#tried a new way of doing lineart i think i like it!

[bigspoonlttlespoon]

Twilight princess lonk (going back to my loz roots)

(@/damp_cats is just my @ on other platforms i was too lazy to make another version with my name here)

[goldiipond]

thinking about. goldy ponds

[shermangepherd]

cringetober day 6: neko/other animal features

aww, cute snow leopard girl! and she's SO normal!!!!

[k1ngsnak3]

"The only way to win a rigged game is to hope its in your favor."

(Clearer version + Thoughts beneath cut)

I tried a new rendering and lineart style with this, and I think it turned out really well!! This piece sort of flashbanged my brain and I just HAD to do it. I'm not super big on the final versions background and lighting but it's alright.

Also this is to showcase my Wildlife Grian designnnn. The actual design won't have the Watcher features, but everything else is abt the same. I took inspiration from casino dealers with his outfit, what with the dress shirt and bow tie and slacks, but I made the vest a sweater vest to give it that element of the original Grian. Also its really hard to see but the bow middle is meant to look a bit like an eye and a poker chip.

[quibbs126]

…Okay, you may end up seeing these drawings yet again on a later date

I finished the page, which was small at 500x500 px, but I wanted to make the page bigger. I did that, and I drew one new thing, but now I don’t know what else to draw on there. So for now, I figured I might as well post the original full page right now

Yeah, sorry for the laziness

This is the other sketch I finished on there, for those curious

Anyways, so yeah, this new style practice I’m trying

The original page I tried these out on is this, which also isn’t full, but I thought trying it out with actual characters instead of just random poses and shapes would be better, so I switched over to Cookie Run characters

The method is still a work in progress when it comes to all the shapes and the red sketch layer

I suppose what I should do now is try drawing a bunch of different Cookies that have different body shapes, so that I have practice with that. As well as maybe attempt some full body ones

I suppose you can suggest some if you want, considering I don’t know who to draw other than like, Hollyberry or Avocado, since I should try drawing large but not buff characters here. But I should also probably draw more skinny, and also chubby

But on to what I actually drew

So I already talked about Peach Blossom and the top Dark Choco drawing prior, so no real need to elaborate

The Dark Choco and Dark Cacao one was me drawing them in their younger forms to see how they compare. Not for any sort of study thing, but just in a symbolic sort of way. Since they’re so similar looking

I think I had a lot more fun with Choco, especially his hair. I remember Cacao being mostly annoying for his weird cloak thing that I don’t understand

The hand pose was ass though. I knew the general idea of what I wanted, that being them with their hands over their swords, but I was struggling to figure out how to draw the hands. Not to mention I had to change the pose from the red sketch because the swords were further down than I put them. I still don’t think I did the pose exactly correct, but screw it, it’s good enough

I’m also noticing that Choco looks way lighter in skin tone compared to Cacao. Like yeah, I know he’s normally slightly lighter, but it’s far more noticeable here. I’m pretty sure it’s because I used Dark Choco’s ToA colors here (bc they work better with my black lineart), which are slightly lighter, as well as just that Dark Choco is wearing much lighter colors while Dark Cacao’s are relatively darker. So maybe it just makes them contrast more

I liked drawing them, but I also did basically do the same body type 3 in a row, so I should probably draw different characters

Anyways, let’s talk about that extra sketch

So for those who likely don’t remember, that there is an OC of mine called Prickly Pear Cookie

I made her entirely on a whim one day, and she doesn’t really have any character or story, just vibes, but I really like her design and wanted to draw it again

I probably should give her some sort of bra though. The shirtless chest looks cool but in my opinion sounds really uncomfortable without at least that

I did originally draw her with the green skin, but it looked weird so I shifted it to more of a yellow so it looks more human

Honestly I really like how she turned out

But yeah, I think that’s about it for now. Just wanted to show this

[rnbwtrout]

My Watercolor Process

Thank you for 1000 notes!!!

As promised here's a post on how I made this painting and the materials I use (⁠.⁠ ⁠❛⁠ ⁠ᴗ⁠ ⁠❛⁠.⁠)

Also commissions are still open!!! If you have ideas I will help you bring them to life <3 Please see my pinned post!!

Process info under the cut vvvvv

First some materials!

Line art: I use Sakura Pigma Micron pens for line art. The ink in these pens are waterproof after they dry, which is very nice if you want clean line art. Usually I do my line art with a 005 size tip, and then I come back through and thicken lines and add shadows with a 03 size and brush tip. I'm still learning new ways to do lineart, but this is my current go-to.

Paints: I use Windsor and Newton paints. I haven't really tried others, and I have a few mixed feelings about some of the colors and how well they mix with others... Especially cuz this was an expensive set. Thinking about trying a new brand eventually but that's what I'm using for now!

