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killerpancakeburger · 5 months ago

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Jealousy headcanons

🧼 & 💀

I also have scenarios partially based on those hcs incoming ☆

Tags: Price'sAssistant!Reader, fluff, protectiveness, possessiveness (but wholesome).

SOAP:

Was actually working on asking you out. Needs it to be perfect. Getting maniac about it.

Outraged when another guy makes a move first. Especially one that mediocre. Although if he was honest, he doesn't think a single dude on base is worthy of you. Yes even himself

So petty. Will hold a grudge forever. You'll have all but forgotten about it, but not him. Oh no. He mentally branded his rival for life. Dude is in his sights. He won't do anything that would put the other's life at risk, but make his life suck? Easy peasy. Will back down when the other back down. ...For now.

Will switch your jacket with his. Yes it's childish, so what? Only when Gaz mentions that if you two are dating in secret, you’re not being very discreet, and once you’re done choking on your drink, you learn that there's MACTAVISH written in big bold letters on your back. (Didnt notice cos you have the same type of jacket as em in the same size since they didnt have one in your own)

Very vocal and agitated about his distaste and resentment. Rants with hand gestures, forever if you don't stop him. Accent and slang getting more and more scottish as he goes.

“Ain't you all sunshines and rainbows today!” you tease him, a bit overwhelmed by his fervor, and by how personally he's taking this. You assume it's a TF141 thing - they've always been protective of you since you're the civilian of the team and the least experimented, even acting as buffer between you and other soldiers. You’re their assistant, their teammate, and no one else's.

Unbeknown to you, your wannabe suitor had boasted about the move he made on you to other soldiers. To make himself look good, and to get some kind of reassurance. The minute Soap heard mention of your name, he couldn’t help but join the group to listen in.

Galvanized by the feedbacks of his mates, the guy gets bolder in his remarks. Johnny will never report to you what he heard - it would only hurt you. When he calls out to the man, the private still doesn't realize his mistake. He replies to the sergeant with enthusiasm, thinking he's here to join the locker talk.

To think that guy dared to think Soap was on his side - would sympathize -, simply because of some implicit bro code. He was boiling until now, but that was what made him snap.

Before he could even think about it, he already had knocked the private on his ass with one punch. The altercation was broken up before he could do more.

He's itching for a fight, but he'll settle for a punching bag. Unless the guy intimidated you, or made you uncomfortable in any way. Then he's already leaving the room after you’re done telling him about it, and if you stop him, he tries to convince you it's for the best. Letting him deal his own brand of justice. It's kind of his specialty, after all.

Either you give in, and you two talk again afterwards, or you resist, despite his arguments turning into supplications. In both cases you end up asking the one burning question: "Why does this bother you so much?"

He suddenly looks like a child caught red-handed with his hand in the cookie jar. Avoiding your gaze. Grumbling to himself. You have to insist for him to make his speech audible again. Replies with another question. "Why wouldn’t it?"

You sigh, cross your arms. "You know what I mean. I never saw you so fired up over something that wasn’t work-related." You eventually manage to extract a confession from him.

"He... he's not your type." More grumbling. You raise your eyebrows in disbelief, before a smirk stretches your lips. "Oh? And what is my type, Sergeant?"

He looks almost pained for a second, and you feel guilty, even though you don't know what for. Then his expression changes, to one that reminds you of a condemned man in front of the gallows - a blend of resignation and resolve. He wraps his arms around you and hides his face in the crook of your neck. "Don't tease me, Bonnie." Before you can comfort him, moved but still confused, he adds: "Or I won't be able to hold back anymore."

You try to remove from his spot, but his embrace prevents you from backing down and his head doesn't budge. "Johnny... look at me. Tell me what's wrong. Let me help. Please?"

He finally meets your gaze, forehead almost touching yours. He looks more vulnerable than you've ever seen. "Go out with me?" Before you can answer, he adds: "I'll be so, so good to ye, swear it. Hell, ye've got me wrapped 'round yer finger already."

