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fuckyeahharryhart · 4 years ago

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BECAUSE NO ONE ASKED ME, HERE IS MY DISSERTATION ON KINGSMAN THE GOLDEN CIRCLE AND WHY IT DIDN’T HAVE THE SAME MAGIC AS THE SECRET SERVICE

What do we want from a sequel? Personally, I want to see all the characters that I love again. I want them to be true to how they were in the first movie. I want consistency. I want to know more about them. I want them to build stronger relationships with each other. I want to see them grow. Evolve. Change if they need to. I want good things for them. I want them to be able to face conflicts.

One of the great reasons to have sequels is that we want to see our favorite characters grow and develop.

In TGC, right away, we’ve lost Roxy. More on that later. We lose Merlin. More on THAT later. Right there, they’ve lost so much potential for the third movie. We’ve lost relationships that were meaningful and could have strengthened. So much could have happened within this core group. Their experience could build on experience and add so much history and depth. Their loss wasn’t even handled in a way that really made us feel like it was a crucial point of the movie. It was more like “That sucked, but oh well.” More on THAT, too.

We were introduced to new characters, but no relationships were developed between the Kingsman agents or the Statesman agents. There would be potential to create new relationships to replace the ones that were lost. But that never really happened either. We weren’t given a reason to REALLY care about Statesman. I mean, they were interesting and entertaining. But they weren’t even super helpful in the mission, and they mainly provided the resources that the Kingsman agents needed since the Kingsman HQ was blown up. And they saved Harry.

I can’t really name one close bond between the two agencies. Sure they sent over Tequila in the end, but we don’t even know anything about him other than he’s kind of a bad boy, does drugs and was from “the wrong side of the tracks”. Wouldn’t it have been more interesting if he and Eggsy developed a friendship? Both of them are from the wrong side of the tracks. It would make it more meaningful when Tequila got sick. We were supposed to care about him, but we weren’t even given the chance to. There was so much potential that was not taken advantage of. Basically, we met Tequila, he got sick, got better and then got sent to Kingsman.

There are so many other premises that could have worked for TGC. My main issue with THC it that it didn’t have “heart”. It didn’t have the same emotional impact that TSS did. We were invested in TSS in a way that we’d weren’t in TGC. They set up conflict, introduced new bad guys and new good guys, but there were no relationships between them, we had no particular reason to care about them or what happened to them. There wasn’t anything really behind the show, behind the action. No real character or relationship development. Everything that happened was a plot device or really had nothing to do with the story or the characters at all.

I understand that they wanted to keep things light and fun and entertaining and not be to serious, but that doesn’t mean that the movie can’t have depth and feeling. It was more like a group of kids got together and said “wouldn’t it be cool if we put this in a movie” and tried to build a movie around different scenes rather than starting from the heart. Like “wouldn’t it be cool if someone got tossed in a meat mincer? Or how about an out of control ski lift spins around and then then crashes into a tower? We can show it sliding down the side of a mountain!” And then the kids high five.

My point is that most of the action scenes were sort of superfluous, whereas the action scenes in TSS were crucial or at least connected to the plot or the main characters. Like the car chase scene in the beginning of TGS was cool and fun to watch, but would the movie be the same without it? Kind of. And it certainly didn’t need to be that long or drawn out. They got to show off cool gadgets, which seemed like the only purpose, other than Charlie’s robot arm hacking their computer.

I could start anywhere. So I’ll just start somewhere. Let’s say the beginning.

The movie starts out with Eggsy. He is now a Kingsman agent and seems to have his life together.

Immediately enters Charlie Hesketh, Kingsman reject. He had a beef with Eggsy. There was a huge car chase action scene. Charlie has a robot arm. They both survive and get away. We get to see some old and new tech. Entertaining to watch, but no real substance.

Bringing back Charlie would not have been my first choice. He was an asshole in the first movie and he’s more of on asshole in this movie. He had a satisfying comeuppance in the first movie and there were no loose ends in his case. We assume he died with the others from the exploding microchip. He had a complete character arch in TSS. He was established as an upper class asshole. Got kicked out of Kingsman for being a pussy. Still carried a grudge with Eggsy and held him at knife point in Valentine’s lair and ratted him out. Got shocked by Eggsy for his trouble. Assumed deceased and that was fine with us.

Eggsy never did anything mean to Charlie, certainly not enough to warrant serious violence. Apparently, Charlie was that much of an entitled asshole and sore loser that he took his rejection as a blow to his ego, especially being beaten by a pleb like Eggsy. I didn’t like Charlie. We weren’t supposed to like Charlie. We were fine with Charlie dying.

So why would they bring him back? Well, I suppose it’s a way to link the two movies together. It provides a reason to rehash what happened at the end of TSS for people who did not see it. Introduced some old tech, the electrocuting signet ring, the shoe blade. The car chase was a way to show off all the old and new spy gadgets.

My problem with Charlie right off the bat was that they didn’t give him a reason to come back. How did he and Poppy find each other? How did he get mixed up with their group? We know he doesn’t like Eggsy and the Kingsman, he decides to blow all of them up? Was that Charlie’s idea or Poppy’s idea? Is Kingsman more of a threat to them than any other independent intelligence agency? Charlie no longer lives a life of privilege and considers himself a pleb. He is still bitter about Eggsy beating him.

We have no idea what happened to Charlie between TSS to TGC. We have not been given a reason to invest in him either as a threat or a source of conflict. There’s no complexity to his character. He was an asshole that came back a bigger asshole.

If they wanted to bring back Charlie, wouldn’t it have been more interesting for him to come back as an ally? Who after VDay and losing his family and life as he knows it, decides to change his ways and upon meeting Eggsy and he actually asks for his help? He doesn’t know anywhere else to go but Kingsman. They could still have a car chase scene with an unknown enemy that attacks Eggsy, but Charlie helps Eggsy against the enemy and they have to work together to survive. Thus proving that Charlie has changed his ways.

BUT- PLOT TWIST - he’s a mole for Poppy to get inside Kingsman to take them out from within. And this is all part of their plan to destroy Kingsman. And then we have to see him struggle with his role as a double agent as he gets to know all the Kingsman better. They are accepting of him in a way he never accepted them when the roles were reversed. He was always just a competitive jerk. So he’s conflicted. And we want to know, well, will he turn out bad or good in the end? And of course, this is all off the top of my head. Just some examples of things that could have been done differently that would have made the movie more interesting (at least to me).

I’m going to be jumping around some and might go off on tangents. Sorry.

In TGC, I didn’t feel like the bad guy brought anything new or different to the table. The issue of a drug cartel taking over the world with hostages was too broad and general. For me, there was no real urgency. Other than blowing up Kingsman, there is no link between Kingsman and the Golden Circle.

Let’s say instead of Charlie, Poppy and the Golden Circle as the bad guys, well, we could still have something like the Golden Circle... but it’s an underground network of bad spies who want to take out all the good intelligence agencies. Like spy vs spy. Could be interesting. One of the problems I have is that the Golden Circle only blew up Kingsman? I’m assuming because Charlie had a beef with them? But what about all the other intelligence agencies around the world? I guess it would make sense if we knew Kingsman was a direct threat to TGC, but Kingsman didn’t even know they existed. My point is that TGC could have done everything they did, release the virus, hold the antidote hostage, without having to blow up Kingsman. Kingsman was not an obstacle that TGC had to get rid of. So for me, it didn’t make any sense. The only reason we have is that Charlie’s fragile ego couldn’t stand that he was rejected. Would the biggest drug cartel in the world take the risk of blowing up a whole agency over some dudes hurt feelings?

So what are the alternatives? Well, other than double agent Charlie. Let say we have a scenario where Charlie has a little sister who survived VDay. She was on a retreat to save endangered animals on a remote island far from civilization so she was not affected by the SIM card transmissions. She survived to find everything and everyone she loved gone. We’ll call her Kay. Kay was genuinely a good, kind, sweet person. But her entire family was killed and she was devastated losing them, particularly her brother. She was the one person who Charlie didn’t treat like an asshole. She loved her big brother and had a close relationship and when he and her family died, her entire life changed. So we learned that Charlie was actually not an asshole ALL of the time and that his soft spot was his little sister. (Eggsy could relate to this as he is protective of his half sister)

So let’s say, she wants revenge. She wants to destroy Kingsman and take down Eggsy, Merlin and Roxy and everything they love. Just like they did to her. There doesn’t even need to be a Poppy. No drug cartel. Let’s bring the threat closer to home. In the first movie it was a “save the world” type situation. How about doing something different for this one? This time, Kingsman is being directly threatened.

Let say a mysterious group of people took Kay in the aftermath of V day, when no one else would. BUT she discovers they are actually an international syndicate- like Kingsman- but for bad instead of good. They can be called the Golden Circle.

Let’s say she’s super smart, both tech wise and with weaponry and she has mad skills that the syndicate can use. So she joins forces with them with an ulterior motive. Even though she doesn’t agree with everything they do, it’s a way for her to have the resources to get her revenge against Kingsman.

Let’s say this group wants to take out all the international intelligence agencies, since they are a threat, starting with Kingsman. The Statesman are next. Kay plans on only staying for Kingsman, so she can take them out and specifically Merlin, Eggs and Roxy. Then she plans on running away on her own. Because, as much as she wants her revenge, she isn’t essentially evil herself. She is just so angry and alone. She’s a complicated character, linked to Kingsman and the plot of the first movie through Charlie, but she presents new challenges. Unlike Charlie, whose issues just rehashed conflict from TSS.

Then there’s so many options from here. I’m just going to brainstorm so stick with me if you want.

Let say, the movie opens with Roxy and Eggsy both coming out of Kingsman, joking around and teasing each other after completing a dangerous mission and want to celebrate. Merlin is on the glasses comms, telling them to behave and not drink to much or get in trouble. They are about to get into the taxi to go get a drink but then Kay comes out holds gun on them with her underworld support. She knows who they are, calls them by both their code names and real names, but they have no idea who she is.

They try to identify her, but as there is no existing reference to her, their first scan comes up with nothing. So they don’t know who she is, they just know she is a threat and she has backup. The car chase and everything can be basically the same, but with Merlin’s help on the comms, they are able to get away.

So the main conflict is that Eggsy, Roxy and Merlin need to find out who is threatening them (the TGC evil syndicate) and at the same time find out specifically who Kay is. They don’t know she is Charlie’s sister yet. They find out later in the debrief where they compare her facial structure to their database and Charlie comes up as a match.

So how does Harry Hart come back into the picture? I’ll get to that soon.

Well, Kay/syndicate blow up all the Kingsman agents, but Roxy, Merlin and Eggsy survive. But now they have no resources. They can do the same doomsday scenario as in the movie, but Roxy is still alive. (It was horrible how she was killed off for no reason. She deserved better.)

All three survive the explosion. Maybe even because they were doing something fun together, or bickering over something silly, showing how close they’ve become. This way we can strengthen the relationships between the three of them before anything happens to any of them. I thought the “Roxy as my Best friend and she was killed” plot device was forced. She had a couple lines helping Eggsy with Tilde, and he calls her his best friend and agent. (At this point I’m not even sure if we need Tilde in the picture.) And then Roxy gets blown up. Sucks.

I’d forget about the whole Tilde relationship angle and focus on the friendship between Eggsy and Roxy instead. (Don’t worry, they’ll stay friends. They don’t get into a relationship together.)

There are so many other ways to show they are best friends and agents who rely on each other, so if or when one of them dies, it’s much more meaningful. We feel her loss as Eggsy or Merlin would. Her death in THC was essentially meaningless.

BACK TO THE FILM:

Kingsman HQ and the shop have been blown up. Roxy, Merlin and Eggsy are devastated but Merlin pulls himself together and takes charge. He says that they need to rely on their training. That they’ve lost people they love before and yet they keep on going, to honor their memory, because that’s what a Kingsman does. (Reference to Harry)

They go to the winery, proceed to get drunk, which would be funny with the three of them together, when they discover the Statesman logo on the whiskey bottle and go to Kentucky for help. All that is fine. It can be the same as the movie.

The three of them go to Statesman. They try to break in and are overtaken and tied up by Statesman agents.

This can be all the same as the movie as well. The three of them are tied up and Tequila is questioning them. He’s also flirting with Roxy at the same time because he’s a southern boy. But he still doesn’t believe them.

BUT WAIT!....(READ MY EXCERPT OF FAN FIC ON HOW HARRY RETURNED HERE: https://fuckyeahharryhart.tumblr.com/post/635251512219729920/kingsman-the-golden-circle

KEEP READING HERE IF YOU WANT THE SHORT VERSION:

Ok. I had a real issue with how they brought Harry back. Don’t get me wrong, I am sooo, sooo grateful that they brought him back at all, but the character that he became from the amnesia, for me, was not Harry at all, not even a young Harry.

I know some people liked the soft, timid, shy Harry. And that’s sweet. But he was the antithesis of the Harry I grew to love from the first movie. During the whole TGC movie, I didn’t really get the same energy and presence as the first Harry Hart. (Ok, I know this is kind of Eggsy’s movie, anyway.)

Sure, we got background on what Harry was like when younger. He wanted to become a lepidopterist. He had the choice of being one or joining the army. He joined the army and then Kingsman. This doesn’t really add anything to the film or to Harry personally. I don’t feel like I know him better. I know facts about him. I want to know what was behind the choices he made.

I want to know, why did Harry chose the Army? Did something significant happen that led him down that road? From the film, we know he missed his mother, but doesn’t mention a father. What happened to his father?

Maybe his father was military, and was away for most of his life. His father never understood Harry’s butterfly fascination and hoped that he would follow in his footsteps and become a military man, but loved him and supported him none the less. Let’s say his father was killed in action and that is why Harry joined the army and gave up Lepidoptery. For the memory of his father. So when he mentions to Merlin that he wants to see “Mother” that is why there is no mention of the father, because he already died.

And then we find out that he relates to Eggsy so much because “what’!?!” Harry lost his own father the same way as Eggsy did! In action, on a mission. BUT, Harry feels even more guilt because HE was the reason Eggsy’s father was killed. It’s his fault that Eggsy had to go through the same loss that he did. So he knows exactly how Eggsy felt. He feels extra responsibility for him and wants to be his mentor and be the father figure neither of them had growing up! Now we understand Harry sooooo much more, what motivates him to be the person he is and the relationship that he has with Eggsy is that much more meaningful.

(WHAT!?! I would soooo watch this movie.)

So, at least it would be helpful to know what happened to Harry’s father. It would give us more motivation on why Harry is the way he is. Our dear Harry Hart. You are so quiet and so brave that we forget you are suffering. Our hearts go out to him. We imagine Harry as a young man who lost his father and joined the army to be close to him and honor him. Sigh.

How much weight has Harry Hart carried with him? Never complaining, never using it as an excuse. We only know through his actions that he wants to make up for his past mistakes. We love him that much more. Underneath his stoic polished exterior lies a young man who lost his father. But he also has to carry the guilt of being the reason another boy lost his own father, as Eggsy’s father was saving Harry’s life, while sacrificing his own.