If I'm doing a bigger project I usually brainstorm it first in my normal sketchbook. Here's the brainstorm for this one. Sometimes I feel like certain aspects of the initial sketch look better than the final piece, haha. After this I normally will free hand redraw it onto watercolor paper, I don't like to trace things over. Then I'll do the line art, allow the ink to dry entirely, and erase the pencil underneath

If I'm doing a big or complex background normally I'll lay down some masking fluid. This essentially seals the paper in some rubber so no water or color gets in, and then you can rub it off when you're done with the background. My masking fluid is really old and nasty so it's hard for me to get clean edges with it, but it does the job well enough!

Something really important to watercolor if you want vibrant colors: layering or using less water! In this case I did layering. Here is a side by side of Laios and Marcille with one layer of paint vs. two layers. The important thing when it comes to layering watercolors is to allow the first layer to dry completely before the second. Otherwise the paint may create strange textures and uneven color.

Something else important to creating vibrant colors with watercolor: taking risk with shadows!! On a whim I chose blue to use for shadows on the Lion's wings. You can really see the difference in visual impact between the blue shaded and unshaded wing. Generally speaking it's recommended to do shadows using blue or purple in watercolor, but I find this isn't always a solid rule. Sometimes it depends on what your base color is and what kind of impact you want. It's taken quite a bit of trial and error to figure out what looks good for me, and even then I'm still out here guessing.

I hit my image limit so I'll cut it off here! If you have any questions feel free to ask (:

[signed-sapphire]

@rascalentertainments Hey! As an apology for being gone and missing the official announcement for this DTIYS, I humbly offer my take on Asha and Star!

This was too cute to resist! I love how excitable Star is and I’m working my way through reading your, Wave’s, and all other rewrites that have updated during my absence.

Original:

Notes under the cut because this is getting pretty long lol

So I tried a new colouring style for this one

I was inspired by a lot of the artists I saw on Art Fight, and tried to incorporate that into my style

Specifically, the bold lineart and colour-blocked sections

It’s both easier for me long-term, and helps me create a finished piece without too much shading

That said, I did go crazy with the shades and tones in this one, because I just loved the glow

I do like the touch of a slight sunset/sunrise in the background, as it adds more warmth and magic to the piece

I LOATHE that bold line around Star’s cape but this is the photo I emailed over to my phone, so this is what you’re stuck with

While we’re at the improvements, comparing to your piece, Star and Asha look a bit stiff. I’ll have to work on some gesture movements

On the other hand, I really like the sky! It reminds me of Princess and the Frog

I also think the flow effect I did around Star looks reminiscent of pixie dust, which is a cool nod to Peter Pan!

The metal (?) bracelet I’m proud of— again, learning form other writings on Art Fight

I’m. Not sure about Star. He has a very cool face shape, nose and eyes wise, and I think I sort of generalized him here. Oh well, this means I’ll probably be doing more practice doodles of him in the future!

I do think that your Asha and Flicker’s seem very similar in my style, so I’ll work on making them more distinct in future pieces. I think RFTS!Asha has more doe eyes and a smaller nose, as well as distinct braids in her hair, where your Asha can have more upturned eyes and loose hair

I will have to find a way to make hair look loose and free in this style, but I’m quite happy with the finished result

Aaaaanyways… I hope you enjoy this! Now if you’ll excuse me, Imma go to bed lmao

[mysteryanimator]

Here ye here ye, another breaking down processes post from yours truly!

For this animation, my plan was to make something I'm proud of AND also something to force me to take my time since with all previous animation works they were all rushed. I normally tend to speed through work as someone whose illustrations are painterly and I like to keep them rough. Also lets be totally honest my other plan for this animation was to animate Mizrox being so sickeningly sweet.

Fun fact, this animation was going to be longer. I had tried to plan out Olrox climbing on top of Mizrak during the kiss to lay on his chest. There was an attempt trying to rough that out and several ref videos It was scrapped because for the life of me I could not figure it out. Also hypothetically if I was going to keep it, I would cut to another angle (perhaps Mizrak's face close up) and then cut to another angle that would make it easier to see that climbing over the top. OR, consider Olrox already sleeping on his chest (im just rambling now but this is basically 'if you were able to do this again' section).

I wish I actually went through a more proper tie-down process because the jump from going from my rough straight to clean was rough (badum tsk) for the first few seconds. Defintely learnt my lesson ALSO Olrox is surprisingly really fun to draw from behind.

I challenged myself to see if I could get the idea of "bigger movements, less in-betweens, smaller/slower movements, more in-betweens." Though the effect of Olrox rubbing his face against his arm may be a little too jarring and I steered quite a bit away from my rough and self-reference video in hopes of making the face rubbing more apparent because I thought the character acting was too subtle and wanted a contrast to the other half of the scene. I reconfigured my CSP animation workspace for this too so it definitely made the process less tedious when cleaning up the animation.

