#too many people i know got hit hard recently

[kukuandkookie]

Sorry I know you worked hard on this analysis and yes it’s a very lovely and moving read and as others have said, it’s really strong and I can feel the passion—

But also…

BERYL AND SAPPHIRE MENTION??? 🥺🤧🥹

As much as I love Link Click, Beryl and Sapphire will truly always have a special space in my heart.

Especially since Link Click already has a huge fandom internationally too, but Beryl and Sapphire is more underrated globally and I tend to gravitate to loving underrated things even more loudly. But also for Link Click, it’s an objectively really strong donghua almost anyone would recommend to anyone else in a near heartbeat, while for Beryl and Sapphire, maybe it’s more flawed objectively in animation etc, but subjectively I always want to recommend it.

Anyway sorry for the Beryl and Sapphire freak out ahaha. I was just reading this and got hit in the face with them and ahhh I love them (they are actually very Shiguang energy in some arcs if people are into that!). 🥺

Also to touch briefly on why the nature of Shiguang’s relationship may be up to interpretation, I think of it as there being three layers to Chinese media in terms of queerness, mostly because censorship in China is a spectrum so it causes some discrepancies:

1) Uncensored (as much as they can be), explicit, canon BL: usually found in novels and audio dramas and manhua—examples include most popular danmei like Mo Dao Zu Shi or Erha

2) Censored but still intended to be BL and is thus canon through queer-coding (could be in the background or in the foreground): most often seen in donghua and cdramas (which unfortunately gets many BL cdramas labelled “bromance” even though they’re trying to go against censors as best as they can)—examples include the Mo Dao Zu Shi donghua adaptation or Wang Qi and Cui Bei in the background of Dalisi Rizhi or The Spirealm, a cdrama adaptation of danmei novel Kaleidoscope of Death

3) Homoerotic media that isn’t technically intended to be BL because we can’t assume the creative crews’ intentions but can be interpreted as such due to what can also be seen as queer-coding but is also still vague (not queer-baiting, because Chinese creators can’t even afford to queer-bait): most often seen in donghua and cdramas; these are what often get called “sworn brothers” in Chinese fandom, referencing a real historical tradition that’s similar to becoming “blood brothers,” and would be actually fair to call a bromance (personally, I like to call it “BL if you squint”)—for example, Link Click or the cdrama adaptation of Hikaru no Go

Censorship is horrible, but in the way humans adapt, it’s caused a unique situation for Chinese media where besides BL stories evolving to focus on genre and plot beyond just romance, relationships can be very very flexible. It’s really interesting to see, and it does make for lots of analysis potential! I think the recent cdrama The Way Home is a great example of this, as it obviously got past censors by being a story about brotherhood and family, yet everyone who watches it has raised an eyebrow at the potential gayness of it all.

That being said, sorry for derailing SLFNSKSH. I love media analyses but I don’t have anything more worthwhile than the insight you’ve already provided to share about Shiguang.

I do have some ideas about queer-coding in Chinese media in general and why real life bodies can’t portray it as much as animated or non-bodies (via audio dramas) can, which is the subject of an academic thing I’ve been trying to work on, but that’s no longer about Shiguang and Link Click itself. 😅

But it’s truly such an interesting thing to talk about it from so many possible angles!

Vortex We Took Every Breath to Follow : Shiguang and Their Companionship Through Life and Beyond

@justfrolikin I hope this will be a suitable reply to the question you asked; what I think about the nature of the bond Shiguang share.

First, a few words from me :

Even though I love engaging in fandom spaces and enjoy ship fanarts, fanfictions etc, till today my heart truly belongs to a very few ships. Shiguang is one of them. As long as one is not blinded by homophobic delusions, I enjoy discussing any kind of interpretation of my OTPs, be it 'Platonic', just friends™, romantic or whatever. But I have a fixed category (which very ironically is not quite fixed if you read the whole discussion) that fulfills my idea of true love.

for me, Love is a dialogic discourse with your existential other.

The terms I used are very loaded terms; 'dialogue' and 'other' come from the Bakhtinian philosophy of ethics, 'discourse' is a Foucauldian term and existentialism has a long postmodern and post-structuralist philosophical tradition. The reason I LOVE Link Click is because of their postmodern lens and the narratives of the characters, not only the protagonists fundamentally question what is the real purpose of life? Why do human bondings matter? The answers reside in the simplest vignette of everyday life. Grief, trauma, hope, memory, reconciliation, remembrance, love, family - these are the central themes of Link Click. Lu Guang and Cheng Xiaoshi's separate existence and their interpersonal dialogue thematically and structurally complements the main ethos of Link Click.

When asked about the nature of Shiguang relationship Director Li Haoling answered : 是生死之交咯! (Shì shēngsǐ zhī jiāo gē! - It's a life and death relationship!)

source :

Fate, mortality, death, remembrance are the building blocks of their relationship as we perceive it.

Now let me talk about something. When I first watched Link Click on September 17th, 2024, the first Intertexual connection I drew was with another text called Waiting for Godot by Samuel Beckett. Funnily enough, early in this year I wrote a crossover Hamlet adaptation (and won the second prize in a competition hehe) interweaving a few elements from Godot. Time loop, fragmentation of time and space, panopticon with no exit - all these elements featured in that. I recommend Waiting for Godot to you all, you'll understand why it resonates so much with Link Click.

Now,

Lu Guang is a person who is shown to be a character who has some mysterious powers to manipulate time and space. Even from the very beginning, he has this dominant (and sometimes seemingly monologic that feels problematic to new viewers) voice with which he guides Cheng Xiaoshi through the dives. He is apparently headstrong and has acquired all kinds of praises ™ like hypocrite, selfish (lol) and what not. Again quoting Li Haoling "Lu Guang is a complex and delicate character." But after the release of 'The Eye' and 'The Lull', I think we are pretty sure that Lu Guang has been trapped in a rewind, like a Sisyphus figure. A friend of mine told me the other day, "Superficially, Lu Guang is presented as an archetypal strategist, the one who guides, the one who keeps things in control, but in reality, he has no agency whatsoever." Lu Guang lacks the fundamental agency in life (we all do but we have to accept it one day or other) and that mortifying realisation comes to him with the death of Cheng Xiaoshi. What is unacceptable to him is the most obvious outcome of a mortal life : death. Lu Guang's tragic flaw stems from this unacceptability of Cheng Xiaoshi's death and him attempting to manipulate time, very Sisyphus of him. Till now, we are yet to see Lu Guang's character traits without any reference to Cheng Xiaoshi but this does not reduce his character depth. His denial is actually very delicious ( I almost wrote a paper on this, taking the popular sci-fi trope of time travel as an allegorical and symbolic means of resistance and subversion but anyway, it's not relevant here)

Lu Guang's character makes me fall in love with the song Flash by Gorilla Attack. It is from Lu Guang's character, no one can convince me otherwise.

Just a loop A bored 'n loop Should I do this now 'til the end? Into the story As just an extra You are the reason I live But you don't remember me? Oh, can I be with you?

And

The only thing that I got, just like a little lamp I gotta go in one-way smoke Resist the lifeless scenario Become the person The person I wished for that day The room like a coffin, too bright A groove that I lost faraway Blanket, I need a blanket Not a synthetic one Notice the regret engraved so hard

And the line that keeps coming back as a haunting refrain :

Flash me, flash me Gotta get the power to rewrite I just wanna deny, I just wanna rewrite, yeah

Every time I listen to this song, these lines send a chill down my spine. But Lu Guang's obsession with 'rewrite' echoes with what my professor said to be Hamlet's constant meta-theatrical discomfort with the script, role, play he has been provided with. He does not comply with the playwright's words. Apart from time and death, I think Lu Guang's most wretched enemy is Li Haoling himself. That's why he constantly wants to 'rewrite', but all he has got till now is 'rewind'. Now whether his 'urge to rewrite' will turn into a successful 'write back' is the central play of the plot we are looking up to. What is my personal opinion on the ending?

The ending which is so dryly plausible in our real world is Lu Guang accepting his defeat and carries within him the remembrance of Cheng Xiaoshi.

But my question is, my brother in Buddhism Li Haoling, why the fuck would I watch your Link Click to know that death is the node that can't be changed? Is it not the given fact? It's a cultural text, however modern or postmodern a text might be, it ultimately uses the plot to defamiliarise and convey well known concepts and emotions with a critical engagement. A plot is just a vehicle, a crucial one, to help us have a greater and more nuanced vision of life. Due to non-linear narrative and active subversion of chronotope, complex plot will have plot twists and cliffhangers BUT it still has to perform a crucial, non negotiable role - the arc. If the beginning point and the ending point have the same temperaments, what kind of significance will it even achieve?

If Lu Guang can't write back at the end of Link Click, the structure of the plot will be like this :

1. Exposition, rising action : Cheng Xiaoshi died at the very beginning, Lu Guang is fucked.

2. Climactic stage : shit and shit and complex quantum physics, hallelujah hot villains, 'I am a great writer I can kill any character TeeeHeeeeHeeee', backstories, parallel narratives, foil characters have no relevance and rendered completely meaningless,

3. Falling action and resolution : Cheng Xiaoshi is still dead to the very ending, Lu Guang is still fucked.

No catharsis, not a milimeter of displacement from the beginning point.

What is the fucking point?! From the perspective of a writer and a critical reader, I can say it will be a sheer waste of money, time and potential. I would rather watch... whatever.

The friend I mentioned before told me, " You know why Emma or Chen Bin die? They had to die. Emma had a loving family, she got the job she wanted, she had her hardships but she didn't begin with tragedy. And when tragedy came, she was so not ready to negotiate the problem and considered self-annihilation as her first choice. She actively erased the possibility of dialogue with herself. If Emma were an orphan, struggling with unemployment and other hardships from the very beginning, I don't think Emma would die that easily. Emma was denied the conflict of life which very ironically tests human agency itself."

And for Chen Bin...during my first watch, the moment I saw him my instincts told me he was going to die. He had a loving wife, a daughter, he loved her, she accepted the proposal and they married soon. Conflict where? To bring his story to a full circle, he had to die.

I can say every parallel story in Link Click can be judged from this lens. People who had a point of conflict (the noodle lesbians, the couple who lost their child, Xu Shanshan, that old man) engaged in dialogue with themselves, others and social forces ultimately got a happy ending. Even in the earthquake episode, it's a story of reconciliation with the past, the man got his mother's photos and it's plausible and satisfying (and bittersweet resolution). He got his (absent) father back.

Another thing, we as a fandom have a collective amnesia about....*drumrolls* Cheng Xiaoshi's character! Congratulations! The man, the freaking protagonist just dies at the beginning, accepts his death, and remains dead. Doomed yaoi allegations are just nonsense. Link Click is doomed if Shiguang doesn't get a happy ending. Link Click is NOT a dramatic monologue told from Lu Guang's perspective, engaging with his perpetual trance of melancholy and him holding onto Cheng Xiaoshi's memento mori.

