#uh...not sure about the end

[ew-selfish-art]

Dpx Dc AU: Ectoplasm is required for Ghosts to be visible to the human eye- And Danny creates his own ectoplasm.

Danny is visiting Jazz in Gotham and its weird how friendly everyone is. Like, the city gets a really bad rapport, everywhere he goes there is someone trying to strike up a conversation or answer his questions about getting around to the tourist spots. A few people even pointed out restaurants and ways to find off the beaten path gems! Jazz seems to role her eyes at him, but when he brings up her 'roommate' being kind of cute she flat out laughs.

Danny then comes to understand the Jazz doesn't have a roommate and that Ghosts in Gotham don't move far from their haunts- He's just been inadvertently turning these undead folks visible by accident of generating abnormal amounts of ectoplasm.

Which, is comforting in a way, he's never walking this dangerous city alone and really, most of the ghosts have been really friendly! They disappear once he's a few blocks away from them anyway.

---

Tim Drake is having a horrible day.

He'd been given intel that one of Black Mask's guys was going to snitch but that he'd died before given the opportunity to reach out to the GCPD. He tracks down the guy's last know whereabouts and yikes. Its next to the Theater. Tim was often grateful for his childhood obsessions, this time it backfired.

Tim and Bruce get into an argument about trust and respect and, worst of all, mental health. And even though Tim was vehemently against Batman accompanying Red Robin to the alleyway - that's exactly what happens.

They arrive and Bruce is closing up faster than a clam in the contaminated Gotham Bay- Clearly being in the Alley bothers him. No fucking shit. RR gets started on collecting evidence, there are a few extra blood splatters and a single left shoe... When a kid walks into the Alley.

"Uh, sorry to intrude-" The kid looks scared shitless, and runs away. And then, all of a sudden, Batman and Robin aren't alone in the Alley.

Tim can hardly believe his eyes as the dead man appears and quickly blabs Black Mask's bank passwords and what the plan had been- and While he's over joyed to have that closure, he turns around to Batman weeping in the arms of his parents.

The ghosts fade, and the emotions are certainly charged as this was never something Bruce or Tim would have ever dreamed of happening. Ghosts in Gotham. Talking, floating, granting closure.

"RR, Bats, come in." Oracle calls into their ears.

"Reporting in, but, uh, we need a minute."

"A minute? We have a case on 4th and-"

"O, we just saw the ghosts of the Waynes. It's going to be a minute."

"...Lots of Ghost reports lately then. Any chance you saw a kid looking like he could be adopted?"

"Yeah, actually, black hair and blue eyes. He was super polite before he ran away."

"We have work to do. Oracle, lets prioritize finding our person of interest and divert Nightwing and Robin to the case on 4th." Batman cut between them on the comms and he sounded... calmer than either of them anticipated.

---

Jazz is no longer laughing when Batman appears at her door explaining that he's looking for Danny (Who already flew away from town to get a good night's sleep before class on Monday). Turns out Danny reunited the man with his dead parents just briefly- and then the second guy appears and mentions how Danny had also given a guy who'd been murdered by a Mob enough time to explain the ongoing threats the city faced.

Jazz just rolls her eyes and says that it's not like the ghosts are going anywhere anytime soon and Danny will visit in another month. When pressed, she just explains that her brother is a weirdo. No of course he doesn't have powers. Gaslight and Girlbosses her way out.

And Jazz thinks that the game is up for at least another month, obviously when Danny visits more shit will stir up, but then this new guy appears.

Unlike the other Bats who are keen on watching her from a distance, the Red Hood knocks on her door. Are her eyebrows all the way into her hairline when Red Hood asks her to send his thanks along to Danny because somehow this whole situation led to his Dad expressing remorse for his actions and apologizing? Yes, yes they are.

But Jazz can smell Dissertation Data off of these vigilantes- Who is she to send them away? Jazz welcomes Red Hood into her place for a cup of tea and a small chat.

The story then devolves into Jazz getting shit done, Danny being cute by proximity and also bringing ghosts to the party, and the Bats having trauma resolve between them.

[vaguely-concerned]

the mourn watch background gives you such a GIFT in having other characters notice and call out on-screen that rook code switches like a motherfucker. the whiplash of hearing my snarky 'heeey I'm just a little guy! :>' funnyman rook speak the heightened ritualized phrases of the mourn watch with perfect seriousness and gravity completely naturally and/or break into an academic tone that can keep up with emmrich at the drop of a hat never stops giving me such endless delight. truly their real mind is a riddle wrapped in a mystery inside some hideous mourn watch casual wear

[skyward-floored]

Whumptober Day 11: seeing double

Totally not what this prompt meant, but I don’t care lol. I do care that I keep making Wild cry though, sorry buddy 😬

No clue if anyone cares anymore, but this has some brief age of calamity spoilers in it. Just a heads up.

Warnings: broken bone, discussed past character death

Ao3 link

------------------------------------------------------------------------------

Wild had two thoughts as he went plunging through the portal, the others’ frantic cries in his ears:

One, that hopefully Legend wouldn’t give him too smug of an ‘I told you so’ the next time he saw him, since Wild had entirely forgone his advice to stay away from Dark Link and was now plunging rapidly through the air. And two, well, at least I’m going to fall into the water down there.

Which he promptly did with an explosive splash.

It wasn’t so high up that he was badly hurt, but Wild was still thrown for a loop, and found himself crashing down a river with little sense of which way was up.

Water got in his mouth and he spluttered, trying to spit it out and also get his head above the surface so he could breathe. The current was fast here though, and Wild couldn’t do much except flail around like a drunk Zora.

Wait, could Zora get drunk?

He actually had no clue.

The current got suddenly faster, and Wild breathed in some water as he got smacked against the rocks, coughing and hacking as he struggled to get any air. He managed a wet gasp when his head briefly poked up, but then he was pulled under again.

Air wasn’t the only thing Wild had gotten when he went up though— he’d also gotten a sight of the river up ahead. And at the sight of the waterfall rapidly approaching, his struggles grew even more frantic.

I need to reach shore, he thought as he continued to cough and claw his way to the river’s edge in a panic. I need to reach shore now, I need air I need—

The angle of the water shifted, and Wild was shot out of the waterfall, the rapid change in direction making his head spin.

He found himself in open air, water still in his lungs, and he clumsily grabbed for his paraglider as the lake below rapidly approached. Wild managed to snap it open just in time, but he didn’t manage a good grip on the handle.

His arm slipped, and Wild slammed into the sand near the shore, a choked yell escaping him as pain blazed up his shoulder.

All he could do was cough up water for a minute and catch his breath, trying not to wrench his shoulder more. Something was broken in there; he wasn’t sure if it was his shoulder itself or his arm or collarbone, but it hurt. He could barely move without his whole arm lighting up in agony, and hoped blearily that none of the others had suffered the same fate as him.

Then he heard a splash behind him, and his stomach sank.

Had one of the others fallen in the portal already? Or was it something else? That hadn’t sounded big enough to be a splash from something falling from the waterfall, but then again, he could be wrong.

“There, look!”

The voice sounded familiar, but Wild couldn’t place it over the sound of the water behind him and the blood rushing in his ears. He tried to raise himself up, and pain tore across his senses, and for a minute all he could focus on was the fire ripping through his shoulder.

“—know who he is? He looks just like—”

“—in the water, don’t—”

Two voices floated around his head as the fire eased, and Wild took a deep breath, opening his eyes again. His hair had fallen in his face, and between that and his blurry vision he couldn’t see much, especially through the damp strands. Unless he moved again, but that seemed like a bad idea.

Wild groaned, blinking to try and get the hair away from his eyes, but he barely succeeded. His wet hair slipped to the side, but all he could make out were two blobs, silhouetted by the sun shining behind them.

Then he heard a soft gasp, and the sound of a weapon being drawn.

“How is this—”

“This has trap written all over it,” a different voice than the first interrupted, soft, but sharp. Cold steel nudged Wild’s chin, and he stiffened. “Don’t go near him.”

The other voice made a worried noise as Wild weakly coughed. “I don’t think he would have fallen down a waterfall on purpose and hurt himself like this if that were true.”

“It could still be a trick.”

“I know... but we won’t get any answers if he’s too dazed to speak.”

Wild heard a huff, then the sound of footsteps padding towards him in a familiar way. A hand settled over his shoulder, and Wild groaned again, a soothing noise coming from the voice.

“Hold on just a moment.”

Then a feeling like that of a gentle stream swept over his shoulder, quiet and small, but carrying the mighty power of water along with it. Wild automatically relaxed, sinking into the bubbly feeling. A blue light flickered in his vision, healing his shoulder in a familiar way, and Wild relaxed even further before he abruptly stiffened again.

Wait...

The smooth magic trickled into his middle, down to where his lungs were still burning from the water he’d inhaled. It soothed the ache, and though Wild still felt exhausted, he could tell his shoulder had been completely fixed as well. Even the various scrapes and bruises from the fight before the river had been healed.

Which meant...