(Which by the way I do record a lot of self-references depending on the section! For things I can't do/uncomfortable doing, I'll end up looking up videos. It's the easiest for me to catch subtle things in body language and also get a feels for the motion.)

Also I'm really satisfied with Olrox's anticipation before his smooch and the shoulder roll at the end even though technically the arc doesn't complete itself. MIZRAK THOUGH, when cleaning up I realised my rough wouldn't make sense because he's already looking at him so there's no need for a turn, and then the lack of a shoulder movement felt jarring, so all of that was done without any thought, wish I did think about it more though.

Now compositing was a monster in its own right and basically me jumping back and forth between turning on and off different layers, but here are all the new things I did; I duplicated and blurred the lines of the lineart, beveled the shadows so it was lighter on the inside, and added a rim of blur so the focus drew towards the couple. Also will absolutely admit that my fanboy ass went "... be crazy and try to mimic the show." The final did not go that route because I thought it was more important to emphasize the mood/atmosphere (Also Olrox is intentionally stylized differently because i wanted him to be softer here and I had to give him eye highlights for plot HELP). THOUGH to say I did not try to mimic the style, the #2 lighting test was my 'attempt' LOL 😭 I can never consume media normally.

Here are the lighting tests I went through. I definitely knew I wanted to go with a morning vibe, though I tested out a night ver for fun and did some edge lighting which led to mixing both version #2 and #3 to make #4.

Fun fact, I almost went with #2 due to fear of getting too heavy-handed with compositing and therefore losing the animation (even though I really liked #4 at the time). Thanks to a friend, they also shared the sentiment of liking #4, though pointed out it felt like midday and encouraged me to make the colours warmer and deepen the shadows. It is a really tough balance but I think for a softer scene like this, the more additional layers of comp worked out in the end.

The edge light was a last minute thing because someone told me to add sound and to have light stream in. Also at this point I deadass forgot that you know, Olrox, is a vampire, but hey rule of cute overrules. We can pretend its light not from the sun LOL

Also yay I got to show off my own style a tad, I love paintingggg. It's not as completely fully rendered coz I knew that it would get covered up but I still made sure it was quite clean regardless. I didn't realise how much of it would be covered up even though I did make sure they would fit/make sense for bg LOL

Now we are done!

If you've gotten this far thank you! There's gonna be less frequency of these animations due to the semester starting back up soon and I don't get many opportunities to actually 2D animate (despite it being an animation degree RAH). Also I remembering cringing and laughing a lot when I immediately started putting colour down going "oh i can see the end of the horizon, i have too much power as an artist, people will see this i cant let them see me be crazy"

[Here's some memes I drew over while my friend was reviewing my work]

[neverpathia]

fuck this shit again

have the voice of the opportunist, and this is really making me realise how much I suck with colouring in my drawings. the lineart looks like this

oh, there's a little teaser for para in the corner. oops.

though I think I've probably made oppy just as slimy and sleazy as he was meant to look. so that's a point in the drawing's favour, I guess. he probably looks like a dilf if you squint hard enough.

broken's done so now there's like nine more to go hoooo boy.

by the way the thing I'm doing where I cover their right eyes with their wings isn't just a cheap cop-out for me to avoid drawing said right eye. it's symbolism (oh totally). because they can only experience a very specific point of view. it limits their perspective. in the end, the voices can't always truly see the right thing, and the way they are restricts them into seeing only what's left behind. so their left eye remains uncovered.

now i don't have anywhere as much to say about the opportunistic bitch but I do have a bit. for one, I'm not part of his massive hatedom. he's such a charming little rat bastard and I'm here for it

he's so horrible (affectionate)

no but I really love how each and every one of the Voices is just like a defense/coping mechanism. individually, they were developed by TLQ to make sense of the situation and adapt to whatever bullshit he's being forced through at the moment, right? but in excess, or even when the situation takes the smallest unexpected turns, they can get pretty unhelpful pretty quick.

oppy in PatD perfectly encapsulates this. (wow, what a profound insight, captain obvious. who could've guessed. not like every third post about pristine cut says this already.) fine oppy in PatD was peak

okay but let's face it I just can't hate the guy he's such a flip-flop girlfailure.

well it's kind of interesting how, in a way, this dude also exhibits another potential reaction to fight or flight situations. there's freeze but we're not talking about that today. and then there's fawn. the opportunist wants power, but that's not just what there is to it. in the end, this desire for power stems from an underlying need for control. often, he's manifested by a taste of control for the first time. control spawned from betrayal spawned from fear. from apprehension. from the need for autonomy, met with a lack thereof (thanks narrator you son of a gun), but then regained in triumph.

