#track eight album nine

[catgirlrobot]

ID: Four pictures of a lion and a cub in the snow. The cub touches the lion's mane with one paw, before he shakes the snow off, leaving himself clean while the cub looks on now covered in snow. /end ID.

[catgirlrobot]

icon id: a blonde catgirl seated in a mech

header id: the album cover for '...because i'm young arrogant and hate everything you stand for' by machine girl, on an alloaro flag colourpicked from it

artificial heart - actual machinery

the world in a box - objectum

www.posts - silly / only vaguely in theme

the infidelity of the body - meat & metal

voiding the warranty - nsfw

slightly out of sync - art of all sorts

track eight album nine - me (kitties)

eat your heart - emetophilia

apéritif - men

distant stations - unrelated or other stuff

i tag blood / gore, but not body horror

[doyoulikethissong-poll]

Daddy Yankee - Gasolina 2004

"Gasolina" was released as the lead single from Puerto Rican rapper Daddy Yankee's 2004 album Barrio Fino in the US in October 2004. By November 6, WSKQ-FM in New York City reported "Gasolina" in their top 10 rotation, and WRTO-FM in Florida said the song was their number one most-played track. It entered the US Billboard Hot 100 chart a week later, rising to number 32 in January 2005. "Gasolina" was a hit in North America and the Caribbean, gaining Daddy Yankee popularity among Latino mainstream music fans. In July 2005, "Gasolina" was released as a single in the UK, eventually earning a Silver certification in March 2019. Australia saw the single enter their charts in late January 2006 during their summer season, rising to number 12. "Gasolina" was the first reggaeton song to be nominated for the Latin Grammy Award for Record of the Year. Puerto Rican reggaeton singer Glory sings the line "dame más gasolina", although she is not credited.

In 2015, the song was ranked number nine on the "50 Greatest Latin Songs of All Time" list according to Billboard. In 2018, it was ranked number 38 on Rolling Stone's 50 Greatest Latin Pop Songs. In 2017, it was included on Billboard's "12 Best Dancehall & Reggaeton Choruses of the 21st Century" at number eight. In 2021, it was ranked number 50 on Rolling Stone's "500 Greatest Songs of All Time", and a year later it was ranked at the first place on their 2022 "100 Greatest Reggaeton Songs of All Time" list. In 2023, "Gasolina" was selected by the Library of Congress for preservation in the United States National Recording Registry as being "culturally, historically, or aesthetically significant." The song was used in the 2023 movie Fast X / Fast & Furious 10.

"Gasolina" received a total of 77,4% yes votes!

[princessbrunette]

SHORT N’SWEET — THE SERIES ♡

a series of drabbles based on each song off sabrina carpenters newest album short n’sweet — an album equal parts toxic as it is horny, just like the ramblings on my blog! hope you enjoy, cutiepies 🧁

♡ TRACK ONE — TASTE

♡ TRACK TWO — PLEASE PLEASE PLEASE

♡ TRACK THREE — GOOD GRACES

♡ TRACK FOUR— ESPRESSO

♡ TRACK FIVE — SHARPEST TOOL

♡ TRACK SIX — COINCIDENCE

♡ TRACK SEVEN — BED CHEM

♡ TRACK EIGHT — DUMB & POETIC

♡ TRACK NINE — SLIM PICKINS

♡ TRACK TEN — JUNO

♡ TRACK ELEVEN — LIE TO GIRLS

♡ TRACK TWELVE — DONT SMILE

[secretpremonition]

I have 17,000 nine inch nails scrobbles on my last FM. This was from a point in 2022 where I listened to nothing but nine inch nails. They are still my most scrobbled artist.

The second most scrobbled artist is MCR because I was listening to one album on eight hour loops for a month straight (in 2019 I think). Those tracks still show up as the most scrobbled tracks.

my stats are never gonna recover

>eight hour loops

[javelinbk]

Happy 60th Birthday, Beatles for Sale!

Beatles for Sale, the band's fourth studio album, released in the UK on 4th December 1964

‘There's priceless history between these covers. None of us is getting any younger. When, in a generation or so, a radio-active, cigar-smoking child, picnicking on Saturn, asks you what the Beatle affair was all about---'Did you actually know them?'---don't try to explain all about the long hair and the screams! Just play the child a few tracks from this album and he'll probably understand what it was all about. The kids of AD 2000 will draw from the music much the same sense of well being and warmth as we do today.’

Beatles for Sale sleeve notes, by Derek Taylor

Paul: That is a rather nice cover, that's Robert Freeman - nice photos. We showed up in Hyde Park, near the Albert Memorial, and we was quite impressed by George's hair, there, it was a marvellous little turnip top, he managed to create.

Brian: Paul, I believe this time on your album, all the songs are not your own compositions, for a change, are they? Paul: It's got eight of our songs, and the rest are... the rest... eight from fourteen, what's that, nine, please? George: No, six! Paul: I'm not very good at counting! Brian: So I see Paul: Six, of course, six, yes. Eight and six. John: How many GCEs? Paul: Well, I didn't get that one. Counting. Didn't get counting. Brian: Who are the other numbers? Paul: Kansas City is one... John: Two Carl Perkins, one Little Richard, one Chuck Berry... and one Dr Feelgood, and that's the rest Brian: Oh right, so eight of your own compositions. I've heard it said that a lot of these would make good singles, do you think there’s any light of it at all of them being released that way? John: No Paul: Well, actually, one of them nearly was, you know… John: But the wrong one anyway Paul: But it wasn’t as good as the single, we don’t think, you know. But it was nearly, at one point. John: You can’t release singles off an LP after the LP's been out Brian: A lot of people do Paul: Well, in America they do. In America they do that, you know John: Well, they're different over there, aren't they? Paul: And it’s a bit of a drag, yes. Yes, a bit of a drag...