The bubbly rush of magic faded away, Wild’s vision fully cleared, and his stomach dropped out.

Red scales. Yellow eyes. A petite figure covered in scales that were smooth and shiny in the sunlight, and healing magic that was fading from slender hands.

“M... Mipha?” Wild choked out.

The Zora woman (it couldn’t be Mipha, it couldn’t—) gave him a concerned look, but before Wild could do or say anything further, the steel was back at his neck.

Wild stilled, and followed the blade resting at his neck up to the person holding it. His already fast heartbeat tripled, and he choked for a second time.

The person holding a blade at his throat was himself.

His double’s hair was much shorter, pulled back into a neat ponytail, and instead of the champion’s tunic he was wearing the Zora armor Wild had received. His eyes were steely as he watched Wild, but the most shocking thing about him was the fact that the right side of his face was entirely smooth.

He didn’t have a single one of the scars that had killed Wild.

I’m unconscious. I’m dreaming. I hit my head on a rock and I’m hallucinating—

“Explain yourself. Who are you?” his double demanded, not appearing to notice how Wild’s world was caving in on itself. Wild stared, and coughed once, still feeling tired from his fight with the river, and just... unable to process this. What could he even say?

What was going on?

“I asked you a question, who are you? What are you doing in Zora’s Domain?” his double repeated, voice even sharper.

Mipha sucked in a worried breath as she stared at Wild, and touched the double’s arm. “Oh no, did... did a little guardian bring you?” she asked, and Wild stared at her, her words jumbling in his head as he stared.

Mipha.

Mipha.

Mipha was alive here. Wild was alive here, and missing his scars, and wearing the Zora armor that Mipha had crafted to give to him as a—

“Wh... who are you?” Wild whispered, throat suddenly dry as bone. Maybe he was wrong. Maybe it was just a mistake, a strange coincidence, but he— he had to know. He had to know.

“We asked you first,” Link’s double replied suspiciously, and Mipha set a hand on his shoulder.

“Link, he was just injured and half-drowned, I believe he’s confused. If he were here to kill us, he already would have tried,” she said pointedly, studying Wild with an intent look. “I think he looks too much like you to be a coincidence.”

“It could still be a trick. A Yiga or something,” his double said suspiciously. Wild didn’t blame him. That did sound like something the Yiga would do.

“But why add the scars and long hair?” Mipha countered, and the double looked frustrated.

“To confuse us, I’m sure there’s a motive. He’s probably here for you, you know you’re—”

“If you say “at risk” again Link, I will set Sidon on you,” Mipha said with a little huff, and turned back towards Wild with a kind-if-cautious look. “My apologies. I am Princess Mipha of the Zora, and this is my husband, Link.”

The words were like a slap, even though Wild knew they were coming.

Husband. Mipha. Zora armor.

Husband.

Link.

Wild would have fallen over backwards if he’d been upright in any way, and he stared between Mipha and his double, wondering if he was about to be sick.

They all knew the portals were transporting them through time. Wild had been a part of Time and Wind’s discussion on fractured timelines, and they all knew that there were splits and sections where the history of Hyrule didn’t make sense.

But this...

Was this a timeline where Wild hadn’t failed?

Mipha’s face grew more worried the longer Wild stared at them without speaking, and even his double started to look a little concerned.

“Did I miss an injury?” Mipha asked, scooting closer again, and Wild froze as she approached.

“No, no you got— you got everything,” Wild choked out. He felt perfectly healthy apart from being tired and his falling-apart mental state, just like if he’d used Mipha’s grace. Even though he hadn’t used it in nearly a year because the champions were finally at rest and they’d passed on and Mipha—

Wild lurched to his feet, using a rock for support, and immediately the other Link’s blade was raised again.

“Stay where you are,” he said sharply, and Wild stumbled backwards towards the water. His double’s face grew fierce and he leapt around him and blocked him off from the river. “I said stay where you are! We’ve told you who we are, now tell us your identity or I will treat you as a threat.”

Wild stilled, and swallowed. He might as well explain.

“I’m... well, Link,” he began, and the other Link didn’t move. “You... probably figured that out. I... I don’t know how I got here— I mean, I do, but it wasn’t on purpose, I-I... I don’t know what you mean about a guardian, but one didn’t bring me here.”

Wild looked at Mipha again, and swallowed thickly, his eyes stinging.

“This isn’t a trap. I don’t know what’s going on, but I’m not here to hurt you,” he croaked, and the other Link pulled his sword back just a hair. “I— my companions and I are traveling through time, but... I think something went wrong,” he finished in a whisper.

We’ve never had anything like this happen with the portals before.

Did the Shadow do this?

“Time travel...” Mipha said thoughtfully, and exchanged a loaded look with the other Link.

His face had creased further, but in a different way, and he finally pulled the sword away from Wild’s neck. He kept it at the ready though, and watched Wild intensely.

“How did you get here?” he asked again, a little less accusatory and a little more curious.

Wild exhaled. “It’s a long story... but it was through a portal,” he said, deciding he would just... ignore what was going on for now. It was that or completely freak out, and he wanted to know more before passing out due to shock. “My group is hunting a Shadow, one ripping holes in time. We’re trying to stop him.”

“So no Terrako then?” Link questioned, and Wild shook his head in confusion.

“No? No... Terrako. Just portals that sometimes spew powerful monsters.”

Link and Mipha both stiffened.

“These monsters, do they have darkened blood?” Mipha asked, and Wild nodded. “Oh my. We’ve seen some up in the highlands, remember that moblin, Link?”

Link grimaced. “Yes. What a disaster. We assumed it was just leftover magic from Astor or something of that nature, not... time travel related. Bazz is still recovering.” He paused for a second, then his eyes went wide and he whipped his head back towards Link. “You said you came through a portal that expels these monsters?”

“Yeah, from upriver somewhere,” Wild nodded. “But it’s not sending out monsters right now. I fell through it, then fell right in the river.”

Link frowned. “So no monsters were coming out when you went through?”

“No, they were all on the other side, my group was fighting their leader. But I don’t know—”

“Papa?”

Link froze, and Mipha looked worried as Wild turned around towards where the voice had come from.

A young, orangey colored Zora was poking his head up from the water, and he looked between Wild and Link, a wide look on his face.

“Papa?” he repeated in a curious voice, and Wild stared, studying the little Zora’s features.

“Stay in the water, Ty,” Link said seriously, and the Zora hesitated, eyes darting between Mipha and Link and Wild. Then he hopped out and scurried over to stand next to Mipha. He hid behind her leg and watched Wild with large blue eyes, and Wild began to shake, recognizing them as his own.

Oh Hylia, haven’t you put me through enough?

Mipha put a hand on Ty’s arm, and he continued to watch Wild, his expression concerned as he studied his face.

“Papa... hurt?” he said worriedly, and Link shifted around so he was standing beside him, and placed a hand on his head.

“No, I’m not hurt,” Link reassured, and Ty switched to clinging to his leg instead, still staring at Wild. His orange scales shone brightly in the sunshine, like the last rays of light before the sun set.

“Wh... who is...?” Wild choked out, and Mipha gave him a look that was as conflicted as he felt.

“This is our son. Tyde,” she explained gently, like she knew the words would hurt.

They did, hitting Wild like a laser, and he felt a mixture of longing and wonder and grief so intense he was nearly sick.

Tyde was small, and as he shifted around the other Link’s leg, Wild saw that his left arm was shorter than it should be, the fins the wrong size. He had Wild— Link’s eyes, and his frame was proportioned more like a Hylian, but he had golden-orange and white scales all along his body, and had the Zora tail on the back of his head.

All in all, he was exactly what Wild would expect a child of his and Mipha’s to look like.

A tear fell down Wild’s cheek without his permission, and he sank back down to his knees, overwhelmed. He was married here. He had a child here.

This was what would have happened if he hadn’t failed?

This was how much Mipha had loved him?

Wild began to shake, and barely even noticed as Mipha approached and knelt beside him, so lost was he in his own mind.

“You’re from the world the older Sidon came from, aren’t you,” Mipha said quietly, and Wild shakily raised his head to look at her. “I... doubt he remembered in order to tell you. Zelda theorized they all wouldn’t recall anything from their time here.”

Wild gave a small shake of his head, and Mipha sighed.

“It’s complicated I’m afraid, but we’ve dealt with time travel before,” she explained. “And me and Sidon, we... we talked a little, about things. He said that in his time the champions were slain, and that you nearly were along with us. But you were placed in a sleep for one hundred years in order to heal, and then you saved the princess.”

Wild nodded mutely, and Mipha’s face turned further grieved. She carefully reached forward, and Link couldn’t help his flinch as her cool palm rested on his cheek, right over his scars.

The other Link behind Mipha had gone white, his sword finally lowered. Tyde tugged at his pant leg, and Link wordlessly picked him up, holding him tightly to his chest as he locked gazes with Wild.

Wild could only imagine what was going through his head.

