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andhumanslovedstories · 3 months ago

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I've been running this writing experiment lately to cut out phrases like "I felt" in my fiction writing. Like I was looking at a sentence in a draft that said, "he felt as if character's eyes were pinning him in place." And then I was like, "well, does he think that or is it true? As a result of this person watching him, he's froze. It's not like a thing, it is that thing."

Oh and "almost"! I'm always going, "He felt almost relieved that it hadn't happened." Well, did he feel better that it didn't happen or didn't he? Or "somewhat", I'm always going, "she felt somewhat perturbed."

And like none of that is wrong, to be clear. I don't know if it'd improve your writing, I don't even know if it'll improve my writing, but I use this sentence structure all the time so every viewpoint is from a voice that thinks about what it thinks, hedges its statements, and offers the same ability for wry little jokes formatted in the exact same way. And I have a lot of writing like that and I think (!) that they're good, but read as a whole, I'm like, "god, they all sound the same." Like there's one melody that I write songs to, so even with different lyrics, it's almost (!) the same song. Something I've been struggling with in regards to my writing and why I've felt so blocked is how boring I found writing my usual way. I'd read something and enjoy the individual parts of it, but then I'd step back and I didn't like the whole. And I got good at this enough at seeing that I didn't like it to do it in real time as I was writing, which as you can imagine didn't improve the process of writing because now I was bored AND dejected about being bored.

There's this sentence-level structure fact that I use unconsciously. A pattern I find easy is short sentence, short sentence, short sentence, long sentence. So I write that. "He [verbed]. He [verbed]. Then he [verbed]. As he [verbed] to his [consequence], he [verbed] that [noun] was [statement of condition]." Which could work, it often does make for a nice rhythm, but it's something I reach for often because it's easier for me.

Just last sentence, I originally typed, "I find it easier for me." But if what I mean is "using this pattern is less effort than another pattern," then it's easier for me. One voice is hedging its bets and the other asserting. Either is fine! But they're different! And, again, GOD you would not believe how many words I've cut out of this paragraph as I write it. I'm so chatty. I love using twelve words when six will do. And that gives my writing a specific tone to my ear.

So if I am bored of that tone, why not try using just the six words? Why be understated? Why be afraid of stronger opinions? So right now with my fiction, I'm experimenting with cutting out as many self-reflective words as I can. Sometime you do need to draw attention to the face that this is the character's interpretation, but like you definitely don't need to do it as much as I naturally want to do it. You don't need to always go out of your way to allow the possibility that the narrative voice is wrong. During editing, I trim the weaker ones (I originally typed, "what I consider the weaker ones" Is that more accurate?). But I think them being there in the first place shifts my language which shifts my character's which shifts my plot. It's sentence structure all the way down!!

(this barely applies to my writing on here, btw. i try to do good but yknow this is a tumblr blog. i'm not trying to get a lit mag to accept it.)

Anyway blah blah (chatty!) the point is I've been trying to write in a way opposite of my interests. Something that doesn't take itself too seriously, that emphasizes EMOTION and ACTION instead of minimizing it, and that clips through scenes at a good pace. Doing this been amazingly fun. I've been having such a good time doing it. I am writing so much because I really enjoy doing it. The process of writing is so fun again.

This post is about two things. One is my new mood stabilizer and therapy day camp. The other is about the benefit of pretending to be MXTX.

#mxtx #w.#b.#the thing about writing scum villain is that you have to write a character so is SO CONFIDENTLY wrong.#sqq needs to be as sure of that he is wrong to the degree with which he is actually wrong #i've used more exclamation points in the last month than i have perhaps in my life. i might in fact have too many exclamation points #but turns out that shit's fun as hell #it's word confetti

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luxaofhesperides · 4 months ago

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a safe place to rest - duke

(part 3 of the harmless series)

Although he hears about the baby, Duke doesn't get to meet her for a few days.

He does meet someone else though: Danny.

"You need anything before I go?"

He doesn't want to leave Danny alone in the Hatch. Not out of mistrust or anything, but because he's sure that the moment he looks away, Danny's going to disappear again. It took so long just to convince him to take a moment to breathe, to rest and recover from whatever he's gone through.

There's a frantic sort of energy surrounding Danny that has his aura all messed up, which is the only reason Duke decided against letting anyone else know that he found Danny.

He got the basic rundown from the night shift, but he hadn't had time to look more into it before Danny was crashing into him during his day patrol, eyes wide and wild and looking like his world had just ended.

"You," Danny had gasped, "You're with—Batman? Please, take these." And he shoved a bag against Duke's chest.