[venusvity]

Kpop stan Twitter hates them. Sena is talentless tweets hitting crazy numbers. Jiah deactivated her Instagram account. #BaebiGoSolo has trended for three days now...They had ONE chance.

VENUS entered 2021 mad as hell with their second full album, "I AM VENUS," which included the title track "I AM. "I AM was a commercial success in South Korea and topped the Circle Digital Chart for six weeks. It also reached the top ten in Hong Kong, Japan, Malaysia, Singapore, Taiwan, and Vietnam. The song has been certified platinum for streaming in South Korea. It also received four PAKs and nine music show wins.

Dazed ranked it 19th among the 50 best K-pop tracks of 2021, and Grammy named it one of the 15 K-pop songs that defined 2021.

The group would repeatedly go viral for their performances of I AM as the girls were either emotional while performing the song or they were in platformed heels. For the first time in their career, Chloe was able to look people in the eyes during the music show interviews. Though the heels were a hit, they raised concerns for fans as there were multiple instances of the girls twisting their ankles or falling during performances because of them. Either way, iconic.

The platformed heels Venus wore during the promotions of I AM. These are the ones on displayed at the Angelico Artist Muesum. The group wore a total of 36 different pairs of heels for this era.

Their repacked album "VENUS, I AM." would come shortly after I AM VENUS with the title track "DIVE". Before the song's release, the teaser images for VENUS, I AM would go viral for their unique concept and artistic expression.

The teaser images used for "VENUS, I AM." under the creative direction of LEXA.

The album debuted at number one on the weekly Gaon Album Chart and also topped the monthly chart, selling 544,339 copies in its first month of release. It has since been certified triple platinum by the Korea Music Content Association (KMCA) for surpassing 750,000 units.

Tássia Assis from NME gave Dive a 4 out of 5-star rating, describing the track "Dive" as "the definite, luxurious plunge. " Despite being "more subdued" than the group's previous album, "I AM," it is a "chaebol crush" that matches the extravagance and confidence that defines VENUS. Uproxx named it one of The Best K-Pop Albums of 2021.

The hate train finally seemed to slow with the ever-mounting success the girls were receiving. It's not like the girls had enough time on their hands to even really focus on the hate. They were always working on something. That next something would be their 6th mini album, "Illusions," followed by a title track of the same name.

Upon its release, Illusions was praised by music critics for increasingly showcasing all members' vocal abilities with "trendy" production. Illusions was a commercial success in South Korea and charted in Japan and the United States. It debuted atop South Korea's Gaon Album Chart on the chart. Overall, it ranked seventh on the Gaon's 2021 year-end album chart.4 Walls debuted at number thirty-nine on Japan's Oricon Albums Chart, and it peaked at number one on the US Billboard World Albums Chart, becoming Venus' second number one on the chart following 2019's Love Simulator.

Illusions was primarily beloved for its "multidimensional" concept and music video. In the video, the girls were trapped in a time loop, and the song restarted midway through the eight-minute video, signifying that the viewer was also in the time loop with them.

Stills from the "Illusions" music video. Creative direction by LEXA.

The girls would close out the year with the summer classic "Summer Luv!" and a title track of the same name. When I tell you this song was massive, it was huge. Love Simulator was finally overthrown as Venus' most-known song because you could not go anywhere with Summer Luv'ing.

GQ Korea named "Summer Luv!" its Song of the Year in the magazine's November 2021 issue. In December, IZM listed the song as one of its top 10 singles of the year. Dazed ranked the song at number two on its 20 Best K-pop Songs of 2021. The song landed on Billboard's 20 Best K-Pop Songs 2021 list at number four. Melon ranked it number 15, while Rolling Stone ranked it number 13 in their lists of the greatest K-pop songs of all time, with the latter publication praising its production and hailing it as the epitome of "summertime fun, adventure, and romance."

Summer Luv! would win the girl's Song of The Year at the 2021 MAMA Awards and the Best Dance Performance – Female Group award. They would go on to win the Digital Daesang at the Golden Disk Awards and Song of the Year at the Korean Music Awards.

Some of the various wigs and hairstyles were worn by Venus during their Summer Luv! Promotions. Gif style inspired by @pickmedolls !

The Summer Luv! era was not only defined by success but looks as well. The girls would wear different wings at nearly every stage, mixing up their styles and colors while "giving their scalps a much-needed break," as said Chloe during an interview. The girls would go through seventy-five wigs between the five of them, with a fraction of them, the most iconic ones, being displayed at the Angelico Artist Museum.

[catgirlrobot]

ID: A cat facing towards the camera with its front paws on a laptop, and the same cat laying down on a desk, with the laptop visible in the foreground. /end ID.

“Jasmin” 2008

[dreaminginthedeepsouth]

Song of the Day - “Take Five”

Today is the 65th Anniversary - July 1st, 2024 - The Dave Brubeck Quarter recorded their signature tune - “Take Five” at Columbia’s 30th Street Studio in New York.

