#trilogy!logan

[lostinlovingrevery]

Somnolent

Trilogy! Logan X F! Reader

A/N: I started writing this while half asleep last night so if there's some parts that seem odd. No there ain't...

Plot: Logan comes back home to you late at night...

Warnings: SMUT, 18+! MDNI, sleepy sex, unprotected PiV, creampie, light cockwarming at the end (watch out for UTIs), fingering, there's some fluff too!

Word Count: 2497

The mansion late at night was always a bit unsettling.

The halls usually filled with kids and teenagers, chatting, laughing, and running about, were empty and quiet. Lights throughout the school dimmed to a lower level, making the halls and most rooms shadowy and dark. It didn’t mean everyone was asleep, but for the most part, the school was tucked in.

Logan quietly stepped inside. He has come back from a solo mission, something to do with getting some info regarding a young mutant that has taken up cage fighting and using the advantage of their powers to win fights. 

Sounds eerily familiar. 

Except for the young part. 

Charles thought Logan would be perfect for the job, considering he had a “career” cage fighting even though Logan insisted that no, it wasn’t a career it was just a way to make some money. Nonetheless, considering Logan had agreed to stay at the mansion and help out after some…various incidents, he told Charles he’ll see what he can do. 

Kid was just some misled youth, believing he was some freak of society and ran away from home. Logan wasn’t really good at helping people through life crisis- considering he was in his own. Gave him some honest advice, and in the end kid ended up deciding to go back home to his parents. Job well done. He did invite him to join the school- purely because Charles told him to offer the invitation, but he declined. One thing at a time.

Hearing the sound of the tv playing, he peeked inside to see the same boy as usual - who claims he doesn’t sleep, watching tv, flipping channels with the blink of his eyes.

“TVs gonna rot your mind bub,” Logan mutters as he watches the channels flip through. 

“Nuh uh.” He mutters. 

“Couldn’t you just read a book?” 

“I read in the day.” He says. He blinks again, and an old cartoon is playing, which Logan recognizes to be ‘The Flintstones’. The boy settled deeper in the couch, seemingly satisfied by the channel he was watching. He scoffed, a grin coming across his face as he shook his head, turning back to go towards the stairs. The wooden steps creaked under his weight as he walked up the stairs. 

There was one thing that had been on his mind the entire time he was gone. The sweet little thing that has really become the sole reason he decided to stay- although he hasn’t told you that yet. 

He stopped at the door that belonged to your bedroom. Cracking it open silently as he peered inside, and he could make out your sleeping figure under the sheets. Stepping inside, he dropped his bag to the floor silently and closed the door behind him. He walked around the bed, his eyes not leaving you as he got closer. 

You were sleeping peacefully on your back, one arm resting across your stomach, the other, folded behind your head, which was turned to the side- facing him. Your hair was messy, your lips slightly parted and your breathing was slow and even. 

You looked beautiful, so peaceful. Different from your usual chaotic self when you are awake. Part of the reason why you grew on him so much. You knew how to push his buttons, but you also knew how to calm him down (Especially when Scott gets on his nerves). You’d been his grounding force since the first day he showed up. 

He leaned over her, his arm bracing himself above you, resting on the headboard as he took in your features. For a long while, he’d been lost in himself. No memories of who he was, or what had happened to him so many years ago that haunts him in his nightmares. Through a series of unfortunate events, he got to discover what happened to him- and you held his hand the entire time. 

Stirring, you slowly opened your eyes, blinking a few times at first being unsure of what you were looking at until Logan’s face came into view. You smiled sleepily, 

“Lo.” 

“Hey baby.” He greets coos. It was then how it occurred to him, how lucky he felt to be able to have you to come home too. Home?

“Mm..” You groaned, stretching your arms above your bed, arching your back in a big stretch. 

“Hm, someone's sleepy.” 

You nodded, closing your eyes with your arms folded behind your head. Logan's eyes lingered downwards, noticing the strappy nightie you were sporting. “What time is it?”

“Late.” He says, his hand coming down to gently pull the blanket from you, exposing the upper half of your body to him, and he felt himself getting hard. The nightie you were wearing, a cotton white, with lace along the hem of the collar, a sweetheart neckline that perfectly accented your breasts. The nightie you had on wasn’t particularly sexy, but Logan was pent up. He’s had to use his hand, getting himself off to the thought of you nearly every night since he’d been gone. 

“How was your trip?” You asked, your voice pitched higher due to your sleepy state, a small yawn escaping you. He looked down at you with half-lidded eyes, 

“Fine. I missed you.” He mutters, leaning down to bury his face in the crook of your neck. Sounds of your sleepy mirth made him smile, and he began to press kisses over your shoulder. 

“I missed you too.” 

“Course ya did.” he mutters, and your hand smacked his, eliciting a warm chuckle from him. His hand came up, fingers hooking under the strap of your nightie, sliding it down your shoulder, as he pressed kisses downwards towards your chest. “This is a cute lil thing you got on bub. New?”

“Bought it for you.” You hummed. He sat up, looking down at you with a grin, and you were looking up at him with a sleepy smile. 

“That so?”

You nodded slowly, closing your eyes again, struggling to stay awake. He felt his dick twitch, watching your dozy form attempt to stay awake for him. He chewed on his lip, before returning to press kisses over the top of your chest again. One of your hands came up to curl into his hair, encouraging him to keep going. His lips pressed in the space between your breasts. 

“Baby, can I show you how much I missed you?” He asks, his voice low- tittering into begging. He looked up, watching your reaction and you nodded. 

He excitedly stood up, shedding his jacket- dropping the leather to the ground, and kicking off his boots before his hands came to unbuckle his belt, and unzip his pants. He pushed your comforter off, and you spread your legs for him, as he eagerly climbs onto the bed between them. He didn’t even bother taking his clothes off, as his lips met yours. 

He kissed you languidly, as you attempted to return the effort, but being half asleep as you were- it was fairly messy. He chuckled against your lips, nipping at them gently. “Someone sure is tired.”

“Uh uh.” You shook your head, brows creasing angrily with a small pout- but your eyes, shut tiredly, fought against your denial.

“Don’t worry about it bub, just enjoy the ride, I’ll take care of you. Show you how much I missed ya.” He purrs, pressing soft kisses to your cheek and back down to your neck. He nipped and sucked at your neck, creating small purple bruises, as his hand trailed down your side, lifting the hem of your pretty nightie up and his fingers traced your inner thigh, before reaching your folds. “Hm, no panties. Dirty girl.” 

“Mm. I did that for you. In case you came back.” You mutter. 

“You spoil me doll.” He mutters, leaning to press open mouth kisses along your jawline, up to your chin, as his fingers began to circle your clit, gathering wetness on them, as he rubbed you and opened you up. You took a sharp breath, as you felt pleasure begin to envelope you. You brought your hands up to your pillow, softly gripping them as you bit your lip. His fingers traced down your folds, reaching to your hole, and he carefully slid one finger inside you. “So tight baby, gotta open up for me.” 

Your hips lifted involuntarily as he began working you open, stroking his finger in and out of you, curling it to hit that sweet spot inside of you that made you moan, and your grip on your pillows tighten. 

“Lo-” You whined, 

“Shh, I know.” He hushed, pressing a kiss to your pouty lips. He slid another finger inside, moving them inside and out in a thrusting motion, before scissoring them open inside you, stretching you open and you gasped. 

“Lo,” You moaned again tipping your head to the side. He grunted, pulling his fingers out and sitting up. He pushed his jeans down, his hard cock came out, popping against his stomach, with dribbles of pre-cum rolling down it. He took himself in his hand, lubing himself up with your arousal and his pre-cum together as he stroked himself. 