the opportunist clings to each sorry sliver of power he can get. because once he's tasted it, he requires it so deeply it's become something he just has to have, like an addiction. and he may appear kind of pathetic, or risk everything else for each new taste of power. and he may stop himself from letting himself stray too far, may force himself away if he must. and affection, or kindness, or connection, or trust- they cannot exist, not for this control he craves so much. yes, he's selfish. but being anything else that's not selfish isn't even a choice at all in the face of this power, this control, this sheer craving of his.

but in the end all the opportunist wants is belonging. he wants a purpose and he wants meaning, especially to others. he wants to matter. and having control is surely a way to show that you matter, right? being at the top has to show that you mean something. that you're not pointless. that you exist and have a right to exist.

even if all the actions you take, vile and scheming and despicable, tell everyone else that you shouldn't.

then again, his perspective blinds him. as with all of the other voices.

now it shouldn't be too much of a hassle to figure out the symbolisms in his design but in case it wasn't obvious enough his tie brooch was supposed to be an ouroboros. I thought it was neat when I first designed him. I'm having second thoughts now. plus, I tried to steer his design in a different direction from most others, who tend to stick with "tumblr twink in a nice suit". um...well, I don't know if it worked.

and GOD why did I choose this specific shade of green. I mean, it's unnecessarily tacky? and bright? and way too obvious like him? hopefully it matches? oh well.

[cheresha]

While I was working on my last drawing I thought it would be fun to make a post explaining my process like the one I did for my digital art! This is mostly an excuse to gush about copic markers because they are my absolute favorite medium and I feel like working with them has helped me improve a lot in a short period of time! It's also really fun to take something that isn't made for realism and try to adapt it to my style.

This is in no way a tutorial because I still have a lot to learn and improve upon but I will be sharing some tips that have made my drawing process way easier!

I'm putting the rest under a read more because I'll probably end up writing a novel length post lmao

Now, let's start from the basics - this is the sketchbook I use because it's made for markers and allows you to blend the colors smoothly while giving you a glossy finish.

Please ignore its sorry state, it's relatively new but it fell apart almost immediately 🙄 Not to sound like a grumpy old person but my old one I got a few years ago was of much better quality but it is what it is I guess. I'll still continue using it because it's still the best I've tried. It's also really good for color pencils.

Moving on to the markers - I have quite a few, mostly skin tones and pinks because that's what I need for the result I'm looking to achieve but if you're just starting or are not interested in drawing realistic portraits, this set is pretty much all you need to draw people and you can get whichever other colors you see fit. I have a few bright colors I use mostly for backgrounds.

About the price - they are expensive, yes, but if you are like me and use them 2-3 times a month they can last for a really long time. The one I use the most lasted me for over 1 year so in my opinion they are worth giving a try if you have the budget for them, especially because you can easily mix the colors to create new shades instead of buying new markers.

Moving on to the process itself - I try to make my drawings relatively small, as you can see here.

That's because copic markers dry really fast and you have to work quickly if you want your colors to blend properly 🥲 The smaller the drawing, the easier your life will be (his right arm was pretty stressful to draw ngl). Also since the paper is really thin be careful with your eraser because if you damage it, the marker ink will turn that spot into a weird looking splotch that you won't be able to fix 🥲

I have to admit that lineart is not my favorite thing to draw because I have shaky hands and tend to make mistakes but I think it makes my drawings look better so I try my best to practice more and always do warmups before I start. I got these fineliners from my local art supply store and like them quite a lot since they don't smudge easily. I use the 0,2 one for the drawing itself and the 0,5 one for the 'frame'. I like to wait for at least 30 minutes for my lineart to dry before I start coloring. Also, most of the time I don't ink the eyebrows at this point but prefer to draw them on after I'm done with the rest of the face because I will go over them so many times with my markers that I might end up smudging them pretty badly.

After my lineart has dried, I like to get the background done first because if I leave it for last, it can smudge the hair and stain my marker which will alter its color and that annoys me a lot even though it's fixable. Also, this is probably the only time I use the broad tip of the marker because it's perfect for bigger areas. Otherwise it's not very precise so I use the bush tip for everything else. I usually go over the background twice to make sure it looks as smooth as possible.

Okay, moving on to the face! I like to start from the midtones because it helps give structure to the face from the very beginning. After that I go in with the palest shade I have - pale fruit pink (E000). I use it mostly for blending and for the highlights since it's barely visible and really helps you achieve a smooth look. I like it way more than the clear one they sell specifically for blending, it's such a waste of money and leaves weird discolored spots all over your drawing 🙄

Here we make a pretty big time jump because I was fighting for my life (trying to blend the shadows). I recently got the cool brown (E71) and love it so much, it's perfect for the darker areas, also the hair and eyes! But you can achieve a pretty similar color if you go over E11 or E93 with BV31, I use it a lot because it makes the transition between the different shades way smoother and I feel like it gives extra depth to the face!