Mipha wiped the tear off Wild’s cheek then withdrew her hand, giving him the same smile that he barely remembered from a hundred years ago. It almost made Wild fully break down, but he choked back his tears. He didn’t want her to feel like she had to comfort him.

“I’ll h-have to hear about this adventure Sidon had,” he said, managing not to make his voice sound too watery. “Sounds like it w-was something.”

“It was,” Mipha said quietly. “He always spoke so highly of you.”

She looked like she wanted to say more, but Wild’s double spoke up then, Tyde still nestled up to his chest.

“In your world, we... lost?” he asked in a quiet voice, and Wild swallowed thickly.

“We... did. I failed,” he whispered, not looking at Mipha. “The champions... our weapons turned against us. Overwhelmed us. I only survived because of a Sheikah invention that took a hundred years to work so I could fix my failure. So many died...”

He took in a shuddering breath, and looked at Mipha and his double again, their child still watching him intently.

“But you won here. You did it, you won—”

Wild’s voice choked off, and he barely noticed Tyde tug on his father’s sleeve, trying to get his attention. He did notice when Tyde pointed at Wild though, his brow scrunched up.

“Hurt,” he said with another tug, and for some reason that one small word made Wild lose the rest of his composure.

Suddenly it was too much, the sight of himself holding his and Mipha’s child, Mipha herself sitting beside him, her hand on her husband’s arm. It was a family Wild never had, never would have, and the fact that there was a timeline somewhere where Wild hadn’t failed them, where they had the opportunity to exist, it was just—

A small sob escaped him, and he pulled back, his shaking starting up again. Before he could bolt though, Tyde suddenly squirmed out of his father’s arms and padded over to Wild. Wild froze as he put a tiny hand on his arm, and when Wild looked down at him, he ran his hand up and down for a moment before nodding.

“Better,” he declared, then scampered back to Wild’s double.

Wild could only stare, tears dripping down his cheeks as Tyde climbed back into his father’s arms.

“He’s seen me heal before, he thinks he can too,” Mipha explained with a faint smile. “He does that whenever anyone cries, he thinks they’re hurt.”

A thick laugh burst from Wild’s throat, and he smiled shakily through the tears only running faster down his face. Tyde kept watching him, and Link swallowed back the gigantic lump in his throat in order to speak.

“Thanks,” he managed through his tears, and Tyde gave him a shy smile before hiding his face in Link’s chest.

Wild breathed out shakily, shuddering with a sob he tried not to let escape, and Mipha and his double stayed quiet as they let him cry, Tyde quietly watching them all. Mipha put her hand on his arm at one point, and Wild only cried harder, wishing he could remember her more, wishing she hadn’t died, wishing he didn’t even know what.

He merely cried, and Mipha let him, a different version of himself watching in pale-faced silence.

That was where Wolfie found them barely a quarter hour later, Wild’s eyes red as he quietly explained more about the infected monsters, Mipha and his double asking worried questions about what was going on, Tyde resting against his knee.

And nine Links became ten.

[creativitysloyalservant]

i have decided to break my lack of original posting on this blog to bring you my Thoughts on Rot in Paradise. because i played it as soon as i got up this morning and i have scoured for some opinions after finishing it, and now i have my own!!

(and also i posted this on twitter but twitter has such a Shit wordcount that i'm also posting my things here with More Detail)

so! spoilers under the cut, please go and play the game if you haven't. it takes literally an hour (it only took nearly 2 hours for me because i like voice acting by myself and exploring every nook and cranny) and it's also free. so maybe come back into the tag once you're done.

okay, so i noticed quite a number of people being confused and disappointed on the lack of an explanation for the monster. it's brought up in the story as the central thing driving the plot, but it's never explained on what "she" is, why she's compelling people to eat a ton of fish-related food or hell, metal, and why this doesn't impact June at all.

but you know what I think?

i think that that's the point. the focus of rot in paradise isn't supposed to be on the monster.

yeah, it's the thing that pushes the plot along besides June and the gang going on vacation in this island. it's what's causing that uneasiness from the moment that guy grabs June's arm at the drinks, to the sheer unnerving feeling of witnessing people going to the ocean to get Raptured basically. i know i personally felt a chill when i saw that one dude literally eating chains and the other hauling an anchor, as if they're trying to make themselves heavier so they get taken by whatever She is.

but that's not the main point! the main conflict is about June and her friends.

as people have pointed out, this game is about toxic friendships and relationships! it's foreshadowed in the conversation that June has with the gang about her cousin (which i will also get into), and it carries it through the way her friends are horribly warped by this ocean Creature. June goes on a silly little vacation trip with her friends only for them to become so so different from themselves that they lash out at her and even hit her in McCoy's case.

but she still sticks it out with them. through the whole game, even despite their verbal abuse, despite being slapped, despite them being people that she can hardly recognise. she stays with them for the whole game, up until the point where you are given the two options at the very end. and she could still stay with them.

because they're still her friends. she cares about them even if they still hurt her. from the way June still tells Carmen to tell June if she needs anything after Carmen literally tells her to shut up and leave, the way June worries about Vonnie eating seafood even though she continues to stuff herself despite being implied to either hate or make an active choice to not eat seafood, to the way June still trudges out to sea screaming for McCoy to come back to the shore as he wades further in even after he slapped her until her nose bled.

it mirrors the conversation about her cousin, the reason for why June was looking forward to the vacation. that while she did comfort her cousin through all of it, June clearly says that "they were dickheads, and she should have ditched them a long time ago".

but it's funny, isn't it? that June, an outsider to her cousin's friend group, easily sees the pain that her cousin's friends are causing her, and immediately calls it as it is. that her cousin should have left the second they hurt her.

and yet now, when her friends hurt her, even though this was a quick and sudden change that happened in a span of three days, June still sticks around. her friends are dickheads right now, and we can see that in the way they interact with June, but she still stays.

because they're her friends. and how could she just leave them like this if it's something that's causing them to be this way?

so no, i don't think the monster is supposed to be the main picture. we don't need to know what it looks like, or why it needs to do this to the islanders, or how it's even doing it in the first place. it adds to the scariness of the game, as per the Spooktober Game Jam, sure, but that's not the point. might be a bit disappointing to some, but that's not the point.

the point is about June, and the choice that she needs to make at the end of the game.

it's a choice on whether she chooses to be pulled deeper into the tides and be with the friends who hurt her and will continue to hurt her in this way,

or to leave them to their fates, whether deserved or not, and resurface to a world where she's alone without her friends.

and even though the first choice hurts much more in the long run, doesn't the second hurt even more in the moment? knowing that you're alone at the end of all of this?

even if it is the right choice, i'm sure the pain must be unbearable in the moment.

[poorly-drawn-mdzs]

I think I have to tell you that you're borderline genius.

I would consider it to be closer to borderline madness to be honest. A healthy person would not do what I have done.

[shakingparadigm]

what is the theory that ivan manipulated the event where till and mizi met the wagyein?

It's not a theory, actually! It's confirmed that Ivan orchestrated the whole event. The true reason as to why however is still unknown. The information provides more context to this scene, though:

During the earlier times of ALNST the most rational explanation for this scene was that Till ran after a flower crown (presumably Mizi's) and Ivan followed him in out of curiosity. Now we know that Ivan was conveniently just standing there because he was waiting.

Side note, I find it heartbreaking (and maybe a little funny, sorry) that Till most likely didn't notice Ivan in this scene. That's just like him, isn't it. Always too busy running after Mizi while Ivan trails behind, an ever-present shadow.

I'm not sure how Ivan manipulated the circumstances for both of them to end up there, but it is confirmed that everything was intentional. What strikes me most is how they describe this particular scene:

I can't copy down what they said word-for-word (Patreon info), but they described Ivan watching "creepily" as Till and Mizi are faced with danger. We know that Ivan was familiar with the Cerberus wagyein beforehand, enough to touch its teeth and even to rest himself inside its maw. To Ivan, the wagyein is not dangerous, but to Till and Mizi, it could be. Ivan prepared the wagyein, led them there, and watched "creepily" from afar as Till fell on his knees, seemingly injured.

The closest I can get to making sense of Ivan's "scheme" is that he wanted to see how other children would react in a dangerous situation. Ivan's always been an observer, after all, and he's learned to survive by copying the more "normal" behaviors of his peers. This situation occured when Ivan was still young and had not yet developed his more charming mask, so perhaps he staged this encounter to study a situational response, to learn and mimic the emotion of fear. And what better subjects for the experiment than two of the most expressive and reactive humans of their batch? It helps that he was already fixated on Till beforehand, too. I think Ivan became irreversibly obssessed after this incident, especially since it's framed as a turning point in Ivan's life, comparing Till to the stars.

This is just my attempt at an interpretation, though. It could very well be for another reason. He most likely chose Till and Mizi specifically for personal reasons, not just for reaction. I'm still not sure on the purpose behind the whole thing.

The team wanted to capture Ivan's "dark emotions" through the shot of his stalking, which could relate to his more sinister intentions. His gaze can be read in a few different ways, though. Curiosity, interest, fear, etc. Maybe that's why they decided to redraw the shot in ROUND 6.

