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detectivejigsawpines · 2 years ago

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The Ultimate Disney Villain Showdown-Part 3

I think that covers the animals. Now on to part 2 of Round 1-Mundane Villains!

Hans (Frozen)

Manipulator

Heartstomper

Yet another guy who just can't wait to be king

Strengths: Manipulation, charm, cunning, charisma, singing voice, horse, nice sideburns, sword

Weaknesses: Being punched in the face, sisterly love

VERSUS

Sheriff of Nottingham (Robin Hood)

The original Wolf of Wall Street

Tax collector

Big-bellied bully

Strengths: Intelligence, strength, sword, capable of throwing his weight around, light on his feet for his size, pettiness

Weaknesses: Incompetent vulture sidekicks, unnecessary cruelty, occasional inability to see through disguises, being chased by tents, catchy songs, having a twangy southern accent in medieval England

****

Cruella de Vil (101 Dalmatians)

Sadistic puppy killer

Fur fashion fiend

I don't care what the new movie tries to tell you, she is not a good or sympathetic person

Strengths: Ruthlessness, determination, intelligence, being a rich white female with a bobbed haircut, intimidation, drives like a maniac, terrifyingly awesome mansion

Weaknesses: Temper, impatience, incompetent henchmen, future lung cancer victim, greed, vindictiveness, able to be outsmarted by dogs

VERSUS

Madam Medusa (The Rescuers)

Child labor supporter

Cruella expy

Yet another example of a Karen

Strengths: Shotgun, pet crocodiles, intimidation, boat driving skills, manipulation, determination

Weaknesses: Impatience, temper, fear of mice, hotheadedness, bad boss, vanity, able to be outsmarted by mice

****

Shan Yu (Mulan)

Leader of the Hun Army

Howling wind

Possibly genetic experiment crossbreeding him with a hawk or something-check out those eyes

Strengths: Intelligence, sword, pet hawk, strength, freaky yellow eyes, giant freaking army, ruthlessness, determination

Weaknesses: Avalanches, fireworks

VERSUS

Mr. Scroop (Treasure Planet)

Technically an alien, but just go with it

Spider psycho

Israel Hands expy

Strengths: Giant pincers, ability to crawl on ceiling, vindictiveness, cunning, manipulation, eavesdropping, being part of a criminally underrated awesome movie

Weaknesses: Temper, impatience, the cold void of space

****

Percival C. McLeach (The Rescuers Down Under)

Poacher

Walking Australian stereotype

Surprisingly frightening by virtue of how willing he is to murder a child in cold blood, and because of the face he makes in that one scene

Strengths: Manipulation, being voiced by George C. Scott, strength, multiple weapons, Joanna (lizard sidekick), cool hat, determination, ruthlessness, intimidation

Weaknesses: Bad boss, beer gut, temper, gets outsmarted by mice

VERSUS

Lyle Tiberius Rourke (Atlantis)

Mercenary

Graverobber

Double-parker (allegedly)

Strengths: Manipulation, combat skills, ruthlessness, weapons, intimidation, pettiness

Weaknesses: Lack of conscience, ultimately a sellout, can't handle being cut by magic blue glass

****

Gaston (Beauty and the Beast)

Hunter

Stalker

Self-entitled bas...ketcase

Strengths: Charisma, cunning, manipulation, weapons, determination, slyness, popularity, good looks, deep singing voice, combat and hunting skills, high alcohol consumption

Weaknesses: Overblown sense of entitlement, illiterate-ness, vanity, selfishness, inability to accept rejection

VERSUS

Clayton (Tarzan)

Hunter

Poacher

Boss level after defeating Sabor

Strengths: Shotgun, machete, stealth, cunning, determination, manipulation, hunting skills, voiced by BRIAN BLESSED, absolutely massive chin

Weaknesses: Temper, impatience, berserker rage, susceptible to vines (not the Internet kind)

****

Bradford Buzzard (DuckTales)

Accountant

Leader of secret organization

Massive killjoy

Strengths: Manipulation, secret-keeping, espionage, bookkeeping, cunning, caution, practicality

Weaknesses: Control freakishness, fear of potentially dangerous situations, unresolved childhood trauma, inability to accept own villainy

VERSUS

Dawn Bellwether (Zootopia)

Born leader (it's literally in her last name)

Fearmonger

Political terrorist

Strengths: Hench-rams, manipulation, determination, deceptively cute appearance, ruthlessness

Weaknesses: Not physically strong, cute fluffy sheep, hatred of predator animals

****

Bill Sykes (Oliver & Company)

Gangster

Loan shark

Kidnapper

Strengths: Dobermans, intimidation, realistically horrifying, determination, willingness to kidnap a little girl

Weaknesses: Underestimating weaker parties, future lung cancer patient, trains

VERSUS

Governor Ratcliffe (Pocahontas)

Gold-digger (literally)

Designated villain on account of name

Historically inaccurate

Strengths: Charisma, opportunistic, authority, musket, nice hat, gets two villain songs in the same movie

Weaknesses: Greed, recklessness, racism, uncompromising

****

Lady Tremaine (Cinderella)

Evil Stepmother

Amateur slavedriver/domestic abuser

Social climber

Strengths: Manipulation, authority, expressing disappointment, cunning, using casual cruelty to ensure cooperation, looking absolutely terrifying in the above scene, being voiced by the same woman who voices Maleficent

Weaknesses: Jealousy, greed, helplessness against true love or whatever 🙄

VERSUS

Mother Gothel (Tangled)

Wannabe flower child

She and Frollo would be a match made...somewhere

Terrible babysitter

Strengths: Emotional abuse, semi-immortality, cunning, manipulation, ruthlessness, deception, not afraid to get her hands dirty

Weaknesses: Vanity, selfishness, unused to defiance, unwilling to age gracefully

****

Captain Hook (Peter Pan)

Pirate

Neverland inhabitant

Wannabe child murderer

Strengths: Hook (well, duh), swordsmanship, cunning, crew, cannons, loophole abuse, wrath, very snazzy dresser

Weaknesses: Cowardly, whiny, crippling fear of crocodile, obsession, overconfidence, semi-competent crew, constantly beaten by a child

VERSUS

Judge Claude Frollo (Hunchback of Notre Dame)

Religious leader

Hypocrite

Abusive parent

Strengths: Authority, religious mania, being voiced by Tony Jay, awesome villain song, even more awesome hat, manipulation, deception, ability to destroy self-esteem, determination

Weaknesses: Obsession, decades of suppressed libido, xenophobia, tendency to talk/sing to the fireplace, hallucinations, lava

****

Toffee (Star vs. The Forces of Evil)

Former general

Bipedal lizard

Nice dresser

Strengths: Regeneration, manipulation, intelligence, practicality, strength, possession, nice suit, patience

Weaknesses: Boring, dresses like a lawyer, sadly underutilized by his own show which had a TOTAL COPOUT ENDING THAT WAS SO STUPID I CAN'T EVEN-

*Deep breath, deep breath*

...You saw nothing. Just move along, nothing to see here.