And the rest of his face is done! For some reason mixing a decent lip color is not easy for me because they tend to end up looking really cartoonish/unnatural but I feel like these 3 colors gave me a pretty okay result! Fortunately his eyebrow turned out okay too, I went in with the cool brown (E71) first a couple of times to establish the basic shape and later added the eyebrow hairs with the 0,2 fineliner.

I used the same colors and technique for his neck - nothing new to add here.

Same with his arm, except I used only the lavender color for the darkest parts - you can't really see it from the picture but irl it looks almost the same as the cool brown.

Time for the hair! This is probably where I need to improve the most since it always looks the most cartoonish out of the whole drawing and it really doesn't look that good compared to the more realistic skin. Black hair is especially difficult for me since you can't really blend the black marker and trying to go over it does nothing but stain my lighter markers. That's why currently I start from my higlight color - it also doesn't have to look neat since it will get covered by the black later and the uneven strokes help add some depth to the finished hair :))

I think I did a decent job overall and going over some of the highlights with this darker gray helped, too. Sometimes I like using a white pen to add a few more details but here I decided against it since I wanted to keep things simple.

I loooove adding stray hairs but I think I went a bit overboard here ahah I also need to get a 0,1 fineliner for them since this one seems a bit too thick.

As I mentioned before, his other arm was pretty hard because I had to work extra fast but I ended up liking how it turned out! I especially love drawing the small details on the hands so I had lots of fun, too. Also, I used the same colors for his pants minus the pinkish one (E93).

And now it's time for the final boss - the cardigan. I've never drawn such a detailed outfit before but it was pretty simple in terms of colors so it wasn't that difficult in the end and I got to practice drawing two very different types of fabric. I also forgot to add it here but I went over these 2 colors with a light warm gray (W-1) a couple of times to give it a softer look.

Here's the finished cardigan - I also added the black details with my marker instead of a fineliner because I didn't want it to look too precise/neat.

I also added the shadows under him with these 2 colors.

And finally I used these 2 for the sheets!

Thank you for reading this whole thing (if you're here you deserve a prize fr), I love talking about markers sm so if there's anything else you're curious about please don't hesitate to let me know!

[yozakurabae]

chibi style sasusaku :3

i’m not very good at drawing actual chibis so this is the way i draw them xD

do not repost

tried a new lineart style and i think i like it :3

[emerxshiu]

rat brainrot going hard

sorry for not posting this week, i was cooking some stuff but this drawing took almost the entire week to do, worst part, it was a shitpost

i still dont know why this took me so much

so uh, almost all my drawings this week have been related to this two(and lis) so much so that i struggled because i wanted to draw other things so i would just stare at a blank sheet of paper for over half an hour, god that was torture, tho i dont mind drawing the sillies, sometimes it gets a bit boring drawing the same over and over y'know? im also going to take this as an opportunity to ramble about my forgo gijinka, because surprisingly i hadnt done that yet.

og image

ok now to actually talk about the wet rat

ive tried doing a gijinka of em since i joined the fandom (my first gijinka was fecto elfilis (well not really they were fnaf, but i mean when i got into kirby and when i started using the term gijinka))

but most of the time it just looked like elfilin but like...evil, with a different ear and a hospital gown, thats it, so i barely drew them since i didnt like that, but on february, i actually sketched an idea that i liked, and thought it looked cute but a bit off (i mean off in a good way)

(yes im posting this image again because i think its the best drawing of my forgo (im very inconsistent with my style ok))

they have their eyes closed most of time, like in game, i considered giving them legs but i ended up with the tail, since i didnt want to end up with like a fourth evil elfilin, the arms are like that so i can have em be small and weird like in the actual game, but i also made it so they can like change it, that way i can make em have hands and stuff if necessary (like to hold that frying pan for example)

not sure if a lot of you notice it but um, bro has no neck, i took away his neck privileges, i did it just to see but i ended up falling in love with that and stuck around, and also that allows me to draw them bending their head like in the drawing above because their neck isnt necking and i like that, i like being able to draw characters doing stuff that shouldnt be anatomically possible or is abnormal (i did something a bit similar with void) thair clothes are rugged because well forgotten land you know what i mean, but in general theyre actually pretty simple

i also did the drawing in digital

i tried doing very sketchy lineart, i tried a new brush in this one and thats the one im using for my last drawings (not sure if anyone noticed the brush change) it was pain painting it because i did it all with the brush in the same size, not changing it, god did my hands hurt and it was a bad idea