The track would appear on their next album “Time Out”, and would also get released as a single…

It remains the biggest-selling jazz single of all time….

The album “Time Out” was another concept album for Brubeck, and this one’s concept was to have songs with odd time signatures…

His thinking was that jazz in 1959 was having some landmark innovations with Miles Davis’ “Kind of Blue” and Coltrane’s “Giant Steps”, but that the one thing that never seemed to change was that the music was being played in 4/4 time.

Brubeck said, "It's time that the jazz musicians take up their original role of leading the public into a more adventurous rhythm”

So he set about doin this album of original songs and each with an odd beat structure… with six-four, three-four, nine-eight and, in "Take Five," five-four timing…

“Take Five” was a collaborative creation, starting with Morello’s 5/4 drumming, upon which Paul Desmond constructed the melody to match and then Brubeck wove together the elements.

The record label was nervous about an album of all original songs without one single cover of a jazz standard… but once this album and the single of “Take Five” were released, the song became a new jazz standard in its own right…

A bit of a waltz, “Take Five” was straight up innovative at the moment of being released, but its legacy is to be a very accessible piece and an enduring classic…

[Mary Elaine LeBey]

[neverlostmycrown]

I'm extra proud of this one :)

#30daysmusicchallenge2024 for Daughters of Darkness!

Day 23: A song by a band (artist) you want to see live:

Evanescence - Haunted

I wish I could see evanescence live during that time when they started their shows with this intro, it was truly haunting.

Haunted is the fifth track from Evanescence's debut album, Fallen. It was originally developed during the 2001-2002 demo sessions. Amy wrote the song and referenced a short story written by Ben.

Ben Moody's story about Haunted:

"A little girl around eight or nine in a little white Easter dress is walking down a neighborhood street bouncing a little red ball. As she approaches an obviously deserted large house with a sinister demeanor, her attention moves from the ball to the house. Not paying attention to her bouncing, the ball hits the curb and ricochets toward the house. As she chases the little red ball toward the house, the ball picks up unnatural momentum and bounces right into the huge gaping front door. The little girl pauses for a moment, looks up at the house, which now appears to be staring down at her, and cautiously enters the house in search of her little red ball. as she slowly walks into the atrium, she surveys the decaying mess that once was obviously a beautiful mansion. She becomes mesmerized by the exquisite detail of every inch of the banister winding up the seemingly endless staircase in front of her. Suddenly her thoughts are broken by a horrifying commotion. She whips around to run out the front door, but finds only a blank wall where the door once stood. Frightened, she runs down the first hallway she sees, trying desperately to find a way out, but with every turn the world behind her changes, bending to the will of the house, so that even finding a path back to the atrium where she began becomes impossible. Terrified, the little girl sinks into a corner, puts her head in her hands, and weeps.

10 years later....

The little girl wakes up in a panic, now a young woman. Dirty, scarred. She's now clothed in black pants, work boots, and a black wife beater. Her skin is pale and dirty. Sun has not graced her flesh in over a decade. She wakes to find a meal placed on a dirty silver tray before her, just enough to sustain life, just like every morning before. Placed there by a figure she can only see in passing, around a corner, walking through a door.... a figure that has become her only friend, and her only hate. Her entire existence has become nothing but to hunt and destroy this shadow that keeps her here. As she hunts him relentlessly day after day, she becomes lost in the dichotomy of her being. This thing that keeps her here, this person that repeatedly rapes her mind and watches her when she sleeps, has become her only friend. For if this person left, she would cease to exist. For she live only to kill him. But lives only FOR him. Every day the house changes around her, so that every day she wakes in a foreign land. The only constant... is him. She hears his heart beating, she smells him, she can only think of finding him, but he is also the only thing she knows of love."

(x)

[featguler]

BUZZ ! an anthology featuring REAL MADRID.

SUMMARY : an rpf series featuring some of the 24/25 real madrid squad based on niki's album ' buzz ' . NOTES : hi... excited for this... this is one of my favorite album releases this year and yeah!! these all will be unrelated one-shots. please send me a message/inbox if you would like to be included in the taglist. feel free to request a real madrid player for certain songs if there is no one assigned to it already. repeating players is fine. hope you enjoy this ♡ general masterlist. #BUZZ ! → series tag

TRACK ONE : BUZZ ! ✶ TO BE ADDED X READER ( to be added. ) play here 📼 . read here 💌

it's feeling dizzy when you're tipsy wondering why you're so nervous 'round your so-called "friend"

TRACK TWO : TOO MUCH OF A GOOD THING ! ✶ VINÍCIUS JÚNIOR X READER ( to be added. ) play here 📼 . read here 💌

maybe it won't be a sure thing but it sure is a good thing

TRACK THREE : COLOSSAL LOSS ! ✶ TO BE ADDED X READER ( to be added. ) play here 📼 . read here 💌

and yeah, i'm gonna play the shit out of the blame game

TRACK FOUR : FOCUS ! ✶ TO BE ADDED X READER ( to be added. ) play here 📼 . read here 💌

no guys, i swear! he's not emotionally unavailable, he's just traumatized

TRACK FIVE: DID YOU LIKE HER IN THE MORNING ? ! ✶ JUDE BELLINGHAM X READER you try piecing the puzzle of jude's ex-lover together. play here 📼 . read here 💌

i know it'd be easier if i just didn't ask but it'd also be easier if she wasn't your last

TRACK SIX : TAKE CARE ! ✶ TO BE ADDED X READER ( to be added. ) play here 📼 . read here 💌

when bitterness bites, novelty is nectar

TRACK SEVEN : MAGNETS ! ✶ AURÉLIEN TCHOUAMÉNI X READER ( to be added. ) play here 📼 . read here 💌

guess what i'm trying to say is i'd rather die than be friends

TRACK EIGHT : TSUNAMI ! ✶ TO BE ADDED X READER ( to be added. ) play here 📼 . read here 💌

a roaring tsunami you came crashing in like an act of god

TRACK NINE : BLUE MOON ! ✶ KYLIAN MBAPPÉ X READER ( to be added. ) play here 📼 . read here 💌

maybe i'll give you a call when i turn 32 and you'll say, "who knew?"