He had to react fast to grab it, and then grab Danny when he all but collapsed against him.

Now, he sits on top of the spare bed Duke set up in the Hatch, pale and tired and quietly devastated. "I'm fine," he insists. "You don't need to do anything for me."

Duke frowns. "Uh, I absolutely do, you think I'm just gonna leave you to fend for yourself? Come on, man, that's not how I do things."

"You don't owe me anything."

"Obviously not. It's not about owing things. I'm doing this because you need help and I can give it."

"I can take care of myself," Danny says firmly, and Duke holds back a sigh. Yeah, this guy really is Batman's kid. Horrible self-care habits and all.

"You don't gotta, though. You get that, right? You can take one day off and just rely on me to take care of you until you're back on your feet."

"No."

Duke tries to shove his emotions down, to stay neutral and calm. This is a guy who came crashing into their lives, shoving a baby into Damian's arms, and then vanishing. This is a guy who's gone through way too much on his own. Of course he's not going to trust anyone. Duke knows well how heavy everything becomes when it feels like the world's against him. He can give Danny grace.

"Okay. Just so you know, I'm asking to be polite. I'm still going to grab some extra clothes for you, and a homemade meal, so you just stay here and get some sleep. We'll talk more when I get back from delivering all this to Batman." He lifts the bag Danny gave to him for emphasis, then pins the guy down with a hard stare. "You better be here when I get back, or I am going to have no one to show baby pictures to."

"…You're gonna check on Ellie?"

The clear concern and desperation in Danny's expression make him soften. "Yeah, man. I'll check on her and let you know how she's doing. That's why you gotta be here when I get back. Got it?"

Danny bites his lip, then nods slowly. "Yeah. Got it. Thank you."

"Get some sleep."

Duke pulls the door shut, setting the alarm system to quietly alert him if anyone goes in or out while he's not in the Hatch. There's a first aid kit on the table and some water bottles as well, but it's not going to be enough to really help Danny start to recover. Duke takes a moment to curse his past self for not better stocking his crash room for emergency visitors, but in his defense, he isn't in the habit of bringing anyone back to the Hatch, not even other Bats, when the Batcave is more suited for handling lots of people.

Well, it's something to work on in the future.

He doesn't get more than a few steps away when he hears the door opening behind him and looks back to see Danny poking his head out.

"Hey, before you go…"

"Yeah? What's up?"

"Can you maybe not tell anyone I'm here? I'm assuming you know who I am, since you know Ellie."

"Yeah, your Batman's first lost kid, right? Trust me, I've heard of you."

Danny winces. "Great. Figures. I just really need to not deal with all of them right now, so if you could keep all this quiet…"

Duke looks him over, takes in the paleness of his skin, how worryingly thin he is, the dark half-moons stamped under his eyes, and promptly decides then and there that the rest of the world is going to have to go through him to even think about going near Danny. It's a complicated situation he's in and if he needs time to prepare himself for meeting everyone else, who Duke knows from personal experience can be a lot, then Duke is going to make sure he has all the time he needs.

"You got it man. They won't hear a thing about this from me. I'll lock everyone else out of here, too, so you can rest easy. They ain't getting in here to bother you while I'm still around."

"Thank you," Danny says again, sagging against the doorframe. "I'm… I really need to sleep."

"Go crash," Duke says softly. "I can take care of things until you wake up."

Bruce is the only person in the Batcave when Duke arrives. He's bent over the Batcomputer, head in his hands, when Duke parks his motorcycle and heads for the stairs to meet him on the upper level. He keeps his footsteps purposefully loud so Bruce can track him as he makes his way over, Danny's bag slung over his shoulder.

"Rough night?" he asks, just to get the conversation started.

"Yes," Bruce sighs. "There have been a number of—changes."

"Oh. Good changes or bad changes?"

Bruce lifts his head as he considers the question, then rubs his temple. "Unclear. It's nice to see everyone working together for Ellie, but I'm—concerned."

"About what?"

"About Ellie. And everyone. And Danny."

Duke leans his weight against the desk and lets the bag drop off his shoulder, then holds it out to Bruce. "Well. I dunno if this will make things any better, but Danny threw this at me while I was on patrol. I took a quick look through it and, uh. It's kinda rough. It's what he went through and how Ellie was created."

Bruce snatches the bag from his hand and immediately begins rooting through it. "Is Danny—?"

"He vanished as soon as I grabbed the bag. I think he's got a few loose ends to tie up before he feels comfortable being here again."

"What did you think of him?"

Duke looks at Bruce, looks at the papers in his hands, and thinks of Danny. "I think he needs someone in his corner. I think we gotta lot to do to make the world safer for him and Ellie. I think he's been scared for a very long time."