GHOST:

In denial about his feelings for you. Doesn't stop him from feeling super possessive though.

Two words: starring problem. Whether it's menacingly at the other guy, or at you, to make his disapproval known, just in case the absurd idea to accept his advances happened to cross your mind.

You're way too good for that bloke who doesn't even have the balls to face you himself (he left a note on your desk). Who the bloody hell does he think he is?

If the guy happened to scare you or coerce you in any way, he's done for. Gone. You'll never know what Ghost did, but you never saw the dude again. And when you ask around, no one seems to understand who you’re refering to...

If he's not starring at you from afar, he's with you, magically appearing at random times of the day.

When you ask him for explainations about his behaviour, he grumbles that he knows about the private's confession, and how that bloody wanker is obviously beneath you, and that you could find so much better.

You never planned to accept the other guy's advances anyway, but you’re terribly intrigued by Ghost's unusual behavior. He brags about his own skill here and there, but doesn't waste time ranting about others' lack thereof.

"I don't know about 'much better'", you argue, only half-serious. The men who've approached you can be counted on the fingers of one hand, and none of them was... adequate. But you don't really want to talk about it with your tall and dark lieutenant, a man that manages to intimate you as much as he charms you.

The sentence barely left your lips that the creaking of his chair makes you look up, and you can read something akin to "you can’t be serious" in his eyes before he stops in front of your desk. "Simon?" you call out, confused, but instead of answering, he cradles your face with one hand, the other lifting his mask halfway.

"Bite me if you don't want this" is the only warning you get before his mouth meets yours. You keep your teeth to yourself. He overwhelms you completely with just one kiss. When he releases you, you need a moment to pull yourself together.

"How's that for much better?"

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le-fruit-de-la-passion · 1 month ago

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Does a bad ending ruin a good story? A comprehensive guide to my feelings on the Arcane finale

*Spoilers for Arcane season 2*

So. You just finished the show, and you're staring at the screen in bewilderment. Perhaps you’re even with some friends, shouting words of confusion to the rolling credits. Try as you might, you can barely hear them, because a single thought echoes in your mind and pushes away any other:

“What the fuck just happened?”

If this happened to you, then boy oh boy, we're on the same boat. If it didn't, well, I'm glad for you friend! We might not have been looking for the same things from this story. But this is my post, meaning I will give my opinions (which are objectively correct because this is my blog and I'm the mayor here) on everything that Arcane broke and failed to deliver in its last 2 episodes.

Let's start with characters, and why none of it mattered.

Jinx symbolized the fear we all have of not belonging somewhere, of not having anything to call home or anyone to call a family. Her anger stemmed from wanting to carve a place in a society and a world that had so harshly rejected her (i.e., Vi leaving her). Her existence was a huge middle finger to all that refused to let her live, a fight to build herself something wholeheartedly hers (hence her being an inventor). It was proof that despite the world telling her she was better off dead, she would never stop fighting to prove it wrong.

… and she died.

She died, and that means all the suffering she went through to exist simply amounted to nothing. She left nothing behind either, no trace of a legacy, something that would have left her mark on that world. Isha, the child she raised as a daughter, died. Silco, who she taught love and care to, died. Vander, who she brought back from years of trauma and torture, died. Jinx fought so hard to live, and in the end, it was as if she hadn't lived at all.

Viktor is most certainly the character that made me the angriest, because of how attached I am to the person he is in season 1 (and even the first two acts of season 2 to an extent). Everything that made him so beautifully complex… gone, in about 10 minutes. There was NO reason to make him the surprise ultimate villain. Viktor had always, always been a pacificist. That's why he was so adamant Hextech not be used as a weapon. That's why every time there were chances to test hextech to hurt, he tried to learn how it could heal. Yes, his fusion with the hexcore had changed him; but NOT into a man who didn't care for human life. He wanted to help all the hurt done to his people. People like him, living day to day in the undercity, but who had never gotten a chance to crawl out of their hell. His community was about HEALING, not controlling. The very IDEA that he would accept killing innocents and ally with Noxus, the warmongers, is so ridiculous I could genuinely laugh if it didn't make me so angry. The show needed an easy, black-and-white showdown to conclude a story that would have needed so much more time to tell. And they chose Viktor. Because it was the easy way out. It was the perfect foil to the return of the Golden Boy. And that PISSES me off.