“Fuck, hadn’t stopped thinking about you all week baby.” He groaned. 

Your relationship, while still new - had been nothing but passion, and trust. You and Logan just seemed to get each other without having to say a word. Communication wasn’t Logans forte, never was as he began to realize as memories of his long life slowly come back to him. A random scent triggers back to something distant, his childhood home. A song that reminds him of his time in the 70’s, with a woman who led him to become like his now, long since dead and gone. A sound of a low flying plane, reminding him of the wars he’d been apart of. It was a lot- the mind can only remember so much. You always were patient with him though, talked him through everything. He’s addicted to you.

Climbing forward, he pushed your thighs wider,  and lifted the skirt of your nightie to your belly, exposing your lower half to him. He felt saliva filling his mouth, the urge to taste you crawling up his spine, but his cock throbbed painfully and he decided that eating you out like you were a rare delicacy was going to happen later. He leaned over you, an arm braced by your head, his free hand pressing the tip of his cock into your hole, slowly pushing inside- a loud hiss escaping him at how tight you felt. 

“Mm!” You moaned biting your lip, you turned your head to the other side. You were still half asleep, aware of what was happening, but your sleepy state made all the pleasure Logan was giving you 10 times more intense, as you drifted in and out of falling asleep and waking up again. Your body felt limp, Logan resting over you keeping you warm like a blanket. If you hadn’t been talking to him first- you would’ve thought this was a dream.  A very wet dream.

He continued moving deep inside until he bottomed out, and he buried his face into your neck, his arms moving to wrap around you and hold you while he fucked you. His pace was slow at first, pulling out almost to the tip, before pushing back in - molding space for his cock inside you.

Your arms lazily wrapped around his neck, one hand burying into his thick curls, as you bit your lip, small whines escaping you with each thrust. You felt incredibly relaxed, being surrounded by him- his voice cooing in your ears, his scent overwhelming your nose, his cock stretching you open so wonderfully. Hitting that spot his fingers were rubbing just moments ago. You brought your legs higher up, wrapping them around his waist- desperately wanting him to stay buried deep inside you as he thrusted slowly. Being around Logan felt nothing but safe, which was something you’d always yearned for. Safety in your life, due to living in a world that hated who you were. 

Harsh pants escaped Logan, his hot breath on your neck as he began to thrust faster, he wrapped his arms around your waist, your hands burying into his hair. 

“Goddamn baby- you feel so good. So fucking good.” He groaned. He was rutting into you, barely pulling out. “So damn wet and tight- you’re all for me aren’t ya?”

You whined, desperately nodding your head as he kept hitting that spot inside you over and over. Your nails dug into his scalp, pulled at his hair, making him moan- then pain of your nails scratching him spurring him on as he began to go faster, his hips slamming into your thighs, lewd wet noises filling the room. 

“Logan-” You whined tipping your head back onto your pillow. He grunted, pressing his forehead into your shoulder. 

“Fuck.” He hissed. “Cmon baby, cum for me. I need you to cum- please-” He whined. Your legs were trembling, his deep thrusts leaving your body to start going numb. “You’re all mine, you know that? All fucking mine-” 

The tight thread pooling in your lower tummy snapped, as waves of pleasure shook your body, wetness splashing onto him, effectively soaking the both of you. You whined his name, arching your back towards him, and he bit down on your neck, thrusting inside you once more, before he let out a loud- very loud, cry of pleasure, panting as he came deep inside you, his warm cum painting your walls, so much of it that it begins to spill out of your hole, still stuffed with him. 

He collapsed against you, his cheek pressed against your chest, a small bit of drool escaping him as he recovered from the waves of euphoria that was still crashing through him. You body went limp, legs unwrapping from his waist, hands falling to either side of your head. 

“Fuck.” He hissed. “See what you do to me bub?” He slowly pushes himself up. Leaning forward to press his lips over yours. You hummed in response. He brushed some hair out of your face, pressing another kiss to your lips. “Lets get some sleep.” He mutters and you nodded. 

He started to pull out of you, but you whined. “Stay in.” You say. He chuckled. 

“You sure?” 

“Mm.” 

“Alright.” He wrapped his arm over your waist, turning to his back and bringing you with him, lying on his chest. “Comfortable?”

“Mm.” You nodded, now more sleepy than ever in your post-coitus haze. He pulled the comforter over the both of you, his hand softly scratching up and down your back, his other hand resting on your hip. Your cheek pressed to his chest. “Lo?” You mumbled. 

“Yeah?”

“You’re mine too, right?” You asks, you were drifting off to sleep, your voice barely a whisper, but he understood you.  

He smiled. “Yeah sweetheart. I’m all yours.” 

[hyper-fixates]

no specific context—just pick your fav!

[v1rtualv4mp]

OKAY PEOPLR I NEED TO RANT A LITTLE BIT

I WATCHED THE DEADPOOL & WOLVERINE MOVIE YESTERDAY AND WHAT THE FUCK WHY IS BLADE THRRE

MY AUTISTIC ASS FULL ON WENT ABSOLUTELY BONKERS THE MILLISECOND HE APPEARED ON SCREEN I ALMOST FUCKING SCREAMED I WAS SO EXCITED I COULDN'T BREATH THEN I LEFT THE MOVIE THEATER AND I SOBBED FROM EXCITEMENT OVERLOAD

It was quite nice, actually

AND THAT MAKES ME SO SUPER VERY HAPPY BECAUSE NOW MAYBE THE BLADE FANDOM WILL COME BACK‼‼‼ THIS SHIT'S BEEN DEAD FOR 20 YEARS

[noblecorgi]

2024: A Re-Entry to Fandom

I guess this is a thing? (Oh shit this brackets bit was written at the end and I appear to have emotionally vomited an essay. Sorry ‘bout that.)

In late 2023 I experienced a personal tragedy and retreated to where I had always found comfort: books.

I read a series that had been recommended to me before, but I hadn’t had time to read it - The Simon Snow Trilogy by @rainbowrowell and it awoke a dormant-but-never-forgotten love of fanfiction in me.

In my teens and early 20s I wrote a lot of fan fiction on the ol’ FF net, all of it of atrocious quality I’m certain, which is why I haven’t tried to rediscover that account.

Instead I found AO3, and restarted regularly writing for fun instead of for work or study/research.

I didn’t do any summation for 2023 because I think my first fic was posted on like 10 December 2023, but AO3 tells me I wrote 4 works, all SnowBaz, at a total of 55,154 words.

In 2024, I’ve published 5 works, at a total of 94,323 words.

What truly blows me away (and honestly makes me a bit teary) is the 1013 kudos, 100 subscribers (inc 15 subscribers to just me rather than a fic!), and 222 comment threads on my works. 🥹

So: my 2024 works.

Use your words, SnowBaz, Rated: E, 3,930 words

A smutty lil gift fic wherein Baz teaches Simon how to sext.

Splendid Morons, SnowBaz, Rated: E, 12,886 words

Published for Erotic Grope Fest, aka Baz’s birthday. A collaboration with @alexalexinii and a story written to enable their amazing art of Baz in lingerie.

Precious to me for not only getting to work with Alex, but also for being the beginning of my relationship with Becky @rbkzz, my incomparable beta who has become one of the dearest people in my life.

On The Rocks, SnowBaz, Rated: E, 74,592 words (WIP)

My opus, as it were. It originated from a fluffy cute prompt of “what if Baz and Lady Ruth were work besties?!” And I came along like “YEAH! But with trauma, exploration of love in mental illness, and alcoholism!”