If Lu Guang is attempting to write back to Li Haoling and the doomed yaoi allegations, Cheng is attempting to write back to Lu Guang himself, not in confirming his own death, but saving Lu Guang from the loop of eternity and by being together. Cheng Xiaoshi is always seen to be guided by Lu Guang, he has to witness repercussions of his actions. Even with all this knowledge I will say, Cheng Xiaoshi has way more agency than Lu Guang has. During my first watch, I could feel Lu Guang has this barrier of guilt and unsettled emotions wrapped around him which denies Cheng Xiaoshi access into the deepest core of his subjectivity. Even though he achingly wishes to be together with Cheng Xiaoshi, the burden of his past actions and PTSD holds him back from being together with him, as if his existence is antithetical to Cheng Xiaoshi's existence. Cheng Xiaoshi is that glitch in the matrix that messes up Lu Guang's plans of withdrawing himself from Cheng Xiaoshi. Cheng Xiaoshi should not listen to everything Lu Guang orders. In season 1, he mostly conforms to Lu Guang's ideals, but in season 2, when Lu Guang was hospitalised, Cheng Xiaoshi became more active and you could tell a layer of barrier melted away. He was less of a stone statue, showed more emotions (the S2ep1 lmao when he said "would you prefer if I die?" abhimaan we call it), then the unique high five that feels like Lu Guang accepting Cheng Xiaoshi's proposal or something :

(LMAO ignore my comments, but what I said is true)

My point is, Cheng Xiaoshi is Lu Guang's existential other and vice versa. They cannot live without each other. They cannot exist without each other. If one dies, the other will die and I want them living happily ever after in heaven. Cause 'Break' clearly depicts them as soulmates. I personally take Break as the ultimate canonical ending

Do you see? each of them has one wing missing, meaning that it's their cumulative effort that will make them fly successfully. FYI, there is another Haoling directed, Haoliners Animation League animated canonical queer donghua called 'Beryl and Sapphire'. A separate episode, episode 13 just explores this 'one wing soulmate trope'.

Now take them as friends, platonic friends with no erotic feelings, pure familial feelings or whatever, they are like Yin and Yang, like Shiv and Shakti, and Yin changes to Yang and Yang changes to Yin actively as they interact. You will have a hard time pointing out who is who. I have watched TGCF and Beryl and Sapphire and a tiny bit of Spiritpact - all three directed by Li Haoling and I am well aware of his narrative strategy to represent soulmates and Link Click seems to be the one of the greatest (and my favourite) product of that genius mind.

I began with team Lu Guang cause he is a scorpio, I understand him, his birthday almost coincides with mine, we share some identical issues. But the fandom's often yeeting Cheng Xiaoshi out of the narrative phenomenon brought back my due attention to him. Is Cheng Xiaoshi so willing to be doomed? Does he not yearn to be with Lu Guang? Let me whisper to your ear...he yearns for him too.

so he

does understand that the person who dies...dies, death affects them the least who dies, it's the people, the family and loved ones who actually suffer. This man will leave his Lu Guang on his own volition? eh.

Also I wanna talk about Link Click's strategy of deliberate misdirection. The first and second seasons are so deliberately crafted (manipulation of narrative you can say) to actively erase Lu Guang's subjectivity and nuance. We are just denied access his perspective. He is mysterious but not that aligns itself with a viewer's emotions. In fact, during my recent re-watch, I felt "wtf Lu Guang, why are you interacting with Cheng Xiaoshi like a straight dudebro?" He is a menace, the kind I usually don't like. But there also seemed to be a critical undercurrent which I couldn't really grasp, but it was surely there. It was adding up to my increasing discomfort and made me question - "was it just my wishful projection? they do not share that bond at all." I was so pissed at that thought that I almost decided I am not gonna abandon Link Click. BUT BRO, BRO

'The Eye' and 'Lull' just blew my mind. I was not that affected by Cheng Xiaoshi's corpse advertisement agenda (that corpse is drawing people's attention who is suddenly aware of Yingdu release, great tactic, Haoling) what pleasantly brought me out of despair is Lu Guang's love for Cheng Xiaoshi was acknowledged in these songs. You will read between the lines on your own in season 1 and season 2 if you have that critical method to engage with a cultural text, but the silencing narrative was also very prominent. I very much felt that the Shiguang story is actually the central action, and not the creative sci-fi archtexual exercise of genres, which again, is just the vehicle. But The Eye and Lull focus upon them, them and them. Their emotions are acknowledged, they are no longer behind the veils of symbolism, parallel narratives, intense defamiliarisation; their emotional dialogue now not only demands a voice of their own but also has the potential to reclaim the central part of the stage as they struggle and negotiate power and agency. And I am here for it.

@guangshi-091305 I present to you my rubbish.

[jadedresearcher]

It will be okay.

I get that the US election feels like it's so huge the fate of everything is at play. And its important. Don't get me wrong. I very much have opinions (that are likely quite obvious given my reblogs) on how I want things to shake out. But it will be okay.

Even if the worst possible outcome happens. (which please, don't lose sight of the fact that its not guaranteed. The future can still be changed, please vote if you have an opinion on what future you want to reach for). I am not saying this because I want to cover my ears and believe in hope and dreams or whatever. I'm saying this because if the worst possible outcome happens there will still be tasks we can do to make things better for everyone. You will still have power. And the people who care about you will too, if you are too tired to use it. You've see a lot of reblogs going around about how it will be more important than ever to be active in local politics if the scary result happens in the election, right? That isn't blind optimism or busy tasks to work out anxiety. It works. It genuinely, truly does. And we know this because its worked before: The "gilded age" was a Period of US politics with rampant corruption.

"Presidential elections between the two major parties were so closely contested that a slight nudge could tip the election in the advantage of either party, and Congress was marked by political stalemate."

Does that sound familiar? Hardly sounds like something from 150 years ago, does it?

"Many cultural issues, [...], became hard-fought political issues because of the deep religious divisions in the electorate."

It's like looking into a mirror.

And do you know what happened? Do you think it was forever and everyone just died from despair? No. (i mean obviously, we're here now aren't we?) It was fought against, little by little, building momentum. https://en.wikipedia.org/wiki/Progressive_Era

"Progressive reformers were alarmed by the spread of slums, poverty, and the exploitation of labor. Multiple overlapping progressive movements fought perceived social, political, and economic ills by advancing democracy, scientific methods, and professionalism; regulating business; protecting the natural environment; and improving working and living conditions of the urban poor."

No trend is forever. Nothing is set in stone. Any amount of corruption can be undone. The past proves it's possible.

"Initially, the movement operated chiefly at the local level, but later it expanded to the state and national levels."

And it is undone by exactly the means people have been saying all along. Being active locally. By caring. By not giving up.

Sure, the past is not today. There are plenty of differences and there are no guarantees in this world except one: there will be change. And each and every one of us can do things that matter to make the change happen in the direction and speed we want it to, little by little.

[deoidesign]

.

[supernatural-bias]

𝐓𝐡𝐢𝐫𝐝 𝐓𝐢𝐦𝐞'𝐬 𝐓𝐡𝐞 𝐂𝐡𝐚𝐫𝐦

↳ summary: the x-men can't seem to leave you alone, even if you've made it clear that you want nothing to do with them. as a last-ditch effort, they send logan, who's a little different than the rest

↳ notes: man writing this fucked me up. i kept editing it because i didn't like how it sounded, so some feedback would be much appreciated

↳ warnings: mentions of blowing things up in a past instance, but no one died. reader is a mutant and their powers are kept ambiguous, but it is implied they can somehow cause explosions

↳ song: promiscuous—nelly furtado

masterlist | commissions | carrd

The first time they sent someone, you had been excepting it

You weren't dumb. You knew the difference between an innocent bystander and a hired gun; or at least something along those lines. The way people walked talked and carried themselves was always a dead giveaway, and recently you had been surrounded by a few too many intense stares and stiff shoulders for your liking. A lot more than you were used to, in fact. Maybe that's what prompted you to start taking a new way home from work instead of the usual combination of cross walks and dirty bus seats.

The quick guy with silver hair was their first attempt at contact. You had found him waiting outside your apartment for you to get home all but a week after noticing the new attention on you, and you would have ignored him too if it wasn't for the fact that he was sitting on the outside your balcony, kicking his feet merrily off the side about ten stories above the pavement below without a care in the world. And with what looked like a twinkie in his hand, too.

You'd closed the blinds without a second thought, tossing him a fake grin and a little wave when he eventually turned around as you slammed them shut. You were fairly certain he could have stopped you in no time flat, if the way you would watch him zip away in the blink of an eye later said anything, but you took a heat-of-the-moment gamble and were satisfied when all your efforts got was a whine from the other side of your window pane. His mouth was too full of pre-packaged pastry to say anything in the moment, you realized

"Not interested." You called over your back as you began to retreat into your kitchen without another moments notice.

"You haven't even heard what I want!" He said thickly, clearly trying to swallow as he spoke. You must have startled him a little then. Good.

"And I don't need to."

He left a few minutes later when his one sided conversationalist skills got him no where, and you responded by throwing a frozen pizza in the lower half of your oven.

You had been craving pepperoni all day anyway.

The second person try was a bit more aggressive.

They didn't have the decency to wait for you to come home this time. Instead, you found yourself looking up from your laptop as a chair was pulled out across from you at the quaint table you sat at. It made a scraping noise, and you tensed the muscles in your hands for a moment at the sound.

"Can I help you." Your eyebrow quirked up as you looked at the woman across from you. She had blonde hair, and what you thought were the brownest eyes you had even seen. You had trouble looking anywhere but into them for a second. When they hit the light, you swore they turned yellow just for a moment, and she looked about as annoyed as you were that she was sitting by you. You didn't have to wait long to find out why.

"We've been trying to reach you." The surrounding noise of the café hardly disturbed the hard tone in her voice. "You're avoiding us."

At least this time these people had the common sense to approach you in public. If you were any form of confrontational, which you very much weren't, you could have started a fight the last time. Who knows if you would have won against super speed and whatever else the first guy had— you weren't exactly sure about the extent of his powers, and at this point didn't care —but the point remains that some damage could have been done. Now, in the middle of a coffee shop on a busy afternoon, it would be a bit harder to start a fight. Not that you were seriously concidering it. If anything, you wanted to duck into a large crowd just to loose this new recruiter, or whatever they were called. You didn't exactly know if they had a name for this type of situation.

"I have no idea who you are." Your tone matched her own, dealing out the half lie nonchalantly. You weren't technically wrong, really. You didn't know her, nor did you know that other man that had shown up before. But you knew what they wanted, and you'd be damned if they didn't pin you down without a bit of a struggle.

Moving with a speed quick enough to get your message across, but not fast enough as to alert any of the surrounding coustomers that something was up, you closed your laptop, abandoned your now lukewarm drink, and started for the door. You only paused in your movements after a weight settled over the back of your shoulder, and you carefully turned your neck to look down at the hand resting firmly on you.

"I don't recommend doing that." You said with a bit of a warning tone in your voice, looking her right in the eyes as you did so. They had since shifted from dark brown to an almost hazel shade, and you filed that information away for later use.

Her grip remained where it was for a moment. Then a thought seemed to cross her mind, and she let go of her hold on your shirt; even if a bit reluctantly.

You didn't stick around to see if anything else would happen. You just made your way out of the shop and into the bustling street, not caring if she followed. They already knew where you lived anyway.

"Taxi!!"

The final person they sent for you, you hadn't seen coming.

Every other time— from the teleporting blue kid, to the woman with white hair and fair skin, and even the tall guy in glasses that had turned a little blue when you pushed your way past him —you had been able to prepare beforehand. At the very least you were able to lock your doors before going out and about your day. You knew that wouldn't stop them in the slightest, but it was a silent message to stay out of your business.

But this guy? This guy just didn't care at all.

"You know, you're really nailing this first impression thing."

A gruff voice sprang to life at the same moment that your hallway lights did, doing a fine job at catching you off guard. You managed to not jump, but with the way the intruders lips tilted up, you figured he knew he had surprised you.

"Oh, fuck my life."

