#too many tag stories

[ecileh]

[ba1laur]

why not. why not post some of the dog eat dog concepts. look at my wolves

[poorly-drawn-mdzs]

Danse Macabre

[Commission]

[cosmic-chemist]

Insert creative caption here blah blah blah stupid lil doodle I put a million overlays over LOLLLL

Versions without the text and effects or something

[sevenines]

i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.

two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

[lil-lemon-snails]

"I can't ignore what's under dancefloor boards, The rhythm of my heart a dead-as-disco beat, But I still move my feet, to slip out of this groove, I'm free" ~ 2econd 2ight 2eer, Will Wood, The Normal Album

I have been plagued with visions of LDR Sun every time I listen to this song and I NEEDED to get this out of my system @spadillelicious when do we get to smooch the boy pLEASE

v textless version and close ups under cut!! v

[laurapetrie]

If there were no girls like her in the world, there would be no poetry.

Willa Cather, My Antonia (1918)

[buqbite]

Halo

[lovesickeros]

☆ even the gods bleed [ pt 2 ]

{☆} characters furina, neuvillette {☆} notes cult au, imposter au, multi-chapter, gender neutral reader {☆} warnings none {☆} word count 1.9k {☆} previous [ 1 ]

This had to be a punishment of some sort – some kind of divine punishment.

She was bored out of her mind just watching the sleeping body – she hadn't blinked once in the past five hours, her eyes were really starting to hurt. Yet they still hadn't moved so much as an inch since she sequestered them away to the only place she had known to be safe.

But it'd been almost a week since then.

The only solace she found was that Teyvat had seemed much less hellbent on collapsing in on itself like a dying star.

That counted for something.

Not much, but something!

..Even if their position was no better then it was a week ago.

There was, after all, still the issue of what to do about the false Creator – the actual imposter – and the Archons following them like blind lambs. The other Archons wouldn't listen if she tried to reason with them, and it would only risk the life of Divine One if she spoke of their location to anyone else.

She also was pretty fond of having her head still attached to her shoulders.

So she avoided them all together. Partially because she wasn't sure she wouldn't have a breakdown at the sight of them..she'd never been a fighter, and fighting an Archon? Easy pass.

Instead she was forced to babysit the sleeping Divine until they woke up while Neuvillette handled taking care of the nation and dealing with the other Archons – and by extension the false Creator.

Really though, she would almost think them dead if not for the subtle rise and fall of their chest.

Though..this also left her with a lot of time to herself. A lot of time to think.

She really didn't like it.

There wasn't a lot to occupy her mind and what little there was only distracted her for a scant few moments before her eyes drifted back to the Divine like she was locked in their orbit, unable to escape.

She closed the same book for the twelfth time – she kept count – and returned it to it's meticulously designed place within her bookcase. A low, barely audible huff of frustration escaped her lips before she could bite it down, her stare boring a hole into the body of the Divine One with a sharp intensity she rarely showed.

She was tired, bored and constantly on edge, fearing that at any moment someone would find out about their presence here.

That, at the drop of a hat, she would be powerless to stop the greatest tragedy of her time play out before her eyes.

Neuvillette would have scolded her for being so petulant, especially around the Divine One, if he were here.

But he wasn't.

He was out running her nation, instead.

And what was she doing? Nothing!

She grit her teeth, nails digging harshly into the palm of her hands as she took a deep breath – now was not the time to think about that. She had..much more pressing matters. Sulking and letting her thoughts spiral helped no one, least of all herself.

Yet her attention was caught by a harsh inhale, the rustle of fabric – were they finally waking up? She was exhausted, but it all vanished at the sudden drop of life within the otherwise deathly still body of the Divine.

Her eyes followed the subtle twitch of their fingers, watching as their brow furrowed and their features twisted in something almost like..pain.

..She wasn't ready.

What was she supposed to say?

Should she even say anything? Would that be considered impolite? Does she wait for them to speak first? Should she kneel? Bow?

She doesn't get much time to find her own answer before their lashes flutter, chest heaving with every strangled breath. Every single thought vanishes from her mind the moment she meets their eyes.

For a long, silent moment she thinks that her heart must have stopped.

