#trying to determine this for something I'm working on

[vickythefamiliar]

The (chaos) Coven

This is me, a tarantula on the "Witches Road"

At first I wanna say I did not understand why the hell Rio played along with Agatha... It was soooo exhausting omg.

But nvm, I spend way too much time with these witches so here is my opinion on each one of them:

Jennifer

Jennifer? Oh, she’s something else. The ‘all-business, no-nonsense’ vibe is impressive, I’ll give her that.

She’s sharp, like she’s always three steps ahead of everyone, and her wardrobe? Immaculate. I’m convinced she could outdress the apocalypse. She’s got this energy that either makes you want to follow her into battle or stay ten feet away at all times.

I don’t dislike her, but let’s just say she’s not the first person I’d share my cookies with.

Lilia

When I first met Lilia, I thought: Finally, a grandma! She probably bakes nonstop and has a secret stash of cookies somewhere. Wrong. So wrong.

She’s feisty, unpredictable, and somehow always ten steps ahead. Honestly, it’s unsettling.

That said, I’ve gotta admit, her vibe is kind of iconic. The hair? A masterpiece. The whole ‘hippie meets mystical grandma meets chaotic freak’ aesthetic? Approved.

But seriously, Lilia, if you do have cookies, stop holding out on me. Sharing is caring.

Alice

Alice... Where do I start? She’s got this whole ‘the world is against me’ thing going on. Honestly, it’s a little exhausting.

Like, girl, maybe your mom wrote that ballad for a reason other than just to mess with you. Ever think of that? No? Didn’t think so.

But underneath all the eye rolls and melodrama, there’s something real there. She just hasn’t figured herself out yet. She’s a work in progress, I guess.

Cookies for her? Maybe once she chills out. Maybe.

Billy/ Teen/ Wiccan (whatever)

Ah, the prodigy with an attitude. Kid’s got power, no doubt about it, but he’s also got that ‘I know better than everyone else’ vibe. Which, honestly, is kind of funny coming from someone who can barely handle his own magic.

But I’ll give him this—he’s determined. He’s like a little storm in the making, and you can’t help but want to see where it’ll go.

Would I share my cookies with him? Maybe, if he asks nicely.

Agatha... (I call her "the ex-wife I didn’t sign up for")

Agatha? Don’t even get me started. She’s powerful, no doubt, but it’s like she’s always trying to out-drama everyone in the room. She’s got this weird mix of arrogance and insecurity, and honestly, it’s exhausting.

Like, she’ll act like she’s got everything under control, but then, boom, she's throwing a tantrum because Rio didn’t call her back.

But hey, gotta admit, she’s got style—witchy, eccentric, a little unhinged. Honestly though, I'm just here for the chaos.

On the other hand she broke my mistresses heart more than once so I said it before and I say it again: If you're Agatha Harkness - LEAVE.

No cookies for her.

That's it. That's the post!

-🕷💚

[drdemonprince]

also not the anon, but I’ve been reckoning with similar things with my mom. I knew she had a fucked up relationship with me (luckily I’m not the only one who saw it, my siblings know it was fucked up too). She talked about sex a lot and would bring up masturbation and toys and shit, also with the parentification (which she did to all of us) and she also showered me with the golden boy shit, to the point of telling my other siblings that I was her favorite.

I’ve been reading Trauma and Recovery and a part early in the book really blew me away when it mentioned how traumatic memory can show up in dreams. I’ve repeatedly had this same intrusive dream (best way I can describe it, as it shows up in regular dreams sometimes) of my mom naked and being seductive but not letting me touch her. Given I’ve had the exact same fragment of a dream a bunch of times, I’ve very recently decided to embrace that shit probably happens to in some sort when I was very young.

I doubt anyone at the time would clock any of this as covert incest, it was just my mom. She was a teacher and would tell me all sorts of shit about kids in my class and general shit that I just shouldn’t know. I looked up to her so much until once day something just clicked in my brain and I felt decades of revulsion all at once

There’s such deep shame I’ve had buried in all of this and I hope the other people dealing working through the same shit in your inbox know that they aren’t alone and didn’t bring this on themselves. The biggest thing I’ve been trying to work through is not feeling like I am the corrupted one. This shit feels like a stain sometimes but I promise it gets better

Thank you so much Anon for sharing this. And given we've been talking about doing a dream interpretation streaming event sometime soon, it's oddly fitting that this would come up. I'm so sorry this shit happened to you, but glad you've found some insight into it. Shadowy not-memories are SO hard to deal with. I have several of them. I've determined that for me, they reflect an emotional truth rather than a biographical one -- I will likely never know the exact events that inspired these visions that I have (and started having while I was still a child), but I know they signal that I was sexually violated and emotionally preyed upon and that's enough.

[pineappleciders]

i fear there is little way to describe my recent experience in the bathroom. or potentially, there are far too many ways to the point i cannot collect my thoughts. it started out as a simple pee. i went to the restroom quite happily, having been playing a game and believing it would be a quick, simple trip. but i was proven wrong, as i usually am. it turned out to be a poop as well. though it wasn't a bad one, it was rather small and easy to pass, and wasn't too bad of a wipe either. however, i was foolish and became distracted watching a video on my phone while wiping. this tragically led to me placing far too many pieces of toilet paper in the toilet bowl without flushing. i soon realized my mistake and, like a fool once more, decided to hope for the best and flush. however, it did not go down. it's fine, i thought. i'll wait and try again. so i did, and it did not go down. hm, this is unfortunate, i think. so i grab the plunger, blissfully unaware to the hellhole i had began falling into, believing this was just your average clog of the toilet. but it wasn't. i soon remembered a fool in my household, which i later learned was my mother, had made the conscious decision to swap the plungers in the bathrooms. this is a problem because, the one that was in my current restroom is a good plumber. the other one is not. and so, i found myself fruitlessly shmacking the hard, useless plunger into the bowl time and time again. but it was no good. i was so determined, so full of hope that it would work as i had made it work before. but this clog was different. i began to grow more desperate as my arm was quickly becoming exhausted from the strain, and i switched to 2 arms, yet there was still no luck. at this point, i had begun sweating, the reality dawning on me that this would not go the way i had hoped. i remembered a trick i learned, about putting soap and hot water into the back of the toilet seat, which helps break the clog up. so i looked around for a cup, an item usually kept in the bathroom, to scoop water from the sink to the toilet. but there was no cup. i put a few squirts of soap in the bowl and waited, but with each flush the water grew higher and higher, reflecting my nerves. but a spark of something like hope flickers in me as i spot the sink drain stick made for unclogging sinks. it's a bit gross, but i'm running out of options, so i go for it. i feel as though it's working quite well, as i can see toilet paper being ripped, but with flush and flush again, it only worsens. i have been in the restroom for far too long now, mostly waiting for water to slowly go down, and at this point i'm sure the energy drink i left on my desk has gone lukewarm. i start to full on panic now, honestly on the verge of tears. i am tired from lack of sleep, very hungry, my back is in extreme pain, and i feel disgusting as a few bits of toilet water have splashed on me. i consider asking for help from my dad, however the thought of walking downstairs with shit stuck in between my asscheeks is extremely unappealing, so i carry on. i turn on the tub and start scooping hot water into the back of the toilet. it burns my hands, and i am now getting water everywhere, but i cannot stop as i begin feeling like a wild animal. i try and try and try but all of my efforts are wasted. and i fear i knew all along what i had to do, i was simply pushing it away out of pure fear. but i suck it up and wrap a towel around my waist and leave the bathroom, still not having wiped fully, and lumber to the other bathroom to grab the good plunger. and lo and behold, with only a few pumps the water is quickly sucked down. and i would have felt immense joy, if it weren't for my extreme annoyance with myself that i did not do it sooner. i am extremely traumatized and i don't think i'll be able to look at my toilet the same way for at least a few months. my dear friends and followers, i urge you to invest in a good plunger. one for every bathroom you have. a new, soft, flaccid plunger. it will betray you less than any man.

[hetrosjistin]

I've been mulling over something actionable about this because I am -really- worried that folks on this site, famous for it's lack of reading comprehension, will take what I'm saying as a #NotAllMen statement, which is not my intention here.

This is what I came up with:

I think something I want to add here is that this doesn't mean not talking about how women have to act as if any given random strange man is a threat. That's not the same thing as hating on men for being men.

It's important that young men, boys understand that bad actors among men in general. and especially the systemic expectations of toxic masculinity in particular, force women to take actions to protect themselves. It's important they understand that such actions are not directly aimed at them. It's important that they know this so that they can understand how the patriarchy does harm to THEM TOO in this manner, by preventing and harming their ability to form healthy relationships with the opposite gender. And important because in learning about these things they can TAKE conscious actions to change their behavior (example: I'm a short guy, and I got into the habit of finding ways to increase my height when arguing with some one, get them to sit down while I stood, sit on the table while they sit on a chair, etc, to loom at them both to make them take me even a little more seriously in my own head, and let's be honest, as a machismo intimidation tactic. When I finally realized how toxic that was, how it was percieved as taking a stance of physical threat against women, and how I did not WANT to do that, I worked on changing my behavior. When I'm in a argument I -try- to force myself to sit down and put myself in as non threatening a stance as possible)

But that's not the same as misandry. It's not born from the same place as someone saying 'all heterosexual sex is rape' or 'god damn I hate men' and similar things.

I hope I'm coming across as coherent here x-x

Because one of the reblogs of OPs post that I saw said something like 'it's inevitable, he WILL become a rape apologist and agent of the patriarchy, there's nothing you can do!' and that's just.

What's even the fucking point?

Why even do ANYTHING if this is an inevitability?

Why are we even FIGHTING for feminism in this case? Because obviously if you believe that then you believe everything we do is fruitless and pointless, men are biologically and socially determined to become rapists.

It is the most cynical and fucked up thing imaginable. It's every bit as fucked up as the idea that women are naturally determined to be best suited to be barefoot, pregnant, and in the kitchen. It means the struggle we are all engaged in for equality and liberation is pointless.

And I refuse to believe that.

I know I have fucked up shit about myself from the patriarchy. But I have to believe that I can deprogram that and change myself over time as it is revealed to me by introspection and other's actions and words to me.

We can't act like this shit is deterministic because that tears out he very heart of our cause: That we CHOOSE to be who we are, that our chromosomes decide nothing except the shape we are born into, not how we act or the way we treat one another.

And so, we must make the DIALOGUE be about people's ACTIONS and NOT the things they cannot change about themselves.

Y'all have got to stop virulently hating men. Like, I'm sorry, I fucking hate the patriarchy too, but the patriarchy isn't just men and saying it is just exculpates complicit women. I am the mother of a young boy, and I look at this precious, empathetic 8 year old boy I'm raising and I don't know where online is safe for him. Places like this will say he's evil just for his gender, and other places will say "we'll be your friend if you hate with us," and still others will radicalize him in other ways. Where is he supposed to go? Why are we saying the radicalization is the fault of the kids just trying to find a place to hang?

Like this is seriously getting urgent. You have got to fucking stop conflating the patriarchy and men. 53% percent of white women voted for Trump. Men aren't the problem. White supremacy and Christian patriarchal structures are two examples of patriarchy-reinforcing structures that aren't solely couched in maleness. Men aren't the problem, and pretending they are drives more men into more welcoming extremist spaces and also ignores all the parts of this that are forwarded by people who aren't men.

What I see happening all over is scared, depressed, lonely people looking for someone they're allowed to hate automatically, unquestioningly - someone they're allowed to place all the blame on. Fascism says people of color, non-Christian people, queer people, etc., are the ones they're allowed to hate.

And way too many of yall answer that no, it's leftist to hate men instead. You are doing *the exact same thing they are.*

Fucking knock it off.

The answer is we're not supposed to hate anyone automatically based on their immutable personal characteristics. Hate the specific people who've hurt you. Hate the self-reinforcing systems that let them get away with hurting you. Hate the strangers who prop up those systems. Hate the fascists. Hell knows I hate Donald Trump, but it's not because he's a man, it's because he's a piece of shit.

Hate the pieces of shit, not the gender.

But don't hate men just because they're men. That's unhelpful, stupid, insane, and entirely counterproductive. Fucking. Stop.