I began posting it in March and it’s about 2/3 done now. But for Becky it would be both an absolute pile of horse poop, and an abandoned WIP. Instead it has a clear direction and she found motifs that I’d repeatedly used by accident in my drafts and built imagery, greater meaning, and also debated me ad nauseam on my preference for spelt over spelled.

Immune Response, @lumosinlove’s Cubs, Rated: G, 1,421 words

I was a big consumer of WolfStar in my teens and was recommended Lumosinlove’s Sweater Weather and, like many before me, fell in love with the story, the original characters, and ice hockey itself (much to the surprised glee of my Canadian spouse, who for a decade has tried in vain to get me on board. Little did he know the key was obviously gays.)

This is a lil’ slice of life sick fic examining how each of the Cubs responds to getting sick.

I have a lot more unpublished drabbles about these characters and some fics that are being cocreated so stay tuned for 2025?

Preliminary, my dear Basil, SnowBaz, Rated: T, 1,494 words

A gift fic for @martsonmars as part of the Carry On Discord’s Secret Snowflake Exchange.

Among their suggestions was “Sherlock AU, but not BBC Sherlock, 19th century Sherlock” and it hooked me with the idea that Baz would absolutely fancy himself as Sherlock. I actually sketched out a plot to SnowBazify 4 of the Holmes stories, so maybe 2025 will see them unearthed.

There is one other published fic I worked on this year, but as a beta rather than a writer for @swoopswrites @rsbigbang piece Class A which was super fun to do (and got me to watch a great series - The Gentlemen on Netflix) and Swoops has a fantastic mind so I’d encourage you to to check it out.

Finally, I have always been a writer rather than an artist, but I do enjoy drawing, and the need to upgrade my iPad for work arose and so I also tried my hand at drawing again for the first time since I was 17 or so.

In order from the first one to the most recent one, the lil scribbles I did this year:

Penelope Bunce, Wolfstar on a train, Baz with coffee, cuddly Cubs, FinnLo being adorable, iconic Moony with a cane, emo Sirius Black.

And THAT was 2024 (and 2023).

@artsyunderstudy @asocialpessimist @angelsfalling16 @whatevertheweather @edenalix @emjaydellyone @erzbethluna @emeryhall @run-for-chamo-miles @raenestee @rimeswithpurple @roomwithanopenfire @thehoneyedhufflepuff @theearlgreymage @thewholelemon @lonleyhumanbeing @letraspal @you-remind-me-of-the-babe @youarenevertooold @iamamythologicalcreature @ichooseyousnowbaz @ic3-que3n @ileadacharmedlife @onepintobean @palimpsessed @prettygoododds @philaet0s @pacey-bunce-loves-joey @sorenphelps @skee3000 @stitchy-queerista @fiend-for-culture @facewithoutheart @fruitcoops @girlwithcurls96 @hushed-chorus @hihimissamericanbi @cutestkilla @cosmicalart @confused-bi-queer @noopienoopiernoopiest @messofthejess @monbons

[martianbugsbunny]

Guys. The most intimate thing anyone can possibly do for Logan Howlett is to kiss his hand. His knuckles even. That's literally saying here, let me show you not just how much I adore you, but also that I trust you not to break my skull and stab my brain

[resident-idiot-simp]

BROOOO I FORGOT WHISTLER HAD CANCER IN THE FIRST BLADE MOVIE.

We appreciate easy angst in this household.

Blade who smelled the cancer on Deadpool as soon as he was near and it broke his heart as he remembered his mentor. Then when he reluctantly enjoyed the idiots company and even more so when he saved them from the void.

He asked Logan about it one day. Logan too knew the smell and he to was worried.

One day Logan and Blade were hanging out in Wade's apartment while he was out collecting money for a job he and Logan finished. Althea just casually asked when the cancerous tumor would be back.

Blade and Logan looked at one another with wide eyes. "You know about the cancer?" Logan asked tentatively.

"Of course I do one of the first things he told me when I met him. He had super cancer and now he couldn't die."

Logan looked positively startled. Blade spoke up next. "What does the cancer have to do with him not dying?"

"Oh he's dying he's constantly dying. It's just he's constantly regenerating cancer. Pretty sure it's because of you actually Logan or at least this world's Logan."

Logan looked at Blade with big eyes and Blade was even more curious now. Blade likes Althea she reminded him of Whistler in her own ways.

"What do you mean It's because of me?" Logan asked sounding as if he dreaded the answer.

"Off shoot of Weapon X got him if I remember right he said they used your DNA." Al said flippantly.

Logan felt his heart drop and a growl threatened to escape his throat and Blade held back a hiss.

"How did the offshoot get him?" Blade asked. Al sounded somber then as she answered. "The cancer. He was dying he was desperate and they convinced him they would save his life and cure it make him a hero."

Logan couldn't stop the growl then and Blade bared his own fangs with a hiss of displeasure.

[beforetimes]

something or other about logan being soft on kids. being the first to step away from violence in origins: wolverine when it looked like they'd have to slaughter an innocent village for stryker. making sure to send someone off to ensure the kids held on strkyer's island would get away safe and unharmed. making sure again (this time without memories of who he was) that the kids in the x mansion were safe when suddenly getting raided in x2. smaller thing but being the only one to thank peter after he broke erik out of jail and saved them from certain death by plastic bullets. finding rogue in his trunk and not having the heart to abandon her. being a flight risk but constantly coming back to the x mansion to check on her and leaving her his dog tags so she knows he has a reason to come back and to drive the point home to her that logan isn't abandoning her and he wouldn't abandon rogue and fighting as hard as he could to keep her alive even at the risk of his own death (in x-men (2000)). i think it's a veryyyy important part of his character in the x-men movies that he acts tough but has more bark than bite when it comes to keeping the kids safe. especially when he's boiled down to being nothing but an animal by himself and the enemies around him. very important to me that he retains softness he can't hide around the kids

[binbonsescape]

Songs for You | The Bowery Ballroom - New York (February 10, 2023)

[s4turn-isl0st]

was cleaning my depression room finally and decided to watch the deadpool trilogy to pass the time. as i got to the bridge scene when he breaks the fourth wall, i made a realization.

Transcript:

Deadpool: (to audience) Oh! Oh, hello! I know, right? Whose balls did I have to fondle to get my very own movie? I can't tell you, but it does rhyme with "Pulverine". And lemme tell you… He's got a nice pair of smooth criminals down under! Anyway. I got places to be. A face to fix. And, oh! Bad guys to kill.

And that, dear tumblr, was foreshadowing none of us realized.

[artist-issues]

you're fun to talk to about media so I've got something to ask.

what do you think of this trope where a lie or misconception becomes commonly accepted as truth by the characters in story? especially as a resolution.

example: in the finale of "Kubo and the two strings", the Moon King(main villain) loses his memory, so when he asks who he is, the townspeople lie to him and say he was a kind member of the community, rather than the dictator he really was.

I don't like it. I see a falsehood being widely accepted as a tragedy, and I'm just left imagining what happens if/when the characters find out the truth. I can't really take something as a happy ending when it's.. y'know, fake. I imagine you feel similarly.

but hey, I could have totally missed the point of the ending of KATTS, if you watched it, you might have seen something I didn't.

I haven’t seen Kubo in a really long time; I don’t think I was thinking critically about it the first time I watched it, so my opinion now is an afterthought. I’d have to see it again to be fair!