Their eyes glow like the cresting of the sun over the horizon, painting the world in hues of gold – yet it also reminded her of the dipping of the moon below the waves, casting the briefest, most gentle of lights upon the world engulfed in darkness. In the depths of their eyes was the birth and death of stars in the infinite cosmos – glittering stars in a sea of empty, blank space that left her feeling lightheaded and breathless.

Beneath the splendor is a spark of recognition in their eyes so vibrant it was like a shooting star piercing through the dark night sky, leaving nothing but the wonder in the eyes of the observer as the only proof it ever existed – brilliant in it's beauty, however brief.

It is the most beautiful thing she has ever seen.

"Focalors?"

The lilt of their voice nearly made her knees buckle beneath her – euphoria so consuming it left her feeling she was starving swallowed her whole, her mind blanking in a moment of utter bliss. It was..an indescribable feeling that she doubted she could ever hope to put into words – not in a way that could properly express it, try as she might.

She swallowed the words that threatened to spill from her lips – she couldn't make a fool of herself. Not in front of them of all people. She'd never forgive herself.

"Divine One," She rasps, clearing her throat and covering her mouth with a hand to mask both her nervousness and the small smile that creeps across her face. She quickly regains her composure, hand resting on her hip as she puffs out her chest with every bit of pride she can manage. "I am sure you must be confused, but worry not– your most loyal acolyte has seen the truth!"

The silence is deafening.

She opens one eye, peaking at the bewildered and almost distraught expression of the Divine.

"What the hell are you talking about?"

That..she was not prepared for. Surely they knew who they were! Surely they knew. They had to– she's been praying to them for as long as she's breathed, she's dedicated every hour of her life to living up to their ideals, they can't just–!

"Lady Furina?"

Neuvillette, thankfully, spares her the embarrassment of having a meltdown in front of the Divine, the gentle rap of his knuckles against the door making her and the Divine pause, the soft lull of his voice soothing her nerves and yet setting her on edge at the same time.

"Neuvillette." She clears her throat again, her steps hurried as she marches to the door and pries it open none too gently, a forced smile pulling at her lips. She wastes no time tugging the man into the room, shutting the door behind him with a short huff. The silence is, somehow, even worse then before as the three of them stare at each other in absolute exasperation.

Neuvillette, for his part, manages to get his act together with a sharp clearing of his throat, bowing so low even she looks unnerved. She steals a brief glance at the Divine, and she's taken aback by the uncomfortability twisting their features into a grimace.

Their expression is schooled back into one of empty apathy when he stands back to his full height, but she saw it – she knows she did! Did they not like their worship? Were they not respectful enough? For a moment, she feared the Divine would smite Neuvillette down on the spot..but they just stared at him like he was a ghost.

"Why aren't you killing me?"

The defeated, resigned tone combined with the way their voice cracks makes her heart ache in her chest – it feels as though her entire world is crumbling down at her feet, and she cannot explain why she feels such emotions so strongly, but it is suffocating. It is almost as if Teyvat itself is weeping, bearing down upon her shoulders like a heavy weight.

She feels the urge to weep herself, but she powers through, gritting her teeth long enough for Neuvillette to take his place at the side of her – though it feels more like their – bed, kneeling like he was going to pray.

"Divine One," He offers a hand with a quiet rumble of his voice, the words slipping off his tongue like honey. It's like trying to soothe a stray cat..though she'd never voice such comparisons of the most Divine out loud. "I..we mean you no harm. I swear on my authority as the Iudex of Fontaine and Chief Justice that you are safe with us."

The skepticism she expected, but the reverence in which Neuvillette must convince them – or perhaps they are simply so tired that they simply did not care any longer if it was all some ploy to drive a knife between their ribs. She didn't expect them to actually place their hand in Neuvillette's.

He didn't either, judging by the way he visibly brightened – not that they'd notice, but she did.

..Not that she could really blame him, her heels clicking against the floorboards as she shifted her weight to the other foot with a nervous energy that was practically bursting at the seams, more then a little jealous of the attention he was receiving. She was the one who found them, she was the one who stayed with them the entire time..but he gets all the attention?

How unfair.

"O-of course! We would never lay a hand on our creator," She adds, her voice a little higher pitched then she would have liked as she placed her hands on her hips, puffing out her chest and brushing off the sting of jealousy. "Least of all I– your most loyal, most devout acolyte!"