There is this really shitty concept in popular media that the handicapped/chronically ill character is always in the pursuit of being “cured” and that they need outside help to realize “that their imperfections make them perfect”. Fuck. You. As someone with chronic illness and who just finished beating blood cancer, fuck you. That realization, that you're you with every part of your being, even the ‘bad’ ones, cannot come from outside. It's YOU who needs to learn it. It's you who needs to discover how your body and your mind are so much stronger than you previously thought them to be. Not your lover, your family, your friends, or God forbid your able-bodied lab partner. You. Others may tell you as many times as they want your illness doesn't define you; it won't matter until you, yourself, have understood why and have accepted it. Having someone swoop in and “fix” Viktor with a “you don't have to change uwu” is just….. so reductive I can barely find the words for it. That was VIKTOR’S path to find, and not Jayce’s role to find it for him.

Also… Viktor wasn't trying to ‘fix’ his leg; he was trying to find a cure to a deadly illness ravaging his body and no doubt the bodies of many in Zaun. The HELL is the message here??? That he should have just rolled with it because the deadly illness was part of him??? Again, as a cancer survivor. Fuck right off.

Of course, I can't just ignore the hideous get-up they put him in at the end. The man who laughed at Jayce's narcissism….you want me to believe… he would put on that fucking edge lord costume and not DIE of embarrassment??? The design makes no sense from a narrative standpoint either: if his cane has become the sceptre, why is he still keeping it? He doesn't need it anymore to walk, and it's a reminder of his weaknesses as a human that he apparently hated so much. Why the hell does he keep it then? And the hexclaw. Where did that bad boy come out from?? Did you all see a secret extra bonus scene where he steals it from the lab, because I sure didn't. It doesn't add anything to his sets of powers either it’s… it's a fucking laser gun. WHY. And oh sweet god that mask… there would have been so many ways of designing a mask more meaningful than the one from LoL. This one is just. A piece of metal he spawned in embryo. Get it? Because he's made of metal now and also hiding his face means no more humanity? Get it?? Of fucking course you do, because this was the easiest and worst possible way they could have integrated the mask.

Viktor and Jayce had a fantastic dynamic in that Viktor had started out as the loner, the underdog scientist from the slums; while Jayce was the leader figure, living in comfort that made him attachingly naive, his face plastered on posters stroking his ego. The shift is delightfully slow, as Viktor gains in confidence and determination to see his invention through no matter what, while Jayce is confronted with harsher and harsher truths about the world he so blissfully ignored. By Act 2, they have fully switched roles: Viktor is now the leader figure, a symbol of the future for the people, while Jayce is desperately alone, both physically in the hexcore anomaly, and mentally in being the only one who has seen the devastating future. Excellent stuff. What would be a great way to push these parallels further and to show the complexity of these characters, and perhaps how they can balance each other out? Well, Fortiche sure didn't know, now Viktor is the bad bad guy and Jayce is mister hero. Zaun bad, Piltover good. All nuance, gone. Proving that indeed, the man from poverty and inequality turns out evil, while the one from comfort and wealth turns out to be the hero of the story. The whole “giving a warm speech to the bad villain about how you care for them, somehow immediately changing their ways, and dying together to save the world” can work well in shounen anime where friendship is magic, or in the Ben 10 live-action movie (yes, that's the plot, I thought that wasn't deep when I was like 7 years old so imagine now), but not in a show like Arcane. Not with the ethical and moral nuances they have accustomed us to.

And now, let's explore...

Plotholes and incomplete storylines galore.

Ekko’s tree and the contamination of Zaun from Piltover? Fuck that. The huge showdown between the two opposite yet sister cities, like Jinx and Vi, that has been built up for two seasons? Fuck that. And for what?

