#top movies

[sunnyrosewritesstuff]

Movie Tag Game

I was tagged by @starthecozy and @tra-golden. Thank you so much! Here they are in no particular order.

Rules: without naming them, post a gif from ten of your favorite films and then tag ten people to do the same.

Tagging: @fantasyinallforms @lola-theshowgrl @yacrimago @amloveabledeathmo @shantismurf @lucigoo @amethystviolist @shipper47 and anyone else who wants to play!

[the-memphista]

VHS classics by David Schumann 📼

[s0nad0wrebl0gz]

Important.

[renmackree]

Thank you @seaweed-water for the tag, this was a blast!

Rules: Without naming them, post a gif from ten of your favorite films, then tag 10 people to do the same!

I'm not sure who has done this, but I'm tagging:

@eevylynn, @endwersed, @quackquackcey, @cw0ffeefandomaddict, @comedicdrama

@raisesomehale, @triskhellion, @sugareey-makes-stuff, @thotpuppy, @hedwig221b

And anyone else who would love to!

[emilyscastlevania]

Rite Here Rite Now (2024)

[elliotpostmemes]

[vertigoartgore]

Viy (Konstantin Ershov & Georgi Kropachyov, Russia, 1967)

A New Leaf (Elaine May, USA, 1971)

Yokohama-BJ-Blues (Eiichi Kudô, Japan, 1981)

Dulces Horas (Carlos Saura, Spain, 1982)

Eyes of Fire (Avery Crounse, USA, 1983)

Local Hero (Bill Forsyth, UK, 1983)

Hachiko Monogatari (Seijirō Kōyama, Japan, 1987)

An Autumn’s Tale (Mabel Cheung, Hong Kong, 1987)

Door (Banmei Takahashi, Japan, 1988)

Beijing Watermelon (Nobuhiko Ōbayashi, Japon, 1989)

My Heart is That Eternal Rose (Patrick Tam Kar-Ming, Hong Kong, 1989)

A Moment of Romance (Benny Chan, Hong Kong, 1990)

Hardware (Richard Stanley, UK 1990)

The Commitments (Alan Parker, UK, 1991)

Musuko/My Sons (Yoji Yamada, Japon, 1991)

Supermarket Woman (Juzo Itami, Japan, 1996)

Best in Show (Christopher Guest, USA, 2000)

He Died with a Felafel in His Hand (Richard Lowenstein, Australia, 2001)

Blue Spring (Toshiaki Toyoda, Japan, 2001)

Save the Green Planet! (Jang Joon-hwan, Corea, 2003)

Top 20 Movies discovered in 2024 (but not released in 2024).

[krumpkin]

Sergio Leone made my favourite westerns and this trilogy was absolutely epic. A fistful of dollars ( 1964 ) , then for a few dollars more ( 1965 ) . For me the best of the three was this one The Good The Bad And The Ugly ( 1966 ) . Eli Wallach was absolutely fantastic as Tuco and he was the star of this one for me.

The thing that really made these stand out apart from the great cinematography was the music. Ennio Morricone brought these films to life with his fantastic scores and I'm definitely going have to write to Santa and ask him for that wonderful pocket watch.

I've added Ecstasy of Gold played live with Enio Morricone conducting. Plus the classic duel sequence from a Few Dollars More with my favourite pocket watch playing in the background 😁.

[snoopdogcone]

Tagged by @jerzwriter thanks hon!

Rules: without naming them, post a gif from ten of your favorite films and then tag ten people to do the same.

Not sure who to tag so anyone who wants to do it.

[just-b-wilde]

Your top 3 favorite movies with Bryce Dallas Howard?

[puppyyesterday]

Top Movies I watched in 2024 (part 1/3)

Overall: Viy (1967)

Independent: Layla (2024)

Superhero: Monkey Man (2024)

Horror: The Wicker Man (1973)

Rom-Com: All About Steve (2009)

Bio-Pic: Oppenheimer (2023)

[the-odd-ducks]

Unyielding Spirit: Why The Pursuit of Happyness is a Must-Watch Masterpiece

The Pursuit of Happyness is a heartwarming and deeply inspiring film that resonates with audiences through its powerful portrayal of perseverance, determination, and the human spirit's unyielding resilience. Directed by Gabriele Muccino and released in 2006, the film is based on the true story of Chris Gardner, a struggling salesman who faces insurmountable challenges in his quest to provide a better life for himself and his young son.

Box Office Collection

The movie was a commercial success, grossing over $307 million worldwide against a modest budget of $55 million. The film's strong performance at the box office is a testament to its universal appeal, as it struck a chord with audiences across different cultures and backgrounds. Its success was also fueled by positive word-of-mouth and critical acclaim, making it one of the most memorable films of the year.