You were really not feeling like another impromptu visit tonight. You had gotten home from a rough day of work a couple of hours ago, only to realize that you had finally blown through all your food, and was once more sent back out into the city to look for a grocery store. You had been looking forward to finally resting your feet, and maybe your eyes a few hours earlier than planned, and you most certainly weren't in the right state of mind to entertain this hulking figure of a man and the proposition that came with him.

You looked at him harshly. He had muscles for days, and a brown leather jacket to accentuate just how large he was. You knew for a fact that he was a few weight classes up from the last guy that had been sent to your house, and you wondered if this was their way of trying to intimidate you into forcefully accepting their offer.

Tiny scars dotted his face and the skin on his neck. You wondered why there were so few, considering that you already knew what he did for a living, but also knew better than to question someone like him. Especially since he was already standing in the doorway to your home, looking like he owned the place.

"Go away." You didn't grant him any sort of emotion in your voice as you walked in the direction of your fridge. The plastic bags full of your food for the week swung in your arms, and for a moment you thought this new guy was going to block your way into the rest of the house before he backed off with a roll of his shoulders.

You clocked his broad chest and bruised knuckles out of the corner of your eyes as you opened the ice box and slowly placed some frozen veggies in side by side. He had either gotten here straight from a fight, or was itching for one. You figured it was probably the former considering he hadn't jumped you the second you walked through the door. Or you know, maybe he just had fucked up hands. You could never tell with people at this point.

"You're pleasant." The mans wry smile was nothing but headache educing as you finished putting the cold groceries up. You snorted with hollow amusement.

"Try being stalked for a month and a half. It really makes you feel like being hospitable."

"Try being the guy that gets sent to get in contact with you. It ain't exactly the way I wanted to be spending my Friday night either." He parroted back your words while running a hand down his face and across what you had since recognized as mutton chops in the process.

"When are you going to tell that professor of yours that I'm not interested in his little passion project." You think that might have been the first time you ever directly acknowledged what exactly was going on. Every other time you had just told the other person to get lost or slammed a door in their face to really get the point across, but the way this guy was looking at you gave you the feeling that he wouldn't be as easy to shoo away as the others, and you weren't really feeling up for a giant display of effort right about now.

"You could always tell him yourself, bub." His eyes followed your face as you crossed the room to stop in front of him, hand outstretched with something that ignited a small smirk on his face.

"Trying to bribe me?" He asked, going to take the fresh beer you offered him all the same. You shook your head.

"No. My master plan actually consists of getting you shit-faced drunk so you guys will finally leave me alone." You watched as his hand hesitated in mid-air slightly, and you misinterpreted his silent amusement at your jab for skepticism. "I've just got too much beer and a stranger in my apartment that's not going to leave me alone anytime soon, that’s all." You relented with a shrug.

"Fair enough." He took the brown bottle by the neck and popped open the top without so much as looking around for a bottle opener. When the cap went rushing to the floor less than a second later, you squinted.

"What are you then? Super strong? Or is your power alcoholism." That got a rough chuckle out of him. He swallowed about half of the bottle in one go before answering, and you sucked at your teeth as he did so.

"Something like that."

"Wow. Really feeling the comradery here." You didn't miss the way he deadpanned at that, and you figured he was thinking about all of the times you had kicked every other pursuer to the curb without even letting them get a word in edge wise. Still, you pushed on. "Remind me how its fair that you and your friends know all about me, but I have a new hero-of-the-week showing up on my doorstep every other day without so much as a clue as to what they could do to me?"

"About as fair as your little accident in Colorado." He responded without a seconds hesitation. You felt a little perspiration form on the back of your neck, and chalked it up to the lack of a.c in the room. Even if it was anything but.

"If you're here to try and convince me to join your little superhero team, I hate to tell you, but it isn't going to work. Just like it didn't work the past ten times." You ignored his last comment and made yourself comfortable on your living room couch. "Do you have a name? I've never really stuck around to talk to one of you this long before, and it's annoying to keep rendering to you as 'some guy' in my head."

He paused abruptly while drinking the beer, and you barely held back from rolling your eyes at his change in mood.

"It's Logan." He finally bit out reluctantly. You got the feeling that the only reason he told you was because he was here by request. If it has been any other circumstances, you had no doubts that he would have told you to fuck off. He gave off that energy.

"You already know mine, so I'm not gonna bother." You kicked your feet up and let your head hit the back of the couch with a sigh. "Just let me know when you finally get bored and head out. I want to make sure my landlord knows to blacklist you from the building after you're gone."

"Is this how you got everyone else to leave? By annoying them to death?" Logan sounded more entertained then you would have liked, and you blamed it on the beer.

"Depends. Is it working?"

"I've been sleeping at a school filled with screaming kids for the past few weeks. You're going to have to try harder than that to get me out of here." He took another swig.

"What will it take to get you to leave me alone. All of you." Your voice dipped out of it's usually casual tone for a more annoyed one. You were used to playing the long game when it came to getting people to leave you alone, but at this point it was getting ridiculous with the amount of people that they were throwing at you, and it was starting to wear you out. You weren't sure if Logan could tell your patience was being tested, and you weren't sure if you wanted him to.

Logan raised one eyebrow in your direction as an answer to your question, and you sighed.

"I'm not taking a stupid fucking spot on the X-Men if that's what you're implying. What do I have to do to convince you guys that I'm not up for it; blow up a building on accident or something?" The word 'again' went unsaid, but the implication was there.

You watched as Logan seemed to throw something around in his mind for a moment.

"Do you want to know why I joined the X-Men?" He eventually asked.

"Because you had nothing else to do with yourself other than styling your hair real stupid? Seriously what's with this horn thing you've got going in."

"I joined because they helped pull me off a dark path, kid." He barreled past your sarcasm, shutting you down quicker than you would like to admit. His tone was laced with something you recognized all as hatred, and you knew it wasn't directed at you, but rather himself. You knew the feeling all too well.

"I was running from something that I didn't even know I was trying to avoid." He continued. "And if it wasn't for the Professor and his 'stupid fucking team', I wouldn't have ever stopped."

For the first time in the past few minutes, you allowed one of your walls to come down as he spoke. You stared at him with a tired look lingering behind your gaze, choosing this time to listen rather than to ignore.

"I'm not running from anything." Even as you said it, you knew it was a lie. Logan didn't even have to look at you for you to sigh and lean forward again.

"I can see why the Professor wants you on the team." You felt the cushions on the opposite end of your couch dip slowly as he sat down. The now empty beer bottle was still in his hand, but as you looked over at Logan, you found his eyes filled to the brim with nothing but the honest truth.

It was a strange, tense moment. Both you and Logan could admit that. You were clearly filled with regret for your past actions, no matter how accidental they might have been, and conflicted with yourself because of it. Logan could do nothing more but watch as you battled with yourself over his words. His original plan had been to come here, show off a claw or two if needed, and bring you back to the school with a characteristic scowl on his face. But all that was thrown out the window when you offered him a beer, and when he was finally able to get a good look at you.

You looked exactly how he used to before one of his old cage matches. Detached and losing yourself. He could see it in your eyes.

The room delved into silence. You wrung your hands together and planted your feet. Logan watched as you seemed to have a silent conversation with yourself, and he began to regret not pacing himself with the beer. He wasn't anywhere near affected by the alcohol, that's to say. He just wished he had something to do other than sit in your home with squared shoulders and a furrowed brow.

"If I took one trip over to the place, would you guys let up on whatever this is?" You finally asked. Logan pushed down a faint smirk as you turned your neck to look at him.

"Sure."

You didn't say anything else, and you didn't have to. You got up without another word and grabbed a bag from a nearby closet. Logan found himself leaning on your doorframe as you stuffed a few essentials down into your travel bag in the room over, and he remained there until you finished.

"Still curious about my powers?" Logan decided to bait you just a little further as you shut the door to your apartment with a click of your keys, and he had trouble keeping a straight face when you looked back at him with curiosity dancing across your features.

Without saying anything, he held one of his hands up, and let you watch as his trademark claws popped up slowly. Like seasonal weeds in a garden full of flowers. The appendages let out a slight sliding noise as they did so, and you blinked once. Twice. Three times.

"And I thought my powers were bad." You finally said after a moment, and Logan scoffed at you.

"Kid, everyone thinks their powers are bad at first."

You seemed to take that as a challenge, and Logan watched as a bit of that fire that he'd heard about from Storm and the others flared up in you.

"Yeah? You ever accidently blow up a boiler room and take out half your high school's classes, big guy?" Your grin was all teeth as the two of you made your way down the complex hallway. Logan slowed his pace so you could keep up, and turned around so he could fully look at you as he walked backwards.

"Big guy?" He questioned you with a tilted of his head, looking about as unimpressed as he could.

"I mean yeah." You snickered. "Just look at your, well, everything." You took to gesturing at his entire being, something that got you a huff from the other man.

"Maybe you're just small." He shot back. You laughed and shook your head, looking down at yourself. Yeah right.

"And maybe I'm right, and you're just freakishly big."

Your banter continued all the way down to the elevator, where you had a hard time holding in your laughter as Logan accidentally almost stabbed the down button with his claws, apparently having forgotten that they were even out.

You couldn't help but wonder if he was always like this; if everyone at the school was like this.

Maybe going for a visit wasn't as much as a bad idea as you'd thought.

[seresinhangmanjake]

Do You Love?

Feyd-Rautha Harkonnen x wife!reader

Summary: Feyd is soft for his wife and only wants to know if she loves him. His wife just wants him to come home.

Notes/Warnings: fluff and a little angst and very light smut (still 18+), softy-soft Feyd, probably could do with a wedding prequel if people were interested, im sure there are typos. I think that's it.

Words: 1400

Feyd-Rautha Masterlist

He hates being away from you. Can't bear it. It takes less than two days for withdrawal from your lack of presence to settle in, and when it hits, it hits hard. The luminescence of your smile that threatens the darkness within him on his worst days; the delicate suppleness of your skin that introduced him to the softness and warmth of a human body; the specific quality and tone of your voice when you whisper and whimper and moan in his ear—he needs it. He needs you. He craves you until the second you’re in his arms again. He just wishes he could understand if you feel the same. He wishes he could know if you love him as much as he does you.

When you came into his life, you were a pawn for peace. A gift from one Great House to another. A reluctant bride who couldn’t choke back her tears on her wedding day. He’ll never forget the saltiness that lingered on his lips after the kiss that bound you to him forever. He can still feel the pang in his heart from seeing you finch when he guided the strap of your nightgown off your shoulder. 

It took ages for you to shed your fear; to allow him to hold you and kiss you and be inside of you, but those many months of ‘two steps forward, one step back’ have left him in a paralyzing state of identity crisis and uncertainty. You’ve turned him into a man who begs for scraps of reassurance that you care for him rather than a man who shows no mercy for love; a man so preoccupied with thoughts of his wife’s affection that not even his enemies are granted his full attention as he watches the light drain from their eyes. 

From the moment he leaves, he anticipates his return so you can quell his agitation, at least to some degree. The same words echo in his head each time he steps off a Harkonnen ship to search for you—hug me, hold me, kiss me, let my body inside of yours, tell me you love me—and in recent months you haven’t failed to do those things, with the exception of the last request. The day you tell him you love him will be the day he stops fearing you'll eventually grow bored with him. On that day, he’ll be happy, at peace. He’ll be unafraid of what his future with you will bring.

