#totally not frank related

[frnkiebby]

I finally went and got my nose pierced and i fucking love it.

it hurt tho and my eyes watered. but it’s very cute and i love it and i can’t wait for it to heal so i can fuck around with jewelry.

~🎃

[xxarson-forbr3akfastxx]

cursed MCR images without context

[ex0rin]

Frank Grillo as Roy Pulver 1/?? Boss Level (2020)

[thetrolltolls]

HI SUNNYBLR I NEED HELP!!! 🚨🚨🚨

i am making sunny friendship bracelets to possibly give to charlie and glenn but to also give out at the thursday nyc live show. pls let me know any phrases you'd like to see on a bracelet! i started a list but might swap some of these out, depends how many letters i'm left with. but PLEASEEEE send me any suggestions you have! nothing too long :^) (if you have a color scheme that would help too because i'm so indecisive)

you can put suggestions in the tags, replies or straight in my inbox!! thank you 🫶

[greasersinpoodleskirts4cumshots]

[fangsandfeels]

Rewriting Veilguard factions because I can:

Some things I'd have changed for each faction:

First of all, I'd introduce particular race restrictions for every faction because stop pretending they don't matter. The latter only destroys the unique specifics behind every race and its history in the world of Thedas.

Add extra background options for Rook related to their fraction for more roleplay and dialogue options. For instance, "noble" and "foundling" for the Mourn Watch, "new blood" and "veteran" for Grey Wardens, etc.

Remove the "Rook had to temporarily leave their faction because they did the thing and made the upper management mad" thing. Make their decisive action part of their bio, but not the reason for their participation in the main quest. Instead, let Rook to be actually entrusted by their group to get out there and find out what's going on - and end up cooperating with the Solas search group. Let whatever Solas is doing affect every fraction: spirits going stir-crazy in the Grand Necropolis, Lords of Fortune having to deal with Qunari and magical anomalies at the sea, not to mention increased dragon activity, weird elf disappearances in Treviso, Tevinter authorities growing more and more paranoid due to spike in elven slave rebellions (that Shadow Dragons had nothing to do with) and their rare magical artifacts going missing, Dalish elves hearing whispers and voices calling to them, Grey Wardens cooperating with the Inquisitor's initiative to find Solas and sending their volunteer (Rook) to assist. That would add more competence to their character.

Antivan Crows

I'll be frank: it should be Zevran's group, whatever he would call it. While Zevran is definitely not a good boy, he wouldn't make his trainees undergo the same torture he did.

Also, he'd hate the conditioning and brainwashing done by the Crows. So, Rook could have been one of the Treviso orphans already traumatized by the Antivan Crow training - until Zevran came into picture and, after killing the Crows, ended up with a bunch of fledglings on his hands. You can't exactly tell the younglings to go and be free, you have to teach them - while do something about them believing they're only good for killing. Due to this, Zevran ended up training them and getting that self-degrading bullcrap out of their heads. He didn't expect to have a guild of his own, but joke's on him, he is a leader now and now he is going to make Antiva a better place for his underlings.

Once again, it doesn't mean playing for the "good assassin guys", but if you want your morally gray faction, it will do nicely. Zevran isn't exactly a hero, but he is also not a total scumbag who buys people and makes child soldiers.

I can believe that he and his associates would actually be interested in organizing partisan movements around Treviso and killing occupants. After all, Zevran knows Quanri and their views better due to him traveling with Sten (from their interactions, I didn't get the idea that he was super into the Qun or comfortable with Sten's ideas), so he knows what exactly is going to happen to the Treviso denizens. Moreover, he is done with ANY attempts at brainwashing, will breaking, and reconditioning so he wouldn't stand for Qunari doing it, no matter their reasoning.

Available races: human, elf

Lords of Fortune

Just let them be pirates led by Isabela. Yes, the kind that doesn't care if the stuff they take belongs to another culture - because money. But also the kind that takes in runaway slaves and anyone else as long as they can keep up.

The kind that takes on merc jobs and also assists in defending Rivain because it's their territory - and for many, it's their home.

Rook starting out as a former escaped slave from Tevinter is a great template for both a merc with a heart and standards and an absolutely ruthless pirate who sees the world as the dog eat dog place.

Available races: all of them, Lords don't discriminate.

Veil Jumpers

I'd even change the name because it sounds so...not serious. Even Fade Stalkers sounds better (come on, writers, I see what you did with the Arlathan forest, you clearly wanted a fantasy version of S.T.A.L.K.E.R., so just embrace it).

Let this faction be created by one of the ancient elves who used to be stuck in the Fade, then got out - but were NOT happy with Solas, don't want to follow him and don't trust him to fix things. The Evanuris once led them and they ended up enslaved, why should they trust Solas and his good intentions, especially if he claims to be the one to fix and restore the world? So they don't.

They don't see the point in "burn it down and rebuild again" because they already have the bitter experience: so they would rather try their chances with what they have right now, by equipping their people with information and truth.

So, they manage to gather the Dalish people willing to believe and follow them, seeking to educate them and teach them on using magic and tools long forgotten and salvage whatever is left of their heritage, only now with the knowledge of using it.

The most difficult faction to gain approval for if you're not an elf: because some leaders are willing to cautiously cooperate, while others think that Felassan was right and that this world was so much better without humans, dwarves, or Qunari.

Available races: the elf only club.

Shadow Dragons

The in-game faction is mostly fine, aside from the game trying to make it look like Venatori are the only ones who want them dead. No, Shadow Dragons are beefing with the entire Magisterium (aside from Dorian and Maevaris' party) and are depicted as an extremely violent terrorist group both within and outside Tevinter, with only slaves and low-class citizens actually believing in their cause and hoping for their assistance.

Because this is what a corrupt government does - invest in smear campaigns so vile and vicious that you have to be prepared to debunk numerous myths about your group and cause before engaging with people.

This should be particularly painful if you, as a Shadow Dragon, interact with people outside Tevinter because given the real life experience with westerners, people living in safe and privileged first-world countries would rather gobble up the comfortable and refined lies spread by your enemies than listen to you, someone who was oppressed and hurt by your enemy.

Realistically, a Shadow Dragon Rook would have to facepalm their way through the ridiculous shit like "Don't you guys kidnap slaves from their cozy kennels only to forcefully conscript them to your army?" or "Aren't you guys just a bunch of mercenaries sponsored by one of the Senate parties to undermine its political opponents?" or "You're just part of the Par Vollen and Tevinter war. Do you think I'm stupid and don't know you're on the Qunari payroll?" or "All you want to do is to escalate and spread chaos, don't even try to do it here".

