traditions?

I love this idea, which made its way to me from @outofangband (who shares a love of Aerin but also knows WAY more about her than I ever will!♥️). For those who don’t know, Aerin lived in Hithlum and was forcibly married to the Easterling leader Brodda after Hithlum fell in the Nirnaeth. She suffered greatly but didn’t let Brodda’s abuse stop her from secretly aiding the remnant of her people who were living then as beggars and thralls. Túrin eventually came to make a bloody mess of it all (as is Túrin’s way) and ran off with many men of Aerin’s community after stirring the Easterlings to wrath. Then Aerin, among the women left to deal with that wrath, lit Brodda’s hall on fire and perished in the flames. Sound familiar???

I simply can’t read Éowyn’s words now without thinking that she knew the story of Aerin and had it in mind as she spoke to Aragorn. There’s already some evidence the Rohirrim are familiar with the history of First Age humans even as they don’t know much high elven lore (I refuse to accept that they got the name “Haleth” by coincidence!), and this seems like an even more direct and natural connection, especially because the Rohirrim are distantly related to Aerin’s Hadorian people.

The thought that the Rohirrim have songs and oral poetry – their means of “documenting” and transmitting history – about these First Age figures is lovely to me. Tolkien makes such a big deal out of how much the elves and Gondorians love and revere lore, how they have libraries full of texts, etc., while positioning the Rohirrim as less sophisticated in comparison (they’re called “unlearned” and Aragorn suggests they barely remember things that pre-date the founding of Rohan itself!). They’re treated as though their lack of books and the fact that they don’t happen to be interested in the exploits of the Númenoreans or the Noldor means that they’re ignorant of everything or don’t care about history at all. But that’s not true!!

They’re absolutely invested in and take care to preserve the history THAT MEANS SOMETHING TO THEM. And what is that? Well, it’s not Fëanor or Tar-[Insert King Here], but apparently it is Haleth and Aerin – women who found different but equally impactful ways to lead their people and resist oppression. And for those to be stories that resonated in Rohan enough to be remembered and passed on from generation to generation makes a lot of sense to me. It’s a land of shieldmaidens, a land where women are still looking for and creating ways to resist and defy, a land where both women and men sometimes have unexpected views about gender roles.

Those are people who would be interested in the experiences of Haleth and Aerin, even as (and maybe especially because) those women aren’t particularly remembered and celebrated by folks like Aragorn or the Gondorians and the elves. Húrin is the man of legend from that time and place to most of Middle Earth, and Aerin lives in the margins of the history just as she lived in the margins of life. But an underdog people will love an underdog story and keep it alive while others have forgotten.

It’s also interesting to consider what “lesson” the Third Age Rohirrim are taking from Aerin’s tale. On the face of it, you might read Éowyn’s words as being scornful of Aerin, as she points to Aerin’s situation as one lacking honor. But I don’t think that means she thinks that *Aerin* is lacking honor. Their situations are very different – Éowyn lives in an unconquered land that is going to battle now to stave off their fall; the main events of Aerin’s story take place in a post-war environment, where there is no battle to be had but just the daily grind of living under brutal occupation. Aerin does everything courageous and meaningful that can be done in her scenario (other characters in the Children of Húrin basically say this, confirming that Aerin is good, strong of heart, and the very essence of righteous defiance), and I don’t think Éowyn finds any fault with Aerin’s choices or behavior. What Éowyn finds dishonorable and inglorious is the circumstance of being forced to live under occupation in the first place. She wants to go to battle so that she is never faced with the life that Aerin had to live. She learned from Aerin’s tale that she’d rather not be the resistance to oppression but instead the conqueror of it.

Anyway. Now I’m just rambling (as is my way!). But if even a hint of this was interesting to you, I urge you to check out @outofangband ‘s blog for all kinds of additional context and detail about Aerin and the infamous firing of Brodda’s hall, expressed in a more articulate way than here! Thanks for sharing this very cool connection with me, friend!

[lukebeartoe]

A Tale of Five Tandems

The Body Language of Double Riding with your Buddy

This was bouncing around in my head when i went to the theaters and someone reminded me so here it comes. Bear with me.

Ride 1: The "Vespa" on the Island

For their first ride, Luca is anxious and hesitant! But Alberto is right, if he doesn't hold on to the front the makeshift Vespa will fall apart. Luca doesn't grab on until it begins to detach, keeping it whole and working correctly.

He keeps a tight grip onto Alberto for the rest of the ride, out of fear or duty, but also because grabbing worked. He was right to trust Alberto. And then, when they're falling towards the rock, he stops grabbing and re-detaches it, because they would not survive if he stayed attached. (Parallels what parallels?)

Ride 2: The Dream Vespa

Later that night, Luca is much more confident. The trust he put in Alberto paid off and he faced his fear. And he's starting to share Alberto's appreciation of adrenaline. When he falls asleep, he's behind Alberto on a "real" Vespa. Holding his waist gently, not desperately like earlier. Comfortable and secure.

Dream Alberto puts Luca in the drivers seat, perhaps representing Luca's growing confidence and desire for agency. Alberto encourages him to ramp up into the fish, but once there Alberto isn't holding him anymore. And when Luca goes even further and touches the moon, Alberto and the Vespa vanish.