Nothing in Bruce's expression changes, and there's no shift in his aura, his emotions tightly locked up as always. But Duke hasn't gotten this far without learning how to see the little things: Bruce's grip on the bag tightens, his feet shift farther apart, as though he's ready to leap up at a moment's notice, and his shoulders slump just slightly under the heavy weight of all the things he refuses to share.

Sighing, Duke tilts his head to look at Bruce more closely. "Why are you down here? It's the middle of the day."

"I'm researching."

A hand loosely gesturing to the large screen of the Batcomputer has Duke turning to see what Bruce has been so occupied with.

It's not case files, as he expected. It's not even research into Danny and what happened to him.

All that's there is PDFs upon PDFs of child psychology papers and essays on recovering from trauma and research on various methods to help children with failure to thrive and malnutrition and neglect.

There's also, in one window, different safety ratings of baby cribs.

Well. Let it be known that Bruce's love language is information.

"Cool. Have you spent any time with anyone since a baby got dropped in your lap?"

Bruce's silence is extremely telling.

Duke briefly considers trying to get Bruce to go upstairs, but he knows better than to pick a losing battle. Especially after he's handed him information on Danny.

At some point, Bruce will have to go upstairs, if only to eat. He's getting old, and his body can't quite keep going like it used to. Duke will let him deal with the consequences of his own actions, or lack of action, when that time comes. He's not a mediator or peace-keeper. Duke has other pressing matters to attend to.

Taking pictures of the baby for Danny is definitely more important than navigating the minefield of family tensions and miscommunications ever present with the Waynes.

Duke reaches out and claps a hand on Bruce's shoulder. "Don't get so caught up in getting all the pieces together that you forget to actually spend time with family. They're gonna need you now more than ever," he says, and waits until Bruce meets his eyes and gives a resolute nod before Duke stands and heads for the stairs that will take up him to the manor.

The sooner he gets back to Danny, the better.

Ellie is cute.

This isn't a surprise. Most babies are cute, and Ellie is no exception.

What Duke hadn't been expecting is how protective Damian is of her, or how everyone else orbits around the two, just on the edge of hovering. Damian's prickly personality is well known, so the rest of the Waynes have taken to acting like cats: always on the same floor, ready to pop in should they be needed, but otherwise out of sight.

"Thomas," Damian greets quietly. Ellie is asleep in the baby wrap keeping her secure against his chest, her head resting on his shoulder. Damian lowers his paintbrush, turning to give Duke his full attention.

Duke takes a hesitant step into Damian's studio, then walks up to him once he isn't hissed at to leave.

"So this is our newest troublemaker, huh?" he says, looking down at Ellie. "How's she doing?"

She's so small. Her head has some black hair on it, but it barely covers her ears.

Damian lays his brush down on the easel. "She's doing much better now that she's getting regular meals and care. She still doesn't make much noise. It is… concerning."

The raw fear and care in his gaze is what makes the words tumble out of Duke's mouth. "I have some news about Danny."

If anyone deserves to know about him, it's his little brother.

Damian's gaze snaps up to Dukes, a fierce light in them, and his hands raise to hold Ellie tightly. "What is it?"

"He gave me a bag while I was patrolling, then left. I looked through it before giving it to B, and it's all… I only read the papers, not anything on the flashdrives, but Danny went through some awful shit. He was captured and experimented on by some group called NOVA. They had him for some time doing tests before he was put in isolation for acting out. And then he kinda… went into a death-like stasis. They did more tests and took some bio-material from him to try to figure out how he was surviving in stasis, and used that to make Ellie with the genes of one of the other captured metas. Danny was in stasis for around seven years."

Reading about it, learning about what Danny went through made Duke's stomach turn. It was like something out of a nightmare. Duke knows the fears metas have to live with; he carries it too, a weight he can never put down.

There's a reason civilian metas try to keep their powers a secret. Metas go for a high price on the black market, are at a higher risk of human trafficking, are seen as the best test subjects by unethical scientists wanting to find some way to replicate those powers in other people or in weapons.

Summarizing the horrors Danny had to experience leaves a bitter taste on his tongue. The silence in the studio stretches long enough for Duke to regret opening his mouth. Damian's still a teenager. He may have had a different upbringing and be able to stomach what most people can't, but this is still his brother. Anyone would be rattled hearing about this.

Then, without a word, Damian stands. He storms out of the studio, leaving Duke to catch the stool he was sitting on before it hits the ground and wakes Ellie.

When he goes to catch up with Damian, the kid is already walking into another room, tension in every line of his body.

