#tv series concept

[demigods-posts]

there's something so heartbreaking about watching the show and seeing literal children. because annabeth speaks like she's been screaming for years, and no one cares to listen. grover worries like he's replaying the death of a loved one in his head at any given moment. and percy carries his anger like it's the only thing that keeps him going. and they're kids.

[n0ahsferatu]

my dear friend @marlenacantswim asked me to draw the TOS yaoi polycule and i want you to know this is what the whole show is like to me

[dilfmobius]

there he is!! tbh i’m bummed that this is all we get for his costume design. i get that they had a specific, realized concept for the uniform, but the other characters included got at least 2 pages full of designs 😭 i’m sad hfkshdjshd

BUT! mobius in that spiffy little jumpsuit!! i need him!!!

[atomic-chronoscaph]

The Flintstones concept art by Dick Bickenbach and Ed Benedict (c. 1960)

[rayssion]

Reminder: don't let 12 years old drive your car.

[timeyggdrasill]

GOD LOKI / CONCEPT ART | EARTH 616 TIMELINE |(2023-2025)

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The artwork is done by Karla Ortiz

#Loki

[nevermindigotthis]

So, two days ago I posted about how there should be a Dishonored TV series. Then user @darthfluff reblogged that post and said "i'd love for an animated series a la arcane".

... up until then I had been thinking live action, but you know, Arcane Style animation is always superior and I wholeheartely agree. So I went and found some Arcane references and voila: The main characters! (It's probably pretty obvious which characters I used as reference, but oh well)

[fist-of-vengeance]

thinking about how essentially every relationship john locke formed in the early seasons of lost has completely disintegrated by the time of his death.

of course there's his relationship with jack, which starts tense but manageable and culminates in jack pointing a gun at john's head and pulling the trigger. but even his smaller, less narratively prominent relationships either implode or drift apart. he bonds with walt in season one but then walt leaves the island, which is itself a severing of their bond since it was mainly based on being the only two people who wanted to stay. still, he goes and visits walt off the island so this is probably john's most successful relationship. I dont think i need to explain how he fucked up with boone, "the sacrifice that the island demanded." charlie viewed john as a mentor and claimed to trust him more than anyone on the island, but after the events of fire and water, that trust is destroyed and charlie despises him. at the same time we get john bonding with claire and having a pseudo-paternal dynamic with her, but their closeness basically drops off the face of the earth as he gets less and less involved with the other survivors.

his arc in the series is essentially a gradual distancing from everyone around him. it starts when he abandons hunting (providing for the others) in favor of trying to get the hatch open (it's extremely clear his primary motive isn't any survival applications but getting answers to the mystery). when they do open the hatch, he spends more and more time inside, underground, cut off from other people. he spends more and more time interacting with ben, a human mystery box that he's obsessed with cracking even if it gets him killed. he follows the proverbial white rabbit deeper down the hole and leaves his connection to humanity behind. the island and its mysteries become more important to john than anything or anyone else.

then in season three we get him claiming to go undercover with the others only to unceremoniously tell sawyer that he's actually going to join them. and it doesn't feel shocking, it feels inevitable. because john has spent the entire series becoming less and less connected with the people he arrived with. in that sense he actually makes a fascinating foil to juliet, who is introduced as one of the others and yet never really fits, she's increasingly sympathetic and kind in a way the rest of them aren't, her redemption arc feels so natural that she actually starts referring to her old people as "the others" like she's been one of the crash survivors from the beginning. her and john basically have inverse arcs, which is probably accidental but very neat.

in season five john tries to convince everyone to go back to the island, and fails spectacularly. and of course he does, because he was so consumed by obsession that he stopped maintaining his relationships, and in many cases actively alienated people (this is also basically what happened with helen) and now he can't wrap his head around why they're all so hostile to him. i am forever obsessed with the scene where he confronts kate and she brutally calls him out for wanting to return to the island because he doesn't love anyone. it actually struck me on rewatch how well the two of them got along in season one, and how badly their relationship has degraded by this point. john repeatedly casts aside interpersonal relationships in favor of his obsession with destiny, so when said destiny actually involves persuading the people he once shunned, he's at a loss. this is because john treats purpose as a supplement for connection, destiny as an alternative to love.

as an aside, this aspect of john's character kinda ties into my opinion that several lost characters can be read as allegorically neurdivergent under a certain lens. i know this was absolutely not intended, but as an adhd former gifted kid who struggles socially, there is something uncomfortably familiar about a character who allows their relationships to burn around them because of a single-minded obsession, especially as a result of being promised the fickle status of "special."

tl/dr: john locke is a doomed idiot and i love him

[shambelle97]

GOD LOKI - TV SERIES / SEASON 2 | CONCEPT ART | (2023)

Art by: @kortizart

More #LokiSeason2 art! Spoilers BEWARE!