Another realistic issue for Shadow Dragons should be dodging Qunari spies. Because, lets be honest: Par Vollen would want to exploit that vulnerability in their continuous war with Tevinter. They would try to offer assistance to Shadow Dragons in order to find a way to weaken and conquer Tevinter or get their hands on secret information.

But since Shadow Dragons want to change their government, abolish slavery and the horrible political system, they don't want to do it at the cost of getting subjugated by the Qunari. So, they have to be extremely careful when picking their agents, making sure they aren't just conveniently placed Ben-Hassrath.

Available races: human, elf, dwarf, Kossith

Grey Wardens

Generally the most involved faction ever since the events of the Inquisition. First of all, where is one taint-corrupted ancient magister, there is two or even three of them. After the Adamant Fortress, they can't allow themselves to be inactive - if exiled from Orlais, they need to make up for this disaster and prevent any further manipulations, if allowed to stay and rebuild, they work closely with the Inquisitor and provide assistance with the search for Solas. Probably, not all of them are aware of the Solas' true nature - they're only given information that he is a much more powerful mage than anyone imagined and that he was the one who released Corypheus and plans for another disaster.

The First Warden is aware of the full story, but pretends to be skeptical for the sake of not arising suspicions (in case Solas' spies are around).

They should also experience issues with some of their elven Wardens suddenly leaving (you can't tell me that elf Wardens won't be tempted with a promise of never succumbing to the Calling) and detect suspicious darkspawn activity.

Available races: all, with Kossith and elves getting extra race interactivity bonuses.

Mourn Watch

The faction and its representatives are generally fine in the game, I just wish there was Cassandra to make disgusted noises at the Mourn Watcher Rook.

Imagine dodging interactions with Nevarran Mortalitasi to the point of appointing a random apostate bum as your Fade expert, only to work with a fucking Mourn Watcher because that bum you hired to be your Fade expert turned out to be a freaking elven god who started all that shit.

The irony is fucking delicious.

Aside from that, I think that Mourn Watch should be the mage-only faction because a) the order is founded by Mortalitasi, who are mages, b) what are the non-mage Watchers even supposed to do when working with spirits and the undead?

They have no tools or means of interacting with them, which means they can end up dead. It's not logical for Watchers to allow a non-mage in their ranks for the inclusivity sake, exposing them to a constant risk and knowing that the mages will be held responsible for the imminent tragedy. I imagine there is non-mage personnel at the Grand Necropolis, but I don't think they're entrusted with the same secrets and duties.

Also, there should be an option to choose between "foundling" and "noble". The foundling!Rook can have a particularly close connection to the spirits, which allows them to single-handedly calm the undead during the War of the Banners, while the noble!Rook has an established family, much more political connections and is well-versed in diplomacy and negotiations, which allowed them to trick the undead barons and put them down when they least expected it

Available races: human, elf

Bonus: new faction idea

Kal-Sharok

Give more exposure to the Titans and the dwarven connection to Stone through the perspective of the Kal-Sharok dwarves. In DAI, they were already shown carrying out their own operations and cooperated with the Inquisition on their own conditions. So, I can't imagine them not being active, especially if they are at least partially aware of the history of Titans and the Evanuris.

Rook can start as one of the Kal-Sharok agents (probably acting undercover at first), and to them stopping or even meeting Solas is of a particular priority because he holds the key to the history of the dwarves, their connection to lyrium, and many other things. This Rook is looking for the truth - and ultimately can decide, whether they should use their knowledge for advancing Kal-Sharok exclusively or should they reconnect Kal-Sharok, surface dwarves and Orzammar because they share the same past and the same trauma.

Also, a Kal-Sharok Rook can have unique mage classes if they're the one with connection to the Stone.

Available races: only dwarves

[mostlysignssomeportents]

NLRB rules that any union busting triggers automatic union recognition

Tonight (September 6) at 7pm, I'll be hosting Naomi Klein at the LA Public Library for the launch of Doppelganger.

On September 12 at 7pm, I'll be at Toronto's Another Story Bookshop with my new book The Internet Con: How to Seize the Means of Computation.

American support for unions is at its highest level in generations, from 70% (general population) to 88% (Millenials) – and yet, American unionization rates are pathetic.

That's about to change.

The National Labor Relations Board just handed down a landmark ruling – the Cemex case – that "brought worker rights back from the dead."

https://prospect.org/labor/2023-08-28-bidens-nlrb-brings-workers-rights-back/

At issue in Cemex was what the NLRB should do about employers that violate labor law during union drives. For decades, even the most flagrantly illegal union-busting was met with a wrist-slap. For example, if a boss threatened or fired an employee for participating in a union drive, the NLRB would typically issue a small fine and order the employer to re-hire the worker and provide back-pay.

Everyone knows that "a fine is a price." The NLRB's toothless response to cheating presented an easily solved equation for corrupt, union-hating bosses: if the fine amounts to less than the total, lifetime costs of paying a fair wage and offering fair labor conditions, you should cheat – hell, it's practically a fiduciary duty:

https://www.jstor.org/stable/10.1086/468061

Enter the Cemex ruling: once a majority of workers have signed a union card, any Unfair Labor Practice by their employer triggers immediate, automatic recognition of the union. In other words, the NLRB has fitted a tilt sensor in the American labor pinball machine, and if the boss tries to cheat, they automatically lose.

Cemex is a complete 180, a radical transformation of the American labor regulator from a figleaf that legitimized union busting to an actual enforcer, upholding the law that Congress passed, rather than the law that America's oligarchs wish Congress had passed. It represents a turning point in the system of lawless impunity for American plutocracy.