[jheselbraum]

Do you think the GF fandom tends to wobbify Stan a lot more than Ford?

Oh absolutely. And part of it is standard fandom projection, you know? Which is fine, it's whatever. People do it to Ford a lot, too. No biggie. People do it because they see themselves in Stan and that's fine, it just gets in the way of more serious thematic discussion, though back in the day it was a Lot worse people were a lot less chill about the whole thing to the point where if you so much as dared to point out that Stan is a criminal without the qualifiers that he's a criminal because he had no familial support as he was maturing into an adult and was homeless so he kind of had to in order to get by, you'd get fucking demolished.

And like, it's because a lot of people relate to having shitty parents and being told by teachers that they're not smart enough and being homeless or at least really fucking poor. Like, it's just kind of something that happens with fandom, you know? And it's fine, mostly, fandom is a sandbox and a lot of these people are projecting so they can work through real world shit that's happening in their lives (you guys have no idea how many unposted "Ford has some kind of mystery chronic illness that's just absolutely wreaking havoc on his daily life" fics I wrote after I got diagnosed). And it's not like there's zero justification for it, Stan's a very sympathetic character in the show canonically, despite his status as a wanted criminal (presumably internationally), and a bit of a softie at times.

The problem is when the fanon woobification is used in place of actual textual evidence when people try to have serious discussions about the canon material and not your fanfic where Stan is just. Just real sad about his brother, why won't he thank him? He's sad!

This chart from @itsabouttimex2 explains the cycle very succinctly.

Like, I'd argue that Stan isn't even the most woobified character in Gravity Falls by volume (that honor goes to Fiddleford to be honest) but he's the character whose woobification is the most visible and has the most capacity to grind any serious discussion about anything even slightly negative that happened to Stan or, god forbid, was caused by Stan to a halt. Again, this problem has gotten better over the years, despite the fandom's recent "relapse" for lack of a better term, but (and I say this knowing exactly who I was in 2017) sometimes in order to talk about something you like in a fan context, you have to take a step back and remind yourself of who these characters actually are and what the text of a work is actually trying to say. Like, "death of the author" as a way to interpret a work is incredibly popular in fandom at large, not just in Gravity Falls, and it has its merits, but I feel like it's gone from "the meaning of the text is not derived from the author's intention, but the reader's interpretation" to "the meaning of the text is not derived from the text, but the reader"

"Sometimes the curtains are just blue" has already been used to justify completely abandoning the idea of critically analyzing a work (to the point where many reading this will see the word "critical" and assume that I'm talking about literally criticizing something and not analyzing a work to determine its meaning, its purpose, and effectiveness at conveying those two things) and some people will take that a step further and go "Sometimes the curtains are red, because red is better than blue. Sometimes morally."

I didn't expect to go off to yes or no question like that, it just kind of happened. I don't know, I prefer discussions about this show where I don't have to step over a dozen people who think I'm talking about the version of Stanley Pines that lives in their head and always Responds Correctly to whatever personal issue they might have.

[hiiragi7]

Being intersex is a mutation ❤️ you still only have one working set of genitalia, you're still just one gender, you're mutated, not normal ❤️ that's why it's a mutation. Hope this helps!

I think that this is a very sad way to view the world.

I'm okay with not being "normal". In fact, I think it's a good thing.

With regards to my genitals, that is not my gender; those are just body parts. My gender is more like an art project; something I'm constantly working on and experimenting with, an extension of myself. Something I create.

Sure, my genitals do not "work" the way people expect, but what does that even matter if I myself am happy with that? Even in considering SRS, it's never been about desiring "working" genitals for me, just ones that feel right to me. I don't want them to "work". It is entirely about my own enjoyment of them. If other people want to try to say that the functionality of my genitals determines my gender, well, they can go right ahead, but I think that's weird and invasive. I mean, you came into my inbox talking about my genitals, it's creepy. I don't know you.

[frostfires-blog]

My Top 15 Favourite Anime (& Donghua) Female Characters 2024

[Before I get started, I'd like to point out that making this list was quite challenging considering I have watched quite a few anime. So please don't be too offended if any of your favourites aren't included; just because they aren't here doesn't automatically mean I dislike them. Feel free to leave your constructive thoughts and own lists in the comment section since I appreciate amicable discourse. Also, I decided to use the "keep reading" feature to make it easier to scroll through the long posts on my blog, so the official list is under the cut.]

-> Honourable Mentions:

-> My Top 15:

“If you’re helping someone and expecting something in return, you’re doing business not kindness.” Shirayuki is incredibly empathetic and emotionally aware as evidenced by her drive to ensure that the people around her feel cared for and supported. Even if it involves sacrificing her time and energy, she is always eager to help others. At times this is her greatest strength—as it enables her to build strong connections with others. However, on occasion, this trait makes it difficult for her to establish boundaries and prioritise her own needs.  This struggle is something I think we can all relate to.  I greatly admire her determination, optimism, compassion and resourcefulness. Her integrity, patience and consideration for others is something I aspire to emulate in daily life. Her passion for plants is something I have in common with her.

"I won't lose to myself!" Given that she has become somewhat of a meme in the fandom, I'm sure some of you may be surprised by this, but she was one of the first female anime characters I resonated with when I was young. Although she lacks presence in the overall series, her strong-willed and independent yet easy-going and relatable personality endeared her to me. Even in stressful situations, she is renowned for her diligence, discipline, practicality, and reliability. Her character serves as a tribute to the resilience of the human spirit as well as the value of perseverance and hard work. Her fear of failure sometimes causes her to doubt herself and her capabilities which highlights the struggle we all face with balancing our concerns and our obligations. Her fighting style and character design remain one of my absolute favourites, making me annoyed that Kishimoto didn’t do more with her character. Also, nejiten is my Roman Empire.

“This is a cruel world. And yet...so beautiful....” In all honesty, I'm still miffed by the ending of Attack on Titan, which had me contemplating whether to include her on this list, but I realised that would be petty and short-sighted. Mikasa was one of the first female characters I saw who not only stood with male characters on the battlefield but also outperformed them—which made me look up to her. Mikasa's greatest attributes are her inner strength and innate sense of responsibility to defend her loved ones and fight for justice, as well as her intense loyalty and devotion, especially to Eren. Aside from her strength and fortitude, she also possesses compassion and gentleness towards those she cares for—which I admire considering many female characters in shounen anime are pressured to sacrifice these qualities to be strong and respected.

“Why didn’t I try to get to know him better?” Since Frieren is the newest character on this list, I’m sure she’ll continue to grow on me in due time. As the protagonist of a show centred around the value of life, the importance of goodbyes and the passage of time; Frieren is an incredibly complex, multi-faceted character. Her journey to understand the depth of human relationships and emotions—after losing someone she failed to realise was important to her—is an incredibly touching and insightful one. Watching her experiences serves as an important lesson: to value every moment and to take the initiative to build connections with others—which is something I often struggle with. Frieren is best recognised for her composed demeanour. She demonstrates qualities such as an affinity for independence, a keen sense of introspection and a preference for logical reasoning—all of which allow her to serve as a voice of reason for their group. Her sharp mind and unrelenting curiosity propel her to continually expand the limits of her knowledge, enabling her to innovatively tackle challenges from a unique viewpoint—making her an engaging and dynamic character to watch.

“A-xian is my little brother…When others insult him it is no small matter to me.” While often overlooked due to her immense kindness and amiable personality—her determination, selflessness and fierce protectiveness of her loved ones are admirable. Although not a major character in MDZS, her influence over its more central characters is evident. Her lack of hesitance in sacrificing her life for her martial brother, Wei Wuxian—even though he unintentionally contributed to her husband’s death—endeared me to her. Her determination to rise above her difficult upbringing and grow into a caring, mature and reliable figure is praiseworthy along with her capacity to find common ground in seemingly immutable situations. Her character design ranks among my favourites as well and complements her personality well. She taught me that despite being in a society where one is harshly rebuked or pressurised it is important to stand firm in your beliefs and desires.

“If you must cling to something in order to yield, why not pick up that which you have tossed away and hold it in your hands anew?” While initially, she doesn't appear to be very noteworthy because of her limited role in the series, the brief time she gets presents her in a positive light and her backstory is notably well-developed even among more prominent side characters. Despite her reclusiveness; her compassion, forgiveness and humility are noteworthy—especially when contrasted with the majority of other Heavenly Officials. Given that characters like Xie Lian and Hua Cheng respect her, while Jun Wu and Pei Ming are cautious of her proves that her strength and significance should not be undervalued. Her ascension story—which earned her the moniker “The Princess Who Slit Her Throat”—is a prime example of her incredible selflessness as she willingly laid down her life to protect her family and country despite being ignored and mistreated for most of her life. She remains very grounded despite her status as the God of Rain and Agriculture and is always willing to help others, even if it means defying authority. She possesses no ill will towards those she has had disagreements with and doesn't hesitate to save them.

 "Even if it's a short life, burn hot and bright and overtake the moment. That's my way of life." Kagura is best known for her quick wit, tomboyish personality and fighting spirit which often manages to steal the spotlight in the Gintama series. She is an ardent and fierce fighter who doesn't hesitate to express her opinions. Beneath her brash exterior, she is compassionate and caring, frequently using her keen intuition and empathy when interacting with others. She often takes risks, facing challenges directly which can be seen as impulsive and abrasive—however, this behaviour stems from her need for control and security amidst a chaotic world. In a sense, we all struggle to assert ourselves in difficult situations and could benefit from approaching things with a little more of Kagura's zeal. Kagura also enjoys helping others and is incredibly devoted to the people she loves. She is also not afraid to voice her opinions or act when she sees someone in need. By virtue of her strength, humour, and charm, she has not only gained popularity among fans but also established herself as an iconic figure in the shounen genre.

"If you don't hold a rose carefully, you'll get pierced by its thorns." Tsukuyo is best known for her unique fighting style, sharp wit, caustic humour, and compelling backstory which has allowed her to become a fan favourite and a key part of many serious arcs in the series. In many respects, her design and backstory serve as a parallel to that of the protagonist—Gintoki—which adds to her depth. Furthermore, her name and personality are based on Tsukuyomi no Mikoto—the moon god in Shinto and Japanese mythology��accentuating the cool aesthetic of her design. Contrasting her rough exterior, Tsukuyo is shown to have a tender side, exhibiting an innate sense of empathy and sensitivity. Although her reserved attitude often conveys an impression of aloofness and distance, this is just how she processes things and expresses concern, which is something I can identify with.  Her most admirable quality is her strong sense of duty and loyalty towards her loved ones, as well as her inclination to prioritise the needs of others over her own. Although she struggles with insecurity and anxiety—leading her to hesitate and over-analyse—she is resolute in overcoming these issues when crucial matters are at stake, which is a valuable message.

“I once believed that the road of happiness continued forever and ever into the distance. When it was destroyed, I realized for the first time that it lies upon a thin sheet of glass. And just as we were saved, there were those whose happiness that haven't yet been destroyed. So, I wanted to get stronger and protect them.” Shinobu is a multifaceted and captivating character who stands out—even amongst Demon Slayer's eclectic cast—largely due to her distinct fighting style, striking design, tragic backstory as well as her nuanced personality and motivations. Shinobu's strongest assets are her insight, and compassion, which enable her to support those in need. She usually has a relaxed smile on her face and generally exhibits a bright, amiable, and joyful demeanour. However, it soon becomes apparent that this outward disposition is a façade masking her profound anger and relentless desire for vengeance. This dichotomy in her persona is foreshadowed by her conflicting roles in the series as a healer and a poisoner. Her desire to cater to those close to her is the primary motivation for her outward façade, which is primarily modelled after the mannerisms of her deceased older sister. Considering we all conceal certain parts of ourselves to appeal to others, this aspect of her character is very impactful and relatable. She also often struggles with feelings of inadequacy stemming from her physical limitations. However, she overcomes this obstacle by employing poison to kill demons, showcasing her resourcefulness, fortitude and tenacity. Although we all feel envious of the talents of others, Shinobu's character is a reminder that we all have our strengths and should face obstacles head-on never giving up on our objectives.