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You were warned! Here's an unused version of the end sequence where #Loki saves literally all of MCU. I thought it would be cool if the timelines had crazy colors and a weird more organic texture! Had a BLAST making these!

[pedroam-bang]

Ryan Church - The Book Of Boba Fett (2021)

[pigglepiephi]

Never, ever would have thought that a penguin/ panther shapeshifter BL would have been high on my watch list…but here we are! Hats off to the person who crafted that excellent pilot trailer!

Also welcome back JaonineNokia!

[demigods-posts]

it wasn't until i watched the third episode that i realized how essential grover is as a character. he knew both percy and annabeth as individuals, before and during their journey into the godly world. he understands percy's devotion to his humanity and his inexperience with his godly side. notably, he also understands annabeth's devotion to her godly side and her inexperience with her humanity. so when these two inevitably get into arguments because of their opposing worldviews, he is the perfect mediator because he understands both of them. and no other character could have balanced these two out as well as he does. not even the books explicity address this significant detail, but the tv series does this in the third episode. gods, this show just gets better and better every week.

[startrek-eridani]

Concept art and details of Ambassador Spock's outfit in Star Trek Eridani S1 Ep 19 and ep 20 By Star Benign I and II.

According to costume designers, this look was nicknamed "Spock's Victorian Mourning Robes", as the dark veil extending from the hood recreated a similar style from that period, associated with loss, as well as the dark colours of the costume, a palette which Spock had worn after his return from Kolinahr, but before his reconciliation with Kirk, and later in The Search For Spock, before the reunification of his Katra, namely.

As this episode take place 3 years after the Enterprise-B's accident in-universe, it had been theorized that Spock's attire choice was reflecting his still recent loss of Captain James T. Kirk.

[hornyforpoetry]

Concept idea: Philosophical Academia

Characteristics:

• an inclination towards the thinking process and towards exercising criticial thinking;

• a passion for the study of classical and contemporary philosophical works and their interpretation through critical analysis;

• an inclination to debate any subject, questioning the rationality of the act of doing and thinking;

• the permanent possession of a dose of skepticism and mistrust until the fact is demonstrated;

• the urge of doing a profound analysis step by step, starting from the hypothesis to the conclusion;

• the fascination for knowledge, but especially for the process of obtaining knowledge through thinking and reason.

Primary works and authors:

• "Dialogues" by Plato

• "Metaphysics" by Aristotle

• "Meditations" by Marcus Aurelius

• "Discourse on the Method" by René Descartes

• "Critique of Pure Reason" by Immanuel Kant

• "The Phenomenology of the Spirit" by Georg Wilhelm Friedrich Hegel

• "Thus Spoke Zarathustra" by Friedrich Nietzsche

• "The World as Will and Representation" by Arthur Schopenhauer

• "Tractatus Logico-Philosophicus" by Ludwig Wittgenstein

Movies:

• "The Eternal Sunshine of the Spotless Mind" by Michel Gondry

• "Persona" and "The Seventh Seal" by Ingmar Bergman

• All Movies made by Andrei Tarkovsky

• "The French Dispatch" by Wes Anderson

• "Memento" and "Inception " by Christopher Nolan

• "2001: A Space Odyssey" by Stanley Kubrick

• "The Tree of Life" by Terrence Malick

• "Blade Runner" by Ridley Scott

Series:

• "Neon Evangelion Genesis"

• "Black Mirror"

• "The Good Place"

• "Severence"

• "Alice in Borderland"

• "The Sandman"

Clothing and outfits:

• combinations of black, grey or beige with neutral colors;

• straight line uni pants and jackets;

• white or neutral color shirts with stiff collars or black turtlenecks;

• plaid or knitted vests;

• leather shoes in black or neutral colors.

• ties, bows, watches with leather and silver bands, pocket watches, glasses, hats, overcoats, canes, leather gloves.

[atomic-chronoscaph]

Land of the Giants concept art by George Jenson (1968)

[aieroart]

PLEASE REBLOG IF YOU ARE UNABLE TO HELP( only if you want 💖 it really helps )

Hello all artists! I am currently creating a pilot for a horror/fantasy comedy show about a girl who can see the dead! If any one wants to pitch in to help that would be amazing! In any way possible, such as animation, music, or even voice-acting! If you want to help then just send me a DM! You would be working for free though as I sadly don’t have any money being an unemployed 15 year old. This has been my dream for a while now and today I want to start working on it! If you have any writing skills that would be amazing as well! LOVE YOU ALL THANK YOU SO MUCH!

(Also don’t mind the giant “name of show”. The name was originally “The Art of Undeath” but that sounds too closely named to “The Art of Murder” which is another indie animated show and I really wasn’t trying to copy but I ended up doing it anyway so now it’s BACK TO THE DRAWING BOARD!)