#transition scene!

[holocene-sims]

next // previous

september 2, 2021 1:00 a.m. grant's mind

🎵 did you learn to dream in the morning? abandon dreams in the afternoon? wait without a hope in the evening? did you stand there in the traces and let them feed you lies? did you trail along behind them wearing blinkers on your eyes? did you kiss the foot that kicked you? did you thank them for their scorn? did you ask for their forgiveness for the act of being born? 🎵

[diamondcitydarlin]

               "I am gonna make you so happy." 🪲🪳

[arcanegifs]

ARCANE LEAGUE OF LEGENDS: Season 1 ↳ "Oh, the misery."

[finnamin]

So we put on a mask. It's not hard to understand why. What's hard is knowing that sometimes, the mask is who we really are.

Zuko in 1x06 - Masks

[rassebers]

What my master really is

[writingwithfolklore]

Scene Transitions

                Transitioning between scenes is something that you’ll have to do a lot. A good scene transition blends seamlessly into the next so we hardly notice it occurring—or it stands out in order to heighten an emotional impact.

                I remember teachers saying, “transitions should blend seamlessly” to me in school without ever explaining how to do that, or what it looks like. The good news is, you’ve probably read so many books and consumed so much media that you’re already subconsciously transitioning your scenes. If you’re struggling, though, here’s what to watch out for:

1. The emotion ends off and begins at the same place.

This isn’t necessarily a hard rule, but it certainly helps maintain a sort of flow to the work, and asks a lot less from your readers than putting them through an emotional rollercoaster. This counts whether it’s transitioning from the same POV or different ones.

                For example, if your character is being chased by the police and the scene cuts off without knowing what happens to them, the next scene needs to begin in this heightened sense of urgency and anxiety.

                However, if your character is being chased by police and dives unnoticed into their hideout, the next scene should begin within this sense of relief. From here, you can take it wherever you want—just maintain a consistency between chapter cuts, POVs, or other time/place skips.

2. Finish what you start

Unless you’re intentionally keeping the audience in the dark about something (which would require at least some acknowledgement that there are answers, they just aren’t being revealed), you should finish what one scene starts.

Say your previous chapter ends off with the character finally reaching the end of the line for the super scary haunted house attraction. The next should probably begin with them getting to enter the house. If it begins the next day, we’ll be so caught up in the missing time and the obvious lack of answers surrounding the haunted house it’ll take us completely out of the scene and make a notable cut.

                An example of a story that does this notable cut really well is ‘A Face Like Glass’ by Frances Hardinge, in which nearing the end, Hardinge inserts a page that playfully acknowledges the complete jump in time and space without revealing anything to the readers about why it’s there, leaving them to discover later on what occurred in that space.

                I wish I could quote it exactly but I don’t have the book with me. If anyone does, please reblog this with the page! You’ll know the one I’m talking about.

3. Keep it the same

Don’t switch to a new POV in the middle of the story when you’ve never seen it before unless intentionally making a point. Do transition your scenes however you’d like, but maintain consistency throughout the story. That way, if you ever need to make a point, you can break all the rules you’ve followed to really hammer home the impact.

                Good luck!

[newtonbridgerton]

hey creloise nation how do we feel about how every character in has a carefully color coded wardrobe (bridgerton blues, featherington yellows) and cressida is almost always dressed in creams and pinks EXCEPT for two scenes

the scene at the ball where she is wearing what looks like a white gown with midnight blue sleeves and silver accents which is inline with what the other girls are wearing now that they know the queen is looking for someone 'sparkling'

and then in the scene immediately after where she happily skips over to eloise and eloise incorrectly accuses her of gossiping about penelope and colin

in that scene her outfit is a soft bridgerton blue that matches eloise perfectly. is it to emphasize the line she says about eloise finding a looking glass to find the cruel one? or is it to symbolize the effort cressida is putting into putting her (pink) past behind her and aligning herself with eloise (blue)?

[em-dash-press]

Ways to Skip Time In Your Stories

Finding ways to skip time in stories can feel challenging. Writers often worry it’ll make their work feel too amateur or negatively affect their pacing. 