TRACK TEN : STRONG GIRL ! ✶ EDUARDO CAMAVINGA X READER ( to be added. ) play here 📼 . read here 💌

it's to the death or less than nothing

TRACK ELEVEN: PATHS ! ✶ FEDERICO VALVERDE X READER ( to be added. ) play here 📼 . read here 💌

but real love is a verb i get it now

TRACK TWELVE: HEIRLOOM PAIN ! ✶ ARDA GÜLER X READER ( to be added. ) play here 📼 . read here 💌

i do the dishes and tend the garden soften up where i used to harden

TRACK THIRTEEN: NOTHING CAN ! ✶ TO BE ADDED X READER ( to be added. ) play here 📼 . read here 💌

and what's unsaid feel like concrete slabs hailing down from the sky so fast

[cal-daisies-and-briars]

Light Verse Project Complete!

As many of you know, Iron & Wine is my absolute favourite artist of all time. So when he released a new album earlier this year - Light Verse - I decided to do a fic for each song. And it's done! Here is the collection.

For anyone who is curious, here is what I did!

Track One: You Never Know

Fic: you could make light

Full lyric: You could make light, be the silly word Sitting on a tongue You could make nice or beat a drum

Summary: When a sudden blackout leaves May and Buck trapped for hours, the two find themselves getting a lot off their chests, and bonding over several important parts of their lives.

Track Two: Anyone's Game

Fic: no one can be born too many times

Full lyric: Anybody born knows how to play this little game No one can be born too many times First they kiss their lucky dice and then they dig themselves a grave They do this until it's killing them to try

Summary: When Ravi's younger brother shows up at the station unexpected, the 118 gets a better glimpse into his life, and Ravi gets a better perspective on both his families.

Track Three: All In Good Time

Fic: i told my future by reading your lips

Full lyric: All in good time, our plan went to shit I told my future by reading your lips You wore my ring until it didn't fit All in good time

Summary: In 2018, on their way to a call at a child beauty pageant, and feeling a little strange, Buck and Eddie are suddenly thrown into a fast-paced look at some key moments from their future. And, what they see? Well it can only lead to one logical conclusion.

Track Four: Cutting It Close

Fic: time likes pulling my teeth

Full lyric: Time likes pulling my teeth I never knew how many teeth I would need So it goes and it goes It doesn't matter but it's cutting it close

Summary: Buck is enjoying the last day of a family vacation with Eddie and Christopher. Over and over and over again. And Eddie seems determined to keep it that way.

Track Five: Taken By Surprise

Fic: i've seen a couple suns that set forever

Full lyric: I know this kind of moon It looks too full to come back down And I've seen a couple suns that set forever

Summary: Freshly home from Texas and faced with the prospect of his dad's feelings for Buck, Christopher's abandonment issues surface. A conversation with Bobby, and realizing the parallels between Buck's relationship with Bobby, and his relationship with Buck, gives Chris the perspective he needs.

Track Six: Yellow Jacket

Fic: a cold world for such a long life

Full lyric: Doves are losing lucky feathers in the sky Appaloosa's in the moonlight going blind What a cold world for such a long life Dogs are barking on the record every night

Summary: Eddie befriends Bobby's estranged older brother in a virtual support group for queer adults struggling to come out. The only problem? He has no idea that's who Charlie is.

Track Seven: Sweet Talk

Fic: Sweet Talk

Summary: Eddie asks to crash at the loft while Christopher is gone, struggling to be on his own. Only problem? There's only one bed, and no couch.

Track Eight: Tears That Don't Matter

Fic: are you not the lost and found?

Full lyric: Fly right, eat a rainbow Speak of the devil when gods in the details Meet the moment, kill kindness Finding and keeping that pot you can piss in

So are you or are you not the lost and found?

Summary: In which Bobby has the opportunity to meet an alternate universe version of his daughter, who has lived to adulthood, but her life has not been without its own complications - including their relationship.

Track Nine: Bag of Cats

Fic: treat an opportunity like it's treating you

Full lyric: Treat an opportunity like it's treating you Another plum thumbing for a ride Love is only fair 'Til all its favorite hair is falling out, falling out Falling out, falling out, falling out

Summary: After losing his leg as a result of the fire engine bombing, Buck is presented with the opportunity to have a service dog donated to him.

Track Ten: Angels Go Home

Fic: all our bruises beg for a chance

Full lyric: All our true believers break like fever All our bruises beg for a chance, beg for a chance

Summary:

Buck is adjusting to life living with Eddie, Chris, and his service dog Cranberry, when his parents visit for the first time since he lost his leg.

OR:

A Cranberry-verse take on the events of Buck Begins.

---

I am thinking of doing this for more albums! This was such a fun project!