Popularity

The Pursuit of Happyness gained widespread popularity for its moving story and the exceptional performances of its cast. The film's relatability and emotional depth helped it gain a lasting place in the hearts of viewers. Over the years, it has remained a favorite for many, often cited as a must-watch for those seeking motivation or a reminder of the power of perseverance. The film's popularity also extends to television broadcasts, streaming platforms, and home video sales, where it continues to find new audiences.

Star Cast

Will Smith delivers a career-defining performance as Chris Gardner, capturing the character's struggle, determination, and love for his son. Smith's portrayal earned him an Academy Award nomination for Best Actor and solidified his reputation as one of Hollywood's most versatile and talented actors.

Jaden Smith, making his acting debut, plays Christopher Gardner Jr., Chris's young son. Despite his age, Jaden delivers a mature and heartfelt performance, perfectly complementing his real-life father's role.

Thandie Newton plays Linda, Chris's wife, who eventually leaves him due to the pressures of their financial struggles. Newton’s portrayal adds complexity to the story, highlighting the strain that economic hardship can place on relationships.

The Message

The core message of The Pursuit of Happyness is one of hope, determination, and the relentless pursuit of one's dreams, no matter the obstacles. The film emphasizes that success is not defined by wealth or status but by the effort and persistence one puts into overcoming challenges. It also sheds light on the harsh realities of poverty and homelessness, particularly in the context of the American Dream, while also offering a powerful message about the importance of family and the sacrifices parents make for their children.

Chris Gardner's journey from being homeless to becoming a successful stockbroker is a testament to the idea that no matter how bleak the circumstances, with enough determination and hard work, anything is possible. The film also encourages viewers to cherish their loved ones and to remain hopeful, even in the darkest of times.

Why Everyone Should Watch It

The Pursuit of Happyness is more than just a movie; it's an emotional and motivational experience. It teaches valuable life lessons about resilience, the importance of never giving up, and the power of a positive attitude. Will Smith's performance, coupled with the real-life story of Chris Gardner, makes the film both inspiring and relatable.

Whether you're facing personal challenges, seeking motivation, or simply looking for a movie that will move you emotionally, The Pursuit of Happyness is a must-watch. It serves as a reminder that success is not guaranteed, but the pursuit of happiness is a journey worth taking, no matter the odds. The film's emotional depth, powerful message, and stellar performances make it a timeless piece of cinema that resonates with viewers of all ages.

Read the original book from which the movie was inspired

The Pursuit of Happyness (US)

The Pursuit of Happyness (IN)

[perandoripilaf]

Can't rate it...

[lcatala]

My top 6 movies discovered in 2023

I watched 52 new-to-me movies in 2023. Not nearly enough , as I could only find 6 movies that stood out sufficiently to be worthy of a personal top, in what was otherwise a pretty meh year — yes I'm a picky watcher — and yeah The Boy and The Heron didn't make the top, you can read the long rambling I wrote about it if you want to know why; I haven't watched Barbie, Oppenheimer or the Super Mario Bros. Movie, and haven't watched any Marvel-related movie since 2015.

6: Nimona (2023)

I didn't really expect to like the animated adaptation of N. D. Stevenson's comic, and I went in reluctantly, only because a lot of people who seemed trustworthy recommended it. Despite having some of the flaws I've come to expect in modern 3D animation, this was a very good surprise. You can read my detailed review here.

5: Suzume (2022)

The plot of Suzume stays very much within the bounds of the "modern artsy anime film", with a rather predictable 3+1 acts structure and an exploration of themes and human interactions which has some subtlety and nuance but overall stays very safe and on-the-surface. Nothing offensive, but nothing truly groundbreaking either.

But.

Suzume had, by far, the best animation of any movie I've seen this year. This movie is an absoluteely beautiful, every-frame-a-painting kind of deal. If I was to rank every animated I've ever seen solely by the quality of their animation, Suzume would easily be in the top 10.

4: Cape Fear (1962)

American cinema achieved maturity during the New Hollywood era that started in the late 1960s, marking a shift toward more naturalistic and more adult filmmaking and themes. But there were a few notable precursors before that.

The most famous of those is of course Psycho (altho tellingly, it was from a British director). But Cape Fear followed close behind, and is another example of an early 60s movie which you don't expect to be this dark and this raw, starring an absolutely get-under-your-skin-terrifying Robert Mitchum — if you thought he was creepy in The Night of the Hunter, you haven't seen nothing yet…

3: The Outwaters (2022)

This was the biggest surprise of the year, watched the same day it was recommended to me, having heard absolutely nothing about it before that (I didn't even know this movie existed). I got treated to a no-budget yet beautifully-shot found-footage horror movie — in fact the best found-footage movie I have ever seen, with a lot of attention put toward making the gimmick plausible, making the characters realistic and likeable, making this look like the kind of actual footage you'd find on a personal camera — while also having amazingly beautiful cinematography — all while slowly building up the tension.

Because that's just the first half.

Oh yeah, it's one of these horror movies in which you think you know where the story is going, and then second half just explodes in your face and becomes completely, utterly batshit insane. This is on par with Men (2022) for how weird and fucked up the climax is. Don't expect any kind of explanation or closure here, the second half of this movie turns into one of the most fucked up and bizzare horror movies you'll ever see.