—

Reader POV

He often goes to Arrakis for a week or two, that’s not new. He must monitor things and fight Fremen when necessary. However, this time was different. There was something foreign in his eyes after he kissed your palm and boarded his ship to depart. Sadness? Pain? Worry? All three? You didn’t know, but it terrified you from how little he tried to disguise it. With each departure, it’s seemed his mood has worsened and you can't decipher its cause.

Now, ten days later, your fingernails are worn to nubs and dark circles have found home under your eyes from nightmares interrupting your sleep. They’re different every night but they always end with Feyd not coming home to you, and you don’t know how to cope. You tell yourself you’re crazy, that there’s no possibility of him being taken down with a Fremen knife or gobbled up by a sandworm or blown to bits from his ship getting shot out of the sky. He’s too smart, too quick, too trained for such things to claim his life. At the same time, however, the last person whose death you dreamt of was your mother’s, and while it’s rare your dreams are prophetic, that one came to fruition not five days later. Who is to say your dreams of your husband are not the same?

But you can’t lose Feyd, not when it feels like you just got him. When you married, your dread of navigating a new husband and life on Giedi Prime—both of which have a reputation for being cold and desolate and harsh—crippled your ability to see him for who he is. It’s only been the last few months that you’ve let yourself love and understand him, and you can’t imagine a reality in which you wake one morning knowing you will never have him again. You wouldn’t survive it. 

But you won't have to, because he's fine, perfectly safe—that's what you tell yourself. He told you he wouldn’t be away long and he wouldn’t say that unless he believed it, right?

Then again, believing he would be home soon doesn’t mean fate agrees. What if he's already gone? Wait, no. No, he wouldn't do that to you. He'll be home because he always makes it home. He’s fine. He’s safe. He would never leave you. You nod to yourself, swallowing hard. He’s fine. He’s safe. He would never leave. He’s fine. He’s safe. He would never leave.

--

Your body curls into the first touch of warmth you’ve had in a week and a half as a heavy weight rests in the dip of your waist and tugs you against a solid form. Plush lips ghost your temple. A heartbeat thrums in your ear and you feel the rise and fall of a chest. 

Oh, you like this dream. He’s so real in this dream. It’s the first dream where death is not at his heels.

“You don’t know how I miss you,” he mutters into your ear. Stands of your loose hair brush back from your face. “How unbearable it is.”

His voice is so clear, so beautiful and vivid that it’s almost like he’s really with you. Humming contently, you huddle further into him. “Then stop leaving me,” you mumble.

Breath catches in his chest, no longer moving at a steady rhythm. “You're awake?”

Your brows knit—that's not a very ‘dream-like’ question; it threatens your lovely illusion—and then your eyes snap open. 

“Feyd?” His nose is an inch from yours. Your hand raises to cup his cheek, just to see if he is real, and you gasp at how warm his skin is under your palm. “You're here,” you cry, quickly pushing him onto his back and crawling on top of him. 

You press your lips to his, hard. A whimper is pulled from your throat when he parts his mouth so you can get a taste of his tongue. Yes, he’s definitely real. 

Hands trail down your back to your ass, squeezing two handfuls of flesh and pushing your pelvis down onto his. He’s already hard and thick and pressing into you, the matching thin material of your nightgown and his sleep pants doing a pathetic job of maintaining any sort of barrier. 

Feyd slowly drags the ink-toned silk up the curves and dimples of your body until it pools at your waist. Fingers graze your skin as they move lower to slide through your slick bare folds, and at his touch, your brain goes absolutely fuzzy. You’re unashamedly desperate, refusing to take any longer to get what you need, but when you finally free him from his pants and he thrusts up into you, you both find yourselves stopping. The kiss breaks and you simply breathe in each other’s breaths as he stays nestled deep inside you. 

Your forehead falls to his. A fresh tear that you hadn’t noticed in your eye lands on his cheek. “You're ok,” you gently whimper, reassuring yourself of his safety. His nose nudges yours.

“When am I not?” he whispers as he catches the next tear with his thumb before it drops from your lower lashes. 

“In my nightmares.”

His brow pinches in curiosity, cock twitching within your walls. “You dream about me?” 

You lightly nod. “I thought this was a dream.”

“Why?”

“Because I had a sickening feeling you weren’t going to make it back this time. I know it was a routine trip, but I just couldn’t shake it,” you say. “And that would’ve killed me, Feyd. I love you.”

Feyd sucks in a short stream of air as his hips slightly buck up against yours. “You love me?” he repeats.

“Yes,” you exhale, riding the little high of pleasure that came from the sharp involuntary shift of his hips. “I was so scared to be right.”

Feyd's arms tighten around you and he tilts his chin up to connect your lips. Kisses travel along the line of your jaw and down the length of your neck. His tongue dips into the hollow of your throat. 

“I love you,” he tells you.

Your stuffy chuckle settles into a grin. “I know you do.”

---

tag: @avidreader73

[badnewswhatsleft]

rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE  WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be? 

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails. 

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can... 

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band. 

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music. 

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special. 

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

[rafeandonlyrafe]

new follower

words: 1.4k

warnings: 18+ only!, smut, male receiving oral, p in v sex, unprotected sex

rafe doesn’t follow many people on social media. topper, kelce, a few of his other country club friends, and you. 

the notification shocked you when you woke up one morning and saw that rafe cameron followed you back. you knew him decent enough, mostly through being friends of friends, with rafe being a year ahead of you when you were in school.

you assumed it was a mistake, he was scrolling his recent notifications maybe and accidentally clicked your follow button. you waited for him to realize and unfollow you, but it never happened, not even after a week passed.

“did you see?” you answer your friends call. rafe not only didn’t unfollow you, but he just liked and commented on your picture.

“holy shit. holy shit. holy shit.” stephanies excited voice rings out from the other side of the line, obviously having seen the recent development. “girl, he wants you.” “coming to the party this friday?” you say the message out loud, having already memorized it. you haven’t responded yet, not wanting to seem too crazy by immediately screaming yes. “i mean what else could that mean?” 

“girl, you are getting dicked DOWN at that party.”

--

you tug at rafes zipper, having already undone the button. you know you're moving too fast, should slow down and savor the moment as you sink to your knees.

“mmm, baby, you don't have to.” rafe reaches his hand down to pull you back up, but you already tugged at his pants, lowering them to his thighs so just his underwear is left covering his dick, obviously already hard and straining against the fabric.

“i want to.” you clarify, leaning in and kissing along his length until you reach the head of his cock, suckling at it through the material, wetting it with your mouth.

rafe is just as big as you thought he would be, you can tell just from wrapping your lips around him, making you even more excited to get him inside of you.

“fuck.” rafe groans. “quit teasing me, pretty.”

you smile at rafes compliment, pulling his underwear down, his cock pushing free, standing upright against his body. rafe groans as the cold bathroom air hits his cock, pressing his back even harder into the wall.

you waste no time, wrapping your lips around the head of his cock, pausing for a moment to enjoy the taste before you begin to bob your head, unable to take him all the down, but getting pretty damn close before your gag reflex forces you to pull off.

“god, you're just as good as i imagined you'd be.” rafe moans, hands gripping your hair.

“you imagined this?” you ask, pulling away to blink up at rafe through your lashes.

“yeah.” rafe smirks. he's got no shame about being attracted to you. it's rare for a girl to truly capture his attention, especially for any period of time longer than a one night stand.

“oh.” you blush, wanting to know more details as you grasp his cock, stroking it to still give him some stimulation. “before or after you followed me?”

“after. can't believe i never noticed you in high school. your photo popped up in my discover and… god, you're just so pretty.”

“did you touch yourself to me?” you ask, the words tumbling from your mouth before you can stop them.

“you would like it if i did, wouldn’t you dirty girl?” rafe smirks, not giving you a chance to confirm that you really would like it as he pushes your head back down. you allow rafe to control your movements, keeping your mouth open as his cock pushes down your throat.

you swallow around his length, excited to tell all your friends about sucking rafe off in the bathroom at the party, especially stephanie, who you know can’t be far.

“god, i need your cunt. come on.” rafe tugs at your hair.

“yeah, yeah.” you nod, giving one last kiss to the tip of rafes cock before standing.

“turn around.” rafe moves you towards the sink, having you face the mirror. he smirks when you realize you’re watching him in the reflection as he pushes your dress up until your underwear is revealed, having chosen a cute thong specifically for rafe to see.

“jesus, you’re gonna kill me.” rafe groans, hands gripping your ass, feeling your plump flesh in his hands.

“yeah?” you smirk, leaning forward and placing your hands on the marble counter to shake your bum slightly from side to side. 

“too hot, i swear.” he groans, about to pull your underwear to the side when theres a knock on the bathroom door, making you both jump, forgetting that there was still an entire party going on.

“fucking occupied!” rafe shouts. “fuck off!”

you laugh at rafes yelling, listening to whoever knocked walk away, footsteps moving down the hallway.

“jesus.” he groans. “i should take you home before we fuck.” “what, not gentlemanly to take me for the first time in a bathroom?” you laugh.

“you’re not funny. i’m serious.” rafe pouts. “i like you, let me take you back to tanneyhill.” you turn around, pushing yourself up to sit on the counter. you lean forward, pressing your lips against rafes. its flattering that he wants to take you someplace more private, but you’re honestly not sure you can wait.

you reach between your bodies with both hands, moving your thong to the side while guiding rafes cock towards you entrance. you move the head of his cock through your folds, letting out a moan against his lips when you push it against your clit.

“alright, alright, shit.” rafe moans, “i’ll fuck you now.”

“good.” you smirk. “you can fuck me at tanneyhill later too.”

“oh yeah?” rafe laughs, pushing your hands away to take control, placing his hands on your hips as he sinks his cock into your entrance, moving slowly to let you adjust. “just can’t get enough of this cock, huh?” you let out a moan, gripping rafes shoulders as he stays seated inside you, pushing on your walls the perfect amount. 

“move. move, its okay.” you mumble. 

“god, i need a second too pretty girl.” rafe takes a deep breath, trying to control himself from absolutely ravaging you and cumming far too early. 

you laugh, cupping rafes jaw with your hands, tugging him close for a kiss. it gives him a moment to settle before he starts to move, cock pushing in and out of your cunt, a wet squelching sound filling the bathroom with every movement.

rafe has one hand gripping your hip while the other slides to your back, keeping you from leaning backwards against the mirror, chest pressed against his.

“let me see your tits, baby.” rafe asks, looking down the top of your dress at your cleavage. you nod, tugging at the front of your dress, pulling it down so your chest is revealed, having forgone a bra. rafe smirks as he looks down, breasts bouncing every time he thrusts into you.

“so hot.” he groans, managing to duck his head to kiss over the swell of your breast while keeping his cock pushing into you. “touch yourself for me.”

rafe picks his head up to press a kiss to your lips before leaning back, looking between your bodies while you start with your tits, cupping one and jiggling it to show off to rafe before playing with your own nipples, switching to the other side.

“your cunt, come on. let me see how you touch yourself.” rafe knows he can't last much longer, needing you to get yourself off since his hands are occupied keeping you in place on the counter.

you sink your hand lower, ruffling over the scrunched up dress until you reach your pussy, sinking lower to gather some of your wetness from where rafe is pumping into you. you glide back up to your clit, rubbing it with two fingers in the way you do when you get yourself off.

“oh, fuck.” rafe groans as you clench around his length. “you're trying to kill me baby.”

“cum inside me.” you whimper. “please.”

“yeah.” rafe nods. “cant last.” you can tell from the way rafes cock swells inside of you that he's close.