…But I do seem to remember that the villain is defeated with some importance placed on memory. And the identity of the monkey and that beetle warrior also have to do with the sacredness of memories. So, if that’s the case, then yeah, taking his memory away as a “good resolution” can kind of hamstring the whole theme of the movie. Unless you tilt your head and squint and go, “no, see, if all you have is bad memories, then it’s just as powerful to take those away—the point is, memories have power either way!” But even that feels a little half-baked, gymnastics-brainy.

Basically, I agree with you. A story that resolves with a character, or characters, accepting a lie as truth is always going to be a fumble of the whole story…unless it’s intended to be a tragedy, a cautionary tale. I can think of three where that’s super evident.

1 ) A Streetcar Named Desire

In this movie the main character, Blanche, is lying about who she is, for the whole story. She even has this great symbolism thing with light—she hates bright light, on the surface because she’s vain and doesn’t want anyone to see signs that she’s aging. But under the surface, the character is really an immoral, lust-filled, broken person who knows she can be cruel and isn’t deserving of love. She doesn’t want anyone to know that side of her. She hides it all under vainglory and pride. So she pretends to her sister, Stella, that she’s upright and moral and has simply fallen on hard times. But her sister’s brute of an abusive husband, Stanley, who is always 100% his authentic, awful self, sees through Blanche when she comes to stay with them. In the end, Stanley rapes Blanche and then carelessly shrugs her accusations off.

The main point of this example is that Stella, the wife of the rapist Stanley, has been portrayed the whole movie as sometimes-leaving her abusive husband…but only as far as the apartment above their own, literally right above him, so that she can easily go back to him. And at the end of the movie, when Blanche is being taken to a mental institution because she’s broken-down after being found-out as a fraud, then raped, Stella lets them take her away. And then Stella goes up to the apartment above, where she always “pretends” to leave Stanley. It’s such a halfhearted, lazy way to end a movie that’s all about desire-versus-truth. Because what it implies is that Stella is leaving Stanley for now, like she might believe that he raped her sister…but she’ll eventually go back to him. And in the meantime, Blanche goes off to the mental hospital, with this iconic line “I have always depended upon the kindness of strangers.” By which she means, “strangers don’t know what a two-faced monster I really am, so I can con them into thinking I’m a morally-upright woman fallen on hard times, and they’ll take pity on me—so sure, I’ll go with you, strange doctor I’ve never met.”

The central point of the movie is “as long as nobody looks the truth in the face, everyone can go on getting what they desire.”

Of course, that’s true. But the other truth is that, if Stella accepted what her sister and her husband really are—her sister is broken and her husband is a monster—then she could choose to rise above “animal desire.” She could choose to take care of Blanche, and Blanche would see that “someone seeing who I really am” doesn’t always have to lead to ruin and damnation. Stella could then, also, choose to really leave Stanley, for good, and be at peace, while Stanley’s “desire” would be rewarded with ruin.

But instead the opposite is what happens. Blanche goes away believing, in her broken mind, that her womanly wiles and faking will protect her from further injury, even though they never have—Stanley ends the movie exactly where he began it, screaming for Stella to come back and knowing that she will—and Stella, too, ends the movie going away from Stanley…just for a little while, until animal desire convinces her to just pretend Stanley isn’t really a monster, Blanche must be crazy, except this time, when she goes back, she’ll be carrying a child into that abusive lie.

All characters wholeheartedly embracing hurtful lies so they can keep riding their desires. I hate that movie. You could see it as a cautionary tale. Most don’t. Most see it as a movie with “hot Marlon Brando” who “really loves Stella—all the characters ‘really love each other,’ they just don’t know how to express it healthily!” 🙄

I think the worst part is that the movie behaves as if it is true that every time Blanche reveals her own brokenness or is vulnerable, the world STOMPS on her for it, nobody loves her despite her brokenness. That’s the real mistake this movie makes. It has an opportunity to show unconditional love and it leaves the audience thinking Blanche was right, and there’s no such THING as “unconditional” love, instead.

Anyway.

2) X-Men Origins: The Wolverine

This one is less thematic. But it’s just dumb because the whole movie the main character, Logan, Wolverine, is being taught that “Giving in to Bloodlust Makes You an Animal—Compassion For Those Weaker Than Yourself Makes You Human.”

So in that context, the whole narrative is centered around the exploration of “Who is Logan/Wolverine?”

…Which makes it really stupid that the movie ends with him losing his memory. So…the movie asks “Who Are You?” and right after the character figures it out, he forgets and ends it with the answer: “I don’t know who I am.”

That’s just a waste. That’s silly. It allows you to take the character to real, hearty, coming-of-age, hero-forged-in-fire, a man-born-of-tragedy places…and then just shrug all that stuff off at the end. “Never mind. But it was a fun ride, wasn’t it?”

Especially because they built it all around the dichotomy between Logan and his brother, who’s little more than an animal—and Logan and his wife, who could be an animal, but chooses compassion instead, and reminds him of his choice, too. —and then she dies, and it’s implied that maybe his brother does too, but who cares, cuz he forgets. Who cares? Not Logan. So why should the audience?

I get that they “needed” to do this so that the end of this movie sets up the beginning of the X-Men Movies, which already established that Logan can’t remember “his past.” But like…then don’t make the point of the movie “Who Am I?” just to end on “…Okay, So WHO AM I?”

It’s a fine movie up until that point.

They should’ve made the movie center around “Can’t Change What You’ve Done; But You Can Be Redeemed.” And then show his memory loss around a moment of self-sacrifice. So that it’s still tragic, but at least when he wakes up from the self-sacrificial act, he’s “a new man.” Then later, in the third X-Men movie, when Logan chooses that mutant kid over “learning the secrets of his past,” it all comes full circle, because his “self-sacrifice moment” can stay where the Old Logan died.

Anyway. You didn’t ask me to re-tell X-Men Origins: The Wolverine. But it’s the same basic premise—a movie ends with a character losing their memory, or believing a lie—whatever.

You know, actually, this one isn’t so much “believing a lie” as it is “going back to considering the lie (that he’s an animal) because all the work done to convince him of the truth has been stupidly erased”

3) The Dark Knight

Saved this for last because nobody would read all that if they saw me scratching up the beloved Christopher Nolan Masterpiece.

But The Dark Knight is a perfect example of what you’re actually talking about.

The movie is awesome until the end.

It’s not hard to guess what I’m going to say. Harvey Dent is supposed to be a shining example of a good guy, and the goodness, that Gotham is capable of. The Goodness that will ultimately defeat Evil. And Evil is represented as Chaos.

Bruce sees that and that’s why he’s willing to give everything to make Harvey succeed as the hero Gotham needs. Because if Gotham sees that evil can be conquered by doing things the right way, the orderly way, that will get Gotham out of it’s “Justice is Broken, Vengeance is The Only Form of Justice” cycle.

Then there’s the Joker. He doesn’t believe there’s any such thing as Good—it’s all just Chaos (which is evil.) And his big mission is to prove it. It’s ironic that he twists Harvey’s sense of “justice” around to this viewpoint—where Harvey uses “chance” as just another form of “retribution.”

Anyway. All of that’s interesting.

But the movie both perpetuates a lie and does so by having the characters end believing a lie.

The lie it perpetuates is “The Joker is right, there’s no such thing as Justice or Good—it’s all just chaos, but pretending it’s not can get you through the day.”

That’s the lie it perpetuates!

And how does it do that?

By having the “city of Gotham,” and Bruce himself, believe a lie.

They believe Harvey Dent really was a good guy who died a hero. Bruce believes Rachel died still waiting for him, which symbolized her supposed belief in the good of Bruce and capability of Bruce to let it all go.

