#tubepre

[audiovenue]

Sonus Faber Amati Tradition now been playing for 10 days, non stop, just keep getting better. #sonusfaber #amati #amatitradition #madeinitaly #luxurylife #luxury #reference6 #luxman #bowerswilkins #802d3 #preamplifier #referencehifi #valvepre #valvepreamplifier #tubepreamp #tubepre @audioresearch #audiophile #audiophiles #hifi #hifisystem #music #musicsystems #ealing #maidenhead #audiovenue (at Audio Venue)

[jexttelez]

The last 8 of the first 25 are burning in. Acme Motown Tube Preamps. The second batch of 25 are being presold now @reverb $850 down gets you in the deepest smoothest most James Jamerson game on the planet. @acmeaudio @analog_anon #jamesjamerson #motown #recordingstudios #bassplayers #tubegear #tubepre #tubepreamp #microphones #micpre #microphonepreamp #tubes #vintagestudio (at Analog Anonymous)

[wmejohnson-blog]

Its in my story but it should be here too. Got that nfb tunnnneedd #bendix #tubepre #diyaudio #micpreamp #rca (at South Bend, Indiana)

[jamiesego]

New studio addition! I'm really excited to add a @retroinstrumentsinc Powerstrip to the arsenal! It's three of my favorite things in one heavy box. . . . . #retropowerstrip #retroinstruments #tubepre #pultec #vari-mu #recording #studio #gear #portsidesound #muscleshoals (at Portside Sound)

[abovegroundstudios]

Sometimes u gotta improvise additional vocal mic n Di box under 💯 $ powered by USB @m_audio sound 🔊👌🏾started as a scratch vocal but sounded so good kept for main. Music wins all the time! #baltimore #m-audio #studiolife #amazing #radioready #recording #mixingengineer #productionroom #studiolife #tieline #dibox #tubemic @neumann.berlin #M147 @universalaudio #6176 #tubepre #recordingstudio #abovegroundstudios

[mic18me]

Welcome to MIC18! You will find the best selections of speakers, microphone, pa system in Hong Kong. MIC18 是香港最多選擇的專業音響店，專門發售 Shure 咪高峰, JBL 喇叭等

[un-enfant-immature]

How I Podcast: The Moth’s Dan Kennedy

The beauty of podcasting is that anyone can do it. It’s a rare medium that’s nearly as easy to make as it is to consume. And as such, no two people do it exactly the same way. There are a wealth of hardware and software solutions open to potential podcasters, so setups run the gamut from NPR studios to USB Skype rigs.

We’ve asked some of our favorite podcast hosts and producers to highlight their workflows — the equipment and software they use to get the job done. The list so far includes:

Bullseye’s Jesse Thorn Ben Lindbergh of Effectively Wild My own podcast, RiYL

This week, we’ve enlisted a host who straddles the line between pro-level public radio recordings and home studios. These days, Dan Kennedy is probably best known as the host of the podcast version of The Moth Radio Hour. For more than 20 years, The Moth has featured some of the most engaging, funny and thought-provoking names in long-form storytelling. The series’ latest collection of stories, The Moth Presents Occasional Magic: True Stories About Defying the Impossible, is out now.

Kennedy is also an author whose work has been published in McSweeney’s GQ and various other publications. He is also the author of several books, including “Loser Goes First: My Thirty-Something Years of Dumb Luck and Minor Humiliation,” “Rock On: An Office Power Ballad” and “American Spirit: A Novel.”

I don’t record The Moth Podcast here at home. We record that at the office studio downtown, or at Argot Studios, and we’ve had a ton of great producers over the years — Whitney Jones, Laura Haden, Timothy Lou Ly, Paul Ruest, Julia Purcell, to name a few. Home is where I record everything else in my world; audio versions of my McSweeney’s pieces for their Patreon site; freelance production and voice-over work for clients — usually cable networks; demos for new podcast ideas like this limited series idea me and some friends in L.A. pitched to Panoply and Audible and wherever else that might end up.

My rig here at home is a Rode NT 1000 mic, through an Onyx Blackjack, into Hindenburg Journalist. Super straightforward. I know a lot of people like SM58s and Yetis, but I’m in love with that Rode. I still have a Presonus TubePre, but I never use it anymore. There’s an old blue Anvil road case here that’s followed me through three or four apartments; the tomb of old gear from over the years — Oxygen midi controllers, old Line6 stuff, iRigs… When stuff finally breaks or becomes incompatible, that’s where it goes. I’m amazed by how much you can do at home now.

I came up through community radio in Seattle back in the day, 400 watts that would maybe reach to Kent on a good morning. You had to reserve the production studio at night if you wanted to record personal stuff. Or maybe you had one friend with a rack of preamps and reverb, a decent mic and a Tascam Portastudio, and you had to bring your ideas to their house and try to get something done. Now you can pretty much record anything at home and distribute it worldwide. It’s a very cool time to be making things.