In the words of Frank Wilhoit, it is is a repudiation of the conservative dogma: "There must be in-groups whom the law protects but does not bind, alongside out-groups whom the law binds but does not protect":

https://crookedtimber.org/2018/03/21/liberals-against-progressives/#comment-729288

It's also a stunning example of what regulatory competence looks like. The Biden administration is a decidedly mixed bag. On the one hand there are empty suits masquerading as technocrats, champions of the party's centrist wing (slogan: "Everything is fine and change is impossible"):

https://pluralistic.net/2023/01/10/the-courage-to-govern/#whos-in-charge

But the progressive, Sanders/Warren wing of the party installed some fantastically competent, hard-charging, principled fighters, who are chapter-and-verse on their regulatory authority and have the courage to use that authority:

https://pluralistic.net/2022/10/18/administrative-competence/#i-know-stuff

They embody the old joke about the photocopier technician who charges "$1 to kick the photocopier and $79 to know where to kick it." The best Biden appointees have their boots firmly laced, and they're kicking that mother:

https://pluralistic.net/2023/08/16/the-second-best-time-is-now/#the-point-of-a-system-is-what-it-does

One such expert kicker is NLRB General Counsel Jennifer Abruzzo. Abruzzo has taken a series of muscular, bold moves to protect American workers, turning the tide in the class war that the 1% has waged on workers since the Reagan administration. For example, Abruzzo is working to turn worker misclassification – the fiction that an employee is a small business contracting with their boss, a staple of the "gig economy" – into an Unfair Labor Practice:

https://pluralistic.net/2022/01/10/see-you-in-the-funny-papers/bidens-legacy

She's also waging war on robo-scab companies: app-based employment "platforms" like Instawork that are used to recruit workers to cross picket lines, under threat of being blocked from the app and blackballed by hundreds of local employers:

https://pluralistic.net/2023/07/30/computer-says-scab/#instawork

With Cemex, Abruzzo is restoring a century-old labor principle that has been gathering dust for generations: the idea that workers have the right to organize workplace gemocracies without fear of retaliation, harassment, or reprisals.

But as Harold Meyerson writes for The American Prospect, the Cemex ruling has its limits. Even if the NLRB forces and employer to recognize a union, they can't force the employer to bargain in good faith for a union contract. The National Labor Relations Act prohibits the Board from imposing a contract.

That's created a loophole that corrupt bosses have driven entire fleets of trucks through. Workers who attain union recognition face years-long struggles to win a contract, as their bosses walk away from negotiations or offer farcical "bargaining positions" in the expectation that they'll be rejected, prolonging the delay.

Democrats have been trying to fix this loophole since the LBJ years, but they've been repeatedly blocked in the senate. But Abruzzo is a consummate photocopier kicker, and she's taking aim. In Thrive Pet Healthcare, Abruzzo has argued that failing to bargain in good faith for a contract is itself an Unfair Labor Practice. That means the NLRB has the authority to act to correct it – they can't order a contract, but they can order the employer to give workers "wages, benefits, hours, and such that are comparable to those provided by comparable unionized companies in their field."

Mitch McConnell is a piece of shit, but he's no slouch at kicking photocopiers himself. For a whole year, McConnell has blocked senate confirmation hearings to fill a vacant seat on the NLRB. In the short term, this meant that the three Dems on the board were able to hand down these bold rulings without worrying about their GOP colleagues.

But McConnell was playing a long game. Board member Gwynne Wilcox's term is about to expire. If her seat remains vacant, the three remaining board members won't be able to form a quorum, and the NLRB won't be able to do anything.

As Meyerson writes, centrist Dems have refused to push McConnell on this, hoping for comity and not wanting to violate decorum. But Chuck Schumer has finally bestirred himself to fight this issue, and Alaska GOP senator Lisa Murkowski has already broken with her party to move Wilcox's confirmation to a floor vote.

The work of enforcers like DoJ Antitrust Division boss Jonathan Kanter, FTC chair Lina Khan, and SEC chair Gary Gensler is at the heart of Bidenomics: the muscular, fearless deployment of existing regulatory authority to make life better for everyday Americans.

But of course, "existing regulatory authority" isn't the last word. The judges filling stolen seats on the illegitimate Supreme Court had invented the "major questions doctrine" and have used it as a club to attack Biden's photocopier-kickers. There's real danger that Cemex – and other key actions – will get fast-tracked to SCOTUS so the dotards in robes can shatter our dreams for a better America.

Meyerson is cautiously optimistic here. At 40% (!), the Court's approval rating is at a low not seen since the New Deal showdowns. The Supremes don't have an army, they don't have cops, they just have legitimacy. If Americans refuse to acknowledge their decisions, all they can do it sit and stew:

https://pluralistic.net/2023/05/26/mint-the-coin-etc-etc/#blitz-em

The Court knows this. That's why they fume so publicly about attacks on their legitimacy. Without legitimacy, they're nothing. With the Supremes' support at 40% and union support at 70%, any judicial attack on Cemex could trigger term-limits, court-packing, and other doomsday scenarios that will haunt the relatively young judges for decades, as the seats they stole dwindle into irrelevance. Meyerson predicts that this will weigh on them, and may stay their hands.

Meyerson might be wrong, of course. No one ever lost money betting on the self-destructive hubris of Federalist Society judges. But even if he's wrong, his point is important. If the Supremes frustrate the democratic will of the American people, we have to smash the Supremes. Term limits, court-packing, whatever it takes:

https://pluralistic.net/2020/09/20/judicial-equilibria/#pack-the-court

And the more we talk about this – the more we make this consequence explicit – the more it will weigh on them, and the better the chance that they'll surprise us. That's already happening! The Supremes just crushed the Sackler opioid crime-family's dream of keeping their billions in blood-money:

https://pluralistic.net/2023/08/11/justice-delayed/#justice-redeemed

But if it doesn't stop them? If they crush this dream, too? Pack the court. Impose term limits. Make it the issue. Don't apologize, don't shrug it off, don't succumb to learned helplessness. Make it our demand. Make it a litmus test: "If elected, will you vote to pack the court and clear the way for democratic legitimacy?"

Meanwhile, Cemex is already bearing fruit. After an NYC Trader Joe's violated the law to keep Trader Joe's United from organizing a store, the workers there have petitioned to have their union automatically recognized under the Cemex rule:

https://truthout.org/articles/trader-joes-union-files-to-force-company-to-recognize-union-under-new-nlrb-rule/

With the NLRB clearing the regulatory obstacles to union recognition, America's largest unions are awakening from their own long slumbers. For decades, unions have spent a desultory 3% of their budgets on organizing workers into new locals. But a leadership upset in the AFL-CIO has unions ready to catch a wave with the young workers and their 88% approval rating, with a massive planned organizing drive:

https://prospect.org/labor/labors-john-l-lewis-moment/

Meyerson calls on other large unions to follow suit, and the unions seem ready to do so, with new leaders and new militancy at the Teamsters and UAW, and with SEIU members at unionized Starbucks waiting for their first contracts.

Turning union-supporting workers into unionized workers is key to fighting Supreme Court sabotage. Organized labor will give fighters like Abruzzo the political cover she needs to Get Shit Done. A better America is possible. It's within our grasp. Though there is a long way to go, we are winning crucial victories all the time.