So back to the movie. Amnesia Harry, to me, was not Harry Hart. I can’t believe this soft, timid man became the brave, sophisticated super spy that he is now. I think it would have been more effective for amnesia Harry to still have qualities of spy Harry, but the amnesia makes him forget KINGSMAN. And it’s painful for Eggsy Roxy and Merlin, because at first, he seems like the Harry they know and love. But to Harry, they are complete strangers. Imagine if your significant other lost the memory of you, but other than that they were still the same person. You had a whole life of memories that you shared. They wouldn’t know that you shared them. What would it be like to be so close to someone, yet at the same time, just out of reach? Harsh.

STAY WITH ME HERE. This is what I would have imagined for the return of Harry Hart. It would be fairly similar to what happened, but with some crucial differences. AGAIN: ONLY IF YOU WANT, REFER TO:

:https://fuckyeahharryhart.tumblr.com/post/635251512219729920/kingsman-the-golden-circle

Let’s go back to the scene where Merlin, Eggsy AND Roxy are tied in chairs getting grilled by Tequila, who is actually flirting with Roxy because that’s who Teauila is. And Roxy is having none of it because that is who she is. This dynamic could be pretty funny, with Eggsy teasing Roxy (but that’s for later).

So all three of them are saying they were only following clues from their doomsday scenario protocol. They lost everything and all they have left is their honor. They are still getting threatened by Tequila. They aren’t budging because that’s the truth, they aren’t lying about the circumstances that brought them to Statesman.

Teauila has to change this up a bit. And what does he do? Threatens to bring in their finest interrogator. Says how this agent is skilled in ways they can’t even imagine. He is not someone that they want to fuck around with. Nothing gets past him. If you don’t tell him what he wants to hear, don’t worry, he will make you. He is definitely someone who they don’t want on their bad side. They still don’t have anything else to say.

Tequila calls in the agent. And who is that agent?

IN WALKS HARRY HART, in all of his secret spy glory!!!! (OMG I WOULD DIE) He’s impeccable in his familiar suit, hair immaculately in place, posture perfect. The only real change are the shaded eyeglasses to protect the eye he lost and the Statesman issue gun he carries. Everything else is exactly the same from his pocket square to his cuff links.

Roxy, Merlin, and Eggsy are mindfucked. They can’t believe this is THEIR Harry Hart. But Harry doesn’t recognise them, doesn’t remember them AT ALL, as he has lost all of his memory of Kingsman. BUT, he has retained all of his skill and personality as an agent and individual. The only thing different is that he doesn’t remember them.

They are confused and overjoyed at the same time. They don’t even know how to react when they try to get Harry to remember them and he doesn’t. We get all the delicious visuals of Kingsman Harry, but are faced with the fact that he actually doesn’t remember Kingsman at all.

Statesman Harry continues to interrogate them as if they are the unknown quantity and possible enemy, because to him, that’s exactly what they are. They are speechless at this point and don’t know what to do, or how to react, or how to get Harry to believe them. They don’t know how to prove they are who they say they are. They don’t know how to prove that Harry knows them, and that they know Harry.

Harry, not for wasting time, unholsters his revolver and points it at Eggy’s head. Are they ready to talk now? They yell for him to stop, not to shoot, to let them explain. Harry starts to count down from three, and just as he gets to one, Ginger Ale comes in and throws Harry the umbrella. Their story checks out. Harry inspects the umbrella, sees the statesman’s logo and pauses. He looks over the umbrella turns it over, twirls it in his hands almost in a familiar way. Does it help him remember Kingsman and his friends? It looks like it might. He contemplates the umbrella for a moment, but then he says “not good enough” and aims his revolver at Eggsy and switches off the safety.

Eggsy and the others are beyond panic, when Eggsy throws a Hail Mary. He tried to look at Harrys right hand, but the gun is blocking his view and he doesn’t know for sure, but fuck it, takes the risk and yells to him that Harry wears a signet ring on his right pinkie finger. That gentleman are traditionally supposed to wear it on the left hand. But Harry wears it on his right hand because his right hand is dominant.

THIS makes Harry pause and slowly puts down his gun. Because he does wear a pinkie ring on his right hand. He was wearing it when he was shot and wanted to keep wearing it. He doesn’t know why, just that it feels right to him. He asks Eggsy, “how do you know that?”

“Eggsy says, “Because I’m wearing one too.”

(WHAAAT JUST HAPPENED!!!!????)

Statesman Harry holsters his weapon. He says, “It seems as if we have a lot to discuss.”

Ok, so that’s just an idea I came up with while writing this. Let’s see if I can continue.

Because TGC needed much, much more of the Harry Hart we know and love.

This cuts to the scene where they are in the Statesman HQ dining room. Harry is also there but sits on the Statesman side. Ginger and Tequila are there as well.

Merlin, Roxy and Eggsy sit opposite the Statesman.

They meet Champagne/Champs - who wants to know what’s going on.

Cut to when Ginger explains how Statesman got readings of low frequency waves from Valentine’s test in Kentucky. All of this can remain the same. Ginger Ale and Tequila save him by using the alpha gel, they help him recover. But when he does, he can’t remember anything from his past. He knows his name, he has the same personality and all the same skills, which they discover when he wakes up.

When he wakes up for the first time, Ginger ale and Tequila are there. Harry is slowly coming to. We don’t know how he is though yet. As he is coming into consciousness, his agent reflexes kick in. He scans the room, finds the exit, determines any possible threats and locates the nearest weapon. In a flash, Harry sits up, grabs Tequila’s gun and points it at him. Harry asks them who they are and what is he doing there.

They look at each other and say that they have a lot to talk about.

I’m just gonna go with this and see how it plays out....

Statesman knew he was intelligence from his eye glasses, but they didn’t know whose. And Harry couldn’t tell them anything. They knew he was possibly British as he spoke the Queen’s English. But he could still be from a number of other places as well.

Obviously, international intelligence agencies are not going to be listed on the internet, but while Harry was recovering, they put out feelers for possible missing persons that matched his description, particularly in Europe and Great Britain, and then broadened their search to the commonwealth countries.

They scanned news on anything surrounding the Kentucky event, who was involved, but they only found information on Valentine and his cohorts. They even kept their ears open on the secret spy wire, to see if an agency was looking for an operative, or had an agent who had gone rogue, or had one go dark. They didn’t have any luck. It’s not like they could put out an “if missing an agent, please call” flyer.

But as Harry got better, they found out the extent of his abilities. They were far greater than Statesman expected.

—-here can be a montage of him going through his skills, slowly getting better and stronger until he is at full capacity.- plus it would be really hot and sexy to see Harry Hart’s repertoire of skills. (I heard that Colin Firth is pretty good at archery, too.)

For some reason he can’t explain, he insisted on only wearing suits, styled exactly the same as the one he was found in, shirt, tie, cuff links and his pinkie ring. The only thing he would carry is the Statesman issue pistol and the occasional custom weapon or flask. Or maybe a fedora.

He was grateful to Statesman for saving his life. We find out that Harry started working for Statesman, actually becoming close to them like he was with Roxy, Merlin, and Eggsy and becoming an integral part of their organisation.

His English mannerisms often pop up, much to the amusement of Statesman. They respect him and find him endearing at the same time. They still kept an eye out for someone matching his description gone missing, but without as much urgency since they liked having him around.

The others are overjoyed that he is alive, at the same time devastated that he doesn’t remember them. It’s like he’s almost there, but just out of reach.

(OMG, I NEED TO SEE THIS VERSION OF TGC.)

How does he get his memory back?

There are a number of ways. We could still do something similar to the puppy scenario, let’s say that Harry, for some reason he also can’t explain, wanted a cairn terrier. So he has one that follows him around Statesman HQ.

This scenario could play out similarly as the movie. As a last resort, Eggsy threatens to shoot his dog, triggering the memory of Harry when he was a trainee having to shoot Mr. Pickle.

OR let’s say at a certain pivotal moment, something happens where Eggsy is tied to train tracks just like in TSS, but this time, there is no false floor. Eggsy is in a life or death situation and as seconds tick by, it’s looking more like death. Eggsy is yelling at Harry to please cut the ropes, when Harry’s memory is triggered. The combination of the bright lights of the train, the roar as it barrels down the tracks, Eggsy screaming, fearing for his life...Harry starts to remember the same circumstance during Eggsy’s training when he was almost hit by a train.

While Eggsy is struggling, Harry’s memory is flashing back to all the significant moments in his life, like a seizure he can’t control. His father. Butterflies. Harry joining the army. Eggsy’s father sacrificing his life to save Harry’s. Meeting Eggsy, training him, being a father figure to him. Everything to the point when he is shot by Valentine. Harry is trying to process all of this when he hears Eggsy yelling to cut the ropes again and Harry comes to, just in time to save him.

As Eggsy recovers he notices something different about Harry. He stops and just waits, looking at him.

Out of the blue, Harry says “bloody well done” which is what he said to Eggsy when he passed the training. Harry pauses and then says with meaning “Eggsy” (not eggy as he’s been calling him)

“Hello Harry.” Eggsy says in return and goes up to hug him, which Harry returns. And he says Eggsy’s name again as memories return to him. Agent Galahad is back.

Eggsy finally had his chance to say I’m sorry to Harry and how much he meant to him and how devastated he was when he thought Harry had died. And how happy he was to find out he survived, and how devastated he was when Harry didn’t remember him. It doesn’t have to be all mushy and serious, it can just be simple and touching. Like Harry saying something like “It takes a lot more than a bullet to the head to kill Harry Hart.”

I had an issue with the dynamic between Harry and Eggsy on their first mission with Whiskey. Obviously having Harry back is the best thing in Eggsy’s life right now. What a gift to basically have him back from the dead. I personally would be extra considerate and caring of any lapses that he may be experiencing due to the gunshot. And knowing that he was still recovering (as depicted in the bar fight scene) I’d make a concerted effort to look out for his well being.

So when they are all trapped at the cabin in Italy and Harry out of the blue shoots Whiskey, my first reaction wouldn’t be “Harry you’re a fucking idiot! You’re out of control!” It was be “OMG, what’s wrong Harry? Why would you do that?” And make an effort to understand what Harry is going through. I know they’re in a life or death situation and they don’t have time to have a heart to heart. But if my best friend and mentor came back from the dead, like, days ago, I wouldn’t be calling him a fucking idiot. I first reaction would be worry and concern.

Back to my alternate scenario. This sets up a new conflict. The call of Kingsman is strong and wants to lure Harry back to Great Britain, with Eggsy and Merlin and Roxy, but he will be forever indebted to Statesman for saving his life, helping him find himself and giving him purpose and meaning within the Statesman family. He knows he will have to choose eventually, but at the moment, the pressing issue is the Golden Circle and to defeat them, the two agencies will have to work as one and who better to do lead them than Harry Hart. (I love Harry Hart so much)

What else is a possibility? Roxy is slowly won over by Agent Tequila’s charm, but she gets kidnapped by Kay and the Golden Circle. Now Agent Tequila and the others have to race to rescue Roxy before The Golden Circle blows up, because why? BECAUSE KINGSMAN HAD ALREADY SET UP EXPLOSIONS TO DESTROY THEM! So if Roxy dies in the blast, it’s basically because of Kingsman.

What else could Roxy’s story look like? Hmmm. Kay is the same age as Roxy. So despite each of their misgivings, they begin to relate to each other. Roxy is sorry about Kay’s loss and recognises that she isn’t an inherently bad person like the rest of Golden Circle. She’s just a sister, a daughter, a person like Roxy. She is just in pain and doesn’t know how to handle her grief. Kay realises that Roxy was just looking out for her friends and trying to do what’s right despite insurmountable odds. Without really realising it, they begin to bond. They really don’t want to hurt each other, but are afraid they are too far down the path of destruction and revenge to turn back.

Let’s throw in Whiskey, too. Because I don’t like how they utilised his character in TGC at all. First off, his reasoning behind wanting all the junkies to die was weak. Almost 22-23 years since the death of his wife and he was still willing to kill all the good people as well as the bad? He didn’t differentiate someone like Tequila, his fellow agent, from the meth heads that killed his wife?

I don’t think that an agent who has dedicated his life to save others would be that selfish as to want the deaths of all those people. So I’m going to throw that whole plot device in the can. Plus, the foreshadowing that Whiskey was a bad guy and that Harry was on to him and shot him was weak, of no fault of theirs, the story was bad.

Let’s say In this version, he is not a bad guy. Let’s say he’s a Statesman through and through. And he is very very protective of Statesman and is determined to protect it and the other agents at all costs, in a way he wasn’t able to protect his wife and unborn child.

As a result he is less welcoming to strangers and outsiders than the others. He has a long history of tradition within the Statesman family and wants to preserve that legacy. He is the one that was less than excited to have Harry join the agency. Whiskey was the one that continued to be suspicious, and at times could antagonise Harry, implying that no matter how good an agent he was, that he would never truly be a Statesman. That he would be an outsider. Which he now feels is justified because they discover Harry is actually a Kingsman. Whiskey avoids spending time with them, outside of the mission and continues to remain standoffish.

But slowly, as they all work together, the Kingsman agents especially being open and accepting and kind to their counter parts, Whiskey begins to slowly, begrudgingly come around. He begins to thaw and we realise what a cool guy whiskey really is, he is just ultra dedicated and loyal to Statesman and will do everything he can to protect and honor his agency. He gets to know everyone, realises that all of them have experienced their own personal loss and that their losses are what drives them to help others. And this common understanding of loss brings them together.

What if, instead of getting killed because he tried to double cross both Statesman and Kingsman, he ultimately shows his true self, when they are all trapped in the enemy HQ, by offering to stay behind, fight off bad guys, to give the others a chance to escape, including the Kingsman, at the risk of his own life.

Perhaps he asks Harry, Merlin and Eggsy to go and save Roxy and lead everyone out of danger. And to take care of Statesman, and Ginger and Tequila as Whiskey would and has his entire life, because they are ALL family now and families take care of each other.

(ALL THE FEELS. RIGHT HERE.)

What if Whiskey demands that they have to go and leave him behind to his own fate. That even if he gets overpowered, Whiskey won’t go down without a fight. They all do their agent handshake of brotherhood and leave him to fight the enemy. So Whiskey, instead of being put in the mincer, gets one last epic battle, fights harder than he ever has before because he wants to give the others a chance to survive. This is why Whiskey became a Statesman, to serve his fellow man, to protect his family. His whole life has led to this point.

The scene could be intercut with Whiskey battling the enemy, with the others making their way out of the enemy headquarters. Whiskey, the entire time fighting to keep the bad guys from following them. Let’s say that during Harry’s and Whiskeys handshake, Harry passes Whiskey his lighter grenade, as a message, agent to agent, never let the enemy capture you. If it gets to that point, use the grenade and take the bastards out with you.