[parkerslatte]

Songbird || TWELVE

Eddie Roundtree x Fem!Reader

Warnings: mention of blood

Word Count: 3.7k

Part Summary: The band records songs for Aurora and Y/N attends a party with Daisy.

previous chapter / next chapter

Series Masterlist

Main Masterlist

Taglist

•••

TRACK TWELVE;

MANEATER

...

DAISY JONES: We must’ve written eight or nine songs the first couple weeks. I would have an idea, and then he’d flesh it out, or he would come up with a riff, and I’d come up with a melody line.

BILLY DUNNE: When you’re making an album, any album, it’s an intimate thing. I mean, it has to be.

DAISY JONES: Which isn’t to say we didn’t fight.

BILLY DUNNE: Oh we were fighting constantly.

WARREN ROJAS: For a month it was like that. We’d be in the studio, you know, recording all the arrangements, and they’d be who knows where doing god knows what.

EDDIE ROUNDTREE: Everyday they’d come in with something new.

KAREN SIRKO: I mean great fucking songs.

Y/N L/N: Even though I didn’t want to be in the band, I can’t fault the songs, they were great, amazing even.

EDDIE ROUNDTREE: And every night, they’d come in giggling like two little schoolgirls. 

INTERVIEWER: Did it concern you?

GRAHAM DUNNE: Not really. Not yet, anyway. I mean…like whatever they were doing…it was working.

INTERVIEWER: How was Y/N adjusting to being in a band?

KAREN SIRKO: She adjusted well, it was only the arguments that was a concern.

…

“I did everything you told me to do, Billy!” Y/N yelled into the microphone. 

“But it’s not good enough,” Billy says from the booth, “Try again.”

Y/N sighed, and began to play again but as soon as she started playing, Billy cut her off again.

“In what possible way was that wrong,” Y/N exclaimed, “I played one note.”

“It was the wrong note.” Billy says, trying to remain calm.

Y/N rolled her eyes, “You need to get your hearing checked.”

Billy turns to Teddy, “It was the right note, Billy.”

A smirk appeared on Y/N’s face at Billy’s annoyed expression. 

“Again.” Billy ordered. 

Once again as soon as Y/N began to play Billy interrupted her. 

“Right,” Y/N says, “This is bullshit.”

Y/N lifted the guitar and placed it back on its stand. With one final glare at Billy, she left the room, joining the rest of the band. 

“You finished?” Karen questioned. 

“Nope,” Y/N said, flopping down on the couch next to Eddie, “Apparently Billy needs to get his hearing checked because everything I’m doing is wrong.”

Billy came storming out of the booth, his eyes focussed on Y/N, “Get back in the studio now, Y/N, you’re wasting time.”

“Why?” Y/N questioned, “So you can stop me every two seconds, I’d say you’re the one who’s wasting time.”

“Billy, just give her a break,” Karen says, “She’s been in the studio all day.”

“And so have the rest of us.” Billy says.

“Yeah, but we haven’t been yelled at for the past two hours.” Eddie muttered. 

Billy sent a glare Eddie’s way before his gaze landed back on Y/N, “Y/N, get back in the studio.”

…

KAREN SIRKO: Billy didn’t know when to stop when he argued with Y/N. 

WARREN ROJAS: Y/N never let her emotions show much, but I could tell that she was getting to her breaking point.

CAMILA DUNNE: I knew how Billy was treating Y/N and I wasn’t standing for it. She was my best friend and he was treating her awfully. I knew they didn’t like each other but that was no excuse.

BILLY DUNNE: Y/N got on my last nerve. She always wanted things her way. 

Y/N L/N: Billy was a controlling prick.

DAISY JONES: I knew that Y/N didn’t want to be in the band, and I didn’t understand why she was in the band. Her talent shouldn’t have been pushed to the side like it was. 

…

The band sat around in the studio waiting for Billy and Y/N to come back with their new song. Y/N sat with her guitar, carelessly strumming a tune she had come up with, humming along to lyrics she had written months ago that was meant to be for her album. 

“I like that melody.” Graham says. 

“Thanks,” Y/N smiled, “I was working on it for my album.”

Graham began to listen to the song as Y/N continued to strum her guitar. As he began to play her own guitar, working with what Y/N had already created, she turned to him and smiled. One by one each member of the band began to play along with Y/N and Graham. It didn’t sound fantastic but to Y/N it sounded like the most amazing thing in the world. 

“Sing the song.” Graham says.

“I wrote the song as a duet,” Y/N says, “Eddie, would you be able to sing the other part.”

“Me?” Eddie questioned.

Y/N smiled and reached down to her bag and pulled out her notebook, turning to the correct page and held it out to Eddie.

“The green ink is what you’re meant to sing. You’ll pick up the melody.”

Everyone began to play what they were before, slowly getting a good balance. Y/N began to sing everything melted away, the only thing she concentrated on was the music. Y/N signalled that Eddie should start singing. As he began he was out on timing which caused Y/N to smile but he soon got into a rhythm. 

Their voices complimented each other perfectly. Y/N couldn’t help but smile. Every member of the band got into the rhythm of the song, fully enjoying themselves for not being told what to do, they all got to freely play what they wanted. 

The door to the studio opened and in walked Billy and Daisy. Daisy slowed down her walk as she listened to the song, meanwhile Billy let out an annoyed sigh. Y/N was the first to notice and she stopped singing and playing, everyone followed her actions. 