VERSUS

Dr. Heinz Doofenshmirtz (Phineas and Ferb)

Evil scientist (NOT a pharmacist)

Either a genius or an idiot, it's hard to tell

Most wholesome villain ever

Strengths: Titanium arms, ability to build -inators in a day or less, ability to break or at least lean on fourth wall, combat skills (at least when up against platypus), ability to burst into random song and dance numbers at the drop of a hat, ability to break cycle of abuse and do his best to be a good father to his daughter, virtually indestructible

Weaknesses: Easily distracted (possibly ADHD), almond brittle, unresolved childhood trauma, pettiness, loneliness, social awkwardness, doesn't seem to understand the concept of NOT including self-destruct buttons on -inators, fears bats and vending machines

#ultimate disney villain showdown #mundane villains #round one

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marvelvsmarvel · 3 years ago

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MCU Sinister Six Roster Speculation (long-form)

Spider-Man No Way Home is all but confirmed to include the multiverse, Doctor Strange, and the Sinister Six which features three of the previous Sony cinematic Spidey villains:

Alfred Molina’s Doc Ock

Jamie Foxx’s Electro

& William Dafoe’s Green Goblin

If we take into consideration that this is in fact the MCU’s Sinister Six and not to be part of the Sony-Disney joint custody Venom/Morbius limbo then we should also include:

Michael Keaton’s Vulture

& Jake Gyllenhaal’s Mysterio

Four out of these five make up the original Six from the comics (no Goblin) with Sandman and Kraven the Hunter rounding them off. Here’s where it does get iffy because if he do consider limbo picks we know that Sony recently cast the real MCU Quicksilver actor Aaron Taylor-Johnson as its Kraven the Hunter for a solo film. And then we also know that MCU Vulture was supposed to crossover in Sony’s Morbius presumably in a prison scene where Vulture and Morbius meet.

Either one makes Six but now let’s focus back on the MCU. There is Bokeem Woodbine’s Shocker and Michael Mando’s Mac Gargan who is set up to be Scorpion both of whom could possibly reprise their roles but where either one of them make Six again. So what options are there to kinda limit this search for Six?

My guess is that whoever the mystery Sixth person is would be in charge seemingly cancelling out thugs like Shocker and Scorpion. They would also need to be able to have the capabilities of accessing the multiverse to cross over the previous villains which cancels out the Kraven and Morbius as well. So while that doesn’t seem to have limited the guesses I have three that I feel incredibly strong about:

Kingpin Wilson Fisk: You mean like what Sony’s Spider-Man Into the Spider-Verse did? I mean EXACTLY like the Academy Award Winning Best Animated Feature Film that beat not one but TWO Disney movies! Vincent D’Onofrio’s Wilson Fisk already exists in the MCU proper but recently he was rumored to have been added to the Hawkeye series as well. I have been rambling how Sonny Burch (Ant-Man and The Wasp) works for someone pretty powerful but he also made note to Hope “You think that I don't know what you've been building with all of this Quantum Technology? You can forget nano-tech. Forget A.I. Forget cryptocurrency. Quantum Energy is the future. It's the next gold rush. I want in.” That’s some serious knowledge for a mid-level shot-caller. What if Fisk is Burch’s boss? You follow the general plot that Fisk wants to reclaim legitimate power and authority behind philanthropic/business fronts. One of his investments is in a crazy former AIM (bring them back) Quantum Physicist named Dr Otto Octavius (Molina) who is trying to crack Quantum Energy. Octavius uses a harness he wears that controls four powerful limbs that assist in building massive Quantum tunnels because in no way can you get Quantum Energy from a machine that fits in the back of a truck... Anyways Octavius succeeds in finding a way into another dimension. Fisk takes this news and instead of simply running to a big press conference he sees an opportunity to become a hero to society if he can kill this public menace who murdered the superhero Mysterio assuming he actually died. In order to not have the murder trace back to him he doesn’t just use out of town killers but out of dimension killers which includes Green Goblin and Electro, and now a real multiversal Mysterio Daniel Berkhart (not Quentin Beck but still played by Gyllenhaal) who has some crazy illusion tech from his own dimension. Fisk also financially leverages a reluctant Vulture because he has experience against Spidey. This plays out level boss battle style with Kingpin being the final boss. This guess supports the rumor the Charlie Cox will reprise his role as Daredevil Matt Murdock within the film.

MCU Norman Osborn (not played by Dafoe): Talk about multiverse! Continuing me doubling down on my big guesses have Osborn be the person who bought Avengers Tower in Spider-Man Homecoming and rename it OSCORP. Within it and over the past 5+ MCU years Norman Osborn has been experimenting with Quantum Energy with the goal of solving time travel much like Tony Stark did (that no one knows about but the brilliant Norman Osborn came to that conclusion with Quantum tech himself). Have him succeed only then fall under Doctor Strange’s radar. Strange who then has his hands full with what Loki and Wanda are doing to the multiverse decides to ask Peter to stop Norman from messing with things beyond his control because “the universe depends on it”. Spidey agrees and does it in the most Spidey way which is just unintentional destruction of property seemingly destroying the machine which ends in an accident that exposes Norman to Quantum Energy that will later turn him into the Goblin. Norman starts to hear voices believing he is going crazy when it is really Quantum Entanglement just like between Janet Van Dyne and Scott Lang. Villains from other universes are calling out to kill the bug and so Norman gets back to work rebuilding the Quantum tunnel like a maniac to silence the voices. Doc Ock and Electro are brought to the MCU along with another Norman Osborn (Dafoe) who is already full on crazy. Mysterio Quentin Beck is revealed to have only faked his death and comes to MCU Norman with a plan to kill Spidey after learning about what he did at Oscorp. Vulture is again reluctantly recruited with money because of his previous experience. This plays out mob style with relentless combinations of team up attacks the ultimately leads to a Six on bug boss battle. This guess supports the growing concept of multiverse in the MCU by having two Norman’s from different timelines while also bringing the franchise in full circle paying off the moving day from Homecoming.

