#truly woman of all time

[rorosdumpster]

degen wip

[c-nan]

i’m obsessed with this

[wingylalkasartstuff]

The Root

[daily-odile]

1,,,, 100 days,,,,,,,,, and 800 followers,,,,,,,,,,,,,

From the bottom of my heart, thank you everyone.........!!!!!!!!!!!!!!!!!!

[hairpinturnn]

HOW IS THIS NOT A WOMAANNN

[moiraineswife]

Moiraine + That Pesky First Oath

1x06 vs 2x05

[pondslime]

Would you rather stay at the Waffle House as a waitress forever?

Elisha Cuthbert as Carly Jones HOUSE OF WAX (2005) dir. Jaume Collet-Serra

[everytaylorswiftsongisaboutcats]

[vigilskeep]

um calenhad aeducan lore. known fondly as prince cal by the people of orzammar and also me. he’s called that after the founder of the theirin line, because after ferelden successfully rebelled against orlesian rule, orzammar was like oh fuck we’ve got to repair that relationship as if we didn’t just sit by the whole time that was happening. so there were a bunch of these kind of uh diplomatic publicity stunts happening around the time he was born. and nothing about his life has ever not been someone else’s angle

his mother was one of endrin’s lesser concubines from a lower status house, and every jealous eye turned in her direction when she bore the king a son. despite that, endrin’s queen took her and the baby under her wing. it wasn’t entirely altruistic. the queen had no sons of her own, so cal could serve instead as her “contender” for heir against trian, the son of her long-time rival, a favoured concubine called lady rosdrada. the queen also happened to be a notable warrior, a powerful reaver, who died years later on a deep roads expedition under mildly suspicious circumstances, with many blaming lady rosdrada. (she was never publicly accused but neither did the king ever marry her and allow her to rise to the queen’s vacant place, a fact bitterly resented by her faction.)

cal’s mother, who returned the queen’s protection and favour with fierce loyalty, was first among rosdrada’s accusers. furious that punishment never came, she changed almost overnight from a shy, humble woman to a politician who could in her own right engage in the life or death battle for succession, raising her son to be the fulfilment of the late queen’s ambitions. he was trained since childhood in both the ways of princely charm and the ways of a reaver warrior, all to be the vengeance of a woman whose face he sometimes struggles to remember. perhaps there was a time, as boys, when he tried to be a brother to trian despite it all, but with his mother’s teachings always in his ears and trian less bearable each year, he’s long since accepted that deadly conflict between them is inevitable. he’s never eager to be the ruthless aeducan prince, but he’s always done his duty, however ugly. he never turns down the foul-tasting reaver concoctions, or quakes when he’s sent to the deep roads. he always defends his house’s honour and makes the point in blood. anything less is death; his mother tells him so

he doesn’t truly want the throne. he just wants more than anything to have the weight of expectations off his shoulders, and to no longer dread that his mother, his second, and all who support them will pay the deadly price of his failure. he’ll jump blindly at the chance to get this fight over with—and that’s all the opportunity bhelen ever needed

[nanaten]

if you hate nana mother 3 you will die and go to hell

[bethanyactually]

sometimes I boggle at things the fandom Youths™ don't seem to know these days, especially in an era where virtually anything you want to look up is a mere internet search away and then I realized: it's because bored tweens don't have to resort to reading old issues of Ladies' Home Journal or Glamour in waiting rooms anymore

[haunted-xander]

Ryne and Gaia are like. Such good parallels and foils to each other it makes me just a little insane.

Like Ryne is sweet and caring and she always wants to help others and make them feel better even to the detriment of herself because she has seen and known suffering and doesn't want others to have to live like that too. If she can make someones life better, even if just a little bit, then she will. But she also puts everyone elses well-being and feelings so far above her own that she often ends up trying to help in a way that doesn't actually solve anything because it still ends up with someone hurt (such as trying to properly fuse with Minfilia knowing it might end up with herself disappearing). She's not a doormat, but she does have some people-pleasing tendencies.

Gaia, however, is the exact opposite. She's prickly and sarcastic and thinks of herself and her needs first and foremost, everyone else is secondary. It's not that she's cold or uncaring, she doesn't ignore people's problems, she just doesn't see them as her business most of the time (A product of being raised in Eulemore most likely). She doesn't consider the long-term outcome of what she does or says, she lives solely in the present and the future is a problem for when it happens.

These opposite traits also play into each other. Ryne inspires Gaia to care more about others and Gaia inspires Ryne to prioritize herself more. Gaia makes Ryne live more on the moment without thinking solely of what the future will bring, and Ryne makes Gaia think more on what her life will be going forward and to actually consider what she does and says and how that affects things. They feed into each others good traits (Ryne's caring nature and Gaia's sense of self) while also helping them deal with the bad traits (Ryne's people-pleasing and Gaia's aloofness).

Their pasts are good paralells too. Ryne was isolated and lonely until Thancred took her away but even then, he was distant and emotionally neglectful, so she ended up lonely in an entirely different way. Gaia had a family and caretakers that she wasn't particularly close to, but after the 'Fairy' started talking to her they got even further away until she couldn't even remember them, and the 'Fairy' was the closest thing she had to a friend even though it was what isolated her to begin with. Ryne had constant companionship but no support, and Gaia had 'support' but no companionship.

