#Writing Fiction

[daisywords]

One of my biggest nitpicks in fiction concerns the feeding of babies. Mothers dying during/shortly after childbirth or the baby being separated form the mother shortly after birth is pretty common in fiction. It is/was also common enough in real life, which is why I think a lot of writers/readers don't think too hard about this. however. Historically, the only reason the vast majority of babies survived being separated from their mother was because there was at least one other woman around to breastfeed them. Before modern formula, yes, people did use other substitutes, but they were rarely, if ever, nutritionally sufficient.

Newborns can't eat adult food. They can't really survive on animal milk. If your story takes place in a world before/without formula, a baby separated from its mother is going to either be nursed by someone else, or starve.

It doesn't have to be a huge plot point, but idk at least don't explicitly describe the situation as excluding the possibility of a wetnurse. "The father or the great grandmother or the neighbor man or the older sibling took and raised the baby completely alone in a cave for a year." Nope. That baby is dead I'm sorry. "The baby was kidnapped shortly after birth by a wizard and hidden away in a secret tower" um quick question was the wizard lactating? "The mother refused to see or touch her child after birth so the baby was left to the care of the ailing grandfather" the grandfather who made the necessary arrangements with women in the neighborhood, right? right? OR THAT GREAT OFFENDER "A newborn baby was left on the doorstep and they brought it in and took care of it no issues" What Are You Going to Feed That Baby. Hello?

Like. It's not impossible, but arrangements are going to have to be made. There are some logistics.

[coffeebeanwriting]

Some Quick Character Tips

Here are a handful of quick tips to help you write believable characters! 

1. A character’s arc doesn’t need to grow linearly. Your protagonist doesn’t have to go from being weak to strong, shy to confident, or novice to professional in one straight line. It’s more realistic if they mess up their progress on the way and even decline a bit before reaching their goal.

2. Their past affects their present. Make their backstory matter by having their past events shape them into who they are. Growing up with strict parents might lead to a sneaky character, and a bad car accident might leave them fearful of driving.

3. Give reoccurring side characters something that makes them easily recognizable. This could be a scar, a unique hairstyle, an accent, or a location they’re always found at, etc.

4. Make sure their dialogue matches their personality. To make your characters more believable in conversation, give them speech patterns. Does the shy character mumble too low for anyone to ever hear, does the nervous one pace around and make everyone else on edge? 

5. Make your characters unpredictable. Real people do unexpected things all the time, and this can make life more exciting. The strict, straight-A student who decides to drink at a party. The pristine princess who likes to visit the muddy farm animals. When character’s decide to do things spontaneously or in the heat of the moment, it can create amazing twists and turns.

6. Give even your minor character's a motive. This isn’t to say that all your characters need deep, intricate motives. However, every character should need or want something, and their actions should reflect that. What’s the motive behind a side character who follows your protagonist on their adventure? Perhaps they’ve always had dreams of leaving their small village or they want to protect your protagonist because of secret feelings.

Instagram: coffeebeanwriting  

[novlr]

Vary your language with synonyms to use instead of "said"

While there is nothing wrong with the word "said" in and of itself, variety is the key to exciting writing that keeps readers engaged.

Combining action beats with varied synonyms as well as "said" yields the most interesting and varied results.

Here are some examples you can use in your next project to keep you writing varied:

Instead of "said quietly"

whispered

murmured

muttered

croaked

purred

hissed

crooned

breathed

buzzed

Instead of "said affectionately"

admired

gushed

praised

flattered

lauded

beamed

complimented

approved

exalted

Instead of "said sadly"

sobbed

cried

lamented

pleaded

wept

grieved

wailed

sniffled

bawled

Instead of "said angrily"

growled

fumed

demanded

hissed

scolded

mocked

yelled

bellowed

berated

Instead of "said fearfully"

stuttered

gasped

stammered

gulped

cautioned

screamed

wavered

croaked

blanched

Instead of "said excitedly"

cheered

sang

beamed

rejoiced

hailed

exclaimed

celebrated

exulted

blurted

Instead of "said uncertainly"

inquired

hesitated

balked

deferred

speculated

floundered

pondered

wavered

vacillated

Neutral synonyms to use instead of "said"

voiced

expressed

insisted

noted

uttered

continued

replied

went on

began

[coffeetank]

Ways to Make a Character Apologise

"I'm sorry."