The centrist message that everything is fine and change is impossible is designed to demoralize you, to win the fight in your mind so they don't have to win it in the streets and in the jobsite. We don't have to give them that victory. It's ours for the taking.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/09/06/goons-ginks-and-company-finks

[pumpkinbxtch]

— 𝗽𝗵𝗶𝗹𝗼𝗽𝗵𝗼𝗯𝗶𝗮?｡⁠:ﾟ headcanons

are the HoO boys afraid of falling in love with you? (ft. apollo)

。°。°。°。°。°。°。°。°。°。°。°。°。°。°。°

▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃

☆ radiostar is playing… warrior by aurora!

who's here: percy jackson, leo valdez, frank zhang, jason grace & apollo. warnings: none, philophobia is the fear of falling in love. a/n: This is super based on their profiles according to the books, because well, let's talk honestly to others, I decided to do this, it's interesting.

percy jackson;

Percy isn’t afraid of loving or being loved. His mom raised him with a lot of affection. But, he does get scared of not being loved back or not being good enough for you. This is because of his obvious self-esteem issues. Doubting love is the only thing that makes him rethink and overthink things. So, sometimes you have to talk to him when you see he's down about something he doesn’t want to tell you. But he never hesitated when he fell for you and wanted you to know as soon as he realized it.

leo valdez;

Yes. The answer is yes, he is scared of falling in love. But he doesn’t realize it until he’s totally in love with you, and it’s too late for those feelings to stop growing. Leo isn’t fully aware of it because he likes having girls around, but it never goes beyond the surface until it did with you. He realized that imagining a future with someone isn’t something to take lightly. Is there something he can’t fix with his magical pockets?

Leo spent most of his life running away and being from nowhere, so he ends up with an avoidant attachment style. He’s working on this now to open up more with you because at the beginning of the relationship, it seemed like he was running away from you. In reality, he’s full of love to give and wants to receive it too.

frank zhang;

He’s never scared of falling in love or feeling something as genuine as that. He’s a son of Mars, who’s associated with passion, so Frank has never had to face love head-on. The only problem might be feeling like he’s too much or too annoying because he would die for you and kill an entire nation to be with you. Frank is careful when he realizes he likes you or is falling in love because he knows some things just can’t be, but he never hides his feelings. He’ll tell you he loves you and respects if it’s not mutual. He almost explodes with happiness knowing it’s mutual.

jason grace;

Jason isn’t great at showing his feelings. It constantly overwhelms him and keeps him up at night, trying to solve it like a math equation when it’s the complete opposite. He’s supposed to be the voice of reason, or at least that’s what he’s thought all this time. But when you get close to him, his gears go crazy, spark, and break down. Is he scared of falling in love? Not exactly, but he’s afraid of not expressing it properly because he knows how important communication is. After getting to know you better, he realizes it’s better to go with the flow, which isn’t easy for him, but he finally has an answer. He was born to love and wants to be loved.

apollo;

Yes, yes, yes, yes. All his exes ended up as plants or dead. How could he not develop a fear related to love after that keeps happening? So it’s a nightmare when you come into his life because, unfortunately for him, he’s a hopeless romantic. There’s nothing more ironic than that. He tries to avoid it at all costs, but in the blink of an eye, he’s holding you tight and kissing you with a goofy expression on his face. Even though he’s so scared, his longing to find the one outweighs it...

[earlycuntsets]

translation: "my chemical romance interview. "for us, the live stage is the only place where we can be ourselves."

The songs are like a collection of rock anthems from all over the world, past and present, and it sets the hearts of listeners ablaze.

Who is the emo band that rocked the Summer Sonic stage?

My Chemical Romance, from New Jersey, who just released their major debut album "THREE CHEERS FOR SWEET REVENGE" in July, came to Japan for the first time at Summer Sonic 04. MCR's music is called "screamo" because of their friendship with their friends, including THE USED, and their style, and it contains the street/garage sensibility unique to the generation that went through American punk in recent years… but if you listen to it with a calm ear, you can see that although the vocals are "screamo style," the songs have a beautiful structure and tearful melodies that are related to British heavy metal, and they also feature beautiful guitar solos. In other words, MCR is a band that plays heavy metal at the street level… That's why they must have been so welcomed right from the start in Japan, a country that has a strong tradition of heavy metal music (probably) - their first performance in Japan was a big success.

45 minutes after the end of the thunderous "Summer Sonic" stage

We caught up with the two excited guitarists!

I've never been to a show like that before! I'll never forget this experience.

--Now Frank Iero (FI): This isn't real.

How was the live show you just finished?

FI: Seriously! I've never done a show like that before. It was a memorable moment in my life. I'll never forget it!

--You seem very excited. What was so amazing about it?

Ray Toro: No, not "What". WTF! I mean, they were so welcoming! I wasn't expecting that kind of reaction at all. It felt like a hometown show. Oh, what can I say… ahhhh… anyway, it feels great!-- (Laughs)

Was the positive reaction because the new york was great? Especially the first single "I'm Not Okay" it's really exciting… It's a great song, and the song structure is well-crafted, building up from the intro, and the solo is uplifting too. Did you feel any magic when you made it?

FI: Well, let me tell you something. This song is something that you can't really call "written".

Really? Is that so?

FI: That's true. The song itself only has four chords, right? Except for the solo, it's all four. So at first, I thought it would be a boring song. But when we got together in the studio and Ray was playing those four chords over and over… Gerald (Way/vocals) started singing. The other members were silent. I closed my eyes and listened carefully. Then I realized it was an incredibly beautiful song. I felt it was worth completing. So I tried to change it up with the chorus. The root remained four.

---The guitar solo in this song creates a harmony with the guitar, creating a grandeur that is reminiscent of Queen. How did this come about?

FI: That solo was all Ray!

RT: Of course we were totally inspired by Queen! We were all saying, "Let's have a big guitar solo. Nobody does that anymore!" So I layered the guitars on it and made it as epic as possible. Also, when we were writing the song originally, we talked about making it as production-heavy as possible in the studio… Another thing I did consciously was to think of all the '80s pop and '70s bands I liked. I thought, "What would they do to make a song that's really epic…?" That's also where the two-second piano in the middle of the song came from. It doesn't really mean anything, but it's a bit like a soundtrack.

In terms of age, he was still very much alive.

FI: To tell you the truth, that second part is from the live album "CHEAP TRICK AT BUDOKAN" (1978) [laughs] I really wanted to include it. To begin with, even though some people have performed it live, I've never heard it performed in a studio album. I tried to include that as well and create the biggest anthem I could think of.