And why was it important that they believe those lies? Because the supposed truth is too harsh—that there’s no Good, it’s all Chaos. And if they believe that supposed truth, they’ll all turn out like Harvey or Joker. If Bruce believes Rachel chose Harvey, he’ll supposedly give up on something important in himself.

Okay but the problem with that is you have characters believing a lie because of a truth—that isn’t the truth. It’s the same problem with Streetcar.

The people of Gotham, the worst people of Gotham, aren’t always going to choose evil. There is such a thing as justice and good. And Harvey turning into Two-Face doesn’t change that. The movie could’ve shown that. It started to, with the prisoners on the second boat choosing not to kill the civilians to save themselves.

But it chose not to make that the point of the movie. It chose to make “The Joker was Right, Good is a Comforting Lie, & the Closest You’ll Ever Get to Justice is Vengeance & Chaos” the point of the movie. By having Batman convince the whole city to believe the comforting lie, what you’re saying is, Bruce believes that the truth won’t set Gotham free, only wrap it in chains.

That’s the problem with these movies.

And that’s why I think Captain America: The Winter Soldier licks The Dark Knight hollow every time, and is all-in-all a better movie, hands down. In this continued essay—

[cnwolf-brainrot]

I'm curious, what do you think of X-Men: The Last Stand? Are there things you would do to improve it? Besides having Nightcrawler actually in the movie of course. xD

Sorry it took me a minute to get to this ask because I have A LOT OF THOUGHTS, this is a FANTASTIC question because I actually literally just rewatched that movie!! (yes, it was for Weapon by Name. No, it wasn't for anything plot-related, it's cause I've been having a hard time writing Hank McCoy lol)

Very short version: I like some parts of the movie, but I definitely have ideas on how to improve it!

This is going to be a long post so my improvement ideas will be under the cut! But first:

What do I think of the movie? I mean... it's not the best. There are a few enjoyable moments, but it's just genuinely not a super well-written film; it feels unbalanced in a lot of places, leaves out a lot of things I would have liked to see addressed from the first few films (*cough* yes I'm talking about Kurt *cough*) and feels like it doesn't properly give focus to the Phoenix storyline at all. I think one of my biggest problems on a re-watch was the fact that Jean literally does nothing. She has no motivations in the movie and only a handful of dialogue lines. HOWEVER, I do love the mutant cure plot line, and I feel like it makes a fantastic focus for a third X-Men movie! I also think I can blame this movie for my love of Warren Worthington! There are definitely parts of this movie that I do enjoy, there are just things that could have been better! Now, a break-down:

Things that I like/would keep the same: - The Worthington Industries/Cure plotline (I find the mutant cure to be an extremely interesting X-Men plot, and I enjoyed how it was handled here for the most part. I'd make a few small changes to balance it with the rest of the story, but this is something that I'd want to see MORE of rather than LESS of) - Most of Warren's story (again, this is a plot that I LOVED from the movie, but needed to see more of. This goes back to the unbalanced feeling I mentioned, and I'll talk more in a bit about how I'd fix it) - Hank McCoy (honestly I love Hank in this movie, I don't think I have any changes) - Mystique's ending (I actually love how this movie handled Mystique. It's short, simple, shows just how much her abilities mean to her with her casual shifting even while she's captured, and I personally feel that her turning her back on Magneto when he turned his back on her was a very in-character moment. This whole subplot was great, no changes)

Things I would completely take out: - Juggernaut (he was an unnecessary addition to an already packed story, he really didn't add anything and if he's going to be in a movie I think he deserves more screen time) - The whole plot line with Xavier having hidden Jean's true powers from her. (It just makes Xavier a bad mentor figure in my mind, and I'd prefer it if there's just a quick explanation of there being weird energy readings at Alkali Lake or something that could have brought her back.) - The weirdness that was Kitty and Bobby sort of flirting (I feel like this was shoehorned in just to add a romantic tension between Bobby and Rogue. Kitty and Bobby have little to no chemistry and any that they do have just makes Bobby seem like a jerk to Rogue. I have a proposed fix for this subplot, which I'll address in a bit, but I would completely remove romantic implications between these two) - Xavier's death as it was (I feel like there was a strange imbalance between his death and Scott's, so to increase emotional impact I would like to streamline it and get rid of that scene)

Ok, now what would I do to improve it?

HONESTLY if I were to completely rewrite this movie, I would have to go back and rewrite X2 as well because I don't feel like the foundations were set up well for the type of Phoenix Saga that I would have liked to see. HOWEVER, I'm already rewriting X2 in Weapon by Name so there's no way I'm doing that again. Instead, here are just a couple of semi-quick changes that I would make to the movie, WITHOUT changing any of the previous canon.

First of all, let's talk about Scott. Scott Summers is the backbone of the X-Men and he was done DIRTY by this movie, so let's at least make it a bit better. Going based off of what has been established for him by the canon of this set of films, we have basically three character traits for him: he's Xavier's star pupil, he's the leader of the X-Men, and he's in love with Jean Grey. SO, instead of having him sulk and shirk his teaching duties at the beginning of the movie (which goes against two of the three things established about him) we instead go the opposite route. The movie opens up with Scott leading the Danger Room session, and we see that he has basically thrown himself into his work after Jean's death. Storm and Xavier express concern about this, even Logan can tell something is off, but Scott continues to drive himself and the new X-Men (Bobby, Kitty, Rogue, and Peter) into the ground as a way to try and avoid his grief

Speaking of the newbies, let's pause the Summers angst and talk about them for a moment. In the actual movie these four get completely sidelined (I already talked briefly about how Kitty is just used as an awkward romantic device, and Rogue literally disappears for days without anyone questioning where she is/misses the whole final fight scene, and yes I'm happy that Peter and Logan have a Fastball Special, but that's literally the only time he contributes to the movie). I wish that we had gotten a little bit more of the four of them in X2, but again we're not changing anything from that movie here. What I propose as a way to improve them as characters in this movie alone is to treat them as a unit. I think that if the four of them were treated as friends and shown in the first Danger Room scene having a bit of banter/generally joking around and working as a team, it would establish to the audience that these people know each other, like each other, and have a reason for being on the team together. In addition, setting these four up as friends in the first scene with them also helps fix Rogue's whole character arc.

I was genuinely upset with how the movie handled Rogue; it boiled her entire character arc/want for the cure down to "I want to be able to touch my boyfriend". I think this is a huge disservice to her character, and I think it can be hugely improved in just this first Danger Room scene. Instead of having the moment where Kitty saves Bobby, we replace that with a moment where Kitty is in trouble and Rogue reaches out to help her. Bobby or Peter then jump in and pull her back because her gloves fell off in the exercise; if she'd tried to help her friend, she would have only hurt them both. Now Rogue's eventual desire for the cure isn't built on teenage horniness; it's built on a fear of being dangerous to those she cares about.

Now, back to Scott. With this re-written version that focuses more on him trying to drown himself in work rather than just being sad and mopey, I think that a good way to get him to Alkali Lake would be for Xavier to have a talk with him. Xavier pulls him aside and basically says "you're hurting yourself by avoiding this, Scott. Take a few days. Take a breath. Allow yourself to breathe." This is what results in him going off to Alkali Lake and Jean's revival happening.

Personally, I wouldn't kill Scott here. I would let him come back to the mansion with Jean and everyone gets a reunion... however, Scott and Logan both start to notice something is off about Jean. She seems just a bit too on-edge, will zone out occasionally, things will float around her without her even noticing that she's controlling them, and there's the whole fact of she should be very dead.