I think this better sells the feeling they were trying to convey.

[turtleblogatlast]

The fact that Leo can go literally anywhere on earth to be alone with his thoughts at a single moment’s notice is something that shakes around in my head all the time. Like, portals and teleportation are amazing and convenient abilities both in and out of battle, but they could also so easily be used to run away as well.

I don’t think Leo ever would, at least not most of the time. He loves his family too much, and is too dependent on their love and attention to cut himself off so suddenly like that, but it’s a very real possibility nonetheless.

It’s a good thing Leo’s overall temper is more on the mild side and he prefers going to his room or something to complete solitude, because it really is dangerous for a kid to have the ability to isolate themselves like that at their fingertips.

[airenyah]

A LOOK AT STYLE'S JOURNEY | Ep 3

(Overview | Ep1+2 | Ep4 | Ep5 | Ep6)

I really wanted to drop this before Episode 4, but the thing is I really really really struggled with this episode. The first two episode were very clear to me, so clear even that I managed binge-write my first post within a single night after having spent the previous night rewatching the episodes and taking notes. I kept asking myself the question "Style does this and acts like this, but why?" and quickly found my answers. But looking at episode 3? I really struggled with the "but why".

But let's get into it anyway. Not that I finish this post only when the final episode drops lol.

~~~ Spoiler warning for episode 4 ~~~

To recap: when we last saw Fadel and Style together in episode 2 Fadel ambushed Style in the locker room and basically declared war on Style. Style launched counterattacks. They did not part on the best of terms.

Pronoun situation: In my first meta post I kept up with their pronoun use on a scene by scene basis. This time I won't do that, because they consistently use the rude guu/mueng pronouns for each other throughout the entire episode without any significant pronoun changes.

No. 1: RAWR

The very first sequence at the heavy metal bar is where my first problem already arises: I am undecided on whether Style went there on purpose to find Fadel or if he went there of his own accord to have fun and just happened to run into Fadel completely by chance. Because you could make arguments both FOR and AGAINST Style showing up specifically for Fadel.

AGAINST: Style does look kinda surprised when walks up to Fadel. When they're chatting by the counter Style says he's here all the time (which is something he doesn't say about the running track or the gym – two spots that we know he only went to for Fadel). We also don't get to see Style looking at the notebook like we do before he bugs Fadel at the running track for the first time or later in the episode when he shows up at the support group meeting. What's more, Style doesn't really attempt to stick to Fadel no matter what until Fadel either physically gets rid of him or just walks away. Instead Style leaves of his own accord to have fun with people who aren't Fadel and also seems perfectly content to do so.

FOR: When Kant looks through the notebook in ep2 after Bison hands it to him we can see that the bar is in there. So Style should know this bar is one of Fadel's go-to spots. Style could be feigning surprise when he walks up to Fadel to make it look like a chance meeting and he could also be lying about being there all the time.

Whether or not Style came to the bar in order to seek out Fadel specifically or not, when he walks up to Fadel and sits down next to him it's all in a friendly manner. His behavior has an air of Oh hey there person that I know, let me say hello! to it.

Style is once again trying to involve Fadel in an amiable conversation despite their confrontation last time they saw each other. Or maybe he's trying to involve Fadel in an amiable conversation because of the confrontation last time they saw each other. Style's friendly approach makes it clear that he's not holding any grudges about it. Fadel is not up for a friendly conversation, though. In the scene by the counter he says a total amount of two sentences to Style (or even just one, if you don't count the "no" as a single sentence). Style tries to get Fadel to socialize, to get Fadel to come out of his grumpy shell and go dance with him a little bit, to loosen up and scream a little bit. Fadel won't budge. So Style gives him his space and walks off, but not without inviting Fadel to follow him just in case Fadel miraculously changes his mind. After Style clinks bottles with his (new?) friends he looks back at Fadel and nods at him before getting busy with his friends.

I want to talk about that nod for a quick moment. Because as an introvert who tends to be quiet and shy in a crowd (especially a crowd of strangers or people I don't know well) I have my fair share of experience of being alone in a crowd. And I adore that Style is making contact with Fadel again, even though he already walked away and their conversation is actually over. As I've mentioned in some tags before, some of Style's core personality traits really remind me of a dear old friend of mine. We had a time in our late (ish) teens where we'd hang out at our youth leader's flat every day. My friend and my youth leader would often play Magic: The Gathering, which is something that's really not my thing and so I'd be "left out" that is I'd be chilling next to them doing my own thing or just watching them, not understanding shit. They'd be in the middle of a game and my friend would sometimes randomly look up and nod at me like that or he would pull faces at me or do some other random shit to communicate with me for a second before focusing back on the game. These small gestures were something I always really appreciated because they made me feel included, even though I had no interest in the game and couldn't really be part of it. The way Style nods at Fadel reminds me of that. He's making contact with Fadel across the room, involving him, including him. It's a nod kind of like Hey, I see you. And yeah, Fadel doesn't really want to be seen, except deep down maybe he does.

Which brings me to the choking scene. Style is having fun with his friends (or random people he just met??). He spots Fadel, excuses himself and walks over. Almost as if he saw Fadel standing there all on his own and decided to talk to him because "You're supposed to have fun with your friends at a place like this". As if he doesn't want Fadel be all alone. So he walks up to him and starts another conversation. We get another confirmation that Style isn't holding any grudges about their confrontation in the locker room, because he actively teases Fadel about it. I'm not even sure Style is purposefully being flirty here, I think he really is going more for a playful callback to the locker room confrontation, mixed with a challenge of "So? Are you gonna go rough on me again? I dare you to do it again!"

What's more, I think at this point his brain is set to I must hit on him, so I must drop flirty shit whenever possible. So when he says Fadel looks sexy, while there sure is some truth to it and he certainly finds Fadel sexy in general, I don't think he really 100% means it in that specific moment. It's almost more as if he's saying it out of habit, just for the sake of dropping flirty shit and compliments at any given opportunity.

All in all, that night at the bar Style isn't really being annoying or flirting with Fadel on purpose. He spends the night trying to make friends with Fadel again, trying to make amiable conversation, trying to involve him in friendly banter, trying to genuinely connect with him. As if to get Fadel to open up and come out of the shell that he has deeply buried himself in. And I think what this interaction also shows is that Style is starting to have positive feelings towards Fadel. It's the beginning of Style genuinely liking Fadel more than he dislikes him. Style is slowly starting to worry and to care about him.

No. 2: The Best Way to Burn Calories

Now for this scene we know for a fact Style is here for Fadel specifically. Once again, Style blurts out flirty shit and once again it doesn't sound entirely genuine as if he actually means what he says. Kant has sent him on a mission to hit on Fadel, but Style still hasn't quite figured out how to get through to him. Fadel continuously ignores or even blocks Style's attempts to make friends with him or to genuinely connect to him and the flirting also doesn't seem to be working. (Oh, Style. If only you knew just how well your genuine flirting at the gym worked on Fadel 🤭)

Style knows very well that Fadel is annoyed by him (Fadel even explicitly tells him that it's a bad morning if he sees Style). And I think at this point Style has decided that if he can't be a positive presence in Fadel's life he'll simply just be a negative presence then. Since that will still bring him closer to his goal than being no presence in Fadel's life at all would bring him. So he just shows up, bugs Fadel to remind him of Style's existence and also drops flirty shit at any given opportunity while he's at it regardless of whether he genuinely means what he says in that moment or not. And while I'm sure there is some truth behind Style's words, I think a lot of the flirting really is more of a routine now, a habit. Since that is what he was hired to do after all.

Side quest: Body and Heart

One thing this scene touches on is that Style definitely isn't in it just for sex alone but that he desires an emotional component as well: he explicitly says he wants Fadel's body AND his heart. As I said, I don't think Style really meant the flirting here, but I do think there is some truth to his words, namely his desire to not just have meaningless sex but to also be in love.

I think, unlike Kant, Style actually isn't too big on casual one-night stands. I think he enjoys flirting around, because Style is an attention hoe, but if I had to guess I would say most of the time he doesn't end up actually sleeping with anyone. Style is charming and I think he has a lot of fun with flirty banter. And he definitely loves the attention: in episode 1 he clearly enjoys it when the girls are admiring his waist that he proudly shows off at the bowling alley, in episode 2 he gives Fadel permission to look at his naked body, and then later in episode 3 he also looks very happy and satisfied after those girls call him "hot" when he's dropping of the car keys at the host club.

Style loves the attention, he enjoys the flirty banter, but I think sleeping around no strings attached isn't truly his kind of thing. We get another hint of this in episode 1 when Kant claims "[Y]ou’re in no position to call me out when you’ve been playing around just the same". Style replies "I don’t know what you’re talking about" in a disapproving tone and with a skeptical face.

In fact, in Thai he says:

อะไรของมึงว่ะ [àrai - kŏng - mueng - wâ] what - of - you - [rude particle]