The truth is that every author includes ways they skip time to maintain their pacing and plot. Check out a few ways to do it with confidence. 

1. Start a New Chapter

Yes, it’s really that simple. Go back to your favorite books and note how each chapter ends. You’ll likely find a few of these tricks that transition the story in ways that match the story’s flow.

Ideas to End a Chapter

The protagonist goes to sleep (likely overused, but practical)

The characters end a conversation

One character informs another of a plot twist

Unexpected action occurs, like a car crash

2. Emphasize the Season

You don’t need to tell the reader exact dates or hours to pass the time. You could mention the season instead.

If a scene or chapter ends in the summer and you need your plot to start in winter, make your protagonist mention something about the leaves changing color and giving way to snow before your action picks up again. It will only take a sentence or two, so it’s also an effective method for short stories.

3. Visualize a Movie Montage

Imagine watching a movie about a character who goes on a summer adventure. They backpack through Europe, but they have to take a flight to get there. 

You likely wouldn’t see them standing in airport security lines, napping in a terminal or watching a full movie on their flight to their destination. Instead, you’d get a montage of them driving to the airport with a shot of their plane cruising over the open ocean.

Writers can do the same thing, minus the soundtrack in the background. Describe how your character got to their destination when a new chapter or scene starts. Your readers will get the general idea and appreciate getting straight to the plot that made them pick up your story in the first place.

Here are a few ideas to do this in just a few sentences:

One delayed flight and a bad airplane dinner later, I was walking out of the Amsterdam-Schiphol Airport with an aching back and excited heart.

My trip began with the perfect flight. I got an entire row of seats to myself, which made napping through the trip much easier. A flight attendant roused me awake when it was time to land. I couldn’t believe how fast I’d arrived in Athens that quickly.

My flight was just long enough to catch up on the movies I’d been missing over the last year. The landing gear bounced along the runway in Rome just as the Barbie credits started flashing across my iPad.

4. Showcase Some Confusion

Sometimes we aren’t aware of what time it is. We only know time has passed. That might be the best way to make time pass in your story if your protagonist gets confused, caught by surprise, or otherwise discombobulated.

These are some examples:

I woke up with a bad taste in my mouth. The sun was already peaking in the clear blue sky. How long had it been since my explosive video call with my ex the night before?

The time machine landed with a thud that knocked me to the ground. The control panel exploded in shimmering sparks. What year was it?

Working a double shift always left my brain spinning. I left work, walking across the parking lot with only the stars watching my back. I could feel the hours aching in my feet, but didn’t care what time it really was. I just needed to sleep.

5. Employ a Phrase

There are many quick phrases you can use to make your time jumps immediately clear. Consider using a few of these when you feel creatively stuck:

Later that morning

A few weeks later

After months of trying

Six hours later

The following week

As the store closed for the night

-----

There are many other ways to make time pass in a story. Starting with these could help you figure out the best way to move your story forward without disrupting its pacing. 

Remember, you’re in control of your story at all times. There’s always a way through creative challenges if you take a deep breath and try something new.

[chronicowboy]

god no but the blind faith in eddie's expression when buck comes out of chris' room kills me. it's buck. he's the guy who likes to fix things. but more than that he's christopher's buck. he's his kid's safe space when eddie can't be that for him. he's his confidant. he's his best friend and maybe a little more. he's eddie's last hope and you can see in his eyes that he never really considered the possibility that buck could fail here. you can literally see his reality crumbling on his face when buck comes out of christopher's room utterly defeated and shakes his head. and then you watch it dawn on him, the guilt take over as he realises he's fucked up so badly that even buck can't fix it.

[mutantmayhems]

TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM (2023)

[nachofuck3r]

[lavendorii]

Third meeting

[bloo-the-dragon]

roccs

(inspired by this post)

[brianskangs]

"Among all of the possibilities, Thank you for choosing me" — Welcome to the Show (DAY6)

[01432853]

#when you thought you'd killed him

@asiandramanet august creator bingo — animation / inspo

[mayasdeluca]

“The thing about fantasies is….when reality comes, it’s rarely how you pictured it. A day that is supposed to be one of the happiest days of your life just may turn out to be your worst.”