#trust me if they wanted to include queer characters they would have

[knightofmordred]

i know there's a whole merlin queerbait discourse which is not what im going to get into but i do find it interesting that a lot of people use the excuse that 'the bbc didn't want any gayness' or 'the 2000s were unaccepting of lgbt characters/stories' and of course that is true, but most of my memories of early british tv include lgbt characters or storylines.

SO many times i think about some of the shows i used to watch as a child and realise queer characters and stories were included, but i never paid much attention to it until im thinking back and it's like 'omg they had that in early 2000s?! that's insane but so cool.'

there was doctor who, torchwood, eastenders, skins, hollyoaks etc. and like the first three shows mentioned are considered 'family' shows. those are just some from the top of my head and im sure there were some niche cbbc related short series which had queer characters/storylines too.

it absolutely isn't wrong to say there was a lack of queerness on tv because of homophobia. without a doubt that's true, but at the same time it's annoying to see people imply there were no lgbt stories back then

[mr-ribbit]

something fascinating to me about egg discourse is how often tme people Also joke about or question their friends potential to be trans, and it's literally never talked about like this.

my cis and tme nb friends routinely joke about celebrities or characters that have big "nonbinary energy" or who otherwise exhibit behavior we would associate with ourselves. i have tme friends and acquaintances who have approached me or my wife and straightforwardly said "something seems trans about you, have I asked for your pronouns recently?"

similar friends have even talked about other still-cis friends in our circle this way, or joked about "when are you going to transition like the rest of us?" or "yeah cis people are a minority in this group, just give it time" or "no wonder you have queer friends with how comfortable with being gnc you are" or etc etc examples like that

even the actual examples of people in my life that I can think of as being the most "invasive" or presumptive about gender have been tme people:

it was my cishet friends who outed me and my wife as trans to everyone at their wedding, including their boomer parents and hundreds of strangers, and called it "the most queer wedding party ever"

it was my tme nb friend who kept saying they could "always tell" her transfem cousin was trans before she came out, and then proceeded to randomly give us extremely personal details about her bottom surgery

it was my transmasc friend who refused to call me and my wife anything other than "little enby beans" after we met and introduced us with our full genders+sexuality labels to every single person one by one at a party

it was my transmasc nb friend who kept insisting my wife could "still be nonbinary" when she was first considering identifying as a trans woman instead, and it was THAT idea that actually slowed her down from making changes to her life that she wanted

it was my cis friends who approached me arm and arm and cornered my outside of a bathroom at a party right after I took a piss to suddenly ask me what my pronouns were because they "heard something" at the party

like, transfems deserve robust support against this trash so a lot of our defensive discourse has ofc been about how it IS okay for transfems to talk about eggs and be jokey about it and non-invasively approach others about being trans

but i swear to god none of these weird people have even stopped to make their discourse ABOUT anyone BUT transfems. it's so clearly targeted!!

no one has EVER approached *me* as a tme nb person and suggested i was pressuring gnc people with my egg jokes. never. nothing even remotely similar. i joke about other people being trans all the time and no one has ever treated me the way you all are treating transfems over this issue.

important note: my examples are all things I recall as being invasive and awkward, and I'm sharing them to make a point about how often rude behavior comes from the same tme people pointing fingers over this. but I still don't think any of them are worth the crucifixion people are treating transfem egg discourse with.

even when my friends were weird to me in the above examples, my reaction was either to confront them about it as friends who I trust to be able to communicate with, or to cut those individuals off after they proved not worth a relationship in the long run. at no time did I desire to make a call-out post or spread rumors about them or publicly declare all of their gender as a screeching menace to society.

my point here is that even when I do think about moments where others crossed a line, acting like this is a "issue trans women have" is blatantly transmisogynistic garbage that only exists to serve the woman-hating machine at the heart of our society. fucking cut it out

[heliza24]

I want to talk a little bit about Daniel in the Interview with the Vampire show, because the new trailer material has me stuck thinking about him, and also I’ve never written about how meaningful he is as disabled character to me before.

I don’t see many people thinking about show!Daniel in these terms, but he’s a canon disabled character. And I think the way he is written is just SO good. The acerbic wit, his relationship to doctors and his medication, his rueful acceptance of the way his disability has changed him. It is all so correct!! It’s really incredibly rare to have not only a disabled character written this well but specifically a chronically ill character written this well. His illness is always present; it doesn’t get forgotten about by the story. It gives Daniel insight into the vampires (more on this in a min), but it also gives Louis and Armand leverage over him. When Louis triggers his Parkinson’s symptoms? Deeply not ok. But that’s what made it such a great scene, and really made Louis feel dangerous and threateningin that moment. Armand and Louis arranging Daniel’s meds is a sign of great care and also great power over Daniel. It’s the perfect way to communicate the complicated power dynamic in their relationship.

I also just fucking love that this show takes place in 2022 and doesn’t erase the pandemic. Covid is a very present concern for Daniel and I cannot describe how validating that is for me as someone who is clinically vulnerable to Covid and who has had to really limit my life and take a lot of precautions because everyone else has decided to stop caring whether they pass on Covid or not. The fact that Daniel gets on a plane to Dubai is a BIG DEAL. He’s risking his life to talk to Louis and Armand before he’s even in the room with them. He really wants to be there. I have to make a similar calculation every time I travel, and trust me, getting on that plane knowing getting sick could spiral you into even worse health or kill you is really hard.

I think making Daniel disabled and including the pandemic is kind of a genius level decision on a thematic level. Of course Daniel is now facing down his mortality, which gives him a whole new lens on the vampires and the fact that he once asked them to turn him. And the pandemic further highlights his fragility, and is also possibly being used as a cover for drama that’s happening in the vampire world. But I think it also really sets Daniel up as a foil to Louis.

There’s a lot of analysis of the vampire chronicles that reads vampirism as a metaphor for queerness. But I would actually propose that it’s a much neater parallel for disability and illness in a lot of ways. So many of Louis’s initial experiences after being turned resonated with me, as someone who became chronically ill in my 20s. My appetite and relationship to food completely changed, much like Louis. My relationship with the outdoors and the sun changed, because of dysautonomia and allergy reasons. I was very mad, and very depressed, and I too have missed out on birthday parties and big life events like Louis did because I was too sick to go. Hell, you can even say that the way that Louis is treated as evil by his family, that the way vampires literally can’t be a part of society during the day, is reminiscent of ableist exclusion and ugly laws. (Ugly laws were laws that forbid disabled people, especially those with visible differences, from being out in public, and they were on the books in many American municipalities until the 1970s.) You can look at Lestat being an out and proud vampire in the first few episodes on the season and imploring Louis to leave his shame behind as a queer thing, but you can also view it as a disabled thing. Disabled people are portrayed as monstrous so often (and in a way that has gone relatively unexamined compared to say, the queer coded villain trope) that sometimes it’s just easier to embrace that label: I’m the monstrous Crip, but at least I’m not ashamed of or disgusted by who I am anymore.

I do think the real strength of this adaptation is that while you can find parallels between queerness or disability or other forms of marginalization with vampirism, ultimately it’s not a one-to-one parallel. It speaks to the real world but ultimately it is a gothic horror story about supernatural monsters. So I don’t mean to say that vampirism directly equals disability, because it does not. But I do think that making Daniel disabled was an intentional choice to help draw out some of those parallels, and I think the text is richer for it.

So Louis and Daniel have had these kind of parallel experiences of uncontrollable and difficult things happening to their bodies. It sets them up perfectly as foils, and even, I would argue, as the A plot and B Plot protagonists. This is one of my favorite ways of kind of examining the structure of a TV show (or maybe it’s that most of my favorite shows seem to be structured this way?). When TV was all episodic, it would be common to refer to the A plot (mystery of the week), B plot (interpersonal drama happening as the mystery gets solved) and C plot (any overarching plot tying the season together) in an episode. Now that stuff is serialized, there’s often a main protagonist, who has the main dramatic question and the most agency, and then there is often a secondary B plot that explores similar themes and mirrors the A plot, or presents a second main character who is the ldifferent side of the same coin” to the main protagonist. (My favorite example of this is Flint and Max in Black Sails, and I’ve also made the argument that Wilhelm and Sara fit this pattern in Young Royals.) In IwtV, Louis is obviously the main protagonist of the show, especially in the A Plot, which is the stuff taking place in New Orleans/Paris. But I would argue that Daniel is the protagonist of the B Plot set in Dubai. At the very least they’re intentionally set up as mirrors of each other:

They are both unreliable narrators, who are struggling with the way memory contorts (through memory erasure, illness, deliberate obfuscations, and just the passage of time). The most recent teaser trailer, where we hear Louis saying “I don’t remember that��, with panic in his voice, further underlined this similarity between Louis and Daniel to me. I don’t know if it means that Louis has also had his memory tampered with, as I’m assuming Daniel has, but I do think it means that Louis is going to be struggling with feeling out of control of his own narrative more in season 2, a thing that was already starting for Daniel in season 1.

They are also both locked into power struggles with people more powerful than they are. The fact that Louis is under Lestat in the flashbacks and above Daniel in the Dubai scenes in terms of power/status makes it all the more interesting. And, if we want to go ahead and assume that the Devils Minion’s years have happened in the past by the time we get to Dubai— it’s possible that both Daniel and Louis are united in being the less powerful partner in their own respective fucked up gothic romances.

They’re also both the audience’s entry point into their respective stories. Louis’s narration guides us into the world of vampires. Daniel’s questioning satisfies our human curiosity in Dubai.

I think one of the things that makes the show so special is the way that these two protagonists interact. In a lot of shows the a plot and the b plot stay pretty separate. I love talking about Black Sails for this because I think it’s such a good example; Flint and Max never exchange dialogue the entire show, even though they’re so clearly affecting each other the whole time. But the way that Louis and Daniel clash in Dubai is so exciting. We see them both wrestling for control of the narrative. It’s thrilling to watch and it just hammers home the theme of how complicated and changeable stories can be.

I am SO excited to see how the Dubai scenes play out in season 2 because of it. I really can’t wait. I’m really hoping we’ll see Daniel and Louis’s relationship evolve in surprising ways, and I’m holding my breath that we’ll get a lot of Armandaniel material to work with. (I have a whole other post drafted that’s much less smart than this one and is just me waxing poetic about Devil Minion’s theories which I may post at some point. You have been warned.)

I do have two wishes for Daniel in the new season, and they’re 1: that he gets to have romance/sex, because disabled (and older!) characters are so often seen as unworthy of being desired, and I would like to see that challenged and 2: that he continues to refuse to be turned/is not offered a vampiric cure for Parkinson’s. The magic cure for a disability or chronic illness is probably my least favorite disability trope, because it serves to erase disabled characters and representation from the narrative, and I want to see my experiences continue to be reflected in Daniel’s. That means that whatever ending Daniel’s story has will probably have at least a bit of tragedy baked into it, but I’m ok with that.