I haven't checked this phrase back with a native speaker yet, but I've often heard it in the sense of Wtf is your problem? or Wtf is up with you? or Wtf are you talking about? To me, the English subs sound almost more like Style is deflecting Kant's statement while in Thai to me it feels like Style is actively disagreeing with Kant's words (feel free to correct me on this if I'm wrong @happypotato48 🙏).

Like, Style clearly doesn't approve of Kant's accusations and immediately goes attention seeking to highlight that that is what he's all about:

Going with the crop top shot specifically because I'm SURE some of you will really appreciate it lol

The literal translation of what he says here is actually more like "I'm just checking my rating":

กูก็แค่เช็คเรตติ้งกูเฉยๆว่ะวะ [guu - gôr kâe - chék - ret-dting - guu - chŏiie chŏiie - wâ wá] I - only - check - rating - I/my - just - [rude particle]

Style wants eyes on him, not hands, and he wants to be rated the hottest person in town by everyone who takes just one single look at him, thank you very much.

What's more, right before this exchange he also tells Kant to quit his one-night stands and get a real lover, so we know Style is very much team "having a boyfriend is a good thing". Style not being too big on meaningless one-night stands will also be reflected later in episode 3 when Style tells Fadel " What kind of man do you take me for? I might look like I play around, but I’m damn devoted to love. I want to date*" when he complains about Fadel ditching him right after their hook-up as well as in episode 4 when Style tells him "I'm not just anyone. I need clarity" when Fadel points out "Some people [have sex] countless times and never called it anything" after Style asks what their relationship is now that they've hooked up twice. We see it also in the way how enraged and genuinely hurt Style is in episode 4 after the stunt Fadel pulls in the kitchen. For Style, sex isn't just sex and I think as impulsive as he can be he still makes very deliberate decisions about who he actually sleeps with.

Kant may claim Style plays around just like Kant does, but the thing is that night at the bowling alley? It's Kant who finds himself someone to spend a fun night with while we see Style leaving the bowling alley all by himself without his own hook-up. You could even make arguments about how Style doesn't actually like doing the pursuing and much rather prefers to be pursued. But more on that later.

*(Actually, literally he doesn't say "I want to date" but "I want a faen" -> confirming once again Style is Team Steady Boyfriend)

No. 3: Sweet Meat

Just like in the scene at the sports field right beforehand, Style continues to be an annoying presence in Fadel's life, if he can't manage to be a positive presence. For this scene he even turns up his annoyingness level a little more than at the running track. What's very interesting here compared to the meat stall scene from episode 2 is that here in episode 3? Style doesn't give a shit that Fadel turns away and walks off without buying anything. In episode 2 he was very quick to yield in order to keep Fadel from running away, but this time Style doesn't care that Fadel just ditches him. When Fadel has gone, Style immediately hurries after him. He's already got his next move planned.

No. 4: Burger Burger Burger Burger

I think Style tries out a different strategy here: maybe if he helps Fadel, Fadel will finally soften up to him. What's also interesting is that every word out of Style's mouth suddenly sounds a lot more genuine now compared to what he was spouting at the running track or at the market earlier that day. And I think it's because he (thinks he) is helping Fadel.

Style likes to help. We see this in the way he agrees to help his best friend by hitting on some weirdo guy (yes, of course he's also getting a car out of this deal, but I think part of the reason why he agrees to the deal is also because he genuinely wants to help Kant find love), we see this in the way he immediately takes orders from customers no questions asked in episode 2 right before he meets Bison, and we'll see this even later this episode when he throws himself into the fight despite having no fighting skills whatsoever, just because he thinks three against one is unfair and wants to help.

And if we go back to the thought that maybe, just maybe, Style actually doesn't like to pursue others then it's no surprise that his words here suddenly sound a lot more genuine now that he (thinks he) is helping Fadel compared to his half-assed attempts at flirting earlier that day on the sports field and at the market. Helping people is Style's thing. He's back in his comfort zone which means now he can be much more sincere in his words and his actions again, because there is less of a need to pretend to be a type of person that he just simply is not.

Which also results in Style being much more playful again rather than annoying. For example, when he calls Fadel a "good-looking chef" and shoves him with his his gigantic burger bun. Or when he teases Fadel about being shy. Or when he asks Fadel "You hungry?" after they end up on the ground. This time I actually believe Style's words. Where the flirting at the running track and the teasing at the market felt more like a task where Style was mostly just saying words to get the job done, now that he's back in his comfort zone it sounds like he actually means everything he says again.

There is also some sort of sincerity to Style's desire to help. Fadel, however, does not want Style's help and tries to send him away. Style reminds him that Fadel should probably be making burgers instead of wasting time arguing with him and also points out that Fadel's own brother, who is supposed to be here helping him, is nowhere to be found and that he, Style, is in fact right here by Fadel's side helping him, supporting him. I think Style is being a little overly dramatic when he says "All I ask from you is a little decency" in order to get Fadel to soften up at least a little bit and to get him to accept Style's help, but I also think Style does genuinely desire at least some form of recognition for his support as well. But Fadel won't budge and once again just abandons him.

No. 5: This Is A... kitchen

Trouble arises at the diner and once again we see that Style likes being helpful, because he rushes into the kitchen, immediately ready to help serve the customers. And this time his desire to help is real. It might also stem a little from his desire to fix things, because it is his own fault that the restaurant is overrun and so part of him might want to make up for that, too. What matters, though, is that it's not just another attempt at getting close to Fadel like earlier when he was promoting the restaurant. Fadel blocks him once again, but Style insists. And I think he really hits the nail on the head with this:

I haven't yet looked at Fadel as closely as I have at Style (oh how I wish I had the time, though *cries in university student*) but I do think that this is ultimately something Fadel will be forced to learn over the course of the series.

Anyway, Fadel tries to send Style away again, but Style refuses to go and lists a number of arguments as to why he should in fact go serve tables instead of going home. He ends his arguments by telling Fadel to learn to accept help and then then determinedly tells him that he'll go wait the tables himself. Once those words are out of his mouth he looks at Fadel almost with a bit of a defiant expression on his face as if he's waiting for Fadel to object again.

But this time Fadel says "Fine, you can wait the tables" and Style nods and raises an eyebrow in surprise and happiness, like Wait?? I can?? For real?? You're actually letting me?? I don't have to fight you some more?? You're not throwing me out again??

When Style goes to change into the uniform right there in the kitchen, I don't think he's doing it to be flirty or anything like that at first. I think in the heat of the moment he genuinely forgot that changing rooms (or in this case, bathrooms) exist. I think he wanted to follow Fadel's order as quickly as possible so that he could start helping as quickly as possible. That is, until Fadel tells him off and sends him to the bathroom. Style responds by playfully teasing Fadel about being shy. Style is in an excellent mood now because it's one of those rare occasions where Fadel accepts Style's presence rather than trying to get rid of him. And while I do think Style changes in the kitchen anyway in order to tease Fadel, I don't think he's necessarily doing it to tease Fadel for sexy reasons but rather for playfully petty reasons. Because Fadel keeps scolding him and yelling at him and when Fadel tells him off for changing clothes in the kitchen, Style does it out of spite. Like Oh, you don't want me to change in the kitchen? Well, in this case i DEFINITELY have to change in the kitchen, then. I will say, though, that there is definitely a little bit of an Oh, you're NOT shy? Well, prove it, then! in there as well. But I don't think that this thought is Style's main focus here, because apart from this one look that Style throws Fadel right after he's pulled his shirt over his head...

...from what the camera shows us he seems more focused on the clothes and the action of changing them rather than on Fadel's reaction to him getting naked:

We, the audience, were shown Fadel's reactions to Style getting undressed and I think if Style had taken note of these reactions, the series would have made a point in showing us that Style notices Fadel's crisis. And our chatty cat here would have 100000% teased Fadel about it. What's more, Style has no idea just how much of an effect his naked body had on Fadel back at the sauna. Style has absolutely no idea that Fadel went and fantasized about him afterwards. So Style does not (yet) know that his naked body is one of the strongest weapons he currently has in the fight for Fadel. So Style does not (yet) realize that he could be using his body in a much more deliberate manner. And I don't think he realized it in this scene either, because as I said we would have been shown his discovery. So Style leaves the scene none the wiser, but eager to help and absolutely stoked that Fadel actually lets him for once.

No. 6: Death by Spatula?

Unexpectedly, Fadel drops lore of himself and I think that piques Style's interest because Fadel almost NEVER drops lore of himself. Pretty much all the things Style knows about Fadel are things he got from other people (like all the information in the notebook) or things he found out by himself (either because he's picked up on them in all their interactions so far or because he actively did some research like when he looked up Fadel's name). There are only two other instances where Fadel himself revealed something about himself to Style:

When Style finds him at the gym, Fadel drops that he doesn't like it when it's crowded and that this is why he likes going to the gym at night.

When Fadel tells Style that he runs a burger joint in the "sensitive nipples" scene and also mentions that he does everything by himself. Although this incident barely counts, because Fadel didn't really give this information voluntarily but was instead kind of forced to since Style had found the pin of his restaurant.