[mikenoface]

My studio. Reason, M-Audio FastTrack, PreSonus TubePre, Event TR8 monitors, Novation Launchkey, Korg Gadget, Focusrite iTrack dock, Teenage Engineering OP-1, Alesis tape deck, Tascam 424mk2, Fender Parlor guitar, Warmoth Lee Ranaldo Jazzmaster clone. (Not Pictured Black Les Paul 50s tribute, shit guitar amps). Beatles, Ty Segall, Sonic Youth. Guess the pink vinyl?!

[vnvtolyshift]

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Один из выдающихся деятелей дальневосточного движения в разных жанрах Макс SON , основатель группы @doza_v и звукозаписывающей студии @reconblack_studio - это комфортные условия для творчества, короткие сроки и качественный результат! Мы всегда следим за трэндами в музыкальной сфере и постоянно пополняем свой арсенал самыми свежими фишками в звучании. ♬ Предоставляем широкий спектр услуг: - Запись - Сведение - Аранжировка - Тюн вокальных патий - Реставрация аудио (чистка от шумов, треска и т.д.) - Изготовление Минусовок различных жанров, - Написание Текстов - Создание трэка "под ключ" Делаем всё, что только можно сделать со звуком! ♬ Работаем в различных популярных музыкальных направлениях: Hip-Hop, Trap, R'n'B, Pop, Rock, Club, EDM! ♬ Если вы хотите сделать оригинальный подарок на свадьбу, юбилей, или признание в любви - ВАМ СЮДА !!! ✫ Сведение/Мастеринг ONLINE!!!✫ ♬ Оборудование: ♪ Аудио интерфейс - TC ELECTRONIC KONNEKT 6 ♪ Микрофоны - RODE NT2, NADY, Takstar pc 200 ♪Динамические микрофоны: Shure SM58, California electronics ♪ Микрофонный ламповый предусилитель PreSonus TubePre V2 ♪ Ламповый компрессор TL Audio 5021 IVORY 2 ♪Мониторинг - KRK RP5 G3 ♪Студийный сабвуфер KRK 10S2 ♪Мониторинг дальнего поля Усилитель мощности PEAVEY CS-400 ♪ Наушники: Yamaha RH5MA (мониторные), Audio-Technica ATH-M20, Pioneer SE-M290 ♪ Электро и Акустические гитары ☎ по всем вопросам, заказам, предложениям обращайтесь в ЛС: vk.com/makson_shilk_str (at Vladivostok, Russia) https://www.instagram.com/p/B3E0t_lAxQc/?igshid=7s74ewetgv5n

[toomanysinks]

How I Podcast: The Moth’s Dan Kennedy

The beauty of podcasting is that anyone can do it. It’s a rare medium that’s nearly as easy to make as it is to consume. And as such, no two people do it exactly the same way. There are a wealth of hardware and software solutions open to potential podcasters, so setups run the gamut from NPR studios to USB Skype rigs.

We’ve asked some of our favorite podcast hosts and producers to highlight their workflows — the equipment and software they use to get the job done. The list so far includes:

Bullseye’s Jesse Thorn Ben Lindbergh of Effectively Wild My own podcast, RiYL

This week, we’ve enlisted a host who straddles the line between pro-level public radio recordings and home studios. These days, Dan Kennedy is probably best known as the host of the podcast version of The Moth Radio Hour. For more than 20 years, The Moth has featured some of the most engaging, funny and thought-provoking names in long-form storytelling. The series’ latest collection of stories, The Moth Presents Occasional Magic: True Stories About Defying the Impossible, is out now.

Kennedy is also an author whose work has been published in McSweeney’s GQ and various other publications. He is also the author of several books, including “Loser Goes First: My Thirty-Something Years of Dumb Luck and Minor Humiliation,” “Rock On: An Office Power Ballad” and “American Spirit: A Novel.”

I don’t record The Moth Podcast here at home. We record that at the office studio downtown, or at Argot Studios, and we’ve had a ton of great producers over the years — Whitney Jones, Laura Haden, Timothy Lou Ly, Paul Ruest, Julia Purcell, to name a few. Home is where I record everything else in my world; audio versions of my McSweeney’s pieces for their Patreon site; freelance production and voice-over work for clients — usually cable networks; demos for new podcast ideas like this limited series idea me and some friends in L.A. pitched to Panoply and Audible and wherever else that might end up.