The battle gets more and more hectic, Whiskey gets cornered. He’s out of options, save one. He triggers the grenade, but not before he says “this is for statesman”. Or something else along those lines that’s super cool and badass. We don’t see the blast, but it cuts to the others who hear the bomb go off and they know that Whiskey did as much as he could and even though they are running for their lives, they take a moment to acknowledge his sacrifice.

(OMG- I’m going to make myself cry.)

How much of a better end would that be for Whiskey? Such a better part for him to play rather than the secret bad guy plot twist at the end of TGC. In this new version, we get to see his compete character arch. We feel compassion for him, we root for him, and we mourn his loss. Ugh. I just hate how so many of the characters deaths got the short shift.

Or if it’s not whiskey, If Merlin still has to die, (which I don’t think he does) he could be the one that stays behind. But death would be more than accidentally stepping on a landmine. There would be more at stake, more on the line. More urgency. If both Whiskey and Merlin had to die, what if they had to detonate a bomb, but the bomb had a fail safe where to detonate the it, two people have to trigger it at the same time, and the likelihood of survival is slim. But they offer to stay behind, one man from each agency. There can still be an epic battle, but this time Merlin gets a chance to fight, too. And he fights alongside Whiskey for as long and as hard as they can until they have to detonate the bomb. Merlin gets his moment.

In TGC, Merlin didn’t even get half the chance to be a bad ass in his own Kingsman suit and glasses. It wasn’t fair to him. He should have had more of a chance to be a part of things in the end. Merlin deserved a much more meaningful send off. There were so many other ways to handle his death.... if he had to die at all.

Let’s say in my version he survived the blast, we don’t know, there’s a chance he did. And that gives us hope. We really want him to be in the third movie with Eggsy and Harry, the three of them have such a good dynamic.

I felt like Merlins death in TGC should have been much more impactful. It seemed like an afterthought. After he died, his name was only mentioned 4 times. Eggsy said his name when he killed Charlie, Harry said his name and Rest In Peace, when explaining the heroin injection to Poppy. Whiskey said his name about putting pieces of him and Harry into a bucket, and lastly, that releasing the antidote was in Merlin’s honor. But emotionally, it didn’t feel like they felt his loss at all. They nodded their goodbyes, and then went dead in the eyes before they went after poppy’s men. That was the extent of it.

Merlin wasn’t recognized at all after the whole poppy ordeal. Not at the meeting at Statesman or at Eggsy’s wedding. I know they were planning on having Merlin survive the blast and be there when Eggsy got married, just with prosthetic legs. And at the last minute decided not to. I know Merlin and Ginger ale were supposed to kind of be into each other. We got a little of that with them working together. But that relationship was cut from the final version. As a result, it felt abrupt. We didn’t get her reaction when Merlin died. Or get their reaction when they found out that Whiskey had double crossed them.

Back to Kay and Roxy...

Let’s say Kay is ordered to take out Roxy. Kay actually begins to feel bad, begins to doubt herself, but is determined to stick to her plan. She is supposed to shoot Roxy and then join the rest of the Golden Circle bad guys to get the others.

As she points her gun at Roxy, Kay says something along the lines of “I’m sorry that this actually IS personal and it’s something that she has to do. For her family. For herself.”

To Kay’s surprise, Roxy is calm, collected and replies in understanding. Roxy can imagine how she is feeling, because if she lost her family like Kay did. If Eggsy, Merlin and Harry died, her own family now, she would feel the same way as Kay does. And she doesn’t blame her for wanting revenge. Roxy says simply, do what you need to do, so you can get over their deaths. I accept my fate. And closes her eyes.

Kay, switches off the safety and takes two shots at Roxy. Roxy flinches, but realizes that she is not dead. Kay has actually shot off her handcuffs that were binding Roxy to her chair. Roxy takes a moment to be impressed with Kay’s sharp shooting skills.

Kay, feeling defeated and empty, tells Roxy to go. To hurry and find her friends and escape before the GC men return. Kay gives her the gun. Roxy is set to leave, but stops when she realizes that they will kill Kay when they realize that Kay didn’t kill Roxy, but instead set her free. She says so aloud to Kay.

Kay replies, “I know. It doesn’t matter anymore. I’d rather be with my family, anyway. Like you said, I accept my fate. Go. Now. Before it’s too late.”

Roxy hesitates before deciding. She asks Kay to come with her. That she truly doesn’t belong here. That she’s just lost and afraid. But that she doesn’t have to be alone.

Kay is taken aback at the offer and tells Roxy that Kay blew up Roxys headquarters and tried to kill them all and kidnapped her and was about to shoot her in the head. “I’m not the kind of person that you want to have around and I don’t think your friends will be to excited to see me again.”

Roxy says that it wasn’t really Kay, that it was TGC, that took advantage of her grief and skill. Kay is not a bad person. She’s just trying to deal with a bad set of circumstances, with bad company. Come with me. Instead.

Kay asks her how does she know that Kay is trustworthy. Roxy tosses her back the gun and says, I just do. Kay looks at the gun for a moment. Realizes she had nothing to lose, gives the gun back to Roxy and pulls a second one from behind her back. And tells Roxy “let’s go.”

Perhaps Kay can become a new agent to help fill all those they lost in the explosion. And Agent Tequila came to Kingsman to help as well AND because he likes Roxy.

So at the end of TGC, we have Harry, Eggsy, Roxy, and Merlin (he survived the blast. Excuse I wanted him to. RIP Agent Whiskey) and new agents Kay and Tequila. We have all of these characters for the 3rd instalment. How amazing would that be?

OK, NOW IM DONE. IF I WAS RICH I WOULD FUND THIS MOVIE JUST SO I COULD SEE IT. I’D PAY THEM (COLIN FIRTH) WHATEVER THEY WANTED SO THEY WOULD COME BACK (AND LOOK REALLY HOT AND SEXY IN A SUIT.)

WHAT DO YOU WANT TO SEE FOR THE NEXT/FINAL INSTALMENT OF KINGSMAN?

Sent from my iPhone

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nitrateglow · 4 years ago

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My bottom five new-to-me movies of 2020

2020 sucked. So did these movies. Before I do my customary top 20 favorite movie discoveries list, I wanted to share five very special new-to-me movies that were painful to watch. Forgive me if it all sounds like ranting. It probably is.

(And remember-- if you like any of these movies, that’s fine. I am not attacking YOU. I just didn’t like a movie. I know this is a stupid disclaimer to put on a list of opinions, but combing the venomous old IMDB message boards has me on edge a bit lol.)

Star Wars Episode IX: The Rise of Skywalker

Whether you love the sequel trilogy or hate it, everyone pretty much agrees this movie was a mess. I thought no movie could have a more structurally unsound screenplay than The Crimes of Grindelwald, but Rise of Skywalker gives it staunch competition. It creates a new artform from making things up as the plot requires: new powers for Rey, new Macguffins to pursue, new motivations and backstories for characters.

I admit I dislike The Last Jedi. I dislike it a lot, actually, and it appears JJ Abrams did too from the amount of retconning he does here (Rey isn’t nobody! Honest, guys!). But you can’t backtrack THAT much. Either plot out your entire trilogy before shooting the first film or play fairly with the cards you were dealt by the filmmakers of movie two.

If anything, these movies have become a cautionary tale about not having a plan when making a movie trilogy. Now, George Lucas didn’t really have one either when he was making the original trilogy, but in that case, he wasn’t even sure the first movie was going to be a modest hit, let alone the biggest movie of the 1970s. He had an excuse and did well enough finishing the trilogy. Here, Disney knew there would be sequels, they knew they had a hungry audience, but they chose to just wing it and the results are just-- so disappointing, especially given the talented young actors and lovely special effects they had at their disposal.

The more I think about it, the more poetic the image of Palpatine hooked up to a life support system/crane is. The best ROTS can do is riff on earlier, better movies and hope our affection will make us overlook the awfulness.

Artemis Fowl

Outside of Animal Crossing, Artemis Fowl might have been the only entity to benefit (if only slightly) from the pandemic. I cannot imagine it would have been anything but a box office bomb had the theaters been open.

Artemis Fowl feels like it should have come out in 2003-- not just because the books were more prominent then, but the whole style of this film in general. In 2020, it’s positively anachronistic. The whole thing is a joyless attempt at dipping from the old Harry Potter well, with a bit of Spy Kids thrown in for good measure. Beyond that, it’s so poorly done as a whole. I have never read the Artemis Fowl books, but I watched this with a friend who has and his head near caught on fire. Apparently, it cuts out everything that made the books cool, like the protagonist basically being a kid version of a Bond villain. Here, he’s anything but that: he’s the usual bland child protagonist surrounded by a cast of slightly more interesting characters. Josh Gad seems to be the only one really trying. Judi Dench shows up and somehow gives a worse performance than whatever the hell she was doing in Cats.

I was actually shocked Kenneth Branagh of all people directed this. I generally like his films, even the less successful ones like his musical adaptation of Love’s Labors Lost. Even the uninspiring live-action Cinderella remake he helmed is at least pretty to look at-- Artemis Fowl has neither brains nor beauty to recommend it.

Bloodline

This film was intended to jumpstart a career comeback for Audrey Hepburn. This decidedly did not happen. One has to wonder what she saw in this sordid material in the first place. Maybe she really just wanted to work with director Terence Young again? Or she thought this would be a good, more modern take on her screen persona? I have no clue. All I know is that Bloodline is one of the worst big-budget Hollywood movies I have ever seen.

No contest: this is Audrey Hepburn’s worst movie. Hate on Green Mansions and Paris When It Sizzles until the stars turn to ash-- at least there was some fun camp value in them. The plot in Bloodline makes no sense, going into unrelated digressions that lead nowhere (did we really need that extended flashback about the dead father? or the subplot with Omar Shariff’s two families?). Oh and then there’s the awful sleazy snuff film subplot that’s also poorly developed and goes nowhere. Hepburn is game, but she can’t save the sinking ship. The best she can do is be charming in a terrible 70s perm.

Luckily, she made the underrated They All Laughed two years after this cinematic fecal matter bombed, so at the very least, Hepburn’s big screen swan song was a film worthy of her presence. (Hint: there will be more about that movie on my top 20 of the year list!)

Halloween III: The Season of the Witch

You all have no idea how excited I was to see this. All the mentions of it on Red Letter Media made it sound like deliriously entertaining schlock. I mean, it’s a movie in which the villain sells cursed Halloween masks that turn children’s heads into bugs and snakes! That sounds awesome! Instead, the movie is badly paced and boring: the main characters are uninteresting and the plot takes an interesting premise then does.... nothing with it. Nothing whatsoever. The second act is the cinematic equivalent of treading water. In fact, so little happens, that the filmmakers squeeze in a pointless sex scene between two character who have all the chemistry of a lit match and a bag of M&M’s.

The thing that annoys me most about this film is that it killed off a great concept: that all of the future Halloween films would be standalone stories centered around the spookiest time of the year. Unfortunately, this movie botched itself so badly that people often think the absence of Michael Meyers was the problem. It wasn’t: it was the absence of a good story.

Blindsided

This is probably the most watchable movie on this list, but that’s not saying much. A bloodless ripoff of Wait Until Dark, Blindsided is an unimaginative thriller with no thrills, humor, or interesting characters whatsoever.

The whole film is just repetitive. The situation doesn’t slowly boil to something horrific, the threat presented by the villains doesn’t escalate, there are no interesting interactions between the characters: no, here the underdeveloped protagonist is interrogated, tortured and/or sexually harassed, tries to escape, is recaptured, rinse and repeat for ninety minutes. I admit there’s some clever resourcefulness on the part of the heroine in the last scene-- but it’s basically just Wait Until Dark’s climax (down to the twist with the villain finding an alternative source of illumination for crying out loud!) without the emotional payoff that comes from slow-burn pacing or the fantastic performances, so even that’s a letdown.

I thought the movie might at least be saved by Michael Keaton as the main criminal mastermind since he’s shown he can be a great villain in other movies (if they had remade Wait in the 80s, he would have been a perfect Harry Roat Jr.), but even he seems to be phoning it in here. Beyond a scene of attempted cat murder (I’m serious-- the bad guys are so incompetent they can’t even kill a cat), there’s not even anything so bad it’s good to enjoy. Blindsided is just dull and by-the-numbers.

#thoughts

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britesparc · 4 years ago

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Weekend Top Ten #442

Top Ten Transformers Gimmicks

There was a time when I felt that this blog was pretty much wall-to-wall Robots in Disguise. Seems I couldn’t go more than two or three weeks without some list or another ranking my favourite Autobots, Decepticons, issues of the Marvel UK comic, issues of the IDW comic, my favourite artists, my favourite alternate modes, my favourite ways Optimus Prime came back from the dead… basically, what I’m saying is I used to write about Transformers quite a lot.

Recently, though? The last year or two? Not so much in the way of sentient mechanoids round these parts. I think partly this is a result of the ending of the original IDW continuity; whilst the rebooted Transformers comic is good, I must confess it hasn’t grabbed me the way the (for want of a better term) More Than Meets the Eye era did. I don’t think it possibly could; the interweaving continuity, the shared universe, the multi-layered world-building and puzzle-box writing, all combined to form a perfect storm around my most beloved of franchises. Did it go too deep, too dense? Occasionally. Did it end too soon, rushing into a climactic conclusion without the room to allow every plot twist and character death to sufficiently breathe? Yeah, a little. But on the whole it stuck the landing, not too shabby a feat for a galaxy-spanning epic that, under various creators, had managed to tell a more-or-less consistent story (papering over the cracks of several soft reboots) for over a decade at that point. As I’ve written before, I loved that Transformers so hard, it was almost inevitable that whatever came next would suffer by comparison, because by definition it could no longer be my Transformers.

So, yeah, that’s one reason. But another is, it’s been harder to think of things to write about. I’ve talked about favourite characters and stories; where else do I go but the increasingly obscure? However, I wanted to give it a try. Last weekend should have been TF Nation, the delightful Transformers convention held each year in Birmingham. I usually go; I gave last year a miss, but I’d been fully intending to make the trip again this year. And then 2020 happened, being all 2020 in our faces. This is a weekend where I might have shared my favourite moments from TFN! Pictures of cosplay! Of friends and creatives I admire! Of toys I can’t afford! But no; instead I’m watching my wife play Stardew Valley and writing this blog (which, I’ll be honest, is actually quite a pleasant way to spend the time, but let’s not get too deep into the weeds over here). Anyway, to celebrate TF Nation, and the stay-at-home “Big Broadcast of 2020” online show that they put on, I’m returning to the Nucleon Well once again with another Transformers-themed Top Ten.

This week: my favourite Transformers toy gimmicks!

Transformers, of course, are cars and whatnot that turn into robots or what-have-you, but across the years Hasbro has experimented with different modes and features to keep the toys fresh and unique, and also to sell a bunch of new ones to impressionable kids. Some of these are sublime; some, frankly, ridiculous. So this week I will explore my ten favourite ones; my ten favourite sub-brands of the franchise, so to speak. Some of these I think are genuinely fantastic as a concept; some, I just liked because it seemed cool, or was made cool by the fiction; and some are just daft crap that I enjoy. Make of it what you will! I’ve decided, incidentally, to focus on “gimmicks” here as being different modes of transformation, or other associated features, rather than define them by what they turn into. So there are no Insecticons or Dinobots, because whilst bugs and beasts are cool, really those are both normal types of Transformer that turn from one thing into another thing. Make sense?