Nightmare/Other: Ultimately this would be the Doctor Strange 2 villain who is rumored to be Nightmare but regardless should be a multidimensional threat but I’ll use him for now. With Wanda and Loki breaking the timelines this threat is freed from the limits of or the imprisonment of their dimension and are out to send the multiverse into madness. In doing so they find themselves on earth where they will begin their takeover but must first defeat their greatest threat there. Tracing power back to the Sanctum Sanctorum they find Peter Parker hiding out there instead of Strange. Mistakening Peter for Strange in the case of Nightmare he feeds on Peter’s fears which after recent events is that ALL his villains would come after his friends and family. Nightmare existing as a multi-dimensional being therefore summons Spidey rogues Green Goblin, Doc Ock, and Electro from multiple timelines and a couple from the MCU which in turn frees Vulture from jail and reveals Mysterio as alive from wherever he was hiding out at. Nightmare incites the rest of the Six to do his bidding through their own fears but Strange of course returns in time to reclaim Nightmare back into his own dimension for a future showdown. This plays out Nightmare of Elm Street (horror) style with the villains hiding out for Peter and attacking when he least expects it with the goal for Peter to survive the night until Strange arrives as opposed to battles to win. This guess doubles down on Strange’s confirmed cameo in the film because why else need the help of the Sorcerer Supreme if not because of a threat that “could destroy life on a scale hitherto undreamt of”.

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renegadewangs · 3 years ago

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Van Zieks - the Examination, Part 1

Warnings: SPOILERS for The Great Ace Attorney: Chronicles. Additional warning for racist sentiments uttered by fictional characters (and screencaps to show these sentiments).

Disclaimer: These posts are not meant to be taken as fact. Everything I'm outlining stems from my own views and experiences. I am a 30-something European woman, and therefore may not view the matter from certain angles. That said, I'm always open to more input from others. If you believe that I've missed or misinterpreted something, please let me know so I can edit the post accordingly. If we can make this a team effort, I would love that.

The purpose of these posts is an analysis, nothing more. Please do not come into these posts expecting me to either defend Barok van Zieks from haters, nor expecting me to encourage the hatred. I am of the firm belief that characters are no more than a tool created to serve a narrative purpose, therefore the question I'm posing is whether or not Barok van Zieks serves this purpose. That's all I'm doing here.

I'm using the Western release of The Great Ace Attorney Chronicles for these posts, but may refer to the original Japanese dialogue of Dai Gyakuten Saiban if needed to compare what's said. This also means I’m using the localized names and localized romanization of the names to stay consistent.

It doesn't matter one bit to me whether you like Barok van Zieks or dislike him. He's not real anyway, so he can't suffer from it. However, I will ask that everyone who comments refrains from attacking real, actual people. If you know you're morally in the right, there should be no need for insults to begin with. Let's keep this conversation civil and constructive! As the first post in a series, let’s first start by examining the expectations we would have for a character like this. The purpose he was meant to serve.

1: Expectations

As I said in a different Barok-related essay, the main prosecutor of any Ace Attorney game has been, and always will be, an antagonistic force. Not a villain, not even necessarily someone who exhibits immoral traits. (Hi Klavier!) Just someone who impedes the protag’s goal of getting a not-guilty verdict. In order to have an effective antagonist, they need to mirror the protag's weaknesses back at them. Ace Attorney does this quite well, as the prosecutors represent the obstacle/turmoil that the defense needs to overcome. Often times, the prosecutor is also tied to a pivotal moment in the attorney's past, making sure the strife is quite personal.

Considering the game's plot and settings, it would've been difficult for Barok to be tied to Ryunosuke's past. (He is tied to Asogi's past, funnily enough, but that's a matter I also addressed in that other Barok essay.) So instead, Barok represents Ryunosuke's struggle in more of a figurehead capacity. I've seen people dub him the 'CEO of Racism', and I'm not gonna lie, in a way that's correct. Barok was designed to be the mouthpiece of the harmful sentiments Japanese exchange students would have encountered in the 1900s. By extension, since Ryunosuke is an exchange student unfamiliar with the British courts (or even courts in general), the prosecutor would target the fact that Ryunosuke 'does not understand how things are done here'. Which he does- a lot. This makes it all the more satisfying when Ryunosuke proves him wrong by outsmarting him and using Britain's own laws (such as the closing argument) against him. So yes, you may hate Barok for uttering racist sentiments and dismissing Ryunosuke's abilities, but the ultimate goal here is that Barok's defeat is made sweeter as a result. The narrative end-game is Ryunosuke's triumph and validation in the courtroom.

Was there a different personal struggle Barok could have represented? Yes, but also no. Sure, his vendetta could have been strictly with the Asogi family and Ryunosuke could have admitted to carrying Asogi's resolve, not knowing what it meant. Though that would’ve implied very early that Asogi had a history of sorts in Britain and would’ve destroyed some of the surprise we experience in game 2. Alternatively, there was also the 'parallel' antagonist angle. The sort of villain who says the line “we're not so different, you and I.” The antagonist who shows what happens when someone with the same skills or motivations follows the wrong path, which emphasizes the right path for the protagonist. However, I can't see that working in the plot of this game.

A purposeful decision was made by the writers to have prejudice be a central theme of the plot. This is the matter that hits the hardest in an emotional sense. Therefore, having Barok be the centerpiece of this prejudice ensures he leaves the biggest narrative impact.

---

However, another long-running aspect of the AA prosecutor is the redemption arc, so let's turn our attention to that!

I'm not going to put too much effort into explaining this, I just want to talk about the requirements of a redemption arc. We all know these types of arcs, a lot of Ace Attorney prosecutors have them. We see them in fiction all over. Noteworthy examples of redemption arcs done well include Zuko from The Last Airbender, Michael from The Good Place... For argument's sake, let's toss Edgeworth in there too. I'm not saying Edgeworth's arc is done well, but at the very least it is accepted by most as something that served its intended purpose. I've never seen anyone question Edgeworth's transformation.

See, what we have here is a bit of a misnomer when it comes to what people expect to get out of these types of arcs. Redemption in itself is only 'deliverance from sin' or 'being saved from evil'. It's the thought that a horrible person can still see the error of their ways before it's 'too late'. However, when it comes to absorbing media, often a character gaining knowledge that they were in the wrong isn't enough to satisfy the audience. Would Edgeworth have had a satisfying redemption arc if he'd acknowledged his arrogance and dirty tactics, only to retire as a prosecutor? No way. We needed him to return in the following games to give us an update on his status. Standing in court as a defense attorney, at the risk of damaging his reputation, was the moment we knew he'd grown for the better.

What we require for the arc to come to a good conclusion is atonement. The character in question must not only apologize for their actions, but repent in a more active manner to show that they've changed their ways. Following that, the atonement must be acknowledged by others. So for example, Zuko joins the ATLA gang to help them in any way that he can until even the most skeptical of the group, Katara, acknowledges his transformation into a better person. Now add to this the notion that the character's atonement must be virtuous and sincere. The Good Place is a fascinating look into the debate of 'is it ever too late for a person to change?' and the moral complications of changing in the first place. If you're only doing good things because you want to be saved from damnation, are you being a good person or are you being selfish? There's such a thing as corrupt motivation; only doing good because it is expected. For example, does sponsoring a library make Magnus McGilded a good person? It does not, since he's only doing it to boost his own reputation and have people believe he's selfless.