“Although our thoughts are changeable and difficult to understand, the actions we take don’t change, no matter how much time passes.” As a consequence of her seclusion in the Yamei Palace and her mystical abilities, Jusetsu is quite enigmatic and detached. While she is often perceived as haughty and aloof due to her bluntness, impatience and lack of social experience; she is shown to have a tender and vulnerable side. She possesses an inherent sense of justice and doesn't disregard those in need, even if they have offended her in the past, which is incredibly admirable. Although her position as the Raven Consort demands her to live alone, she quickly finds herself surrounded by people, leading her to feel guilty considering her deceased predecessor remained isolated. Her heart begins to soften as she lets others in, but she often struggles to comprehend others, causing her to inadvertently offend them—which is something that most of us can relate to. However, she is quick to mend things once she realises her misstep and comes to learn that it's necessary to confide in those who care about you. She frequently exhibits guilt about seeing her mother die, which leads her to feel that it's preferable to be by herself than to lose anyone else. Her struggles with guilt and constant introspection not only add to her complexity as a character but also make her very relatable. To a degree, we all worry that opening our hearts to others will result in us being irrevocably hurt but constantly have to take that risk to live a fulfilling life—thus making Jusetsu’s journey an incredibly empowering and compelling one.

“I'll definitely overtake you, and it'll be my turn to worry about you.” Misaki is best described as bright, diligent, pragmatic, and disciplined. As the student council president, she is committed to improving her school's reputation, even if it involves challenging the expectations of her male teachers and peers. Before Misaki's father abandoned their family, she was noticeably more tender-hearted and compassionate, but she subsequently developed a bias against males based on her conviction that they were inconsiderate and unreliable. She possesses a rigid sense of justice and sets high standards for herself and everyone around her. Consequently, she often struggles with her emotions, particularly when it comes to maintaining her composure when her private life is disrupted. Misaki is particularly embarrassed about her part-time position at a Maid Cafe, believing it contradicts her strong, uncompromising image, and consequently takes great effort to establish a rigid boundary between her public image and her private life by keeping this job hidden from others. Misaki's best quality is that she never veers off course and gives her all in everything she does, inspiring others in the process. Misaki exemplifies the value of resilience and diligence when it comes to achieving one's goals because, despite facing countless hurdles, she remains committed to her ideals. Conversely, she is overly self-sacrificing and frequently overworks herself due to her inability to trust others. Through the course of the series, she learns to accept her femininity and fragility while remaining assertive and self-sufficient. As she navigates her growing romantic feelings for Usui, she learns the value of having faith in others, as well as the significance of respect, communication, and acceptance in relationships. This process of self-discovery moulds Misaki into a multifaceted character who is exemplary and relatable.

“If history repeats itself, and moves in a circular path, then believing that whatever force is turning it is perfect, is all we can do as we move ahead. Pushed along by forces beyond our control, waiting, for the blade to be swung." Rukia’s best attributes are her altruism, modesty, strong moral compass and sense of duty. Her journey throughout the series centres around self-acceptance and belonging. Initially, she feels worthless and out of place yet longs to be recognised and accepted. Given that she finds it difficult to reach out to others, she never expresses these desires and lives a lonely life under continual strain. After meeting Ichigo and his friends, in the World of the Living, she begins to open up but quickly backtracks after she is taken back to the Soul Society to be executed. Despite enduring tremendous hardship, she never forsakes her ideals or blames anybody else—but instead faces and overcomes everything alone. This demonstrates her immense fortitude, resolve and integrity. Her strength lies in the fact that her heart never fluctuates. Upon the moment of her execution, she does not display fear or regret but is instead grateful for having lived an ample life. However, this is the turning point, as she is saved by Ichigo and is thereafter rewarded for her resolve and steadfast convictions. She finally alleviates herself of the guilt and grief she had been carrying by allowing herself to rely on others for emotional support. She can now confidently confront and overcome her greatest challenges because she is certain of who she is. In this way, Rukia's character serves as an example that no matter what you are faced with, your efforts will be recognised so long as you remain resolute and virtuous—which is incredibly commendable and compelling.

Her enduring and incomparable bond with the series’ protagonist, Ichigo is one of my favourite aspects of her character and the series as a whole. Throughout the story, she is a continual source of both physical and emotional strength for him. In several respects, Rukia's character is a parallel to his as she understands Ichigo's feelings better than anyone else considering she has gone through similar experiences. The quote "The rain drags the Black Sun down, but the rain is dried by the White Moon" perfectly encapsulates their dynamic—with Ichigo representing the former and Rukia representing the latter. Throughout the series, the rain is a potent metaphor for Ichigo's despair, while Rukia is constantly seen guiding and consoling him—effectively drying up “the rain”.  She acts as a "ray of light" for Ichigo—despite her problems—who in turn does the same for her. Rukia's symbolism as the "White Moon" also pertains to her technique—specifically her bankai, which transforms her into a veritable ice princess. This symbolism furthers her development, influence and prominence in the series.

"Before I question the gods, there are questions I should ask myself!" Yona's remarkable development from a pampered princess to a courageous warrior is precisely why she is one of the most recognised and respected shoujo heroines of all time. This development begins after her privileged and idyllic life in Hiryuu castle is upended when her beloved cousin, Soo-won, murders her father and seizes the throne. After witnessing this traumatising event, she is forced to flee the castle and is forced to adjust to a harsh and perilous life on the run. She is momentarily overcome with fear and denial thus depending entirely on her bodyguard and childhood friend Hak for protection and care. However, after recognising that the people who were sheltering her would suffer as a result of her incapacity, she began to pull herself together. Empowered by her newfound resolve, she and Hak journey across the kingdom in search of the legendary Dragon Warriors and through these fateful encounters, they cultivate a revitalized sense of purpose and camaraderie. It is on this journey that she begins to realise that her father’s pacifistic reign came at the cost of weakening their kingdom, leading to widespread strife and corruption. Her overwhelming guilt regarding her ignorance causes her to develop a genuine sense of responsibility towards her nation's people. With the support of her allies, she travels around the kingdom to improve the lives of the common people, having abandoned the prospect of revenge. Yona's fundamental strength is shown to derive from her emotional fortitude, compassion and capacity for forgiveness. Additionally, her adaptability, willingness to learn, and strong sense of conviction are all admirable. Although she continues to grow stronger throughout the series, she has always been incredibly kind and compassionate. She is inspiring because she demonstrates that true strength comes from within. It is her immense compassion that not only motivates her to protect her nation and change the lives of those around her but also draws people like Hak and the four dragon warriors to her. Her ability to forego her desire for vengeance in favour of forgiveness is not a show of weakness but is one of strength, selflessness and maturity. She realises that her desire for revenge is outweighed by the kingdom’s need for a radical and strong ruler like Soo-won —leading her to choose to work from the shadows to uplift the common people.

“It’s not always easy to see the good in people. In some people, you might even doubt that it’s there at all. But if you can somehow, find a way to believe…sometimes that’s all it takes to help someone, to give them the strength to find the good in themselves...” “No matter how cold it is now, spring will come again...” Tohru is best described as optimistic, hard-working, patient and open-minded. She is also modest, caring, and gentle-spirited. She constantly strives to seek out the good in everyone she encounters and is always willing to assist those in need—bearing no resentment against those who have harmed her. Her benevolent and amiable disposition effortlessly attracts people to her, making them feel accepted and valued, as demonstrated through her interactions with the zodiac members of the Sohma family. In comparison to the series' vast ensemble of colourful, quirky characters, Tohru is frequently perceived as being too perfectly kind and hence bland—nonetheless, this is completely misguided. In actuality, Tohru is equally as emotionally broken and thus the Sohma family heals her heart in the same way that she heals theirs. Her character is an exemplary subversion of the typical "kind-hearted" heroine given that she faces several genuine hardships that result from her gentle and charitable nature. She is not a perfect saint, but rather a girl who prioritises the struggles of others over her own as she attempts to find her place in the world. Her greatest strengths are her immense compassion, innate empathy and sincerity. Given that she expects nothing in exchange for helping others, her generosity does not originate from a position of entitlement, which is incredibly admirable. Tohru has a strong desire to be needed by others and thus often puts the needs of others before her own. She craves validation and assurance, hoping to be acknowledged as essential and irreplaceable to those around her. In response to the terrible treatment she received from her paternal relatives, Tohru has developed the notion that she might burden those around her, so she rarely expresses her desires. Consequently, she is inclined to internalise any unpleasant emotions and feelings rather than express them externally. However, as time passes, Tohru gradually learns to be more assertive and to accept help from others. Tohru's relationship with Kyo is another facet of her personality that I find endearing. Despite having similar backstories, they have developed divergent perspectives on life. Kyo finds it hard to recognise the positive in other people, while Tohru finds it hard to perceive anything negative in them. They strike a perfect equilibrium as he teaches her that being too unselfish and not sufficiently assertive is detrimental to her well-being, while she helps him realise that there is hope in trusting others. While Kyo is not the only one who sees through Tohru's façade, he is one of the only individuals who can help her face her issues as she becomes especially transparent around Kyo, confessing all her concerns and anxieties to him. Tohru demonstrates the power of forgiveness, love and friendship and exemplifies what it means to be a good person. Her journey towards overcoming her fears and attaining true happiness through strength and determination is heartwarming and inspiring. She embodies hope and compassion in a cruel and unfair world. Her growth demonstrates that being kind is not synonymous with being powerless or meek. She demonstrates that no one is completely perfect—that kindness is a choice rather than an innate gift, therefore we are all capable of making the effort to be kind and compassionate to others.

“If I should die, I'd want to die of poison.” Maomao's story is kickstarted when she is kidnapped and sent to the Imperial Palace as a maidservant. Maomao’s extensive knowledge of poisons and medicine, along with her aptitude for unravelling mysteries ensnare her into the intricate web of political intrigue despite her attempts to remain inconspicuous. She is mature, sharp-witted, composed, and pragmatic, in large part because she grasps her expendability in the Rear Palace. Being raised in the Red-Light District has shaped her into a resilient and adaptive person with a thorough awareness of society's complexities, which she uses to traverse the Rear Palace. Consequently, she has developed a highly practical and pessimistic mindset on life, centred around avoiding trouble and adjusting to her surroundings—which has enabled her to tolerate circumstances that many would deem traumatic or distressing.  Ironically, her insatiable curiosity, along with her strong sense of justice and empathy, frequently counterbalances her self-reservation; leading her to become involved in problems that affect others. Maomao is intrigued by poisons and medicinal plants, and she often investigates their effects on her own body. This passion is her primary motivation for her actions considering the mere prospect of savouring poison or studying a rare medicinal component kindles a fervent fire within her, resulting in a riveting shift in demeanour—which is naturally perceived as astonishing and insane by many characters, particularly the series' deuteragonist, Jinshi. Maomao’s name is derived from the onomatopoeia of a cat’s meow “貓” and fittingly she is often depicted with cat ears, which act as a visual metaphor for her ardent curiosity. This feline motif, combined with her proclivity for pushing herself into risky situations and her dangerous fascination with poisons, makes her the epitome of the phrase "curiosity killed the cat". Despite her exceptional competence and charisma, Maomao is not flawless; in fact, her flaws add to her appeal. Although Maomao's distrustful and inquisitive nature makes her an excellent detective, this same quality—coupled with her distorted yet starkly reliable perception of human connections—occasionally renders her socially inept. Maomao tends to shy away from forging strong, intimate bonds or attachments with other people, causing her to be wilfully oblivious of the obvious concern or affection others have for her, regardless of whether it is in a platonic, romantic, or professional capacity. Furthermore, she is sceptical about the notion of romance, feeling that it is more likely to cause ruination than to provide happiness. This scepticism and detachment are probably traumatic responses to being brought up in the red-light district, where someone's genuine affection alone does not guarantee that they will not discard you if needed.

