#tw bomb mention

[one-time-i-dreamt]

My town got nuked and they still made us go to school, and when we tried to leave, they just fucking shot us.

[snowe-zolynn-rogers]

Okay so y’all know how I talk about the Main Universe just adopting random evil family members from other universes and helping them redeem themselves?

What if the evil dimensions all just decided mutually to become a family and meanwhile all their Evil Plans™️ don’t work together and then they just have that one sweet one in the family they adopted from another dimension and are sheltering from their crimes.

Like one day, Feral Moon is trying to bite a kid’s head off, Evil Sun is trying to kidnap someone from another dimension again, Evil Lunar is trying to blow up an orphanage, Evil KC is working on a way to bomb the daycare for the tenth time. And then, meanwhile, they just have sweet little bean Blood Moon in the corner asking Lord Eclipse for uppies (and of course he caves).

[zerothisnero]

Back to this Fanbase for a bit hi guys 👋

Anyways Random Bridgekids oc Redo because I felt like she needed one

Tw: Mentions/depiction of bombs ig 🤷

[pluralquotebook]

Valentine getting progressively more possessive of a specific headmate in our partner sys: he should be mine. Mine. Mine. Mine. All mine. Forever.

Alastors radio speakers mocking her; 🎶 You left me and I fell apart I punched the wall and cried.. Bam Bam! Bam! Then I found you changed my heart and set loose all that truthful shit inside! And so I built a bomb Tonight our school is Vietnam! Let's guarantee they'll never see their senior prom!🎶 /lyr

.

[navysealt4t]

first official day of napowrimo!!! april 1st prompt is: poem that recounts the plot of a novel you haven't read in a while. (warning for themes of war, bombing, & past abuse)

overnight in a bomb shelter

if the world ends this week  please brush my hair  i won’t ask you to be gentle  let me walk barefoot  farther away than the eye can see  in weather cold or warm  i may bite you  sting and curse you  don’t come too close  feed me and bathe me  that’s all i ask   but bombs scream overhead  planes shriek with their engines  sirens blare from the streets  in a murky shelter  buried beneath the mud  of your childhood home  your calloused hands are soft  dropping a blanket ‘round my shoulders  reading a book in the dark  my ears ring and my hands shake  you shield me with your palms  you promise to teach me to sew  to read and write  to run and climb  in moments in the dark  where the world might end  where all i smell is mold  you treat me like a child  who has never known love  i treat you like a woman  who has never known love  and for a moment  the world feels right  as the bombs scream overhead  ‘cause the world might end tonight

[greentrickster]

Me going into this weekend: Well, it's time for the local anime convention, the one that I've been preparing for since December and worked super hard so I'd have lots of mage plushies in the store I sell them at downtown, all ready for excited anime fans to buy them!

This weekend: Protesters gridlock downtown on Saturday (aka, the Busy Day, aka the Profitable Day) because they can't handle the concept of a drag queen doing story time for kids at the library, someone escalates this to a very effective bomb threat that's fortunately fake but still forces local shops to close and the reading to be cancelled for the sake of safety, it pours rain, and is the coldest weekend we've had all month to boot. All the shops and the downtown farmer's market that brought in extra stock and produce in preparation for what is traditionally a very profitable weekend for local businesses due to exploring convention members are left in the lurch.

Me, now: (lying in my bed trying to console myself with humour) ...this did not go according to keikaku.*

*keikaku means plan

[airasora]

So, yesterday where I live within roughly 4 hours, five separate loud booms could be heard. It sounded like canon shots and the first one was so big, my naked foot on the floor could feel it shake a little.

I, being the millennial that I am, went to the official Facebook group for my living area to ask if anyone knew what was going on.

The comments have three categories:

1, people who are wondering the same thing

2, fart jokes

3, and this is the one that pisses me off, bombing jokes

When people make a joke out of something as terrible as bomb attacks that's when I lose faith in humanity. Not necessarily because I'm afraid that what I felt last night was a bomb attack, but because that being the case would be a very real and terrifying thing to a lot of people. Especially now.

Sometimes, I just really hate people.