Q: Not just "I'm Not Okay," but all of MCR's songs…The composition is designed to make the listeners excited. They are all uplifting and dramatic. Is this something you do consciously?

FI: I'm totally aware of it.

RT: Yes. You can hear it in the song, but I change parts one after another. For example, We never repeat the same parts twice, and as the song progresses, new elements are added. We want it to feel like it's building from one thing to the next. Every member of the band contributes to that. The drums, the vocals, the melodies…everything helps the song to go higher and higher.

FI: Especially the new album, "It's Not A Fashion Statement, It's a Deathwish" crescendos all the way through. It just gets stronger and stronger. It all comes together in a spectacular finale. The whole band sings together for an anthemic ending. Because I like it! Our styles are completely different, maybe that mismatch is a good thing?

MCR's music tends to be dramatic. Is that due to the influence of the music you've listened to up until now?

RT: I grew up listening to heavy metal, like Ozzy Osbourne. I was obsessed with guitar heroes. I like bands that feature guitar players such as the late Randy Rhoads (g/Ozzy Osbourne) and Joe Satriani, Jimi Hendrix… In other words, Randy is the one who combined heavy metal with classical music, but his guitar playing I think he is the person who has had the biggest influence on my style. It's a bit old-fashioned, but it has a melody. And it's timeless. Melody.

FI: Richie Havens. My first woodstock. He was the opening act for the concert. He took me to an acoustic I just played it with one guitar, like a solo. There wasn't much, just sitting on the stool. He played very melodic and rhythmic guitar. But it's a completely unique style that can't be imitated. He had tiles… Such a great performer. I've never seen him before! I've seen Richie on stage about 10 times now, and I'm blown away every time. He's one of the reasons I don't stop playing guitar. I also love Greg Ginn (guitar/Black Flag) and Thurston Moore (vocals, guitar/Sonic Youth). In other words, I like dirty and emotional guitar more than intellectual style.

——————Hmm. You two have completely different tastes…

FI: Well, we are completely different types of guitarists, but maybe that mismatch is a good thing.

--You mentioned a lot of artists, but listening to your album I can sense a strong influence from heavy metal. But you also listen to a lot of different music from the '70s and '80s, right?

RT: Well, you can't just listen to one type of music, you know? There's so much good music out there. We can't just pretend not to notice it! All of us in the band try to listen to as much as we can and want to absorb as much as we can from all kinds of music.

FI: What we heard was an influence in some way.

FI: I like to use a Marshall JCM900 connected to a SUNN cabinet, and an Epiphone Zak Wylde model Les Paul as the only guitar. I turn up the bass all the way (laughs). Treble is about mid-range. I add gain here and there. But I like to keep it sounding like a real guitar. Not a "buzzing" sound with too much gain, but more of a solid sound.

RT: Yes! And we both try to only use effects when absolutely necessary, and usually plug them straight into the amp. Oh, but we do use wah pedals. Personally, I'd love to see the wah come back!

--I see. So with Frank on the bass and Ray raising the middle, it feels like you've managed to balance the band sound well?

FI&RT: Exactly!

FI: That's how I make it clear that there are two guitars. It's better to have a difference where you can hear each guitar part and it doesn't sound too cluttered.

――――So, let's talk about your playing, not just the guitar sound.

RT: I've been in the middle of it all. But the best thing to do is come to a show and see for yourself! I think there have been times when people thought it was Frank and it was me, and vice versa. We've influenced each other so we have some similarities.

---So you're influenced by each other's playing?

RT: Yeah. At least I got it from Frank.

I learned to play dirty. Not just clean, but more emotional. Instead of being super technical and perfect, I gave myself a little more leeway and tried to avoid feedback and pick-squeezing.

Frank is especially good at pick slides. He likes to make noise out of the guitar, rather than a pretty sound.

He's really good at bringing that out. Making noise, not just playing, is something I'm still learning.

FI: I'm the opposite, I'm learning to play clean, to keep things under control, but still let out emotion when necessary.

RT: A classic example of what you're talking about is "The Jetset Life Is Gonna Kill You." Frank has a really great part here. After the second chorus, it gets really quiet.

"THREE CHEERS FOR SWEET REVENGE" Warner Music Japan [CD] WPCR-11883 Sensual vocal melodies and emotional guitars, as heard on the 1st single.Their popularity is on the rise thanks to the explosive emotion of their vocals. This is the band's second album and their major label debut. Ray's strengths are in his guitar playing, which always lifts the listener up. While talking about the existing screamo sound, such as the "screamo" part, a new sense of flavoring with the essence of gothic and metal shines. And it's the same with everyday experiences! Everything that comes out of it naturally comes out in the work, and the more I shut out certain types of music or certain experiences, the less fertilizer I have. The goal is the stage. Keep playing to the limit. From what I saw on stage a while ago, the live equipment was, you both used similar things. How do you differentiate between the sounds?

RT: I'm more into distortion. I play a lot of riffs and generally like to emphasize the mid-range.

My model was the crunch guitar sound of Metallica's "Master of Puppets" (1986).

FI: On the other hand, I only use distortion to a natural degree.

Can you tell me the specific equipment names?

RT: The amps are Marshall "JCM2000" and "1960".

Cabinet. The guitar was bought by my brother for Christmas 10 years ago.

It's a very easy one to make, but the sound is great!

I also use an Epiphone Les Paul.

036 GuitarBreakers Vol.8

He said it was a good example of how the differences between the two of them are well expressed.

Can you name any?

FI: You Know What They Do To Guys Like Us

In Prison, I guess?

RT: You're right!

FI: You Know What They Do To Guys Like Us

"In Prison" is huge! The first two verses are

It's rhythmic and dirty, and then…

Ray's guitar hero-like, epic solo begins (laughs). And it has a light rhythm. And then there's "To The End" too.

RT: Yes. In some ways, I play more technically than Frank, but "To the End" has a great guitar solo, it's fast, and it's got some rhythmic, dirty parts. But I think you can hear the difference in our playing styles on every song to some extent.

---By the way, on the album, which is left and which is right?

Are you playing the channel?

RT: Well, in the verses, I mostly play on the left.

Ray is on the left. And Frank is on the right in the chorus.

Frank really blossoms in this scene. It's totally different from his previous style.

FI: Mmhmm!

---Finally, could you tell us about your future goals regarding guitar and songwriting?

FI: For now, I'd like to be able to turn the parts I've written for the next album into proper songs.

Also, we have a clear goal as a band.