[alpaca-clouds]

BG3 fans, we gotta talk CPTSD

Okay, I have spend about a week considering writing this blog, but I really gotta say, that it is something people really need to understand. See, I mostly see this issue with Astarion and his depiction in fandom. However, I would argue that it is a thing that affects literally all characters that play some sort of bigger in this entire game. Including many NPCs.

But let me start with Astarion. See, I wrote the blog two weeks ago about people being judgy on people, who do not want to have graveyard sex with him. Mostly people will argue how Astarion should be allowed to have his agency in that moment - while I argued that whoever the player is playing should have also agency in that scene. Including the agency to say "no" for whatever reason. I also included that my Tav absolutely denied Astarion, because he was not trusting that Astarion in the scene really was ready for it, for a variety of reasons. Which is very much a valid reason for someone not to want to sleep with someone else. (Literally every reason is a good reason for that, mind you.)

And obviously there came the comment, that went basically: "As someone who was raped I am very appalled by you saying that raped people cannot consent." Which is very much not what I said.

What I said was, that my Tav did not consent. Yes, he did not consent because he thought Astarion was not ready for it - but he is the one not consenting. It does not matter for this whether his assumption about Astarion is true or not. Tav does not feel comfortable in the scene, so Tav does not want sex right there.

However... If you consider the drow orgy scene, Tav is also very much right. If you do that scene after defeating Cazador, Astarion is enthusiastically consenting to that orgy, but he still ends up dissociating during the scene. (And in that scene, even if your character notices it, you cannot go "Stop!" Which I hate.)

Here is the thing. If you are in the BDSM scene, you might actually have encountered a scenario in real life where someone was enthusiastically consenting to something - only to them realize, that they were not into it at all. And people can withdraw their consent IRL at this point. Only that in this game, obviously you can't. So within the game choices I will just start out with "no" for this character.

Still, that is actually not what I mainly wanted to talk about. No.

What I wanted to talk about is the other thing. I absolutely know that for a variety of reasons a lot of SA survivors do identify with Astarion, and I do not want to take that from anyone. I think it is amazing that we got a character with whom we see this issue portrayed seriously. And let's face it. Especially in tumblr fandom circles, we will have a lot of SA survivors, because the userbase of this website is majority afab, and many are queer. And we know from statistics that queer afab people are even more likely than non-queer afab people to experience SA at some point in there life. So, yes, Astarion is going to be embraced by this community makes sense - even without his dashing looks.

But here we get to the actual meat of the issue: Astarion was not just raped. Astarion was abused in a variety of ways - some of them sexual - over the course of 200 years. He went not through a single traumatic event, but an ongoing trauma that, again, lasted for 200 years.

Or to put different: Astarion does not have PTSD. He has C-PTSD. Complex trauma. The kind of trauma that develops when the trauma lasts over a long, long time, without the survivor getting a chance to ever really properly ever relax. Something that was very true for Astarion's time under Cazador. He was under constant threat of rape, torture, and other forms of violence.

While CPTSD is a form of PTSD, it has some differing symptoms - and additional symptoms from plain old PTSD.

I found this graphic on this blog here, and found it fairly good in the depictions. (If you google CPTSD you will find several graphics like this.) It shows very well the additional symptoms, compared to normal trauma.

Generally speaking, CPTSD brings a lot stronger issues with self-worth, interpersonal problems, and emotional regulation. CPTSD folks are often prone to emotional outbursts (this graphic names anger, but technically it can be all other kinds of emotional outbursts - which is why at times CPTSD gets confused with BPD).

And Astarion is written like this. He shows very much all the symptoms of CPTSD. And let's be honest: That is an issue he will have to deal with for a long, long while.

But... As I said, the same is actually true for pretty much all the characters.

If you look at the companions, it is obvious.

Gale spent at least a year in constant fear of blowing up. While Mystra's abusiveness towards him within the relationship prior the orb is more fanon than canon (though the relationship was defnitely not an easy one), the "one year in constant fear of death" is very likely going to instill some form of CPTSD in him.

Karlach was a slave for 10 years, forced to fight in the hells. While she will also probably suffer from certain forms of PTSD more common in soldiers. Additionally I would argue that she also has some CPTSD from tiefling-racism. While she does not bring it up often... She does seem to have a thing there.

With Wyll it is a bit more complicated. Yes, for him I would see the kind of CPTSD I have - parental abuse related. Ulder was not openly abusive, but neither was my mother, and guess what fucked me most up in my childhood, despite experiencing some really bad violence elsewhere.

Shadowheart was abused by Viconia and midwashed and tortured and was forced to kill her fucking pet mouse. Bonus points that a lot of it happened during her childhood. She very much is gonna suffer the consequences.

Lae'zel... Do I really need to say something about her upbringing among the Gith?

Then we have Halsin. We know fairly little about his background, given that he is very coy in talking about it. But his "three years as a drow slave" definitely make it likely that he has developed some form of CPTSD.

And then we have Jaheira and Minsc. For whom just the... Well, look folks, the adventuring lifestyle would logically also leave you with CPTSD of some sort.

Even if you play a Tav who entered the game after having a very untraumatic life... They will spent what has to be at least two months with a tadpole in their head threatening to kill them - while half of Baldur's Gate is trying to do the same. They'll have PTSD after this at the very least, if not CPTSD. (Even though, let's face it, chances are we all gave our Tavs more than enough background trauma to go along with it, right?)

And same goes for so many other characters. The tiefling refugees. Our main villains (especially Gortash and Orin). Cazador. The other vampire spawn (duh). The list goes on.

So, what am I trying to say here?

Well, for once I just want to make sure folks understand that CPTSD is a thing that exists and while being similar to normal PTSD differs in some points. Including the fact that people with CPTSD have a high likelihood to make very rash decisions driven by instable emotional states, that might be harmful to them on the long run.

And mind you. In real life most people with CPTSD have it because either they were bullied for a long time, or were in an abusive relationship of some sort. (Abusive parents, abusive partners, abusive friends/roommates.) But even in those heightened scenarios the game represents for the most part - the issues are gonna be still mainly the same.

[piratecaptainscaptainpirates]

I know I've said this before, but it's relevant now and I can't find the original post, so here it is again: as a poc if you're in the tags talking about how OFMD "glorifies slaveowners," I do not fucking trust you.

If you were someone who said "I dunno if I wanna watch a show that makes those real, awful people into the heroes," that's fair, have a nice day. I'm not talking about you, I'm talking about people who use the historical figures OFMD's characters are based on as a "gotcha" to feel morally superior to people who like the show.

Yes, there's a conversation to be had about how to treat historical figures in historical fiction. But personally? OFMD is a romcom, and the amount of slavery I want to see in my romcom is none. Including discussion of slavery, and doing so in a way that was respectful, would move the show firmly out of the romcom territory.

Plus? I know we've talked about this a lot, but (again) as a man of color I love the way the men of color on OFMD are written. The characters of color in this show are treated with so much respect. Characters of color are consistently shown as smart, well-groomed, respected, capable, and desirable. It is genuinely a gamechanger for me to have a romcom full of characters who look like me who are treated so well by the narrative! Not once is a poc introduced just for the purpose of trauma porn.

And, on top of that, on OFMD when characters act racist, we always get the last laugh. It's the "pirates killing bigots and indulging in queer joy" show!

Like I said, yeah, there's a conversation to be had here! But if you want to get mad at a show for glorifying racists, this one ain't it, and pretending like this show's genuinely very good and thoughtful anti-racist writing just doesn't exist makes it clear some people just want an excuse to hate a show that's popular.

[subway-tolkien]

Okay, this is 1600 words of (positive!) meta regarding the OFMD finale. Included is character analysis and a treatise on why a certain trope people keep throwing around does not apply here.

This is of course just my take, and I'm sure people will disagree, but I needed to get this out. Apologies if it comes off disjointed, I've had like no sleep.

Spoilers within, obviously. You have been warned. Heed the tags. I didn't tag any characters because I consider it a spoiler, but you know who this is about.

Listen. Listen.

Let me start off by saying I have been where you are. I’ve had beloved characters die, either because it was important to the narrative or for shock value. I’ve been there, so I’m not coming at this without empathy. I’m not an Izzy hater. I loved him as a character. I’m truly sad to see him go.

But from what I’m seeing around Twitter and tumblr, some of you do not understand the role of an antagonist in a story.

Izzy was always meant to die. The moment he said, in the first season, “the only retirement we get is death,” I knew he was meant to die in the end. The foreshadowing ran through both seasons. Izzy was the true antagonist of S1. He was there to keep Blackbeard tethered when he started pulling away, and yet he also set the plot in motion. He inadvertently introduced Blackbeard to the person who let him be just Ed. He put Ed on his own path to redemption without even knowing it.

S1 ended with Izzy getting what he wanted as Ed lost everything he had. S2 was about Izzy coming to terms with the fact that he’d gone too far, he’d turned Ed into a monster. It wasn’t what he wanted. He wanted Blackbeard back, just like old times. Instead, he got the Kraken, and it was more than he bargained for.

Especially after it cost him his leg and he realized how far gone Ed really was. The conversation that ended with Izzy’s half-assed suicide attempt was the final blow to Izzy—Ed really didn’t seem to care anymore. Where Izzy wanted him to stop giving a shit about his silly boyfriend, he instead got a Blackbeard who didn’t care about anything, and he was apparently now included in that category.

(I said half-assed suicide attempt because Izzy wasn’t meant to die then, THAT would have been an empty, pointless death. It wouldn’t have taught Ed anything—in fact, all it did was make him more self-destructive, which was Izzy’s purpose to the narrative, but not his endgame. That Ed thought Izzy killed himself pushed Ed to the brink. Ed wanted to die and take every scrap of Blackbeard with him. Had Izzy successfully killed himself, Ed and the Revenge would be at the bottom of the ocean.

It wasn’t until the crew left Izzy the unicorn leg that he realized the power of compassion, the incredible act of grace from a crew that suffered so much from Izzy’s own machinations and didn't need to forgive him. It moved him to tears, and it moved him to accept that maybe it wasn’t such a bad idea to let people in, to let himself be cared for. It was a foreign concept and something Izzy likely hadn’t experienced since losing his family (I fully expect a shit ton of fanfic of Izzy’s life before piracy).

Israel Hands found the capacity to let love all the way in and by god, did he pursue it.

But, again, Izzy was always meant to die, and I’m glad they stuck to the narrative they set out with instead of placating fandom and letting our influence dictate how they told this story That’s never good, trust me. Fandom should not influence a creator’s decisions regarding their own characters. It rarely if ever ends well.