Scott is concerned for Jean and trying to find a way to help her. Logan, on the other hand, is beginning to wonder if this person even is Jean at all, or if this is just some creature that is trying to look like her.

Now, a quick aside for some thematic values of the movie. I'm sure there are some in the original movie, but I had a hard time finding them honestly. What I would like to be the main theme of my version would be the concept of monster-versus-man or the "beast inside". This theme would primarily be shown in the contrast between Logan and Jean, as they are (or at least SHOULD BE) the main two characters. However, every key character could be shown to be struggling with their "internal beast": - Rogue, who is struggling to be close to anyone because of her mutation (an example of how this "beast" can be harmful to others) - Warren, who tried to get rid of his mutation long before the cure was invented (an example of how denying that beastial nature entirely only serves to hurt himself) - Scott, who keeps his mutation carefully contained to try and please the people and ends up paying for it (we'll talk about his fate in a moment) - Ororo, who is at peace with the wild, natural nature of her mutation (an example of a good balance between the man and the "monster") - McCoy, who is the literal embodiment of the "beast" and can't even attempt to hide, but still contemplates how it would be to feel more human (another example of balance, but with more longing) Every part of the "cure" plotline would help amplify this theme, and keeping that in mind for every character's decisions throughout the film would give it a far more streamlined and dynamic feel

Speaking of streamlined and dynamic, let's talk for a second about Magneto. I'm torn on what to do with our man Erik. Half of me is tempted to completely write him out, because I think he completely overshadows Jean in the original movie and that he's half of the problem with how it doesn't feel like a Dark Phoenix film, lol. However, he's also the best X-Men antagonist and it would feel like a disservice to him to leave him out of the climax of the trilogy, especially when the cure plotline is something that he would never stand to the side and watch.

So, I think that here we still have Eric gather his forces and start making threats over the cure. However, we cut the scene with him and Jean and Xavier in Jean's old house. Instead, we have the X-Men go to confront Eric just before another attack. This is at a public support rally for the cure, and remember Scott is still alive here.

Just before this scene, we should have a scene between Scott and Jean, where they talk about the changes that Jean's been experiencing. Scott's worried about her, and Jean tries to tell him she's fine (and that maybe this new power isn't a bad thing). In this scene we have the moment where Jean uses her powers to let Scott see without his glasses -- only he flinches away the moment he opens his eyes, and basically tells her that it doesn't feel right. He also tells her that the old Jean -- his Jean -- didn't need all of this power. She was content with things they way they were. We see a big example of that "inner beast" theme here, focusing on that contrast of how Scott wants to keep his powers under control in order to fit in while Jean has almost limitless power at her control, and she doesn't see a reason not to use it to make their lives better.

Now, back to the X-Men versus Magneto. As they stare him down, Jean tells Scott she could end it. She could wipe the minds of everyone in the crowd around them, and change them all to mutant supporters. She could change everything with just a thought.

Scott, of course, tells her no. He wants to try and solve this peacefully, the way that Xavier would (it's important that Logan overhears this line).

In the middle of Scott trying to diffuse the situation, one of the anti-mutant protesters tries to take a shot at Magneto. This causes immediate chaos, and another protester takes aim at the X-Men. Magneto deflects the bullet coming towards him. Scott is hit.

Oh goodness I hit a text block limit I didn't even know Tumblr HAD text block limits ok then.

Now, with this being the way that Scott dies, Jean actually has a reason to go berserk and give into the power she feels. She tried to follow Scott and keep it contained, and the attempt at peace got him killed. She ends up killing multiple innocents here, and when Logan tries to reach out to her she turns and leaves the X-Men behind.

Professor X's funeral scene is replaced by Scott's funeral scene. In the original movie it felt unbalanced to have such a focus on Xavier's death and no focus on Scott's, so as previously mentioned I think we should take Xavier's death out entirely. Plus, because of the nature of Scott's death (being killed by an anti-mutant protester), now the whole school is buzzing with unrest about the cure.

This is where we would have the scene where Bobby comforts Kitty, but unlike the original where's it's a "romantic" beat between those two we have all four of the younger X-Men outside iceskating together. Scott was their teacher so they were all fairly close with him, and they talk about it together. They also talk about the cure, and how they don't want to take it after Scott's death... Rogue is the only one who speaks up for the fact that the cure wasn't what killed Scott, it was just the people in support of it. We also have a moment here where everyone ends up knocking into each other as they skate, and that is where Rogue's jealously comes from; simple, human interaction that she isn't able to experience.

She leaves early, and Bobby notices. They have a conversation that only serves to upset Rogue more, and this is where we have a touch of their relationship because yes, it's important to her and she does want to be able to get physical comfort from her boyfriend, but now it's built on top of the other ways it has affected her life. He mutation has hurt her relationship with her family, her friends, and her boyfriend instead of only putting the focus on her romantic life. This conversation leads to Rogue leaving to try and get the cure.

But putting them aside for a moment, let's focus on Warren. I really liked the skeleton for Warren in this movie, but he still feels very flat and stilted because we don't get much depth to his character. To fix this, I would have developed a friendship between him and Leech. Both are prisoners here in Worthington Labs in their own unique way. Both have the illusion of choice (Warren could theoretically say no to his father, and Leech is shown to be comfortable and humanely treated which means he probably had at least a bit of autonomy) but neither have true freedom. I think it would give a level of depth to Warren's character if we see a scene of him sitting with this kid, maybe even moving just close enough that his wings go away, and Leech asking him if this is what he really wants. They could talk about the cure, really give the audience an inside perspective on what would go through the mind of a mutant to make them want to take this, and also bring up another running theme of freedom and what it looks like. ALSO we could have them talk about the complicated relationship between Warren and his dad, which would make Warren saving him at the end of the movie more impactful. Also, it would add another level of depth to the look of pure longing that Leech gives Warren as he watches him fly away after the attempt at taking the cure.

Now, in the original movie I felt like it was a bit awkward for Warren to just show up at the Institute without any real reason to go there. That could be fixed by tossing in a comment about the Institute along with the aforementioned Leech scene, but instead, I think it'd be interesting if Rogue was already heading over to try and get the cure as Warren breaks out. She sees him flying away, and makes the decision to follow him instead of going to get the cure. They end up talking (this could be off screen or on screen, either way) but end up showing up to the final fight last minute together.

Before we get to the final fight through, let's talk more about Jean. Now, at this point I think we've already made her arc better by giving her the earlier scene where she talks with Scott, plus hid death causing an actual emotional impact that would turn her against humanity. I feel like one of the biggest problems with the original movie is that they don't give Jean any screen time, which to be fair they tried to cram a LOT into this movie. However, it is literally supposed to be a Dark Phoenix movie, so I think she should get at least one scene where we really see her struggle with the new beast inside of her. This would start out as a solo scene where we get to see her go somewhere away from civilization, probably into the middle of the woods or something, where she can let go for a minute and literally scream out her grief. We see objects floating around her and turning dangerous in the wake of her anger (maybe she accidentally kills a few animals, something catches on fire, etc), and I'd love for her to have some dialogue that brings into question for the audience whether this really is Jean, or if the Phoenix Force is something else entirely.

Magneto would show up halfway through her breakdown, and try to give her the same "you could be powerful, you could get revenge" speech he does in the original movie to get her on his side. But, Jean doesn't fall for it; instead she says he's going to manipulate her the same way Scott did, and that she's not going to make the same mistake twice. Her reasoning doesn't entirely make sense, but that's where the Phoenix comes in; now that she's latched onto the idea of people hurt the ones I love because I tried to hold back, the Phoenix is using that to make her completely loose control and cause the chaos that it craves.