“What’s going on here?” Billy questioned.

“Y/N wrote a song and we were playing around with it,” Graham answered, “It’s a great song.”

“It’s not going on the album.” Billy says.

“Come on,” Warren says, “It’s a great fucking song.”

“It’s not going on the album.” Billy repeated. 

“I think it should go on the album.” Daisy intervened.

“Thank you Daisy.” Y/N says and Billy rolls his eyes. 

“It’s not going on the album,” Billy says, “And that’s final.”

“Okay,” Daisy challenged, “Then I want Y/N to sing The River with me.”

The room fell silent. 

“It’s one or the other Billy,” Daisy says, “Her song goes on the album or she sings The River with me.”

…

Y/N L/N: Originally I never wanted my song to go on the album, but the look on Billy’s face when Daisy gave him that ultimatum was what made me want to have my song on the album. 

DAISY JONES: We recorded Y/N’s song that day. 

EDDIE ROUNDTREE: Y/N’s song was my favourite on the album, still is. 

WARREN ROJAS: I think that was the most laid back recording we did. Y/N took the reins on it and let us fuck around with it. It was a good day.

…

“Camila!” Y/N says, entering the house through the front door.

“Y/N,” Camila says, coming around the corner, “I didn’t know you were coming around today.”

“It wasn’t originally,” Y/N admitted, “But figured that since Billy isn’t here, I would come around. I haven’t seen Julia in ages. How are you by the way? We haven’t had the chance to sit and talk in a while.”

“I’ve been okay,” Camila says, sitting down on the couch next to Y/N, “I’ve been busy with Julia, she’s getting to the point where I can’t leave her unattended for too long or they’ll be another broken glass on the floor.”

“Billy hasn’t helped at all?” Y/N questioned.

“He has barely been here,” Camila says, an edge to her voice, “And when he is here, he’s always on the phone with Daisy.”

“I would say that I would have a talk with him, but we all know how that would go, so…”

Camila laughed, “It’s fine, you don’t need to talk to him, I’ll try to when he gets home, whenever that will be.”

“Hey, if you ever need help with anything, you can call me and I’ll answer and be here as quick as I can.” Y/N says, talking ahold of Camila’s hand, “If you need any help with Julia or even a break from her, I’ll babysit her and you can go and take as many photos until you literally can’t anymore.”

“Oh,” Camila says, getting to her feet, “That reminds me.”

Camila walked to the other side of the room and opened a drawer, “I forgot I developed these photos ages ago and I thought you would want them.”

Walking back over to Y/N, Camila handed her three photos and Y/N’s heart sank. The photos were of her and Eddie from the Christmas her first single was released. The first photo was just after Y/N handed Eddie his gift. The two were looking intently into each other’s eyes, a look of adoration on their faces. 

Flipping to the next photo, Y/N’s heart sank even more when she saw it. In the photo, she was staring at the camera with a smile while Eddie looked at her. The look on his face couldn’t have been mistaken for anything other than love. 

The final photo ripped Y/N’s heart out and threw it on the ground. The photo was taken when neither of them were aware. The two were cuddled up on the couch. Y/N’s arms were wrapped around Eddie’s torso while his arm was wrapped around her waist and the other held onto her arm. Her head rested on his chest while his head was dipped, his lips brushing her forehead. 

“When did you take this photo?” Y/N questioned.

“The same day,” Camila says, “It was a cute photo, I took it when you both weren’t looking.”

“Stalker.” Y/N jokes. 

Y/N placed the photos back in a stack and handed them back to Camila.

“Don’t you want them?” Camila questioned, furrowing her eyebrows. 

“I just-I just don’t think I need them.” Y/N says.

Camila saw right through Y/N’s lie, “What else is going on? Because months ago, you would have been excited to have these.”

Y/N sighed, “Nothing’s going on-”

“Is anything going on between you and Eddie?” Camila questioned.

“What?” Y/N says, “No, there’s nothing going on.”

“Are you sure because the two of you have been acting like strangers for months now.” Camila points out.

Y/N shrugged, “We just grew apart. I was busy working on my non-existent album and he was working with the band, we just haven’t had the time to talk and hang out.” Y/N hated how easily the lie rolled off her tongue. 

“Are you sure nothing’s going on?” Camila asks.

“I’m sure,” Y/N says, “There is nothing going on between me and Eddie.”

…

Y/N L/N: All of these lies were eating me alive. Of course there was something going on, but at the time I couldn’t figure out exactly what it was, I had never felt that way before so it was all new for me.

…

The next day, Y/N was sitting in the studio, bored out of her mind. They were meant to be recording vocals for Aurora but Daisy never showed up. With her notebook in hand, Y/N was just colouring in the page out of pure boredom. They had all been sitting there for hours. 

“Did you try her room?” Teddy asked.

“Yeah, couple times,” Billy says, “I’m worried something’s happened.”

“She’s probably just off somewhere.” Teddy suggested.

“No,, no this is her record as much as it’s mine. Something’s not right,” Billy says, “I got to go.”

“I’ll go with you.” Teddy offered.

“No, it’s worse if the principal comes.”

“Well, take Warren.” Teddy says.

“I can handle it.” Billy says, walking out of the studio.

Y/N looks to where he had disappeared before throwing her notebook down and followed after him. Just as he started up his car, Y/N climbed into the passenger seat. 

“What are you doing Y/N?” Billy sighed.