Usually, Fadel refuses to reveal anything about himself. But now Fadel is overwhelmed by the many customers and in his stress he lets slip that he doesn't need money and that he only runs the restaurant for fun. When Fadel then also claims not to be rich, Style immediately finds it sus. Lucky for him, though, he won't make the right guess until later in the episode and so he manages to escape being prematurely murdered with a spatula. But Style doesn't know that.

Instead, Style just got a lot more intrigued by Fadel. This is one of those incidents that make Style want to get to know Fadel out of his own curiosity and not because he wants to help his friend and is getting his dream car as a reward. Style is starting to take a genuine interest in Fadel as a person and his positive feelings towards Fadel grow.

No. 7: First Bites

When Fadel wordlessly hands Style the burger it's the first time that Fadel is actively reaching out to him. Reaching out to him in a friendly manner that is, not to ambush him in a dark locker room and start a fight. And Style is absolutely delighted that Fadel is finally taking a step towards him instead of walking away from him like he usually does. And Style being Style, he of course has to immediately make a big deal out of it: "Are you finally folding? Was it because of how hard working I am? You like me now, don’t you?"

Actually, I wanna take a little detour to the language side of things again. The English translation has a question tag only on the last sentence, but in Thai Style actually uses question words that give a sense of "right?" or "isn't that so?" at the end of every single one of these questions.

นี่มึงเปิดใจให้กูแล้วใช่ป่ะ [nêe - mueng - bpèrt - jai - hâi - guu - láew - châi bpà] [interjection] - you - open - heart, mind - to, for - I/me - already - right?

I actually really like the expression he uses in Thai: he says เปิดใจ [bpèrt jai] which consists of the words "(to) open" (เปิด) and "heart, mind" (ใจ). To me, that gives me the feeling of Style not just asking Did I manage to win you over? but more of a feeling of You are finally opening (your heart) up to me, right? You are finally letting me in? which I think is a much nicer image in regard to Fadel's character and Fadel and Style's relationship.

มึงเห็นความขยันความตั้งใจกูแล้วใช่ไหมล่ะ [mueng - hĕn - kwaam kà-yăn - kwaam dtâng jai - guu - láew - châi măi - lâ] you - see - diligence - intention, determination - I/my - already - right? - [particle]

I don't know if others feel the same way, but in the English translation the "hard working" part mostly makes me think of Style working hard with helping at the restaurant before this conversation. A more literal translation of what he says in Thai would be "You've seen my diligence and determination, haven't you?" and I'm sure he's actually more referring to his determination and relentless efforts in getting close to Fadel.

I just really like the way Style phrases all his questions here in Thai. Fadel has enclosed his heart deep within him in very thick and high walls and no one gets access to it. And Style's task isn't that he has to get Fadel to simply just fold to him, surrender to him, but what he actually needs to do is to search for a way to reach Fadel's heart. His options are either to tear down Fadel's walls by sheer force or to somehow get Fadel to trust him so much that Fadel will willingly unlock and open up the doors leading to the depths of his heart. And it's like Style is asking You're finally letting me in, right? You're finally recognizing my diligent efforts to reach you, right? You no longer hate me, right? You like me now, don't you?

And I don't think Style is necessarily flirting here and means to ask if Fadel likes him romantically. On the surface, yes, he is definitely also asking if the flirting (attempts) have worked and if Fadel is starting to fall for him. But I think a lot of this is also about how he has on multiple occasion now tried to form a genuine connection with Fadel. Just in this episode alone we can see it in the way he asks Fadel if he likes heavy metal at the heavy metal bar and then tries to get him to socialize, tries to include him. We can see it the entire time at the restaurant just now where he's voluntarily helping because he genuinely cares. There are even more instances in the first two episodes, which I talk about in my first meta post of this meta series. Style has tried to bond with Fadel multiple times now but Fadel has always blocked his attempts and I think a big part of Style also wants to know if Fadel is finally starting to have at least friendly feelings towards Style. That Style is finally going from being an annoying presence in Fadel's life to being a pleasant presence in his life.

But Fadel shoots him down. "Don't get your hopes up. This is your wage." (Fun fact: in Thai Fadel actually tells Style not to เวอร์ [wer], which is a slang word coming from the English word "over" and, if I remember my Thai friend's explanation from a month ago correctly, is used to indicate that what someone is doing/saying is "too much", so what Fadel says here could be taken as "don't exaggerate" or "don't be so overly dramatic" or "don't be so hyped")

Style immediately complains that the burger is too little of a wage, but also won't let Fadel take it away from him again, insisting on eating it anyway. It might not be much of a wage, but that burger is important to Style. When Fadel sends him home, Style dramatically laments being exploited and thrown away. I think this is yet another one of Style's attempt to get some friendly banter out of Fadel. But Fadel isn't having it. Fadel makes it clear that he wants Style gone asap and Style is annoyed that Fadel keeps making him leave. I think Style is genuinely enjoying hanging out with Fadel at the burger joint and also genuinely wants to stay. His positive feelings continue to develop.

Special shout-out also to the way Style loudly goes "Mmh! Mmmh!!" while chomping down on the burger to make sure Fadel knows exactly how much he's enjoying Fadel's food. Which isn't just food in this instance, no, the burger also stands for an unspoken thank you for helping me and symbolizes the first time Fadel has actively reached out to Style on his own and done a nice thing for him. Style is making sure Fadel won't miss just how much he appreciates this gesture.

No. 8: A Fly on the Wall

Oh, how desperately I wish we knew at which point of the conversation between the brothers Style came in exactly! This is going to drive me insane, because I have no idea just how much of the conversation Style overheard, which unfortunately is important information for the interpretation of his interactions with Fadel from this point on. Most of all I really NEED to know if Style happened to hear this specific line:

Fun fact: in Thai he doesn't actually say "you wanted to rely on" but he says (ที่)มึงจะไปอยู่ด้วย [(thêe) - mueng - jà - bpai - yòo - dûuay] which should translate to something like "(that) you were gonna be with" or "were gonna live with" (disclaimer: I didn't double-check this with a native speaker) which sounds much more like a serious relationship to me rather than when phrased as "dude you wanted to rely on". And we'll get the confirmation of an ex-boyfriend later in the episode.

Now the question is: DOES STYLE KNOW ABOUT THE EX-BOYFRIEND NOW?? DOES HE KNOW FADEL WAS IN LOVE BEFORE?? PLEASEEE I NEED TO KNOW 😭😭😭

In my quest to find an answer to these questions I did come across a strange background noise that comes right after this line, though. A background noise that could very well be interpreted as Style sliding open the door. So for the sake of my own sanity I'll go with Style only having heard this part of the conversation for sure:

F: Why did you bring this up? K: I just want you to tell your brother how pipe dreams always end. In this line of profession, no one waits for you.

This is yet another incident that gets Style genuinely curious about Fadel, about who he is exactly. Style will certainly be wondering about what that profession is from now on. And he will certainly be wondering about what that profession could be after he watches Fadel beat up three grown men like it's nothing. And he won't know that he will have hit jackpot with his guess.

No. 9: Private Show

Where the masturbation scene from episode 2 confirms that Fadel feels genuine physical/sexual attraction to Style, this scene confirms that the feeling is mutual on Style's side of things as well. Style, too, finds Fadel's body hot. What's more, he never stops looking at Fadel. And not just at his body, but throughout his fantasy, Style is always searching for Fadel's eyes. In fact, he rarely takes his own eyes off of Fadel's face, and when Style does direct his eyes somewhere else it's always only for a very short moment. I think this once again shows that Style desires an emotional connection next to a physical one as well. Sex isn't just sex to Style, he wants more with it.

It is said that eyes are the windows to the soul, so another reason for the intense eye contact could be that Style also wants to stare deep into Fadel's soul to get to know him better in a quest to find answers to who this mysterious person really is. Because by now Style is genuinely curious. He has genuinely started to care.

Remember how I mentioned that arguments could be made for Style actually liking being pursued more than doing the pursuing and that I would get into this later? Later is now.

At this point I want to plug @clemelntine's extremely interesting perspective on the two sexual fantasies that we've gotten so far and what that means for the storage room hook-up. I'm not gonna reiterate everything, but I do want to pick up on what she says about Style specifically:

No matter how much he annoys Fadel in the day to day and how much he seems to take the upperhand in those interactions, when it comes to sex he likes in the idea of letting Fadel do what he does/wants.

In Style's own fantasy, Style is sitting back, he's letting Fadel take the reins, do the work. This is also in line with @secriden's excellent meta on Style's true desire being to be pursued, which I also really encourage you to read. Again, I won't repeat the entire post, but she highlights how Style will downright create opportunities for Fadel to lay his hands on him and how "every single time Fadel even shows a HINT of wanting Style, he immediately falls pliant, like he can't wait to let Fadel take the reins" (quoted from @secriden). And we see this desire in the fantasy too. Style imagines Fadel being the active one while Style gets to sit there and enjoy. Our little attention hoe here likes it when people are actively after him.