“come on.” you begin to grind your hips up and down. “give it to me.”

rafe let's out a strangled moan, half sounding like your name, half sounding like a curse as he cums, pushing his cock as deep inside of you as possible, triggering your own orgasm as you let out a squeal, back arching into him as your fingers slow on your clit.

“fuck, that was good.” you pant, body flopping forward to lean your forehead against rafes shoulder.

“fuck yeah it was.” rafe laughs, carefully pulling his softening cock out of you. he takes your chin in his hand, picking your head up to press a kiss to your lips. “now when can we do that again?”

taglist: @drewstarkeyslut @forstarkey @f4ll-for-you @dilvcv @drudyslut @jjmaybankswifes-blog @rafescokenostril @jjsmarijuana @seeingstarks @angelofcigs @cece45450 @babygorewhore @vanessa-rafesgirl @michelleisheres-blog @outerbankspov @drewstarkeyswifehoe @cutielando @kamninaries @buckyswhxre @rafeinterlude @bellbottombaby @deeaardiary @rubixgsworld @wearemadeofstardust0 @leighbronk @starkeysheart @pradabambie @tobesolovelysstuff @alexiskirkland @rafestar @brioffthegrid @juniebugg @magicalyoura @mysticallystilinski @https-luvvia @aerangi @folklorsweet @soilderpoetandking @auryyz

[b0r3dtod3ath]

Hello hi!

Can you do a challengers fic?

Art x reader, where he and reader had a flirty relationship but he started to experiment with tashi and patrick and she was like "well, it happens" but the trio didnt work out so he tried to recandle that dinamic between him and reader but she lost all the atraction to him.

(lots of groveling)

Thank you!

Thank you for the request!

Warnings: Mention of an injury, curse words. 

You and Art have been friends since middle school and since then he was always by your side. Your shared interest in tennis and joint decision about applying to Stanford resulted in you two being inseparable best friends. Well, maybe not really. Your relationship was quite hard to describe. People constantly mistook you for a couple but in reality you were just really close. Sure, there were a lot of flirtatious moments, some may even say romantic, but you never thought about it too deeply, thinking that it’s just the way Art is. 

Each morning he knocked vigorously on your dorm room door. “You need to wake up! We need to go.” The sight that he sees when you open the door always makes his heart skip a beat. Messy hair and a toothbrush in your mouth give him a glimpse of what it would be like if he was living with you. “Good morning!” He gives you a beautiful smile as he hands you a coffee in your favorite thermos. He insists on doing it because “it saves time in the morning as he’s up anyways”. Oh and also when you finish he takes the cup back to clean it so he doesn't bother you in the morning. His friend Patrick has always made fun of him for those small gestures but he recently got a girlfriend so he’s busy. Actually, you have heard of Tashi. She attends your school and you were supposed to play against her in a local tournament. You have heard that she’s really good but people also always point out your skills.

You head to the canteen, sipping your coffee as Art tells you about Patrick’s new girlfriend. It’s not like you are jealous but hearing your male best friend ramble about another girl is weird. You keep quiet, after all there was nothing romantic between you two. You eat your breakfast without saying much which goes unnoticed to your friend. He stops eating, looking at your face for a moment, trying to figure out what’s going on in your mind “I saw they had watermelon in the fruit section. I can bring it for you if you want. Did something happen? You know you can always talk to me. I will always be there for you.” The gentle tone in his voice almost feels like he is talking to a lost child, scared to make you withdraw. “No, no. It’s fine. I’m just a bit less confident about the next match. You know, after what happened a few days ago, my leg still sometimes cramps up a bit.” you halfy make up a lie. You were stressed about the match but it had nothing to do with your calf. “You should have told me earlier. I will massage it before we train today. You are going to do amazing".

He didn’t listen to your begging not to knead your muscle so you ended up with him rubbing it firmly enough to “help you” but gently enough not to hurt you. As you trained he could sense your frustration. Sure, it made you more confident on the court as you transferred your anger into each fore and backhand. Then suddenly you stop. Your opponent gives you a confused look as you out of the blue ignore the ball. “I don’t feel well. I’m gonna call it quits. I have a test tomorrow anyway that I should study for. I can’t be hitting a ball with a racket my whole life.” you look at him, his expression as shocked as a moment ago. “See you in the evening?” You two usually had some evening tennis sessions or just went for some walks as there were not many people around that time and you could freely chat about anything. “Well. I can’t actually make it today. I’m really sorry. Patrick invited me for some drinks. He wants me to meet Tashi”. His eyes looked like they belonged to a puppy. “Oh, yea. I mean. That’s fine. See you tomorrow then.” you say without giving him the usual light hug as a goodbye.

The following morning Art didn’t knock on your door. You assumed he must have been tired from the day before but it still felt unusual. You decided to push it aside and focus on yourself and your preparations to play against Tashi. The match started at 2 pm so you still had some time to get ready. You followed your usual routine with only one exception - your regular companion. 

The tennis court simmered under the midday sun, a gentle breeze whispered through the air, carrying a promise of an intense match. It was one of the most anticipated matches of the season on the Stanford campus. It was the end of a debate of who is the best tennis player among students but most importantly it was evidence of passion for sports and competition. You looked at Tashi coming on the court, getting a bigger applause than you did. You didn’t let it bother you, it didn’t matter who was the fan favorite, it mattered who was better. You were first to serve. Silence established itself on the court, a neon yellow ball bounced a few times between your hand and the ground. You looked deeply into your opponent’s eyes. It wasn’t a game of tennis, it was a battle for dominance. 

A thunderous serve from you, the ball sliced through the air with precision. Tashi returned it with equal force, the ball skimming just inches above the net. Back and forth you played, each stroke a testament to your skill and determination. The crowd watched in silence, fully immersed in the spectacle unfolding before them. As the match wore on, the intensity only seemed to grow. Tashi unleashed a powerful forehand, sending the ball to the other side of the net. But you were quick to react, sprinting across the court with lightning speed to return it with a perfectly executed backhand. The crowd erupted into applause, recognizing the sheer athleticism on display.  The game continued in this fashion, each player refusing to give an inch. Your muscles burned like they were on fire as you chased down every shot, your mind focused solely on victory. On letting her know who Art belongs to. 

Then, in a heartbeat, disaster struck. As Tashi ran to return a particularly fierce shot, her foot slipped. Time seemed to slow as she stumbled forward, her knee buckling beneath her weight. With a sharp cry of pain, she collapsed to the ground, clutching her injured leg. She started crying like a hurt animal, unable to think what people thought of her. You stood there in pure shock, unsure of what to do. In the corner of your eye you saw Art running up to her and trying to calm her down. 

You felt really bad for her. Not liking her didn’t mean you were happy for her injury. After asking the medical team about her, you got to know that she’s waiting for an ambulance. When you found her, your heart immediately dropped at the sight of Art holding her hand. “I just wanted to say, I’m so sorry it happened, I-” you started to apologize, “Out! Out! Out!” she screamed at you “But-” you tried to say something but Art stood up “Get the fuck out!”. He had never raised his voice towards you. He was always your gentle, soft, good boy. You silently walked away as hot tears rolled on your cheeks. The echo of your sobs filled your room for the whole night. 

For the next few weeks you didn’t see Art. It wasn’t like you didn’t want to see him, you did actually, but he was always accompanied by Tashi or Patrick. It did make you feel a bit lonely but you focused on training and improving. You actually started to do really well and moved up the rank. Despite an opportunity to get an apartment you stayed at Stanford. You told everyone that you would feel lonely living alone, but the truth was you just didn’t want to leave Art. He would still sometimes catch your glimpse across the canteen or the training hall but no words were exchanged. 

He found you one evening, your silhouette illuminated by the artificial glow of the light. You were alone, your movements fluid yet tense as you practiced your strokes with precision. Taking a deep breath, Art approached you cautiously, unsure of how you would react to his presence. "Hey" he said softly, his voice tinged with uncertainty. You turned to face him, your expression stone cold. You said nothing. A hint of bitterness in your eyes. "I-I just wanted to see how you were doing," he said, his words stumbling over each other in his nervousness. "What do you want?" you snapped, you tone sharp and cutting. Determination glinting in his eyes. "I saw you playing alone, and I thought... maybe you could use a partner," he offered hesitantly. You scoffed, your grip on the racquet tightening as you glared at him. "And why would I want to play with you?". Art took a step closer, his gaze unwavering as he met your overwhelming stare. "Because I miss playing with you, I miss you" he admitted softly. "And because I'm sorry. Truly sorry for what I did." You hesitated for a moment, your eyes narrowing as you considered his offer. “Don’t you have to take care of your little Tashi’s leg?” you said under your nose. "Fine. But don't expect too much" you warned.  

As you began to play, your movements were sharp and precise, your shots landing with deadly accuracy. Art did his best to keep up, but he couldn't shake the feeling of unease that settled in the pit of his stomach. You had always been better than him but he could sense something else. After all, tennis was the most intimate out of all sports. Suddenly, you unleashed a powerful forehand that sailed towards Art with an alarming speed. Instinctively, he raised his racket to block the shot, but it ricocheted off the strings with a resounding thud, leaving him staggering backwards. "Are you trying to kill me or something?" he exclaimed, his heart racing as he moved closer to the net. You turned around -  a little habit you gained, you never looked at your opponent after scoring a point. "Maybe," you replied nonchalantly, your tone betraying a hint of amusement. Art chuckled nervously, rubbing his sore arm where the ball had made contact, as he got closer and closer to you. "Well, you can kill me if you want," he offered, making you chuckle. He reached to touch your hand, his expression pleading, as you turned. "Please. I know I messed up, but I can't stand not having you in my life. I... I have feelings for you. And I need you to know that. I don’t see you as just a friend." You felt your heart skip a beat at his confession, your breath catching in your throat. You had suspected as much, but hearing him say the words out loud sent a jolt of electricity through your veins. "I... I don't know, Art” you responded, torn between the anger still simmering inside you and the warmth of his words. "You ditched me for her. "Art nodded, his eyes brimming with regret. "I know. And I'm so sorry. I was weak and I thought you would never look at me the same way I look at you. I'll do anything to make it right, I swear." he got on his knees, both hands holding yours. “I will never leave your side, I will show you how much I love you and I will buy you this diamond bracelet you always wanted.” You chuckled “Art, get up. I don’t need a bracelet from you. I will give this a chance.” A smile broke across Art’s face, relief flooding his features as he reached out to wrap you in a tight embrace. "Thank you, I promise, you won't regret this." he murmured, his voice thick with emotion and eyes wet with tears. You returned the hug. The two of you swayed for a moment before you broke the silence with your dead serious tone. “Never raise your voice at me again, understand?” He looked deeply in your eyes. “Understood, maam. I’m incredibly sorry”.

April 29, 2024

[kaibutsushidousha]

Kodaka April Fools tweets 2024

Lying just because it's April Fools' is so dull. Honestly painful to watch. Lying in general doesn't do you any good. In my younger days, I told every lie I could, saying some genuinely insane stuff about being a supreme leader of evil and whatnot, and thanks to that, now that I'm in my thirties, I got famous for all the wrong reasons and can't find a stable job because people think I'm associated with the yakuza... Sigh, I wanna deck my cringe younger self's face. Quit lying for fun while you can.

My classmates aren't doing great either. Thinking you're hot shit during your school days always comes back to bite you... My advice to my past self: slow and steady effort is worth more than any talent. Also, the part of life you spent larping with that silly horse laugh is not going to be one you'll want to remember later. I wish I could make that clear to him. White lies aren't a thing. Talent is never enough. My class is proof of that. Wanna know what my classmates are like now that we're in our thirties?