“Look, we don’t like each other, cool,” Y/N says, “But I care about Daisy too, so let’s just go.”

Surprisingly, Billy didn’t argue. He simply nodded and pulled away from the studio. 

As the two arrived at the hotel, music was blaring out and shouting was heard for every direction. Y/N and Billy slowly walked closer to the pool where they found Daisy. 

“Y/N,” Billy says, “Can you give us a minute?”

“What? Why? I want to see-”

“Y/N, just go.” Billy says. 

Sighing, Y/N sat down on a chair, watching the interaction between Daisy and Billy. Y/N had never been one to pry into people’s relationships but she didn’t quite understand what was going on between Daisy and Billy. One moment, they were acting like the best friends in the world and then the next they were acting like they detested each other. Y/N couldn’t work it out. 

As Daisy climbed out of the pool, Y/N watched as the glass dug into her feet, causing them to bleed. Y/N winced, standing to her feet. 

“Say, hi to Camila for me!” Daisy called to Billy as he stormed off. 

“Billy, wait!” Y/N says as he leaves the hotel grounds. Y/N contemplated following him as he was her only way home but she decided against it, opting to check on Daisy. 

“Let me guess,” Daisy says, “You’re here to yell at me as well.”

Y/N says, “No, not at all, unlike Billy I know what a fun time looks like.” Y/N lied, she had been annoyed with how late Daisy was but she wasn’t going to outright be angry about it like Billy was.

Y/N looked down at Daisy’s feet, “Can I clean that up?”

Daisy looked down at her feet and watched as the blood mixed with the water, “I’m fine.” As she tried to walk away, Daisy limped, in obvious pain. 

“Look, I’ll make a promise,” Y/N says, “You let me clean that up and I’ll happily leave you alone to do whatever you want.”

“Why don’t you join me?” Daisy says. 

Y/N sighs, “As long as I can clean that up.”

Daisy rolled her eyes and sat down and Y/N rushed to find a bandage and some alcohol, the latter being much easier to find. After getting some bandages, Y/N went back to Daisy who was miraculously in the same place. 

Bending down, Y/N inspected her foot, luckily there wasn’t any glass embedded into her foot so it would be rather easy to clean up. 

“Okay,” Y/N says, unscrewing the bottle of alcohol, “This will probably sting a little bit.”

Daisy nods before Y/N pours the alcohol onto the cuts. Daisy winced but Y/N continued to wipe away the blood, disinfecting the cuts. As Y/N wrapped her foot in the bandage, Daisy watched her intently. 

“There,” Y/N says, “Just please don’t put your foot in the pool again, I don’t think I can find any more bandages.”

Daisy put her foot down on the floor and looked at Y/N. She didn’t say anything before reaching down and picking up the bottle of alcohol, “No your end of the deal.”

Y/N smirked and took the bottle of alcohol from Daisy and took a long swig. 

***

“Where’s Y/N?” Warren asked as Billy entered the studio alone. 

Billy looked around, like he was surprised that Y/N wasn’t with him, “I think she’s still with Daisy.”

“You think?” Eddie says, “You just left her?”

“Yes Eddie I did,” Billy says, “I had more important things on my mind.”

“Look,” Karen spoke up, already sensing the tension, “She’s probably fine, she’ll either stay with Daisy or she’ll find her own way home, she always does, there’s no point in worrying.”

No one said anything as Billy picked up his guitar case and left swiftly without a word to anyone.

Back at the house, Eddie was finding it difficult to sleep. Every time he closed his eyes, he felt fully awake. Every time he tried to get comfortable, it would only turn into the most uncomfortable position only moments later. 

As Eddie closed his eyes for hopefully the final time that night, the phone began to ring in the living room. Due to having the room closest to the living room, Eddie flipped the covers off and got out of bed. As he passed the clock on the wall he took notice of the time. Four in the morning. 

Picking up the phone, Eddie answered it. 

“Hello?” Eddie says.

There was a long pause before there was an answer, “Eddie?”

“Y/N?” Eddie says, “Are you okay?”

“I-I don’t know where I am.” Y/N says. 

“What do you mean?” Eddie questions. 

“I lost Daisy,” Y/N says, her words barely legible, “So I continued to drink without her and this guy gave me some pills and I took them.”

“Y/N, are you okay?” Eddie asked, suddenly fully alert. 

“I’m-I’m fine,” Y/N says, “I went to walk home but I think I took a wrong turn.”

“Can you describe what’s around you?” Eddie questions. 

There was a pause before Y/N answered, “It’s too dark. I don’t think I’m that far away from the hotel.”

“Okay, Y/N, stay where you are, I’m coming to get you.” Eddie says and hangs up the phone. 

Only picking up a jacket before he left the house, Eddie got into the van and pulled out of the driveway. His heart was beating fast as he drove, the only thing he thought about was Y/N. As he neared the hotel, he slowed down and kept an eye out for her. There wasn’t much around at all, simply a road and trees with a few houses scattered down it.

As Eddie drove further down the road, he spotted a payphone box and a person sat down next to it. Immediately Eddie got out of the van and ran the small distance. 

“Y/N.” Eddie says softly. 

Y/N looked up and she smiled, “Eddie…”

Y/N was shivering and goose bumps covered her skin. Pulling off his jacket, Eddie placed it around her and helped her to her feet. 

“I’m sorry.” Y/N says as his arm wrapped around her waist as he helped her to the van.

“For what?” Eddie questioned.