Good. Now roll the eff out.

Combiners (1985): what’s better than one robot? How about, like, five or six, and they all clip together to form another massive robot? Clipping machines together to make bigger machines seems like a cornerstone of any sufficiently advanced civilisation, and whether we’re talking the complexity of OG combiner Devastator, the hot-swappable fun of the likes of the Aerialbots or Stunticons, or even Dreadwind and Darkwing combining in vehicle mode to form Dreadwing, it’s always great. Plus it makes you want to buy all the toys so you can make the big robot! Everyone’s a winner!

Headmasters (1987): robots whose heads – get this – come off and turn into little robots. What’s not to love? And the little robots (what are the heads) then can sit inside the big robots’ vehicle modes, and, like “drive” them and stuff. Although they had some plot gymnastics to perform to make sense of the fiction (quite why the heads had to be Nebulons and not just other Transformers I don’t know), but as a toy gimmick, they were fab. And that’s before you get to most-wanted Fortress Maximus, whose head turned into a robot whose head turned into a robot.

Pretenders (1988): man, I loved Pretenders, even if the concept outstripped the toys a lot of the time. Basically humanoid shells that hide Transformers, later iterations also allowed for animal shells, vehicle shells, even transforming shells; we got new versions of classic Transformers, and one of the all-time great villains in Thunderwing. All this despite the first lot of toys being bulky and awkward, and the whole idea of “disguising yourself as a thirty-foot human” being somewhat suspect in the first place.

Triple (and more!) Changers (1985): if a robot turning into a thing is cool, then turning into two things must be twice as cool, right? Right! Boggling the mind as to how this chunky figure could also be a car and a helicopter, Triple Changers were great, even if you ended up with a helicopter that really, really looked a lot like a car. Of course, they got bigger and better, with Six Changers, who turned into six different things that all looked a lot like each other.

Powermasters (1988): back to the “Masters” concept of little robots that interact with bigger robots (it’s such a shame Pretenders couldn’t have been “Disguise Masters” or something), the idea that the toys transformation – the big gimmick behind the whole range, remember – is unlocked by an “engine” robot is very cool, the smaller toy acting as a key. A tad clunkier than that, in real life, but still great fun, and of course it brought us one of the best toys of the eighties in Powermaster Optimus Prime.

Targetmasters (1987): robots turning into guns is quite cool, but for me the Targetmasters aren’t quite as successful as their other “Masters” siblings, probably because the guns aren’t quite that exciting to transform or play with. But the concept still rocks, and some of the toys were really good, and it was nice to see the Movie characters get folded into the line too.

Jumpstarters (1985): I loved the original Jumpstarters (Top Spin and Twintwist) because they were weird, with their sci-fi alien designs amidst a sea of Earth vehicles. But their gimmick was they transformed themselves. Pull ‘em back and they jump – literally – from vehicle to robot. Self-transforming Transformers are always cool, even if usually it means that their robot modes end up blocky and simple (Jumpstarters are the opposite, pretty cool robots with chunky and unreal vehicles). Also want to shout out other pull-back-and-go Transformers such as the Battlechargers (never had them, sadly) and the utterly, utterly fantastic Throttlebots. God, I love the Throttlebots. I had all six! How much did I rock.

Cities (1986): I guess now these guys are all called “Titans” aren’t they, and they have their own carved-out portion of the TF mythos. But back in the eighties, they were just big burly dudes, the biggest you could get; Transformers that turned into actual cities, playsets that the smaller Transformers could actually interact with. Metroplex was the OG city-bot, and we’d squint and pretend that he really was Autobot City from The Transformers: The Movie. Huge toys are always fun, of course, as are playsets for your other toys, so these ticket loads of boxes. Fortress Maximus, the later Autobot Headmaster base, was ginormous and never came out in the UK, giving him a mythic status few toys ever had; as I said above his head turned into a robot which had a head that turned into a robot, a sort of Babushka doll of robotic head-swapping. Shout-out too for any bot who had some kind of “base mode”, such as Powermaster Optimus Prime and his funky trailer.

Sparkabots/Firecons (1988): these were not necessarily the most fun toys to transform (the Sparkabots, anyway, I never had a Firecon), but their gimmick was cool – or rather hot. They breathed fire! Well, not really, of course; they sort of shot sparks, in what I thought was a slightly underwhelming fashion even as a seven-year-old. But having a Transformer that could, in some way, fire for real was a huge thrill. Also, Guzzle was always just legitimately cool.

Action Masters (1990): yep, I’m going there. What, did you think I’d have Micromasters on here?! Yeah, okay, the very concept of Transformers that don’t transform is inherently silly and counter-intuitive, but the toys themselves were cool, finally offering cartoon-accurate renditions of classic favourites, with nice articulation and fun vehicle playsets. There was definitely a sad sense of a brand in decline about them, but taken on their own, they were good, fun toys, full of character, and I’ve always thought they’d still be cool as a side-line to the main (actually transforming) toys.

I feel bad for slagging off Micromasters up there. They were good, I suppose, but their small fiddly nature and basic transformation just wasn’t as fun as some other toys. Plus there were so many, and they usually came in sets, so I never really had that same bond with individual characters that I got from other Transformers; they were probably the first toys I owned whose names I forgot. And they felt, even at the time, like such a response to Micro Machines that it was almost embarrassing. Action Masters were probably a response to Teenage Mutant Ninja Turtles but at least, y’know, Soundwave didn’t come with nunchucks and a skateboard.

Anyway, I think we can all agree, Transformers are cool, and I should write about them even more.

#top ten #tv #comics #toys #hasbro #transformers

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aion-rsa · 4 years ago

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How The DuckTales Team Pulled Off That Massive Finale

https://ift.tt/eA8V8J

This DUCKTALES article contains massive spoilers for the finale.

Nothing can stop DuckTales. That applies not just to the characters of the series but the crew behind it. Throughout the run of the series they not only redefined DuckTales for a new generation but also crafted a beautifully woven story that developed every single one of its cast of characters. Along the way they also brought back other beloved Disney TV classics like Darkwing Duck, TaleSpin, Rescue Rangers, and even mega deep cuts like Fluppy Dogs.

They pulled all that off but the finale presented the crew of DuckTales with their biggest challenge yet. They had to wrap up the shows many plotlines while also giving its huge cast of main and supporting characters time to shine… all in just over an hour. This would be near impossible for most shows… but nothing can stop the crew of DuckTales.

The writers, artists, and everyone involved in the series pulled out every single stop they could and created one of the absolute best sendoffs for an animated series ever. Nothing felt rushed. Everyone got a chance to shine. The major plots were resolved. They even managed to get in another Disney tribute with an incredible Gargoyles bit!

We sat down with executive producers Matt Youngberg and Francisco Angones to learn how they and the rest of the DuckTales crew managed to pull it all off.

DEN OF GEEK: On DuckTales you typically have a large group of writers come up with the story and then one or two write the script. On the finale you’ve got five writers. How do you write an episode with that many people working on the script?

FRANK ANGONES: I think all of the writers love the characters so much that everyone wanted to have a shot at it. We always break every episode altogether. It’s why everyone has story by credit. We really go and put it through its paces and pitch all the jokes but there’s so many storylines on this one.

We’ve broken episodes that are two-parters as individual episodes before. I think the Moonvasion!, the season two finale, we did break as an hour long. (We broke it) as one story instead of two separate stories.

This one we wanted to break like it was a movie. Then it just kind of added up to pairing up the writers who wanted to work on it. So we had two writers work on the first 20 minutes, two writers work on the second 20 minutes. I worked on the last 20 minutes. And then we all came together and coalesced because everybody loved the show so much. We all wanted to be a part of it. Also there were enough characters that we needed to help. That’s something I noticed, you’re not just balancing the main story of the movie but also all the characters, all the references, tying all the stories off. How do you keep all that balanced without it tipping too much into “reference everything!”

MATT YOUNGBERG: It’s a feat. It is a balance act.

ANGONES: There are some sizable set pieces that unfortunately ended up on the cutting room floor because of that. We wanted to make sure that nothing felt too overpowering. But I think part of it is that this is the story that we’ve been gearing up to tell since the pilot. We always knew this is where the series was going.

As we were starting season three, assuming that it would more than likely be our last, the idea of most shows when they know they’re ending is they want to put the characters to bed and figure out what the nice resolution for them is. But these characters have been around a long time before us. They’re going to be around a long time after us. Some are new, some will be around for forever.

So we looked at this whole season of structuring it as we’re putting everybody in the place where they know what their next step is. They’re going to go off to their next thing. You know where Lena goes from here. You know where Scrooge and his family go from here. Of course, they all died in the finale, so they’re not going anywhere. (laughs)

The show started with these kids trying to live up to this family legacy of adventure. We knew that season three was building everybody to the place where they were going to be their own adventure. So we knew that if you were part of a family at the beginning of the series, you were going to be an adventurer by the end. And if you were an adventurer by the beginning of the series, you knew you were going to wind up in some kind of ad hoc family.

That found family is obviously a huge theme for us and it all coalesced and came together. The big thing obviously, Huey has this huge revelation arc. His crazy obsessive brain breakdown and trying to solve this ultimate mystery of the series. We had a Webby story that we were telling. We had a Launchpad story that we were telling from the very beginning of the series in the background. So to be able to pay those off in such a big way, it was exciting.

Speaking of that bigness, DuckTales has had incredible animation but this movie was even a step beyond that. Talk about the storyboarding and production process that helped take this movie over the top?

YOUNGBERG: Our ethos from the beginning was to make sure that we were delivering a show that lived up to the legacy of DuckTales. The original DuckTales had some of the best animation on TV at the time. As we went into the series itself, we said we need to hire at least one in-house animator who’s going to help assist the overseas animation studios and elevate the material every episode. Over the seasons, that grew. We had three or four people working on it at the end, just in-house. But then the overseas studios fell in love with the show as they worked on it, and they put more and more and more into the show. They realized at the end this is a big family. We want to blow it out. So they really set it up and made sure that they were delivering the best quality, and everybody recognized the importance and worked really hard.

From top to bottom, it was just everyone working so hard from the storyboards. For everybody there was just this feeling of, this is our last story that we get to tell. We are in love with the story and we want to make sure that we make the best thing we can. And it was one of the only episodes that was directed by me. So, I mean… (laughs)

ANGONES: And I will say it was the second most important pitch of DuckTales. First most important pitch for DuckTales was convincing Disney to let us make DuckTales. And the second most important one was… we knew that the series was ending. We had written and prepared for that, but the crew didn’t know. So we had this meeting because the fear is when you find out that you’re ending, well, then everybody’s like, “Oh, that’s a bummer.” Everybody goes off, has to find their next job, has to find their next thing.

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It’s hard to keep that momentum going through the finale, but our crew was such an amazing family. They were such a great team. So in the meeting where we all came in and we told them, “Hey, listen guys, season three is going to be our last”, Matt and Suzanna (Olson), our producer, very wisely said, “Let’s pitch them the finale in that meeting.” So (at first) everyone got really sad. And then we pitched them the story of the finale and everyone was like, “We’re going to blow this out.” It became a personal passion project. So much of this show was about collaboration. And to get everybody on board from the beginning instead of just getting a script down the line (in the production process). I mean I’m 40-what now? Getting everybody on board with what it was was part of the secret sauce that made DuckTales what it was.

Make sure to read the first part of this interview where we spoke with Angones and Youngberg discuss the big Webby twist in the finale!

The post How The DuckTales Team Pulled Off That Massive Finale appeared first on Den of Geek.

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#aion-rsa #Den of Geek

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jlf23tumble · 5 years ago

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Recap: Radio City Live 2012

Welp, it’s been a long time since I recapped atcha, and this one’s been sitting in my “to do” folder since forever, so as a pubic-adjacent tattoo once wisely told me, might as well! This recap was requested by @quietasides, and yikes, I think your request was more than a year ago? Maybe? I sure hope it’s worth the wait! Today, we’re gonna journey back to summer 0-12 (specifically, July 21, 2012), when the D did an interview for Radio City Live (specifically, Radio City 96.7)…the full clip is at https://www.youtube.com/watch?v=oZcAsHX63IU, and it’s only 7 minutes long, so you know (I know, you know) I want you to watch it in full, but if you want the absolute highlight, it’s boner city, population: two, perfectly giffed here, https://quietasides.tumblr.com/post/102154509421/yalright. Before we get this chaos started, I’ll just say in my defense that there is ALWAYS a lot of cross-talk and flirting and inside jokes (quiet asides, if you will), so it’s worth watching any interview a few times to check out your particular fave because odds are he’s doing something subversive. Shanyway, let’s do this!

I’m all for those subtle public comfort moments, but I’m pretty sure this leg spread isn’t strictly necessary...as ever, Niall’s the most relatable, is this how you do it, guys? Guys?!

The action giffed above starts at the 30-*second* mark, with Zayn pointing out Harry’s condition, Louis’s dazed sneak peek, god, the entire convo that happens between Louis and Harry in the span of a few seconds while this poor interviewer’s just tryin’ to do his job, completely oblivious to it all. How many times in those five years did Liam have to take the wheel, just as he does here? Anyway, it’s all terribly exciting, so Louis has to jump up and sit in a different way to hide his dick—and check it out for himself—as Liam hits the talking points, but me as Niall, you ain’t slick!

The interviewer HAS TO TALK ABOUT THE FANS, how dare they do what they’re supposed to do, which is to scream their heads off, so Louis tells him quite seriously that he’s “actually” going slightly deaf in his right ear, and everyone says the word tinnitus in various soft and hard i’s until we can move on to the next (surprisingly hard-hitting) question: “Have you had any really bad experiences with the fans yet, any weird threats?” And according to Liam, Louis has had a weird one, and the interviewer’s all set to dig, but Louis says it’s dark and not really worth talking about (cheers for bringing it up, Liam), and google tells me it was something to do with a kidnapping plot, which yikes. There’s a cross-talked joke from Louis that stitches Niall up, but I’m damned if I can hear it, five replays later.

Moving on, is the D ready for 10,000 scousers screaming tonight, and u know what? They totally are! “We love allllll scousers,” Louis says, rather cryptically as Liam attempts to deep-throat a mic:

“What are you gonna sing?” the interviewer flirts at all of them while shoving a mic at Harry, who in a boner daze says, “Weeeeeeeee are gonna do One Thing...Up All Night” (okay, we geddit), and the interviewer wonders if What Makes You Beautiful will be on the list, too, and Harry’s delivery on, “It’s a mystery!” is a pure delight.

