#tv & film production

[demifiendrsa]

Official character posters for The Boys season 4

[nyancrimew]

im being so normal about the tv show cast and crew i met today and also had to say goodbye to today

[myloveismineallmine]

i think the problem about the watcher situation is they literally only produce like 1-2 videos a week. if you have a channel like GMM or smosh that produce 5-6 videos a week, maybe the monthly paid subscription would be feasible? but even those channels put the vast majority of their content out for free and just offer an optional paid membership to get exclusive content. paying anywhere from $1.50 to $0.75 for one 20-40 minute video when actual streaming services offer you hours of content for around the same price just does not feel equal at all.

[signfeld-stills]

1999, The Seinfeld-Pokémon Crossover Movie

[kalamity-jayne]

In case you were wondering where things are at in the film and television industry here's how post-production folks (editors, VFX, Colorists, etc) are doing. These screenshots are from The Blue Collar Post Collective's FB page (they are an International professional network for folks working in post).

This one is from a few months ago...

These are all from the past few days (from 2 separate Anon posts re "where to find jobs")...

My former post-supervisor really fucked me over and I've been unemployed for months. At this point I'm applying to jobs in grocery stores cause it's just dead dead dead out there. Winter is always the time of year you don't want to be without a film or series to work on but this just abysmal.

[ansonmountdaily]

Anson Mount on theatre roles he'd like to play

When Anson was at Dragon Con in September 2022 promoting Star Trek: Stange New Worlds, a fan in the audience asked him what theatre roles he's always wanted to play.

Anson mentioned Hamlet by William Shakespeare, Uncle Vanya by Anton Chekhov (the role of Mikhail Lvovich Astrov, a country doctor), and The Changeling by Thomas Middleton and William Rowley (the role of De Flores, servant to Vermandero). The fan also brought up Shakespeare's Macbeth and Anson said he's played the role of Malcolm (Elder son of Duncan, king of Scotland) before.

In 2020 Anson played Uncle Vanya's Dr. Astrov in a virtual theatre production of the play (gifs here and here).

Uncle Vanya portrays the visit of an elderly professor and his glamorous, much younger second wife, Yelena, to the rural estate that supports their urban lifestyle. Two friends - Vanya, brother of the professor’s late first wife, who has long managed the estate, and Astrov, the local doctor - both fall under Yelena’s spell, while bemoaning the ennui of their provincial existence.

The Changeling is about young Beatrice who is in love with a visiting nobleman, Alsemero. However, her father has already arranged her marriage to Alonzo, another nobleman. Desperate to be with her love, Beatrice enlists the help of De Flores, a cunning but ugly servant, a deceptive man obsessed with her and determined to claim her virtue. While she initially resists him, Beatrice is drawn into lustful complicity with De Flores, and together they set in motion a chain of love, lust, madness, and death.

Source: Dragon Con panel footage (via Clayton Courtney)

[manda-kat]

Looking at Wish, I just keep thinking of the people who called Frozen a 'lazy movie' because they used really similar face shapes for Anna, Elsa and their mother.

Look at the ice and snow effects in that movie. Listen to the music. Enjoy the comedy. Remember that it isn't even close to the beauty of Disney's best and yet it still remains a work of art.

Now look at Wish as the monkey's paw curls. Hey- at least they use different face shapes.

[homethelongwayaround]

Genuinely my main thing with the Watcher thing (I watch their stuff but I’d never consider myself a die hard fan) is that I really want to see the back end projections and business plans that went into this. Show me how their math mathed to the point that this seemed not just viable, but an improvement upon YouTube at this moment in time.

I’ve been watching it unfold all day and seeing the comparisons to Dropout, the unfortunate optics of reinstating the “let’s go eat stupidly expensive stuff” show as your first big new thing for the platform while also saying you don’t have money to do the “TV-quality” things you want, all that’s fine and dandy and not incorrect. But I just can’t see how this is financially going to win out.

I wish the boys the best, hope it works out for their sakes, and I hope regardless that one day we get an idea of what the decision making process was. Not the vague “ad revenue ain’t what it used to be” type comments they made in their very not-reading-the-room announcement video, but actual numbers. I’m super interested.