"I just...want to say I'm sorry."

*brings gift* "This is to make up for what I did."

"You're right, it was my fault."

"I have some reparations to make."

"I would like to make it up to you, if you give me a chance."

"I just need one chance. To prove that I truly regret doing what I did."

"Saying sorry does not make me any less smaller. It's just the right thing to do."

"Do you think you could forgive me?"

"You deserve this apology, so take it grandly."

"I will do anything to prove how sorry I am."

*goes to lengths to apologise* "I'm still not done apologising."

"Come with me, please."

"Let me do the right thing."

"You can choose not to accept it. But that doesn't mean I won't do it."

- ashlee

[cataclysmic-writer]

Nothing beats writing antagonists with this vibe

[emilyzipps]

Reading a book now that in the same few paragraphs mentioned Siri, google maps, and another app all at once, and I was kind of overwhelmed by how specific that is—to Apple, to right now, etc. I got bogged down in wondering if that section would be legible in 15 years, like if Siri goes away or is renamed or no one uses Apple phones.

What are your thoughts on books including specific app or brand names, which might end up dating it (like all books with “twitter” in them are now Pre 2024 books)?

Aka, would you prefer to write/read “she set her google maps to give directions” or “she put the address in her gps.”

[arinotfae]

I am a writing genius who totally planned this

[pygmi-says-hi]

writing tips - pagan religion

YO! pagan religions are hella cool!

They're also tricky to write.

Lemme help.

What is a pagan religion?

Pagan religions revolve around the natural world. The deities are associated with natural occurrences, and the ritual of life and death is crucial.

Life and death practices of pagan religions are usually the centerfold. Rituals in the religion have to do with sacrifice and natural procession in the environment.

Common themes:

hunter/hunted

dawn/dusk

stars!

growth and rot

Like any religion, there are two sides to every coin (god). If there is light, there must be dark. If there is heat, there must be freeze as well.

Worship? Devotion? Fear?

Another difference between pagan religions and monotheistic or polytheistic religions is the attitude of address. In mono/poly, it's a feeling of 'I will devote myself to you because i want to better myself and I believe it will assist that'. Pagan religions have an understanding of 'this is your world, we're just living in it. you are responsible for everything, so i pray to you to ask for protection from the side effects and to allow me to stay alive.'

it's less of a power thing and more of a survival/coexistence thing. Neither is bad! they're just different, and it's a sizeable difference.

Pagans believe that the world is joyful and of creation, not of suffering. There is no sacrifice to 'devote yourself' there is sacrifice to show appreciation and exchange for inhabiting the god's space.

Pagans are very earth conscious and aware of how the effects of their lives impact the holy world. Often, they are rustic societies that give back as much as possible.

A pantheon is not the same as pagan.

Just because they are both polytheistic doesn't mean they function the same way. There are differences!! Please research!!

Like I said in my pantheon religion post, it's important to do this research to do the religion justice. People who are pagan don't want to read sloppily, under-researched presentations of their beliefs. That doesn't help with media misrepresentation.

xox love you!

[slayingfiction]

How I push through writing when I don't feel like writing.

Here are some of the techniques that I use to help me write more often or more consistantly when my laziness/depression/anxiety starts to take over.

I watch TV. I don't do it with the purpose of zoning out though. I watch something popular and well-liked such as the LOR or Harry Potter to get new ideas on how I can develop my story and apply their in-depth world-building ideas to help develop mine. Without plagarizing of course!!!!

Zoning out and daydreaming. As I have mentionned before, daydreaming is a huge part of my story outlining and world-building process. I'll stand in the shower, or take a walk and think about how my charcaters would act/react/behave in situations, mundane or not. Doing this gives me a better sense of my characters, and sometimes gives me ideas for scenes I use later on.