The roster for tonight’s concert is “massive,” so who do they want to collaborate with from this (Louis voice insert) MASSIVE lineup tonight? Labyrinth is someone (??) Niall wants to collaborate with, but Harry is all about Little Mix, and there are a lot of all-encompassing hand gestures trying to convey what a perfect collab it would be, and boy, he’s not wrong (then or now, I would love to see it). All the rambling about the One D/Little Mix collaboration or connection and the wild arm gestures earns him a “the wind makes nice waves/that’s true”_1.0,mp3, and I think that’s neat.

OUT OF NOWHERE, the interviewer says someone called blah blah wants to know if you’d ever pose naked, and Liam’s flat “wow.” (yes, he inserted that period) feels hella ironic, but the interviewer presses on with, “No, never?” and shoves the mic in Louis’s face because, yeah, I suppose if you were wondering who would be first, he’d be your guy?? Liam says he would if the money was good (noted!!), which Louis clarifies as “for charity”, mmmmhmmmm, “we’d want BIG MONEY for charity,” Liam parrots.

Good news, this is ALSO the interview that has this guy asking them who’s the biggest party animal, pointing the mic to Harry and saying it has to be him, but Louis sets us all straight: “I think it used to be me, but I’ve settled down” (okay), with Harry adding, “he’s grown up” (OKAY), move your arm, dude:

“Harry and Louis, you’re best mates, any other bromances in the band? You two are really close, we know that,” just, stop it, my heart! “We all get on,” says Louis, “we get on with different people at different stages…,” and you know what, I’m not even listening.

This guy wants to know about the bad press stories and how they cope, and Liam straight-up lies, “I don’t read too much of it,” but I’m most curious about Louis saying he saw a story recently that was even MORE over the top than them all being dead at various points in their two-year-history, and I wanna knowwwwwwwwwww.

“Where do you see yourselves in twenty years’ time?” Liam hasn’t expected to get this far in two years, prompting Louis to say that Liam will be the new Gary Barlow, for sure (Liam’s aiming high, Robbie all the way!). This prompts the interviewer to restate that as Liam being the first to exit the band, and Louis’s zingy delivery on his words being twisted, I felt that. Like, I litcherally felt it. So who will go out first, this guy wonders, and Louis explains that the band’ll be over when that happens, god, time to hum a few bars of “Too Young.” Liam thinks that if you leave the band, you’ll just sit around your house doing nothing, which, inchresting.

Niall and Zayn have been fairly quiet up until now, but now it’s Niall’s time to shine! This guy has a bunch of deep 'Pool questions, and Niall’s ready to not only nail (heh) all of them, but to do so in a scouse accent no less. Talent!! I can’t even recap these because they’re fast and hella specific, so tl/dr, Niall wins!! Even the interviewer is impressed! It’s a great excuse for them to all touch each other a lot:

Just so you know, Niall’s willy got hurt in this incident. Sigh. I know there are other interviews with this back drop, and I could have sworn he also got pushed off the couch in this one, but alas, that injury was probably right after or before this one.

#recap #radio city live #2012 #the antics!!!!

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subvertingyourexpectations · 5 years ago

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Top Ten Films of 2019

2019 was… I’m gonna be honest, not a very great year for cinema. Aside from a handful of standouts, I have seen very few things that completely blew me away. Especially given the past few years, we haven’t gotten a Roma, or a Phantom Thread, or a Denis Villeneuve movie. Anyway, this is my top ten favorite films of 2019.

But first…

Films That Would Make It But Didn’t “Technically” Come Out in 2019

Long Day’s Journey into Night

I already talked at length about this film, but I love it to pieces. It has twisted the visual language of cinema into its own beautiful and bizarre version, crafting a puzzle box of a movie that I absolutely adored. But, it technically came out at the end of 2018, so it can’t be on the list.

Tigers Are Not Afraid

If you like foreign films, this is a must-see. If you like tragic dramas anchored by some terrific child actor performances, this is a must-see. If you like horror movies, well, it’s not really a horror movie but people keep describing it as one, so you should probably see it. It’s a beautiful little imaginative tale about the effects of the drug war on orphaned kids, and if you can catch it on streaming I would definitely check it out. But, even though it came out in limited release in August, it came out in Mexico in 2017, so I can’t include it.

One Cut of the Dead

Maybe the most original film I’ve seen in years? The first half is a terrific little zombie flick all in one camera shot, and somehow the second half expands on this and is ten times better. Watching this in a packed house was one of my favorite moviegoing experiences of the year. It’s one of the most funny and, again, original movies I’ve seen in years.

Shadow

UGH ALL THE GREAT FOREIGN FILMS DIDN’T COME OUT IN 2019. Anyway this movie is incredible and is maybe the best use of grayscale I’ve seen in any film.

Movies That Might’ve Made the List But I Sadly Have Not Seen Them Yet

Portrait of a Lady on Fire

Pain and Glory

1917

Bad Education

Little Women

The Souvenir

Okay, now onto the actual list…

10. Ad Astra

Brad Pitt and James Gray’s remake of Apocalypse Now in space is maybe the weirdest premise for a movie, and yet I really enjoyed Ad Astra. There’s clearly some touches of studio interference that make this movie worse (read: Brad Pitt’s narration), but the underlying themes of anxiety and depression are some of the best I’ve seen on screen. Couple that with Brad Pitt’s best performance of the year (yes), the visual splendor on display, and this movie is an easy inclusion in my top ten of the year.

9. Uncut Gems

I need to go lie down. After really enjoying the Safdie Brothers’ previous films (Good Time and Heaven Knows What), I was really excited for this movie, and I was not let down. The frenetic, dare-I-say crackhead energy that the Safdies are able to convey in their films is immensely satisfying to watch, and the way Adam Sandler channels it is one of my favorite performances of the year. The last twenty minutes of this movie is just pure panic attack.

8. The Irishman

Somehow Scorsese’s 209-minute long epic is one of the most watchable films of the year. This is just a terrific example of everyone firing on all cylinders; the performances are great, the script is great, the editing is unbelievable (this movie feels like it is two hours long), and the directing and thematic development towards the third act is some of Scorsese’s best.

7. The Farewell

A calling card for director Lulu Wang as much as it is for Awkwafina in dramatic roles, The Farewell is an absolute delight. The family dynamics throughout all feel refreshingly authentic, and the film masterfully weaves between its comedic moments and tragic undertones. If it wasn’t for some choices made at the ending, this would probably rank higher on my list.

6. El Camino

How bad was 2019 for film? A Breaking Bad movie is my sixth favorite film of the year. It doesn’t matter if we “needed” this movie or not, El Camino is just so incredibly well-made and enjoyable. It’s always a pleasure seeing something new in the Breaking Bad universe, but more than that I think this film is a genuinely beautiful swan song for one of the greatest characters in television.

5. Waves

This movie is meandering, aimless, pretentious, and completely style over substance. And yet, the last half hour of this movie hit me harder than almost anything this year. Regardless of how you feel about the characters, I feel like Waves has an overwhelmingly positive message in the end, which is to grow away from your hatred and learn to forgive and love. I’m sure many people will find the way this movie gets to that message to be kind of pointless and wandering, but to me it just turned a pretty good film into one of my favorites of the year.

4. The Mustang

My local 3-screen art house closed in April of this year. I went there as often as I could, because they were the only theater in town that would play a lot of independent and foreign films. It was the first place I saw Roma, and the first (and, let’s face it, last) time I saw Stalker on the big screen. The last night they were open, I went and saw The Mustang, not based on anything to do with the movie, just because I wanted to be there one last time. It was completely sold out, far busier than I’d ever seen them. In the past I’d always had free roam of where to sit, but that last night I was in the third row from the front.

If Ad Astra is about depression, then The Mustang is about anger, and learning to overcome your anger and grow as a person. It’s about a prison in Nevada that has a rehabilitation program where violent convicts train wild Mustangs, which are later sold to local ranches and farms. Roman (a terrific performance from Matthias Schoenaerts) is one such convict, and his personal struggle to overcome his anger is beautifully realized against the backdrop of having to fight a wild animal. (Seriously, he goes in swinging and it does not end well for him.) It’s a great story, and it’s a must-watch if you haven’t seen it. The emotional ending coupled with the fact that my favorite theater was closing left me a complete wreck when the credits rolled. (I’m starting to realize my top five films all just boil down to “the ending wrecked me”.)

3. The LEGO Movie 2: The Second Part

This is like The Mustang but for kids.

Okay okay, hear me out, I only saw this movie once when it first came out 11 months ago, and I’m not ever watching it again because I thought it was perfection. I feel like on a repeat visit the songs will become grating, the plot will feel ridiculous, and the themes of toxic masculinity that I appreciated so dearly will seem like faint whispers instead of clear subtext. And yet in the theater, I absolutely adored the songs and the plot and the clear subtext about being a better brother/man. The real-world parallels that were a surprise twist at the end of the first film are used beautifully in The Second Part, because the plot is simply just one big metaphor for a little sister who wants to play with her older brother. It’s touching, it’s funny, and it gets stuck inside your heart. It’s such a shame that the LEGO film franchise is all but dead, because if we had kept getting films like this, children’s movies would definitely be better for it.

2. Parasite

Everything fantastic about this film has already been said about it by people far smarter than me, so I’ll just say this: it is every bit as amazing as people hyped it up to be. This movie is a biting satire, a laugh-out-loud comedy, and an edge of your seat thriller. It has left an imprint on my brain since I first saw it back in October, to the point where as much as I have tried to analyze and dissect, this film, I don’t know if there’s a single flaw with it, there’s genuinely nothing I would change about this movie. If you see one movie this year, it should be Parasite.

1. The Last Black Man in San Francisco

In July of 2019, I had to make probably the biggest decision of my (brief) career thus far. I was going to leave my management position at a 24-screen theater I’d loved dearly to go work in an office. I loved everything about the movie theater, I’d worked there for almost four years, but at a certain point it just had diminishing returns. Newer upper management and constant changes coming down from the big-whigs had turned my favorite building into a place I started to resent, a place I didn’t recognize. I tried to fight the change, and re-institute everything I loved about this building that I practically grew up in, but you can’t fight change, and you shouldn’t romanticize the past.

I’ve never seen these themes more realized in film than in The Last Black Man in San Francisco. It tells the story of Jimmie Fails, a native San Franciscan who has to watch the city he’s loved his whole life descend into a rapidly gentrified hellscape that leaves many homeless and helpless. He often visits his childhood home, a beautiful three-story house with a “witch hat” on top, now owned by an older white couple. This doesn’t stop him from romanticizing the house, romanticizing the past, as he constantly visits and attempts to fix up the house, oftentimes clashing with the current inhabitants.

This disdain from the couple is an all-too-real parallel message that he’s getting from the city itself: You’re not welcome here anymore. Much as Jimmie has tied his identity to this home, and this city, he is hardly welcome in either. But for one brief instant, he gets to live his dream. The house gets stuck in a familial dispute, causing the older couple to move out. Leaving behind a big empty house that no one is occupying, Jimmie and his best friend Montgomery decide to just move right in, and have their way. They bring in all the old furniture from Jimmie’s childhood, they paint the walls, repair the original woodworking, all in service of Jimmie’s dream to simply exist in this space, and preserve something sacred.

Eventually though, reality comes crashing down, and try as he might, Jimmie can’t stay in the house, and he has to learn a hard truth: you cannot tie yourself emotionally to a physical space. Whether it’s a house, a city, a job, you simply cannot love something that doesn’t love you back. You will get hurt every time.

But it’s so easy to love. It’s so easy to play the piano in the entranceway of your childhood home. It’s so easy to relax in the sauna upstairs, or smoke on the balcony, or just lay on the floor and admire the witch hat. The Last Black Man in San Francisco makes you fall in love with this house, and with Jimmie and Montgomery, and as much as we see ourselves in them, we too have to learn the same lessons. As much as we want to inhabit a space, and get the fullest potential out of it, you cannot ever stop change, and you cannot stand in the way of it without going insane.

And maybe it was just because I was going through this personal development the first time I saw this movie, but it hit me like a ton of bricks. It stuck in my brain so much that by the time I saw it a second time, I was a complete mess; I cried four times. I cried for Jimmie, I cried for the house, and I cried for myself. I cried for the things we all lost, the things that would never be the same, and because we would have to learn to accept that. This is what’s so beautiful about The Last Black Man in San Francisco, and on top of the phenomenal acting, emotional script, and gorgeous visuals, it’s what made it my favorite film of the year.

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takaraphoenix · 5 years ago

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Buffy dir the ask Game

Aaah! *^* Thanks for asking, I had hoped that may come up! xD

Answers under the cut though, because this turned into... literally 3k words worth of fangirl rambling. That’s what happens when you make me talk about the things I love the most. *ducks head*

Top 5 favourite characters: Spike, Buffy Summers, Willow Rosenberg, Xander Harris, Rupert Giles

Other characters you like: let’s make that five more then! Daniel Osbourne, Andrew Wells, Cordelia Chase, Anya Jenkins, Drusilla

Least favourite characters:Dawn Summers by a landslide

Otps: Spike/Buffy, Tara/Being Alive, Willow/Tara, Xander/Cordelia, Xander/Anya, Giles/Joyce (I always wanted Giles to become Buffy’s dad, officially and legally ;-;), Cordelia/Buffy, Giles/Spike, Oz/Andrew (LISTEN, I love Oz, I hate that he left and only came back once to see his girlfriend his now a lesbian. I wanted him to return for good and I wanted Andrew to be explicitely gay and not just Word Of God gay)

Notps: Xander/Dawn - like, her crush on him was cute and all, but that season 8 really had to make THAT canon was… not necessary… Also Giles/Buffy is really the only Hard No ship I’ve encountered in this fandom, otherwise even when I don’t vibe with a ship, it’s more a shrug and keep scrolling

Favourite friendships: THE GOLDEN TRIO. Xander-Willow-Buffy. I love them

Favourite family:The friends we found along the way. Seriously, the Scooby-gang absolutely counts as a family. Joyce and Giles are the parents, Xander and Willow (who supposedly have parents but we never meet them and they don’t seem to care much) are as much a part of this family as Buffy ;^;

Favourite episodes: HAH! The one show where I can actually name them, without having to cross-check what the episodes are called and what happens where! xD

Once More With Feeling: clearly. IT’S A MUSICAL EPISODE. And it is so good. The singing is so good. I immediately bought the soundtrack and I listened to it on a loop for months. Then the content! The Spuffy is so good, the Buffy angst, everyone gets an adorable moment and then that ending that kills me

Tabula Rasa: I love this episode. It is so whacky but again also with angst, because that Willow/Tara is murderous

The Body: I mean, in a masochistic kind of way do I love this episode. It is… it is so heartbreaking. I’ve seen it like twelve times now and I still cry every single time. How vulnerable Buffy is, the Tara-Buffy friendship, Anya has one of my favorite moments when she confronts what death means. This episode is an absolute sucker-punch

Favourite season/book/movie: Season 6, hands down. Other TV shows always try to one-up it - so they fought demons in season 1, how about they fight SATAN HIMSELF in season 3? The escalation is very rapid in most supernatural shows nowadays. That Buffy took a step back and spent essentially a whole season on character development and friendships and human issues? Also two of my favorite episodes happen in this season, so that makes it all the more special to me!