"Richard," he snaps quietly, and Duke watches as Dick pops up from where he was lounging on the floor on one of the softest rugs in the manor.

"Dami? What's wrong?"

Damian doesn't answer, just unwraps the baby sling and carefully passes a still sleeping Ellie over to Dick.

"Damian," Dick tries again, his voice hardening, demanding an answer even as he adjust Ellie in his arms to make sure she can continue sleeping comfortably.

"I need to speak with Father," Damian answers shortly. "I will be gone for some time. I am entrusting her to you."

Dick glances at Duke, who tries not to look too stressed or tense. He doesn't think it works.

Reaching out, Dick puts a hand on Damian's head, managing to ruffle his hair for a few seconds before Damian steps away, batting at his hand with a scowl. "Alright," Dick says, "But I'm sending someone to get you for dinner if you're not back by then."

Damian nods, then turns on his heel and leaves for Bruce's office.

Neither of them move until they're sure that Damian is out of earshot.

"What was that about?" Dick asks, lowering himself down onto the rug again, one hand rubbing small circles against Ellie's back.

Duke sighs. "You'll find out soon. Just... chill for now and let me get some cute baby pictures."

Dick, as he finds out, is actually pretty good at helping Duke get the cutest pictures of Ellie.

And when Ellie blinks her little blue eyes open, Duke's heart melts and he understands how she's got everyone wrapped around her fingers.

NOVA, whatever remains of them, is going to regret ever hurting Danny and Ellie.

Danny is asleep when Duke returns. He sleeps through the night, and when Duke wakes up early the next morning to make sure he hasn't disappeared, Danny remains motionless in his bed.

Is he in stasis again? Duke wonders, panicked, as he rushes into his crash room and gently shakes Danny, trying to wake him up.

It takes a few tries before Danny lets out a soft noise in the back of his throat. He turns his face into the pillow, then abruptly tenses up and shoots out of bed. In a blink, Danny's on the other side of the room, flying up to the ceiling where Duke can't easily reach him.

Hands up, palms open, Duke says, "Sorry. Didn't mean to scare you. How're you feeling?"

Danny sucks in a few deep breaths before he slowly floats down to the floor. His eyes are still too wide and there's a faint tremble in his hands. "Fine," he answers blankly.

"Up for eating something? I did promise you food and baby pictures."

Unsurprisingly, it's the mention of Ellie that gets Danny moving and brings some light back to his eyes. He follows Duke out into the main room of the Hatch. There's not really a kitchen in here, but there is a fridge and a microwave, which is enough for now.

One of his workstations has been cleared off and now has chairs around it to turn it into a makeshift dining table. On it, Duke's left a tupperware of French toast, made the way he remembers his dad making them when he was a kid, and as well as a store-bought container of cut fruit.

It's not really a lot, but it's what he could do on a short notice.

Danny takes a seat, and Duke settles in on the other side of the table, pulling out his phone to flip through the many pictures he took of Ellie.

Duke keeps up a light commentary as Danny slowly eats, sharing little stories about the Waynes and all the nonsense they get up to. That turns into sharing stories about the stupid shit he and his friends gets into, followed by some of the weirdest things criminals have done to try to get away from him, including the one that said 'nuh-uh!' when Duke said carjacking is the lamest crime to commit in Gotham.

That story gets Danny to smile, and it takes way too much effort to keep from celebrating it.

All the while, Danny slowly looks through each photo of Ellie, making sure she's okay. He looks so fond and sad that it's breaking Duke's heart, and he swears to himself then and there that he's going to do whatever he can to reunite them.

"Don't you have hero things to do?" Danny asks. It's the first thing he's said since they both sat down.

Duke shrugs. "Nah, not right now. Gotham can wait. You're my priority right now."

"You don't have to—"

"Nope. If you don't want anyone else to know you're here, then you're gonna have to deal with me."

Danny squints at him. "You're both very chill and very stubborn."

"It's the only way I was able to survive working with the other Bats."

"They sound… interesting."

"You can say they're a hot mess," Duke laughs. "But hey, who isn't?" He watches as Danny pushes around the last half of the French toast around the tupperware and straightens up from where he was leaning on the table. "Want me to put that up for you? You can finish it later."

Danny looks down at his plate, then slowly nods. "Yeah. Sorry."

"No worries. You went through some shit. It's not surprising that you don't have much of an appetite." Duke reaches over the table to pop the lid back on the tupperware, then stands to put it in the fridge.

When he turns back, Danny is no longer visible.