Akamatsu became a piano teacher. Her player skills capped off in her teens, it seems. But she's not that good at teaching so she's considered kinda mid at her job. And now she's struggling with the father of a student incessantly hitting on her. Tough world to live in.

Toujou opened a housekeeping company but she was too strict with her employees so everyone quit. And now she's doing everything on her own. Sucks to be in your thirties without any successors or employees. She's a prime example of how being so much better than anyone else doesn't do you any good. Well, she's always working for celebrities, so she's doing well financially, but I heard about some major court fight about a missing item under suspicion of theft from one of her clients. That can't be nice.

Yumeno got to her thirties still saying magic is real, so she's past the point of no return. She agrees that's an unhinged way to live, but she's too old to suddenly change gimmicks. Work takes her all over the country, but her gimmick doesn't allow her to publicly drink, so she has to get plastered alone in her hotel room after shows. I wish she could fix her life with real magic.

Harukawa? ...Haven't heard that name in a long time. Now she was a living edgy fantasy. The past tense was because I hadn't heard of her in a long time. I don't know the details, but apparently, she went to some war zone outside of Japan because her first love didn't want to date her. Takes some real edgelord to react to a broken heart like that, but if she's still alive, I have no idea how her thirties are treating her. My personal guess is that she's a mother of many.

Chabashira opened her Aikido school but is having a hard time attracting students. So she had the idea of starting an anti-sexual-harassment campaign that could double as advertisement, but thanks to her cluelessness when it comes to romance, she got canceled for mistakenly tossing men in regular couples. She's still doing the "degenerate males" bit in her thirties. Girl really needs to get on with the times. Rumor goes that she still downs huge packs of tequila bottles with Yumeno every now and then. Really don't think there's any salvaging her reputation.

Shirogane is an office lady still continuing her cosplay hobby on the side. She could be doing well if she knew how to keep her mouth shut but frequently rambles about cosplay history and etiquette, so no one likes having her around. Stay emotionally dependent on a single hobby long enough and your passion starts to close you off to others. That's her problem.

Angie was the most successful in the class! She made big money both on the art and the religion fronts. However, there were some controversies about her devotees selling counterfeits of her paintings at exorbitant prices and one magazine made a huge news coverage of it, which resulted in her catching the police's attention. She's been recently untraceable, with the rumors saying that she'll never be back to Japan.

Oh, and Iruma... Up until some point, she had the best life of all of us. She made big money off of her inventions' patents. So far so good. Things only started going off-rails after she married an ex-stripper. The two started a YouTube channel together. And later, her husband ran in last year's elections and lost big time. They got an awful debt from his election campaign and she had to get into side jobs to pay it off. And her husband? Disappeared. No word from Iruma herself about what happened. Tough world to live in.

No further updates from Kodaka in the past 3 hours, so I assume he went to sleep and will come back to tweet about the 7 remaining boys in the morning.

[empthy1]

like them? ── .✦ patrick zweig x reader

hallo!! this is more a character study than anything. his loser ways intrigue me. not really happy with the ending :[ hope you enjoy anyways ‪♡. 2k words.

You were perfect.

Your glacé demeanor was the thing that drew him to you. Screw what anyone else said, he deserved a minute amount of softness once in a blue moon.

Especially after a particularly humiliating challenger.

So what if he was distracted by you? That doesn't account for his less than stellar performance, surely (he can blame the motel mattress for the crick in his back) but it sure contributed. That toothy grin was lethal, and you didn't even know it.

He was drawn back to your sparkling eyes every time he hit, the sound of the thwack fading into the back of his mind. He knew you wouldn't catch him—you were watching the ball flicker over the net with every hard strike.

It was only inevitable you would catch him.

The ball sails past him, slamming into the rusted, chain-link fence with a loud crash. It tauntingly lodged in one of the openings. As your eyes dart to catch its motion, you instead catch his dark gaze right on yours.

Patrick plucks the ball from its sunken position and pockets it, shoving it into his too-big shorts. He swore they fit a couple months ago.

He shuffles off the court after a half-hearted handshake with his (much) younger opponent, who gives him a movie star grin—like he’d won Wimbledon and not a backwater challenger.

You're waiting for him at the barrier, hands pressing into the metal. It's gotten a bit nippier, recently, in the late November month.

The sight of your trembling shoulders and fixed gaze makes him bold enough to invite you for a bite to eat.

He’s cute, all bumbling motions and wry, nervous smirks. His hip hits the barrier after one particularly eager motion. He thinks he hides his resulting wince well.

(He does not.)

You ended up in a diner. There were two in the town. He’d learned from the woman at the motel. He only heard half of her sentence as he was dead on his feet, but he distinctly remembers being told one was "absolute shit."

When he took a sip of jet black coffee and felt the bitter, smooth burn on his tongue, he knew he chose the right one.

He tries to start conversation. A cough instantly lodges the second he tries to speak, catching on the buildup in his throat.

“-sorry. Yeah, so… why were you here to watch?” You definitely look too cool for this town. Too cool for him, which is a sentence he never thought he’d think. His younger self would be aghast.

You purse your lips familiarly, and suddenly it's not you sitting across from him but her, tawny skin matte in the diner's shitty lighting and messy braid slung over one shoulder. Your words snap him out of his revere.

"Oh, well, I'm just a fan. You've got such a explosive style... I like it."

Well that's something she'd never say.

The unfamiliar kindness to your tone makes him smile crookedly.

He's different that night, around you. Not that you'd know.

His soft laughter rings through the almost-empty diner. You'd both ordered food by now—just waiting it to be delivered from the noisy kitchen. He can't remember exactly what you'd said that made him laugh like that, tinkling in a way he'd never let escape him before, but he finds he can't really remember.

When your food comes, you do this polite little shimmy back, eyes following the plate of pancakes as it's placed down in front of you. Jesus, that's familiar. He misses seeing how his eyes would go big at every meal, eagerly taking in the veritable mountain of food in front of him.

Then, his hot plate of eggs and toast is placed down in front of him and he can't help but dig in. He forgets all about him, if only for a moment, at the melt of warm, cheesy eggs on his tongue. Yep. Definitely the good diner.

One thing he's used to—feeling hungry. For food, for people, for happiness.

It leads to impulses. Bad ones.

He's accepted dates from so many sleazes. Let them push him and treat him wrong for reasons he doesn't want to think about can't understand.

Whatever. Introspection's a bitch.

He prefers to let them feed him on their dime and then have the mediocre sex they expect from him for their kindness. He slips out after they fall asleep and returns to his apartment or motel room (or car, when it's that bad.)

Oddly enough, you don't give him those urges. The results of his mindless swiping don't feel like the little meet-cute he'd fallen into.

The last thing he expects to do is to slip you his number he scrawled on the receipt for the bill you split. Can't imagine why he's kissing your cheek under the awning, protecting you both from the rain before waving you off—giggling, actually laughing at the view of you as you run to your car, hood pulled up over your head.

Not even a thought ran through him about propositioning you.

He returns to his stuffy motel room, peels off his shirt at the muted hum of the shitty AC. Broken again. He'll be gone by morning, anyway.

Slumping back against the mattress, his eyelids press visions of light eyes and curling hair to his mind. They don't feel as oppressive, as terrifying when their intercut with your voice, your smile.

The next time he sees you, it's colder. Far into winter, his breaths puff clouds into the air. The city is windier than the small town you'd met in, the skyscrapers tunneling the frigid air right against his back.

This was a long time coming. You'd think him younger (or busier) with the way he's glued to his phone—awaiting your messages and, later, calls.

He definitely feels younger; less like a man in his early thirties and more like a teenage girl. He hadn't crushed like this since—

That's enough of that.

The long trudge to your apartment was only caused by the less-than-ideal parking your old building had. By the time he made it to your doorstep, ringing the bell with tingling fingers and rubbing his reddening nose, he was thoroughly frozen.

His clothes was less than ideal, too—unused to being in a place that snows during the winter months. He runs from the freezing temperatures, fearing the slowness they bring and the idleness that may trap him. He flees to California and Florida for the winter, creeping around the coast and clinging on to the barest hints of heat that remain there.

Your apartment is his California, now.

The second the door opens, he's hit with a wave of warmth. The warm air seeps over his skin, coming from the rumbling heater and the scattered burning candles and the happily humming oven.

Yeah. He could get used to that. Especially the bright smile on your face at the sight of him, nose red and eyes squinted despondently.

"Pat. Come in. Jeez—you look cold."

Being swept into your apartment felt intimate. His shoulders tensed at the tug of his coat, unwilling to part with it even if you were just trying to be a good hostess—

Yet, as soon as the heavy fabric slipped off his back, he realized how laden it had been with ice and melted snow, keeping the chill pressed to his skin.

The flannel he had on underneath, layered over a long-sleeve, was much warmer. It seemed to absorb from the air and from his own body heat, insulating his trembling arms. His frozen hands rise to rub at his biceps, before slipping up to bathe in the pocket of heat it'd created.

He doesn't even notice being led to the couch, pressed into the cushion by your gentle hands. He settles heavily against one of your throw pillows.

The bustle of you in the kitchen is firmly background noise now, the faint clicking of a mechanical timer buzzing on the counter. Without the cumbersome weight of the cold, the desire for sleep enfolds his mind. His eyelids droop heavy, burdened no more with gelid crystals of ice.

A melting droplet slips down his cheek, followed soon by a salty one. They runoff, fading into the throw pillow that bears his curly head.

He's knocked out before the timer even beeps.

“Hey, hey.” Is softly cooed in his ear, a warm hand shaking his shoulder.

Oh. It’s Art, waking him up for practice—whatever, five more minutes. He attempts to shrug off the touch and flop on his belly, but his resting place feels smaller than his bed was at Mark Rebellato.

No, the fingers are too slim, and this is definitely closer to twin-sized. Tashi, then. Dude, he just got back from tour yesterday. He huffs and grumbles and tries to roll over again. Can’t she let him sleep in—

But he keeps getting shaken, and he blinks open bleary eyes to find no hint of… them. Just you, blinking down at him with a steaming bowl clutched in your other hand.

His sleep-crusted eyes flutter, caught off-guard at the rush of memories and then the brutal battering of your visage on his brain. Right. You're here, with him—or he's here, with you. In your apartment, on your couch. He'd fallen asleep.

"Dinner, Pat. Have you gotten thinner?"

He probably has. He accepts the bowl greedily, digging the offered fork deep into the white rice and chicken, dripping with a sauce he's never had but supremely enjoys.

It's different, home-cooked meals. He'd never had one, a true one, until he'd met him. To have a member of the family cook and pour hours into a dish was something he'd never seen. He usually didn't even glimpse the cooks, and was shooed from the bustling kitchen anytime he so much as tried to peek in.

The presentation wasn't the masterful art he'd grown to know, with perfectly placed leaves and round dollops of puree. But it steamed, wafting scents into his nose. He appreciated every bite.

You'd flipped on the TV while he was devouring the meal. Once he zones back in, he hears it—a droning voice enunciating familiar words.

"This is live coverage of the Australian Open, looks like the Donaldsons are coming in now—"

His head shoots up.

Gaze contacting with the screen, he glimpses cropped blond and a newly-cut bob. His eyes are downcast, following obediently behind her like an acolyte. Occasionally, he sees his gaze dart up, as if she'd acknowledge him and stray from her warpath.

Yeah, he's seen this before. Keep pushing, Sisyphus. She's no Orpheus.