[ellascreams]

I’m a poet and I’m bored, I’m going to over analyze the lyrics of the I Expect You To Die 2 opening credits. Spoilers. (Note, I couldn’t actually find the official lyrics anywhere, so the placement of the line breaks are sort of just me guessing. It shouldn’t affect my analysis much but it might annoy some people.)

From the spotlight I can see you Play your cards right, Kill your stage fright, This could be you Murder pun! Huge fan of the ABAAB rhyme scheme btw. I think this could definitely be a reference to how Zoraxis immediately knows that you’re involved, you get noticed in Stage Fright, which is when Juniper is literally in the spotlight. Juniper is also the one who first figures out you’re the agent from the Death Engine.

To me the most notable thing is that it immediately established the fact that the entire world is focused on Juniper, but he’s the only one focused on you, even more than the other Zoraxis agents are. It also foreshadows Phoenix’s rise to fame. Juniper is a celebrity, the whole world is focused on him, but if you play your cards right and stop his evil scheme he falls out of the public’s view while you suddenly become famous for saving everyone.

If all the world’s a stage, let’s set it on fire So you’ll be the spy and I’ll be the liar

Moving on to a simple couplet, AA rhyme scheme. The imagery of the first line is absolutely sick and I love it. There’s the obvious meaning in this line of Juniper’s evil plans, emphasized by the music video’s visuals of the nukes. Digging a little deeper, I think it’s interesting that Juniper really does seem to think of the world as a stage. He thinks of himself as the star and Phoenix as an extra, he thinks of his plans as scripts, his lies as roles, it’s his real egotistical view of the world around him and it’s what Zor exploits to get him to do what they want.

From the background You can hear me Highest billing, Makes a killing, They revere me

Switching to more of a ABCCB now but I don’t mind. Another murder pun! I honestly love those. Paralleling the first verse, once again calling attention to the fact that you’re hiding in the background while Juniper hides in plain sight, this also parallels Juniper noticing you. He’s paying attention to you more than anyone else is, and you see him for who he truly is more than anyone else does. You’re both aware of each other and you both know each other.

That beautiful mask you wear is all I desire So you’ll be the spy and I’ll be the liar

Great imagery once again. One thing they put a lot of emphasis on in this game (or at least the song and trailers) is the fact that spies are inherently liars or at the very least disguised. As he’ll mention more in some later lines, Juniper wants to defeat you, partially by getting past those disguises and lies. They’re your main defense. Once they’re gone he’ll have a better shot at winning.

He mostly just wants to destroy your disguises, but the video does show him stealing a mask, I think that’s because he can also use them to an extent. With the mimic mask, people’s faces become his masks. He uses the Handler’s voice to trick you. He could maybe use your voice and face to trick someone else. At the very least, something or someone in the Agency would probably be useful to him.

Face to face to face again

Because you’re both two faced. Probably my favorite line, it’s just such fun wordplay.

And through the camera lenses we ascend

This line could be taken a few different ways I think? First of all, it’s just cool imagery again. Secondly, it could be taken as breaking through lies. By breaking the camera lens, which would also be breaking through the fourth wall, you’re breaking through the unreality that is trapping you. As I mentioned earlier, Juniper really views the world as just another stage, so this could also definitely represent breaking through his plans and lies.

The final thing I noticed is the use of the word “ascend.” English as a language tends to view being placed higher, or at the top, as good while being placed lower, at the bottom, is bad. There’s a whole bunch of phrases related to it. It’s one of those little quirks of language. My point is that “ascending,” getting higher, can be seen as some sort of victory or success. This is somewhat emphasized by the music itself, with the instruments from the success score playing, and the actual success score itself being played a bit later.

I also think it’s worth quickly mentioning that these different meaning aren’t mutually exclusive. A line can mean several different things at once, that’s part of the beauty of poetry and language.

You’re a minor part I’m the major star Ha! The credits are more than just the end

Once again with him thinking of the world as a stage, thinking he’s the star, the most important person in the whole world, while you’re just an extra. As he says “the end” the success theme plays, which is just a neat detail, and it could be connected to the “ascend” line as I mentioned earlier. I also think it’s important that it plays while he’s talking about credits and endings, since that theme plays at the end of successful missions.