[Stares in Voltron S8]

And I see a lot of people out here throwing the “bury your gays” phrase around—I beg you, please look up the definition of the trope. Izzy didn’t die because he was queer, he didn’t die because of his disability. He wasn’t one half of the only queer couple in the show fridged for shock value. He wasn’t killed off due to pressure from conservative viewers. He wasn’t the only queer, disabled character.

They didn’t kill off Lucius, or Jackie, or Wee John. Would you be as outraged if it was any of them?

Killing Eve is bury your gays. Supernatural is bury your gays. Pretty much any film, book, TV show, whatever, where a queer character dies because they’re queer, of AIDs, to further the narrative for a straight person, etc—that is burying your gays.

Izzy’s death was none of those things. Izzy’s death had meaning.

Izzy’s death freed Ed from the Blackbeard persona. It finally forced Izzy to say the things he couldn’t say until he realized it was his last chance. Izzy was also tired. I honestly think he stuck it out for Ed’s sake, because he was afraid to let Blackbeard go without making sure Ed would be ok.

He loved the idea of Blackbeard, but over time, he learned to love Ed. He finally understood what Ed tried to tell him the whole time.

“Fuck off, you twat. You’re surrounded by family.”

You’re safe. You’re loved. You don’t need me anymore. You don’t need to be reminded of who you’re capable of being, you need the people who will guide you to who you will become, and I’m not one of them.

I know a lot of Izzy fans are stung by his death, some of you are deeply upset. I get that. Like I said, I’ve been there. Sirius’s death made me throw that fucking book across the room. That Fucking Woman™ killed off my entire OTP, purely for shock value and, imho, a direct response to shippers. Trust me, I have felt betrayed by a creator for their decisions.

But I need you to understand that no, this was not a personal attack, this was not malicious, this was not “bury your gays." A show that celebrates queerness and diversity is not suddenly homophobic and ableist because your favorite character died and happened to be both of those things. But when the majority of your cast of characters is different in some way, and they’re in a show about 18th century pirates, you have to accept that one of them could, in fact, die. “Anyone Can Die” is also a trope and the more accurate one to describe E8.

If only being queer and disabled made you invincible.

Spoiler alert: it doesn’t.

And no, I’m not an Izzy hater. I loved him, I loved him as an antagonist, and I loved his redemption arc. He was fascinating and Con put his whole O’Nussy into that part. I’m sorry to see him go, but as a mystery writer who often has to kill off beloved characters, I understand that he served the purpose he had from the beginning.

I swear, if some of you had your way, there’d be no conflict at all in any form of media. This what a steady diet of nothing but fanfic gets you. This is not a fluffy one-shot with magical healing dick and a happy ending where everyone sails off into the sunset. If that’s what you wanted, what you headcanoned, you did this to yourself. It’s not David et al’s fault that we took that character and babygirled him. That’s the risk we take when we decide to love a specific character, when we take a genuinely terrible person (in S1) and woobify him.

So, please stop harassing and attacking David, Alex, et al. David did not and should not change his story to placate us. The fact he went ahead with it despite the backlash I’m sure he expected makes me respect him as a creator even more.

Anyway, I’m going to revel that we have three (!) queer relationships with happy endings where one or both didn’t immediately die (again, the actual definition of “bury your gays”) and that we got at least two seasons of a little show that celebrated individualism, diversity, queerness, compassion, and love.

In the end, it all came down to love.

“There he is.”

Goodbye, Blackbeard.

Hello, Ed.

[bucked-it-up]

i wanted to ramble about where I think Buck and Tommy will be going into season 8 and what I think could possibly happen.

With the gap between S7 and S8 looking to be a shorter time skip and there not much development in the relationship, I’m quite excited to see what milestones they have passed together and which ones we will look forward to seeing.

This quote from Oliver interests me a lot “They’re still learning and figuring things out about each other and what a relationship might or could look like.” I feel like this could mean a few things, one being they are both firefighters and this is something new for Buck to navigate and also possibly new for Tommy as well. Both of them will have to get used to seeing the other leave for long shifts that mean they may not come home completely safe and sound. That will mean navigating the emotions that come with this, learning how to let one another go knowing that they will worry but they have to trust one another and having to live with the feeling that the other could get hurt without them being able to help/ get there as quick as they wish they could.

This is also the first relationship Buck has been in with a man and that will come with many obstacles, these could arise from being something that Buck hasn’t done before. A queer relationship come with pressures and negativity that straight relationships do not. Especially being in a queer relationship for the first time while having a boss like Gerrard and being separated from Bobby, someone he goes to advice and is a major part of Buck’s support network.

Another thing I get from this quote is they are working out how to be around each other and what they want their future to be like. This could include moving in which is something I would love to see but after this quote I am curious if it will be early season 8 or further down the line as a conversation talking about living situations could definitely come under what Oliver said.

I think as well the choice to bring back Gerrard will make things interesting for Buck and Tommy. I think it will give a good look at how they work through problems together and how they come to solutions. It will also show us more about how their relationship works, how they communicate and how they support each other. I hope that their relationship is explored in this arc because personally I think it would be a missed opportunity to not show how a newly out Bi character deals with a homophobic boss and how he communicates this with his boyfriend who has gone through it before.

Furthermore in S8 I really do hope we see many happy moments from them and we get to see ‘I love yous’ and milestones from them, I also hope we get to see some adversity. Preferably from outside sources rather than coming from within the relationship, such as one of them getting injured and having to navigate what that means for them and if they can cope. I would like to see them go through something like this and come out the other side even stronger.

As I have already said I would love to see them move in together and see Tommy’s house. To me this would signal that they (and the show) plan to stay with each other for a while and I would love to see Buck choose to live with his partner not because it just kinda happened like with Abby or out of some kind of guilt like with Taylor. I want him to make the choice and it be a deliberate and loving choice that allows him to spend more time with Tommy and increases their strength within the relatiionship.

To focus a little more on Tommy, I do hope he is featured in the opening arc in some way or another. I will be happy with any scenes he gets but i would love if he got a prominent role and we got to see his skills as a firefighter. I think having a pilot as a character is a good addition to the line up and allows for interplay between firefighters on the ground and in air support and means he can be included in more scenes as it has been shown he also does groundwork.

To end this ramble I hope that we get to see them happy and healthy. I hope the show explores their relationship and how different aspects of their life affect what they do and say. I truly hope that Buck is now off the hamster wheel and we don’t have to see him get back on it. I want to see Buck grow more within his professional life and outside of what he is like in relationships.

[twig-tea]

I haven't been posting about it week to week but I have been keeping up with My Love Mix-up (the Thai adaptation) and I'm still sitting with how badly this latest episode (ep7) is sitting with me. I just have to purge this so I can move on. Criticism of the adaptation below [including spoilers through to the end of episode 7 and very vague spoilers for the source material].

I wish these show writers would not try to shoehorn an adapted work into the bubble, because this line they are trying to walk is disturbing. By having an older gay character tell Atom that he shouldn't characterize his relationship as different, it's suggesting that societal norms and social expectations are not real, but are something Atom invented. His fear is treated as a joke and an overreaction, something to overcome, and everything I've heard from Thai people in the real world tell me that is very much not the case. This is such a different message from the original manga and Japanese live action, which were both about having the strength to defend your relationship in front of obstacles and trust the people in your lives who have earned it. There's a huge difference between learning not to live in fear even though there are realistic things to be concerned about, and learning your fear was misguided/not based in reality after all so you can just let it go. Queer kids should not be taught to not trust their instincts about who to trust with their truths.

This is the same mistake GMMTV made with the changes they made to 23.5, and it tells me their writers fundamentally don't understand internalized homophobia. You don't develop internalized homophobia in a homophobia-free bubble--kids are not born with it, it has to be learned. We are taught to hate ourselves by parents, by media, by teachers, by strangers...to set a show in a world where that is not a reality, and then to have characters have those fears anyway, is insulting and dismissive of where those fears come from and how they are based on realistic fears about potential outcomes. Gay kids do lose their families and have their lives blown up over the people they love--that is not a joke or an overdramatic statement.

I am really upset by this. It feels like these shows are saying queer people are foolish and delusional for being afraid. I've had people in real life tell me that my concerns were overdramatic before, and I've also seen people badly hurt because they didn't take the threat of homophobia seriously enough. I just...it's not that I worry this will be a model for anyone's behaviour. But this adaptation took a story about characters I could relate to, and changed them so that the show instead instead is invalidating my experience. It feels dehumanizing. In trying to be an escapist piece of media, this show instead became painful for me to watch. I sincerely hope I'm an outlier and other queer folks watching this didn't feel it in the same way, because I don't want other people to be feeling how I'm feeling right now.

I'll be walking away from this one.

@bengiyo I think you mentioned feeling similarly disturbed by this approach in your stray thoughts, so I'm tagging you in case you wanted to add on.

[skibasyndrome]

why are your kinktober stories all bottom Simon heavy? I trusted we would see more bottom Wille from you /gen

Anon, up front, genuinely sorry if you meant well and are now about to get the brunt of my frustration that I've built up for over a decade of existing in fandoms and fanfic spaces surrounding queer men and their sex.

Ooookay, I try not to engage in this discourse normally because frankly? It's kinda draining, because the way queer men's sex lifes are picked apart in lots of online spaces is not okay and, frankly, hurtful. But, okay:

I have posted 10 of 31 stories

I intentionally don't tag any of my smut as top!/bottom! anything (tho I don't mind other writers doing it - go off) cause frankly? I don't believe that's something that should matter. It doesn't to me when I think of wilmon. Preferences are fine, cool, awesome, both irl and in reading, there are couples who like to do things one way only and there are couples who mix things up and there's lots of stuff in between. People love to bottom! People love to top! People love any- and everything in between and that is great for them. All of that is fun and cool and absolutely awesome if everyone involved is on board. I simply don't have any one way I headcanon wilmon, I literally just go with whatever the vibe is. That also means I don't believe in having to strike a 50/50 balance or whatever. Also because

sex between men (and, since in one of the stories Wille is a trans woman, between all people, for that matter) is about more than anal and/or penetration. I love to read and write about Wille bottoming, love to write and read about Simon bottoming. But that's noooooot all there is. One thing I do try to do with my smut is write about some of the other ways sex can look. Which includes (mutual) masturbation, hand jobs, blow jobs, intercrural, frottage, a myriad of other acts. All of these are fullfilling ways of having sex, all of these don't follow top/bottom "logic" or whatever you'd like to call it. So what do we do about that?