He finds the strength to turn it off. His thin fingers tug the remote from your lap, impacting the little red button harshly. The place of it on your coffee table echoes.

"...can we go to bed?"

He's never been cradled like this before. After you'd fussed, shoved him into a too-big sweatshirt (he doesn't know where you got it) and graciously let him take his jeans off, you tugged him to your chest and buried your nose in his still-damp hair.

His hands are still warm from the bowl when they snake over your skin. Bared thighs slot against yours, pulled close and tangled in the web that is you.

Usually, he'd struggle. Resist the pull and tug of silken, sticky threads—each one only entrapping him further.

This time, he sinks into them. Surrenders, like a venom-laded fly to be wrapped and ensnared. The sounds of your breathing soothe his restless mind.

You're no longer him, with his smile and the youthful glimmer he used to see. Or her, with your funny, but scathing commentary. He doesn't see her in your focused looks, or hear him in your laughs. They meld together, swirled and blended into an amalgamation.

You soothe the roughened edges of the image. There's no cutting feeling in his gut or the curl of a vice around his ribs.

Just the press of your collarbone against his forehead and your breath through his short tresses.

[coraniaid]

The scene where Willow confronts Faith is Choices is kind of fascinating to me, because ... well.

I like Choices quite a lot, and I think Willow's dislike of Faith is perfectly understandable and in character (and her speech has some fun but probably not intentional foreshadowing for later seasons), but it's hard not to notice that the narrative expects you to be rather more unambiguously on Willow's side than I think is really warranted.

I mean, Willow might not have been the most popular girl in high school, but she has multiple close friends, a nice boyfriend, a stable [and fairly comfortably middle-class] home life, she "represents the pinnacle of achievement in Sunnydale High" in the words of her school's principal, she's trusted enough to teach at the school, in a year she'll be able to go to any college she wants (and, unlike some people, she can afford to go anywhere she wants), she used to hack into government computer databases (before she ever met Buffy!) and now she's teaching herself dark magic "for fun" and she hasn't [yet] ever suffered any real repercussions for either of those things.

On the other hand, from what little we hear about Faith's past we know she grew up poor and that her mother used to get drunk and beat her, that she didn't have any friends and dropped out of high school young, she is very strongly implied on multiple occasions to have been the victim of some pretty horrific abuse before being called as a Slayer, and after being called as a Slayer she got to watch the one adult who ever told her she mattered get killed horribly in front of her before fleeing across the country to a town where she doesn't know anybody, still has no friends, doesn't have a job or go to school and lives alone in a motel in the bad part of town. And when she accidentally killed a man, while trying to do the whole slaying vampires thing she's supposed to be doing, the Watcher's Council -- who never actually bothered to send her a new Watcher of her own -- decided to have her abducted and dragged away to England [a fate which surely nobody deserves].

Yet a part of Willow clearly thinks (and almost outright says) "oh, well, yeah, but she hangs out with Buffy sometimes when I don't get to and she slept with the guy -- not my nice boyfriend! -- who I used to have a crush on (and who I was briefly cheating on said boyfriend with), so it's clearly impossible to say which of us really had things worse and I don't need to feel sorry for her". And -- again, while this is great characterisation for Willow -- it's kind of hard not to notice that the writers think she has a compelling point.

Yes, sure, Faith has defected to working for the Mayor and has a knife drawn on Willow this scene (she's not anything like a blameless victim at this point of the story) and it takes a certain level of physical bravery for Willow to stand up for herself despite that. But ... I mean, come on. "You had friends like Buffy" is only true if you accept it to mean "you had exactly one friend, who was Buffy". "It's way too late" for Faith to seek forgiveness ... how many people has Faith killed at this point? One, by mistake? Giles has killed more people than that. "Some people think you had a lot of bad breaks?" Yeah, actually in Faith's shoes I'd want to hit Willow after she said that too.

I realize that part of the show's central thesis -- something that explicitly came up as recently as Earshot -- is the idea that everybody, regardless of how comfortable their life might seem from the outside, has their own sorrow and pain and (only occasionally metaphorical) demons to fight. But while that's not entirely wrong, it's also ... not entirely complete? Everyone has it bad sometimes, but some people really do have it worse than others. Pretending otherwise is ... not a serious position to take.

Willow's life could be better, but she's not gone through anything like Faith has. I'd argue she literally can't imagine how bad Faith's life has been. She really doesn't have as much moral authority as the show's writers think she has at this point.

[Compare this part of Season 3 with the first half of Season 6, when the show is overflowing with sympathy for Willow's abrupt descent into magic addiction but has no sympathy at all for Amy Madison, whose own magic addiction is just implied to be because she's inherently a Bad Person who Willow needs to avoid and whose own horrific past and abusive mother and complete lack of support system is just entirely forgotten about. Or, indeed, to the weird take of Dead Man's Party, which has Buffy apologize to Willow for ... what? Having problems of her own that don't revolve around Willow? Being too busy mourning the loss of everything she ever cared about to tell Willow how uniquely special and amazing she was for learning rudimentary magic? Not being grateful enough for Willow restoring Angel's soul without bothering to ask Buffy if that was something she still wanted her to try?]

So, the overall effect is ... yeah, it's a good scene. But it's almost a good scene despite the writer's intentions, not because of them. It's much less of an ambiguously triumphant moment for WIllow than I believe we're meant to read it as.

[starrclown]

☆ LMK headcannons before I go to sleep ☆

Ao Lie has a BIG smile because of him being a horse. He also has super sharp teeth because he's a dragon as well. This results in a HUGE smiled with razor sharp teeth that most people don't like.

Mei has a smaller smile with duller teeth because of how far down the generational line she is. She also has smaller horns and very few scales.

Tang is SUPER competitive in games. Like HARD core competitive.

Macaque has SERIOUS resting bitch face. He looks made all the time besides when he's with Wukong or the monkies.

Mk didn't know what kind of relationship Wukong and the monkeys had so when the little ones called him "Dad" and "Grandpa" instead of "King", it confused the hell out of him.

Mk also didn't know that Redson was Wukong uncle till Wukong casually dropped it in a training session.

Wukong is Redsons godfather.

Macaque hates having long hair because it makes him too hot for his liking. Hell cut it if it gets past the bottom of his neck.

Sandy has a fluffy orange cat and named him "Wukong". He has also done this with Mk, Mei, Tang, Pigsy, and recently, Redson.

Redson loves ice cream but he has to eat it super quick or it will melt.

Wukong is SEVERELY claustrophobic for obvious reasons. DBK is also claustrophobic, but to a lighter sense.

Macaque uses corny jokes and flirts on Wukong and somehow Wukong finds it charming.

In the battlefield Wukong is elegant and precise, in his normal life he slams his hip into ever corner possible.

Chang'e is NOT a lightweight. She could drink for hours and only be buzzed.

Wukong hides under Chang'es counter so that way he can still be on the show but not be on camera. He likes to luck bowls she's not using anymore or hand her ingredients. He's her "special tester" to make sure the foods good. If you look closely enough you can see his hand popping up.

Wukong likes to compare hand sizes alot because of how diffrent all his friends are. Most of the time his friends hands swallow him because obviously he's alot smaller, but Macaque's and Mk's hands aren't much bigger than his.

Mei would dox you if she felt like you deserve it.

Wukong found the camera Mei placed on him and got rid of it immediately. Redson copied this.

Both Wukong and Redson have curly hair but they straighten it.

Pigsy is the smallest in his family. His mom, dad, grandma, Tang, and Mk are all bigger than him.

Tang has a older sister. He also has a few cousins. His family is LOADED.

Tangs mom was disapproving of Pigsy. Tangs dad LOVES him and Mk. Opposite on Pigsys side. His dad HATES tang but his mom loves him.

Sandy is a active reader and has many favorite books. He likes to talk to Wukong or Tang about them.

Mk has to have braces until he was about 20.

Mei international dyed her hair to make her parents mad but she atcually ended up liking it so she kept it.

Pigsy is Mks favorite parent. He is not shy about this fact and will say it when asked.

Redson is very blunt. He's not always trying to hurt your feelings, sometimes it's just hit tone making him sound meaner than what he's trying to convey.

Sandy is still looking for Hunstman.

Wukong does nit care what gender is. He doenst care if you think he's a boy, girl, or anything else. As far as he's concerned he's just a monkey and that's all that matters.

Wukong is extremely warm so the monkeys (and Macaque when Wukong kets him in his bed) snuggles up to him and grabs him so they can feel the warmth.

Mayor bits ice cream. He also bites jawbreakers.

Azure eats like he just got out of prison. Wukong is a slower eater and makes fun of him for his quick pace.

Yellow Tusk needs glasses but he won't wear them.

Peng is the kinda gut where THEY can make a joke insulting their friends but will get PISSED if you try and do it too.

Nezha has a HORRENDOUS sleep squedule that he picked up from both his job and Wukong.

Pif snaps more than she'd like. Things make her frustrated quickly and she snaps because of it. She's yelled at Redson more than she'd like to because of it. Redaon never knows what to expect feom her so he's very careful not to make her angry. DBK isn't much better.

Macaque makes jokes about Wukongs weight and him getting bigger but he doenst like it when he can hear Wukong critize his body. He likes how soft Wukong is.

Wukong has always been chubby exept when he was on the journey and starving. That kinda skinny wasn't okay.

Wukong likes to mess up Tangs hair cause he finds it funny that Tang looks exactly like his master just with hair. Tang let's him do it cause he know it makes him feel better.

Nezha crashes at Wukong's place when he's tired of work. Wukong offers him a room but he normally falls asleep to quickly on the couch.

I'm so sleepy yall but at least I got motzeralla sticks today.

These are always so fun to make.

[pablitogavii]

Anger Issues

Summary: People keep coming at Pablo for being 'too aggressive' on and off the pitch and that makes him frustrated. He tried to shield you from it all but when they start assuming he must be just as aggressive with you, he completely looses it!

Pairing: Pablo Gavi x Reader

Warnings: light angst/ fluff/ smutty ending ;)

pablogavi

Get up when you fall! Vamos Culers!! @fcbarcelona

comments:

halamadrid: So much aggression from this overrated tiktok star #nogame!! vini>>>>> liked by 1200 others

madrileñoslovemadrid: siempre agresivo!!

realmadridislove: because he doesn't know how to play!!

gavirafanclub: jealousy!!!

madrileñoslovemadrid: nahh pretty boy just a kid!

viniciusthegoat: little kid wants to act like a big star but all he does is push players! #weak!!

brasileños: go back to La Masia kid!! liked by 1500 others

y.n.bebe: te amo bebé <3

pablogavi: <3

You saw all the horrible comments on Pablo's newest post so you hoped that yours will at least make him smile weakly. People were so harsh with him, always calling him aggressive kid who doesn't belong in the first Barça squad.

They had no idea how wrong they are...Pablo worked hard every single day, training tirelessly without complaining, and the only time he does act 'aggressive' is when he is being provoked into it.

When he came home, you tried talking to him but he just says he is 'fine' before going to take a shower he really needed after all morning of running around the pitch.

"I don't know Becca. He won't talk to me...but I can tell this is getting to him. Does Pedri know anything??" you said into the phone after a few days when Pablo definitely started feeling worse still not letting you in avoiding the conversation whenever you would bring it up.

"Bebé do you want to talk to me about it now?" you said when you laid down in bed and he just pulled you back so that your back was glued to his chest and he rested his chin on your shoulder shaking his head.