I might be overthinking it here but I also think this whole verse has some parallels to his monologue. You properly meet face to face for kind of the first time actually, you break through his film set, then there’s the obvious one of him calling himself the star and saying you’re just an extra, and then he calls the peace summit your final scenes but they’re just the beginning of Zor’s rule.

Cause the truth is I despise you I will tear apart All these works of art That disguise you

Love this verse. The voice actor is absolutely great by the way. When he says “I despise you” it really sounds like he means it. Juniper really does despise you too. That’s one of the things that makes him such a fun villain to me, he truly hates you, possibly even more than Zor and Prism hate you, because they at least respect you as a skilled adversary. Juniper doesn’t. He thinks you’re pathetic but you somehow keep messing up his plans anyway. To him, you’re like a pesky fly that won’t stop buzzing around his head and tripping him up.

This is also furthering the themes of the second chorus. Being a spy as you are, you’re protected mostly by disguises. He wants to destroy those disguises. He wants to tear apart the things that protect you. And this is once again described using masks because the mask imagery really is so central to Juniper’s character.

I’m making the final cut, it’s down to the wire So you’ll be the spy and I’ll be the liar And I’ll be the liar And I’ll be the liar And I’ll be the liar!

Another potential parallel to safe and sound, I think he quite literally tries to make “the final cut” once you burn down the set. I think now’s the best time to talk about the repeating phrase, the game’s namesake, “you’ll be the spy and I’ll be the liar.” I especially like the fact that the final verse puts extra emphasis on the liar part, because that’s ultimately the game’s main theme, lies and breaking through them.

From what I can tell, even the puzzle solving in this game has a lot more emphasis on seeing through lies and people actively trying to trip you up then the others. Like Jet Set, where you have to actively ignore almost everything Juniper tells you to avoid the death traps, or the notes the Fabricator left telling you to just “enjoy the show” in Stage Fright, you even have to distrust your Handler in Safe and Sound.

One very important thing for this theme is the parallels between Phoenix and John Juniper. They’re both liars hiding behind various disguises. That’s again represented by the gameplay, you go undercover fairly often. The big difference is just that Phoenix hides in the shadows and Juniper hides in the spotlight.

This theme and parallel is also super noticeable in the last level, Rising Phoenix. In order to stop Juniper, Phoenix has to reveal themself to the world. In the end, all the lies and disguises are gone from the EOD and Zoraxis, but for the EOD it’s mostly a good thing, and it’s very bad for Zoraxis. This is also when Phoenix sort of takes Juniper’s fame. And there’s another layer to the lies with Zor’s betrayal.

Wow ok so I went off on a tangent there. I just wanted to fully explain myself because it seems like a lot of people don’t understand the title. I think the repetition and connection of the spy and the liar helps showcase those parallels. The way it’s used makes it almost sounds like a common phrase, but it’s not, and that makes you stop to think what makes spies and liars related to each other. How are they similar? How are they different?

I like how in the song Juniper specifically says “you’ll be the spy and I’ll be the liar.” It reminds me of agreeing on roles before acting out an improv scene together or something similar. It once again highlights Juniper’s view of the world. In the title, and in most of the song and game, it acts like spy and liar are what you both truly are. What’s left when you take away all the lies. But with Juniper telling you that these are the roles you’ll be playing, it adds another layer of doubt and disguise. Are you really just the spy and the liar? Maybe. But maybe it’s just another act.

[weirdo-from-bonesborough]

Okay I read Red Hood Lost Days and here are some divergent points that can turn into aus

1) Bruce finds Jason on the streets instead of Talia’s people

2) Talia gives Jason back instead of trying to heal him first

3) Jason gets recognized while spreading rumors in Gotham to get Bruce’s attention

4) Jason gets caught trying to blow up the Batmobile

5) Jason succeeds in blowing up the Batmobile/killing Bruce

6) Talia tells Bruce what she did and Bruce tracks Jason down

7) Jason is filmed throwing the bomb into the Thames and Bruce tracks him down

8) Jason kills the Joker before he goes back to Gotham

[muder-boner]

if aliens ever tried to come down to earht and have a war with humans

theyd be terrified

humans create bombs, death showers, humans experements, were evil

we were born with violence, aliens are way too weak

were horrible, they would kill themselevs realizing where they landed lol

pls ignore typos

[the-lunacy-system]

One time I had a dream where I somehow accidentally nuked my town like twelve times and they still made us go to school after, and the whole place was crumbling and super irradiated so me and some friends snuck out to run to the next city over for medical aid, then we got shot by some soldiers on the outskirts of town

[mayorspatula]

artificer rain world no way

[snowe-zolynn-rogers]

Pairings: None

Word Count: 1,327 Words

Summary: Harvest Moon’s first task goes well? Well, it goes well for the twins, at least.