2: Godzilla Minus One (2023)

Yeah so this one was a surprise late-year hit for everyone, not just me. First live-action Japanese Godzilla film in 7 years, with rather tempered expectations — we all knew that Shin Godzilla was an odd one out, that the average Japanese Godzilla movie is not like that, that we shouldn't expect this kind of quality on a regular basis.

Well we played ourselves.

This was incredibly well made as a blockbuster — Japanese cinema has completely caught up on American cinema, for a fraction of the budgets — one of the best Godzilla movies ever made from an action and visuals point of view, and a reminder that Godzilla, as a character, can also be scary, a terrifying incarnation of destruction and disaster.

But somehow this also managed to be a powerful and well filmed drama — no lazy endless shot/reverse shot dialogues here, a lot effort is put into framing choices, blocking… — a movie that actually touches on difficult questions and goes against the message of many other war or action blockbusters.

When so many stories glorify the idea of sacrifying your life for a greater cause, here's one movie that says "hey maybe expecting people to sacrifice their life for your cause is actually pretty fucked up, and maybe it's actually better to choose to live for the sake of your loved ones than to die for the sake of your own pride". Yeah a Japanese movie is saying that, a Godzilla movie is saying that.

1: Skinamarink (2022)

So, speaking of low-budget independent horror, back in 2022 I had foolishly overlooked Skinamarink. I had vaguely heard that it was good, but no particular detail was mentioned that would have picked my interest, and the poster looked fairly generic, so I skipped it, even tho I should have been more intrigued — 2022 was already shaping up to be a really good year for horror films…

Skinamarink was a tough proposition from the get go, in the "experimental" kind of tough: an entire film made in the analog horror genre — usually short videos made to ressemble old media from the 80s and 90s, advertisements, warning messages, weather channels, documentaries and informercials, with a disturbing twist; a format usually made of short segments. Trying to tell a film-length story in that fashion is an entirely different exercise, but that's fine, I've sat thru Begotten (1989), I can do this.

Right away, this is not framed like a movie: it's more as if someone had negligently left an old camera on the floor — but this is not even found-footage, there is no camera in-story, we just happen to be seeing this world thru stolen, furtive points of view. The image is grainy, the sound is bad quality (subtitles are provided), the frames are often askew, you never even see the actors' faces. We get no narration, no exposition, just a succession of disjointed scenes that slowly form a story.

This shouldn't work. And for many people, this will not work. Most will turn this off not even 5 minutes in. But if you're among the exceptions, then howdy does it work. The format is not a gimmick at all — it's completely in service of the story. The grainy image, the low quality sound prey on your pattern recognition, never quite certain if something is there or not; the framing by a "forgotten" camera contributes to make the atmosphere hyper-real in its intimacy, yet alienating and uncanny.

The director of Skinamarink deals with one very specific topic: nightmares. Not the idea of nightmares, not the heightened nightmares of fiction, but the literal nightmares that real people have; he started by making short videos representing common nightmares that people would tell him about. When it came time to make a full-length feature film, he kept the same approach. Skinamarink doesn't really use any of the classic themes or structures of horror movies; it largely ignores that folklore and instead focuses on deep childhood fears, the kind of stuff your mind used to conjure up long ago and that you have forgotten but not erased from your brain.

If you manage to enter into this very peculiar format, this very unusual and seemingly disjointed way to tell a story, and if you identify with the kind of fear material the movie is drawing on, this is a truly scary experience. Not really in a jump scare or suspense way, more like a deeply haunting and unsettling atmosphere, a strong ambient uncanniness where things are almost normal but just broken enough to give you a constant feeling of unpleasantness, of wanting to run the hell out of here while being trapped, a sense of horrible lurking threat while having nothing concrete to fight against or protect yourself from.

Of course, this isn't exactly a fun experience. This is very, very intense, I'm talking Antichrist-levels of playing with your nerves, and the story, as simple as it is, is tragically harrowing and cruel — you're essentially watching two young children getting psychologically (and eventually physically) tortured by a sadistic, unseen entity for a hundred minutes.

It's hard to recommend, and yet recommendations is how this movie ended up grossing 2 millions on a 15k budget — promotion included ! Most people actually didn't like the movie, but those who liked it liked it so much they can't shut up about it (case in point!) It's one of those horror movies that completely break the boundaries of the genre and do something truly new and unique. It's what horror should be for: imagination gone wild, format-breaking fantasy, and realism thrown out of the window.

[ciegeinc]

CIEGEINC’s TOP 5 FILMS OF 2023

Spider-Man: Across the Spider-Verse

Avatar: The Way of Water

Guy Ritchie's The Covenant

The Burial

Oppenheimer

Honorable mentions:

The Creator, A Thousand and One, Dead Shot, Tetris and The Pale Blue Eye