I know some people - not saying you do, this, anon - like to conflate topping and bottoming with power dynamics, be it sub/dom type of stuff, or just... some vague idea of who is superior or whatever. And that very much CAN be the case, I'd argue Wille bottoming in my vampire fic or even Wille during the wax play in the one fic and the intercrural afterwards is definitely bordering sub-y territory. But you know? That also very much doesn't have to be the case. In the fic that includes 69 it's Simon "calling the shots" or whatever you'd like to call it, despite being the one that's being penetrated. I have fics planned out where the opposite is the case, I have plenty of fics where bottoming doesn't have anything to do about being sub or being dom or anything like that. I think there's this idea going around that somehow, (gay) sex acts are linked to power and power exchange and that there needs to be some equilibrium or... justice??? And. No. That's not how consensual sex, be it in relationships or hookups, works in my mind. In consensual sex, there is no disadvantage in bottoming or no need for any of the partners to bottom to fix some sort of hierarchy. Because there is none. Not in the consensual sex of two (or more) partners that want to have sex to have a good time or feel close or relax or any of the other reasons people have sex.

Fair question to ask, just know that I don't write bottom anything for the sake of making a point, I just write whatever feels like the characters would enjoy it in that particular moment in time, whatever suits the POV I wanna go with. I don't keep a tally of times penetrative sex has been part of a story and who did what. If that's a no-go for you, that's fine and I won't hold it against you. I have a bunch more stories coming up with all kinds of dynamics, all kinds of sex acts, all kinds of differently written versions of our two blorbos.

hope this was concise enough and I recognize that I've definitely put all kinds of other, adjacent, points into this, but this gay man right here is kind of fucking sick and tired of seeing stuff assigned to gay sex acts that are just. sex between consenting partners

[becauseimanicequeen]

Don't Ask Me for QL Recommendations Because My Taste is BAD

Bad as in TRASHY.

For your own good, don't ask me for recommendations.

I'm writing this because I've gotten some asks lately for QL recommendations and I wanted to spare you the pain.

If you still don't trust me (because to be fair, why would you? I'm just a random weirdo on the internet), let me tell you how bad my taste is so you'll know why I'm doing you a great favor by sparing you the pain.

(I also watch, and rewatch, series/films for ridiculous reasons, yet another reason not to listen to me. I’ll come back to this in a minute.)

Let's start with a brief rewind to a couple of decades ago (because it matters in this context).

The first queer content of any kind I can remember watching was Xena: The Warrior Princess in the late 90s and early 00s (I was a child/pre-teen at the time). It was such a pivotal point for me, which is why I remember it vividly. Not only was Lucy Lawless (the actress playing Xena) the most beautiful human being I had ever seen at that point, Xena was also queer and I loved her.

The series, though? It’s bad.

It’s over-the-top, contains ridiculous humor, face-palm-worthy fight scenes, etc., etc. (But, it was also the 90s, so it was quality television at the time, no matter what anyone else says.) It was so bad that it was ridiculously entertaining. I would watch it today (if I could find it anywhere…). That’s how bad my taste is (or how attached I am to bad shit).

That’s when the groundwork for my bad taste was laid. I blame THANK Xena: The Warrior Princess for it.

Then there was a huge skip until July last year when I found the Asian QL world, because I had no idea it even existed (I’m from Europe, btw).

(My personal story is that I fell into the queer/gay film world before the QL world, and the queer films I could find were made and released very sporadically. But ever since I found the treasure trove of Asian QL series in July 2023, I’ve watched 291 series/films as of right now.)

The reason I fell into the Asian QL world was thanks to a Short on YouTube with the main characters from Roommates of Poongduck 304 kissing. (Want to know what convinced me to watch it? One of them was wearing blue and the other pink, two of my favorite colors. Yep, that’s the reason. Told you it would be ridiculous.)

Since then, I’ve been exploring this rabbit hole and loving every second of all the bad shit that’s out there (there’s some great shit too, and some great things that aren’t shit at all, but they’re not really my taste because my taste is trashy, remember?).

I quickly noticed what my taste was pulling me towards and, in some cases, the trashier it was, the more I liked it.

(I’m talking about fiction here. I’m mature enough to be able to separate fiction from reality. Just because I enjoy watching a series/film that depicts a problematic topic, and sometimes do it in a problematic way, doesn’t mean I condone it in real life. I’m just putting this here as a disclaimer because people on the internet are easily offended nowadays. And I honestly don’t have time to respond to people who are venting their anger after purposefully misinterpreting what I’ve said, unless there’s a very valid reason, which there usually isn’t.)

So, what are some of my favorites that I absolutely do not recommend you watch?

Unless you want to watch trash, then, have at it. Just don't say I didn't warn you.

(Btw, if you like any of these, I apologize for calling your taste bad and trashy. But, if you like any of these, I think you already know your taste is bad. Also, if you like any of these, hey, bestie!)

Let’s start with the less extreme ones so I don’t scare you away from the start. After that, they’re in no particular order.

(With the issues/TW section for each series/film I include possible trigger warnings, taboo topics, what viewers/commenters have brought up as problematic, my possible issues with the writing, etc. I won’t list everything (because some of them would have looong lists) but I’m including some of the major ones.)

Kiseki: Dear to Me (Taiwan)

Issues/TW: Dubious consent, age gap, “adoptive” brothers becoming lovers, etc.

Both couples in this series have their own set of issues. Ai Di and Chen Yi are the “adoptive” brothers who become lovers while Ze Rui and Zong Yi have an age gap (I can’t remember how big of an age gap but I think it was close to 10-ish years).

(Before I move on there’s one thing you should know about me… I was born into a family with a varying degree of age gaps within marriages, from 2 to 23 years. Even though we’ve talked about the bigger age gaps occasionally, it’s never been an issue. I don’t mind age gaps as long as they’re legal. Does that mean I would hook up with someone in their late teens or early twenties? No. I would rather hook up with someone who has a fully developed brain, which science suggests doesn’t happen until somewhere in the mid-to-late-twenties. But it does mean that age gaps (as long as they’re legal) aren’t something I’ll be bothered by or judgemental of.)

Kiseki: Dear to Me is one of my favorite series because:

It’s from Taiwan, and the Taiwanese QLs are generally great at dealing with more difficult and taboo topics.

Ai Di is the feistiest, most colorful, and pettiest bitch and I love him with my entire ice-cold heart.

Chen Yi looks amazing in black.

The neon lights (because I’m a slut for that).

Also, the kissing (from both couples) is great.

You know, I did say that these would be series/films I absolutely do not recommend you watch. But I’ll actually recommend this one. Watch it. It’s great.

Unknown (Taiwan)

Issues/TW: Age gap, “adoptive” brothers becoming lovers, etc.

This is another one I’ll actually recommend you watch because it’s great.

The main couple (Qian and Yuan) are the “adoptive” brothers becoming lovers while the age gap is most prominent between San Pang (Qian’s business partner) and Lili (Qian’s younger sister). There’s also the fact that San Pang is part of their chosen family and has seen Lili grow up and stuff. So, if that bothers you, then don’t watch it.

The biggest reasons I would personally recommend it to those I know aren’t particularly bothered by taboo topics are because:

The yearning is palpable (and I love shit like that).

Qian would move heaven and earth for his family.

The great story.

The even more amazing acting.

Some moments made me bawl (and since I'm an ice queen, I get obsessed with shit that shatters my ice and makes me cry).

I know I said my taste is trashy… but I would actually give myself a gold star for loving this one.

Now, back to the real trash…

Love in the Air (Thailand)

Issues/TW: Dubious consent, SA, rape, MAME, etc.

Everyone and their aunt (or however the saying goes in English) seem to have an issue with MAME (the original creator of LITA and several other trashy BLs) and for good reason. (I would say that she improved a lot with Wedding Plan, which is the least problematic thing I’ve watched from her and it’s the latest series of hers, as of right now.) If she’s grown, remains to be seen. But it doesn’t change the fact that LITA has some issues.

Honestly, I just watch this for the visuals, as in the motorcycles and the neon lights. That’s it. That’s the reason.

I mean, if you look at the whole first sex scene between Sky and Prapai, you get what I mean with the neon lights. It’s divine. (I recently rewatched LITA for this very reason. A waste of time, you say? Not when you’re a slut for neon lights.)

Don’t watch this though! Just enjoy this gif instead…

I just saved you 13-ish hours of your life. You’re welcome.

TharnType and TharnType 2: 7 Years of Love (Thailand)

Issues/TW: Dubious consent, homophobia, domestic violence, MAME, etc.

Don’t watch this. This is bad. As in, really bad. And all the issues are in the main couple’s relationship.

But, since my taste is really bad, I rewatched this recently for horny reasons (it’s Mew, after all, and he’s got me in a chokehold for some reason). It’s still as bad as I remembered it, but I would still rewatch it for Mew’s sake (and because Techno is ridiculous throughout both seasons, which means I love him).

To be fair there are other, a lot spicier, series that I watch more often for horny reasons (yes, some of them are in this post because they’re trashy too), but none of them include Mew. And since I have to get my dose of Mew from time to time, I return to TharnType (especially the second season).

Big Dragon (Thailand)

Issues/TW: Dubious consent, blackmail, etc.

This isn’t that problematic in my opinion, but there is definitely a drug-induced sexcapade that’s taped and used for blackmail for a while. And that's how the series starts.

I recently did a rewatch of this and it was still bad (in a good way) and I loved every second of it.

What I love about this series are:

The visuals. The set designs are beautiful (especially Yai’s home and the bar, before he demolishes it). As a visual artist, this is speaking to my soul.

The chemistry between Yai and Mangkorn.

Pong and Park. Two idiots I love with my whole ice-cold heart.

And the title track because it’s addictive as hell to listen to.

Also, the sex (which my horny ass needs). Let's not forget the sex. Those scenes were also visually stunning, which made me love them even more.

Honestly, I'll kneel and bow down to this shit because it's that great.

Don’t trust my judgment, though, because my taste is trashy.

Only Friends (Thailand)

Issues/TW: Manipulation, stalking, promiscuity, etc.

This series is messy in terms of intrigue (especially from Boston and then Boeing’s part). The ending had some issues. The sex isn’t everyone’s cup of tea, either. I, on the other hand, would drink a whole pot of this.

Overall, I loved this trash. Mainly because of:

How visually stunning it is.

Sand. He’s a hardworking, good person. He’s also a proud bi!

How they depicted and handled Ray’s addiction and recovery. (I know some watchers were upset that the focus of the series landed on Sand and Ray towards the end while neglecting the other characters, which is a valid point. However, setting that aside, the way they portrayed Ray’s addiction and then his road to recovery in the last couple of episodes was realistic, and I loved it.)

The promiscuity, because I loved it and the mess it created.

Boston being a slutty asshole. The more of a slutty asshole he was, the more I loved him. (I know, it’s a me-problem.)

Boeing coming in and kissing (almost) everyone.

It’s trashy, it’s messy, and I love it!

But, I don’t recommend it to anyone.

My Beautiful Man 1, 2, and 3 Eternal (Japan)

Issues/TW: Dubious consent, obsession, bullying, lack of (or no real) communication, etc.