As a final note, I want to ask: Does a redemption arc require a backstory to justify the character's immoral ways? Personally, I don't think that it does. It's good to have, since it allows an audience to empathize with the character and give them more of a reason to root for them. It turns the redemption arc into a tale about overcoming past trauma. However, it can backfire when done badly and lead to frustration. (I'm looking at you, live action Disney movies!) Some characters are evil just for the sake of being evil and even then, they can turn over a new leaf because they realize it is just so much more rewarding to be good. Just look at Michael from The Good Place.

What's more effective than a backstory, in my opinion, is smaller details to humanize a character. Humanization can also lead to empathy, perhaps even relatability, and helps us believe that they're capable of change. We need to be told that a character has their own fears, their own flaws, their own odd little habits which deviate from the norm... Again, I'll point to Michael from The Good Place for this. Another humanization tactic, which we see employed often in Ace Attorney, is to display a prosecutor's likes and hobbies outside the courtroom. Edgeworth's fanboying over the Steel Samurai, Blackquill's love for birds, Nahyuta's willingness to stand in line for hours to get his hands on a delicious burger... I've feel ya, Nahyuta. This tactic is more readily employed in Ace Attorney because it's difficult to place a prosecutor in a position of weakness before the final showdown. You can show them tending to hobbies during Investigation segments, but you can't show them waking up from a nightmare or wondering whether their father loves them. Well, not until case 5 of that game, anyway. By then, it's too late to serve as the sole humanization factor. Did Van Zieks need to be redeemed at all? The way I see it, the only correct answer is yes. What do we want to see in our world? Do we want people who hold racist prejudice to acknowledge their faults and become better, or do we want them to die clinging to their shitty moral compass? Do we want a world where everyone learns to get along, or do we want a world where people continue to be in the wrong and act like assholes until they inevitably get punished by law for something or another? Van Zieks needed to be redeemed in order to teach that valuable lesson that it’s never too late to be a good person and that it pays to be a good person.

So to summarize, what we needed from Barok van Zieks was the following:

1) Present an antagonistic (possibly immoral) force who personifies Ryunosuke's biggest personal obstacle/weakness, in this case racial prejudice. 2) Humanizing traits begin to show. OPTIONAL: A backstory to justify any immorality he has. 3) Over time, Barok has his realization and sees the error of his ways. 4) Barok atones for his immorality, not simply through apology but by taking decisive steps. 5) The cast around him acknowledges his efforts and forgives him.

This leaves us with the question: Does the game deliver on these points? Well, let's boot it up and find out! Stay tuned for The Adventure of the Runaway Room! (as a warning, it’s gonna be LONG)

#dgs #dgs spoilers #tgaa #tgaa spoilers #barok van zieks #oh god here we go #i actually already finished Runaway Room but I need to let it sink in #it was a doozy

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wonderfulworldofmichaelford · 3 years ago

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Michael in the Mainstream: WandaVision

I love Wanda Maximoff, AKA Scarlet Witch. I’m not sure how apparent that is, but just in general I love comic book characters who use magic, and Wanda is probably my favorite (or at least tied with DC’s Zatanna). Sadly, I never really felt like the MCU did her any justice. She debuted in the worst Avengers movie, her brother was killed before they could showcase a meaningful relationship, and then her next appearances had her speedrunning a relationship with Vision. She definitely got some great moments in Infinity War and Endgame, but she felt woefully underutilized. The same could be said of her boyfriend Vision, who had it even worse than her, because he gets killed in Infinity War and is basically forgotten about after that, with nary a mention in Endgame. These are two fantastic characters, and the MCU just didn’t handle them well at all, and they felt like a complete waste that it was really hard to care about.

Thank god for WandaVision.

This show really did something incredible. It made me care so much about two characters I wished I could have cared about before, and become incredibly invested in their relationship. Wanda and Vision get much-needed spotlight and character development and end up becoming two of the best and most fleshed-out characters in the whole franchise, and it’s amazing they waited so long to do this. Wouldn’t it have been better if we cared so much about them before?

The show has three core elements that help make it great: its characters, its themes, and its presentation. The characters are the big one; Elizabeth Olsen and Paul Bettany really get their time to shine, and both of them manage to do great things with their characters, characters who until now felt more like background characters than actual Avengers. Their relationship is so cute, so wholesome, but with an undercurrent of something a bit sadder that ties in with the show’s themes, and then when they have children things become even more sweet with that dark undercurrent still running strong. Aside from them, the standout of the cast would have to be nosy neighbor Agnes played by Kathryn Hahn… or I should say, the show’s villain, Agatha Harkness, a magic-siphoning witch who’s exploiting Wanda’s fragile emotional state to gain the ultimate power. She’s an actual well-executed twist villain, which is quite a feat for modern Disney, and she’s just as fun and campy as you’d hope an evil witch would be, complete with her very own ridiculous villain song that has her winking at the camera and proudly gloating about killing puppies. It’s delightfully cartoonish. Other standouts include Evan Peters as ‘Pietro,’ in a hilarious and clever bit of meta casting that leads to a dick joke (which might be one of the funniest twists in the MCU) and the return of the greatest Ant-Man supporting character Jimmy Woo. Even Darcy, the absolute worst part of the first two Thor films, manages to return and be tolerable.

The presentation is a big selling point, and what helps the story feel so fresh and unique. Each episode is an affectionate take on a different decade’s sitcoms, starting really oldschool and eventually working all the way up to more modern fare. Interspersed throughout these episodes are some rather entertaining fake commercials which harken to elements of Wanda’s life, and a couple of later ones even act as some heavy foreshadowing for future revelations. The different camera techniques, colors, and whatnot really help sell this fantastical sitcom world Wanda created, though I have to say it is a bit of a shame they couldn’t integrate this style more into the climax, even if there are story reasons for it. It was just such a cool and fun concept, it’s a shame it had to be resolved before the climactic finale.

The themes, though, are what really make this show shine. This show is essentially about a woman dealing with grief. Wanda has lost the man she loves, she has lost her brother, and she’s struggling to find her way in the world. As a coping mechanism, she creates a fantasy world and refuses to face reality, burying her emotions and refusing to move on, instead clinging to the happy concepts that might have been. It really is fantastic as a character study of Wanda, giving her a remarkable amount of depth. I found myself relating to a lot of the themes on display; as someone with depression who has had my fair share of painful experiences, I could empathize with Wanda to a degree. Sure, the person I loved was never murdered by Thanos, but I’ve experienced with grief before. It’s really great stuff they’re working with here.