Work on writing related projects. These work well at keeping me distracted while still being productive on my writing goals. Example, I have one story I am working now, I made a new language (alphabet and numbers included) to include as a cool and fun component for the book. So, at times when I don't wan't to write, I continue creating the dictionary (very fun, 8/10 would recommend). Also, for the same book, my characters don't work off the Georigian calendar and 24 hour clock, so I've been working at creating a new calendar (harder than it seems, 2.5/10 dont recommend). These are side projects that help my story, without having to write.

Reading. You saw this one coming, I know. Reading is great, especially when you're editing, your writing style will unconsciously change to be more similar the author you were just reading. Also, most importantly, I'll be reading and think, "this story is really good, but you know what story I like even better? Mine." then change to writing.

This one is my biggest life saver!! I learnt about a year ago that sometimes I'll get bored of writing a story, and have difficulty keeping on track. That's why I finished my first book in 2016 and just started editing the first draft last week. The solution for me was to work on multiple projects at once, because it was much harder to be bored of multiple stories. I stick to 2, but will sometimes add a third. This is easy for me, because I have a list of over a dozen series I want to write. Don't abandon one project for another, use them as a distraction/ motivation for each other, so you're always furthering at least one project. I've never heard someone say, "oh no, i accidentally worked on this other writing project for three months instead of the other writing project I was doing. Dammit." No, we're just happy we have written something. Be sure to have well outlined story lines before starting, don't just start writing randomly or you'll reach a point where you don't know where to go from there.

Author/ writer projects. Maybe this is building a following, or community to share your projects and engage with. Tumblr, Insta, Reddit, whatever it is. My hope this year is to start up my website to offer publishing services (editing, graphic design, short writing courses) and build a following as a writer. (See what I did there? Never a bad time to self-promote ;) ) Having your own projects like this will help you in the future when you're going to try to publish and sell your books!

Talk with friends and a writing community. Never underestimate the passion that will burn inside you when talking about your story, or when others are talking about theirs. Surrounding yourself with a positive writing community can be the best thing for you as a writer.

Write or read (your story) every day. I'm not going to be one of those people that say you need to write 1000 words a day, that's a lot. But maybe try for 100? That could maybe only take 5 minutes, and at the end of the year that's still over 36 thousand words of a novel. Or just read your story, and I've always found it helped me get in the creative mood.

Make a playlist of songs that remind you of your characters, your story, or just puts you in the mood to write. Then play it ONLY when you're having trouble writing. Playing it while writing will not help, you'll get annoyed with the songs.

Just really can't do it today? That's okay, take a break. You deserve it. There's always tomorrow.

Does anyone else have ways they push themselves to keep writing? Let us know in the comments!

Happy Writing!

[performativezippers]

i don't know who needs to hear this but

💋 in 2016 i started seriously writing fanfic again after a few year hiatus

🦈🐍 in 2018 i started writing a novel for the first time

🦈🐍 in 2019 i got turned down by 64 agents

🦈🐍 in 2020 i signed with an agent and then zero publishers wanted to buy my book and it died

🔥🌳 in 2021 my second book was not bought by publishers and it died

⛺️ in 2022 my third book was not bought by publishers and it died

🍄 in 2023 my fourth book went to auction and got bought by my dream publisher, for release in 2025

👯‍♀️ in 2024, my publisher bought two more books , one of which doesn't even have an idea yet, for release in 2026 and 2027

On my 35th birthday, I had zero books published. By my 40th birthday, I'll have three books in your local bookstore, and that's so fucking cool I don't even know what to say.

it's long and slow and horribly painful, but sometimes, if you keep working and learning and growing and trying — sometimes awesome shit happens.

[magnusbae]

"...You had to be able to show too much of yourself. You had to be just a little bit more honest than you were comfortable with. And if people judged you, if they felt they knew who you were, that was just something that you were going to have to live with. And what was strange is, once I started doing that, and I was expecting to be judged, or shunned, or people’s opinions or to have to deal with things, what I discovered was, actually, their opinions were, we really like this. We love this story. That’s a good story. It felt huge. It felt personal. And I realized that’s because I was being honest about me.“ —Neil Gaiman

[mactiir]

sword misconceptions pt 1: longsword

Post series: shortsword | rapier | buckler | dagger | spear

so as I'm getting back into fantasy lit as a historical fencer, there are a lot of things I am noticing cropping up in swordfights that are inaccurate or flat out wrong. So i wanted to write a post for my fellow writers putting down a few things I've learned in 2.5 years of swinging the actual weapons around!