Favourite quotes:Okay, so, full disclosure I love the musical episode but I listened to Rest in Peace THE MOST. And the lines “I died so many years ago, you can make me feel like it isn’t so” just completely wrecks me. Like, there’s a whole lot of memorable quips in this show and the line “I’m the thing that monsters have nightmares about” is ALSO absolutely outstanding

Best musical moment: When Buffy says “I think I was in heaven”, just the way her voice breaks, the reaction on everybody’s face? This silly musical just outed her biggest secret, the thing that’s going to hurt everyone around her with guilt and the thing that’s wrecking her life. That moment is so good

Moment that made you fangirl/boy the hardest: William Pratt. Getting explicit flashbacks to flesh out Spike’s past, to meet the man he used to be and see what he was like. Also genuinely every any flashback about the Fanged Four. This is something I KEEP yelling about in all the supernatural genre shows - if you have centuries old characters then USE THAT. Show me their past! Seriously the wasted potential of flashbacks around Magnus Bane on Shadowhunters is downright insulting. But Buffy? Every time it explored more, showed me more, I fangirled so hard. Also genuinely when Buffy slept with Satsu in season 8 - like, I know there were no grand romantic feelings but Buffy Summers had sex with a woman and… c’mon, Buffy’s not 100% straight, she just isn’t, I stand by bi!Buffy

When it really disappointed you:When some greedy asshat decided to do a comic reboot and retcon Willow into being Out And Proud in high school and be Gay All Along. Fuck. You. Like, yeah, sure, obviously am I all for out and proud teenage rep! But not at the cost of erasing existing rep! Not when it’s a retcon that actively erases an “I took longer to realize my feelings and be true to myself” lesbian, because those exist and are valid and deserve to be seen too and by retconning her into being out in high school, instead of having boyfriends in high school and only coming to terms when she is in college and actually MEETS her first lesbian to realize that this could be her truth, by doing that, you’re effectively sending the message that only Gold Star Lesbians are valid and genuinely fuck you for doing this. Also, from what I’ve heard that comic reboot effectively erased Drusilla’s insanity and victimhood to have her be an evil mastermind villain and… no… that’s not the character anymore then; a huge point of Drusilla was that she was a victim, most specifically Angel’s victim, that he broke her completely so we can see the bad and depth of Angelus’ worst days, it’s important for the plot even if it makes you uncomfortable to see a woman be a victim, in her case her victimhood and her insanity are literally what make her her. You just created a new character. There is some really wrong SJW bullshit going on in there and it’s dumb. If you wanna tell new stories, do that. But don’t take this existing beautiful story and slaughter it for your own whims what the fuck, I genuinely loathe that this comic exists and I’m glad that the TV show thing is going to be a spin-off sequel and not an actual reboot because don’t fucking reboot Buffy

Saddest moment: Joyce’s death, definitely. But also when Giles decides to leave, that breaks my heart every time

Most well done character death:ALSO Joyce’s death

Favourite guest star: I… really don’t know, like I don’t know who’d count as just guest, when looking at the cast list most the ones I would have said are technically recurring characters and then it’s also not really asking for the character but the actor, huh? Retrospectively probably Wentworth Miller, because he has become an actor I like a lot so seeing smol!Wentworth in Buffy is adorable

Favourite cast member: James Marsters. If tumblr existed back when Buffy first aired, all my Dominic Sherwood obsession could be fully translated onto him. He was one of my three first actor obsessions and he still remains that, to this day

Character you wish was still alive: ANYA. There was no need to kill Anya off in the finale, I wish season 8 could have had that happy, good Xander/Anya content… ;-;

One thing you hope really happens: I am so excited and afraid of the sequel spin-off. That could be so great (or a disaster and that’s the part that frightens me), but what REALLY needs to happen is that Sarah Michelle Gellar guest stars. Of course not as a regular, it is supposed to be about a new slayer. But I need them to then also acknowledge what has been before. Maybe others could guest star too, cameo occasionally (though it would be hilarious if Andrew was a regular and like a… guide to the new kid). Ideally, I would get to see every Scooby at least once in this spin-off but what really needs to happen is that Buffy Summers appears in it

Most shocking twist: When they killed off Buffy… and there was another season. Like. This was pre “everybody dies and is frequently brought back from the dead, death doesn’t stick” TV era (actually, it is the mother of that trope, really), so that was… really a shocker.

When did you start watching/reading?: Ironically, during my least favorite season. Season 4. The initiative was the most bland and obnoxious plotline, Riley/Buffy is a ship I really don’t dig and I was a teen so American college was Weird And Confusing and also uninteresting. However, I had been DYING to watch that show for three years and been deemed too young to watch it so it was really exciting that my mom finally allowed me and also I WAS right on time for the lesbian coming out and that still to this day blows my mind because Willow and Tara were the first lesbians I got to see on TV and it still means the world to me. I then got caught up on reruns, watching the first three seasons, but even on rewatchs, plot-wise season 4 is the weakest for me

Best animal/creature: Miss Kitty Fantastico, by default? xD I think she is the only animal in the whole series… and she just kind of… disappeared too ôÔ°°°

Favourite location: THE LIBRARY I LOVE THE LIBRARY SO MUCH

Trope you wish they would stop using: Mmmh… I… I mean, when rewatching this as an adult, I gotta admit the early Angel/Buffy is very uncomfortable. Back when I was Buffy’s age and younger I thought it was the coolest thing that this vampire loved this teenage girl, but as an adult I have come to re-evaluate all the 16/17 year old girl getting together with a 100+ year old vampire because that most definitely is a very concerning age-gap and… not necessary. Don’t get me wrong, I’ll always also hold love for them because I loved them back when I first watched it too and I think they have a fascinating and epic tragic romance, but… media’s gotta stop pushing the idea that centuries old immortals find high school kids romantically and sexually attractive; it’s not a good look

One thing this show/book/film does better than others: Clearly sell me on the canon romance, if you look at my list of OTPs where nearly all of them are canon. Also THIS IS PROPER FOUND FAMILY YO. I’m so tired of shows pretending to be “the team is a family” and then it’s all just deceite and distrust and miscommunication and tragic. AND where this show 100% outdoes… literally everything else I have ever read and watched is the mental health. Buffy died and came back from the dead and instead of just shrugging it off and doing business as usual, we spent a whole season on her depression and dealing with the aftermath of it. Same goes for Willow and her grief over Tara and her addiction. Bad things happen to the characters and it’s not just used as a cheap ploy for more drama, they have ramifications and are being dealt with.

Funniest moments: When Tabula Rasa made everyone assume new identities and everyone thought Giles was Anya’s sugar daddy and Spike’s actual father? Also the time that Giles kept himself a pet-Spike in his home because no one trusted Spike yet (reasonably so). And honestly, countless more - this is one of the funniest shows I ever watched, the quips and one-liners are absolute killers.

Couple you would like to see: Huh. Can I go really vague and say that I would like to see a wlw couple with at least one lesbian in the spin-off sequel? Like, obviously do I hope that this new iterations brings more rep to the table - LGBT as well as POC because if I have to admit one flaw in my favorite show then that it’s very 90s white - but even among that, I really hope there will be at least one lesbian character, who gets to have an on-screen romance

Actor/Actress you want to join the cast: As mentioned above, I hope Sarah Michelle Gellar and others join the cast at the very least as guest stars.

Admittedly, I also would murder to see Dominic Sherwood play a vampire on this new show.

Those two would be the ones I’d love to see join the cast. However, I kind of got lost in an entire fan-cast here, so have my pitch for what I’d love the spin-off’s cast to look like. I have no idea what age-range it’s going to be though. Probably teenagers again, but I kind of hope early to mid twenties.

My dream cast, which isn’t going to happen because she already has a lead role in a TV show so she’s too busy, but I’d LOVE to see China Anne McClain as the new slayer.

And, okay I admit this is Marvel based type-casting, but I’d LOVE to see Lyrica Okano as the witch friend (the group needs a witch friend).

Sarah Jeffery for the Cordelia-type role. The bitchy cheerleader - but she’s actualy a closeted lesbian who joins the team when she accepts her own identity and befriends the group.

It’s probably also type casting to make David Castro play another brooding vampire, but listen he’s about the same age as China and he would give off good Angel vibes to her Slayer?

Jane Lynch as the Watcher. But not a soft dad like Giles, more the grumpy, annoyed mom who now has all those irritating children running after her even though she is just trying to teach her charge how to be a Slayer.

Favourite outfit: EVIL DOPPELGÄNGER WILLOW’S VAMPIRE DOMINATRIX OUTFIT *^*

Favourite item: I love the dumb axe. Like, I think it looks WAY too modern to be this ancient tool, but dang it’s pretty

Do you own anything related to this show/book/film?: my phone-case, all seasons on DVD, the soundtrack of the musical episode on CD, I probably still got my old bedsheets somewhere. I do wish I had more merch, in a different time I probably would have spent all my money on Buffy figures, but those weren’t available way back when and now that I have access to the internet’s treasure-hunting-sites, I… have learned to… mostly… manage my money better than mindlessly buy merch (though if Funko Pop finishes that… Rock Candy series with all the main characters, I will definitely buy those. As it stands, there’s only Willow and Buffy available right now…)

What house/team/group/friendship group/family/race etc would you be in?: I would definitely not be a slayer. Maybe a witch??

Most boring plotline: The initiative. Seriously. I’m HARD anti military and this bullshit of college soldiers policing the supernatural world was… boring and weird. Got even weirder when it turned into Frankenstein at the end

Most laughably bad moment: ooof that puppet episodes had quite some intentionally cringey moments

Best flashback/flashfoward if any: ALL OF THEM. NOT A SINGLE NOT GOOD FLASHBACK THERE. GIVE ME ALL OF THE PAST

Most layered character: Spike. Fight me on that. Seriously, his past as a human, as a vampire, his present, his will to gain a soul, his dynamics with all the Scoobies, I love him. To be fair, Buffy is also the most layered character though

Most one dimensional character:huuuh… Dawn? I mean, seriously she is just every teen angst trope crammed into one, with zero tolerance for what the only slightly older adults may be going through, they even made her shoplift for attention, I swear she could have only been more of a cringey teen trope if she also Cut For Attention… -___- Like. She… She got slightly better with time, but out of all these multi-facetted characters, she is definitely the flattest

Scariest moment: Puppets creep me out so the puppet episode was definitely scary for me. Also the Silence I mean damn that was an amazing episode but it was creepy as fuck

Grossest moment: mh… I can’t think of one, really. I’m unsure if there were any really gross moments

Best looking male: Spike!

Best looking female: Doppelgänger Willow. Don’t judge me. Also Evil Willow. Okay you can judge me a little

Who you’re crushing on (if any): Never really had a crush on any of the characters

Favourite cast moment: That was… pre-internet times, we didn’t get immediately swamped by posts and videos and photos of the cast, there was very little access to these things so I was never really exposed to that

Favourite transportation: THE RV. I loved when they were on the run for half an episode and just all lived in an RV together :D”““

Most beautiful scene (scenery/shot wise): I really don’t know

Unanswered question/continuity issue/plot error that bugs you:It’s a very well-rounded series and I was never actually left with major questions

Best promo: The best promo it had was running in our living room so I could carefully sneak a peek when going to bed and thus want to watch the show :D”

At what point did you fall in love with this show/book: When Willow/Tara happened. I didn’t even know that I’m a lesbian back then. I was like 10 back then. This was literally the first time I saw two women be together. Back then I didn’t know what about it amazed me so much. Cue in 12 year old Phoe slowly realizing “oooh I’m a lesbian that’s why the lesbians spoke to me”. But yeah, being the first show to show me lesbians exist, that was when I fell in love and then I got to watch the whole show and it is just such a perfect show that it was impossible not to love it

IN DEPTH FANDOM QUESTIONS

#Buffy the Vampire Slayer #In-Depth Fandom Ask Game #send me asks #Anonymous

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eldritchsurveys · 5 years ago

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781.

Your ten favorite movies

Movie number one: The Fountain 1) Who’s the main actor? >> Hugh Jackman. 2) When did it come out? >> I want to say... 2007. 3) What’s the genre? >> Er... hmm. Fantasy? Maybe? I’m going to ask google. ...Oh, apparently Wikipedia classifies it as an “epic romantic drama film that blends elements of fantasy, history, spirituality, and science fiction”. Like, okay, sure, whatever dude. 4) Do you know where it was filmed at? >> I don’t, but I’m about to find out because that’s an interesting question. ...Ah! Montreal. 5) How old were you when you saw it? >> The first time I saw it was... probably not too long after it came out, so early 20s. I rented it from Netflix back when that was new and was a DVD-only service. I didn’t pay it a whole lot of attention at the time and was mostly confused by its storyline (I wasn’t as practiced at following nonlinear timelines and heavily allegorical plots back then). The next time I saw it was a whole different story and tbh that’s a frequent occurrence with me, which is why I always go back to rewatch/reread certain things later on in life.

Movie number two: Sunshine 1) Who’s an actress in this movie? >> Rose Byrne.