But I'll keep it a secret until I achieve it (lol).

RT: For me personally, I just want to keep improving.

FI: Me too!

RT: We both love playing guitar.

That's what life is all about, so I want to keep improving both in technique and melody.

FI: For us, it was a live show that lasted less than two hours. I think that the only chance I have is to be myself, to experience a pure and spiritual moment. So my goal is to continue to play all the way to the end. There is a joy that cannot be expressed in words. I don't think you can understand it unless you have experienced it!

My Chemical Playing - A magnificent world created with guitar

The key to My Chemical Romance's songs is the twin guitars. When the two guitars intertwine, sometimes intensely and sometimes elegantly, it gives the listener a great sense of exhilaration.

Ray was crazy about guitar heroes like Randy Rhoads and Joe Satriani, while Frank loves Greg Ginn and Thurston Moore. They come from completely different backgrounds, but as Ray says, "When we get together, we don't know why, but a special atmosphere is born," which is the characteristic of the My Chemical Romance sound. In fact, Alba

If you check out his playing, you can hear many good examples of two-guitar ensemble. One of the best is the backing for "I'm Not Okay (I Promise)." As mentioned in the interview, the bass in this song is a repeat of four chords (D → Bm Em → A), but it is amazing how the performance is not at all simple. Due to space limitations, I will not post an example.

"I'm Not Okay" style guitar solo sheet music.

I'm sorry I can't introduce it, but I definitely want you to check out the ensemble in the A-melody. So, I'll introduce the solo below. This performance was inspired by Queen and was meant to be grand. The harmonies are great, but the chord progression is deliberately E/G#, even though E would have been fine in the flow. This is one of the reasons why it feels so grand.

In the harmonies from bars 1 to 8, you want to be aware of the speed at which you raise the pitch of the choking, and the speed and depth of the vibrato.

The first half of bar 12 means "play five notes in two beats."

2004 volume 8 guitar breakers from theydrewblood.blogspot.com

[aya-luri]

Am I the only one who doesn't associate Zekrom with Ingo and Reshiram with Emmet but do it the other way around? Well, perhaps this will become an unpopular opinion, but, if you stop to think about it there are quite a few points that can support this theory. Let's check them out! To begin with, it's the legendary dragon Zekrom the one who appears on the cover of the White version of the game, while Reshiram does the same on the Black version, which would indicate that they actually represent their opposite color. Such small detail is already important in itself, not just the basic color of the dragons per se. Also we all know that Zekrom's associated element is the electric type, like Emmet's Eeleektros, while Reshiram's is the fire type, like Ingo's Chandelure, both being the most representative pokemons of the Subway Bosses.

Although the issue of ideologies of each dragon is used to link them with each brother among the fandom, "ideals" being the one typically attributed to Ingo for his passionate way of encouraging trainers, while for Emmet it is the "truth" for his direct way of communicating, this could work much better the other way around. If we have learned anything from Ingo on Pokemon Legends Arceus, it is that this man is full of existential doubts that lead him to want to get closer to the player in order to know more about himself. That's it, the truth about his origins. But he already had some tendency to this type of behavior long before, as it was evident in the first Black & White games.

"Where is my destination? I've kept thinking, and I've learned one thing. That is, you cannot know what happens after winning without winning." Through such questions, Ingo seeks to reach a real conclusion, his own truths. And perhaps in our idealized image of him we forget that he can also be frank and direct, without the need to embellish words with lies.

"However, it is difficult to win unless you and your partner are in total sync." On the other hand, and as we have said before, the frankness with which Emmet expresses his opinions makes him look like an open-minded character, sincere, making this seem (for many people) to be his only notable characteristic, despite the fact that it's kinda obvious the way in which he greatly idealizes Pokémon battles.

"This time, I am really serious. Really serious. Because if a battle is not serious, it is not fun." He firmly believes that there is a way to go about Pokémon battles, and that way is by giving it your all in them, and in an ideal world, everyone would have fun battling just as he does, but this is not always the case. Emmet clearly expresses how he believes things should be, and he's also aware that his own victory may not only be due to his skill but also to circumstantial elements or, put another way, luck. So he also idealizes the player's own defeat when it occurs, having enough consideration to make it seem like something unfourtunate. Further proof that the fandom has been associating the wrong dragon with the wrong twin can be found in the legend of the twin heroes, where it was the oldest who pursued the truth, while the youngest pursued the concept of ideals.

This birth order also corresponds to Ingo and Emmet, Ingo being the eldest of the both and Emmet the youngest.

That's why despite being white, I think Reshiram suits to Ingo much better and the same for Emmet regarding the black dragon Zekrom. All of these points put together carry much more sense than simply thinking that each dragon's ideologies relates to a brother just by the main color of his outfit. Although this, in the end, does not have much relevance either, since canonically there is no relationship between these legendary Pokémon and the Subway bosses, other than the simple fact of playing with mere chromatic issues. Still, it's always fun to speculate, right?

[frnkiebby]

WAIT IS 1130 TAKEN???

i’m gonna throw myself off a bridge OF COURSE THIS FRIMAGE IS THE NUMBER YOU ASK FOR JESUSFUCKINGCHRIST~🎃

(the game)

[ynbabe]

IVY TRIO X MALE! READER- INCORRECT QUOTES

Newt: Can I be frank with you guys? Minho: Sure, but I don’t see how changing your name is gonna help. Thomas: Can I still be Thomas? Y/n: Shh, let Frank speak.

━━━━━━━━━▼━━━━━━━━━

Newt: Do you love Minho? Thomas: Yeah, I do. Newt: y/n! I told you I knew it! You owe me 100 bucks! y/n: We all love Minho.You should've asked if they were IN love with them. Thomas: I thought that was implied. y/n: ... Newt: ... Thomas, looking straight at y/n: Congrats newt, you just won 100 bucks.

━━━━━━━━━▼━━━━━━━━━

Newt, mother TM: *Screams* Y/n, Father TM: * Screams louder to assert dominance* Thomas, new to the glade: Should we do something?! Minho, observing his weekly soap opera: No, I want to see who wins this.

━━━━━━━━━▼━━━━━━━━━

Newt: Where's Thomas? Y/n: Don't worry, I'll find him. Y/n, shouting: Minho sucks! Thomas, distantly: Minho is the best person ever! Fuck you! Y/n: Found him.