She felt baffled when she heard the sound of their laughter, her shoulders hunching and her cheeks flushing on mere instinct – she was expecting mockery, but the look in their eyes, still dulled by a pain she cannot even begin to imagine, made her hesitate.

..It was, perhaps, the most genuine thing she'd heard from them ever since before the hunt began.

She wasn't sure why her heart hurt at such an idea, but it was enthralling to see the beginnings of a half hearted smile on their lips.

For a moment, her mask of theatrics was forgotten as she stared at them in a mixture of awe and adoration– and though she didn't look at Neuvillette, she could imagine he must've shared such an expression.

Had she any doubts that they were her Creator, that they alone were the most Divine..they would wiped clean now. There was no mistaking the way the world itself seemed to grow clearer as they glanced up at her like she was worth something.

For a moment, she realized how cold the false Creators gaze had been now that she has felt warmth so gentle it almost made her knees buckle beneath her. It felt like a pale imitation, now.

Nothing could compare to the warmth that spread through her body at the mere semblance of a smile upon their lips. She didn't even mind if it was her they were laughing at anymore, she just wanted to hear them laugh again.

She'd make a fool of herself, if she had to.

She'd never felt so..ravenous for such a thing, but just the briefest glimpse was addictive.

She simply couldn't help herself from striding across the room and clasping their free hand in her own, her smile wide enough to unnerve as she leaned her weight onto the bed. For a moment, she considered pulling away at the way they startled, but her mind was made up by then – there was no going back.

"Again."

[ganondoodle]

got this reblog on one of my posts were i talked about being anxious about the future of the zelda series after totk and-

i even went back and unblocked them just to check my own post and check twice what they meant exactly- but i still dont know how they got to these conclusions

i never said i 'want a good uwu ganondorf' (bc that would mean hes aligned with hyrule bc thats how goodness works!!!!11!1!!!), i also dont think of any of the zeldas as 'whores' (seriously, where did that come from?? neither me nor the addition of someone agreeing with me said anything like that??? did they think bc the addition called tloz misogynistic means we think zelda is a whore????? huh???)

its also funny how they say they want zelda to stay a simple fairytale rather than have 'people like me' bc .. one point i talked about in the og post was how the evil arab thing VS good white people media likes to do so much is so normalized here that its simply seen as a simple harmless fairytale trope instead of a big underlying issue in general media and the writers might not even realize it (which is worse) bc the most 'generic' appeal is to people who dont think of it as a problem in the first place, because it is so normalized

(huh, i wonder about what kind of person that part was about .. hmmmm)

(ALSO funny they mention princess hilda as nuanced villain ... like ... wow they are so nuanced about purple haired people!!- like guess why we want a nuanced/less badly/less flat written ganondorf and what he, in particular, has not in common with other villains! its not his hair color! .... or was that point supposed to mean .. look we have one female character that is a villain, its not misogynistic! idk honestly)

(and the classic, "you just call it this/dont like it bc its not what you wanted !!!!!!!2!"1!112!!")

also funny how its 'never gonna be progressive enough' like asking for the franchise to maybe put a little more thought and nuance into their white divine right vs evil desert man simulator instead of making it worse is already asking too much

(i dont know what the last point has to do with anything??)

(also yes totk is racist, like most if not all of the franchise and a alot of other media as well, shocker- you can still like it though, i and plenty of other people are still fans of it, we just wish they did a little more with their stuff and maybe not make the racism problem WORSE)

(also yes the hyrule monarchy is also evil :))) )

(and also not so secretly so either :)) )

[thetrinitytest]

[magnusbae]

"...You had to be able to show too much of yourself. You had to be just a little bit more honest than you were comfortable with. And if people judged you, if they felt they knew who you were, that was just something that you were going to have to live with. And what was strange is, once I started doing that, and I was expecting to be judged, or shunned, or people’s opinions or to have to deal with things, what I discovered was, actually, their opinions were, we really like this. We love this story. That’s a good story. It felt huge. It felt personal. And I realized that’s because I was being honest about me.“ —Neil Gaiman

[poorly-drawn-mdzs]

i wanna know more about svsss menopause

They synced their periods together too well. Now they are synced through their perimenopause years.

[group-dynamic]

Bartender: Hey, man, how's it going?