Even just. Regarding the whole identities thing they are just. Perfect. Ryne has lived with Minfilia's shadow on her shoulder her entire life and never got to learn who she actually is. She thought that she had to become Minfilia for her life to be worth anything, that it's the only way her existance is justified. The person closest to both her and Minfilia(Thancred) indicated(in her mind at least) that he wanted Minfilia to be here in Ryne's stead(which wasn't really the case but she didn't know that). The only way to get her out of that shadow was to remove her from the identity of Minfilia, hence why her new name is so important(as well as the hair and eyes being her natural colors instead of Minfilia's all too recognizable ones).

But Gaia didn't even know about Mitron or Loghrif until Eden. She had the 'Fairy', but to her it was just some voice in her head which was nice enough to her. To her, Loghrif is just some lady Mitron loved, she has no real connection to her. She has a connection to Mitron, both as the 'Fairy' and as remnant feelings from Loghrif, but none to Loghrif herself(aside from the obvious reincarnation stuff). Gaia has always been her name. It may have been Loghrif's originally, but she is so far removed from that identity that even for all of Mitron's effort to 'return' her to Loghrif, it'd never work. Loghrif is Gaia, but Gaia is not Loghrif. Simple as that.

Eden's story works so well because Ryne and Gaia are opposites in that specific way that compliments each other, rather than pits them against each other.

[a-menaceinpink]

read the green bone saga this week and i’m just saying. if you want an in-depth political fantasy mafia thriller (yes all of those words apply) set in a post colonial nation that is navigating an unsure global political position and the potential exploitation of its culturally significant resource that simultaneously explores the bonds between family and how they can take different shapes in the wake of loss and love and life, with brilliantly developed, fleshed out characters and realistic pacing (both in world and in the actual delivery of the story). i HIGHLY recommend.

[okartichoke]

wanted to share the calendar my uncle made using quotes from my 4 foot 9 grandma who i’ve only heard swear once in my life,, girlie uh.. has a feud with rabbits, to say the least (5th image is my personal favorite)

my uncle made a copy for everyone, including, apparently, my grandmother herself

[wonder-worker]

Here’s the thing I need people to understand:

Even if we believe that the (entirely unproven and far too politically convenient) pre-contract story between Edward IV and Eleanor Talbot was true, it doesn’t actually matter. Even if it was hypothetically true, there was still no reason why Edward V – who was already King at that point and was referred to as such – couldn’t have been able to succeed his father regardless.

David Horspool (Richard's own historian) summarizes it better than I could, so I’m just quoting him here:

"[Richard also made] no allowance for any potential solution to the problem that might have re-legitimized Edward V and his siblings. These included securing a retrospective canonical or papal judgement of the invalidity of the pre-contract; an Act of Parliament legitimizing the children of Edward and Elizabeth Woodville’s marriage, as happened to Henry VIII’s variously tainted offspring; or even ignoring the issue and proceeding to the coronation of Edward V, which would legitimize him by making him the Lord’s anointed, and render allegations of his bastardy as newer versions of the old tittle-tattle about his father."

In short, even if Edward IV truly had a pre-contract with Eleanor Talbot, and even if all of his children with Elizabeth Woodville were supposedly illegitimate, it should by no means prevent Edward V from succeeding his father to the throne. If Richard truly wanted to support his nephew, he had a variety of useful and entirely workeable options to choose from. Instead, he officially declared his nieces and nephews (including a literal 3-year-old) illegitimate, kept Edward V and his even younger brother confined in the Tower of London, and declared himself King.

Why didn't Richard take these actions, all of which he would have been well aware of? As Horspool says simply: "that Richard took none of these courses was because he had no interest in doing so."

The ONLY conclusion we can come to based on Richard's actions is summarized most succinctly by A.J Pollard:

"The truth of the matter is that Richard III did not want Edward V to be legitimate because he did not want him to be king."

[kindalikerackham]

Eleanor is the ultimate controversial white woman character.

She has a sex scene with a beautiful prostitute in first episode. They almost run away together. She tries so so so hard at making it in a man's world and meets resistance at every turn.

She thinks she's quite revolutionary, she thinks she's saving Nassau, she thinks she's showing all those fucking men that a woman can do it, she thinks she's so counter-culture by trusting a slave as her mentor, she thinks she's doing it for love of a place and love of people.

But. She's doing it for daddy issues, to be the business-owning son her father never had. She's doing it to please her own ego. She's doing it whole throwing friends and former lovers under the bus. She's doing all this WHILE OWNING SLAVES. She eventually tries to fold into the nice wife shape and it creaks and aches at her. She is an ally to other marginalized groups until it forces her to be truly uncomfortable or give ground.

People hate her because she's a gaslight gatekeep girlboss (and they're right). They love her because she feels so real, because she can never see and define her own shape, not really (and they're also right).

She's caught in a cage of white patriarchal making, and she sees it and she doesn't