I was struggling to really make sense of Style this episode. In the first two episodes, whenever Style was being annoying there would be some sort of trigger for it. I was confused especially in the beginning of this episode, because I didn't understand how and why Style would go from trying to genuinely bond with Fadel at the heavy metal bar to being annoying at the running track and at the market when nothing seemed to have triggered it. I could tell Style was being annoying on the sports field and at the market, but I really couldn't figure out the "but why?" of it all. But if we look at his behavior through the lens of "Style actually prefers being pursued over doing the pursuing", I think it makes more sense. Style prefers for others to put in the effort of pursuing and now that he's forced to do the pursuing himself he doesn't really know how to go about it, especially when the person he's trying to woo has walls high up to the sky and continuously shoots him down. Style shows up and drops flirty lines but he doesn't even really mean them because he doesn't actually want to do the pursuing. The inauthenticity in his insistent approach is what makes him annoying in those scenes. And it's also not what works on Fadel – it's when Style is being genuine that he actually reaches Fadel, like when he was helping him wait tables (which Fadel recognizes by rewarding him with a burger) or when Style was being playfully flirty in the sauna (which results in Fadel fantasizing about him at night).

No. 10: Mark Style Down As Scared AND Horny

We will later learn that Style doesn't believe Fadel about needing more money for the restaurant and was just acting stupid to gain Fadel's trust, but when I first sat down to take notes for my meta I wasn't sure if Style was being entirely accurate/truthful when he said this, since he witnessed Fadel taking on three grown men only after that whole conversation about the restaurant. So why would he feel a need to gain Fadel's trust before that? At first I thought that maybe Style did believe Fadel for a moment there, especially also because he presented Fadel with an excuse as to why he was working there right away and then also sounded a bit too sincere when he offered support to Fadel. However, on second thought I'm now thinking that maybe he really does distrust Fadel's claims from the start.

Outside the host club Style approaches Fadel and I don't think it's with the motivation to flirt with him but rather to find out why exactly Fadel would be here stripping for some ladies. It's a bit odd that he immediately offers Fadel an out of "You need the money for your restaurant, right?" when he's trying to get answers, but maybe this clumsy approach at digging for answer is already part of Style playing dumb on purpose to gain Fadel's trust. But why would he need to gain Fadel's trust when he hasn't even seen yet what Fadel is really capable of?

While it is true that up until the "why are you working as a stripper" conversation Style hasn't witnessed the real danger that Fadel poses, there've still been enough incidents to make him suspicious of Fadel. It already starts right during their first meeting when Fadel won't let Style get near his car. That's weird, Style finds it weird. Next thing Style knows is that Fadel also doesn't have any papers for said car which is very odd again. In episode 2 Style gets a little hint of Fadel's dangerous side when Fadel ambushes him in the locker room. In episode 3 he learns that Fadel opened the burger place just for fun rather than to earn money and that apparently Fadel isn't rich and yet somehow still has the resources and the time to run a whole restaurant for fun. Shortly after that he (likely) overhears something about a "profession" which clearly can't refer to the profession of being a burger joint owner. Style has enough reasons to be suspicious of Fadel, even before he witnesses Fadel's badass fighting skills. Style has reasons to gain Fadel's trust and to stay on his good side, especially since Style himself is hiding ulterior motives and can't risk Fadel getting suspicious of his own true intentions. So Style plays dumb, offers Fadel an out, and when Fadel takes that out Style raises his eyebrows and hesitates for a moment like Oh, okay. We're going with the lie, then, before he offers Fadel support.

The conversation gets interrupted by those three men looking for a fight and for the first time Style gets to see just how dangerous Fadel can get when he wants to. This is where Style truly realizes that something really is very, very OFF about Fadel. It's no longer a joke or a gut feeling, no, this is confirmation that something here is incredibly shady. And Style wants to get to the bottom of it.

No. 11: Hit by Apollo's Ball of Prophecy

There've been a few incidents that got Style curious about who Fadel really is behind his thick walls and his tough exterior, a few incidents that got Style curious about Fadel's lore. But watching Fadel take on three grown man without any major problems and having them run away in fear was the last straw. Style's motivations officially change. Getting Kant's car is less important now than finding out the truth about Fadel. Style definitely exaggerates a bit when he says that Fadel must be some kind of hitman, is being dramatic as usual. It won't be much longer until Style finds out that Apollo has actually hit him with the gift of prophecy.

No. 12: Rise Up

Style is determined to find out more about Fadel's life and promptly shows up at yet another location he knows Fadel will be at. I'm not sure Style was aware this meeting was gonna be about grief and loss before he arrived and saw the sign. At least from the notebook it's hard to tell because the drawing only shows a group of people sitting in a circle of chairs with the caption "rise up". That could really be about anything. For me personally, my first association (especially in combination with the words "rise up") would be a Christian bible study group, although I doubt that Style, having been raised in a predominantly Buddhist country, would necessarily have this specific association with that image and those words, too. Point still stands that nothing about this image strictly points to loss specifically. (Technically we could say that since there's no address in the notebook, Style might have googled "rise up" in order to figure out where to go and seen on the website that it was a meeting for grief and loss. However, as we didn't actually get to see Style do any research and find this information, I'm just gonna run on the assumption that he genuinely didn't know and that maybe he got the address via Bison or something. Or maybe he actively stalked and followed Fadel, idk.)

Style stops in front of the sign, double-checks that he's at the right place, and then nods in determination, kinda like alright, let's do this, then, before he enters.

Another reason why I don't think Style was aware what this group meeting was gonna be about before he arrived is the way he's kinda confused when the group leader asks him to tell his story. The group leader elaborates ("Something you’ve lost, or the changing point in your life.") and Style, who was looking at the group leader while listening to his explanation, turns his head to look at Fadel right after the group leader says the word จุดเปลี่ยน [jùt bplìian] (= changing point). He stares at Fadel as if he's wondering Did he lose something? Was there a changing point in his life?

Style can't dwell on it for too long, though, because he has just been asked a question and now needs to come up with a cover story.

And this is where Style really starts to get out of line. He dishes out a story about some dog, which I don't really want to get into right now since at the point of me writing this we're only 4 episodes into the series and who knows, something might as well happen later down the line that could recontextualize Style's story (looking at you, Boonterm mention! 👀), but I think it's safe to say that Style isn't too involved in his story emotionally. When he cries, the crying is cringe and it's NOT because Dunk is a bad actor (far from it!!) but rather it's because Style the character isn't taking himself seriously here. This is also highlighted in the smug look and nod he shoots Fadel in the middle of his crying performance:

His behavior is very disrespectful, but I don't think he's being disrespectful on purpose. I think this is another one of his idiot boy moments where he is just really fucking stupid. Style is impulsive and doesn't think things through a lot and I think in this scene he is also so absorbed in his goal of getting to the bottom of Fadel and his mysteries that his tunnel vision on his goal prevents him from realizing the effect his actions can have on those around him, the consequences his behavior could bring. We saw it before that Style sometimes doesn't see things as much of a big deal as they actually are when he doesn't think much of texting while driving (as elaborated in my ep1 meta). Besides, his behavior has worked out pretty well for him all episode, with the worst consequence being Fadel simply just walking away from him, and Style even got to celebrate small victories like when Fadel made him a burger. So why would Style be changing his behavior now? There is no reason for Style to act differently, and so he continues to bug Fadel as usual and it genuinely doesn't occur to him that his behavior could be disrespectful or out of line.

Maybe if Style had had more time to dwell on the thought of Is Fadel here because he's lost someone? he might have realized that the situation was a lot more serious than he had originally thought and that his words/actions were gonna be out of line and that he shouldn't have been doing this, but alas that is not what happened. He didn't have the time and so he immediately gets distracted fabricating an elaborate story to answer the group leader's question and doesn't spend a single one of his brain cells thinking about his behavior and its consequences. He will soon learn about the consequences, though, because Fadel is seriously pissed now.

No. 13: Giving You What You Want (But Is It?)

Fadel is pissed and goes to confront Style in the privacy of a random storage room. Style is obviously lying to Fadel through his teeth. I do think there's some truth to it when Style says "I have my own problems. You’re not the only one" but whatever problems in life Style currently has (especially if there's anything connected to loss and grief), these problem's really aren't at the forefront of his mind right now. We know for a fact that Style is lying when he explains that he found the support group via the internet, that meeting Fadel was a coincidence and Fadel doesn't buy it either. What we, the audience, also know but what Fadel doesn't necessarily guess is that Style is also lying about how he is hitting on Fadel because he likes him and because he wants him. "Nothing more than that" he says, but as the audience we know that this is also bullshit because we know he was specifically sent by Kant and that a car is waiting for Style when he succeeds. What we also know, though, is that Style is definitely physically/sexually attracted to Fadel, so when Fadel offers to hook up with him, who is Style to say no?