Magneto attempts to talk her down once he realizes that she's becoming a danger to mutants as well, and this escalates into a fight between the two of them. Honestly, I think it would have been interesting to see Jean kill Erik here; as much as I enjoyed him being de-powered in the original version, I feel like having Erik out of the picture would give more focus to Jean as the climax. She kills Erik, and then turns her sights to Alcatraz to try and take out everything that she perceives as harmful to her people (though at this point, as seen with Erik's death, the Phoenix has blinded her to the point that she can't truly see who her people are)

The X-Men are still in the wake of Scott's death, but they find out Jean is going to Alcatraz and that she killed Erik (because of course Xavier would be able to sense that) and they gear up to go fight. I think we should also get a moment between Bobby and Logan here talking about the fact that Rogue isn't there with a ton of guilt from Bobby, and Logan basically accepting that she's made her choice.

Also, Xavier goes with them to Alcatraz. Everyone is a bit hesitant, but he makes the point that he knows Jean's mind better than any of them, and that at the level of power she's at they might have to take it to an astral plane battle in order to defeat her. Plus, Jean has taken both Scott and Erik from him. He can't sit on the sidelines of this fight, not when he feels responsible for her spiral (again I would like to take out the "Xavier hid her memories from her" thing and focus on the fact that he basically raised her from when she was a teenager, BUT you also could keep that plotline in here)

So now we actually have the final fight, which is just the X-Men and the army VS Jean. For Jean of course this feels like betrayal, since the entire reason she's here and fighting is because humans (like the soldiers the X-Men are standing with) killed Scott. This also gives us a chance to see just how powerful Jean is, because it's literally like 100 to 1.

Now the rest of the fight goes similarly with Kitty rescuing Leech (though she's fighting against the building collapse, not Juggernaut) and Warren coming back to save his father (with the added detail that Rogue comes with him). We also get a reunion between Rogue and Bobby and Rogue helps Kitty save Leech. I'd also like for there to be a sweet moment mirroring the opening Danger Room scene where Rogue reaches out to try and help Leech just like she'd tried to help Kitty, and she's actually able to touch him and save him. At the same time, she also uses her powers in the fight to help, and she doesn't lose her powers at the end of the film.

The fight with Phoenix comes down to Xavier trying to get into her head, and they duke it out in the astral plane. We get to see here that this isn't really Jean any more; Jean is almost completely gone, it's the Phoenix that has overtaken her. We have a bit of dialogue here about how the monster has taken over to reflect that "internal beast" theme, and haha I lies we didn't entierly take out Xavier's death, I think he should die here. It looks like all is lost, until Logan comes up behind her and finishes the job similarly to the movie.

Logan's character arc ends with accepting that he is a beast, and that he can use that to protect those around him. It means he has to make the hard choices, but unlike Jean he's able to come back from that beastial mindset and actually process the grief with the rest of the team.

So THERE WE GO!! I think that's how I would rewrite the movie!! I like a lot of parts from it, but I think it could have been improved! Sorry this ended up being a much longer ramble than I intended and there's still things I could have fleshed out more, but this took way too long to type out so I'm just leaving it here.

TL;DR: If I could make improvements on this movie, I would have given Rogue more of a character arc, Scott a more satisfying death, and Jean the spotlight she deserved. Also, I would have given the film some identifiable themes that actually relate to the character's actions.

If you read this whole thing holy cow thank you this took me several hours lol

[queer-book-character-tournament]

Character, book, and author names under the cut

Max Owen/Sean Moore - Magical Boy by The Kao

Vanyel Ashkevron/Tylendel Frelennye- The Last Herald Mage by Mercedes Lackey 

Logan Maletis/Rosemary Hale- Here We Go Again by Alison Cochrun

Louis de Pointe du Lac/Lestat de Lioncourt- The Vampire Chronicles by Anne Rice

[simplegenius042]

Music Monday, Fallout OC Sheet & Enemies Meme

Tagging @imogenkol @inafieldofdaisies @voidika @cloudofbutterflies92 @josephseedismyfather @direwombat @noodlecupcakes @socially-awkward-skeleton @adelaidedrubman @raresvtm @derelictheretic @cassietrn @aceghosts @davrinsgriffons @shallow-gravy @strangefable @statichvm @carlosoliveiraa @g0dspeeed @wrathfulrook @starsandskies @ladyoriza @la-grosse-patate @thewanderer-000 @omen-speaker @alypink @shellibisshe @josephslittledeputy @skoll-sun-eater @afarcryfrommymain @strafethesesinners @turbo-virgins @florbelles @minilev @justasmolbard @softtidesworld-deactivated20241 @yokobai and @seedsplease + anyone else who want to join.

Alright last two Five Nights at Freddy's songs for this little spout of FNAF resurgence. Anyway, music for The UnTitledverse and The Silver Chronicles with templates for OCs from A Radioactive Calamity Of Love, Bombs & Gore and An Old Ballad Of Chance And Ember Hearts Trilogy. You can listen and view these below the cut:

First song is for my FNAF WIP More Than Bargained For? and it is a remix song for the Ruin DLC of Five Nights at Freddy's: Security Breach made by my one of my favorite artists The Stupendium (who previously made a FNAF: SB song). Anywho, plot relevance. Unless the next game(s) come out, the Security Breach and Ruin DLC (plus FNAF VR: HW2) are intended to be the last section of the "Lena finally destroys the Mimic and takes down Fazbear Entertainment" arc, and after that will be the "let's all get healthy coping mechanisms and therapy" epilogue. At this point, Lena's done with this shit, like, this is the culmination of everything she's had to do and go through just to finally put a final end to this tragedy, just like Henry and Mike would have wanted. For her efforts at the Pizzeria Megaplex, she gets a little brother in Gregory, a little sister in Cassie, new animatronic friends rocking their aesthetics and gives Vanessa a sapphic awakening. Her girlfriend Cassandra's going to be thrilled. [Cassandra be like: "Ah yes, just me, my girlfriend, her new gremlin brother and sister that she adopted, the alien shapeshifter she befriended with his android girlfriends, the queer mall cop she saved from the serial-killing bunny-looking malware, an animatronic daycare attendant struggling with self-identity, and the 2,000 pound bear, chicken, wolf and alligator animatronics that slay the 80s vibe... truly winning in life."] Anyway song below:

"So you're trapped after dark in the park and you're tasked with surviving the night So your ma and your pa have departed the party and left you to fight So hang tight, to the tickets you've won And your toy laser gun Set your Faz-watch to 'fun' 'Cause it's hide and seek hunted By musical monsters Ain't that what you wanted? You came for some games and a bite The doors have all been closed but the stage has been set So on with the show, no escaping it yet The night is still young and the fun's just begun You've been played like your grave of arcade cabinets

When you've gates stormed by gators and wolves at the door When the power is down, you can't bear any more When each tick of the clock has you checking your watch And the chicken is watching you hungry for gore Oh, the fun that's in store! (Oh, the fun that's in store!)

Come get a pizza the action You want a pizza the action A tasty pizza the action You want a pizza the action

So come pick your destiny off of the menu (Fate won't wait 'til the sun comes up) Or be laid to rest in your favorite venue (Arcade to arcade, crust to crust) In this amusement park you are the Super Star We know that you'll go far but you must choose your path Those neon tubes cast shadows on a truth so dark It's up to you to battle its putrid heart So savor the taste of your last pepperoni (You've got a party pass to a backstage tour) 'Cause you're taking the stage for one night only (But will dawn chorus be your encore?)