Or, at least, his physical body isn't visible. Duke can still easily see his aura, a vibrant green that has streaks of white moving through it like a current of water, which leaves an outline of his body. Danny is also trying to sneak out of the Hatch.

"Oh," he says, "I didn't know you had invisibility. That's pretty cool. I can still see you, by the way."

Danny becomes visible again, glaring at Duke.

"That's such a Batman move," Duke grins, "I should have expected it."

"What was a Batman move?"

"Sneaking away as soon as I turned around. B does that all the time with the Commish. And everyone else, honestly. Though, to be fair, we all do it because we all learned from him. Yeah, you'll have no trouble fitting in with us."

"I don't think what I'm doing should count, since I'm using powers."

"Dude, watch this."

Duke makes sure Danny's looking at him, then bends the light around him to hide him from view. He can see the exact moment Danny realizes he's vanished when his eyes go wide and he takes a few steps closer.

"Signal?"

"Still here," Duke reassures. "Haven't moved an inch." Then he releases his grip on the light around his head, a fun little trick he figured out a few years ago that makes it look like he's a floating, decapitated head. The goons always love that one.

Danny looks at his head. Looks at his invisible body. Then looks back to his head. "That is freaky," he says, a slow smile dawning across his face. "I can do that too."

And sure enough, Danny's body becomes invisible, save for the outline of it in his aura, and now there's just two floating heads in the Hatch.

He's not sure who cracks first, but in no time, they're laughing like everything's alright. Danny's expression brightens and suddenly he's years younger, all the stress falling off his shoulders in the face of their mirth. Like this, he could be any other guy in one of Duke's classes, talking nonsense just to pass the time, quick to laugh and without a care in the world.

This is what he wants for Danny.

This ease, this calm, this lightness in his heart: Duke will keep them safe for Danny.

If nothing else, Duke can be a safe place to land for another meta who needs, more than anything, someone willing to be there for him.

(masterpost for all parts)

#dc x dp #dp x dc #demon brothers #the harmless series #dcxdp #dpxdc #dcxdp fic #my writing #can u tell i love duke #didnt mean to make this ghostlights flavored but i cant help myself theyre just too good #slowly building in more things... NOVA and dannys powers and bat dynamics.....#there is MUCH more to come i promise #this little series is a challenge to write as many povs as possible #there will be some repeats but im gonna try to keep that only to danny and damian

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themeraldee · 3 months ago

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Hii can you do one where the reader rejects homelander because she’s married? He gets mad and obsessive??

Thank you for the ask! So originally I wasn't gonna do requests because I'm very particular about what strikes my fancy. But I'm nothing if not a people pleaser so your request got my head popping up with ideas as I've not really explored the 'loving someone to a fault' part of Homelander where things take a wild turn. So this is my humble attempt - hope you enjoy!

(Also I spat this out fairly quickly so it's not very well reviewed)

The Price of Love

[Masterlist]

18+ Only | 1.7k | Homelander x fem!Reader | Early Season 2. Voyeurism. Dark themes but nothing very specific. Homelander being his own warning. Mention of canon-level violence.

“What the fuck do you mean you’re married?!” Homelander sputters, caught totally off guard by your admission. His body language frazzled, his arms expressing confusion just as much as his words as his presence towers over you.

You’ve been Ashley’s secretary for a few months now. At first he took no interest in the presence of yet another busybody without a name that was surely going to crack under the pressure and either leave or fuck up beyond repair resulting in your resignation. But no, you’ve proven yourself to be reliable, responsible and most importantly you’ve got a fucking spine in you. You don’t cower in fear, shake when you talk to him or let yourself get talked into a corner. He likes that. He really likes that.

His preference for you has become so obvious that Ashley made you his go-to. Any news, good or bad, just went straight through you. And somehow, Homelander didn’t mind hearing that he dropped a point or two when it came from your lips.

That’s why he felt so blindsided by your outright rejection when he asked you out. What the fuck do you mean married?!

“I mean I’m unavailable.” Homelander tightens his hand into a fist now that his arms fell back to rest next to his thighs. He hides the lapse of control behind his cape as he clasps both hands behind his back. At this point the pose has become a bit of a defense mechanism, nobody can touch or hurt him when he’s playing a hero. It’s a whole lot different when he pours his heart out to some fucking assistant just to get it stomped into the ground.

“You’re not wearing a ring.” His tone is quiet, sharp. He nods his head towards the hand that’s currently clutching a stack of papers, the last thing you were meant to bring over before you clocked out. In Homelander’s eyes, it was the perfect time to ask you out. He’d take you out the same night. Michelin star restaurant, booked out just for the two of you. But no, you had to ruin his whole plan.