2) Out of 10 stars you’d give it? >> I mean, 10, I guess? It’s a top favourite of mine, so... 3) Did it have a surprise ending? >> No. I mean, it had a kind of weird twist for the climax? But the actual ending was kind of what you’d expect. 4) How long was it? >> 1hr 47min. 5) Did you first see it in theatres? >> Nope, but god, if only I could... Movie number three: Interstellar 1) What’s this movie rated? >> PG-13. 2) Did critics approve of it? >> If I recall correctly, yeah, it was pretty widely praised. Mostly for the, you know... Nolan-ness. 3) Who were you with when you saw it? >> Sigma and I went to see it, and then we went to see it again, and then we went to see it yet again, lmao. 4) Did this movie make you cry? >> Sure the fuck did, sure the fuck does. 5) Who are five actors/actresses in this movie? >> Matthew McConaughey, Anne Hathaway, Michael Caine, Ellen Burstyn, Jessica Chastain. Movie number four: District 9 1) Is the main actor your favorite actor? >> No, but I generally enjoy watching Sharlto Copley in stuff. 2) Do you know how old he is? >> No, and that’s not a detail I care to look up. 3) Did this movie make you laugh? >> I mean, yeah, there were a few funny bits, mostly because Wikus is a fuckin dork sometimes. But mostly it was not a laughing matter. 4) Last time you watched it? >> Uhhh... hmm. Maybe a year or two ago? I tend to avoid it because it gives me way too many feels. This is a common thread with me and things I really have emotional attachment to -- you’ll notice I’ll find excuses not to rewatch or reread them because I’m afraid of my own feelings, lmao. 5) Are you the appropiate age to see it by yourself? >> Well, yeah? Movie number five: Requiem For a Dream 1) What made you mad about this movie? >> Nothing made me mad, exactly. That’s definitely not the emotion I feel when watching it. 2) Was it based on a true story? >> It might have been based on real things that happen to real people, but not in any concrete “this is historical fiction” sort of way. 3) Do you wish it was real in any way? >> I’m sure a lot of it is real for a lot of people... I definitely do not want my life to go in that direction, though. It’s very much a “pay attention to that hole in yourself before it consumes you” story for me. 4) So what’s it about, anyways? >> The intertwined stories of four addicts. 5) Did they make a video game out of this movie? >> That... would be disturbing as fuck and I would not play that, lol. Movie number six: mother! 1) Did this movie bore you at any time? >> Oh, absolutely not. I was on tenterhooks the entire time. I even had to pause it at one point so I could have an anxiety attack. (That was also the moment when I realised I was definitely going to rate it 5 stars on Letterboxd. Listen, it makes sense, I promise.) 2) Was there a kiss scene? >> Er, well, the main characters were romantically involved, so there was kissing. 3) Who was the protagonist (main character)? >> The Mother, I guess. I don’t remember what she was called in the credits or in director interviews or wherever (she doesn’t have a name in the movie, no one does). 4) Have you seen this movie more than once? >> Nope. I sometimes consider watching it again because I do feel the need to, but that’s an experience I have to really be prepared for and I feel like I’m never prepared, lol. 5) Last time you saw it? >> Uh... I want to say... a year ago? Movie number seven: The Prince of Egypt 1) What is this movie’s genre? >> Er... I guess, like, animation. Which isn’t a genre to me either, but hey. (Maybe “family” or “adventure”...?) 2) Are there any kid actors in this movie? >> Probably, since there’s a fair number of kids in this movie and I don’t think they were all voiced by adults... but hey, maybe they were. 3) Where did it all take place? >> It’s animated so it technically just takes place in a studio. But the movie’s setting is Egypt and thereabouts. 4) Who was the biggest star in the movie? >> Like, as in... most famous actor in it? I really couldn’t say, it’s an incredibly star-studded cast all around. 5) What year did it come out? >> 1998. It was the first-ever movie I saw in a theater! Movie number eight: Quills 1) Main actor and/or actress? >> Joaquin Phoenix and Kate Winslet. 2) Is this a one-time only movie? >> Like, it didn’t have any sequels or anything, if that’s what you mean. 3) Is it a sequel to anything? >> No. 4) How much money did it make? >> I don’t feel like looking that up. Probably not a whole lot. 5) Favorite part? >> Oh god, uh. I couldn’t even pick one. Any of the dialogue scenes between the Marquis and the Abbé, also any of the scenes where the Abbé is overcome with horniness lmfao. Movie number nine: Event Horizon 1) When did you first see this movie? >> 2005, when I was in a psych hospital. It was one of the only films they had on tape.

2) Did it take a second time for you to like it? >> Nope, I loved it immediately. And proceeded to watch it every day for like a month. I don’t know how anyone in there put up with me. (Everyone being overmedicated probably helped.)

3) Does it have a happy ending? >> It doesn’t. Most horror movies don’t, right? 4) Who would you recommend it to? >> People who love gory space horror, and especially space movies of that particular nineties variety, you know what I’m talking about. 5) What’s its theme song? >> It doesn’t have one. Movie number ten: Repo! the Genetic Opera 1) Do you still have the movie ticket? >> I didn’t see it in a theater. I had planned on seeing it at a Vampirefreaks sponsored theater event in SoHo, but the line was so long I gave up and went home. Ended up hating it when I finally did get around to watching it, and then watched it again like a year or so later and loooooved it. Funny how that happens sometimes. 2) Favorite part? >> Oh man, how could I even choose? Maybe the Thankless Job scene. Or Night Surgeon! Obviously I’m going to pick anything Nathan-centric, lol. 3) Were there any songs you knew in this movie? >> No, the songs were written for the movie. 4) A quote from this movie: >> I’ma get lazy and say “Zydrate comes in a little glass vial”, sue me. 5) Were the main actors/actresses a perfect match or not so much? >> Like... romantically? Wasn’t that kind of movie. But as far as how they interacted in general, it was a really fun cast. Random Questions 1) Which one have you seen most on DVD? >> Actually, the only one I recall ever watching on a DVD is The Fountain, because I rented it from Netflix. 2) Which one have you seen most in theatres? >> Interstellar (3 times). 3) Did your parents like any of them? >> The only one my father saw was The Prince of Egypt because he took me to see it, and he complained about the skin colour of characters (not dark enough for his liking) in the car on the way home. While I was just basking in the divine afterglow of having just seen something beautiful that had changed my tiny life. 4) Which one did you see with your best friend? >> Well, Sigma was my best friend at the time we saw Interstellar. 5) Would you see #1 again? >> I do rewatch it sometimes, but not very often. It’s a real emotional trip. 6) Is #4 a movie you can only watch every once in a while? >> Yeah, and I mentioned that in one of the answers. 7) Was #5 hard to understand? >> Only if you have a hard time keeping up with multiple character arcs. Or if you’re just completely clueless about the mental mechanics of addiction, maybe. 8) Did you see #2 the day it came out? >> I didn’t. 9) Do you have #3’s movie ticket still? >> I think I kept at least one of the tickets for a while, but I never keep that kind of thing for long. What I really miss is the posters we’d gotten at the Franklin Institute showing. Those were nice, and I’d looked forward to putting one up in a room of my own one day. :( 10) Are there any sequels to these movies coming out? >> Not that I’m aware of. 11) Does your best friend like #9? >> --- 12) Did #10 have horrible special effects? >> I wouldn’t say that. 13) Who directed #6? >> Darren Aronofsky. He directed three of these movies, actually. 14) Did #8 scare you? >> Nah, it wasn’t that kind of movie. 15) Does #7 have a better effect at night? >> No, lol.

#surveys #survey #movies survey

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ladyloveandjustice · 6 years ago

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Winter 2019 Anime Overview

I enjoyed every single one of the five anime I watched this season: Dororo, My Roommate is a Cat, Mob Psycho 100 II, The Promised Neverland and Kaguya-sama: Love is War.

So here are my reviews! I’ve cut back on the anime overview a lot, so these are shorter reviews than usual (though not quite as short at I’d like. someday I’ll be able to restrain myself)

Since I liked all of the shows, these aren’t in a strict worst-to-best order or anything, but the ones I found most impressive ARE nearer to the bottom. So let’s dig into last season’s anime.

My Roommate is a Cat

Premise: An antisocial writer in his early 20s adopts a cat and they both get their worlds expanded as they bond.

My take: Much like the kitty it centers on, this show is super cute, sweet and fluffy. If you’re a cat-lover and want to bask in some kitty adorableness, I encourage you to check it out. At first, I was afraid the main character Subaru’s grumpy misanthropy might be too much- I could certainly empathize with being socially isolated and avoiding people, but the way he was just rude toward others was grating. Fortunately, his character development is swift, so he quickly went from misanthrope to anxious-introverted-mess-who-awkwardly-muddles-through-social-interaction-for-the-sake-of-his-kitty, which I found EXTREMELY relatable. Subaru is coping with the loss of his parents and the fact he took them for granted while they were alive as well, so there are quite a few heart-string tugging moments.

The show’s central gimmick is that events will be told from Subaru’s point of view and then we’ll get his kitty Haru’s side of things. Yep, the cat narrates part of the show, which is how I knew I was in it for good. And Haru’s a very good cat! She’s adorable without being cloying, and at least realistic in how most of her thoughts revolve around food. Seeing her warm up to her hopeless human is just as sweet as seeing Subaru warm up to her. As a former stray cat, she has a rough backstory, so if even a restrained depiction of kitty death is too much for you, look out for that part. This show isn’t afraid to bring the feels, but it keeps things positive overall. Subaru’s friends are supportive and help a new pet owner out, and we even get a cute doggie in the mix. Overall, if you want a relaxing, nice watch with a simple, sweet story, you could do a lot worse than My Roommate is a Cat.

Dororo (Episodes 1-12)

Premise: Thanks to his father making a deal with demons, Hyakkimaru has to wander Japan and fight monsters to get his body parts back. He meets up with a young thief named Dororo.

My take: Dororo is a very loose adaptation of the 1960′s manga by Osamu Tezuka, who’s known as the godfather of manga. I was familiar with Dororo thanks to watching the live action movie for an article when I worked at epicstream (it must not have left an impression bc I remember very little) so I was curious to check this out. I ended up reading the manga too, and overall, I find it pretty impressive as an adaptation. It does a lot to make a really dated and incomplete-feeling manga more palatable and cohesive for a modern audience. Maybe I’ll do a full post expanding on those thoughts sometime, because the changes really are worth examining.

Dororo is definitely not for everyone- it’s a grim, dark show with lots of death and destruction.The story is especially not kind to women, who tend to die or be demons. The exceptions to this (such as a lady demon actually being presented as sympathetic) are mainly anime-original. Actually, while the anime eschews the original manga’s cartoon-y, jokey tone to be more serious, it actually has a much lower body count and more hopeful tone than the original, a contrast I find pretty interesting. But “more hopeful” is still not very hopeful. The story has pretty strong anti-war undertones and criticism of how authority exploits people, and there’s a lot of “these are the horrors of war” scenes and even a scene where Dororo witnesses a woman engaging in unhappy, reluctant sex work.

The premise of the story, a guy made up of mostly prosthetics on a quest to get his body parts and senses back, is also a dicey one in how it treats disability. The anime does at least make updates to the manga that lend the story a little more complexity on that front. In the manga Hyakkimaru can basically hear and speak through telepathy already and he’s portrayed as simply joyous whenever he gets a body part or sense back, despite not having a practical need for them.

The anime wisely jettisons the telepathy thing, meaning that Dororo and Hyakkimaru have some difficulty communicating, something that adds an interesting layer to the story. It means we find out about Hyakkimaru’s personality in bits and pieces alongside Dororo, going on a journey of discovery with him. And Hyakkimaru getting senses back is treated in a more realistic mixed-bag way- when he gets his hearing back, for instance, he has difficulty adjusting to it and experience serious sensory overload. It’s not really clear how he feels about a lot of things, much less the changes he’s going through.

Dororo himself is the heart of the show, really, and I find him to be really endearing and engaging as a character. His boundless energy and chattiness balance out the aloof Hyakkimaru, but he never gets overbearing or obnoxious. He’s been through a lot himself, and has a good heart. One thing worth keeping an eye out going forward is how Dororo’s gender will be handled. Dororo is afab, but in the original manga very vehemently lets everyone know he’s a boy. The anime also lets you know Dororo’s afab halfway through, but hasn’t really done much otherwise in exploring Dororo’s gender identity. I do think it’s unlikely we’ll get a handling of it as bad as the manga’s final chapters (Manga Hyakkimaru had a lot of strong, intrusive opinions about what Dororo “really” is that I think his anime version is unlikely to have based on his restrained characterization so far), but who knows.

Overall, Dororo is a nicely animated and well put-together dark action series so far. I’m not sure I would have ended up watching it if I wasn’t so interested in examining it as an adaptation, but the ride’s been pretty okay and worthwhile.

Kaguya-sama: Love is War

Premise: Miyuki Shirogane and Kaguya Shinomiya are the top students at their prestigious school, and heads of the student council. They also have a crush on each other, but both are too full of pride (and nerves) to make the first move, so they come up with schemes to trick the other into confessing. Hijinks ensue.

My take: Kaguya-sama is a wildly funny rom-com about two idiot smart kids who don’t know how to say how they feel. It’s mostly a really good time. There’s a lot of laugh-out-loud moments. The characters are a lot of fun, especially Kaguya’s friend Chica, who is pure chaos in human form and has some of the best lines in the show. The animation and direction of the show are also impressive and lavish, elevating already good gags into greatness. The finale also does that thing where it’s all suddenly surprisingly emotional and hits you really hard with all the feels, showing a little depth and true friendship among all the characters involved.

However,there are a few “yikes” moments, and the most uncomfortable one and likely the biggest deal breaker was the “Kaguya gets sick” arc, which happens roughly the last half of episode 9 and the start of 10. In it, we’re treated to tropes that are both really tired and really uncomfortable, like Kaguya being sick and her friend, for some reason???, tacitly encouraging Miyuki to take advantage of her in her weakened state. Miyuki does not, but Kaguya pulls him into bed and he falls asleep due to sleep deprivation (which is admittedly relatable) and when they wake up she believes for a time he did assault her and throws shit at him, at which point he whines about being villainized even though he “held back”.

During the next episode, Kaguya is ~secretly kind of upset he didn’t assault her because doesn’t he find her appealing~, a trope that really needs to die bc the myth girls “really want to be assaulted” is dangerous. There were a couple okay moments in the whole thing, like Miyuki deciding he should have shut the whole thing down more firmly and apologizing for an infraction, and since Miyuki didn’t cross a significant line it doesn’t ruin their relationship or make them impossible to root for or anything, but the whole thing is tired and gross and unnecessary and not all that funny. I was able to handle it because I got warned ahead of time, but it was a chore of an arc, so here’s my warning.

The Promised Neverland

Premise: Emma and her friends Ray and Norman are orphans being raised in the happy, idyllic Grace Field House. They’re never been outside it though, and there’s a wall they’re never supposed to approach. When Emma discovers the truth behind the orphanage, a tense thriller begins.

My take: I was looking forward to this one based on word of mouth, and mostly it doesn’t disappoint! The writing hooked me enough that I’ve picked up the manga to continue the story. This a rich story. It’s an intense game of cat and mouse between genius kids and unscrupulous adults where the stakes are super high. Emma and her friends pull out all the stops to outwit and escape the ones holding them captive, and the twists and turns of the narrative are delivered well. There’s also some social commentary buried under its horror to add some bite. This essay goes into how it comments on forced societal gender roles, for instance.

A thrilling plot can only shine thanks to its characters, and Emma is great protagonist. Her determination to save her family and unpredictable nature make her fun to follow. She’s a rare and refreshing example of a female shonen protag, and she sells that power of friendship stuff pretty well when she has the brains and skills to back it up. The three main kids balance each other well, with Ray’s cynicism and pragmatism contrasting Emma’s stubborn idealism, and Norman stands in the middle as someone who’s inclined to think like Ray but WANTS to be more like Emma. Despite the many conflicts and differences between them, these kids are ride and die, and the show does a good job selling their familial-friendship. A lot of the moments between them are truly heartwrenching.

The story has a big glaring flaw, though, and that’s Sister Krone and the racism regarding her. It’s not my lane, so please read Jackson P. Brown’s essay here for more info. The anime not only replicates the problem with her design but makes things arguably worse than the manga by making her personality a caricature as well. The anime portrays Krone as far more unhinged and exaggerated than her vindictive but more controlled and canny manga counterpart, even adding this weird thing where she rants at and beats up a doll. This review on episode 8 talks about the author feels the anime failed with sister Krone and his feelings on Krone as a black character well, it’s definitely worth a read.

While I have those issues with the anime’s choices, I was impressed with how the last few episodes were directed. They hit it out of the park, leaving me breathless, emotional and wanting more. Thanks to that, I’m now reading an enthralling adventure manga! This anime was definitely flawed but I can’t deny I’m interested in seeing how the second season will shake out.