[driveintheaterofthemind]

Comic - Laurel And Hardy Meet The Three Stooges #01

Art by Eric Shanowar

[demifiendrsa]

A new The Boys series spinoff, The Boys: Mexico, is in the works at Amazon.

Gareth Dunnet-Alcocer (Blue Beetle) is writing the script and executive producing. Diego Luna and Gael García Bernal are set to executive produce and are considering taking on acting roles though neither would be major roles. A search is currently underway for a co-showrunner.

The team behind The Boys: Mexico, which will be shot in the Latin American country, is working on budgets for the new series and they have yet to begin casting. Details regarding the premise are being kept under wraps.

[metanarrates]

okay gang which movie/TV director do you have THEE biggest parasocial beef with. idc if its for petty reasons i wanna hear which guy pisses you off the most

[intuitive-revelations]

After a few years of part-time supporting-artist-ing in Cardiff I finally get a DW-related casting enquiry... a month after I moved away. 🙃

[signfeld-stills]

2002, Seinfeld 2 - Remembrance (s03e01)

[thollandnewsbra]

Tom Holland tells DEADLINE that he is now engaged in the development of several burgeoning projects.

“We’re figuring it out. We’re at that stage where it’s post-strike, so we’re waiting for those scripts to come in,” he said. “We’re giving the writers the time they need to hit the ground running. But I’ve got a few projects that I’m really excited about and scripts are coming in now and they’re great. I read something the other day that absolutely blew my mind.” 

[britishchick09]

a 1989 print ad for the 1990 mini series!! :o

[sentienceisoverrated]

Things I miss about old tv shows:

1. Set Designs

One thing I miss most is actual tangible set designs. There used to be a handful of sets that would get used time and time again, and the characters actually interacted with them. Sets now look so damn clinical and clean, characters barely interact with them (mostly because half of all sets are almost entirely CGI) and they barely change over the course of a season or episode. Reflect your characters’ mental states by their rooms. Make them messy, dirty, have characters comment on the state of certain sets. Come on make them UNIQUE. And not in the way of just the objects either, make them unkempt or overflowed and mix up the lighting a bit.

2. Actual Episodic Structure

Most TV shows I’ve watched that came out in the last few years have had a continuous plot. Which is great. It makes me invested in the story, makes me excited for the next episode. But unless done correctly, it can feel like nothing was actually achieved in those episodes. Often it comes that a character spends the entire episode trying to do something, only for their plan to unravel right at the end of the episode and the next episode to be set up. It makes me feel like nothing was actually completed. Every episode is designed to set up for the next one and in some cases this works, but in others it doesn’t. An episodic structure is where each episode has its own individual storyline that may or may not add to the overall plot. Avatar: The Last Airbender used this structure, as did the Star Trek series (excluding season 2~ of Discovery) and BBC Merlin. A structure like this adds considerably more to character development and subsequent relationships between characters before moving on to more plot-driven antics, which in turn raises the stakes.

3. Fantasy Lighting

This, I believe, is self-describing. TV shows are too dark. I can’t see. Even if you want to establish how dark a setting is, there is still usually a source of light that a character is holding. It’s enough to make us actually see what’s going on, so let us. Please. And, anyway, it’s fiction. Doesn’t have to always be 100% realistic.

4. Filler Episodes

This comes in tandem with episode numbers. I do understand that in production the creators don’t have much time to film and edit before release. But. Where did the 20 episode seasons go? A lot of series are being released half-and-half, but even if it’s weekly, most people I know would be fine with it as long as each episode is produced to the best of the ability of the creators. I also miss fillers. Give me those character shenanigans. No plot, just pure antics. Those episodes keep me alive.

4. CGI Consistency

I will always maintain the opinion that good CGI relies on how consistent its quality is throughout a film, season or episode. Personally, I don’t care how good the CGI is so long as it remains relatively the same level throughout what I’m watching. I see this a lot in recent tv shows *cough* marvel *cough* where one scene will have the most spectacular CGI ever seen and another looks more like a low-budget animated kids show. It breaks immersion. I’m not into it. Just give me bad CGI all the way through. Or, on contrast, no CGI whatsoever. Construct scenes using actual corporeal sets and makeup. I miss funky little puppets.

(Note: this is opinion based. Feel free to agree or disagree, add or remove. I won’t contend)