Warnings: Injury, Mind Control, Nausea (mentioned only), Kidnapping (not described in detail), Mild Violence (minor fistfight), Blood, Cannibalism, Cursing, Bomb (mentioned only), Implied Mild Violence (mentioned possible second fistfight) let me know if I should add anything else.

Ghost Of You: Chapter 2

Blood Moon groaned waking up back in the tube again, getting released by it. His neck didn’t hurt anymore except a bruise. He didn’t know how he’d gotten here but Stitchwraith was by the control board for it.

“What happened? Why am I here?” Blood Moon asked as the tube released him and he took a few shaky steps out of it.

“Shut up. Eat.” Stitchwraith demanded.

“But I don’t want blood…” Blood Moon could barely believe he was saying it but the thought of eating blood made him nauseous, yet his stomach growled loudly regardless. The feelings from being human were awful.

“Not blood, idiot, human food. You’re human.” Stitchwraith sighed. Harvest Moon stepped forward with a bowl of human food. It looked like rice with corn, carrots, and peas with what looked like chicken whitish-brown sauce on top.

“Eat.” Harvest Moon demanded him and Blood Moon trembled under his twin’s gaze, shaking as he took the bowl and spoon and nodded, spooning a bit into his mouth and quietly eating as he realized it tasted really good.

He finished the bowl and handed it back to Harvest Moon, who traded the bowl for a cup with water, which he drank quickly. He handed the cup back and looked to Stitchwraith. Harvest Moon was terrifying right now and he felt too shaky to give him more blood.

“Go lay down. Now.” Stitchwraith demanded him and he quickly did, laying back on the half-broken bed again and staying there.

“You’re going to go hunt down that gator and fox and bring them to me.” Stitchwraith demanded Harvest Moon. Harvest Moon nodded, internally growling as his eyes darted to Blood Moon before leaving.

He was hurting his own twin. He was scaring him and he couldn’t make it stop. He’d broken through for a second and didn’t allow him to stop breathing when he was feeding last time, but he hadn’t managed anything else since.

It was like he was paralyzed and someone else was piloting his body. And the feeling of Blood Moon almost dying under his fingers was haunting him. He had nearly killed his own twin. Twice, actually. Because he’d almost bit into a place that could kill him.

It was a terrifying prospect, the thought of killing his own twin was heartbreaking and having almost done it twice was crushing him. Sure, it was the mind control, but he loved his brother. Blood Moon was the only person he had left and he was a fragile human compared to Harvest Moon’s reinforced animatronic body.

Harvest was too busy to pay attention when he saw Montgomery in his vision and then the stupid fox, he was dragging them, he thought, back to Stitchwraith as he could remember the way there and the place he went the first time with his twin.

He could feel the gator’s fist connect with his faceplate, reeling him backward into the ground and Harvest Moon used the confusion of the moment to break through the mind control.

“It’s not willing!” He managed to tell them.

“What?” Foxy asked but Harvest could feel the wash of the mind control trying to take back over.

“Keep hitting me!” He ground out and Monty absolutely did just that, giving him more blows and pinning him on the ground. Harvest Moon was almost grateful for this stupid gator.

“We’re not here willing. He’s mind controlling me. He’s making me use Blood Moon as a living blood donor.” He told them.

“How the hell does he have blood?” Monty asked.

“He made him human.” One blow connected with Harvest’s jaw and he felt his jaw ache but he saw this as his penance for draining his brother of almost a pint and a half of blood.

“He’s human!?” Foxy asked incredulously.

“He’s human. I almost killed him because I couldn’t control my body.” Harvest Moon hacked up oil and Monty stopped the punches.