i accidentaly downloaded the following 3 drawings twice lol

sleepy zzzz

i think they would wear something like this to sleep, i dunno i just wanted to draw em in something cute, and sleepy, with elfilin slippers (the mug also has elfilin btw) oh and also i like changing their hair, here one of their long bangs is tied into a bow, kinda like callie from splatoon, i have some drawing im probably wont post, one more of forgo wich looks very much like the upper one but like eyes closed, and one of fecto elfilis gyaru because my sister asked me to draw them like that, bad thing is i didnt look up references on gyaru since i couldnt use my phone at the moment, i did like the hair i did for them in that one tho, they have their bangs tied up in a bun, and then left the rest loose, making it look longer than it actually is. i might redraw it, but actually looking up gyaru so i can make something more accurate, i like the style, but im not too informed on it

elfilin being silly like a kitty :p

not much more to say on this, just sillines :3

there is totally not a cropped drawing there

based on the kirby manga, where they make it so elfilis sings really bad, at first i didnt like it that much since i had imagined they'd sign great, but after i while i started to find it a bit cute so now its a headcanon, they like to sing but suck at it.

writing this just made me remember i wanted to do another drawing too for this with kirby and them singing, but i forgot to do it, im kinda tired (and its late) ill probably draw it, but for next post or another one

tried drawing fecto forgo as a plushie, silly.

i wanna learn how to sew so i can make plushies of characters (like prince fluf!) but im way too lazy, i will get around it some day! (hopefully)

elfilin too as a plush

i also wanna learn to sculpt, i tried doing a clay kirby once, but one his feet broke in half, and one day my mom put it in a box, and his eyes fell off and stuck to the box :(

i really wanna do figures for characters i like or dont have enough merch or my ocs (prince fluff, flamberge, fecto elfilis)

but as i said, im way too lazy and unmotivated, though its be nice, one day, maybe one day if i stop procrastinating

it doesnt have the same ring to it as "feto rata mojada alien" wich is how my sister and i call them (she doesnt know that much about kirby, but i sometimes show her my drawings (reluctantly sometimes, but im the older so like >:) she has too if she wants to show me her stuff too))

silly rat and wet rat, thats how i call em (because wet rat alien fetus is too long sometimes)

you can tell the brainrot was too strong (were near done(kinda))

they gain a mouth whenever i fell like it very much

artblock hit, and all the rest of pages i stared at them for 30 minutes

it felt weird looking at my fecto elfilis with the eyes so big, it looked off (in a weird way)

dunno, tried drawing them in a different pose i i dunno really

i think these are from tuesday. i did more but those were oc (mostly splatoon) or other kirby character related, and i want this to be a rat post (might post those tommorow or another day maybe)

i dunno (x2), i tried drawing elfilin like elfilis, i really liked the hands here. i still struggle a bit with anatomy but i think this was quite good for my usual character just stading looking at the front or a quarter profile. im considering making this into a fully digital drawing, what do i say by considering im actually doing that fuck it, i just think it looks kinda cool

"This new creation, driven by pure chaos, was defeated by the bright light of Kirby's hope."

Chaos Elfilis reminds me of a moth. kirby's hope is a bright light.

you can see my thought process. i just thought itd be a bit cute and kinda silly and funny.

the kirby fandom wiki, said that chaos elfilis looked akin to a moth, and it just stuck with me, so i wanted my gijinka of them to be moth inspired, and thats when i saw just how cute moths are! i mean im still a bit scared of insects but at least now i kinda like em.

i feel like i need to say sorry to that one moth i desintegrated in a matter of seconds with a book because i thought it was an spider and didnt think (im so sorry little guy)

but ah yeah elfilis, moth, it made sense to me since chaos elfilis has the soul of morpho knight, who is a butterfly, and moths are kinda like butterflies too. and i thought itd be cute

so uh yeah i sometimes like making my chaos elfilis be a bit like a moth, that includes liking light, a lot, so uh kirby is like a lamp in here because i said so

now to talk about the desing since for some reason i hadnt earlier, as i said before, they are very moth inpired so uh im might say that word way too many times (im sorry i suck at explaining stuff)

their horns are thinner to resemble moth anntenae, and they curve just because i thought it look cool, and to differentiate it a bit from fecto elfilis. their bangs tie into a bun (i forgot to draw that but i dont wanna go and change it now, way too tiredv man and i still have to post this on other places) the bun looks a bit like an eye, because well, they are basically a soul boss, and moths have things in their wings that look like eyes, btw chaos elfilis doesnt have their wings here because i got lazy and i didnt want them to like cover most of the drawing. the things coming from their bun are like the trhee things theyve got in their head, theyre shaped like that to resemble insects legs a bit, fecto elfilis also had the 3 things (i dunno how to call em sorry) as their eyelashes, but chaos elfilis has just white eyelashes, because the bun already has the 3 things and because my morpho has white eyelashes so (i still havent done my morpho gijinka yet, i just know im gonna give the butterfly some white eyelashes cuz cute and pretty grimm reaper) the rest of the hair is shaped into like a ponytail but like, adn shaped, with whats left shaped like a lil moth