Me: Yeah, you know, it's good. Just thinking about how Gil Galad's kingship was haunted by Elrond. Like his first great failure after being crowned when he'd barely come of age was showing up too late to stop the destruction of Sirion. How he probably felt a deep personal responsibility to find Elwing's missing boys at least but couldn't even do that. Like, I know he probably got redirected by Cirdan toward all those refugees and stuff, but he probably really wanted a win, especially because he was kinda orphaned by then himself and knew how cruel fate was to the sons of greater destiny. Like all his family who'd been king before him died, like, horrifically? And then when Elrond returns all fine and he comes to Lindon and he's chosen the fate of the elves, Gil Galad's physically haunted by him again. See, but this time he chooses to be haunted by Elrond. Because I think he wants to fix what he sees as his first great failure by restoring a bright future for this kid which was robbed from him when Sirion fell--and it's probably like he wants better for him than what he got, too, because he got this kingship in exile thrust upon him when all he was doing was hanging out with Cirdan making ships or something with the other non-combatants and refugees like he and his mother who were fleeing war and violence and he was like fourth in line to the throne so he probably found out in one fell swoop that all his family's dead and oh, you're king and your destiny's out of your hands. So he's like, I'll make Elrond herald and give him all the experience and guidance on this leadership stuff I never got while also giving him better control of what kind of future he has. Then--get this--he never even marries or has kids and when his reign is coming to an end. . . Which, by the way, he probably foresaw his own death which is fucked-- because he gives Elrond his ring before the war of the last alliance, metaphorically making him his heir and also giving him the opportunity to shape his future. . .Yeah, yeah, cause Elrond wouldn't have been considered suitable to be a lord or a king or anything after he was raised by wolves the sons of Feanor. So when Gil made him herald it was like helping him gain political experience and any status he lost. So anyway, then Gil Galad dies, but in some ways he's spent a greater part of his life dedicated to the act of restoring Elrond to the path he should have been on in an alternate reality where he was raised as Earendil and Elwing's son and like correcting that first failure--but also changing Elrond's fate because Elrond has the ring, like, he literally has Gil Galad's legacy and power in his hands, something he wouldn't have had (or needed?) before. But he decides he won't be king. He'll use that power to guard the place that fulfills the legacies of both him and Gil Galad. He's rebuilt the home he lost, something Gil Galad was trying to give him, and then he makes it a place for all the orphans and the wounded and the refugees--like he even fosters a bunch of future orphan kings and like--

Bartender: Like the ending of Hamilton?

Me: *mumbling into my empty glass* Yeah, exactly like the ending of Hamilton.

[batbabydamian]

Hey, I started reading Robin son of Batman because of your recommendation (I literally have a print of your post on my phone to not forget lol). Honestly? One of the best things I ever read!!!

Thank you for opening my eyes! Damian has been one of my favorite characters for over a year, but I didn't read/watch much of him because of school, life (and probably an executive dysfunction in the mix).

Maya is incredible. I loved her.

I haven't finished all the issues yet, but do you have any other recommendations?

WAH this makes me so happy, i'm glad you still gave it a shot even with how busy life is!! ;v;

i’d love to give reccs, and i’ll try to go a beginner friendly route! tbh you can pick up whatever here, but since you've read R:SOB i’d immediately follow up with Batman and Robin (2011) #1-8! this first arc is what’s referred to in Maya’s introduction, and it's just. so good.

Main Books

Batman and Robin (2009)

Dick as Batman with Damian as his Robin!

#20-22 Tree of Blood: Dark Knight vs White Knight arc is done by Tomasi and Gleason, the team for the next Batman and Robin series

*Batman and Robin (2011)

Bruce and Damian figuring out their relationship as both Batman & Robin and father & son

imo you can enjoy the ride and read straight through this but i’ll add context to avoid as much confusion as possible since there’s the occasional tie-in or offscreen events, like Damian’s death nbd

Batman Incorporated (2012) #1-10

events leading to Damian's death - affects Batman and Robin (2011) from issue #18

kind of a tough read especially with how Talia's written, but a lot of iconic bits like Batcow, Damian's vegetarian declaration, Alfred the cat, "We Were the Best, Richard."