Another aspect of Maomao’s character that I find intriguing is her dynamic with Jinshi which develops gradually and is multi-faceted due to their opposing traits, social statuses, and backgrounds. Despite her pretence of indifference, Maomao's actions—specifically her attentiveness and concern—gradually disclose her growing interest in him. Maomao's development demonstrates her progressively becoming less closed off emotionally as she processes the intricacies of her feelings. Similarly, Jinshi had no intention of growing attached to her—as he merely wanted to capitalise on her skill set and intellect. Nevertheless, he fell for her fairly quickly, with his feelings progressing from possessive attachment to ardent, selfless love. Their partnership is defined by mutual respect, trust, and their resolve to overcome obstacles of the aristocracy together. The series’ willingness to address feminist themes within a historically misogynistic setting adds another layer of complexity to Maomao’s character; since her intellect, competence, independence and boldness defy the gender expectations of the era. Even amidst the competitiveness of the Red-light district and the complex balance of power within the imperial harem— which were settings devised to pit women against one another—Maomao continues to advocate for camaraderie between women. As we continue to witness women supporting and empowering each other; their enduring strength and tenacity is exemplified. Maomao's journey is thus an embodiment of progressiveness reflecting a refreshing standpoint on female empowerment. Maomao's exceptional charm and vibrancy are profoundly compelling, instilling an enduring sense of inspiration and empowerment.

[Congratulations and thank you if you made it all the way to the end. I fear I rambled too much…. oh well… If anyone has any suggestions on what to do next, then let me know. Otherwise, I'm just going to be working on a few asks…]

[spotaus]

New Age AU (Cross' Spy Adventures)

Hi guys! I'm back! This one has been eating at me so forgive me if it's a bit rougher than the others, but I hope you still enjoy! (And if plot details don't seem to line up? Remember Cross has no clue what's going on yet :] )

Context: Cross has been asked by Dream to do recover information on his brother's next plans of attack. He's not a very good spy.

(Hi to @ancha-aus @papiliovolens and @mutzelputz !!!)

Stars this place was big.

He'd almost forgotten what it felt like to be on a castle grounds after so many years roughing it with Ink. Inns and taverns and tents. He wasn't sure how much he enjoyed being back in the throes of the rich and powerful's estates.

The cart-ride with the other new recruits had been pleasant enough, they were all decently friendly guys. A few were putting on that tough-guy facade, but none of them could've been older than 25. Fresh off the press, practically. Perfect soldiers to be brainwashed.

Cross had laughed and joked with them about what life in the castle might be like. How different it would be from the old daily grind. How maybe they'd pick up a hot partner in town on their patrols. How they hoped they'd eat like kings.

Though, Cross noticed that each of them got cagey when word of the King resurfaced. One birdish-monster mourned that she couldn't have served the last King, Nim, before she passed on to join the gods. Another spoke of the honor it would bring for him to serve the blood of Nim.

They seemed averse to even acknowledging King Nightmare's existence. Aside from his connection to Nim.

Now, the chatter was all silent, and Cross was among the many new soldiers who were ogling the castle as they passed around its outer wall and entered through a side gate.

It was, admittedly, impressive.

His own home kingdom had less of a castle, more of a monolith. It had been dense, and tall, and impossibly smooth. His father couldn't stand imperfection.

This castle was almost the exact opposite of what Cross had always known. The walls imperfect and overlapping, rather than brick it looked like it had burst straight up from the ground. Bumpy and imperfect and natural, and yet beautiful and structurally stable. He didn't linger on it, but he wanted to so badly.

Instead, he drew his attention ahead. To where a man stood, his armor decorated in the marks which indicated him as a reporting officer.

This man, a human with a crooked nose and a thick, black, beard held up a hand, and the driver of the cart tugged at his reigns, the horses pulling to a slow stop.

One by one, once given the signal, the soldiers filed out. Stating their rank, their camp of origin, and their name.

Cross was middle of the pack, and saluted the human as Dream had taught him and as everyone had done before him.

"1st Year Guard, Pierson Camp, Z." He reported.

He was not proud of his code-name. It physically hurt to say it with a straight face, but when he'd been talking about needing a new code name, Ink had excitedly suggested it.

Z, he'd said, Like 'X' but not! And Cross hadn't been able to shut the idea down when Dream had giggled and tapped his cheekbone, the spot just under his eyelight that held is scar.

Dream had called it fitting, and it'd been settled in a heartbeat.

Cross managed to say it aloud without any hint of suspicion and was waved off to join his fellow recruits.

They lined up haphazardly, but didn't dare to do more than grin and snicker between eachother at. Well. Anything, it seemed. They were taking this very casually compared to what Cross had been expecting.

Though, the moment the captain was done looking to the cart for any stragglers, he turned. The soldiers all went still and aligned themselves.

Cross wondered how they survived training if they goofed off like that so readily.

He watched as the cart which had brought them circled away, and he listened carefully as the man introduced himself.

"I am Captain Rogers. Your platoon will report to me for any and all management. I control your training schedules, your mealtimes, and your work hours." He called out to them, right there on the lawn "you are here today to serve the blood of the gods, and by Nim's watch you will not slack on your oath. No matter how much you loathe it here. Understood?"

Such a bold declaration of... unrest.

The soldiers, one by one, gave affirmative nods and salutes, Cross making sure he wasn't the first. He didn't want to seem too eager.

The captain led them about.

He asked for them to stay in formation, and Cross ended up towards the middle of the pack yet again, just close enough to hear the explanations of their duties, places on the grounds they were allowed to go, and what their daily routine was meant to be like.

Near the stables, they paused briefly, and the Captain was taking an extra long time explaining that the horses in the stables were not to be ridden without explicate orders from him or another commanding officer.

Cross couldn't help but notice the guys ahead of him whispering about something, and Cross followed their miniscule gestures off to the left.

A black cat, wirey and short-hair. It was standing in the shadow of a fence, and he didn't think he would've spotted it if it weren't for its big, green eyes. They were like little saucers in its head.

It was staring straight at him. Tail flicking. One ear twitched.

Cross tried to ignore it, but when he'd glance back, it was still there.

Until, suddenly, it wasn't.

By the time they moved on, it was nowhere in sight.

His old home hadn't had many animals, especially not roaming cats. He wondered if it was a 'barn cat'. Blue had explained the concept to him once.

Regardless, that thing was freaky.

Finally, after what felt like hours of walking, the Captain announced that their last stop of the night would be to their quarters.

He could practically feel the relief rolling off of the guys next to him, and it took am effort to let his shoulders sag even an inch in imitation. The guy next to him looked like he might fall over, and Cross shared none of that exhaustion.

They would start their assignments bright and early in the morning, each of them would have a more experienced guard join them as a guiding measure before they were left to the duties themselves.

A much kinder grace period than Cross had been expecting, honestly.

The Captain escorted them down the halls, long and twisting. Each one held soldiers out of uniform, turning in for the night, going through their routines. As well as some moving out for the night shift. They ignored the rookies as they kept to their own business.

The Captain swung a door open, only to immediately block the soldiers in front from entering the space of relaxation beyond.

"Ah, Ccino, I was worried we'd missed you." The Captain spoke up.

"Soldiers, back up. Stand at attention." Came an order next.

Cross was faster than the others in recognizing the order, but forced himself to wait until the others stumbled into him to start moving. He wasn't sure why they were getting into this stance, but he knew better than to start asking questions.

They all stood in the hall, and Cross caught a few snickers from nearby lounging guards as the rookies stood there.

"The King called upon me, so I wasn't able to meet you where we had planned," a softer, calm, voice rang, "I figured I would run into you here before you turned in for your first night."

The Captain stood before them, and beside him, exiting the barracks, was a monster.

Cross tried not to stare, but he couldn't deny that this was odd. He'd never known a captain to bend to anyone but a higher up. But...

This skeleton was dressed in a servant's uniform. Granted, it was made of a thick, soft-looking brown and tan fabric, with an apron with more embroidery than he thought he'd ever seen in his life, but it was nothing too out of place.

Surely it wasn't a Knight. No, he'd been told they wore masks. He could tell this skeleton was not a Knight. He could see the full skull, soft and gentle, calm eyelights, and a body Cross swore had never seen a single battle.

No. Cross, stop that.

He didn't tear his eyes away, but he forced himself to look back to the skeleton's shoulder. No eye-contact, but still facing him. Good.

"Soldiers, This is our Head of House, Ccino." The Captain gestured to the skeleton at his side.

The soldiers all remained silent, and the captain nodded.

"If Ccino ever gives you any sort of order, you listen." The Captain's voice was harsh with this, the same way he'd spoken about the horses, and the kitchen, and the private training rooms they'd passed. "No questions, no hesitation, no disobeying. You understand?"

The squint of the Captain's eyes were more than enough for Cross to know better than to ask. Something like this was unfamiliar, for sure, but he knew when a soldier was saying something he truly believed in. Lived by. For better or worse.

None of the other recruits seemed to speak up. Cross certainly didn't. He tried not to let his nerves show as this skeleton, Ccino, let's his soft white eyelights skim softly from one soldier to the next. When they came to him, he desperately avoided the gaze, practically staring a hole into the soft fur scarf wrapped around his neck, hiding his spine from view.

"It's a pleasure to meet all of you," That calm voice again, "As you heard, my name is Ccino. I manage the Castle, it's grounds, and the people who stay within our walls. This includes all if you, as of tonight."

He seemed rather put-together. Pleasant. Cross didn't feel any unease. He was positive, now, that this was not a Knight. Yet, he couldn't figure out why such a monster would be held in such high regard, unless, of course...

"As you heard, our King trusts my decisions regarding these matters, which is why he asks you listen to my requests. However, I don't abuse this privilege, and it shouldn't dissuade you from coming to me if you have any problems." Ccino pulled his arms to cross infront of him, and once again looked over the recruits. "You may be our guard, but that does not mean you shouldn't recieve help as well. If you cannot find me, ask another servant and they will get word to me."

Ccino seemed... kind. That had to be it.

The sparkle of admiration in the captain's eyes. The way some of the soldiers watched. Maybe Ccino was the golden light in this dark place? Though, that didn't seem quite right.

"Stick to your duties, remain diligent, and you will be cared for here." He said softly. "Now, stand down and go rest. Your training tomorrow will be thorough, and you will need the extra sleep."

Oh.

Cross recognized the order, and his body moved a bit before his mind could catch up. He relaxed, as much as he naturally could, and took a step. Toward the barracks. Then paused and glanced like a deer in the headlights to the Captain and the Head of House.

Ccino just smiled, and the Captain seemed stoic.

"Seems Z gets first dibs on the cots!" The Captain announced, and with his approval, humor seeping into his tone a bit, and laughter echoing from the older guard who'd been observing?

Cross made the quick duck into the room and grabbed for the first cot he saw. Bottom bunk, closest to the door, the easiest way he'd be able to leave the long room of bunk beds.

The others hurried in after him, some laughing, others cursing jokingly at Cross having noticed the test first.

The test.

Of course it'd been a test. A test to see if they'd recognize Ccino as an authority figure. A test to see if they took the warning seriously. Cross just listened to the superior officer. And... put himself in the limelight of excelling new recruits.

If there was one good thing, though it was mortifying, the others didn't seem to notice what it was. They were too busy teasing Cross for the grape blush that enveloped his face the moment he sat to think it over. The others assumed he'd just slipped up. Listened to the prettiest person in the room.

Once again, Cross wondered how they'd made it through training. Though, it was good they just thought he was a stupid lover boy. Better than them realizing he was following orders on instinct.

It'd been a hard sell, getting to sleep, but he'd managed somehow.

.

The morning was much easier than the night prior. He woke up before the sun, before a lot of the others even showed signs of stirring. It was good he got up so early, sneaking off probably wouldn't be much of an issue.

Tomorrow, then. He'd do his sneaking tomorrow, after he got a lay of the land today. From what they'd been told, he'd be supervised today. Everyone would. It was different from what the Prince had told him, but it didn't matter. Policies could change, and Cross knew better than to disobey new policies.

The castle inside felt like a maze yesterday, he'd hopefully have routes inside, so he'd be able to memorize at least a few escapes. Orient himself. Worst case he could break a window.

He didn't want to leave any trace, though. The best scenario, as Dream had explained it, was that he'd get in, get the information, and get out. A week, maybe a week and a half tops. Cross wanted to spend as little time here as possible. He didn't want to fall into whatever mind-control he'd been warned of. He didn't want to run into the Knights. He certainly didn't want to see Dream's twin.

Though, he was curious. What he looked like. If he could see the sibling resemblance between the Prince and his supposedly brainwashed ruler of a sibling. It was honestly none of his business. If the King never saw his face, that would be all the better. He shouldn't know Cross was ever here at all.