(break added because long)

Ride 3: The Uphill and the Downhill

That worry (or maybe the whole dream) is forgotten for a time, and Alberto and Luca don't ride together on a two-wheeled vehicle until the day before the race. By this point much has changed. Tensions are rising and Alberto feels like Giulia is pushing them apart. While helping Luca strength train, he is literally separated from him by Giulia. At the top of the hill, things start to come to a head and Alberto interjects himself in front of Luca, for him to hold onto. Where he thinks he belongs. Luca's hands go out, but do not grasp him, not trusting him. Notably, Alberto has never ridden a bicycle.

On the way down the hill, Luca only touches Alberto once, to try to take control of the handlebars. Is he willing to fall of the bike away from Alberto? He may be fearing his safety but he does not trust Alberto with this, and again this is justified. They did get down the hill, but they did crash. Into the sea.

Ride 4: The Race

After Ercole stymies Alberto's attempt to rescue Luca from the rain, Luca rescues Alberto from Ercole. Things are completely different. Alberto rides behind and he barely stops touching Luca the entire ride. He trusts Luca's ability and is putting his life in his hands.

Alberto switches between Luca's waist or his shoulders, and once his face to avoid Ercole's harpoon, but he clings tight to Luca the entire time he is on the bike. No matter what jumps, rough terrain or murder threats are happening.

Ride 5: Victory Lap

As Portorosso celebrates the Underdogs' victory, they drive the newly-purchased Vespa to Giulia's house. Luca is now between Alberto and Giulia, everyone holding each other by the shoulder, nobody feeling estranged. The body language is much more relaxed, like in the dream, no doubt helped by the slow speed. Alberto is driving, but the Vespa was his dream to begin with. And his to sacrifice if he chooses.

So yeah, this was I'd guess 80% intentional, 20% me reading too much into things, haha!

[max-nolastname]

types of story that different black sails characters think they're in:

jack: typical underdog overcoming unbeatable odds story; he is the main character and the show is 100% about him and his joseph campbell hero's journey. he is like achilles seeking eternal glory. he is also like gilgamesh, seeking immortality because he's afraid of death

flint: one of those fairytale retelling stories from the villain's pov; he is the fire-breathing dragon/big bad wolf/wicked witch that his village has ostracized, chased out of his home with pitchforks and torches because they feared him and what he is and what he stands for. he knows that in another show, a more popular show, the story would be told from the pov of the villagers about the dangers that lie beyond the village walls and into the forest...but this is HIS show and in HIS show HE is the one that survived the villagers not the other way around and HE is the one that has been wronged and he WILL see them pay for it

miranda: at first she thinks she is the witty and cunning heroine of a regency period romance novel. she is critical of high society and it's archaic and sexist traditions, turns her nose up at the institution of marriage and yet against all odds finds a true partner in thomas. she thinks herself happier and smarter than her peers, for finding a way to explore her sexuality freely and still keep her high status. she is caught in a whirlwind romance with a handsome naval officer and well....then her story turns into a tragedy and a decade caught in lifeless loveless joyless limbo where she is sidelined into the background of someone else's story

max: overly aware that she is in A Story and that she is Not The Main Character; the spotlight is never on her, she will never take centre stage. in fact, she is in the wings, or perhaps watching the show from the back of the theatre as the stage manager, setting the scene and directing others to pull ropes, shine lights, open and close the curtains so that other actors can strut and fret their way around the stage

billy: revenge quest story! thinks he is the good guy, there to protect his friends and get revenge on the tyrant who killed his father. gains some genre awareness and realizes that he is not, in fact, the main character, but rather a side character caught in a romance between his captain and quartermaster and if he really wants to survive he's really gotta break them up

madi: a story of hope told around a campfire, passed on from generation to generation so people don't forget about the time that an island of maroons stood up to a seemingly eternal and unbeatable empire. some days, it's a cautionary tale, on how volatile solidarity can be with divisions like class, race and gender .... or how revolution necessitates violence that people who are comfortable in their oppression rather not pay... but no empire lasts forever and nothing is inevitable. the story sticks in the hearts and minds of future revolutionaries and someday someone somewhere will pick up the torch and continue the fight

season 1 walrus crew: workplace comedy

silver: [redacted]

[tabby-shieldmaiden]

Picture a female character, one who wasn’t done right by her writers. Maybe the writer has some resentments towards women, maybe it’s just the nature of the franchise that women’s stories aren’t prioritised, maybe the author gave her something that was honestly a little stereotypical and tokenising, maybe the author just didn’t care. Maybe it was something else entirely. Just imagine a girl in a story who deserved a better one.

Got one in mind now? Okay, now…

[elbiotipo]

The *fun* thing about Argentina 1985 is that despite the serious subject matter and how it treats it, there are a lot of classic movie moments that make it like watching a tale of the plucky underdog team of misfit youths against the establishment justice system. You see all these quirky characters working as a team for a good cause and it hits the right story and even comedy beats, like a team that learns to work together under the guidance of someone more experienced, it's a classic story. You're almost having fun at one point.

Then you get to Adriana Calvo's testimony.