Mob Psycho 100 II

Premise: Season 2 continues to tale of Mob, a ridiculously powerful psychic middle schooler. He’s in the employ of Reigen, a con-artist who has fooled many (Mob included) into thinking he has legitimate psychic abilities.

My take: Holy wow. Mob Psycho’s first season had some incredible animation, atmosphere and direction, but season two fires on all cylinders. I’m glad I caught up in time to experience the show with everyone else these last few weeks, because it was always a treat- a visual feast full of heartpumping action and lots of sincere emotion.

Mob Psycho is an animation extravaganza, with some sequences that wouldn’t feel out of place in a high budget movie, dripping with atmosphere, artistry and aplomb. But the story and characters are really solid too and it has some nice themes and messages at its core. Mob is one of the goodest good boys in all of anime and he grows a lot throughout this season. At the core of the show is the idea that no one is worthless and also no one is more “special” than anyone else, that having power doesn’t give you the right to put yourself above others, that no person is inherently superior or inferior to any other, that even if you’re born with some super talent, you still need to try to improve yourself, value other people and the things they can do that you can’t and work hard to live a balanced life. Being powerful or born with a talent doesn’t mean you have the answers or know better-so it’s all about striving to make good, compassionate choices and taking control of your own life.

There’s a lot of stories that pay lip service to themes like these without really doing much to back it up, but this show sells it with an earnestness that few manage. Mob is a quiet and gentle boy, and you genuinely believe it when he says he doesn’t like fighting or using his powers on other people, and when he breaks down in tears because for all his power he can’t figure out how to set someone on the right path this time, your heart aches. The fact that Mob actually has difficulty coming up with the right answers and will sometimes gets overwhelmed by emotion and loses control, but keeps striving for honest communication, makes his approach come off as a lot more believable than the typical shonen-hero-converting-bad-guys-with-a-confident-friendship-speech bit.

The character relationships in the show are also good stuff, particularly the relationship between Mob and Reigen, which develops a lot this season with Reigen having to grapple with how yeah, he’s been kinda terrible and dishonest, especially with this kid he cares about and there’s a point where people have enough of it. There’s a lot of nice growth there.

All together, Mob Psycho is just Good with capital G. I do wish there were more girls in it, and there is a dark skinned character who’s caricature-ish in his design (he barely shows up in this season iirc), but otherwise it’s a quality rec and breathtaking example of the truly transcendent heights anime can reach.

#winter 2019 anime #anime overview #Mob Psycho 100 #my roommate is a cat #the promised neverland #dororo #kaguya sama love is war #kaguya sama: love is war #kaguya sama wa kokurasetai #my reviews

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pastelpinkcheeks · 5 years ago

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Little Jojo Ask Meme I got tagged in by the adorable @satansoull

All time favourite character: Giorno

Favourite JoJo: Giorno, heh, duh

Favourite JoBro: Kakyoin that cherry fucker. Funfact, I have a Kakyoin cosplay, never managed to take good pictures with it and it’s rotting away inside my cramped cosplay closet

Favourite Villian: Kira, I guess? I don’t know, I love trash boogey man Diavolo and I want to anihilate Dio Brando with my love, but Kira just wakes this primal thing inside me that’s hard to come by

Favourite Stand: Gold Experience

Favourite Part: Five

Favourite thing about JoJo: The Fashion, the ridiculous plot twists, the relationship bewteen the characters and Araki himself.

Give a hug to: Bitch that’s hard to decide???? But I have this strong feeling that Josuke must smell amazing and he knows how to hug you with his whole body, so I’ll pick pompadour boy

Get or give comfort to: I want to take Johnny on top of my lap and take care of him, that fucking touch-starved idiot.

Go out on a date with: Okay, please, tell me I’m dumb but I want to go to Disney with Anasui

Move out and go live with (as roommates): God, I don’t knooooow!! I feel like living with Giorno as a roommate must be good! I’m obsessed with flowers and fluffy little animals so I just want to do cute friendly stuff with my beautful kid (and glue my ear to the door when he’s sexing the hell out of Mista)

Marry: Every single dumb aspect of my life tells me to go after Jotaro even though knowing that marrying him is a disaster, but ugh... If I could go with him during his trips than It’d be fine.

What is your dream activity with who, where and how long:

This question is literally asking who’d you rather fuck, where and how. That’s it, that’s the question. But okay, not to be horny on main, but a DiaDop date is what I was born for. Doppio, with his credit card he had no idea where he got it from, his black credit card, would buy the entire shopping mall if I asked. Got the boy smitten with me, make him destroy Passione’s funds just buying me stuff from Sephora, me, the makeup addict, and Agent Provocateur and Chanel, and Prada and!!!! God, I want to take baby boy to Versace and convince him into buying himself a suit, something a litte more fashionable and fitted, in some deep purple to bring his yellow-ish eyes out. I could peg the hell out of him inside one of the changing rooms.

Afterwards, in the hotel room, he could shift into Diavolo, give me the beating of my life and smoke weed together as we discover how much freakish we can get

The character you relate the most to:

I am real life Jolyne

Did JoJo make a better change in your life? How did it help, is it a big or minor change:

It changed my cosplay game forever; out with being a basic bitch and all into being extra. I was a moderator for the biggest jojo facebook group in brazil for a few years and I made friends that’ll last my whole life bc of this series

Do you self ship or oc ship with a canon character:

Well. You see. I ship myself with Diavolo, as mentioned above, and Abbacchio and Risotto. And Jotaro. And, fuck you all, Massimo Volpe yesssss I sort of headcanon myself as Angelica, bc she’s cute and sickly and a fucking weirdo so I like her in general. I

If you had a stand, which one would you like to have? However, realistically which one would you most likely get with your past and demeanour:

Well, I’m a flower girl and fashion freak, it’s most probably gonna be Gold Exp or Cinderella, although my big ego could end up getting me something like The World or Killer Queen. I’d get happy with anything that’s useful for my everyday life heh

I tag everyone’s that is reading this and wants to have some fun :)

#long post #tag!#jojo ask meme #personal stuff etc etc #rant

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echodrops · 6 years ago

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So, given Dabi's perceived incompetence, you think his scars are self inflicted? I figured that, if Dabi is indeed Touya, he must have tried to impress Endeavor and show him that he is "worth it". So he probably tried to train himself in seclusion. But with a body meant for ice, he was not able to handle the flames and ended up burning himself and running away, traumatized or something along those lines. Admittedly, it could be a stretch, since we have no details on what exactly happened.

Post is NOT spoiler free, watch out anime-only fans~!

Had a bunch of asks about Dabi in my inbox after my Dabi post but I got distracted thinking about ships… I’m back now and gonna answer a few that are all about that Dabi is a Todoroki theory~

Look man, if he’s not Touya, I will officially be the S H O O K E S T. At this point, the real plot twist would be if he wasn’t! I really think there are just so many signs at this point that I can’t make myself believe it won’t happen. I mean the fact that Horikoshi deliberately drew Endeavor’s eyesight being damaged before his confrontation with Dabi so that Endeavor wouldn’t be able to see him clearly??? COME ON.

But man we’re all going to look so stupid if he isn’t Touya…

Rest under the read more to save people’s dashes:

As for how Dabi got his scars… I don’t have any answers, of course, just my own theories and conjectures based on vague statements and panels in the manga…

I guess first I’d point out that while we don’t know really much about Touya at all, we do know a couple things:

1) He physically took after Rei way more than Natsuo or Fuyumi did. Despite being Natsuo’s confirmed older brother, Touya was a tiny kid. Given that he would have to very close to Fuyumi in age or older than her, the fact that he was shorter than his sister just makes this all the more noticeable. This kind of tininess is usually (although of course not always) a deliberate visual indicator that there was something wrong with the child’s health. Looking at the only two panels he appears in definitely gives the impression that he was a pretty fragile-looking kid who I would not be surprised to hear had health problems (bad fevers from an overpowered fire quirk, anyone?).

2) His posture in this frame is also pretty telling. They all look nervous–it’s obvious they’re being looked at by Endeavor and are uncomfortable with it–but while Natsuo looks a little shame-faced and Fuyumi a little confused, Touya is clutching his hands together in a classic “timid child” pose. It seems likely to me that he wasn’t an especially assertive kid.

3) Then there’s the whole hair issue–is his hair red like the anime or white like the manga? The only reason I could see for not coloring his hair dark in the manga is that Horikoshi specifically uses black ink for the red color of the Todoroki family’s hair–coloring Touya’s hair completely black would make it beyond obvious that he’s Dabi. But still, couldn’t he have used tone like he does for Kirishima’s hair? We know that white hair = ice quirk, so I am very interested to find out whether the anime has it right in using red, or whether the white used in the manga is plot relevant, and we’re going to find that Touya really did have a body meant for an ice quirk…

4) We also have Natsuo’s ominous comment:

To me at least, this statement seems somehow… specific? Like there was some Big Deal™ that immediately caused Touya not to be in their lives anymore, and Endeavor was directly involved in it. Natsuo definitely strikes me as the type who would blame Endeavor for a training accident, even if Touya was training of his own free will, but I can’t personally shake the feeling that Endeavor was right there whenever the Bad Thing with Touya happened and that Endeavor, Fuyumi, and Natsuo all know more about Touya’s fate than they’re willing to talk about. I think it’s important that we’ve never seen a scene of Natsuo and Fuyumi getting any close looks at Dabi either.

6) The kids’ ages are important I think. Shouto is about five years old when he sees his siblings playing soccer, and they all looked about the same age there as in this second screen cap, although I wouldn’t put Fuyumi at 12 in the screen cap above, so maybe not… In any case, we know that Shouto was already in training (~5 years old) and Touya had no major visible scars. So Touya made it to at least 12 years old without doing major damage to his body (although of course it could be under the clothes). Based on that, personally I would doubt a bit that he was training and burning himself in secret, at least not for any extended amount of time.

6) The one piece of evidence we have for figuring out what actually happened to cause the scars is the burn pattern itself, especially on Dabi’s face. One thing that people have often pointed out is that Dabi’s facial burns line up fairly well with the places fire also settles on Endeavor’s face:

Also I’m pretty sure Dabi officially qualifies as BNHA’s biggest glow up. If you compare chapter 67 to chapter 190 it’s like looking at two totally different characters lol

But, more importantly than this, I think, is the fact that we never see Dabi’s fire take this shape in the manga. Although in a couple of scenes his flames have covered parts of his face, we’ve never–not even one time–seen fire specifically come from below his eyes or around his mouth like Endeavor. This is not something that normally happens with his quirk–which could mean that he was copying Endeavor when the injuries occurred.

So what did happen?

I don’t know, but if you ask me for a personal headcanon about it:

In a desperate attempt to protect his mother from being taken away and forced into the mental institution, Touya Todoroki challenged his father to a fight he could never win and pushed his own body so far beyond its limits that he nearly died.

I mean, if sweet baby Shouto had a reaction this intense:

Just imagine the reaction of the children who would have been conscious to see their mother ripped away from their home, possibly violently, possibly forever? With Rei having snapped hard enough to attack Shouto, I can’t imagine that she would have taken well to Endeavor physically confronting and restraining her to force her away… It could have been quite a horrific scene in the house after Shouto passed out from the pain, and what better way to cover up damage to one kid then to blame Rei, who had already damaged the other? This would help lend greater credence to Rei still being in the mental institution too: if the doctors have her on the record for causing or at least provoking the injuries of not one son but two…

Obviously such a fragile-looking child as Touya, who we know was never formally trained, would have stood no chance against an absolutely enraged Endeavor, but if we know one thing about the Todoroki family, it’s that they’re stubborn beyond belief. Endeavor probably batted aside his failure of an eldest son like it was nothing… but Touya refused to stay down. I think, overwhelmed by hatred and resentment, he put everything he had into trying to fight back against his father, bursting with flames too hot for his ill-suited body, heedless of his own pain.

That break in Dabi’s bottom lip is from the unprotected skin splitting as he screamed in rage and agony while on fire. Just sayin’!!

And even after going beyond his limits in every way, to still inevitably be crushed beneath his father’s heel… I can’t imagine the degree of loathing such a miserable defeat would make a child feel for heroes and all of hero society who let down the Todoroki siblings so badly…

If Touya ran from the hospital afterward, we could even be looking at a situation in which Dabi has been raising himself all alone since he was 12 or 13. Hell, he might even have caught the tail-end of Stain’s soapbox speeches about the revival of heroics while living out on streets…

BUT, YOU KNOW, that’s just my imagination running wild. XDD

I’m sure that my headcanon is too exaggerated to be true, but I do think the scars are self-inflicted and that Touya did fight with Endeavor at some point before abruptly leaving the Todoroki household.

Or… he’s not even a Todoroki and he totally gave himself those scars just to look cool or something lolol.

It’s SYMBOLICCCCC.

Okay, being a little more serious, I think it’s mostly being used the same way as that one scene of Itachi in the rain in Naruto:

Holy shit I never thought I’d be looking at a page of the Naruto manga again…

It’s basically a scene used to humanize and show a tiny glimpse of a “villain” character’s hidden depths–is Dabi all evil, or is there some softness underneath?

The blood is definitely supposed to symbolically represent tears, which actively tells the reader “Something about the idea of families hurts Dabi.” Coupled with the fact that he’s also smiling in a way that does not suit the moment at all and talking about how thinking about what Snatch said actually drove Dabi crazy, I think we’re also supposed to be getting the feeling that Dabi is not quite as calm and collected as he seems to be on the surface. We all love to call him the “sane man” in the League of Villains’ sea of crazy, but it’s entirely possible that Dabi is experiencing or has, at some point, experienced a psychotic break and that the almost lazy, unaffected behavior we see from him most of the time is little more than a thin veneer on top of a much less stable inner-mind…

What interests me is how many people (even the BNHA wiki) seem to suggest that these symbolic blood tears indicate that Dabi feels remorse for the families of all his victims… But I wonder if that’s really the case at all.

Does he feel remorse regarding his victims’ families… or only his own? While I think it’s tempting to imply that Dabi feels bad about all the families he’s hurt in general (which would be a good redemption arc flag), I’m actually inclined to think that Dabi is a little more self-centered character than that, and it’s his own family that’s on his mind here, not guilt over strangers he’s never met and never will meet.

I lol’d. Even more than that–by saying this to Endeavor, he’s almost certainly ensured another Dabi vs. Endeavor clash in the future, so like… he basically gave his dad impenetrable plot armor for another 50-100 chapters. XDDD

Dabi, my dear heart, why are you such a dumpster fire???

#dabi #dabi is a todoroki #touya todoroki #dabi headcanons #boku no hero academia #bnha spoilers #boku no hero academia meta #dabi meta #you can pry this headcanon from my cold dead hands #my hero academia #my hero academia spoilers #I dislike when series are not named the same thing across all languages #it's a pain feeling obligated to tag with two names for the same thing

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