the waistband they have is a nod to morpho, they used to have a bow shaped just like the butterfly morpho appears as, but i took it out because i thought it crowded the design way too much, and also because it was too on the nose. the arms have those golden things because my fecto has it and because my og chaos elfilis gijinka had them so i wanted to bring it back, the hand fades into white because the red in the hand wasnt hard to distinguish so i came up with that to make it easier to see.

the red part of the pants are actually a bit fuzzy akin to a moth and the white part has those stripes to loke like insect stuff because y'know akin to a moth. the boots are like the red part in their legs their model in-game has, so i just made em tall boots, the high heels? originally it was platform just ike my fecto but then i wanted to draw them in high heels when i was slightly redoing chaos elfilis, and welp, i loved it and now theyve got high heels. those rings around the ankle are inspired by the ones leaongar has around their arm. also can you tell anatomy is not my strong suit? and that i dont draw high heels often?

i made a slight change in my kirby, making the sleeves be a different color, since the one he had before i felt was way too white, and i wanted to have more saturation in it

i also forgot but elfilin is supposed to wear that during forgotten land, and then i decided that after the anding of the main story he changes clothes, but i forgot about that while doing this so he has his pre-ending clothes (also because i still cant really decide on their second outfit for the post-game)

god im so tired i wanna talk and show more drawings but o shit im sweating why is it so hot in here

um thank you for reading all the unnecessary long rambles about why i do certain stuff in my gijinkas, i appreciate it a lot (im still sorry about writing walls upon walls of text but i just cant help it)

Jambuhbye! :D

[ssalballoon]

Whats your art process and what would you reccomend for someone who would like to achieve a style similar to yours? i love this mix of cartoonism and realism. your work is such an inspiration >.<

oh gosh! thank you?! 💞 i'll do my best to explain it, but even I have a difficult time trying to understand my own art process/style because of how inconsistent it is;; (i still have a lot to learn!) this is gonna be a long reply so i'll place it under the cut

process:

I start loose with a more gesture type rough sketch. I mainly just do lineart in the same layer as my sketch and erase away parts I don't like. Sometimes I'll lower the sketch's opacity and on a new layer do my lineart (which is what i did for the drawing above). But regardless doing that loose gesture sketch helps keep my drawing dynamic even as I refine over top of it!

- I duplicate layers A LOT for safekeeping my previous progress, especially if I'm thinking of making a big change (ex. changing limb position)

If I wanna put colors down underneath it I set my lineart to Multiply. For coloring I'm very inconsistent with the process, but recently I've been using a more subjective coloring style, where I pick my own shadows and highlights to try relying less on blending modes (which is gonna be too long to get into here;;) Finally if I feel like it, I make a layer on top of my lineart layer where I render everything

Oh this is something that helps me a lot for colors! I have 2 layers that are a mid-gray tone placed above all my other layers. One I set to the Color mode (to make the drawing black and white), and the other I set to the Luminosity blending mode (to make the drawing's brightness the same..?not sure)

The Color layer helps me check if I have enough contrast in values, and the Luminosity layer helps me check if I have enough contrast in color hue and saturation!

style:

This is really difficult to answer because style encompasses so many different aspects of art, but I'll try to focus my answer on the mix of cartoonism and realism that you mentioned!

I struggled trying to explain what my style is like so I just broke down one of my drawings that exemplifies a lot of my stylizations! Hopefully these can give you some pointers about what I tend to think about when I draw (click for higher quality)

(+to add to this i use a brush with no size pressure, only opacity pressure)

What I recommend for stylizing a realistic character: The way I learned to stylize a more realistic character like this one was to import a reference of his face, then trace over it very deliberately, making sure to stick to big shapes and characterizing details I thought were important to achieve his likeness! Then I'd turn the reference layer off and freehand it over and over, comparing and redrawing until I managed to get the mix of accuracy and stylization I liked!