Robin (2021)

another self-discovery adventure, particularly after Alfred’s death and a fallout with Bruce (and questionable writing choices from his last Teen Titans run)

Batman and Robin (2023)

currently ongoing! after a number of events, Bruce and Damian are back as a duo

Damian Dynamics!

Batman: Streets of Gotham (2009) #7, 10-12

arc where Damian meets one of his first Gotham friends, Colin Wilkes

Batgirl (2009) #5-7, #17

Steph and Damian dynamic! "the bad cop, worse cop" dysfunctional duo

Red Robin (2009) #13-14

early Tim and Damian dynamic that of course includes fighting haha. funny enough, accidentally my first intro to Damian LOL

Teen Titans (2003) #89-92

Dick!Batman has Damian join the Teen Titans. Start of Damian and Rose Wilson dynamic that’s extended in Robin (2021)

Batman: Gates of Gotham (2011)

Damian meets Cass and has a brief team up

Gotham Academy (2015) #7

Damian meets Maps Mizoguchi! they have a few other meetings, but outside of that the series itself is a great read!

Robin War Event (2015)

Robin War (2015) #1, Grayson (2014) #15, Detective Comics (2011) #47, We Are Robin (2015) #7, Robin: Son of Batman (2015) #7, Robin War (2015) #2

Duke and Damian dynamic! not exactly beginner friendly but these are the main issues in order for the event! you can also read the TPB version for everything including Tie-Ins

Nightwing (2016) #16-20, #42, #43

#16-20 Nightwing and Robin arc!

#42 Dick on a mission to save Damian! the one appearance of "Wiggles" the dragon

#43 Dick, Roy, and Damian team-up

New Talent Showcase 2018 "Catwoman: Pedigree"

Selina, Damian, and Alfred the cat

Batman: Prelude to the Wedding - Robin vs. Ra's Al Ghul (2018)

Selina, Damian, and Cheese Viking - Damian's fav game shown in Nightwing: Rebirth (2016)

Monkey Prince (2022) #1-4

Marcus Sun Shugel-Shen's main comic, but Damian features as a fun dynamic here before they're in more serious circumstances in Batman VS Robin (2022)/Lazarus Planet event

Superman (2016) #10 - 11

the beginning of the Super Sons! featuring Maya!

Super Sons (2017)

solitary arcs but there’s a few event tie-in issues later

Adventures of the Super Sons (2018)

literally more Super Sons adventures lol galactic shenanigans yeehaw

Challenge of the Super Sons (2020) 

Super Sons time shenanigans feat. the Justice League

Robin 80th Anniversary (2020)

"Boy Wonders" - brief Damian feature as Tim considers his next step in life

"My Best Friend" - Jon's thoughts on Damian and their dynamic

"Bat and Mouse" - refers to Damian's unfortunate Teen Titans (2016) run at the time of release which follows up with Teen Titans Annual #2 where Damian briefly gives up Robin

Extra Comics!

Superman/Batman (2003) #77

Kara and Damian in a Halloween team-up! also the appearance of "Li'l Matches" lol

DCU Halloween Special '09 "Cavity Search"

Damian out on a solo mission for Halloween night. Immediately after is Tim's Red Robin story "Then and Now: Our Father's Sins" which is more somber in contrast but also a good read!

DCU Halloween Special 2010 "Robin the Vampire Slayer"

a Dick!Batman and Robin story featuring the vampire Andrew Bennett

Cursed Comics Cavalcade (2018) "The Devil You Know"

Halloween themed comic with a sweet short story of Damian alongside Solomon Grundy

DC's Terrors Through Time (2022)

"Trick or Treat" a Super Sons Halloween story

"The Haunting of Wayne Manor" Damian and Deadman story - in the end, Boston kinda refers to Nezha's possession of Damian in Batman VS Robin (2022) which was happening at the time of this release

Batman: Li'l Gotham (2013)

lighthearted series that instantly makes me smile with the silliness and Dustin Nguyen’s art i love this dearly

Secret Origins (2014) #4 "A Boy's Life"

a retelling of Damian's origin story

Detective Comics (2016) #1001-1005

Batman and Robin vs the Arkham Knight (unrelated to the game)

Truth & Justice (2021) #6/#16 - 18 Digital First version

cute story of Damian’s birthday! Juni Ba’s art is so fun!!