“Alright, take us in there.” Monty told him. Obviously they had a plan, so Harvest let the mind control take over again and let it take them in to Stitchwraith.

“Good job. Bite.” Stitchwraith grabbed Blood Moon and held out his right wrist.

Blood Moon’s eyes were wide and he was staring off into space like he wasn’t all there, shaking with trauma. Blood Moon hadn’t even been this scared of Harvest Moon this morning, why the hell was he so scared now?

As Harvest was biting into Blood Moon’s wrist as he was directed, he glared at Stitchwraith. Harvest Moon pulled away after a few seconds of drinking. Blood Moon looked faint and dizzy, his blood hadn’t fully built back up. He was only a human, he had to be careful with him, so he glitched himself to release quicker and held Blood Moon against himself.

“You’ve gotta be kidding me. I’ve seen a lot of shit, but slavery and imprisonment is a bit much even for me.” Monty sighed and pulled Blood Moon away from the two of them.

“Oh really? Even these two morons?” Stitchwraith asked.

“Especially these two ‘morons’ because I made their body the first time. Kinda like kids to me. Bit of a maternal instinct, gotta say.” She answered.

“Well, it’s not like it’ll matter in a few minutes.” Stitchwraith told them.

“Oh, I’m sure it won’t. But I can let my sons know they’re at least not hated by everyone. Even Foxy was worried about them.” Monty offered.

“Yeah, kinda got soft for kids.” Foxy admitted.

“So I’ll propose a deal.” Monty told him.

“What kind of deal?” Stitchwraith asked.

“Me for them. You get me, Foxy gets my kids and you leave all three of them and all my friends alone.” Monty told him.

“What?” Foxy asked.

“Deal. Disengage.” The machine on the back of Harvest Moon’s head fell off, disengaged and Monty pulled him away from Stitchwraith, over toward Foxy and put Harvest Moon’s hand into Foxy’s and Blood Moon’s into his own.

“Now.” Stitchwraith held out his hand.

“Actually no deal.” Monty chuckled, pulling Blood Moon against herself and Harvest Moon felt himself get tugged close by Foxy.

“What-“ Stitchwraith didn’t get to finish before Monty opened a portal and shoved Harvest Moon and Foxy through first and they landed in the main entrance and then Monty came back with Blood Moon and Blood Moon immediately hiccuped and clung to Monty.

“I’ll get him back to normal, or at least almost normal. But you need a distance right now. Whatever happened there, you two need a break from each other while I fix him and make sure he’s okay. Prolly take him to a hospital to make sure.” Monty rubbed Blood Moon’s back.

“What did you do to Stitchwraith?” Harvest Moon asked.

“Blew up his base. What? Ya think I don’t carry around bombs?” Monty chuckled.

Blood Moon held out a hand and tentatively held Harvest Moon’s hand, Bloody’s small hand inside Harvest’s much bigger hand, fitting but also not. It felt fragile and delicate compared to Harvest Moon’s so he cradled it in his own hand like a precious jewel.

“I still trust you.” Blood Moon whispered.

“I still trust you too. But try to trust him for now too. I can’t help you right now. The gator’s gonna take you to a hospital. And make sure I didn’t hurt you irreparably.” Harvest Moon told him, rubbing his thumb as carefully as he could over Blood Moon’s palm.

“I will. But you’ll visit if they keep me?” Blood Moon asked.

“I’ll visit.” He promised. “And I’ll probably talk to the damned daycare idiots, make sure they don’t try to hurt us.”

“Yeah, Foxy, stay with him so he doesn’t get punched in the face.” Monty told Foxy.

“Yeah, yeah. Whatever. Won’t let your kid get punched in the face.” Foxy huffed. With that, the two led the twins opposite directions, one up to the daycare and the other to the hospital.

[tamarieatsbatteries175]

Felt like drawing an old oc thats still very beloved to me

[ducktalk]

i love you brittany broski, stay curious. <3

[neko-naruto]

made a delicious runny yolk egg meal that im calling 'my school in assfuck nowhere sent us home early because of a bomb threat and im fucking rattled' recipe is egg, toast, paprika and salt