I love this series (2 seasons + 1 film), but I honestly don’t see it as particularly problematic. But I know others will disagree with me, so here it is on my list of trashy QLs.

I don’t mind Hira’s obsession because I know Kiyoi is just as whipped for Hira (even though he doesn’t know how to communicate it to Hira at first, especially in a way that Hira understands). Would I be okay with someone’s obsession and stalking in real life? Of course not. But, as I mentioned before, I’m mature enough to separate fiction from reality.

Also, I love miscommunicating characters, especially when the misunderstandings they create bring out all the emotions (angst, hurt, anger, sadness, embarrassment, etc.) and even the flight response. I especially love miscommunicating characters when they learn to communicate throughout the series/film. And this series is especially delicious on the miscommunicating part.

But, it’s also problematic, apparently. So, don’t watch it.

The End of the World With You (Japan)

Issues/TW: Blackmail, biphobia, cheating, etc.

I’ll be honest and say that I’ve only watched this series three times. And that’s because the biphobia is fucking annoying. In this series, the bi character is depicted as a cheater (which is common in QLs, btw). It’s an exasperating stereotype. Cheating has nothing to do with your sexuality and everything to do with who you are as a person.

(I mean, you can be a proud bi like Payu in LITA or Sand in OF. They have eyes only for one person as soon as they’re pursuing or dating someone. Give me more bi characters like this, please.)

We could discuss how cheating can be used as characterization in certain stories. But not in this one. Here, they’re basically using Ritsu’s bisexuality as the reason he’s cheating (since he’s sleeping with Masumi while having a thing going on with a girl, and then sleeping with a girl when he has a thing with Masumi), which is why it’s bothering me in this series.

If I’m going to tell you why I like this series, however, it’s for 2 reasons:

It’s about getting a second chance, a topic I love.

The sex (laser-focused horny Ritsu is my favorite Ritsu).

Check Out (Thailand)

Issues/TW: Biphobia, cheating, lazy writing, etc.

(It should be mentioned that I’ve read some comments about some issues involving the company behind this series. I haven’t dug deeper into this so I don’t really know if there’s any substance to the comments I’ve read (like official statements from the company or the other people involved, etc.). But I’m putting this out there in case this might be a potential issue for you (even though I’ve already told you that I don’t recommend you watch any of these because they’re all trashy).)

When I first checked this out at the beginning of this year, this series seemed to have created a storm of bad comments and reviews on MDL since it first came out. So, obviously, I needed to watch it because my taste is trashy.

And, you know what? I loved it!

Besides having the bi character depicted as a cheater (again, the use of this biphobic stereotype is so fucking annoying) and the sporadic clunky and stale scenes, I loved this series because:

It’s about second chances. As I mentioned before, I love that topic.

Best (the actor playing Daonuea) is the best in this series. There’s just something about him that grabs my attention every time. He has me in a similarly tight chokehold as Mew.

There’s sex (and my horny ass needs it).

But, it’s also trash, so don’t watch it.

Pit Babe (Thailand)

Issues/TW: Domestic violence, non-consensual, SA, age gap, etc.

This became popular. Really popular. I saw people comment about it everywhere. And usually, when stuff becomes popular, it’s more than likely reduced to trash quality by the general public. So, obviously, I had to watch it.

Did I end up loving it? Yes.

Honestly, the biggest issue this series had for me was the whole omegaverse thing (this was a new thing for me because I don’t come from an erotic fiction background, my head was rather stuck in fantasy fiction). And, from my limited understanding of this, they didn’t seem to fully commit to the omegaverse thing in Pit Babe, which was unfortunate.

The racing was also so-so for me, which hurt my soul because I usually love racing (cars, mcs, boats, etc.).

What I did like, however, was:

The chemistry between Pete and Kenta (and I’m so sad I only got crumbs of this).

Pavel (the actor playing Babe). I would watch and listen to him recite product placement scripts for toothpaste all day long.

The sex, especially the scene with Babe and Charlie in ep. 9 (even though it was mixed with clips from the racing) and Jeff and Alan’s scene in ep. 13 (because it was sensual, if we ignore the music).

The neon lights (have I mentioned that I’m a slut for neon lights?). I mean, just look at this:

I can watch that pinkish light all day long, even though Babe and Charlie are trying to distract me. (Especially Pavel!)

Dead Friend Forever (Thailand)

Issues/TW: Grooming, bullying, suicide & suicide attempts, etc.

Besides the issues listed above, this also suffered from lazy writing at the end. BUT, I fucking loved DFF anyway.

I never expected to love this series because it’s just a bunch of teenagers stuck at a house in the woods. How interesting could that be? Turns out, very.

DFF wasn’t perfect (perfection doesn’t exist anyway), but what I loved about it was:

The morally ambiguous characters.

The revenge plot.

The poetic justice.

The questioning of what was real vs hallucination.

The visually stunning shots.

The mask!

And Tan’s mask!

The beheading scene.

I could go on, but you get the point. I just love this piece of trash.

But, please, don’t watch it. You will suffer from brain rot. Trust me.

I, however, am currently rewatching this because I choose the brain rot. And my taste is trashy, remember? Or, perhaps I just love watching chaos unfold…

HIStory 3: Make Our Days Count (Taiwan)

Issues/TW: Dubious consent, age gap, tragic ending, etc.

Everyone and their aunt and even their dog have an issue with the ending of this one. And it’s understandable.

I don’t necessarily like or dislike the ending. Obviously, the bury your gays trope is tragic in itself, and, tragically, it’s still being used. That’s why I couldn’t find myself liking the ending, even though I don’t mind tragic endings. (Romeo and Juliet is one of my favorite classics, which people tend to forget is a tragedy and not a romance, btw, but I digress…)

At the same time, though, this series made me cry for a whole episode before tragedy struck because I could feel it. And you have no idea how obsessed I get about shit that makes me cry (since I’m an ice queen).

(Another side note: one of my favorite BLs is Once Again, which made me bawl throughout the whole series. It’s not on this list because it’s neither trashy nor bad, but it’s still one of my favorites because it broke me in the best ways. But, anyway…)

The best part of this series from beginning to end was the other couple, at least for me. This couple is the one with the age gap (which, again, doesn’t bother me) and I fucking love them! One, because Wilson Liu (the actor playing Bo Xiang) is such a gem. Second, because their first time was such a spur-of-the-moment thing fueled by a desire that went from 0-100kph in less time than a Ferrari would. And I loved it (just as much as the squeezing of boobs from behind, which, for some reason, appeals to me).

Also, the twins are so pretty it’s annoying.

Do I recommend it, though? No, because I don’t have time to respond to the clap back I’ll get when you come to the end.

HIStory 4: Close to You (Taiwan)

Issues/TW: Dubious consent, SA, obsession, age gap, stepbrothers becoming lovers, etc.

This one has some problems (especially the relationship between Yong Jie and Xing Si), but I love both the series and its problems (yes, I’m trash). You could say that I’m as obsessed with this series as Yong Jie is with Xing Si. Would I get this series drunk and fuck the living daylights out of it? No. But I would watch it once every 3 months or so. Oh, wait… I already do that. Because I’m trash.

What do I love so much about this series (other than what I mentioned above):

It’s from Taiwan.

Li Cheng is ridiculous, which is exactly why I love him.

Every time I rewatch it, it gets funnier.

The chemistry between Li Cheng and Teng Teng is amazing.

As well as the chemistry between Yong Jie and Xing Si.

The kissing is just as amazing.

The main fujoshi girl, Mei Fang, is so cute I can’t handle her.

And the bathroom scene! In that lighting! It’s iconic!

I don’t care what anyone else says. This is fucking gold to me. But, then again, my taste is trash. So, don’t listen to me.

KinnPorsche (Thailand)

Issues/TW: Dubious consent, SA, torture, Stockholm syndrome-ish, etc.

This is some next-level trash, and I fucking love it.

Two of the major relationships in this series (Kinn & Porsche and Vegas & Pete) are problematic at some point. Especially Vegas and Pete who have this whole captor/captive, torture, BDSM-ish type relationship. Of course, I love Vegas and Pete because my taste is super trashy (yes, it’s a me-problem, but I don’t force my taste on other people, so, for the love of all that is holy, don’t watch this!).

Other reasons I love this series and rewatch it from time to time:

It’s visually stunning! The cinematography is amazing. As I mentioned before, I’m a visual artist, so this is a very valid reason for me to watch it again and again. And again.

The neon lights.

The whole mafia thing.

The sex (because my horny ass needs it).

Playboyy (Thailand)

Issues/TW: SA, homophobia, suicide, etc.

I was debating whether or not to add this to my list solely based on the ending. However, up until that point, I really liked it.

The fact that every episode starts with a whole ass list of trigger warnings tells me this is my shit. And it was.

At times, it was so bad that it was good (until the ending, which was just so bad it was bad). The things I liked were:

The mystery.

Win (who played Nuth). His acting was great.

The chemistry between Nuth and Phop.

The tattooed daddy that’s Aob and his chemistry with Puen (there’s also an age gap here, btw, but as I’ve mentioned before, it’s fine by me as long as it’s legal).

The weird ass sex scenes (and the underwear).

And the not so weird ass sex scenes (like the ones between Aob and Puen and the ones between Nuth and Phop).

But, this series is trashy. Keep as far away from it as possible. If you still decide to dip in, don’t say I didn’t warn you.

Red Wine in the Dark Night (Thailand)

Issues/TW: Obsession, blood, human blood bags, etc.

This is a queer film that’s BL-ish with some dark themes. Mainly, it’s about how far Wine would go to help the person he’s fallen for (or become attached to).

What I loved about this film was:

Fluke (who plays Wine). He’s such a great actor and I love him in everything he does.

Wine who is so desperate to love someone and be loved that he ends up doing some weird shit.

The darker and sadder vibe, which I love.

Irresistible Love 1 and Irresistible Love 2 (China)

(This is also called Uncontrolled Love.) 

Issues/TW: Obsession, homophobia, codependency, adoptive brothers becoming lovers, etc.

This is another queer film (in two parts) that is more BL-ish than the films I’m getting into below.

This depicts a weird relationship dynamic between Xie Yan and Shu Nian where Shu Nian was basically adopted into the family to become Xie Yan’s friend/babysitter/lackey. This is some weird ass shit, and I love weird ass shit so I really enjoyed this rare, uncensored, gem from China.

But, it’s also trashy. So, don’t watch it.

The next couple of films I’ll mention are (obviously) trashy, but also complex and deep (which is why I love them).

One Summer Night (South Korea)

Issues/TW: Obsession, dependency, oppression, etc.

This is a low-budget film from 2016 (so, production-wise, it’s definitely nothing like the usual stuff from South Korea you can watch on Netflix), but I love it.