Unfortunately, as good as all these things are, the show isn’t 100% perfect. The biggest issue is when the show switches focus from the interesting stuff inside of Wanda’s sitcom world to more standard MCU stuff outside. Sure, it’s fun to hang out with Jimmy Woo, the greatest character ever, but a lot of the stuff out there just isn’t engaging and some things just aren’t really elaborated on too much. It’s certainly not awful, but between some really confusing twists with Monica Rambeau (who is a good character otherwise and one I want to see more of) and the extremely boring, 2/10 on Psycho Analysis villain Hayward, there’s really not much here that can even hope to compare to the events unfolding in Wanda’s life. The best things from the outside are flashbacks, such as when Monica returned from being snapped or when we get to see Wanda visiting Vision’s corpse in government lockup, which is one of the most tearjerking moments in the show.

There’s also how the swerve into the standard “Big Marvel action” isn’t exactly graceful. After a great episode where Agatha goes back through Wanda’s life, giving even more insight to Wanda as a character and showing us a lot of fascinating moments, we get into the grand finale which feels like what you’d see in a movie theater, for better or for worse. Now I’m a real slut for crazy witch duels between hot women, and this certainly delivers on that front, but there’s so much other crap going on and it really is weird to think how this show about a superhero woman learning to handle her grief somehow became a big, epic showdown that wouldn’t look out of place in a Harry Potter film. I don’t hate this finale as much as some people do, but it definitely feels like the weakest episode overall (which isn’t too bad, since it’s still good, just not really what I would have liked to see).

WandaVision is the sort of thing I want to see more from the MCU going forward. It’s fresh, it’s interesting, it doesn’t take a standard route for the most part, and it utilizes characters who never got a fair shake in interesting and creative ways. Most importantly, it’s very weird and very comic booky, which is something the MCU was lacking for much of its first ten years (save for the films Gunn and Waititi made). I’m sure not everyone is going to find this to be their cup of tea, and it’s easy to grow bored of the cuts away from Wanda to the more cliché affairs outside of her sitcom bubble, but this is definitely a rich and rewarding show that engages with some heavier topics in an easy-to-digest and enjoyable way. Hopefully we’ll see more creativity like this going forward.

#Michael in the Mainstream #review #TV show review #WandaVision #MCU #Wanda #Vision #Scarlet Witch #Marvel #Elizabeth Olsen #Paul Bettany #Kathryn Hahn #Agatha Harkness

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thesweetsvillainshowdown · 1 year ago

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MILF OFF- I mean- ULTIMATE VILLAIN SHOWDOWN 2

May the best milf villain win.

#ultimate villain showdown #lady dimitrescu #resident evil #resident evil village #uh #disney tangled #mother gothel #mother gothel tangled

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itsmoonknight · 3 years ago

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Marvel Accidentally Hints at Moon Knight Season 2 on Twitter

Marvel Accidentally Hints at Moon Knight Season 2 on Twitter Marvel Studios is will soon bring the sixth and final episode of Moon Knight, the MCU's sixth full series on Disney+ and the first new project of 2022. After five episodes of action, fans are eagerly waiting for the last entry for Oscar Isaac's Marc Spector as he prepares for the ultimate battle against Ethan Hawke's Arthur Harrow. The biggest question after Episode 6 pertains to where Marc Spector will go next after his first solo journey within the MCU, particularly with notable ties to heroes and villains still waiting to make their MCU debuts. From a potential team-up with the Midnight Suns to eventual interactions with Earth's Mightiest Heroes, there seem to be plenty of stories for Moon Knight to tackle in the foreseeable future. More presently, it's still a mystery if and when Moon Knight will continue into a second season, particularly when considering that the series has been billed as limited during its entire run. Now, with its supposedly only season nearing the last episode, there may be hope for more thanks to some wording from a recent social media post. Moon Knight Season 2 on the Way? Marvel An apparent blunder from Marvel Studios' social media team has fans more hopeful about Moon Knight's renewal for a second season. At 11:00 am ET on Monday morning, Marvel Studios' official Twitter page tweeted out Moon Knight's finale trailer, stating in the post that Moon Knight's "series finale" would begin streaming this week. This post was quickly removed from Twitter in the minutes after being posted. Fourteen minutes later, Marvel Studios reposted the trailer, this time noting the upcoming episode as the "season finale" instead of the series finale. Twitter No Series Finale Yet for Moon Knight Throughout Moon Knight's entire run on Disney+, Marvel Studios has been adamant about calling the show a "limited series," meaning it won't continue into a Season 2. This has been confirmed as the case for WandaVision, even with a slight chance that this status could change, but other MCU shows are already set for multiple seasons, including Loki and What If...?. Moon Knight's situation is far different from WandaVision's, regardless of the similarities in their storytelling, due to the fact that this is Oscar Isaac's first time playing the character within the MCU. As clear as it is that he'll be back for future team-up adventures in Phase 4 and beyond, there was always some confusion about Marvel's decision to avoid plans for a second season of Moon Knight. Now, thankfully, Marvel subtly hinted that more Moon Knight is on the way after an epic showdown in the desert, hopefully bringing Marc Spector into his peak form as a superhero. There's also the potential that this could come with his first Avengers ties, and there's even a chance that Marvel will use Episode 6 to confirm a second season on the way, just as Loki did last year. No matter how the details work out, Moon Knight should be back sooner rather than later. Season 1 of Moon Knight will end with Episode 6, which premieres on Disney+ on May 4. via The Direct https://ift.tt/O1k2VbU

#Marvel #mcu #Marvel Accidentally Hints at Moon Knight Season 2 on Twitter #The Direct

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darkpoisonouslove · 3 years ago

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Tangled: The Series Review

I just watched Tangled: The Series and I finished all three seasons in four days. TL:DR It’s good. It’s really, really good and I definitely recommend. This might be the best thing that has come out of Disney in the last decade or more. Now head under the cut for a more detailed look at the show and my thoughts on it.

Plot

The plot is actually pretty simple and is a direct continuation of the storyline from Tangled: Before Ever After. Granted, there are a lot of elements that answer questions not only from that movie but also from the Tangled movie itself but they are introduced with a lot of time in between that lets you process and even get disengaged at a couple points.

Not gonna lie, the pacing can be pretty slow sometimes and you almost forget what the end goal of the journey is but that allows for a lot of character work to be done (which I will talk about in a sec). It doesn’t seem like it has enough plot for three seasons but they do end up filling it out. Sometimes it’s a little frustrating but it works about 98% of the time.