The thoughts swirled in hid head as he stared at the bottom of the cot above his. Wood slats, the whole thing was sturdy wood, with decent mattresses and blankets and pillows resting on its support. It didn't creak at all, which was good. And surprising. Everything in the castle seemed so nice.

Mm, must've been a thing for the people here. Serve the 'gods' and live in luxury. It certainly seemed that was how the Prince's camp had run as well.

Cross couldn't be sure how long he was awake, examining the room and sitting still, but the sun managed to rise into the sky by the time he'd heard the slamming knock on the door to the barracks.

It was easy for him. When the Captain swung the door wide open and announced, in a hardy shout, that they were to be in the hall in 5? Cross rolled out of bed the moment the door closed again.

It pained him to move so slowly. He couldn't be the first one out again. Couldn't be the first one dressed. He didn't know why it took so long for the others to change to their uniforms and rub the sleep from their eyes. Monsters and humans alike! They hustled, some of them, and Cross was grateful a cat monster seemed to gather herself more readily than the others. An orange striped cat, her nose and the tip of her tail a stark white. Cross only noticed her when she rushed for the door, and he let himself trail her a moment later.

Thinking back, she'd been at the back of the group yesterday, joking with some of the others. Cross wondered what the energy change was all about.

He didn't get time to worry about it, though. The hall outside the barracks was busier than it had been last night, and Cross found himself facing, not only the Captain, but also several guards. They each seemed to be in full uniform, different than Cross' or the cat's which marked them as trainees. They seemed stoic before their captain, and Cross almost felt a moment if relief. Maybe this was a decent show of artillery?

No, wait, strong soldiers would be bad for the Prince. He'd have to get through these guys.

He shook away the thought, listening in as he stood awkwardly in the hall, another recruit lumbering out to stand where he'd joined the cat already.

The Captain looked them over, before nodding.

"Harper, you're with Jenna." The Captain ordered, pointing from the cat before gesturing towards one of the guard directly behind him.

Cross tried not to let his eyelights give away his observance as the guard stepped around her captain. She seemed to be a bunny monster, lots of fur and long, floppy ears tied behind her head. She, Jenna, saluted the cat, Harper, and Harper saluted in return.

"Listen to what your mentor tells you, got it?" The Captain asked, and Cross saw a few others exiting as he said this.

Those who started moving down the hall, and the Capatin looked to Cross. It was a kick glance, one look-over, before he turned and looked over his shoulder.

"Z, you're with Shep." And a gesture guided Cross towards whoever his mentor for the day would be.

From nearly the back of the crowd, snaked a dog monster. Black and white, short-trimmed fur. His eyes were brown and intense, and after a moment Cross realized this guard was shorter than him. He didn't like that when Shep saluted, he had to peer down to salute back.

He hardly even registered that they were already moving off, not unlike the two before them had done, until he'd taken a few steps to follow this small royal guard.

"So, you're Z?" Shep asked him as they stopped a few halls away. This one was largely barren aside from a few servants. Along each wall hung a huge tapestry, woven out of heavy threads and hung by a long piece of metal along the top edge.

"Yes, sir." Cross responded shortly. Not giving himself a moment to stammer.

Shep looked at his quizzically, before he leaned forward and sniffed. Actually just sniffed at Cross. It was still a few inches away, they didn't make contact, but suddenly he worried he was stinky. He's bathed before hopping on the cart, and he hadn't been exercising much, surely-

"Ah, you're not from this Kingdom! Not originally, at least." Shep said then, leaning away just as quickly as he'd gotten close.

Cross blinked, and he was sure his skull didn't hide his shock as well as he'd hoped. "I can smell the pollen on you, newbie. We don't have those kinda plants in this kingdom." He explained, and Cross internally cursed himself. Would he have to run? Would he have to-

"You know, I'm not from this kingdom either, I was born to the west." Shep admitted then, easily, using a paw to gesture loosely at the space between them, "I bet we'll get along just fine, newbie. C'mon. I'll show you around your route."

Cross didn't even get a spare second to defend himself, or puzzle at why a foreign monster would choose to come here. Shep was already on his way, back turned and hurrying down the hall at a brisk pace.

"As far as I know You're gonna be taking over my old route, inner portion of the castle." Cross listened, but orders were his second nature. As they walked, he eyed the tapestries hung along the wall. Long and intense, and yet, there was a moment where Cross could see the colors were more faded and worn.

"You'll mostly just be patrolling, watching out for anything out of the ordinary, waiting to see if you're needed for any specific duties." The images showed monsters, humans, monsters again. Depictions of complex circles and red splashes dripping from weapons and hands. And he noticed a trend, eventually. These must've been the previous rulers. The past Kings.

"Your patrols will be alone, the rooms in the hall aren't too important, and it's mostly servants that pass through that way." Cross almost lost his rhythm as they drew to the end of the tapestry, though the hall kept moving. There on the tapestry was a depiction of two little skeletons, one which seemed strikingly similar to Prince Dream, even in his adulthood. Beyond, the tapestry simply stopped. It was odd that King Nightmare hadn't bothered to get it finished with his own visage. Maybe his puppetmaster was waiting to put himself there instead?

"Still important, anyways. The servants halls are the easiest ways in and out of the castle, so we can't slack off." They turned a corner, and Cross pried his eyes away from the tapestry and back before him.

They passed a few more halls, before Shep stopped dead in his tracks, and Cross reacted quickly, spotting the way he peaked around the next corner.

Across the way, Cross spotted that they'd run into another pair who had also stopped. Only when Shep saluted did Cross think to follow his lead.

From the hall he couldn't see, emerged a figure.

Cross kept his eyelights to the ground, but the steps, the shoes, the heavy cape, and especially the dark and slimey tendrils which snaked along in his wake? That was the King. The one Dream had been so particular about not running into at all.

Two sets of feet followed him. Closely. He didn't have to look up to recognize that they must've been Knights. The easy weight of their steps, how close they stuck behind the king, the weight of the one's magic? Surely. He didn't risk a glance until after Shep lifted his head again. Cross only caught a glimpse of a tiger mask turning another corner before the three figures were gone.

In the tense silence, Cross swore he could hear his soul beating. He wasn't sure if it was fear, or indignance, or something else, but he knew being so close to the King had not made him feel good. Dream had been right, something about that guy was wrong.

Shep glanced around, and his ear twitched, watching down the hall where they'd left to.

The group across from them was already moving, towards the hall Cross had just cone from.

"You know, you kids are lucky Newbie." Shep voiced then, eying up the human rookie who was passing by. "When I first joined the guard, the King cut my tail off to prove my loyalty."

He said it so easily that Cross was speechless. What did he mean? Was. His tail was docked, but...

"What?!" The panicked whisper came from the passing humans who had obviously been eavesdropping. He expressed the concern coating Cross's soul and freezing him in place.

"Yep. I heard he used it as a cat toy for the strays." Shep confirmed loosely.

"Shep." Came the snap of his name from the other trained guard, though they didn't move to deny his claim.

Cross hadn't heard anything about that from Dream. Of course, he also hadn't heard about this introduction process either. He was flying blindly here, and suddenly he feared for his limbs.

Shep simply shrugged and kept moving forward. Cross wanted, badly, to excuse himself right this moment and go back and claim he couldn't do it. But he was here now, and he had a Prince to help. And a whole lot of people relying on him to prevent more tragedies.

The training wasn't hard. Shep stood with him, made small-talk, told him all the tricks to ensure he knew when someone would switch off with him, and then they had lunch.

He hated to admit it, but the food was delicious. He hadn't had something so filling in... maybe ever. He couldn't put his finger on it, not quite, but for monster food, it felt solid. Warmer. He felt less hungry after, and a part of him wondered if that was how they did it. The mind control. Was it the food?

But, no, surely not. He was still set on his mission when he went right back to his rounds. The food was just... strangely good.

The rest of the rounds were easy. Simple. And there was at least an hour after where Shep willingly guided him through the rest of the building. At least, anywhere he could.

Cross noticed, once, that Shep broke a rule. He ducked into the kitchen. Returned to a surprised Cross with two pieces of bread and handed one to Cross before tearing into his own. Apparently, from what Shep said, the main kitchen wasn't off-limits. Not really. Just the private one.

He didn't ask about the difference, he wouldn't need to know, after all. He doubted plans of attack were stached in the cupboards of a pantry.

And just as swiftly as it had begun, it ended. Shep said he'd be around the training grounds tomorrow if Cross needed him, and released him to dinner. After Dinner, Cross went back to the barracks.

Many of the rookies were talking all about their routes, others complaining that they had gotten cleaning duties for being the last out of the barracks that morning. They'd start training tomorrow. Cross tried not to contribute much, but he liked listening in. Understanding more about the place. The people.

It sounded like the King had crossed quite a few of their paths as well, and they didn't seem happy about it. Discussing in hushed tones how weird the King was compared to the last. Dark, secretive, hardly even a ruler. Cruel. He heard the human from before shamelessly telling Shep's tail misfortune to the gathered group, who all seemed to be riled up by it, exchanging other horrible speculations.

He needed to get this information. He just... he couldn't do anything until the others were asleep. So. Morning it would be.

.

Cross was a coward.

He knew as much, deep down somewhere, but as he woke up early again, he thought through his plan. He didn't know where he'd find any of this information he needed, he didn't know anything beyond his own route. He didn't even know what he'd be finding. He'd know when he found it, he was sure, but the last thing he wanted to do was get caught

He should've excused himself during dinner to go search around, or chosen a buddy to go wandering with. Shep had told him some things, he knew the room where the Knights trained was the indoor room, and he knew some areas no one went to. He knew the hall where the Knights and King stayed, Cross found it interesting they all stayed nearby, and he'd promised himself he'd avoid the space like the plague. He knew so much, and so little, all at once.

And he waited, thinking, so long that he... he just got up as the others did. Moved to his station to rotate shifts with the night guards. He just... did his duties again.

Well, they weren't his duties. He had no obligation to be here, not really. But the Prince had told him a week. A week and a half. That would make the most sense for an in and out. So, he wanted to respect that. And he had orders now to act out. Surely if he slacked off it'd be noticed, right? Yeah. He'd just slip away before dinner and say he went to train a bit more. Peak into some doorways. No biggy. Surely.

He worried about what he'd do to pick up a slack he hadn't even lost, all day. All through his rounds. If he showed it, his replacement at his last post said nothing, and waved him off.

Cross wanted so desperately to go searching. But. Before he could pass by the hall which would lead to the mess hall for the servants and guard? He glimpsed them from down the adjoining hall.

Two of the Knights.

One with a hood obscuring his face, casting a heavy shadow over everything, his eyelights a dull white. Though he didn't see a mask at first glance, Cross had to make some assumptions based on the one beside him that they were both Knights.

The other had on leather training armor, and a tiger's mask, red ribbons hanging from it, swaying with weight. He could see the skeleton's grin peaking from beneath the mask, and noticed how the tiger draped an arm over the other and laughed.

Cross didn't even give them a second to notice him, swiftly stepping out of the corridor and towards the dining halls after all. He didn't want to get in the way. He didn't want to be on their radar.

He needed to know when they trained. When they'd all be occupied so he wouldn't have to worry about them catching him off-guard.

Off guard. Ink would be having a hayday with that one if he'd made that joke back at camp.

Cross just kept moving forward, ducking into the dining space before the Knights even reached that hall.

.

Three days. It took him 6 whole days to learn more. To learn where the information might be. To learn where the Knights usually were at any given time. To learn how to navigate the place better. To not worry about getting caught.

He'd gone back to Shep one day, to test if he'd be told to go off the dinner or if he'd be sought out. He was not, so he had his proof that no one cared so long as he was doing his rounds.

He'd sat and talked. Asked about the Knights. (Shep had little to say that Cross didn't already know). Asked about training. (Shep said he was always out here now, running routines.) Asked about the king.

And Shep was interested about him asking on the King. Cross almost fumbled, but said he'd heard a lot of rumors. Shep had been here a while. What was true?

And Shep told him stories. In a low voice. Of the King breaking spines, of throwing objects with his tendrils, of sentencing folks to death over minor transgressions. Of his ruthless rule and cruel first. How he brought in servants and guards by force. Ripping them from their homes. How the king would declare traitors and have them hung.