“I know, I’m sorry. I oftentimes leave it at home. I worry about it getting damaged or lost.” You clutch your papers closer to you, Homelander’s eyes lock onto your empty ring finger. It’s like you’re trying to hide it from him. The skin where your ring would be sat isn’t even smoothed out or marked in any way. So either it’s a recent marriage or you barely wear your ring as is. Homelander scoffs to himself, what kind of marriage is it if you’re not willing to shout about it from the rooftops.

“I just—what? You’ve been fucking coming onto me for ages!” He wheezes out in part anger, part embarrassment. His eyes widen at first before squinting, his eyebrows furrowing with the action. In his head he replays all your interactions and he’s not fucking stupid. He’s the Homelander. There’s no one who can read people better than him.

“Sorry? I haven’t, or I didn’t mean to. I wasn’t trying to lead you on.” You take a step back. As much as this whole time Homelander’s been more than tolerating your presence, enjoying and looking forward to it even, now he’s acting like a whole kind of different animal. He takes one step in. Part of him relishes in the way your heart speeds up at the loud thud of his boot taking the one step closer to you. The other part of him doesn’t want you to be scared of him, just like you haven’t been this whole time, you’re meant to be his!

He raises an eyebrow.

“Lead me on?”

“You know, make you think I’m interested when I’m not.” He nearly laughs. Not interested? Not fucking interested?! Give him a break. He might not have many experiences with the most genuine of relationships but he knows attraction when he sees one. He’s not stupid enough to mistake your professional kindness for attraction, it’s more than that. He’s sure of it. Your pulse still races anytime you’re in his vicinity, your pupils dilate, you smile all flustered and sweet when he pays you a compliment and there’s definitely times he’s managed to make you wet just by saying or doing the right thing. Someone who’s not interested wouldn’t be reacting like that.

He pinches the bridge of his nose shaking his head. “Get out.” His voice rings loud and clear in the empty room.

“Yes, sir. I’m really so sorry.” His teeth grind at the way you call him ‘sir’. A habit he’s weaned you off a long time ago. Yet there you go again, reverting back to factory settings as if you two didn’t have a whole load of history behind you. He watches you scamper off, the intrusive, violent part of him has an intense urge to laser you in half for making him feel this way.

But no, he knows there’s another way. First, he needs to get this energy out one way or another. And the last thing he wants to do is hurt you.

Homelander waits till nightfall before flying around just to get his frustration out. First Madelyn, now you. What is it with women being dishonest with him! But no no no, you’re nothing like her. You do love him. You have to. He knows it. He can feel it. He just needs to nudge you in the right direction.

His thoughts get disrupted by a shrill scream coming from the alleyway below him. He pauses in the air, watching the situation with little initial interest. He lands on the building ledge where a man has a screaming woman pinned against the wall. He notices the light reflecting against the switchblade the criminal presses to her neck.

Well look at that, he can get his frustrations out and he’s gonna look like a hero. This night might just be turning around for him.

He leaves the bloody carnage behind, shaking some of the blood and viscera off his suit, bloody droplets hitting his boots instead. He’s so used to the copper tang of blood, at this point breathing it in is as natural to him as air. He’s just not particularly fond of the mess it creates.

But finally, after some physical relief, he grins to himself and with a clear head he can devise a plan on how to win you over. He’s the Homelander, who the fuck else could be more worthy of your love?

Well… He’s about to find out.

Homelander takes off into the air, shooting up up up, until he finds a happy altitude where the air is just about getting thin, but more importantly where he’s unlikely to be recorded or photographed at this time of night.

He lands on the rooftop of the building opposite where you and your spouse reside. Bleugh. Your fucking spouse. Just the thought leaves a bitter taste in his mouth. He was being patient with you. Wanted to take it the traditional way. Just like normal humans you’d meet at work, get chatting, get comfortable and start dating. So he gave you the benefit of your privacy. Wanted to see you naked for the first time when you’d undress for him. All pretty and sensual, giving him a good show. Now it’s biting him in the ass. If he wasn’t so chivalrous with you he would have long known that he’d need to get rid of the obstacle before he’d even ask you out.

He watches through the building walls. He needs to see who, or what, has you so whipped that you wouldn’t immediately offer to get divorced just to go on a date with him. At the very least it better be some good sex.

He scans your meager one bedroom apartment. Your spouse is sound asleep in your shared bed but you’re nowhere to be seen. It’s not even that late in the night. Wouldn’t happily married couples be fucking through the night like rabbits at this hour?

