#creativity dies when deadlines are inflexible
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Things I miss about old tv shows:
1. Set Designs
One thing I miss most is actual tangible set designs. There used to be a handful of sets that would get used time and time again, and the characters actually interacted with them. Sets now look so damn clinical and clean, characters barely interact with them (mostly because half of all sets are almost entirely CGI) and they barely change over the course of a season or episode. Reflect your characters’ mental states by their rooms. Make them messy, dirty, have characters comment on the state of certain sets. Come on make them UNIQUE. And not in the way of just the objects either, make them unkempt or overflowed and mix up the lighting a bit.
2. Actual Episodic Structure
Most TV shows I’ve watched that came out in the last few years have had a continuous plot. Which is great. It makes me invested in the story, makes me excited for the next episode. But unless done correctly, it can feel like nothing was actually achieved in those episodes. Often it comes that a character spends the entire episode trying to do something, only for their plan to unravel right at the end of the episode and the next episode to be set up. It makes me feel like nothing was actually completed. Every episode is designed to set up for the next one and in some cases this works, but in others it doesn’t. An episodic structure is where each episode has its own individual storyline that may or may not add to the overall plot. Avatar: The Last Airbender used this structure, as did the Star Trek series (excluding season 2~ of Discovery) and BBC Merlin. A structure like this adds considerably more to character development and subsequent relationships between characters before moving on to more plot-driven antics, which in turn raises the stakes.
3. Fantasy Lighting
This, I believe, is self-describing. TV shows are too dark. I can’t see. Even if you want to establish how dark a setting is, there is still usually a source of light that a character is holding. It’s enough to make us actually see what’s going on, so let us. Please. And, anyway, it’s fiction. Doesn’t have to always be 100% realistic.
4. Filler Episodes
This comes in tandem with episode numbers. I do understand that in production the creators don’t have much time to film and edit before release. But. Where did the 20 episode seasons go? A lot of series are being released half-and-half, but even if it’s weekly, most people I know would be fine with it as long as each episode is produced to the best of the ability of the creators. I also miss fillers. Give me those character shenanigans. No plot, just pure antics. Those episodes keep me alive.
4. CGI Consistency
I will always maintain the opinion that good CGI relies on how consistent its quality is throughout a film, season or episode. Personally, I don’t care how good the CGI is so long as it remains relatively the same level throughout what I’m watching. I see this a lot in recent tv shows *cough* marvel *cough* where one scene will have the most spectacular CGI ever seen and another looks more like a low-budget animated kids show. It breaks immersion. I’m not into it. Just give me bad CGI all the way through. Or, on contrast, no CGI whatsoever. Construct scenes using actual corporeal sets and makeup. I miss funky little puppets.
(Note: this is opinion based. Feel free to agree or disagree, add or remove. I won’t contend)
#demand means that a lot of shows that follow these points get pushed under the rug#see: Star Trek: Strange New Worlds#some of these problems also come from the fact that corporations don’t give their employees enough fucking time#creativity dies when deadlines are inflexible#I hate corporations#films#tv shows#film#shows#film production#tv show production#I don’t know how to tag this#disney#netflix#adding those there because I have a particular bone to pick
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