Eventually, Cross asked him to stop. He'd heard enough.

Some of those things he'd heard from Dream, or the folks back at that encampment. Others were new. Insider information. Things he'd never dreamed of.

It was informational, and Cross decided that he'd keep learning more, until he was sure he had the perfect moment to strike.

.

He wasn't the smartest, okay?

Cross had done his rounds, and the moment he was done, he scurried off towards his destination.

He paid no mind to servants or guards, and used a servant's hall to arrive in the location he needed. The hall where the King's Study was located.

Yesterday he'd investigated the war room. Entering and closing the doors behind him, the room had been a mess of papers and figures and notes. The maps of each neighboring kingdom alone were strewn on walls, like the ravings of a mad-man. None of them had plans of attack, though. The light from his eyelights had been enough to illuminate each one as he approached. Every single one was a new defensive plan. Ways to deploy troops if they were attacked. Not one seemed unprovoked which was... strange.

Cross was almost unable to find any sign of the King's next route of action for his destructive feats, so he was resigned to search the study tomorrow. His only solace was that exiting the War Room had only been met with a servant a ways down the hall, and a cat pacing by, paying him no mind.

The cats in this place were many. Cross had never seen so many cats in one place, and when he'd asked at dinner, it seemed that everyone thought they belonged to the Head of House, Ccino.

It would make sense, Cross had seen the embroidery along his apron, plenty of paws and cat-like figures along the hemlines, between the branch and tree motif the entire building seemed set on holding tight to. But, it amazed him that there would be so many, allowed to run free. The King must've been very lenient with his Head of House, to allow so many creatures free-roam.

...then again, the Knights wore masks decorated with Big Cats. Cross had finally caught a glimpse of the Lion, out on the lawn while he was talking to Shep. He carried an Axe twice the size of Cross' torso, and he seemed to wield it with hardly any problem. Cross just hoped the little beasts weren't being sacrificed. He'd heard about the barbaric practices from Ink once when he had his head on straight. He hadn't had the guts to bring it up to the Prince. Or Shep. Fearing the answer.

And so, now, he moved for the study. When he knew no one would be around, when no one would see him or bother him. He could dig through the information, tuck it away in his ribcage, and get out of dodge.

It was mid-day. Apparently the Knights tended to have training about now, and the King always supervised. So the forbidden hall, as the others called it, was dead and silent.

It wasn't hard to determine which door was the study, the door was carved carefully with a beautiful tree, and the handle was a shining gold, as though it got less use than the other rooms. He tested the handle, it moved, and he slipped inside.

Of course it wouldn't be locked. Who would have the guts to go snooping around in the private spaces of murderous tyrant kings? Well. Cross would, but that was besides the point.

The inside was lit by a few stray candles, and Cross tried not to marvel at the luxury of the room. Everything was carved out of dark wood, with golden fabric lacing the cushions of lounge seats and the curtains which covered the windows. It was darker, used, but still gorgeous. The daylight filtered in through an open window, giving it a warm ambience. Cross didn't know how a room used by such an unpleasant man would be so calm and soft.

There was a case along one wall, large and long. Hung inside were masks of all different shapes and styles. Some were decorated with swirls and gems, but most resembled animals. A crane, a swan, a horse, a sheep, a hawk, a wolf, they all stared out at him with blank, empty, sockets. He wondered if these were used or not, but they seemed untouched.

And beside that case, in the far corner, sat a heavy desk, with bookshelves filled to the brim tucked just behind it.

The desk was heavy, and it looked to be covered with papers, letter drafts, just a quick glance over the contents told Cross this was just what he needed.

He stood behind the desk, unable to stop himself from lifting the papers up into his hands. From here he could see the door, as well. He'd know if someone was coming.

The first paper he looked at seemed to be the draft of a letter, addressed to someone by the name of Crop. The handwriting was beautiful, and Cross was lucky Ink knew how to write in so many dialects, or he'd have trouble deciphering exactly what this was saying. The cursive was precise. And... it seemed a half-finished letter asking about plants. The state of a harvest? No, that's strange.

Cross lifted the few pages which had been tucked beneath the first, confused. These ones seemed to be written in a much more unsure writing, but they held what he could only call sketches. Showing clouds and plants and... fields? Cross wasn't familiar with farming, but he could recognize a field anywhere. The paper had a few words underlined and circled, and they seemed to be later additions, added overtop by someone else. The words seemed to be mentioned again in the letter draft? It was completely innocuous. If this was the King's letter, he was just asking about the wellbeing of a farmer's harvest. Asking about improvements.

He moved them hastily into a stack and set them aside, reaching for the next haphazard bundle of paper. That couldn't have been right.

The next piece he scooped up was in that same pretty cursive, but this time it wasn't a letter. Instead it was some sort of list. Locations, some crossed off, and some untouched. Was this what he was searching for? Surely this was it.

He moved to grab the next page that had been beneath it. It held more context, it seemed. Notes scribbled down about how these towns needed changes. Action. Cross looked to the first crossed-off name, one he recognized from one of the woman at Dream's encampment.

The paper read of a faulty justice system, a lawman who needed to be checked up on for counts of bribery and false accusations. She'd said the Knight, the tiger, had arrived and asked for their head of city guard, the one who enforced rules and kept peace in their small village. Two days later he was killed, replaced by someone the King installed, and he started jailing innocent folks.

Cross looked to the next one, a pass where travel had been haunted by the royal guard. He'd been told they'd done it to halt people from mining in the area, a crop of wealth the King wanted to hoard. But this said that it was a mountain pass with frequent and dangerous rocks lines thanks to a sudden increase in storms since his rule. Notes reminding of supplies, and pay, and signs. Signs.

The next was not crossed off. An issue of bandits ransacked the town when people would enter or exit. Notes in messier scrawl seemed to pose solutions. Ideas. One that was circled said 'Send Horror, Autumn'. It was nearing the end of summer now.

This did seem to be the list that Dream had suggested existed, my twin is organized, he'll have a list with extensive notes, but he'd said nothing about the way the list wouldn't actually contain anything incriminating.

He skimmed again, but it seemed like nothing harmful. One lower down even acknowledged a damage caused during some sort of raid and to divert funds to someone. A random shopkeep in an outer city. This didn't add up at all.

He folded the paper silently and stuffed it into his armor, but kept looking. No doubt there would be something else. One of the lower pieces, something hidden away.

But the papers atop the desk seemed just as helpful in nature. Even ones like drafted decrees or laws to impose later were not unreasonable. One even seemed to propose a ban on child labor. What kind of tyrant would pass up a chance for easy workers?

Digging through the drawers revealed nothing more, just an impressive collection of quills, ink, and more books it seemed didn't fit on the shelves behind him. He wouldn't find anything more useful than these documents, he was sure. He... he just hoped the Prince would be able to see whatever evil Cross was obviously missing here. He scooped up another piece, one of the decrees, and then the letter draft to that Crop. Maybe they could speak to him? No, the planning was up to Dream. He was just here to get the information and go.

And now that he had it...

Cross sighed a bit, he couldn't understand why these were the things in here. In this innermost sanctum where only the trusted went. Everyone feared this King so much, Dream claimed he and his master were such a threat. And yet all Cross could find was a record of damages, and a plan to enact damage control. It...

"Having some trouble finding the dirt?"

Cross felt his entire soul freeze up as the voice cut through the silent room. It was quiet, and deep, and a bit gravelly. He didn't recognize it, but that didn't matter, because he knew he had been alone.

Almost all at once, a wave of presence crashed over his awareness. That damp static that had passed by once in the hall. Trailing the King. He didn't have to look up to know it was one of the Knights somewhere before him.

"Our King isn't usually one to make a mess." The voice said again, calmly.

Cross dragged his eyelights up, hands tentatively hovering at his sides. There, sat comfortably on one of the chairs, was the hooded one. Dust, Shep had told him.

Now, despite the shadow cast by his hood, Cross could see the faint details of his panther mask, black and hidden away in the darkness of his cover. He seemed entirely at-ease, not a care in the world, watching Cross. If his soul hadn't been sinking into his gut, Cross would've even thought Dust found the situation humorous.

He steeled himself, watching. Could he try and bluff his way out of this? Somehow? How long had Dust been there? How much had he seen?

"Any chance you'd believe I was looking for a good book?" Cross asked, though the bold humor he'd attempted to channel in the way Ink had done so many times before fell flat. Maybe his growing panic was clouding his mind, or maybe he'd never been much of a comedian.

Dust just stared at him, tilting his head a bit. By the way his eyelights changed shape, Cross imagined his sockets had drooped to give an unamused stare. Not a great sign.

"Are you going to try and run, or can I catch a break today?" Dust just asked across the room.

Mm. Cross didn't have much of a choice here anymore. Dream had told him, drilled it into his skull, not to get caught. Especially not by the Knights. They'd torture him. Kill him. The stories of what they did to traitors... Cross couldn't let this knight get hold of him. Couldn't be trapped. He had to get out of here.

He promised Ink he'd be back.

With that thought, his sword summoned to his hand in a flash. It was big, and bulky, and not the best for an indoor fight, but he'd make due. He just needed to get away from this guy. That was all.

His summons was clearly a declaration of intent, because he heard Dust scoff over the rush of adrenaline running through him and roaring through his ears. All at once, the electric charge in the room seemed to up itself. Bones, blue, cracked downwards from the rafters and planted themselves sturdy before the door and the window. His two possible exits. Dust stood up and stretched his arms before him.

"Alright, let's get this over with." Dust voiced, then.

Cross nearly let his guard down in the first moment. He felt a charge of energy coming from his side, and narrowly vaulted over the desk to avoid the spiked and jagged bones which rose where his feet had just been planted.

Momentum carried him now, and his sword was already poised for attack before his mind quick processed it. He slashed at Dust, growing rapidly closer. Hid swing was met with pure white bones that stopped his swing, just enough for Dust to avoid the hit with a split second to spare.

He was quiet, as they fought. As Cross lunged and spun and threw himself forward with grunts of exertion. It was unsettling, how the only noises were the cracks of his magic ripping into existence or Cross's sword cracking them to pieces like a lumberjack's axe.

He kept his attention on Dust. The magic had a pattern. The room was buzzing ambiently, and right before an attack it was like being too close to a fire. Just briefly. Cross barely managed to avoid spearing his ankle thanks to the crackle. He wished he could be a bit faster, though. Cross couldn't feel where an attack was aiming like he normally could. Dust gave no indications as to where an attack would be channeling either, almost like he wasn't controlling them at all. He didn't like it, it was unpredictable, and was wearing him down fast.

Dust kept dodging his swings, no matter how fast he moved, and eventually Cross stumbled. His shoulder connected with one of the random jutting bones. Dust stepped back just before it pierced upwards, and Cross grunted in distress as it drove him back a step as to not get impaled.

That was apparently his mistake. The moment he wasn't close to Dust, bones seemed to crop up all around him, gutting at different angles, just barely piercing the bone, little cracks forming with the force. Cross could feel each one jab a bit deeper than the last. Each time he reversed to get away from one or break away an incoming volley, another would arrive behind him at a new angle.

He hated that Dust stood back. Watched. The only sign that he had even broken a sweat was a slight heaviness to the up and down of his shoulders, and while Cross hadn't lost much HP yet, he was starting to feel the exhaustion creep closer, and each little wound and crack seemed to be draining him. Was this the strategy? Play with him like a living pin-cushion? Was this it's own sort of-

Cross shifted his stance and unsummoned his weapon as he jumped up and out of the quickly growing ring of spikes. He had to act fast. He had to get out of here.

He grumbled a bit under his breath, he didn't like trying to do this, but...

The moment his feet landed, Cross summoned up his other piece of magic. The part his father had embedded into his soul early on in his life which made him so powerful. He was sure his normally white eyelight changed shape in the split second it happened. Red, bright red.

It only took a moment, a tug at the very being, hidden away in the Knight's chest. For a split second, he could feel the control of foreign magic slip into his own hands.

For a moment, it worked just as he knew it would. His fist trembled under the effort, keeping an eye on Dust as the other seemed to stare at him. The bones he'd summoned all seemed to sink away at once, recalled faster than Cross could've hoped. Dust seemed to feel his magic stop responding to him.