My rig here at home is a Rode NT 1000 mic, through an Onyx Blackjack, into Hindenburg Journalist. Super straightforward. I know a lot of people like SM58s and Yetis, but I’m in love with that Rode. I still have a Presonus TubePre, but I never use it anymore. There’s an old blue Anvil road case here that’s followed me through three or four apartments; the tomb of old gear from over the years — Oxygen midi controllers, old Line6 stuff, iRigs… When stuff finally breaks or becomes incompatible, that’s where it goes. I’m amazed by how much you can do at home now.

I came up through community radio in Seattle back in the day, 400 watts that would maybe reach to Kent on a good morning. You had to reserve the production studio at night if you wanted to record personal stuff. Or maybe you had one friend with a rack of preamps and reverb, a decent mic and a Tascam Portastudio, and you had to bring your ideas to their house and try to get something done. Now you can pretty much record anything at home and distribute it worldwide. It’s a very cool time to be making things.

source https://techcrunch.com/2019/04/05/how-i-podcast-the-moths-dan-kennedy/

[audiovenue]

Audio Research Ref6 now in place. #audioresearch #ref6 #reference6 #luxman #bowerswilkins #proac #802d3 #k6 #preamplifier #referencehifi #valvepre #valvepreamplifier #tubepreamp #tubepre @audioresearch #audiophile #audiophiles #hifi #hifisystem #music #musicsystems #ealing #maidenhead #audiovenue (at Audio Venue)

[fmservers]

How I Podcast: The Moth’s Dan Kennedy

The beauty of podcasting is that anyone can do it. It’s a rare medium that’s nearly as easy to make as it is to consume. And as such, no two people do it exactly the same way. There are a wealth of hardware and software solutions open to potential podcasters, so setups run the gamut from NPR studios to USB Skype rigs.

We’ve asked some of our favorite podcast hosts and producers to highlight their workflows — the equipment and software they use to get the job done. The list so far includes:

Bullseye’s Jesse Thorn Ben Lindbergh of Effectively Wild My own podcast, RiYL

This week, we’ve enlisted a host who straddles the line between pro-level public radio recordings and home studios. These days, Dan Kennedy is probably best known as the host of the podcast version of The Moth Radio Hour. For more than 20 years, The Moth has featured some of the most engaging, funny and thought-provoking names in long-form storytelling. The series’ latest collection of stories, The Moth Presents Occasional Magic: True Stories About Defying the Impossible, is out now.

Kennedy is also an author whose work has been published in McSweeney’s GQ and various other publications. He is also the author of several books, including “Loser Goes First: My Thirty-Something Years of Dumb Luck and Minor Humiliation,” “Rock On: An Office Power Ballad” and “American Spirit: A Novel.”

I don’t record The Moth Podcast here at home. We record that at the office studio downtown, or at Argot Studios, and we’ve had a ton of great producers over the years — Whitney Jones, Laura Haden, Timothy Lou Ly, Paul Ruest, Julia Purcell, to name a few. Home is where I record everything else in my world; audio versions of my McSweeney’s pieces for their Patreon site; freelance production and voice-over work for clients — usually cable networks; demos for new podcast ideas like this limited series idea me and some friends in L.A. pitched to Panoply and Audible and wherever else that might end up.

My rig here at home is a Rode NT 1000 mic, through an Onyx Blackjack, into Hindenburg Journalist. Super straightforward. I know a lot of people like SM58s and Yetis, but I’m in love with that Rode. I still have a Presonus TubePre, but I never use it anymore. There’s an old blue Anvil road case here that’s followed me through three or four apartments; the tomb of old gear from over the years — Oxygen midi controllers, old Line6 stuff, iRigs… When stuff finally breaks or becomes incompatible, that’s where it goes. I’m amazed by how much you can do at home now.

I came up through community radio in Seattle back in the day, 400 watts that would maybe reach to Kent on a good morning. You had to reserve the production studio at night if you wanted to record personal stuff. Or maybe you had one friend with a rack of preamps and reverb, a decent mic and a Tascam Portastudio, and you had to bring your ideas to their house and try to get something done. Now you can pretty much record anything at home and distribute it worldwide. It’s a very cool time to be making things.

Via Brian Heater https://techcrunch.com

[elijahglama]

Предусилитель Presonus TubePre V2

[mic18me]

Presonus TubePre V2 (tube microphone pre-amplifier) | Mic pre-amp | Questions? Call: 8103-0308 - Mic18 Catalog | 產品目錄 FeaturesXMAX Class A preamp input stage12AX7 dual-servo vacuum tube output stageInput Gain control48V phantom power80 Hz high-pass filter-20 dB padInstrument in

[audiovenue]

Looking to improve our reference system, Audio Research REF6 has arrived. #audioresearch #ref6 #reference6 #preamp #preamplifier #referencehifi #valvepre #valvepreamplifier #tubepreamp #tubepre @audioresearch #audiophile #audiophiles #hifi #hifisystem #music #musicsystems #ealing #maidenhead #audiovenue (at Audio Venue)