Perhaps it's your birthday? Or your graduation? We're always the first place for a celebration Now maybe you've heard say, of some violations But it's not since Thursday we've had strangulations The go-karts are revved and the ball pit's been cleaned Montgomery's ready to tear up the scene Roxy's got the rock that's just got to be seen Just as soon as Chica's cleaned out the canteen Hear the cry of the fans as we strike up the band Now the time is at hand for the tightest of jams 'Cause it's tiny and cramped where you're hiding but Vanny Won't find you when crammed inside our leading man

When you've gates stormed by gators and wolves at the door When the power is down, you can't bear any more When the sun's gone away but the moon's come to play A more punishing game till the break of the dawn Oh, the fun that's in store! (Oh, the fun that's in store!)

Come get a pizza the action You want a pizza the action A tasty pizza the action You want a pizza the action

Darkness falls across the mall And metal mascots stalk the halls More murderous with each defect And out to prowl the pizzaplex And whomsoever shall be found By S.T.A.F.F Bot hoards that roll around Must then escape the bunny's wrath Or rot inside a stomach hatch The air is filled with pungent reek Of robots oiled in pizza grease And terror's bathed in neon light Are on the hunt to grab a bite For no amount of birthday cake Piñatas, games or fanfare Will help a lonely child survive The night at Freddy Fazbear's..."

Okay, the final(ish) FNAF song for this FNAF song streak I decided to do. Straight up, with The Living Tombstone's "This Comes From Inside", it's my favorite FNAF based song of all time. And I'm likely going to make 100 essays of why this song fits each of my stories, characters and the fandoms I'm in despite it being made for one fandom, and I will be really annoying about it. However, for now, I'll start with my Unnamed Elden Ring WIP. There are three main Tarnished OCs (with more on the side) that this WIP follows; Logan the Vagabond of No Renown (you can guess what his class is), Selke the All-Seeing Mage (she already knows of the horrors before she even experiences them), and lastly... Chiwa (...the Formless Mother favors this one). Let's focus on Logan. The Land's Between is stuck in a stalemate of a forever war, with nothing really proceeding and with no Demigods gaining the title of Elden Lord and achieving the Elden Ring, Queen Marika's Grace awakens the Tarnished that were previously exiled beyond the Fog, to call them back and do what Marika's children failed to do. Logan is amongst the earliest Tarnished to be revived (perhaps even a bit too early) and through no fault of his own, becomes one of the oldest Tarnished through process of waiting and living throughout the decades. Where he is at fault is his ambition (and his tendency to just... be a piece of shit, in general). In his youth, he was no better than the Demigods in his own hungry quest for power, glory, and reaching for riches and respect he'll never actually receive... given all the bridges he burns and the mistakes he refuses to learn from until it's way too late. Speaking of which, in his elder years, his ambition becomes... lackluster, to say the least. Considering what he learns from this whole thing, he becomes as bad as Morgott; he doesn't believe there can be anyway to proceed, so he just leaves the Lands in this state of a slow decay. The main theme of this WIP (as is the main theme of the series it comes from; The Silver Chronicles) is change. Change of self, change of system, change of environment, change of eras, change of ideologies and much, much more. With Logan, "This Comes From Inside" acknowledges what he comes to learn in his final years; nothing is going to change. With the way him and many others try (or tried) to satisfy their lust for power, they're just gonna remain in this stagnate state of despair and suffering to the expense of everyone else. If he wants to succeed, he needs to change his own inner-corruption... and if not? Things will only get worse. But the thing is, Logan won't do that, because he has no reason, no incentive, no purpose to do so in the present. He has died so many times for something he no longer believes in nor cares to do so, to the point his Grace is becoming more difficult to see every day. And when that's gone... he too will succumb to death. And even if he could get past his apathy, bitterness and selfishness, he's far from his prime nor can he do anything remotely closely impactful for anyone else. His use of Grace grows thinner too, so he only has a number of revivals before he's dead for good. So he can do nothing... unless he finds a drive to change. And he does; discovering it locked away in the darkest chasms that only the Eternal Queen Marika knew of... and sets out on a new quest with only two new goals in mind; to tempt an Outer God in a binding contract to give a fighting chance to become Elden Lord, and to ensure ownership over the Great Rune of the Unborn, no matter what it takes. I'm sure I'll expand more in either the notes or a more refined essay of ramblings. Enjoy listening below:

"How we could have known That we're stuck in a system? There was a pre-existing dictum, programmed to do nothing else Why feel so alone When we share so much wisdom? But you set fire to the kingdom, burn it all until it melts Or else

Now this comes from inside, how long do we have to try? Now this comes from inside, and stays there until you die Now this comes from inside, how long do we have to try? No this comes from inside, and stays there until you die

Long time ago, it was all for a show Fill out wounds with a pound of salt And your reason to justify scars You can't quantify, lock us inside a vault

Now this is your fault Everything is a problem There was a poison in the air, despair is an eternal blight You're losing it all You've been blinded by stardom You think that you're alone, but we are waiting for you every night You're mine

Now this comes from inside, how long do we have to try? Now this comes from inside, and stays there until you die Now this comes from inside, what you have, I want, it's mine Now this comes from inside, and stays there until you die!"

Here is a Fallout OC Sheet Template for my Vault Dweller OC Elrand Brandt from my UnTitled Fallout WIP from my A Radioactive Calamity Of Love, Bombs & Gore series. You can find a blank template at the end too:

And finally an Enemies Meme for two characters from my An Old Ballad Of Chance And Ember Hearts Trilogy WIPs, specifically two characters named Tyche (the God of Luck) and Rouske (pronounced ROSS-SH):

And the Empty Templates are all here:

[martianbugsbunny]

"Can you take orders" "I don't know. give me one" LOGAN HONEY BE MORE OBVIOUS

[resident-idiot-simp]

Drable idea that I am probably going to write

Blade who does recognize Deadpool but not as Deadpool of course but as Hannibal King. He knows him and King are not the same people but that doesn't mean he doesn't however suspect they're alternate versions of one another.

It's become clear to Blade that universes are not very linear and can shift wildly and while Deadpool is not King they act the same and with the mask off and if you look past the scars they look exactly alike. For some reason Deadpool recognizes him remember things that King would.

Blade isn't stupid he knows there is something there and he just wants to figure out what it is.

Meanwhile Logan is just super confused what that relationship is because Blade seems far too familiar with Deadpool. Logan might be a little jealous

[beforetimes]

binged the x-men movies the other week and i've decided that the logan x scott x jean throuple is about five times better when you imagine it as a lesbian polycule for reasons listed below

i think logan would make a beautiful butch lesbian

the inherent sexual tension between scott and logan is so much more fun when yuri-fied

logan deserves a girlfriend (jean) and a girlenemy (scott)

i think the image of logan pissing scott off on purpose is amusing to me and also i think it'd be better if they were both lesbians

logan and scott having nothing in common with each other (at first) except their love for jean would be a great dynamic that would lead to #awesome hate sex imo

i think scott would make a beautiful lesbian woman

jean keeping these two in line would be infinitely more attractive to me personally

unrelated but i think logan would piss scott off on purpose because she was hot when she was mad but logan wouldn't realize that was why she was goading scott in the first place until scott yanks her into an angry make out session

they sort of mellow out after that and jean is just happy her girls are finally getting along (they r railing each other a few times a week in the garage when logan goes down to bother scott while she's trying to work on her motorcycle after logan's fucked with it again)

i also think scott would make a very attractive lesbian with the addition of her motorcycle in the mix

my qualifications for deciding this is that i am a lesbian who likes x-men and real recognizes real thanks guys. peace ✌🏽