Cross just needed to get the Knight downed. Not dead. He just needed out.

He shifted stiffly. One, concentrated blast of bones at the Knight. He seemed like he didn't want to risk taking any damage. That was all Cross needed then. Some damage. And he'd be free to escape back to the camp. Away from these weird monsters with their weird magic.

He let his palm open, directing the force like he'd done so many times, channeling another monster's magic against them. Controlling it against their will.

The feeling of electricity rose again. It spiked. It. It gathered in his hand, that burning feeling he felt when an attack had been about to hit him.

What?

It was too late to recall the intent once he'd released it. The moment he tried to command the magic, he felt it all roll back over him. Bones meant to be aimed at their owner came jolting straight at his front. And though he stumbled back, he couldn't escape the searing pain of a fire too hot to process escaping his bones and immediately rushing up his arm, into his chest, down to his feet.

He had to imagine, with the loud sound like a cracking whip, that that was what being struck by lightning felt like. Molten metal in your veins.

Cross laid sprawled, dazed, on the floor as his control magic puttered out. It hurt to breathe. To see. To exit. He was half-convinced his arm was completely splintered apart after the pulse of raw magic that had filtered through it, but he didn't bother to look.

His soul begged him to move, to get up and run again, but darkness danced in his vision as he stared up at the ceiling. He failed his mission.

He hated to see as the Knight rounded into view, standing cautiously over where he was laid. Floored by the backfire of his power. If the knight said anything, he couldn't hear over the loud ringing invading his head.

Though, instead of stabbing him through like Cross had expected, the knight seemed to duck down. A cool feeling encased Cross' wrists (so the other hadn't broken apart) and his soul suddenly felt exhausted. He felt exhausted.

No matter how much he wanted to stay awake, to escape, he lost this fight fair and square.

[drdemonprince]

thanks for saying what you have about covert incest. I have this memory of my dad that I won't even type out cuz it's just horrible and I haven't been able to determine if it actually happened or if it's a memory of a dream I had but part of me thinks the former cuz I don't think I could've imagined something so horrible. and he died recently and I was determined to find some kind of physical evidence that it really happened but when my mom was moving she got rid of most of his stuff before I got there and I've been so pissed about it but not able to tell her or anyone why and it just reinforces my upset toward her cuz if it really happened then she didn't protect me and goes out of her way to protect him instead but in reading your posts I'm starting to think that whether it actually happened or not doesn't matter, the feelings are there and they're real and I ought to just treat it as though it really happened. anyway sorry to be vague, this has just been a huge weight on me and I feel like finding your blog on here has been such a blessing, especially cuz this has been weighing on me even more lately cuz I've been identifying as a butch lesbian for awhile but have been wondering if I'm actually a bi trans man and have been wanting to explore sexual experiences with queer men to find out if I'd enjoy it but have been really cautious about it and haven't really tried anything yet cuz I'm scared of what it might bring up in me and I'm autistic too so the whole dating and hookup thing is scary to me even without this memory shit and idk if queer men would be interested in me anyway. but yeah I'm gonna explore those resources you shared when I'm ready and I just wanted you to know you're making a difference even through sharing your experiences on your tumblr blog. and also just wanted to confess all this to somebody so thank you for that too

<3 thanks Anon.

Your feelings and traumatized reactions are real, and your vague sense of a memory almost certainly signals that Something was not Right in the dynamic with your father, and you can stand by that and care for yourself as someone whose boundaries have been trammeled upon even if you never get to know the exact facts of what happened. So much of childhood disappears down the memory hole, and there is no easy accounting for it, but as a therapist once wisely said to me, if a person has a fracture that's consistent with a violent attack, you can often see the effects and care for them even if you can't know exactly what happened there.

I'm glad you're feeling open to the idea of exploring your own sexuality and gender identity, too. There are absolutely queer men, both trans and cis, who will be interested in you, and you can move at the pace that works for you. Remember there are no rules to queer sexuality, that's the whole point -- so you never have to try anything you don't want to do. You can have a rich, fulfilling sex life with men that never involves PIV, if you aren't interested in that, or that is completely dependent upon a kink dynamic that isn't directly sexual. or you can just put yourself on the grindr grid and find some guy who wants to give you a massage or eat you out all day. There's so many kinds of very eager people out there, and so you can be as selective and as firm in your boundaries and vetting as you need to be! There's every kind of person out there. I have some guy in my Fetlife DMs right now who only wants to shave my body; another who only wants to jerk off while watching me smell leather. The world is abundant with funny little opportunities.

[quinnverse]

"Have you lost function of your eyelids, too? Just close them, you imbecile!" She spat, resisting the urge to toss one of the pillows on her bed at him. For such a seemingly smart man, he had a knack for being dense, and primarily around her. If she wasn't in such a compromising position, she might've relished in the fact that she unnerved him so much. Throwing a man off-kilter was a win to some degree, but not when it meant he wandered into her bedchamber unannounced.

I'm not the one who left my damned door unlocked! Her fingers curled into fists as the temptation to hurl something larger at him swelled in side her.

“Oh, forgive me for leaving my own damn bedroom door unlocked in my own damn house!" Forgetting herself for a second, Emma allowed her voice to rise until she heard the timbre echo within the walls of her room. When this day was over, she would make sure her father knew his time needed to be up soon. She couldn't tolerate sharing a roof with John Bolton any longer.

Such thoughts had been plaguing her enough over the past few days that she'd even gone ahead and penned a letter to her cousins, to tell them she might be visiting again sooner rather than later. Her aunt wouldn't mind, not when Emma's presence usually managed to keep both Ned and Belle in check--somewhat. Emma hadn't gotten around to sending it yet, the mere presence of the letter laying flatly on her writing desk was enough to quell the irritation for now.

But that had been before he'd traipsed into her room while she was changing. Before he had kissed her in the barn, and gotten upset with her for flirting with his friend. Their embarrassing encounters only seemed to multiply by the day and she found herself wishing for a messenger pigeon or anything to deliver her message across the pond as quickly as possible. She couldn't stand being around him any longer.

“I did not ask you to kiss me, you swine. There was no invitation.” She grumbled. There had certainly been a hope, but no invitation. Even so, she hadn't pushed him away quite quickly enough to hide her enjoyment of it. If she hadn't come to her senses when she did, Emma couldn't be sure how far she would've let him go before she realized the severity of the situation. Especially when he was confessing things to her that no average woman should hear, let alone want to hear. But Emma never claimed to be a normal woman. "Besides, we both know I, of all people, would not be so quick to consider you an intellectual."

After a moment, she let out a frustrated groan. It would be easier to grab her dirtied chemise off the floor just to save her pride, but Emma knew it would never be that easy. He had already embarrassed her and she wasn't about to let him get away unscathed. Even if it was at the cost of her own sanity, she'd make him pay for this.

“My wardrobe…” She began, her arms clutching tighter around her torso. “It’s by the door. Your eyes clearly aren’t in working order so I wouldn’t expect you to notice. But…” She couldn’t believe this was happening, that this was the way she was going about things. At this point, she'd be better off inviting him into her bed instead of tormenting the both of them, but she pressed on.

“May you please fetch a chemise for me? Or anything, really. A damned blanket would suffice right now.” She waited until he turned away again, watching him like she were a cornered animal and he were the enemy. Before she could think better of it, she felt her lips open and a childish mumble tumbled out.

“You could at least pretend you came for something more. It would, at the very least, make the embarrassment would be worth something.”

“But I suppose this makes us even. Truly even. I’ve seen you without a shirt and now, begrudgingly, you’ve seen me without one. Both circumstances, might I remind you, were your doing. For someone who refuses invitations so adamantly, you're certainly determined to have one of us give in to temptation. It's like you’re trying to make me seem like a harlot.”

Emma's seething request to shut the door took Benjamin off-guard, and glancing over his shoulder, he sucked a breath once he noted the blatant view of the hall. How in God's name had he forgotten the bloody door?!

"I...I-I can't get up without seeing you!" he bit back, concerned she might immediately start lobbing projectiles at him again. Nevertheless, with an awkward shuffle, he remained on his hands and knees and skittered back toward the door, his right leg extending before he nudged it shut.

“What the devils is wrong with you?” Emma snarled.

Still refusing to lift his head, lest he see what she was so clearly trying to conceal, Benjamin growled toward the floorboards, "Me? I'm not the one who left my damned door unlocked! I thought this was my bedroom!"

Emma remained unconvinced. “Was accosting me in the barn not enough for you? Now you have to invade my bedroom while I’m undressing?”

He scoffed, lifting his head enough to see her fiery gaze. "You did not seem accosted in that barn," he volleyed. "Most intellectuals would call what you gave an invitation."

That seemed to jolt through Emma akin to a livewire. She balled her fists and snarled, “If you’re here to take up my previous offer, I regret to inform you that the invitation has since expired. And I would’ve at the very least appreciated a bloody knock. A few moments later and you would've bore witness to far more than you deserve.”

"I told you: I thought this was my room!" Benjamin exclaimed, exasperated. "And I am not here for your so-called offer, so you can get off your bloody high horse! Is the fact I'm on my hands and knees not proof enough?"

Wishing she would grab her damnable chemise -- why did she persist in remaining half-dressed?! -- Benjamin ducked his face down into his palms and groaned. "If you would just re-clothe yourself, I could get up and leave," he coolly reminded her. "You're making this far more difficult than it has to be -- I didn't come here for you!"

He'd certainly wound up in the wrong room because of her, absolutely -- he was wholly frazzled after their afternoon gone wrong, and he was embarrassed from his lewd confession in the barn -- so much so that he'd somehow walked right past his own quarters, and stumbled into the proverbial lion's den.

"I don't care if you believe me," Benjamin spoke again. "And although I did not behave as a gentleman this afternoon, that doesn't mean I haven't come to my senses now!"

He certainly wouldn't be making this mistake again any time soon...

[covertblizzard]

jaykyle au where they're theatre kids in the same school but they're not the actors jason's the scriptwriter/director and kyle is the prop manager (i don't know the official terms sorry) and they'd probably do an amazing job on the backstage setting if they could stop arguing for 5 whole seconds about their artistic visions and ideas and how "this would obviously work better this way"

[not-your-bro]

THE WITCHER 3: BLOOD & WINE ribbon ending vs. prison ending

[willowser]

for the spicy asks ✨bakugou and worked up? 👀 because i think once y’all actually get going he’s all systems go, he’s never been one to hold back in any other area of his life so why would he be restrained here? but at the same time i just KNOW he has to work himself up to actually initiate anything w/ you, he’s so nervous!!! that boy is an Overthinker!!!

lil whimsy 🥹🩷✨️ how sweet 🩷✨️

worked up : what is your f/o like when turned on ? are they desperate, tense, barely restrained ? how do they handle it ?

YEESSSSS omg exactly !! he IS an overthinker 🥺 i think when he's turned on, katsuki is kinda....hover-y....if he's in the office and i'm in the kitchen, he'll mosey in every now and again to see what i'm doing....and then mosey back out when he thinks he doesnt want to interrupt me LOL bc he hates feeling driven by his dick !! LMAOOO truthfully i wouldn't mind hehehe but !! he is how he is !!! and even when he's not home or we're not together, he'll send out a text or something, get brave enough behind a screen to send a lil 🩷 or a "love you" 🥺🥺 he wants me to think about him !!! wants me to know he's thinking of me !!! 🥺

for the most part, he's pretty restrained, and i think he kind of feels like. is it selfish of me to want to interrupt what you're doing just because of what i want ?? but you're right that once he gets going, all bets are off !! that's when it becomes obvious how long he's been kind of holding back, bc clothes start coming off pretty fast and he's near dragging me across the house back to the bedroom LOL

spicy/nsfw self ship asks 💐

[canmom]

This an interesting angle. I've never been particularly taken with trying to determine True Art from False Art on the basis of specific qualities of the piece.

(I did ok-ish but not exceptionally on the AI art quiz, probably with a slight bias for misattributing human pieces as AI ones - like many other respondees, I found the Impressionist pieces hardest to distinguish, since they very much play to the AI's strengths.)