━━━━━━━━━▼━━━━━━━━━

Newt, giving Thomas a tour of the glade: What do you want then? Thomas, looking at Minho sleeping in Y/n's lap: Er… something runner-related. Newt, trying not to laugh: What department is this? Thomas, blushing: Sorry? Newt: Well, if it's work-related you'd obviously know what department this is. What department is this? Thomas: * looks at Minho and Y/n* Some sort of homosexual department?

━━━━━━━━━▼━━━━━━━━━

Newt: Y/n, I'm sad. Y/n: *Holds out arms for a hug* It's going to be okay. Thomas: Minho, I'm sad. Minho, nodding: mood.

━━━━━━━━━▼━━━━━━━━━

Minho: What's it like being tall? Y/n: Is it nice? Thomas: Can you reach comfortably for the cupboards? Newt: We live in constant fear of the short ones who, in my experience, will climb four chairs, two boxes, a small coffee table, and six oddly placed stools to get what they want.

━━━━━━━━━▼━━━━━━━━━

Newt: On the count of three, what's your favourite cake? One, two, three- Newt and Y/n, in unison: Chocolate cake peanut butter frosting with chocolate chunks! Thomas: Our turn, Minho! One, two, three- vanilla! Minho, deadpan: I've never had cake, what is cake.

━━━━━━━━━▼━━━━━━━━━

Newt:, concerned bf You guys worried about Y/n? Thomas, the child TM: Totally! Minho, mean-ass mfer who's secretly crying: Yeah, he called me in the middle of the night and just yelled, "What do I do, what do I do, what do I do, what do I do?" Newt: And what'd you say? Minho: "I dunno, I dunno, I dunno, I dunno." Thomas: Newt: He's lucky to have you as a friend.

[phoenixcatch7]

Okay so I saw this post about dark percy (really him reaching his Limit and fighting full strength with everything he had) and I was imagining the potential fallout of that. Pretty bad, as you can guess.

The thing is a lot of percys strongest moments happen out of view of the olympians, especially in hoo. The hurricane atop the glacier in alaska, the poison scene in tartarus, bending the depression river and the one in the palace of nyx.

Stuff like the St Helens eruption got him washed up on an inescapable island literally removed from reality until calypso gave him the OK, the achillies curse he got tricked into losing by hera. Smaller moments, the minotaur, fighting ares, the stolen pirate ship, walking on water vs hyperion, freshwater sources, him knowing both Latin and Greek, they're more easily brushed off or at least mostly due to cunning, sword skills and sheer luck and grit.

But basically the olympians don't actually know the full extent of percys strength and divine power. They have hints - percy standing on the throne, winning against ares, his many victories - but what they aren't willing to brush aside in the heat of (an important) battle there have been pretty strong consequences for.

Heck, just look at Frank, he's no prodigy with weapons, he's polite and respectful, but his distant relation to two olympians letting him inherit shapeshifting earned him direct divine meddling and his life force tied to a hunk of half toasted firewood. Man is a honey bear with lactose intolerance and he was punished with a mythical death curse for being too strong.

If Percy's true strength came out, he would risk losing everything. His freedom, most certainly. If he wasn't straight up executed he might wind up in a Greek myth style imprisonment, the way of atlas, prometheus, calypso, or something like the myriad of ways Greek heroes met their end. Good scenario he survives a dozen curses and gets on with life with a dozen new disabilities, best case scenario he's stripped of every inch of divine power and dropped back to the mortal world, not even clear sighted. Total separation from the Greeks and Romans. Oh, annabeth would marry him either way, and his friends would hardly abandon him despite the gods wishes, but they'd hardly be able to see him, and no long range contact without the ability to IM him or vice versa.

All of that to say Percy is hiding his true strength from the gods themselves - maybe not consciously, and it's not even power he particularly wants - but if they ever find out?

It's game over.

But why is he so strong? I don't know. What I do know is that the half bloods of the books are so much stronger than the ones of myth. Used to be that divine blood would get you divine favour and a great fate whether you liked it or not. Maybe some cunning and bow skills. A spot of spell casting if you were really lucky. Achillies got his curse after he was born, Perseus had a dozen magic artifacts, orpheus had something going on but hercules is to my knowledge an outlier. Now? Everyone in camp has some special power. Flight, fire, necromancy, hypnotism, dream walking etc. However it's happening, half bloods are slowly but surely getting a lot, lot stronger every century that passes. Meta? I mean I guess. But.

What no one has done before is something that their godly parent couldn't.

Except.

Except Percy.

Except Percy, in tartarus, at his mental, emotional and physical limit, controlling poison with his mind, overpowering the goddess of poison in her home, making misery choke on misery. Feeling something in his chest crack. Doing something poseidon could not, and doing it better than the person who could.

Down there, hidden away from the gods, he evolved. For that brief moment, he did something, was something new.

And that was how the gods overthrew the titans.

And that's why they must never find out.

[aroaceleovaldez]

was thinking about next-gen kids and decided to doodle a couple. elaborated thoughts below:

Iphis is named with the same naming conventions that Sally used when naming Percy - primarily, mythological figure who had a good fate. Nice for Percy to honor his mom by naming his own kid the same way and Annabeth gets a fun nerdy mythology name. Also sending good vibes to their kid. Plus middle name directly in honor of Sally, of course.

Specific myth is Iphis and Ianthe, with the idea that a.) it's gender-neutral so works regardless of kid's gender and b.) not only does Iphis have a good fate, but arguably nothing bad happens to them ever and they get helped out by like three whole pantheons who show up in a literal parade and they live happily ever after. Percy and Annabeth are pushing for the BEST vibes possible.

(Also I am a very strong proponent of the "I don't think they'd name their kids after dead family/friends" so none of them have that)

Iphis of course inherited the Jackson family early grey hairs <3

Virginia is named after Juniper (cause Juniper is specifically implied to be Juniperus virginiana). She's probably been childhood bffs with Iphis since Iphis was born.

Chuck is Chuck. I gave him a Yankees jersey cause you know he's being raised as a sporty kid.

Do you ever think about how OP Frank and Hazel's kid would be. It's ridiculous. Quadruple legacy, including 2/3 of the Big Three. Frank by himself was already so OP the gods had to nerf him. Hazel came back from the dead and Frank kinda just said "nope" to dying that one time. Hazel presumably has every power that Nico has which is. A lot. Not to mention what Hazel has been shown to just be able to do on her own (including but not limited to SINKING AN ENTIRE SMALL ISLAND). Ares/Mars kids can functionally be completely invulnerable sometimes and also have some limited necromancy. Combo that with Hades/Pluto kids also being hard to kill and having necromancy as one of their main powers. Not to mention how Pluto geokinesis might combo with Chloris (goddess of spring) powers? And this kid is 100% being protected by both Nico (who is probably a deity by that point) and probably Pluto himself as well? Hello?