He lights up when he lands on the sight of you in your bathroom. Finally, some fucking reward. It’s the least he deserves after all that he’s been through. You’re submerged in your bathtub, the water level hitting halfway up your chest. You have the most pleased expression on your face, pure delight as you rest your head against the rim of the tub, eyes closed all dreamy.

Homelander palms the front of his pants, feeling his cock immediately fill out at finally getting glimpses of your naked self. It’s only then he notices that you’re not just relaxing. No. Your hand is holding the shower head right in between your legs, letting the water pressure light up all your sensitive nerves.

Then it clicks. He grins like he hasn’t in a long while. The pure satisfaction of being right. You’re not satisfied. You can’t be. It’s obvious you desperately need to escape this situation. You need him.

He carelessly unfastens his pants, surprising even himself that he doesn’t manage to rip them in half as he eagerly grips his hard cock. He strokes it harder than he ever has before, the blood on his glove just easing the glide of the harsh pace he sets himself. Homelander almost chokes on air as he watches you arch your back and whimper quietly, clearly hiding your little indulgent fantasy from your spouse.

He wishes he could tell you it’s alright, your spouse is dead asleep. They won’t notice. They clearly don’t care. He does. And that’s all that matters, you have his attention. You have an audience of one.

He doesn’t care what the reason is. There’s no reason in his book that would justify your spouse leaving you this dissatisfied that you have to get yourself off behind closed doors and not with their help.

He’s so worked up, riding the roller coaster of wildly contrasting emotions, from heart-break to euphoria, that it doesn’t take long for him to feel breathless, panting as he strokes himself to the image of you all wet, pleasured and relaxed. What really does him in, unexpectedly is the whispering plea leaving your lips. ‘Homelander.’

And just like that he cums hard, not caring where his load ends up, his grin never leaving his face as he watches you reach your sweet, sweet release.

He has to have you.

[Part 2]

Taglist (you can add yourself to be notified anytime I publish a new Homelander story)

#if people are interested I might continue this after I start & finish part 3 of the lucky winner #ahhh too many things to write #homelander x reader #homelander x you #homelander #homelander fanfiction #my writing #the boys fanfiction #asks!#fic request

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poorly-drawn-mdzs · 11 months ago

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Turtle Takedown Teamwork.

[First] Prev <–-> Next

#poorly drawn mdzs #mdzs #wei wuxian #lan wangji #tulu xuanwu #Something about changing the action sequence to something gentle is hilarious to me.#The lesson here is “Be nice to turtles. They are gentle creatures. And many are very endangered.”#don't get me wrong here; I love this scene a lot. LWJ's string technique is one of my favoyrite things.#We do get a fair amount of LWJ fighting but I always loved how the theme of strings comes into play.#There is actually a lot to unpack with LWJ being associate with 'strings'.#The musicianship: Of dedication and rigor in one's practice.#The tension between following along a path or composing your own way forwards (playing what has been written vs composing)#A string is a tightly coiled/taunt entity; The same tension that makes it sing so beautifully can be it's downfall if pushed too hard.#And as a non-musical string - something that binds. Be it to his sect and family or how he binds his fate to WWX -#LWJ cannot exist without his binds. It is not something which ties him down though. It keeps him together.#And he himself *is* a bind. He 'ties wwx down' in ways that are initially negatively viewed ('come to gusu' - feels like: come be trapped)#But later it is shown how (despite being introduced as a free spirit) WWX truly wants to be bound to something and someone.#Marriage is a bind he wants. He wants to be tied and grounded by LWJ.#It's starting to sound like innuendo. Let's call his fondness for being literally tied up smart thematic writing.#Finally. Sex scenes that are important to the plot and characters

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gayofthefae · 6 months ago

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Shout-out to the writers who know stats and looked at an 8 kid family and went "2 of them are gay"

#francesca bridgerton #and at LEAST one is neurodivergent #benedict bridgerton #bi francesca bridgerton #bi benedict bridgerton #bridgerton #we get a CONFIRMED. FULL. SEASON. of regency sapphics #without the angst of writing them with the intention of being queer #just adapting people written as people to be queer #so it'll feel more realistic than ever #i swear to fucking GOD if netflix does it's netflix thing and says 'mm actually we're cancel it before we show too many sapphics'#bridgerton spoilers

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aroaceleovaldez · 5 months ago

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I was reading a post about CoTG and I realized: Rick has seemingly started to write every character pairing with the exact same dynamic, and he's not good at writing that dynamic and it doesn't make sense for 90% of the characters he writes it for.