The finale of season 3 wasn’t overly hyped up by the set up so it didn’t feel anti-climatic like it so often happens when shows just oversell their final showdown in the build-up and then it’s just... eh. Here the emotion and suspense definitely felt proportional to the action you’re getting most of the time.

Characters

The characters were great! They build up on what we’ve seen from Rapunzel, Eugine and Cassandra in the two movies and gave a lot of screen time to side characters as well. Pascal gets two episodes that are centered on him and he gets his own arcs! He’s a chameleon! And you feel for him as an independent character and Rapunzel’s friend, not just her pet. There are a lot of moments where other citizens of Corona that aren’t part of the main focus of the show get attention as well to a point where the kingdom truly feels populated and the world comes alive off the screen. It’s truly moving to watch most of those stories develop.

A little complaint I have would be with Rapunzel’s parents. The focus on them wasn’t bad–not at all–it just wasn’t enough. To be fair, I was actually surprised that they even touched on them but when you truly examine how they did, it just isn’t enough. We get a look at the trauma of losing a child mostly through Rapunzel’s father who definitely got more screen time than her mother but, ultimately, neither of them feels well developed. You are just not sure who they are as people and it feels unsatisfying precisely because the show tried to focus on them. It just didn’t work out fully.

Other than that, most of the characters just work really well. They all get arcs and go through a lot of character development that makes you attached to them and you really get invested in the story which is great. I genuinely cried a couple of times because I was so touched.

Villains

The villains might just be my biggest issue with this series. They have some good minor villains, some cases that are engaging despite the frustration they breed and a couple of villains that are just frustrating in their execution. I’m going to break this down a little to express what I mean.

The main villain of the show is okay but is a little underwhelming. She’s not on screen until season 3 and the thing is that she feels a lot more menacing while she is just a presence that hangs over the main cast rather than she is when she is actually present. (Now this might spoil a little simply because there is no other way to word it) Her servants come off as more menacing than she does. The only time she’s truly pulling her weight is in the finale that I already mentioned was just the right amount of hyped up so that you don’t end up disappointed by it. I was pretty neutral about her and liked her more when she was just an incorporeal tale the heroes were hearing about.

There were several minor villains that worked great. They were the right amount of menacing and the show actually allowed itself to go into pretty dark territory with some of them. Most left lasting consequences for the main cast of heroes and were just all around perfect. The thing that I have an issue with is all (and those are several) the villains that switched over to the good side because it never felt executed correctly. It was either rushed or not well motivated. The writers of the show were making a point about how kindness can touch any kind of person but it still felt forced and not focused on enough. All of these cases would have benefited from a bit more time for the change to happen.

There are two villains in the series that are particularly frustrating when it comes to that because with them changing morality was like flipping a switch. With the first one both the good-to-bad and bad-to-good changes were just not motivated enough and were ramped up to eleven. It just leaves you thinking “You should go to sleep and then you’d calm down” but instead he ended up nearly getting dozens of people killed just because he couldn’t think to count to ten. And in the other case, the switch to the side of evil was definitely motivated in insecurities that were festering over time but the flip-flopping between good and evil was just really annoying and didn’t feel like it was grounded in particular thought or even emotion. It was just happening because the plot demanded it which was extremely jarring after two and a half seasons of a character driven show. And despite the clearly overtaking insecurities, watching this character make some of her choices is unbelievably frustrating because they just don’t make sense. No matter how hurt she is, she is just acting like she either is unable to think or like she doesn’t care about anyone but herself which clashes with the moments in which she is considering going back to the side of good. It is baffling and the worst point of the writing in any aspect.

Relationship Drama

Or rather the lack of anything I would describe as relationship drama aka unfounded jealousy and wild miscommunication that would take half a minute of intelligent conversation to be resolved. I was so pleasantly surprised by the way the relationship between Rapunzel and Eugine was handled. They are both supportive of each other and forgive mistakes. They talk about their feelings and resolve conflict whenever it arises. They trust each other even when it appears that the situation doesn’t warrant that. It is just a healthy relationship that is absolutely heart-warming and adorable to watch.

I am especially thrilled about the fact that they brought up Rapunzel rejecting Eugine’s marriage proposal in Before Ever After and touched on how it would feel to a girl who’s spent her whole life confined to one place to be thinking of settling down (not ideal since in a way it implied that marriage is a trap or at least boring and would cut off your opportunity for adventure but at least they talked about it). And I am especially pleased that they gave the characters time to explore their relationship and also explored the idea of them being in one without being engaged. Really, the message that you can love someone and still not be ready to get engaged is valuable and not something I would expect from a story about a Disney princess.

Some more highlights to talk about and some minor spoilers (don’t read if you don’t want to know more) – they explore how Rapunzel inspires Eugine to be better but it isn’t framed as her being his only salvation. It is framed exactly as what it is – Eugine seeing Rapunzel’s kindness and deciding that he wants to be better for himself and for her, too. I really appreciated that. They also have this episode in which Rapunzel and Eugine have to play parents and I liked the way it was handled. It truly felt like they have the connection between them to support a family and raise children but they are not in a rush and that goes back to the idea that they don’t need to get engaged and married if they don’t feel ready even though they might appear ready.

Lore

I loved the lore of the series. There is a lot more we learn about Corona as well as Rapunzel and the abilities of her hair. There is more information about the world and the surroundings of both the characters and Corona as a kingdom. We get a great expansion of the fantasy element of the world as well as the history and politics of it and I was immersed in the way it made the story and the characters richer. The show is doing its own thing and it is following whatever has already been established about the world and building on it in order to make both the story more compelling and to answer questions that have been raised in the movies without being answered. It’s doing quite well on that front.

Originality

A lot of times I would think that we are going down the route of a certain trope but then they’d put a fresh spin on it or at least a new angle that isn’t usually brought up and made the story that much more engaging. The show dealt with some serious topics that I never would have expected from a Disney princess property. They actually explore Rapunzel grappling with the responsibility that will fall on her shoulders once she’s queen of Corona and it was done in a very realistic and honest–even raw–way. Definitely not something you think you’ll find in the show when you sit down to watch it. There were certainly some cliches and moments that I wish they could have subverted the tropes they were using, but overall, I was often surprised by the way they handled the matter they were writing about.

#tangled #tangled the series #rapunzel #eugene fitzherbert #review #thoughts

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gavillain · 3 years ago

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How was chasing a dream gonna end?