Anyways Hazel and Frank's kid is a total powerhouse. Possibly functionally immortal. Easily strongest demigod of her generation.

I like to think the latent Chloris legacy would crop up (probably in combo with Mars and Poseidon's plant aspects) and give them an accidental Persephone-type theme and that's fun. Frazel's goth daughter who takes after her grandmother (and uncle).

Figured since Frank is Canadian and Hazel is from Louisiana they'd go for a French name. The flower theme was not intentional on their part it just happened. Law of demigod naming conventions appears nonetheless.

I figure Leo might not have kids of his own but he probably still hangs around with Hazel and Frank so of course he's going to make their kid a cool thematic robot pet. He's probably her godfather or something.

Ronan is literally just some kid who showed up at the Chase Space who coincidentally was a legacy of Freyr and could shapeshift. Magnus and Alex obviously can't have kids cause they're dead, BUT some orphan with essentially a combo of their powers just shows up on their doorstep? Their kid now.

The ironic part is of course their shapeshifting powers just happen to be because they're distantly related to one of Annabeth's friends. Ronan finds himself suddenly gaining two parents and two cousins (Iphis and Lily) in rapid succession.

He only picks up Magnus' last name though cause Alex has 100% disowned her mortal parents.

He has a seal flipper cause shapeshifting and apparently "Ronan" means seal. I just wanted to draw those two showcasing their shapeshifting a lil bit.

Might try to doodle the other next-gen kid thoughts I had at some point but idk when. anyways yeah.

[tls12lessthan3]

a genderswapped orv au would be really interesting to me because orv presents itself as a completely average novel with a completely average protagonist and story to tell - and to be frank, i think that setup wouldn't be the same if kim dokja + yoo joonghyuk were women and nothing else changed, given how male-dominated the genre is. twsa is meant to be a parody of popular fantasy action webnovels which typically have Powerful Male Self Insert MC that fulfill the typical 'men' fantasies of being totally badass and alpha and etc. yoo joonghyuk is the pinnacle of this (at least initially) because thats what kim dokja needed growing up - a Powerful Male Self Insert MC he could cling to, project onto and generally learn masculinity from.

now its not to say that this genre doesnt ever attract women fanbases or diehard women fans, obviously it does, and you could make it so nothing else changes but kim dokja being one of those fans and twsa being a rare story in the genre where the mc is a woman, which certainly has its own meta-textual elements and general merit in exploring. however, i think it would also be interesting to look at the webnovels which tend to be marketed more directly to women, and the power fantasies found within them. the first that come to mind for me are regression fantasy romance stories, or villainess stories, which have their own Powerful Female Self Insert MC's and tropes that they fulfill. what would it look like if kim dokja, looking for stories with a female mc she could relate to, project on and generally learn femininity from, stumbled upon yoo joonghyuk staring in one of those? could be fun to think about!

[scudslut]

em's masterlist/guidelines

fluff - 𐙚 || smut - ♱ || angst - ✾

➳ Daryl Dixon

one-shots: sins and honey flavored sweetness 𐙚 ♱ ✾ heartsease 𐙚 ♱ a summer wasting 𐙚 midnight refreshments 𐙚 a new years surprise 𐙚 ♱ lazy mornings 𐙚 stay with me 𐙚 ✾ too sweet ♱

drabbles: taste me ♱ head w/ daryl 𐙚♱ daryl’s uncut ♱ s4 daryl 𐙚 ♱ ✾

cannock chase 𐙚

➳ Scud Frohmeyer

one-shots: take me however you want too ♱

drabbles: cockwarming w/ scud ♱ scuds a slut (canonically) ♱

➳ My Edits

normy's bday dhl burn, burn, burn new bottega

please send requests!

About Me!

em | 21 | gemini

hi everyone! this is so long awaited (i’m legit so lazy) but finally i have a masterlist/about me!

╰─▸ my names emma, i’m obviously in love w daryl dixon/norman reedus. i love to write and make edits — u guys should totally follow my tiktok account @mrsemmadixon or otherwise known as scudslut;)

i met norman jdkskajajs at the nyc comic con 2023, he signed the back of my phone case, i’ll actually die on a fucking hill. yes, he’s just as godly in person.

in my day to day life i work with animals 10 hours a day, they are my main passion aside from writing and whatnot, so if i post a photo of a really cute dog i met, that’s why lmao.

i have 2 cats right now, my baby lily i got last year and sophie who i’ve had since i was a kid. typically we rescue all our animals!

i deal with extreme anxiety and depression from a major accident that happened in my life a few years ago (so if i don’t respond or have trouble posting sometimes… that’s why and i really hope everyone understands.)

I love, love, love music. I play the piano and guitar, probably not very good but who cares. some of my all time favorite artists are.. and here we go on a rampage... deftones, cigsaftersex, wheezer, nirvana, mac, frank, lana, djo, catpower, the vines, dinosaur jr, labi siffre, the kills, tom odell, strokes, velvet underground, kendrick, norah jones, red hot chilies, the smiths, billy idol, the cure, no vacation, mazzy star, fleetwood, empire of the sun, pinegrove, otis redding, neil young, etta james, summer walker, motley crue, guns'n'roses, foo fighters, biggie, shady, nelly, jay-z, $uici$ide boys, gucci... and so much more, my music taste is actually bipolar.

on that note, i actually have a playlist for daryl + norman (music he reposts/i think he’d like) lmk if u want me so share them.

i’m canadian

my parents are both extreme alcoholics, so i suffer from a multitude of childhood traumas as well as current ones. we love it here!:) but id like to think i relate to daryl in some sense, if its the only comfort i get from it.

i could live off of pasta, watermelon and coffee alone

i spend my time either at my job, reading, writing, editing or spending time with some close friends.

and that’s pretty much me!:)

please feel free to ask me questions or request fics, i will absolutely love to do them! (as long as they follow guidelines) if your unsure, just message me to clarify!

My Guidelines:

absolutely no rape/SA/even slight connotations of it.

no incest.

hitting, slapping, or any extreme violence during play, is a no.

age play - i will dabble in this but nothing major where reader is barely an adult. the most i’ll do is early/mid 20’s and daryl is his canon age.

oh yes, and i will write for all norman reedus characters! if you want someone else, messsage/ask me!

gifs/dividers from @cafekitsune

© scudslut - all works are my own. please do not steal, copy, translate or modify any of my work!