It’s gritty, it’s raw, it’s explicit (an emphasis on explicit because you’ll see dicks), it deals with being a North Korean defector but ending up in an impoverished situation in South Korea, and it ends with a dubious ending you can interpret in different ways.

This is definitely not for the general QL viewers who watch QLs for the cutesy stuff.

And it's trashy. So, don’t watch it.

Dangerous Drugs of Sex (Japan)

Issues/TW: All the trigger warnings! Seriously. I feel like it’s better to say that so you’ll look up the TWs for yourself (if you choose to watch this, which I'm asking you not to) rather than me mentioning a few and forgetting others.

With this film, what others see are all the trigger warnings (and, yes, I see them too, they’re fucking obvious). However, I can see beyond that and watch it for what it is at the core: Two characters dealing with incredible grief.

Grief is a topic that often affects me and I can relate to it because I’ve had to deal with a lot of grief in my relatively short life. Watching a film like this where grief pushes the characters to their very limits will (often) get a special place in my heart, especially if done well. And it’s done very well in this film.

Do I condone the characters’ behaviors? No (especially not Yoden Ryoji’s). But I do understand that grief can send you over the edge (and in some cases throw you off the edge) because I’ve experienced it. I do understand that grief can cause you to make horrible decisions because I’ve done it (though, not this extreme). I do understand that grief can be self-destructive because I’ve been there. This film shows it all. That’s why I love it so much.

Do I recommend you watch this, tough? No. Don’t do it. This is not for everyone. It’s definitely not for those who watch QLs for the cutesy stuff.

But it is for me because I love trash. Especially good trash. And this is the best trash I’ve ever seen when it comes to gay films.

Anything by Scud Cheng

Lastly, I want to mention any film by Scud Cheng because…

And I’m an artist so art means everything to me.

Cheng is a screenwriter and director from Hong Kong. His films, the ones I’ve seen, are gritty, nude, and real. They are more on the art side than the others I’ve listed above, which is why they have a special place in my heart.

They’re also deep and explore themes like introspection (are we doing things because we believe they’re the right thing to do, or because external forces have “brainwashed” us to believe they’re the normal thing to do?), the porn industry and how it exploits young and queer men, death, politics, and love, to name a few.

These are not for the average QL watcher. They’re not for the faint of heart. They’re not for those who want an entertaining watch.

These films require multiple viewings. I’ve watched some once, some twice, and some more times, and I still find new themes and meanings woven into the stories. So, they’re complex and deep.

But, don’t watch them because I know you’ll come at me later. So, to spare us both the time and energy it would take to argue about this shit, just don’t watch any of it.

Now, if you still want to ask me for recommendations after all that, don't tell me I didn't warn you!

[mswyrr]

In the book, where the maester and men's accounts he's drawing on depict Mysaria as a sexual rival rather than a lover to Rhaenyra, nonetheless at key moments Rhaenyra will not form a decision or her own opinion without consulting Mysaria. She comes to rely on Mysaria above all others and is swayed by her on matters of life and death. Rhaenyra even trusts Mysaria's word over the word of her husband in the book.

That never made sense. But if Mysaria is *her* lover, not her rival for Dae/mon's desire, it all clicks together.

Imo in s3 we will get poly in the form of a V relationship where Rhaenyra is with Mysaria and Dae/mon both (and they are not with each other: he was sex work for Mysaria, I don't see her being interested going there again) *however* Mysaria is the primary relationship - the one she trusts most and heeds.

Reasons for this:

1) Mysaria's advising and judgment has proven sound. She has never wounded or harmed Rhaenyra or her cause. She has never doubted her as a good queen. She has never been disloyal.

2) She was there saying "You have me" and sharing of herself with Rhaenyra when Rhaenyea needed that most and Rhaenyra is very greedy and cherishing of that kind of thing

3) She validates and loves parts of Rhaenyra that Dae/mon never has - her desire for authority and command, her complex gender feelings, her toppy side where she longs to be an active, cherishing Lover (as she tried to be with Alicent in their youth) rather than a receiving Beloved in terms or emotional and sexual energy ("he wanted to possess me but he never let me possess him"). Even if he's now come around on some of that, I can't see him able to vibe with and nourish it like Mysaria does.

4) Rhaenyra is bisexual but seems strongly homoromantic and there is a big, enduring place in her heart for a "lady wife" role since her first love, Alicent [I wrote a meta on that here]

5) In 2x08, though Dae/mon had returned to her, it was only Mysaria who she chose to share her doubts and moral concerns with and whose word and judgment she could be consoled by

If they're afraid of more backlash to depicting queer love obviously, we will get that strong emotional bond but the romance and sex implied with only symbolism (like the single dragon Mysaria called "lonely" over their conversation early in the season becoming two dragons happily flying together over their conversation in the finale). I hope we get more. But people do seem to love throwing a fit and raging against canon sapphic love. The creatives won't totally erase this though - haters would have to get everyone fired, including GRRM himself, to completely remove the fact that, in book and tv, Rhaenyra comes to heed and trust Mysaria above all others.

I think (due to book spoilers and their tv characters) that things will get difficult for them and they will not be all fluff and wholesomeness as the war goes on. And I think that can be done in several powerful, fascinating ways. But that's a meta for another day.

[buddiebeginz]

Fandom I'm begging you all to wait and see how the season plays out. Everything right now seems to be pointing towards Buddie and sure I could be wrong but I also think it would be the shows downfall if they didn't make Buddie happen this season and I think Tim and abc know that.

This isn't just about catering to fandom whims this is that since right before s7 they've done so much to put focus on Buddie way more than with any season before. Deliberate choices have been made that if they're not leading to Buddie can't not be seen as queerbaiting. And yes a show with queer characters can still queerbait if they're using a popular queer ship to garner attention and views. Though I don't think that's what's happening here.

The only reason I think more didn't happen with Buddie last season is because the season was short and they got renewed for s8 early. You can tell if you watch from eps 1-6 that they were leading somewhere with Buddie (they had them singing a karaoke love song ffs) but changed gears after getting renewed for s8. At the same time Tim still didn't put more development or focus on b/t so it's not that Buddie happening was shelved (as in it's never happening) it was just paused.

Also I see people spiraling about that pic Ryan posted assuming because he's in a robe and because he put "Don Diaz" on it that it's a reference to Don Juan and this means Eddie is going to be hooking up with a bunch of women. I just don't see that happening. Ryan could have easily just been making a joke or trying to mess with fandom or it could mean nothing. It could be a Godfather reference. Or it could be something like Eddie tries to hook up with a random girl and he just can't do it and then that leads to him talking to the priest. Unfortunately we aren't going to know what that pic really means until the episode airs.

I know we've all been burned by the show (and other shows) before and I get being nervous about what could happen this season. But remember that Buck was supposed to come out in s4 (this has been confirmed by Oliver) and Eddie in s5 (this has been confirmed by the the insider) and presumably that's when Buddie would have happened. Buddie has been in the works for years. The main thing stopping it before was Fox and last season it was just too short to have Buck to come out, Eddie come out, and then Buddie to happen. 10 eps was just not enough time to tell such huge important stories for the show and these characters.

I know Tim and others behind the scenes of the show have made decisions we haven't always loved and maybe it's naive of me to still have trust in them after all this time but it's not just that. I see the signs. If I had seen more effort being put into b/t last season and into promoting them as a couple and especially if I saw that happening this season I'd be a lot more skeptical about the likelihood of Buddie ever happening. But I haven't seen any of that.

This season Tim has talked about how b/t are still together but he doesn't talk about the ship like it's this important thing, he talks about it like T*mmy is just like any other person Buck has dated. Meanwhile Eddie is ALWAYS mentioned when b/t are talked about including by Tim. Networks and showrunners know how to handle these kinds of things. If they wanted to minimize the attention Buddie gets they would have done so. We know this because that's exactly what they did in past seasons while they were with Fox, particularly after Tim left. Instead though since last season they've actually been putting more attention on Buddie, Ryan, and Oliver.

Like I said I get being nervous that something we've all hoped for for a long time might not happen. I know that Buddie and Eddie coming out means more to a lot of us than just some fictional characters and a ship. I know a lot of us see ourselves in them and we also see how important and groundbreaking in a way it will be when they finally go canon. I get why the anxiety around this season is heightened probably more so than any other season before it. We've never been as close to Buddie happening as we are now and that's so exciting but also scary.

But this is why I think we need to take every bts and spoiler etc that we get from the show and people involved in it (including the journalists who review it) with a grain of salt. We just aren't going to know what each episode is about until we watch them. Even when the season starts we need to remember to let the story play out. We might see things we won't like with b/t or Eddie in 801 but there will still be 17 more eps to get through where anything could happen.

We are so lucky that 911 is still on the air with most of the original cast still there and not looking to leave. That all the people that matter Tim, Oliver, and Ryan have all spoken out in support of Buddie happening. I've shipped non canon ships before that just were never going to happen, where showrunners and actors literally made fun of the fans for even shipping it. That's not what's happening with 911. Buddie now is being treated like a legitimate possibility we just have to be patient.

[young-dumb-and-vaccinated]

Okay I know I promised a rant, but it came out like a bunch of bullet points instead, so sorry.

The time skip was entirely unnecessary and makes the job of writing a finale harder

Having the umbrellas split up again undoes all of the character development up to this point

The relationships between the siblings have changed in the interim and needs to be explained through clunky expositional dialog

Why is there no learning curve after six years of not having powers?

There is no reason to include children and it actually works to the season's detriment

The children are non-entities and only exist to motivate Diego and Lila, just like Claire in season 1

The entirety of season 3 was just a testament to how bad at parenting Diego and Lila would be

Watching Diego and Lila bicker about domestic disputes is just boomer humor at this point

Your target audience of queer people do not want to see the people they're supposed to root for abandoning their children

It would have been both entertaining and entirely in character to keep the Diego/Lila dispute to suspected infidelity

Lila moonlights as a FBI agent but Diego thinks she's cheating so he goes through all the woman scorned tropes

This way it subverts the trope and gives us more opportunities to see duplicitous Lila and himbo Diego

I really thought Nick Offerman and Megan Mullaly would bring the energy, but no

I've never seen three hilarious people be so unfunny in my life

I cannot take David Cross seriously as a villain. He is so unthreatening.

Luther is the only one allowed to keep his character development and I just kinda wish they let him keep his wife

Allison is back to being an unrepentant bitch and does not earn the family's trust back

With a title like "the unbearable tragedy of getting what you want", I thought the episode would follow Allison trying to feel like she deserves to enjoy her life with Claire and Ray while dealing with the guilt of selling out her siblings

Considering that her entire season 3 arc was backsliding

But what it actually meant was okay I guess we'll never know

I heard a rumor??? Allison I think I heard a rumor about this guy?