There are many different ways you could describe "art" as a human activity, I'm sure there's a post somewhere where I make a list, but a really big one is its communicative function - one purpose of art is to somehow pass on some aspect of our 'inner world' to another person, through a lossy and limited channel.

That a signal can be easily imitated doesn't mean it doesn't carry contextual information. For example, I could ask a yes/no question of enormous emotional importance - "should I take the shot", "has the baby been born", "will you go out with me", "am I a good girl" - and be answered with either "yes" or "no". It would be trivial to generate a machine which randomly substitutes for this communication - that's basically all a magic eight-ball is.

The amount of information that can be contained in an image of a given size and colour depth can also be calculated. For example, the number of fullscreen images that would fill my current monitor at 8 bits per channel would be 2^(3440 × 1440 × 24) ≈ 3 × 10^35788372 - about 15 megabytes uncompressed. It's a number that seems astronomically huge, though effectively the amount of information is much less than you'd calculate since all the likely pixels are correlated. The same goes for other art forms, like novels (encoded as, say, UTF-8 strings or PDFs) or pieces of music (encoded as sound files, MIDI, MuseScore files, etc.). The exact number is complicated, you end up getting into Kolmogorov complexity and shit like that, but the point is that it's finite.

If we want to claim that all the information about a human life that Hofstadter describes (grief, despair etc.) is in there somehow, we're claiming that this finitely many bits is adequate to capture all the nuances of a human life. I don't know that that's true!

This, however, doesn't really seem to align with how we interact with art. Human production and exchange of "art" is a social act - I would describe it as being continuous with "play". When we observe a piece, we are opening a communications channel - at least a one-way channel. The person on the other side sends some information into the channel, and we process it somehow.

Since it is a lossy channel with limited information, we must infer various things about the other mind on the opposite side of it. If I show you an artwork that I made, we might have a conversation about how I did it, why I made the choices I did. If I feel something looking at the work, I might imagine that you felt something similar, and designed the piece to evoke it intentionally (a guess that will often be wrong but sometimes still productive). I might also look at what specific choices you have made, compare them to the choices others have made in the same medium, etc etc.

We form these inferences on the basis of experience - the more you learn about making art, the more you learn to appreciate other peoples' art and vice versa. And we project these experiences, usually plausibly, onto other artists.

(Perhaps I am saying all art is in a sense performance art? Seems like a tasty soundbite, though I'm not fully sure I wanna commit to it.)

I'm not meaning to claim that a computer couldn't simulate this kind of 'how did you make it' interaction too. This line of argument was anticipated by Turing in his original 1950 paper on the 'imitation game' that someone links in the comments above, where he describes a poet undergoing a viva voce test interrogating their word choices, and argues that a computer might be programmed to give convincing answers to such a test. I imagine he's right - for a paper written in 1950 he makes some surprisingly sharp predictions for how future AIs might be made, such as the idea that an AI could be built to be 'educated' like a child. (He also thought the evidence for ESP is 'overwhelming', but hey, can't win 'em all).

A lot of the context around art would be quite easy to forge, had you a mind to. For example, suppose I go to a film screening, and someone is introduced as the director so we can all clap them. Did they really direct it? I don't know! You could totally send an actor. Less conspiratorially, if someone says they made an artistic choice for x or y reason, they could be lying about it, or misremembering, or most likely oversimplifying a complex and inscrutable process down to a simpler story.

At some point you have to take something like that on trust, or else simply accept that being lied to about it is part of the game you're there to play! (c.f. Oshi no Ko.)

Anyway, the sudden arrival of a new process that can produce, at least sometimes, near-indistinguishable output to various types of communication, throws a spanner in the process. If we're feeling uncharitable, we could call it something like a DDOS attack, stuffing the channels with spurious inputs that don't fit our design assumptions. I think that goes too far, though. AI gen doesn't preclude communication, but it does need we need to think differently about what is being communicated.[1]

So to consider that last question, if art is like a game, could you train an AI art to produce art that is meaningful to humans only by 'playing against' itself, like AlphaGo Zero? I don't think this is so likely. The rules of Go are strict and well-defined; the rules of what humans find meaningful are inseparable from the history of interacting with other humans, which is why art constantly evolves. Training an AI on existing human artworks is training it to compress and interpolate/extrapolate that dataset; training it to optimise for "making novel art that expresses something in a form that its interlocutor could understand" requires it to be interacting with someone.

You could imagine a training process with an "artist" AI and a "critic" AI (a sort of more sophisticated GAN, where the adversary is optimising not to distinguish human/AI art but to judge it on aesthetic grounds) - but how would you get the "critic" AI? Whose taste would it express?

Admittedly, the developers of image generators are constantly refining their models in response to users, so they are being optimised to appeal to someone, not just interpolate existing artworks. But I think it would be very hard to remove humans from the equation entirely. And the present means of providing feedback to the AI are very crude.

For an AI to learn from interacting with other AI (and the world), I feel like you'd need a whole new process that isn't about minimising loss against input-output pairs. Romantically, I imagine it would be closer to how humans learn from life, but I don't really know what will 'work' in the end.

below: some other remarks that were excised from the main post.

[1] We can view AI image gen as another channel for communication between humans, with its own set of inferences to make. If someone shows me a picture they've generated with AI, there's no point asking why they painted this bit that way, but I might approach them more as a curator and ask why they chose this generation over others, or how they went about prompting it.

The AI artists who go to the trouble of finetuning their models with LoRAs for a specific end goal, or using more involved processes with multiple stages of generation, probably have most to 'say', either through the work they generate or how they'd discuss it. (I find it very endearing when someone trains an AI to serve up a hyperspecific fetish.) And the more I know about how AI images are generated, the more I can probably have a productive conversation.

In this light, the "problem" of AI is mostly one of deception, insofar as it tries to look like something else and thereby tell a misleading story. That's probably a big reason why why it brings the rancour it does, although it doesn't explain all of it. It's not (usually) a forgery of a specific human's work, but it is designed to forge spurious communications in this channel in general, so the channel is 'noisier' - and this could be thought to undermine many of the contexts, i.e. the operating narratives and social games, which are why we exchange art in the first place. Over time, we'll presumably end up renegotiating the 'games', and spawning new ones, as humans always have.

And of course, the issue of provenance and plagiarism in art - particularly when prestige and money get involved - long predates AI and is full of all sorts of bizarre contortions when you look at it closely.

More intriguing is whether there is some possibility for "real communication" between humans and AIs - that is, could there be an AI output that does respect the 'rules of the game' in some way. This is harder to imagine! Like, if you ask why we aren't solipsists, we could point to how much we resemble other humans and say, all things considered, seems very unlikely we aren't the same type of entity. But I only know 'what it's like to be' a human. Conversely, while I know a reasonable amount about how AIs work, the attention mechanism and latent-space vectors and so on (thanks 3blue1brown), the analogy isn't so clear anymore, so I don't even know how I'd determine whether there even is a 'what is it like to be' under all the 'noise' of communications aggressively optimised to fit the patterns of something a human might say. If there is, it's probably very alien to all of my experience.

Ironically I feel like the current model of 'AI', which teaches us to regard any generated output with suspicion of having 'nothing behind it', would make it harder for any 'real', agentive, subjective-experience-having AI to make itself known to us. But perhaps it's good that we're forced to sharpen our criteria of what we're looking for out of these things.

Anyway, all of this is probably just idle imaginings, because nobody can figure out how to make anything like enough money to justify the exorbitant costs of training and operating AIs, so at some point this whole speculative bubble will go up in smoke and whatever AIs continue to be in use will likely remain about as good as they are today, or stupider - at least until the next 'AI summer' when a new paradigm emerges.

Thinking about that that "slop accelerationism" post, and also Scott's AI art Turing test.

I also hope AI text- and image-generation will help shake us loose from cheap bad art. For example, the fact that you can now generate perfectly rendered anime girls at the click of button kindof suggests that there was never much content in those drawings. Though maybe we didn't really need AI for that insight? It feels very similar to that shift in fashion that rejected Bouguereau-style laboriously-rendered pretty girls in favor of more sketchy brush work.

But will we really be so lucky that only things that we already suspected was slop will prove valueless?

As usual with AI, Douglas Hofstadter already thought about this a long time ago, in an essay from 2001. Back in 1979 he had written

Will a computer program ever write beautiful music? Speculation: Yes, but not soon. Music is a language of emotions, and until programs have emotions as complex as ours, there is no way a program will write anything beautiful. There can be "forgeries"—shallow imitations of the syntax of earlier music—but despite what one might think at first, there is much more to musical expression than can be captured in syntactical rules. There will be no new kinds of beauty turned up for a long time by computer music-composing programs. Let me carry this thought a little further. To think—and I have heard this suggested—that we might soon be able to command a preprogrammed mass-produced mail-order twenty-dollar desk-model "music box" to bring forth from its sterile [sic!] circuitry pieces which Chopin or Bach might have written had they lived longer is a grotesque and shameful misestimation of the depth of the human spirit. A "program" which could produce music as they did would have to wander around the world on its own, fighting its way through the maze of life and feeling every moment of it. It would have to understand the joy and loneliness of a chilly night wind, the longing for a cherished hand, the inaccessibility of a distant town, the heartbreak and regeneration after a human death. It would have to have known resignation and world-weariness, grief and despair, determination and victory, piety and awe. In it would have had to commingle such opposites as hope and fear, anguish and jubilation, serenity and suspense. Part and parcel of it would have to be a sense of grace, humor, rhythm, a sense of the unexpected and of course an exquisite awareness of the magic of fresh creation. Therein, and therein only, lie the sources of meaning in music.

I think this is helpful in pinning down what we would have liked to be true. Because in 1995, somebody wrote a program that generates music by applying simple syntactic rules to combine patterns from existing pieces, and it sounded really good! (In fact, it passed a kind of AI turing test.) Oops!

The worry, then, is that we just found out that the computer has as complex emotions as us, and they aren't complex at all. It would be like adversarial examples for humans: the noise-like pattern added to the panda doesn't "represent" a gibbon, it's an artifact of the particular weights and topology of the image recognizer, and the resulting classification doesn't "mean" anything. Similarly, Arnulf Rainer wrote that when he reworked Wine-Crucifix, "the quality and truth of the picture only grew as it became darker and darker"—doesn't this sound a bit like gradient descent? Did he stumble on a pattern that triggers our "truth" detector, even though the pattern is merely a shallow stimulus made of copies of religious iconography that we imprinted on as kids?

One attempt to recover is to say Chopin really did write music based on the experience of fighting through the maze of life, and it's just that philistine consumers can't tell the difference between the real and the counterfeit. But this is not very helpful, it means that we were fooling ourselves, and the meaning that we imagined never existed.

More promising, maybe the program is a "plagiarism machine", which just copies the hard-won grief, despair, world-weariness &c that Chopin recorded? On it's own it's not impressive that a program can output an image indistinguishable from Gauguin's, I can write such a program in a single line:

print("https://commons.wikimedia.org/wiki/File:Gauguin,Paul-Still_Life_with_Profile_of_Laval-_Google_Art_Project.jpg")

I think this is the conclusion that Hofstadter leans towards: the value of Chopin and the other composers was to discover the "template" that can then be instantiated to make many beautiful music pieces. Kind of ironically, this seems to push us back to some very turn-of-the-20th-century notion of avant-garde art. Each particular painting that (say) Monet executed is of low value, and the actual valuable thing is the novel art style...

That view isn't falsified yet, but it feels precarious. You could have said that AlphaGo was merely a plagiarism machine that selected good moves from historical human games, except then AlphaGo Zero proved that the humans were superfluous after all. Surely a couple of years from now somebody might train an image model on a set of photographs and movies excluding paintings, and it might reinvent impressionism from first principles, and then where will we be? Better start prepare a fallback-philosophy now.

[quincyhorst]

Twitter for FFI: The flame-thrower incident

Inspired by this meme from @ // ffi-stuff-xcept-its-memes aka @ hqualcosa. I've always wanted to make something with it 🔥🔥🔥

Querida = Darling

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And here's another response to Fer's tweet......

"OF COURSE WE'LL DO THAT!!! WE'LL DECLARE THEM WAR!!! WE'LL DEFEND SPAIN!!!"

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