Okay, SO this is all very fuzzy to me. For those of you just tuning in, hi! Chasing a Dream was my first attempt a multi-crossover fanfic before QAGA. That one had a main hero team and was more of a straight forward Kingdom Hearts esque plot than QAGA is, but the main character was Jim Hawkins from Treasure Planet with a team of friends consisting of Jack From from RotG, Zuko from ATLA, Cid Highwind from KH, Aggie Cromwell from Halloweentown, Graham from OUAT, Ackmena from Star Wars, and Riku from KH. The main villain factions were Team Maleficent (the Overlords - Disney villains), Team Loki (various other villains with similarities to Loki), and Team Mok (a hodge podge group of wacky and aesthetic villains who didn't belong anywhere else). Maleficent killed most of the Key bearers years ago and stole their power and also basically took over the universe by becoming the Overlord of Darkness, and Loki really wants to usurp her.

Okay, all that background laid out, SOOO....

Jim and the Dream Team would continue their adventures throughout various worlds, fighting villains, righting wrongs, etc. Jim would later reconnect with his father who would turn out to be Leon from Kingdom Hearts, and they'd be in an awkward place. Jim and Jack would also have a big falling out and break up for a while, but they'd eventually get back together by the end of the story. The villain factions would kind of whittle their way down on the road to the finale. Team Loki would make their power play during an adaptation of the Siege of Asgard, but Jim, the Dream Team, and the Avengers would stop Loki and prevent him from taking over Asgard. However Loki would escape that defeat with his core team in tact. Team Mok would not be so lucky, and they'd have a big showdown trying to use Ackmena's powers as the Armageddon Singer to call forth a Great Old One powerful enough to destroy Maleficent. Mok would reveal that whenever a demon is released by the Armageddon Key, "no one can stop it." The Dream Team would stop them, but Maleficent's allies would manage to capture Ackmena and steal the Armageddon Key from Mok in the process.

The finale would have been Jim and the rest of the Dream Team planning to storm Hollow Bastion to rescue Ackmena. Team Loki would turn back up and offer an enemy mine to bring down Maleficent, which the heroes would reluctantly accept. Maleficent would use the Armageddon Key to free Mr. Shadow from The Fifth Element, and he'd be revealed as a collective conglomerate of all the souls of the previous Overlords of Darkness before Maleficent. Maleficent would harness it to use as a weapon to attempt to destroy all the worlds that were resisting her authority.

The Dream Team, Team Loki, and a bunch of their friends they made along the way who would come back for a last hoorah. This would also be when Jim and John Silver finally got to reconnect. There'd be a big battle against the Disney Villains minus Maleficent (roster was Hades, Jafar, Ursula, Grimhilde, CLU, and Shan Yu). I don't remember all the match-ups but the villains would go down, and during the battle Leon would sacrifice his life to score the decisive victory and bring down the Overlords, redeeming him from abandoning Jim all those years ago. Jim and the Dream Team would then move on to try to stop Mr. Shadow and have to actually land on the dark world's surface.

Meanwhile, Loki would face off against Maleficent back at the castle. Maleficent would physically overpower him, but Loki would ultimately kill her by releasing all of Maleficent's pent up Heartless onto her, and they would consume her. With Maleficent gone, Loki would obtain the powers of the Overlord of Darkness. Jim and the Dream Team would have a fruitless fight against the dark echoes of former Overlords of Darkness (and, yes, after Loki kills Maleficent, she would show up on Mr. Shadow as their final adversary to fight). In the end, they'd realize that Mok's prediction of "no one can stop it" meant that no single person could send Mr. Shadow back, but that together if they sang in harmony, they could banish it back where it came from. They'd have a big musical number singing together in harmony, and their combined magic would banish Mr. Shadow away forever.

The heroes would then all gather together at the Benbow Inn for an after the battle celebration to cherish each other and honor those who they lost along the way. Cid and Aggie would leave to go rebuild Radiant Garden again. Zuko would return to the Fire Nation. Ackmena and Silver would leave to go sail together like they promised they would as young children. Graham would get together with Sarah Hawkins and stay with her. And then Jim and Jack would have a romantic moment of going out to explore the worlds together.

Meanwhile Loki would return to his base of operations with his most loyal allies, and he'd grin evilly as he promised that Maleficent's reign would pale in comparison to what he was going to do with that power.

And that's pretty much it. Any other details have basically been lost to time because that whole story was way too convoluted for its own good. But yeah. This is where it'd all end up.

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strangehoot · 4 years ago

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New Post has been published on Strange Hoot - How To’s, Reviews, Comparisons, Top 10s, & Tech Guide

New Post has been published on https://strangehoot.com/how-to-watch-marvels-movies-in-order/

How to Watch Marvel's Movies in Order

Marvel Studio is a famous American film producing company specialized in directing and producing movies of superheros. It’s parent company, Marvel Cinematic Universe (MCU) produces web and TV series, comic books and short films. All over the world, people are Marvel fans and crazy to watch each production of Marvel.

Marvel has copyrights of the main superhero characters and every movie the character remains with unique characteristics in terms of their power and weapons. Marvel’s Universe is out of imagination.

Marvel studio movies receive an average of 64 nominations and awards per movie.

Most of the climatic battles that are seen in the Marvel studio movies among superheroes and villains rely heavily on computer generated effects. As we all know, each movie that Marvel studio makes has a signature shot of a cameo appearance of the late Stan Lee (the writer of many original comics). The first movie released by them was in 2008 but it all began in 1941. Most of the Marvel studio movies can be found online on streaming services like Amazon, iTunes and Disney+.

Characters of Marvel Movies

The following table gives you an overview of some characters of Marvel, their powers and weapons.

CharacterHow they got powersWeaponsCaptain AmericaThe Super Soldier Serum was injectedVibranium shieldMoon KnightThe ancient Egyptian Moon God, Khonshu and got the Werewolf scratchCrescent darts, truncheon, ankhLoki He got the power from his mother’s teachings and learnt wizardry.His magic sword, LaevateinHulk Gamma radiationHis Huge Body is enoughSpider Man Radioactive spider bite himWeb-shootersDaredevil Radioactive isotopeManrikigusariBlack PantherHad the juices of the heart-shaped herb and Wakandan God blessed him with strengthEnergy dagger, anti-metal clawsCaptain Marvel Accidental Photon Energy bestowed upon herNega BandsUltron Dr. Henry Pym created himRepulsor, plasma weaponsGhost RiderZarathos His Hellfire ChainJessica JonesRadioactive chemicals after she caught with car accident and went in comaHer talentWolverineMutant-bornAdamantium claws, daggers, katana, gunsBlack BoltInhuman-bornHis speech and strengthSpider WomanMother hit by a radiation beam during pregnancyHer powersSilver SurferCosmic Power by Galactus.His boardDoctor StrangeStudied and trained with the Ancient One.Cloak of Levitation, Eye of Agamotto, Orb of Agamotto etc.Beast Mutant-bornRazor-sharp clawsNick Fury ArmyUSP pistol, SHIELD weaponsVenom Sensory perception and talent to reproduce itselfWeb ShootersDeadpoolMysterious serum to cure his cancerGuns, grenades, knives, katanasStorm Earth’s electromagnetic fieldHandguns, firearms, knivesIron Man Armour suite and technologyRepulsor rays, uni-beam projector, lasersThanosDeath, an abstract entityStasis Rifle, Infinity GauntletThor Technological PowerWarhammer MjolnirAnt ManThe Pym Particles created by himself and experimentation on himselfStinger firearmMagnetoMutant-bornHelmet, powersDoctor DoomMagical power blessed by his mother, Roma His powersThe MandarinReceived 10 Rings from alien technology10 Rings of PowerThe Winter SoldierSuper soldier serum as a sourceSnipers, riflesStar-Lord Planet Ego’s EnergyElement Gun