Can we please give Klaus a break

Klaus can now clip into pushing daisies episodes

Klaus is trying to escape from his Angel Dust prison

Five looks like he's twelve

I'm always going to be suspicious of a showrunner that's trying to manufacture situations in which infidelity/incest is okay

Can we please give Viktor something to do

I do not blame him for fucking off to the middle of nowhere

Emmy for Elliot for depicting transmasc rageyt665ikju

I wish elliot would remove my marigold

Viktor has the power every autist secretly wants: to rule the fucking universe

Viktor between you and me I don't think this family is worth saving

Idk if Ben's arc is racist but it sure don't feel right

It's fuckin SHORTER. Why does it feel LONGER.

The no volume balancing is really fucking annoying

It would have been interesting to see hargreeves interacting with more than just one sibling at a time per season

Is being in your family like being stuck in a constant apocalyptic nightmare? You might just be transgender 

[absolutebl]

Love your blog! Do you have any recs for people (me!) who liked: Tale of 1000 Stars, Unknown, Moonlight Chicken, Secret Crush on You, My Beautiful Man, Be My Favorite, Sing My Crush, and We Are (Cute), please? I disliked My Stand In, Love Sea, and Only Friends. I tend to like character driven instead of plot driven stories, and please, no silly misunderstandings or misguided noble morons who break up because a parent suggests it!

Do I detect... a challenge? *rubs hands together* we are playing my favorite game.

Okay, likes:

Tale of 1000 Stars

Unknown

Moonlight Chicken

Secret Crush on You

My Beautiful Man

Be My Favorite

Sing My Crush

We Are

I crossed out the ones that don't fit the trend (outliers) and congratz your wheelhouse is:

moody, atmospheric, angsty, tiny bit cerebral, bit gritty, higher production value, soft focus, lower heat levels but yearning, bit of domesticity, acting chops

Dislikes: My Stand In, Love Sea, Only Friends

Okay not too far into angst, no nasty characters, no dubious tropes or anti-heros, no mame, no high heat, university or older. CHECK! Got it.

Ready?

Right in your damn wheelhouse:

The 8th Sense

(20 points to whoever knew that would be my pull out the gate)

One of the longest BLs Korea has given us (like Blueming) and it feels more atmospheric gay coming of age romance than strictly BL. It’s got a bit of an age gap, country boy/city boy, stellar acting, complex characters, and leads with great chemistry and tension. It’s a bit chewy and sticky and less perfect than most KBLs (do I detect a touch of Taiwan?) This one deployed BL tropes (messy eater, shoulder sleep, protective seme, there’s even some hyung-slinging) but front loaded them with painful backstory and then a ton of angst to drive the 2nd half. This isn’t in the KBL bubble, there’s sharp edges and lots of triggers. For a BL the darkness of the content left me feeling unsettled (which is the only reason it didn't get a perfect score) but it does have a glorious ending and that counts for a lot.

I think you'd really love this one.

Trigger warnings - suicide, loss of a family member.

Blueming

It’s a tiny bit dark and a tiny bit bittersweet, almost too honest to a university experience and first love (for BL), but if you want your mind ever-so-slightly messed with and your intimacy hellishly sweet, this BL will do it for you in a coldly distant manner, while bitch slapping you with self worth issues. I wasn’t into it at first, but the leads are solid and by ep 5 it got really good, becoming a narrative about self discovery meets understanding and accepting others people’s flaws without hurting them. Ultimately, we witnessed two characters maturing because of each other and their mutual affection, without that affection becoming the conflict point. Instead, tension was built around other aspects of identity, popularity, and self-worth. While production values were a touch lower than usual for Korea, Blueming included decent kisses and beyond plus a satisfying ending and come judicious and very elegant use of tropes. It is, in the end, simply a great BL.

Also Bleuming paved the road for 8th Sense and other gritty KBL to follow.

Love For Love's Sake

Isekai-based KBL is about a man who must win a game by convincing a reserved teen outcast to fall in love with him. Of course, that teen represents himself and his own unhappiness. Like many queer narratives, this show is actually about self worth, trust, and found family, and it is VERY on the nose. But I don’t expect subtlety from my BL and I enjoyed it's truly lovely redemption arc and earnest performances. I personally found the narrative a touch disjointed with overworked filming angles and poorer than average captions, but the consistency of tone, script, and immersion is beyond the norm for BL. You will drown in this show and like it that way. The leads have fantastic chemistry and it's ultimately highly rewatchable and utterly charming, which counts for a lot.

Trigger warning - suicide.

Unintentional Love Story

OMG the plot! Uke forced into a totally understandable betrayal, falling in love despite himself, put into a corner he can't get out of, the AGONY, the PAIN in those gorgeous eyes. Gah. Okay, so: A boy loses his job due to trumped-up corruption charges accidentally discovers his ex-boss's favorite artist, now a recluse. Evil manager offers him his job back, if he can convince the artist to rejoin society. Instead, they fall in love. I found the artist a bit stiff and reserved but Gongchan (maknae of B1A4) is a fucking GIFT - he carried this show (which I do not expect from the idol element). He was luminous with extraordinarily expressive eyes, just drown in the emoting abyss. The external conflict, social tension and pressure is complex and beautifully executed, plus Korea gave us legit side dishes (NOT a love triangle, hally-fucking-luya).

My Personal Weatherman AKA Taikan Yoho

You mentioned My Beautiful Man so if you're feel like that energy, grown up, watch this. It's a style of live action yaoi really only works from Japan. Basically: boys who fell in love in college end up living together but both are so repressed they actually don't realize they're in love. It's higher heat than we usually get from Japan's HEA stuff, and that part is also very well done, but it leaned into the "why don't they just talk for fuck's sake?" trope which is only exacerbated into undiluted frustration by the fact that they're already fucking. However, that's angst for Japan. And you like angst. Honestly? It's great, but watching requires more patience than usual, even for Japan.

My Ride

Thai BL grew up with this pulp (the first ever to make my end of year top 10). It’s a truly lovely and special little show featuring the extremely rare pairing of sunshine/sunshine (AKA a cinnamon roll couple) plus mature explorations of relationships using one of the softest, sweetest and most innocent friends to lovers vehicles. Kindly, overworked doctor meets broken-hearted motorcycle taxi driver in an “other side of the tracks” slow burn romance. The support cast is excellent, making for great friendship groups and family dynamics. With honest queer rep that adds to, but doesn’t impede, the story, and genuine conversation about the nature of class, wealth, and classism, not to mention communication, honesty, and respect for boundaries, you can’t go wrong with this show. In other news, I am a sucker for a single dimple.

It won't have the production values you're used to but it is a great show.

A Breeze of Love

Tsundere insomniac grump reunited with his sunshine jock ex (human sleeping pill) who now hates him. Basketball is also involved. While the simplicity of a reunion plot makes this more cohesive than most KBLs, it is a tad stiff and slow, never managing to lift itself out of "pretty, angsty, and pretty enjoyable." I liked it more than I thought I would, and think about it more too. 

Jazz for Two

This was basically what I wanted from Given and didn’t get. So I’m pleased. A solid enemies to lovers BL, where the sins of brothers' past haunts the present. Great optics, decent chemistry, and a tidy script even if tsundere characterization went a bit extreme in some cases.

Trigger warning - suicide.

Like In The Movies AKA Gaya Sa Pelikula

Karl, a student living alone, runs short of funds and ends up becoming housemates with Vald an out and proud chaos gay. This leads Karl into an identity crisis and journey of self discovery. This kind of forced proximity trope is really common in BL, but what Gaya does is handle it in a messy honestly queer way. It includes Vlad’s attitude in response to Karl’s shaken behavior and the frustration many out queers feel. For that alone it has to be applauded.

DNA Says Love You

DNA deserves extra marks for an upbeat approach to a queer story arc that other shows have systemically mishandled with sadness (in the guise of realism). There is a twist, which I found predictable, but knowing what would happen didn't spoil this show. The leads are luminous and engaging, and it’s full of queer found family representation and an unexpected amount of domesticity, plus it’s Taiwan, so the kisses are great. The first few eps are rough going but PLEASE have patience, it's worth it I promise! The second half is really special and life/love affirming - and the end is big-grin charming.

My Tooth Your Love

Earnest dentist hottie with sad eyes who worries too much is smitten by an adorable sunshine neurotic bar owner with serious anxiety issues. They fall madly in love while courting each other with food, plushies, and naps. Then, shocker, talk about their feelings and try to actually sort out their problems so they can have an adult relationship. Bonus crumbs = 18 year old poor little rich kid in mad crush with a much older man. I really enjoyed this show, it had a unique premise, killer dialogue, there was a solid lead pair with charming chemistry, soft flirtation, delightful smiling kisses, and stinkingly cute domesticity. All that said, I wasn’t wild about some of the darker themes it explored, even though it did a good job with them. And while the sides were adorable, they were underused. In the land of May/December, baby boy kabedon is my kryptonite! Why so little of it? (Kabedon is My Kryptonite = also the name of my indie band’s first single.)

Trigger warning - parental abuse.

The Eclipse

GMMTV does gay Blacklist with a good boy/bad boy pairing. This is a good show but the cast is excellent and the leads are absolutely flawless, which elevates it beyond just good. We got a nuanced and multifaceted burgeoning relationship: philosophical (and socio-political) conflict contrasted to moments of empathy; flirtation contrasted to moments of genuine affection, plus plenty of angst. This narrative is less about love than it is about courage and tenderness. However, near the end the pacing was off and the plot frustrating. Still, this is an enjoyable watch, with a finale that features verbal consent and a fun blooper reel.

Never Let Me Go

Bodyguard romance where poor boy must watch over rich boy for family obligation reasons. Simple premise well executed with a few bumps that made it feel like it was trying to tackle too much (when it wasn’t). Still, an enjoyable show that benefited from being handed to PondPhuwin who did a stellar job with their roles and chemistry. Of GMMTV handing out new series to established pairs in 2023 this is one of the most successful IMHO. It's typically Thai in that it's a bit bloated and has a confusing plot, but at least it HAD a plot and the central relationship is solid and loyal. The Our Skyy 2 follow up is great too. And very much adds to the cannon in a fun way rather than feeling superfluous - making this show ultimately 14 eps rather than 12.

Some real oddball and sophisticated suggestions

Addicted (original)

When Chinese BL was good it was very dirty good and when it was bad it was censored. This is the model for that statement: rich kid falls madly for the genius poor kid in his class, starts an aggressive pursuit, includes kidnapping for love, obsession, stepbrother trope, plus some cheating. I love this BL because of what I could have been. Just stop watching it after The Sex Scene. Okay?

It might not be right in your wheelhouse but what even fans forget about is how stunning the atmosphere is with this show. I mean we can feel the cold and the grunge. When they living poor it's REAL poor. It's a super immersive show. Unforgettable.