DC Festival of Heroes: The Asian Superhero Celebration (2021) “Special Delivery”

short story about Damian! and poisoned pizzas. completely forgot the artist Sami Basri drew Rebirth Damian here before catboy Damian lol Cass’s story “Sounds” is also cute! Marcus makes his first appearance in "The Monkey Prince Hates Superheroes"

DC VS Vampires (2021)

Damian makes appearances throughout this elseworlds book, but the one-shot DC VS Vampires: Hunters (2022) is vampire Damian-centric!

Batman: Black and White (2021) #5

“Father & Son Outing” short story written and drawn by Jorge Jimenez!

Batman: Urban Legends (2021) #20-23

#20 “My Son” Talia and Bruce focus

#20 - 23 “The Murder Club” 4 Parts

Tiny Titans (2008) #33, #39, #45, #47

a few appearances but SO CUTE, LOOK AT HIM

*Batman and Robin (2011) reading guide

i'm mostly trying to avoid the "what did i just walk in on?" kinda feeling when i first started reading comics LOL i'll list the comics where events take place, but you don't necessarily have to read them to go through this book since things are usually explained as quickly as possible in the first page or so

#0 Someday Never Comes

Talia and baby Damian before he grows up to meet Bruce

#1-8 Born to Kill

just an incredibly solid arc for Bruce and Damian!

#9 Court of Owls Tie-In Issue

Damian VS a Court of Owls Talon. While Bruce is occupied with a home invasion of Talons, Alfred makes a call for allies to protect targeted Gotham public figures from Talons. During Batman (2011) #1-11

#10-12 Terminus

Damian challenges the previous Robins sans Steph

Batman Incorporated (2012) is occurring at this time where Talia has placed a bounty on Damian and there's small mentions of that

#13-14 Eclipsed/Devoured

mostly solitary arc! end of it leads into the Death of the Family event

#15-16 Death of the Family Tie-In Issues

Damian and Joker face-off... Alfred's been kidnapped by the Joker, and Damian goes looking for him. During Batman (2011) #13-17

#17 Life is but a Dream - Death of the Family Epilogue

a sort of subconscious check-in through the dreams of Damian, Alfred, and Bruce. Nightwing (2011) #17 features Damian encouraging Dick after Death of the Family events

#18 Undone "Requiem"

Bruce dealing with Damian's death from Batman Incorporated #8

other reactions to Damian's death: Dick in Nightwing (2011) #18, Tim in Teen Titans (2011) #18

#19-23 Denial, Rage, The Bargain, Despair, Acceptance

Bruce through the stages of grief with some batfam appearances in each. also introduces Carrie Kelley into continuity as Damian's acting tutor.

Batman (2011) #19-20 also addresses Bruce's loss

#23.1-23.4

these could be skipped - villain stories, also related to Forever Evil event.

#24-28 The Big Burn

optional Batman and Two-Face/Harvey Dent arc, #23.1 is part of this story!

Damian's resurrection and return

#29-32 The Hunt for Robin

Ras took Talia and Damian's bodies from their graves, and Bruce goes after him.

-> Robin Rises: Omega

continues events from #32. if you don't want to jump to this, basically, Glorious Godfrey and a bunch of parademons from Apokolips are here for a chaos shard which Ra's put in Damian's sarcophagus. at some point, Bruce gets a hold of the shard where he sees a vision that leads him to believe Damian can be resurrected. Godfrey ends up taking the shard, along with Damian's body since it was emitting the same energy.

#33-37 Robin Rises

Bruce hellbent on retrieving Damian from Apokolips and reviving him

-> Robin Rises: Alpha

necessary to read and continues events from #37! Damian's back with a bang lol

#38-40 Superpower

Damian adjusting to having superpowers and being alive again

Annual #1 2013 Batman Impossible

sweet (and funny) one-shot of Damian sending Bruce on a meaningful scavenger hunt around the world while Damian gets to be the cutest Batman for a bit

Annual #2 2014 Batman and Robin: Week One

one-shot takes place during Damian's absence. after Bruce and Alfred find a mystery gift left for Dick, Dick recounts a story he had told Damian from his Robin days.

Annual #3 2015 Moonshot

one-shot Batman and Robin adventure on the moon!

...and of course after Batman and Robin (2011), Damian's story continues in his first solo Robin: Son of Batman (2015)!