Marvel Movies Release Order

The table below lists the movies already released. Phase 3 is completed. A list of movies for Phase 4 is ready. Please visit https://www.cinemablend.com/new/upcoming-marvel-movies-release-dates-for-phase-4-and-5-67944.html

Phase IIron Man (2008)The Incredible Hulk (2008)Iron Man 2 (2010)Thor (2011)Captain America: The First Avenger (2011)The Avengers (2012)Thor 2 (2013)Phase IIIron Man 3 (2013)Captain America: The Winter Soldier (2014)Guardians of the Galaxy (2014)Avengers: Age of Ultron (2015)Ant-Man (2015)Phase IIICaptain America: Civil War (2016)Doctor Strange (2016)Guardians of the Galaxy Vol. II (2017)Spiderman: Homecoming (2017)Thor: Ragnarok (2017)Black Panther (2018)Avengers: Infinity War (2018)Ant-Man and the Wasp (2018)Captain Marvel (2019)Avengers: Endgame (2019)Spiderman: Far From Home (2019)

Watch Marvel Movies in Sequence to Get All of it

Below is the sequence in which you need to watch the moveis if you are new to the Marvel world and get the understanding of the superheroes and their role in each movie.

1. Captain America: The First Avenger (2011)

In the first avenger which is most logical to watch first, Captain America is introduced through flashback as well as connecting the film to the major antagonist threat.

2. Captain Marvel (2019)

Captain Marvel can be viewed in various aspects but if we are striving to timeline continuity it makes sense to watch next where we are introduced to the most powerful superhero in the MCU and this film could exist entirely on its own outside the marvel timeline also a way to introduce important characters for later. It has been taken from endgame so it expects you to know who all the characters are.

3. Iron Man (2008)

Iron man introduces us to Tony Stark, his origin and idea of avengers initiative. This film has as well begun post credit scenes tradition.

4. Iron Man 2 (2010)

Iron man 2 introduction to another important character. This movie lays the groundwork for events and also introduces us to Black Widow.

5. The Incredible Hulk (2008)

The Incredible Hulk can be skipped.

6. Thor (2011)

Thor, first foray into cosmic elements of marvel introduces us to one of the original six The Norse God of Thunder, Thor and Norse God of Mischief, Loki.

7. The Avengers (2012)

Assembling this movie brought all the MCU heroes together and united them against a common threat. Now, the movie takes elements from the Ultimates comic and introduced both mid credit and end credit scenes and was the first step towards infinity war.

8. Iron Man 3 (2013)

We see Toney dealing with the personal aftermath of events in Avengers and introduces us to his greatest enemy.

9. Thor: The Dark World (2013)

This movie also is dealing with the aftermath.This film is important because it has a direct connection with Thor: Ragnarok.

10. Captain America: The Winter Soldier (2014)

In this movie, we see Captain America and Black Widow team up for a mission.

11. Guardians of the Galaxy (2014)

This movie has a first hand introduction of the cosmic side of marvel introducing Star Lord, Gamora, Nebula, Groot, Drax and Rocket and finally introducing to an alien, Thanos.

12. Guardians of the Galaxy Vol. 2 (2017)

Not much has changed in this movie. The details about all the characters are extended.

13. Avengers: Age of Ultron (2015)

In this movie, Avengers is an already established team where they team up again to take down a big threat and also sets up a lot of things heading into Phase III.

14. Ant-Man (2015)

Ant Man is the conclusion of phase 2 and also setting up the groundwork for the endgame.

15. Captain America: Civil War (2016)

This movie brings together the whole team, deals with the fall out events in Age of Ultron and also deals with the introduction of winter soldiers from the previous film.

16. Spider-Man: Homecoming (2017)

In this movie, the spiderman is adjusting to life and it gives us a spider man origin story.

17. Doctor Strange (2016)

This is the first film to introduce Mystic Arts into the MCU as well as alternative dimensions.

18. Black Panther (2018)

Black panther doesn’t tie much into the rest of the MCU but shows the story of an original hero.

19. Thor: Ragnarok (2017)

It is an adorable comics adventure. The post credits scene leads directly into the events of Avengers: Infinity war.

20. Ant-Man and The Wasp (2018)

Ant man and The Wasp introduces Quantum Realm and also the post credit scene shows a lot of characters get dusted.

21. Black Widow (2020)

One of the strongest female superheroes playing an important role in the following movies. Must watch to understand her skills.

22. Avengers: Infinity War (2018)

It is largely a showdown between Avengers and Thanos. Avengers: Endgame final chapter of phase 3.

23. Avengers: Endgame (2019)

Going back to the time machine and getting all the power stones back and getting to the end of Thanos.

24. Spiderman: Far From Home (2019)

Spiderman facing monsters behind his life and fellow superhero Mysterio helps in saving him from these monsters.

Marvel has set a standard and gained popularity over the years

Marvel movie’s success is has four core principles:

(1) Select for experienced inexperience.

(2) Grasp a stable core.

(3) Need for challenging the formula.

(4) Foster customers’ curiosity.

Marvel Studios believes in granting directors majority of control in areas where they have the most experience. In order to balance the ideas, new talents and voices which are brought into each movie, the Marvel studio holds on to a tiny percentage of people from one to the next. The support and footing provided by them allows Marvel to maintain continuity among products and to give birth to an attractive community for fresh talent.

It has been noticed that Marvel movies portray differing emotional tones, that is the steadiness between positive and negative emotions conveyed verbally by its characters. Analysing the experience of Marvel shows us that franchises gain from continual experimentation.

Creativity, Animation, Character Building, and the Story Line are the main attributes of each Marvel movie and the fan followers just love to watch each of them over and over again!

Read: How to Backup WhatsApp Data [Images, Chats & documents] to PC

#Marvel #Marvel Movies

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