Began Beginning

Childhood best friends must come to terms with their own identities and true feelings for each other when a new boy comes to town, putting them into conflict with their families and ultimately, each other. For the first half of this show there’s a lot of sitting across from each other and talking about life choices over yummy food and then going to tourist spots (mildly boring and not particularly important to the plot). It changed tone about 2/3 in to be way more of a coming out family drama about forced marriages and homophobia. And then at the very end it changed again, becoming a full on soap opera with kidnapping, crazy characterization shifts, and rescue missions. All in all? It was a wild raw creature to consume as a binge. No kisses since this is Myanmar, but a very romantic end, so I think maybe actually worth your time? I'm certainly glad I watched it.

Stay Still

What to say about this offering from Hong Kong? It’s different, a mix of early CBL, Taiwanese shorts, and Pinoy visuals. It felt like the story was 2 independent shorts that had been lengthen and then stuck together, and I wish they'd been approached as separate and tighter entities. Nevertheless, this was a complex little piece, interesting in a sweaty grungy way, with a certain aura of queer authenticity that made it simultaneously tense, unpredictable, and refreshing. I’m not sure I would necessarily call it BL, but any county’s early foray into the genre usually starts out this way, so perhaps nascent BL? Worth watching, especially if you enjoy stuff from the Philippines and Taiwan.

On the lighter end but probably still in your wheelhouse

I Cannot Reach You AKA Kimi ni wa Todokanai

Classic friends-to-lovers BL is everything Japan does best. Angsty. Emo. Aching. Driven by real thirst. Yamato is deeply in love with his childhood bestie, Kakeru, and has been for ages, unable to hide his ungainly damaging high school need. He wants Kakeru in every way possible and it oozes off of the screen. Kakeru is silly and a little simple, but not frenetic or overly camp about it. He is earnest, and genuinely wants to keep Yamato in his life which means giving a romance (and gayness) a fair chance. We watch him realize his affection and what form it can take in a truly authentic way. This show was impossibly kind to both of its lead characters and I felt almost honored that I got to watch something so lovely and rare play out on my screen.

To My Star

Hwang Da Seul directs this show about a neurotic actor (actual puppy) who takes refuge with a grumpy chef resulting in sparks, cooking lessons, and LOVE! It’s is a touch quirky to get into, but utterly charming once it hits its stride. This is the ultimate grumpy/sunshine pairing plus the most appealing light-filled kitchen of our dreams. I adore this show so much. Limited use of BL tropes makes this feel more of a sweet contemporary gay romance between an actor plagued by scandal and the grumpy chef who adopts him, but the gentleness will appeal to fans of the BL genre.

Old Fashion Cupcake

This show had me from the moment they broke the egg yolk with the chopsticks in the opening credits. It’s about a younger man with a long cherished crush on his boss (ten years older and going through a mid life crisis) who decides to save and seduce said boss with pancakes. It’s wholesome, comforting, sexy, and a very necessary narrative about still having hope, interests, and openness to affection at any age. It’s a stunningly filmed late-in-life comg of age/queerness story packaged in a subtle critique of expectations around masculinity, love, and loneliness... and it’s beautiful.

Cherry Magic (Thai remake) - this is my We Are & SCOY match pull

A soft charming warm hug of a show about crushes and mind reading and self worth that really worked for me. With no-fuss execution from a consummate team (at GMMTV) and an OG lead pair (proving why they remain eternal and deserve to grow up). Look, here’s the thing, Cherry Magic is a great Thai BL in its own right - not comparing it to any other iteration. But even when I do compare (and I've seen all the Cherries and read the manga) it stand strong. I, personally, like the Thai BL slightly better than the Japanese live action yaoi, but I think that’s because I just really enjoy Thai BL's style and I LOVE TayNew. Also all the kissing was both present and better in this version. As it should be from Thailand.

Make a Wish

A doctor who can see the dead strikes a bargain with a wish-granting irreverent tree angel - naturally they fall in love (from Sammon: Manner of Death & Triage). Stars Fluke Natouch opposite not Ohm, but who cares because Fluke has chemistry with everybody. Once again the Thai afterlife is incredibly bureaucratic but I enjoyed the premise and the unfolding of the story (it’s not predictable but still satisfying and with nice little twist). I like that the doctor is just gay AF - fag hag bestie and made of swagger. The cast is excellent but the comedic stylings are a bit overblown and tonally off. It has sad parts and did make me cry but is ultimately happy with a great sex scene, good smiley kisses, and all the agency.

I thought about it but I'm not sure

still you can put these on your "maybe" list

Until We Meet Again

I Feel You Linger in the Air

La Pluie

Restart After Come Back Home

His the movie

Life: Love on the Line

Perfect Propose

Tokyo in April is

Love is Better the Second Time Around

Ocean Likes Me

My Only 12%

After Sundown

I Told Sunset About You

These might be a bit too cerebral, dark, and/or plot-heavy for you. But are worth it if you feel in the mood for something very chewy.

Currently airing

It's set in high school but it scratches the Unknown itch:

The On1y One

Sirs not appearing on this list but if you follow my blog and ask me for tips it's kind of required watching:

Seven Days.

Because everyone should watch it no matter what your taste. So there.

(source)

[olderthannetfic]

Update on the Bridgerton stuff: the online fandom is so homophobic and horrible, and the mods of stuff like the main subreddit refuse to do anything about it (but will remove comments by people upset about the homophobia for "generalizing") that LGBTQ+ fans have had to make their own spaces. There's a whole separate subreddit that bans homophobia called r/bridgertonlgbt, and of course the ones from the main one keep trying to get it banned with false reports by accusing them of "heterophobia" and "doxxing" (re: complaining about their homophobic comments in their own spaces). Assholes who are mad about them making a straight romance from the books lesbian in the show are also doing petitions and flooding like every Instagram post including one by the original author about how she was initially skeptical about such a big change from her books but she's had lots of talks with the showrunners and she trusts them, and has always supported greater diversity in the series. People keep misusing that stupid fucking George R.R. Martin quote (about how creators these days don't do anything original but just warp other people's existing works) when he himself has condemned "the show must be exactly like the books" fan attitudes, especially the racist tantrums around House of the Dragon casting a couple years ago. And on a post by the author HERSELF where she explains why she gave the go-ahead, supports these changes, and condemns homophobia in the fandom! How is she "warping" her own work???

I've heard about this all secondhand from my friend and it just makes me so glad I don't go on Insta or Reddit and instead keep my fandom activities to Tumblr or AO3. Where for all the drama over other things, at least this kind of rancid homophobia you get in spaces where everyone is cis and straight feels entitled to only ever consume straight and cis romance stories (they'll claim they "are okay with gay characters but new ones!" but their example is always like a side character who has an unhappy ending, can you really not get why queer fans are not satisfied with that?) at least that's not so much a thing here. Instead I'll be happily writing Francesca/Michaela and Benedict/male characters slash and ignoring and blocking the haters. And remembering that that show has way more fans than use social media and everyone involved is continuing to refuse to listen to the loud idiots online. Like everyone I talk to about it who isn't super online, most of whom are straight women, think the change is really cool and can't wait to see what they do with it. Some of them have read the books, but most have not.

But god, it just seems like toxicity from top to bottom over there. I really wish a lot of the straight women fans would just admit they don't like a lesbian romance because there's no one for them to find hot. And maybe consider why it's not a big fucking ask to "find something relatable" in gay romances, like gay people have had to do with straight ones for all time. Why must we continue doing that but you're entitled to whatever you want all the time? It's just so weird to see these attitudes still and in fandom in 2024!

--

These attitudes never went away.

On the fanfic side of things, the slashers just happen to have built the currently-popular platform, so the haters have to deal.

[thedroloisms]

I think what's worse about people doing it to Dream is he's very reluctant to call attention to it himself so people do it for him and it's not just with abuse. They'll do it about him being queer or about having rsd and people need to realise if he wanted to use those things as excuses but he doesn't. Like it's okay to recognise the influence those things have on a person but you can't reduce an issue down to a single factor and remove all the nuance.

i mean yeah he "doesn't use it as an excuse" because 1) he'd be crucified even harder than he already is 2) people already make things up in their head abt him using it as an excuse when he doesn't (like claiming he uses his RSD to get out of things, which was particularly hilarious back in 2021 or whatever when it seemed debatable if he even knew what RSD is) (like this is the same guy who like, during every drodcast around that time, would like list off textbook adhd symptoms and then be like 'yeah idk why i do that tho') but ... that's. like.

like the point i was making isn't just "we shouldn't make excuses using his abuse/queerness/neurodivergence because he doesn't do it" -- in situations where a conversation revolving around smth like queerness or victim advocacy or neurodivergence is relevant, then i don't think these topics should be barred from conversation? as an example, people used to get on people's cases all the time about mcc 14 and how you shouldn't talk about neurodivergence in relation to it while dream was like. clearly and obviously overwhelmed and out of it literally almost until the end of the conversation because of the buildmart rework. just because dream wasn't going "wow, this was an overstimulating environment that clashed terribly with my adhd" out loud on stream doesn't mean people couldn't independently hold conversations about how the game was kind of designed to be stimulation hell, with or without relating that conversation to dream.

obviously people should have more tact when they talk abt abuse specifically, re: dream. i just...don't think that throwing his situation into his face (especially as a weapon to use against other people) is in any way appropriate. people can, have, and will use his experiences against him.

but back to my main point, it's less about "not using these things as excuses because he doesn't" and more about "not using these things as excuses when they're not excuses." like. while i understand that being a survivor, being queer, being nd affects literally everything you do...as you said, there's a difference between understanding the impact something like past abuse can have on your feelings and actions and concluding that your actions and feelings are valid because of your abuse.

like. just as an example. if a DV victim acts erratically while details of their specific situation are being dredged up and said person does things out of character for themselves like shutting down their accounts on social media and refusing to acknowledge an important situation Immediately, even if they themselves don't bring up the specifics of their situation, i think it's fair to say "hey yall are lacking any empathy whatsoever to a survivor of DV who is a victim in this current situation, grow up and piss off."

on the flip side, if someone who's been through abuse is harassing people online and doing things like campaigning for them to lose their platforms and refusing to give any information as to why they believe this is necessary or provide any proof outside of "just trust me, they're bad bro" and cries that they're trying to do the right thing because they're an abuse victim...being an abuse victim does not excuse your current behaviors, many of which are enabling and/or encouraging abusive actions and telling people (such as abusers!) that your corner of the internet is a safe place for them to make baseless accusations (including towards their victims) as long as it's towards someone you don't like. which is, you know, fucked up and kinda abusive. i sympathize with the trauma that these people have been through, but bringing up your victimhood is not immediately relevant to the current situation and also doesn't excuse abusive actions.

i hope that made sense?