Disclaimer: i am not an expert. Additionally, many of the historical terms for weapons were not standardized (there was no "one" longsword/rapier/shortsword etc when we're talking about a weapon that existed for hundreds of years across an entire continent) so what I'm discussing under the cut is specific to the late medieval/early Renaissance European two-handed weapon with a simple hilt/crossguard and with a blade length around 3 feet -- what D&D calls the longsword, or in older editions the bastard sword (although if we want to get picky about it, bastard swords should have shorter handles than longswords -- but I wrote this post as a writing reference so names are beside the point. you can call the swords whatever you want in your story, anyway).

Misconception 1: longswords are heavy.

Older editions of D&D had these weapons at 6 pounds, which is about 2x too heavy. 5e has them at 3 pounds, which is exactly right. Your average longsword is between 2 and 4 pounds, and a well-made one will be balanced such that you barely feel it. Pound for pound, they are heavier than almost all one handed weapons (except some rapiers but we'll talk about that later), but between their balance and the fact you wield them in both hands, their weight is likely not going to be a prohibiting factor for most characters. Everyone who can pick up a wooden baseball bat can pick a longsword up and swing it. A weak or out of shape character will struggle for wielding it for lengths of time, though.

Misconception 2: longswords are slow.

You're 1) thinking of a zweihander and 2)zweihanders aren't slow, either, but we'll get to that later. Longswords, wielded properly in both hands, are lightning fast, with a skilled fencer that's opened their opponent's defense often able to land 2-4 hits before a director even registers the first hit and calls "halt". And there are two components to speed: actual velocity, and distance. Longswords are -- well, long. Even if you can't swing it as fast as a little knife, the fact that it's three feet long means you're closing to target much faster compared with a shorter weapon, because you don't have to do as much footwork to get into, or out of, striking range.

Misconception 3: you can wield a longsword in one or both hands.

I mean, you could. But a one-handed wield robs a longsword of a lot of its dexterity, grace, precision, and yes -- power. You want two hands on this thing. Your dominant hand goes closer to the crossguard and it's what generates your power and edge alignment. Your offhand on or near the pommel is where your dexterity and fine steering is. Switching or removing either of these hands feels weird and you are also way more likely to get disarmed just by trying to parry with one hand.

Misconception 4: swordfights are about dodging.

You have two realistic options when someone is swinging a longsword at you: parry or step out of range. You do not duck. You do not jump. You do not sway, roll, or do backbends. All of these things will 1) rob you of necessary structure to riposte, 2) leave you wide open for a renewed attack or remise, and 3) leave your most important tool for not getting hit -- your SWORD -- too far off target to help you. Yes, all of these things look super cool and may fit depending on your style and setting. But if you're going for realism, YOU PARRY.

Misconception 5: you can be fast or strong but not both.

Ok, this is more a pet peeve about martial arts in general but: you cannot be fast without a certain base amount of muscle. You CANNOT. Small people with no muscle are slow. They have to take huge, looping cuts to compensate for their lack of muscle and leave huge openings while they do it. Small people who do well at the sport are often very quick because they have to train the heck out of footwork to outwork bigger opponents, but that only comes with TRAINING. It's not a "small people are automatically dex builds" thing. And while big muscly guys are often slower, they also 1) have less distance to move to close to target, which makes them "faster" even if they are moving a tad slower and 2) they're also often fast as balls, so you can judge virtually nothing about an opponent based on their body type except for their reach. A good, big longsword fencer will often have really fast handwork because most don't do well in longsword fencing without speed.

Let me know if there are any lingering questions I missed! I may think of more later, but I hope this was helpful for now :)

[coffeebeanwriting]

Quick Tips on Writing Better Characters

Here are a handful of quick tips to writing stronger characters and understanding them better as a writer.