“For dragging you out here in the middle of the night.” Y/N says, clutching onto Eddie. 

“Don’t apologise.” Eddie says, helping her into the van. 

Y/N pulled his jacket tighter around her body as she sat safely in the passenger seat of the car. Eddie got in and began to drive back to the house. Y/N didn’t say anything the entire way there, she simply looked out of the window at the world passing by. She was fully aware of Eddie continuously sneaking glances at her. 

As they arrived back at the house, Eddie tried to help Y/N out of the van but she pushed him away, “I’m fine, Eddie.”

“You sure don’t look fine,” Eddie says, “You don’t normally get this bad, Y/N.”

“Yeah?” Y/N questioned, “Well I have all the reason to be.”

Y/N sniffled, trying to fight back the tears she had been keeping at bay for months. 

“I’ve had everything I’ve ever been working towards taken from me,” Y/N says, “My album was the one thing I’ve always wanted to do and now that opportunity is gone. I never wanted to join the band and now I have and I haven’t been more miserable in my whole life. Billy never lets me have any creative freedom, and everything I do is wrong. I can’t do anything right in his eyes. I am a singer and a songwriter and it’s been taken away from me.  ”

“You have one song on the album.” Eddie says, trying to look at the positives. 

“A song that I wrote for my album.” Y/N says, finally letting the tears fall, “I wrote that song with the idea of you singing it with me. I wrote it for us.”

Eddie didn’t say anything, he didn’t know what to say. Y/N looked up at him, tears streaming down her face. Reaching up, Eddie cupped her cheeks and gently wiped them away. He stepped closer to her, decreasing the distance between them. 

Y/N continued to stand there, not knowing how to react. Her thoughts weren’t clear and she didn’t know what to say. 

Looking down at Y/N, Eddie began to lean forward, his lips inched towards hers like it was a magnetic pull driving them together. Eddie couldn’t help himself, the feeling of Y/N’s lips on his was a feeling he craved, it was as if it were his own personal high and he needed a constant fix. Y/N, noticing this, pushed him away harshly. 

“What the fuck do you think you’re doing?” Y/N whispered.

“I-I-” Eddie cut himself off because he didn’t really have an answer. 

“No, Eddie,” Y/N mumbled, “You’re being mean.”

“I’m not,” Eddie begs, “I’m not, I’m sorry.”

Y/N shook her head, “You are, you don’t do that to someone. You can’t do that to someone. You don’t mess with someone’s feelings like that. Don’t talk to me again.”

With that, Y/N walked back into the house leaving Eddie outside on his own. Eddie remained there in silence for a moment, processing everything. He wished he could rewind time and never did what he did. Angrily, Eddie turned around and punched the wall. Almost immediately he brought his hand to his chest, cradling it. There were cuts on his knuckles and bruises would certainly form, but Eddie didn’t care. 

The pain made him aware of what he did. The pain on the outside reflected the pain he was feeling on the inside. 

…

EDDIE ROUNDTREE: Everything I did that night, I regretted. I ruined what was left of my friendship with Y/N. I loved her, but I ruined that. And I only made everything more complicated from there.

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[cartermagazine]

Today In History

Mary J. Blige, the QUEEN OF HIP HOP and R&B is born on this date January 11, 1971.

Iconic Grammy Award-winning singer, songwriter, actress, producer and philanthropist, Mary is a figure of inspiration, transformation and empowerment making her one of the defining voices of the contemporary music era.

With a track record of eight multi-platinum albums, nine Grammy Awards (plus a staggering 32 nominations), two Academy Award nominations, two Golden Globe nominations, and a SAG nomination, among many other accolades, Blige has cemented herself as a global superstar.

“You know I’ll try to wait… I love you baby, I love you baby yeah… Why can't we work it out Why, baby? Can't we try? (Why why, why, why, why) You said our love would always stand the test of time”

CARTER™️ Magazine

[catgirlrobot]

ID: Two cheetahs with blood on their faces pulling at opposite ends of a dead springbok's neck. /end ID.

Tug o’ War! (by Wild Images)

[doyoulikethissong-poll]

Santana featuring Rob Thomas - Smooth 1999

"Smooth" is a song performed by American rockband Santana and Rob Thomas of Matchbox Twenty, who sings the lead vocals. It was released as the lead single from Santana's eighteenth studio album, Supernatural (1999). It was originally conceived by Itaal Shur as a song called "Room 17". The lyrics were stripped off and the track was given to Rob Thomas, who re-wrote the lyrics and melody and re-titled it "Smooth", then recorded the song as a demo to play for Santana. After hearing the song, Santana decided to have Thomas record the final version. Thomas originally had George Michael in mind to sing the song.

The single became a chart-topping hit in 1999, spending 12 consecutive weeks at number one on the Billboard Hot 100. "Smooth" stayed in the top 10 of the Billboard Hot 100 for 30 weeks and the top 100 for 58 weeks. In the UK, "Smooth" peaked at number three, spending eight weeks in the top 40. The song also peaked at number three in Ireland, spending ten weeks on the Irish Singles Chart. The song also peaked at number one in Canada for a week, number two in Greece, number four in Australia, and number nine in Austria.

On Billboard magazine's rankings of the top songs of the first 50 years of the Billboard Hot 100 singles chart, "Smooth" was ranked as the number-two song overall and the number-one rock song in the history of the chart.

"Smooth" received a total of 85,6% yes votes!