For the Noxus sequel teaser.

Mel’s plotline about finding her mage origins had NOTHING to do with the main plot. Absolutely nothing. It added 0 twists or intrigues to the story, and served no purpose except making her a deus ex machina for a broken ending. All it was there for was to lay the base for a following show on Noxus and the Black Rose. Time that could have been spent either giving Mel a proper arc related to the plot, or giving all the other rushed character arcs more development.

Finally, and I deeply regret having to say this, but… the end of Vi and Cait's relationship was majorly disappointing to me. As an LGBTQ+ person myself, who feels attraction to women, it was a delight to have such a realistically portrayed w/w relationship on screen. Popular media tends to portray m/m relationships as these doomed, sinful feelings between two repressed guys, while w/w relationships are shown to just be all sunshine and rainbows and teddy bears, because two women together are a cute little accessory to have on screen. It’s non-threatening. But not Cait and Vi; their bond was raw, and rocky, with violent lows and passionate highs in a world that seemed to want to keep them apart. Their separation and the introduction of Maddie showed the reality of a w/w relationship, where fights and cheating ARE things that happen, because they're two adult women with different beliefs, objectives, an trauma. Putting them back together, as if nothing had happened, without giving us anything about how their relationship would have evolved from the breakup? I'd never thought I'd say this, but it's too easy. How about Caitlyn's literal descent into fascism??? We’ll just ignore that? Vi will just ignore that?

As with everything else, this last part of Arcane destroys all the complex emotions that exist between these characters, the resentment, the anger, the frustration, built upon years of different social conditioning… gone. Because they had 2 episodes left to wrap it up, and there was no way to make a coherent and natural transition to them getting back together with that kind of time. And can I just say. The decision to have Vi, symbol of Zaun, go down on Caitlyn, symbol of Piltover and enforcers, in a prison cell that has held innocent Zaunites and represents their complete lack of freedom as individuals by a cop state that oppresses them….. yeah, bad. So bad.

And… the multiverse. Yup, they went the multiverse route. Now, that's not necessarily a bad thing: the concept of multiverses itself is interesting in a vacuum, and quite a few properties have managed to make it work coherently. But it has been terribly overused and bastardized in serialized content in the last few years, for the simple reason that it's extremely practical. Why make a new, original series when you already have worlds and characters that are developed, and come with built-in fans? It's a money-saving hack! Why dedicate yourself to an ending that is meaningful in its finality and wraps the story properly when you can just say “It's just one ending in the multiverse!”. It takes away any accountability to the fans, and leaves the door open to a potential other version of the story! The perfect combo!

…except in practice, it comes off as lazy in a medium where that trope is overly saturated (don't start me on Marvel), and like a cowardly way of escaping from the responsibility of really taking the time to craft a good, solid ending to end your story.

So, with all that said: does it ruin Arcane for me? No, absolutely not, and I don’t think it should be for you either. The intricate artistry and raw talent that went into making the first season (and I would say a majority of the two first acts of season 2) is undeniable, and will stay undeniable. Nothing can touch that story. It will forever be one of my favourite pieces of animated media, which is saying a lot because I'm currently getting my master's degree on that topic.

However, it does give Arcane, as a whole rather than two separate seasons/entities, a very bittersweet feeling that is hard to forget. Thinking of what could have been, just if a little more time had been given to the minds behind the masterpiece you so loved… it's its own form of heartbreak. Academics have even compared it to experiencing a form of death of a loved one, before they ever got to reach their fullest potential and live the life they deserved. It may sound dramatic, but the feelings you feel in this moment, watching the horrible end of a fiction you have so much love for, are real. No one can take those away from you. You're allowed to grieve the loss of something that meant a lot to you.

Tldr; No, Arcane is not a bad series because of its rushed and incomprehensible ending. As they say, it's all about the journey, not the destination, even if that's one of the parts we tend to remember the most. And I don't know about you, but this was one of the best journeys I've ever been on.

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