Give your characters a title. This can help with worldbuilding and placing your protagonist into the environment. What do others call your characters? The emperor, the bastard son, the Grinch, the chosen one, the class clown, the evil witch, the popular girl, etc.

Use your settings to enhance your character. You can use the locations of your novel to mirror or contrast your character. Do they blend in or stand out? What they focus on can say a lot about them (ex. a fearsome character mishearing things on a dark street, a princess in a ballroom only focused on the exit.)

Know your protagonist's motives and goals before you start writing. What is something they need that fuels their actions throughout the novel? Money, freedom, an artifact, food? To protect their sister at all costs and survive the Hunger Games? 

Now that you know their motive, make it more complex. A character's motive can be made more complex by putting them in high-stake situations that force them to make decisions. For example, Katniss wants to protect her sister, a very common motivation. However, present-day conflict makes her to do it in the most extreme way by volunteering in the Hunger Games. The plot forces her to make an extreme choice fueled by her motivation.

Your protagonist should be active. It's okay to have your story's events sometimes happen to your character (this is referred to as the character being passive, ex. a tornado sweeping them away) but your protagonist should be active a majority of the time. This means they should always be making decisions, thinking, reflecting and progressing through obstacles.

Instagram: coffeebeanwriting

[coffeetank]

Sarcastic Dialogues - I

"I forgot to remind you: I don't give a fuck."

"I would like to propose a murder."

"You'll have to be there." // "Only if you let me plant this bomb."

"I can't go, I have allergies." // "To what?" // "People."

"Oh, look! A braniac without a brain!"

"Do you like my netted top?" // "You're wearing a hairnet."

"Every day I resist the urge to kill you."

"I'm actually very smart." // "And I'm actually Brad Pitt."

"Age is just a number." // "And homicide is just a dare."

"Oh! Isn't he just gorgeous?" // "No."

"My heart and my soul are—" // "What heart and what soul?"

"Hey, I tried!" // "That's your definition of effort?"

- ashlee

[novlr]

I need a word for horny but not in a sexual way more just like wanting kisses and hugs and affection or something

This is a great question! The best way to write about desire in a way that makes readers feel invested is to write around it.

Instead of using just a single word, use language that hints at something simmering below the surface. That way, you build tension for your readers, making them invested in the outcome of your characters' relationships. Here are some tips for how to write romantic desire in various ways (including some handy synonyms at the end as well).

Unconscious movements

Covert glances

Licking and biting lips

Mirroring the other's movements

Parting or crossing of legs

Touching one's own skin

Swallowing more than usual

Blinking rapidly

Short breaths

Playing with one's hair

Fidgeting

Leaning closer than usual

Internal feelings

A fluttering heartbeat

Comfort in the other's presence

Knots in your stomach

The sensation of other sounds being muffled

Nervous tingling

Short of breath

Hypersensitivity

Sudden weakness

Thumping pulse

Emotional overwhelm

Goosebumps

Behaviours

Surrounding oneself with reminders of the object of desire (like things that smell of them, or an object they hold dear)

Creating reasons to spend more time with the other person

Loss of inhibition

Impatience and irritability

Setting active goals to attain the object of desire

Conscious and subconscious fixation

Changing oneself to better suit the other's wants

Feigning other interests to promote jealousy

Showing resolved desire

Finally feeling personally fulfilled

A sense of calm and peace

A shift in focus from pursuit to personal happiness

Feelings of contentment

A change of life priorities

Feeling like an obstacle has been overcome

A more relaxed manner or expression

Personal and romantic growth

Showing unrequited desire

Pining for lost love

Frustration and anger

Bottling one's feelings

Living in denial

Feeling rejected

Falling into a personally damaging pattern of pining for the wrong people

Strained friendships

A sense of disconnection and isolation

Some handy synonyms

Craving

Longing

Yearning

Wanting

Hunger

Thirst

Covet

Infatuation

Obsession

Attraction

Passion

Fascination

Lust

Pining

Aching

Burning

Need

Love

Devotion

Rapture

Appetite

Frenzy

Frisky

Amorous (thank you, @quotidias, for the contribution!)