What I recommend to find a style: I basically ended up with my style subconsciously as an intersection between the things I like to see in art + the things I like to draw! Most of my inspiration comes from anime (😔) and artists online. I'll see a very specific stylization I like in others' art, and try replicating it to see if I like how it fits with my style + if I enjoy drawing it in that way. I did this a lot over the years, accumulating into a big mosaic of inspiration from all the artists whose work I personally enjoy and learn from! I know this isn't exactly answering how to get a style like mine, but I think knowing this general process may help you out in the long run!

ahh i think that's it! i tried to be as comprehensive as i could without being too verbose (my bane). i hope this is the answer you were looking for and that it can help you! 💞 and thank u for the ask! it was a good exercise for myself to analyze my own art

[maskedchip]

I am looking thru files rn and take a lot of pictures of my own art for progress, bc I think like many creatives, it's hard to explain or describe how i get from point A to B in art. im a horrible teacher but this piece for example: (explained under cut)

i tried drawing their little cafe outfits really fast but i just didnt vibe with it. idk what made me want to redo the whole thing. i like the attempt at cooler colors for asougi though. so then we move onto these and:

the first pic looks like an absolute MESS, but what i generally do is get a sketch down, and COLOR out of the way first? I assume it's to set the general tone/ vibe for the piece, which is why you notice a lot of plain color blocks in the bg. then i go back and do lineart and merge all the layers to paint! :D

tbh it's a very back and forth process, and the best way someone described it to me is "you put down blobs of color and then go crazy" which is very, very true.

I think i like the aspect of "carving" in traditional art, where you kinda play around with paint so you go over it again and try something new. so i try to apply that to digital. i think in a lot of my pieces you can see i teeter on the line of messy lineart with color to full blown painting.

anyways there was no point of this, but this is why i always wanna keep track of old art and why i go and revamp old concepts. like i can always try again! also why thumbnailing is very. very. important. but my main goal in art is to have fun when u can, so that's why i play alot.

[canisfamiliarss]

user /canisfamiliars is a zoophilic artist who has rebranded several times in order to hide the fact he draws and consumes zoophilic art

he lied to his former mutuals about not consuming feral nsfw art, much less producing it, including blocking their accounts from his after dark so that they wouldnt find out it was him.

he is not a trustworthy person. he lied to his closest friends about finding zoophilic art disgusting then was found interacting with irl, acting zoophiles on his nsfw account. reiterating he was just fine with people who believe it is ok to fuck dogs in real life consuming his artwork. when confronted he didnt even try to defend himself, just deleted everything and made a new account.

screenshots below. be warned there are nsfw & sensitive topics ahead.

this was his main account. note the similarities in aesthetic, layout, and art style as well as his love for sighthounds.

this was his nsfw, which he drew detailed realistic zoophilic art, which i will not and cannot post publicly, but can share heavily censored versions.

on this nsfw account he didnt just have zoophiles following him but INTERACTED AND FOLLOWED PEOPLE WHO BELEIVE IT IS OK TO HAVE SEXUAL CONTACT WITH ANIMALS IN REAL LIFE. the zeta symbol in bio is a way for zoophiles to identify eachother, and the teal/green/brown flag is the flag of zoophilic attraction.

if this isnt bad enough his follower list was chock full of self admitted zoophiles. he definitely saw each and every one of these people interacting with his feral art. you cannot argue its "just fiction" when you are allowing REAL ACTIVE OFFENDERS to interact with your art. is it "just fiction" for an active pedophile to consume nsfw art of children?

art posted on the account that is far too similar to his current style. note the coloring style, the lineart, and the focus on dogs, especially borzois.

after he got caught the first time, his first reaction was to deactivate all known accounts and run off to a new account, where he tried lying about who he was just like he's doing now. this account was called "earnwolf"; you can see the similarities in style, aesthetic, and how he ever so slightly changed it up to try and not get caught.

this person can try to hide behind "just fiction" but i dont think its "just fiction" when you follow and interact with people who post videos of animal sex and shit. you know what youre doing is wrong. stop trying to quietly rebrand when people call you out for this shit Hawk.

[kinmokusei-stars]

When you realize you're falling in love with the team's new tank.

Version with text below cut!

Okay, I really love how this drawing turned out, since you can probably tell it was another Rumiko Takahashi style practice, but I mainly love it because of just how... Corny it is?? LMAO In the best way possible, it reminds me of those very specific cheesy, dramatic ship fanarts from 2013, and I'm very much here for it. I don't usually do things this cheesy, but it just turned out like this naturally lol- Not at all intentional, but it made me giggle. (๑˘︶˘๑)

This is serious art meant to be these two early on before they start their relationship, but I just like how accidentally dramatic it turned out LMAO (*¯︶¯*) They really are so cute, and I love their slow decent into caring about each other, and all the "oh no-" moments along the way

Also, I tried out a new brush for hydrangeas! I always draw my flowers by hand, and trust me, I don't plan to stop doing that. It adds so much more personality and stylistic unity to the piece, but not only was I tired and curious about this brush, but I think it matched the energy of this pretty nice? I think I managed to mesh it pretty well, I just wish the lineart was a bit thicker on the brush. ( ´ ꒳ ` ) Otherwise, I really do love this piece!