It's that very specific dynamic of one half of the pair who is almost aggressive to the other party - "teasing" them constantly/insulting them, affectionately punching/judo flipping/maiming/etc, seemingly almost always exasperated with the other - and said other party usually just accepts this treatment or blanketly views it fondly, and may generally be framed as more incompetent than their partner and a little bit of a doormat (particularly relating to being insulted/teased/etc by their partner).

We start seeing this dynamic in HoO with Percy and Annabeth, as a sort of semi-inconsistent twist on their rivals-to-friends-to-lovers dynamic from the first series. Then the dynamic pattern develops further with Leo and Calypso. Then Magnus and Alex. Then Nico and Will, particularly in TSATS. And now in CoTG, it's Percy and Annabeth again but even more in this direction.

I know people have talked about Nico and Will's relationship over the series rapidly being shoehorned into Percabeth Two™, and it's extremely apparent in TSATS that Rick's doing it on purpose (including directly quoting Percabeth scenes but minorly tweaking them to be Solangelo). But recognizing it as an overarching trend in Rick's later books honestly reminds me a lot of how Rick started trying to apply the "Percy Formula" so-to-speak to nearly every protagonist in HoO (and then try to replicate similar character archetypes with Magnus and Apollo's narrations - moreso Magnus in being jaded and sarcastic, very much trying to be first series Percy. He only sounds unique because Rick failed at making him Percy 2. Apollo is more akin to later-series Percy characterization of being goofy and incompetent. Apollo [and Zeus] even got retconned to give Apollo a more similar backstory to Percy's). Rick seems to have decided that he thinks the audience wants this specific dynamic but 10 times over, except he's not good at writing it the first time because it's a bastardization of the time he did a different thing okay.

And Rick also seems aware of that too! Because he retconned Calypso and Leo at the end of TOA, probably because he realized how absolutely awful it was reading when they were written with that dynamic of Calypso just functionally hating Leo and constantly being aggressive towards him! The only time Rick's actually made the dynamic even semi-successful was with Magnus and Alex, because it actually fits within their characters, their dynamics with each other, and their environment. Alex beheading Magnus on the regular works out fine because there are no repercussions to that in Valhalla, Magnus will be fine, so it does genuinely come off as humorous. And Alex has been effectively established to be abrasive at times but have her genuine feelings shine through regularly, and that meshes well with Magnus' jaded-and-aloof-but-quietly-very-empathetic character. And Magnus has been established to, yes, not be great at combat, particularly compared to Alex. They are the only time that flavor of dynamic in that form was effective and cohesive.

Percabeth is no longer rivals-to-friends-to-lovers badasses on equal levels with shaky pasts who finally found some form of permanence with one another. Now it's super smart doting and affectionately aggressive girlfriend and her silly goofy 50%-of-the-time incompetent boyfriend who she judo flips/pushes off cliffs/etc - but affectionately~! Solangelo is trying to riff off of the early series "Poseidon & Athena are enemies" dynamic that Percabeth had but with Apollo & Hades being "opposites" but learning to accept each other, except it ends up with Will just coming off as a huge asshole and Nico being retconned to a complete doormat about it - when prior to that those characterizations would be completely contrary to their established characters (even just from TOA!). Calypso in HoO gets retconned from her PJO characterization to being snooty and aggressive, and Leo's false persona gets merged into his just normal personality except he just also becomes a doormat but more goofy than Nico with occasional haha-dark/depression-humor! Which Nico also got. Which was also a bastardized Percy trait that got redistributed.

It's exhausting. Rick write more than one relationship dynamic you can do it I promise

#pjo #riordanverse #percy jackson #tsats #annabeth chase #nico di angelo #will solace #mcga #magnus chase #alex fierro #leo valdez #calypso pjo #analysis #< bwah i feel bad putting that many tags but it is relevant #rr crit #< i guess?#tsats crit #< that one can be here though. the other crit tag is usually for Bad Stuff ergo why i feel weird putting it. this one's just random stuff #i feel like i should tag ships too cause it is an analysis of those ship dynamics in canon but i dont want it to come off as shipbashing :(#eh fuck it i'll ship tag. disclaimer- this is not shipbashing i am just doing analysis of how rick is bad at writing this specific dynamic #i am tagging these ships for relevancy and analysis purposes only. i do not intend to be mean about them re: fanon #fierrochase #percabeth #solangelo #caleo #i do think this is good to note though with writing these dynamics - like rick's intentions vs execution vs consistent characterization #i think you could also argue Carter and Zia exhibit some traits of this dynamic? like an early form of it in Rick's writing perhaps #i havent reread it in awhile though so i will save my thoughts on it for later #long post //#forgive if this post is semi-incomprehensible it was a quick late night rambly thing

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