I think this nc scene surprised a lot of us because it didn't go the way most of us were expecting it to go. As has already been pointed out in various posts by various people, Style is surprisingly passive during the entire act (at least, that we get to see). They have next to no eye contact, Style doesn't initiate a single kiss and barely touches Fadel except to hold him and to run his hand through Fadel's hair. But why is that?

Many a thing has already been said about this scene and about the characters' motivations and I don't think there is one specific interpretation that is the One Truth. I think many truths exist in this scene at the same time and there are many factors as to why the characters were acting the way they were acting. Emotions are complicated and sometimes you can have many of them simultaneously.

An interpretation that I haven't seen floating around yet is that part of Style's passiveness could also stem from the fact that he was caught off-guard. I don't think he was expecting Fadel to go Alright fine, have me, then. In fact, I think when Style told Fadel "I like you" and "I want you" those were mainly empty words again. Because this time he didn't seek out one of Fadel's usual places in order to to hit on him, but because he wants to find out the truth about Fadel, wants to figure out the reason why Fadel is so shady. But then he ended up pissing Fadel off who then promptly started a fight with him and Style needed to cover up his own intentions when he threw those words into Fadel's face. Style says "I want you", but he doesn't actually mean it in that moment and his actions do not reflect the I want to bang you sentiment at all either. We've all seen the sauna scene, we know how Style behaves when he actually wants to get into Fadel's towel pants. And this isn't it. So when Fadel suddenly and uncharacteristically does let Style get into his pants gets into Style's pants, I think that throws Style off and he momentarily doesn't know how to respond to the situation.

Plus, as @nnnn99999 writes in her meta, there is also the emotional disconnect. At this point of the story, neither of them is in love with the other just yet. Yes, there is mutual physical attraction and yes, by now Style has taken an interest in Fadel beyond the car, has started to develop positive feelings for Fadel and has at times actively enjoyed interacting with Fadel, but they still have their own motives and intentions and emotionally they simply just aren't quite on the same page yet. Style desires both body and heart, but both of their hearts simply aren't properly in it just yet. I don't think Style minds hooking up, he's definitely consenting to it and also enjoying it, but it's just not quite what Style dreams of, not like this. In a way, yes, it actually is what Style has dreamed of because his fantasies of Fadel doing things to him rather than him doing things to Fadel are now becoming reality, as @clemelntine beautifully explained in her meta, but in the real situation there's one important detail missing from Style's fantasy: the intense eye contact. In addition to Fadel's body, Style also wants that emotional connection. We've seen this times and times again whenever Style has tried to make friends as well as to genuinely bond with Fadel, and this desire extends also to the sex.

And lastly I want to leave you with @braceletofteeth's excellent tags on this post, which is something that I think also factors into why Style goes from being proactive to being passive in the blink of an eye:

#Fadel said he would give himself to Style #and Style let him do that #he barely touched Fadel except to hold him and caress his hair #he reciprocated the kisses but did not initiate them #he didn't try to take any more of Fadel than what Fadel willingly gave him #[head in hands]

During the entire nc part I kind of get the sense like Style is waiting. Waiting to see with a certain curiosity what Fadel will be doing next, what Fadel wants to do next, ready to happily take up whatever Fadel offers. Style is letting Fadel control the situation completely and doesn't push him once.

No. 14: Kiss or Slap?

Once again we see that Style isn't too much of a fan of casual hook-ups. And while I do think part of his motivations for saying the things he says and for trying to stop Fadel from abandoning him again is because making Fadel his boyfriend specifically rather than just hooking up with him is his goal here after all, but I do think that Style isn't lying this time. He's just a bit too annoyed when he asks "What kind of man do you take me for?" for it to be an act. I think he is genuinely offended that Fadel would think of him this way. And I think he's genuinely a little upset and hurt that Fadel is perfectly happy to sleep with him and to ditch him immediately after. We get foreshadowing to Style being very much Team Anti Hit-and-Run in episode 1 when he tells Fadel "It ain’t like me to hit and run" in the context of an actual car crash and earlier this episode when he laments "Oh, the nature of man. He will exploit you and then throw you away". Style is very much not happy with this turn of events and it's not purely because he hasn't yet completed the mission Kant has sent him on. We also get another hint of Style looking for a connection in his hook-ups in the way Style is looking at Fadel when they're getting dressed while in contrast Fadel has turned his back to Style completely, avoiding eye contact and avoiding any interaction:

Another thing that I want to point out is that Fadel says "I gave you what you wanted" and "We agreed on it" when Style tries to stop him from leaving. However, they didn't exactly agree on anything? Fadel started kissing Style before they could even come up with any terms and conditions and the thing is when Style said he wanted Fadel, he never said he wanted Fadel only once. And he also never said he wanted Fadel to run away immediately afterwards.

So Style puts up a fight. He firmly stands between Fadel and the door, blocking Fadel's way. Fadel threatens to punch Style if he doesn't move but Style refuses to stand down even though he knows very well from personally witnessing it that Fadel is perfectly capable of punching him if he wished to. Despite that, Style is not scared of Fadel. I think Style takes Fadel's sudden willingness to sleep with him as a sign that Fadel has finally developed some sort of positive feelings towards Style after all, too. And Style is confident enough about it that he trusts that Fadel wouldn't hurt him. When Style says "You like me" I don't think he necessarily means it in the sense of you're in love with me or you're crushing on me. I think he's calling out Fadel's change of heart (that is negative feelings turning into positive feelings) and is making it very clear just how confident he is about Fadel not hurting him. I'm not scared of you. I've become a positive presence in your life now. You wouldn't dare to injure me. It's a counterattack to Fadel's threat. But Fadel's trauma runs deep. And so he punches Style because giving him a bit of a beating is still better than risking to face the consequences of what might happen if he lets anyone get behind those thick high walls. And he punches Style also a little bit to put him in line for his cockiness.

And also, I may be a Style apologist and a Style enabler, but after that shit Style pulled at the group meeting that punch was totally deserved.

Please don't expect me to write a proper conclusion bc my brain is absolutely fried now bye <3

[astranauticus]

link click yingdu ep 1 is truly the gift that keeps on giving the more you think about it the more layers you unlock. at first i thought the 'video call with phone in shirt pocket' trick is a pretty effective way of replicating their dives with like.. normal human technology without their powers and then i realised that's probably because lu guang specifically thought 'this is a situation that would call for a dive except cheng xiaoshi doesn't know about the whole time travel powers thing yet, what would be a good and reasonable approximation of that that i can spring on him rn'. also, we know this is not the first time he's experiencing this day because he was checking the clock before he proposed the whole video call phone camera thing, implying that he had the 'script' for this day just like he did with the anime convention, but even then he could only warn cheng xiaoshi about the guy behind him with the bat right before he was about to get hit - probably because cheng xiaoshi kept 'doing unnecessary actions' and messing up the timeline/lu guang's 'script' and forcing him to improvise. once again, lu guang's trying to protect cheng xiaoshi while also hiding information from him and cheng xiaoshi's failing to follow lu guang's instructions and putting himself in danger because of his own kindness and impulsivity - their entire dynamic moving forwards, captured in their first (arguably more like.. the 0th) 'job' together.

[gretchenzellerbarnes]

i get that 3 body problem is pretty fuckin' bleak (novels and netflix series alike) and there are all these different factions of humanity based on how they want to solve the problem of an alien race travelling 400+ years in space to exterminate us all but. my dude. my pal. my sibling in christ. where. are the monsterfuckers?

[vanyafresita]

me, after catching up w malevolent: ok lets sketch my designs for some characters to have a reference before drawing any serious fanart

my silly ass: draws that one meme

[ash-and-starlight]

you’ve probably gotten a lot of asks like this, but I just haven’t seen any posted. what are your feelings on the remake, if you are watching it? more specifically, what do you think was the biggest problem with it?

i rlly havent actually! i think it's bc im really trying to Pretend I Do Not See It. rn i'm fighting TOOTH AND NAIL against the temptation to hatewatch because i do not need that in my life lmao.

the thing i cannot get over with is how Cheap it looks, it rlly smells of poor rushed workers to me, despite the astronomical budget that went into it. 15 MIL!!??? same as the late seasons of game of thrones!! now i'm not saying GoT is a pinnacle of virtue but it featured: a really good burn scar make up that took up half a character's face, a really good Notorious white hair wig with intricate hairstyles, really good costumes and heavy winter furs, really good location and fantasy beasts cgi and ummmmmmm from what i've seen of natla well. it had nothing of the sort. it's just bad gary it's uglyy

[isuggestwishcraft]

okay guys. i think im ready for the sus odile quest. strange and mean on purpose today it is

what do i do for it?

[xlillyle]

"We can delay the mission for another two minutes."

[caterpillarinacave]

actually one of my favorite parts of NATM3 is when ahkmenrah looks at this 4000 year old magical 24k gold tablet that's keeping him alive and is like "nah I don't wanna carry this" and just sticks it in a teenagers backpack

[bitchfitch]

I've started playing Potion Permit, and so far it's one of my favorite games I've messed around with, but the most big brained move the devs made was giving you a dog on day 1, and then making that dog able to track NPCs and lead you directly to them no matter where they are in the town.