"What are you reading cariño?" you sat in between his legs on the couch seeing that he was once again reading some stupid post he was tagged in that did nothing but humiliate him. You took his phone away and nuzzled your face into his neck once more trying to talk but he said he just wants to sit there with you in silence and that he will be alright.

"Pablo...I think you should talk to me" you said when you saw him clenching his jaw suppressing his anger from boiling over and cause him to break everything in his proximity. Apparently, Vinicius Jr said in his interview that Gavi is nothing more than an 'angry kid' that got destroyed in the last El Clásico. "There is nothing to say amor! He is stupid hijo de puta! I need to go for a run!" was all he said before rushing out of our apartment faster than I could say anything.

"Pepi said Pablo has been on edge recently even during training..hitting grass when he would miss a goal and avoiding to joke around with other players" Becca said and you knew it was just a matter of time until he bursts not knowing what to do to get him to open up to you.

During the next game, you went to support him hoping that would give him some push and reassurance that he is still campeon in your eyes and that he shouldn't let those mouth breathers ruin his confidence.

First half went great with Barça scoring one goal, and keeping many more but the moment the second half started you could tell they were provoking Pablo again.

You knew him well to notice the way his shoulders shift and his jaw keeps clenching as he played knowing this will end in a disaster. He was running towards the goal scoring it and making the whole camp jump to its feet when the referee said it was off-side without even sending it to the VAR room.

Pablo was angry with this hitting the ground (gif) and once he got up some opposing players purposefully bumped into him as he walked back to his position. They were really pushing their luck.

All of the sudden there was crowd in the middle of the pitch and you immediately knew who was in the middle of it- your Pablo. When players started moving as referee rushed to the commotion you saw Pablo yelling with his hands in the air repeating he didn't start anything. But it didn't matter, since he received red card being sent off the field and your stomach dropped.

As he walked off, he looked up to meet your eyes and you gave him a weak smile he returned before being quickly distracted by one of the opposing players form the bench yelling 'bye bye Pablito' and as he was about to rush towards him, Xavi grabbed his shoulders pushing him towards the changing rooms.

You rushed back with your 'family pass' knowing that you might be only person he would want to see right now. You saw Xavi leaving him inside the dressing room telling you that he is in pretty bad shape and that he asked for you.

"Bebé?" you opened the door looking up with tearful eyes and you quickly rushed to him sitting on his lap and hugging him tightly not caring that he was sweaty in that moment.

"I'm sorry you had to see that..I'm so sorry princesa" he was crying into your neck and you kissed his head pulling back a little before moving hair off his sweaty forehead pecking his lips a few times sweetly.

"Don't apologize, Pablo..I am still proud of you..It's not easy when everyone is provoking and pushing you around..and you still menage to score the goal and keep playing..you are my campeon bebé" you say seeing his eyes sparkle at the praise he haven't heard in a long time.

"I know I've been pushing you away too.." he said and you shook your head telling him you understand and aren't going anywhere.

After a few minutes, when Pablo finally calmed down just by being in your presence, you walked out of the changing rooms holding hands not expecting to come face to face with the same player who got Pablo kicked out. He must be substituted and you felt Pablo's hold on your hand tighten as his anger returned.

"What a win for us huh?" he said smirking and Pablo's eyes opened wide knowing that when he left, Barça was still leading. You saw that he tried not to let his anger out again but the player was really provoking him badly right now.

"It's okay, Pablito..this is a big boy game..maybe La Masia should take you back??" he said and you placed your hand on Pablo chest saying you should both go watch till the end together and to your surprise he agreed walking off without doing something 'angry bird' like.

y.n.bebe

mi campeon! @pablogavi @fcbarcelona

pablogavi: te amo princesa! <3 liked by y.n.bebe

fcbarcelona: Golden Boy! liked by y.n.bebe

its.becca.girl: Vamos Barça!!

y.n.bebe: siempre hermanita!! <3

siramartinez: supporting our man!

y.n.bebe: always!!

gavifangirling: she is such a supporting gf!! Love it!! <333. liked by y.n.bebe

madrileñosforevaa: girl he is like so aggressive!

halamadrid: nahhh vini>>>>>

gavihateclub: he is probably just as aggressive with her!! @pablogavi

"Now they are saying I am being aggressive to my girl dad!" Pablo couldn't believe the things people were saying online after the last game.

It was one thing to call him a kid, or say that he didn't know how to play but to pull you into it and say he would ever do something to hurt you is past the limit. He can't stay silent anymore! This was taking it too far now!

"Amor?" you said when he just rushed in your shared apartment not even saying a 'hello' before walking into your shared bedroom and tossed himself onto the bed.

You sighed knowing that he must have seen the awful comment someone left on your post which hurt you heart as well. Pablo was the most caring and gentle boyfriend in the whole world to you!

"Bebé can you look at me please?" you said after sitting down on the bed next to him and rubbing his back while hearing his softly sob into the pillow. It broke your heart to see him like this.

He just shook his head knowing that the moment he looks at you he won't be able to stop crying again..he could deal with all the shit they throw on him but when it comes to you, he wants everyone to know that he treats you like an absolute queen because that's what you deserve!

You laid down besides him kissing the back of his neck before nuzzling your face further kissing his cheeks and making him slowly turn around so you can straddle his hips and peck his lips finally.

"Am I too aggressive with you?" he said and you dried his tears your heart breaking that he could ever question you about this. Those people really got into his head.

"Amor, you are the most caring and loving boyfriend in the world..you always make sure to see me every day even when you are away you always face time me before bed...you buy me roses out of nowhere and write me cute notes when you have early morning trainings..you mi cariño are not aggressive person they are portraying you to be..not in football and especially not to me" you say as he listened carefully before pulling you down and kissing your lips feverishly.

"I love you so much princesa..please don't ever leave me" he said and you smiled into the kiss before kissing down his neck and messing up his hair playfully.

"You're not getting rid of me that easily, Gavira!" you said while laying down on top of him and his arms engulfed you tightly while he kissed your head.

"Good. Because I couldn't imagine doing this without you nena.." he said feeling exhausted and you smiled cuddling up and slowly dozing off together.

The next day you wanted to surprise him with a little trip to the beach with all of his friends knowing that it was a day off for everyone and that he could use being with people who love him.

Even Aurora and Javi joined and the whole day Pablo was smiling and joking with everyone, stealing kisses from you and enjoying being 'normal'.

You were glad everyone showed up and showed how much they care for him especially when you saw his happy little face. You never wanted that smile to disappear again!

"Can you take a picture of us Becca?" you said giving you your phone and pulling Pablo towards the ocean before jumping into his arms and he held you up easily leaning in to kiss your lips while everyone cheered. He was so happy when you finally kissed before he put you down and held your face for a few moments.

"Thank you princesa.." he said and you smiled when he kissed your forehead.

"Always, cariño..I love you" you smile getting another kiss before you returned to hang out with the rest of your friends.

"Today was amazing, hermosa..I really enjoyed" Pablo said when you returned to the apartment and you felt really glad to hear that.

"There is something I need to do still.." you said opening Instagram up on your phone.

y.n.bebe

Para el novio mas amoroso del mundo! Te amo amorcito! <33 Gracias gracias por tratarme como una princesa siempre. @pablogavi

liked by 100K others

comments:

pablogavi: porque tu eres mi princesa <33

y.n.bebe: amor!! <3

barcafanclub: he is the sweetest boy! to his fans and to his girlfriend! those saying he is aggressive with her are rude and stupid! Siempre Amor!!! @pablogavi @y.n.bebe

its.becca.girl: sweetest couple en toda la Barcelona!!

pedri: them and us amor lol <3

y.n.bebe: double trouble pepi!! lol liked by pedri

pablogavi: estamos suerte hermano! liked by pedri

gaviiifan: people should stop hating on him for being a good player and clearly the best boyfriend bruh!!

viscabarcasiempre: Gavi! Gavi! Campeon!!!!

gairagirl: people saying he is not a player but a tiktok star are just jealous of his success! they hate him cause they ain't him! @y.n.bebe a lucky girl <33. liked by@y.n.bebe

siramartinez: girl being treated right! shutting up the haters!

y.n.bebe: siempre! <3

ansufati: amor para mi hermano! we all know you the best! @pablogavi

pablogavi: hermano <3

@_rl9 I have known @pablogavi for such a long time now, and the boy is truly the kindest down to earth kid you will ever meet. He shows up to all training ready to go and he never complains! His talent and heart shouldn't be questions! Tue eres chico orgulloso! liked by y.n.bebe pablogavi and others

pablogavi: gracias lewy! te amo siempre ídolo!

[thedeviljudges]

Hi Noel. We used to be mutuales back in the good old days. I hope you are taking care of yourself.

I am having a fucking horrible time. I am devastated. Even though I moved on from fandom so long ago, I always cared about Liam and I always will.

I think one of the least surprising things for me and I guess for you as well is the reaction so many people are having. They act as if their hatred for him is new and based on recent events but we know that shit runs deep and is old. I’m not even surprised by their hypocrisy because they are all about holding people accountable for their mistakes as they weren’t the biggest fucking bullies to him every single day since day one, why aren’t they holding themselves accountable for being fucking horrible people and being part of the problem? Many of us would defend him and point all of this out too and we knew back then how much he was hated on for literally existing within the band. He couldn’t post selfies because they would accuse him wanting attention and he would get bullied. He couldn’t tweet any simple and insignificant thing because they would hate on him. They were constantly body shaming him. They hated when he would show off his talent in concerts. He literally couldn’t have a fucking break because his existence alone was enough to fueled their hatred towards him. The way they had a fucking field day bullying him and body shaming him when they filmed you & I video. It was constant. It doesn’t matter and it didn’t matter what he did because they simply just hated him and would let him know. Not only were they a huge component of the system that messed him up over the years, not only did they bullied him back then, but now too even in the wake of his death. I never understood it back then and I don’t understand it now, how they could do all of that and continue to do so while demanding accountability and who knows what else as if they are deserving of anything from him or his loved ones when they were fucking horrible to people since the very first day of 1D.

Anyway, to anyone who is hurting and is grieving him, do so, and do so without holding back, do so because no one has the right to police your feelings, and fuck anyone who makes you feel bad for grieving Liam.

hi, babe. i hope you've been well all this time. 🥺

tbh it's hard to add anything because i agree completely. liam was always the one that went through the worst comments (aside from the racism zayn faced) and treatment within the band. people were always so cruel to him for no reason. and no matter what he did, the fandom always found fault with it. it makes me especially sick to see how twitter was relentless with their bullying the week before all of this happened. it was nonstop and then now to see them all pivot and upset... hypocrites.

and all i keep thinking about is how unfair it was because if any of the boys did what he did (and have done), everyone's been so forgiving. but not for liam.

liam loved one direction with his whole heart. he kept the band alive during their activities and long after by mere mention and discussion and knew how special it was for fans and himself. he was the reason i got into one direction, which i think is why it's also hitting me so hard. he's the first video i saw walking the streets of the us in 2012, who stopped for a few fans. he was so kind and loving, and it's incredible how many people in the industry have commented how lovely he truly was.

i feel a lot of things still, so it's really difficult to put it all into words in a single post. but liam was so talented and the fact that fandom never recognized the brilliance of it will forever hang over one direction now.

i truly hope people take this as a lesson to be kind; everyone preaches about it so much - and you're right. they want accountability but can't even recognize that their own actions warrant accountability, too. the callousness that has infected the internet and fandoms will truly be its downfall. there are so many of us who talk about how it's not the same, and it will never be the same again if we don't start having compassion and love even in the face of difficulty and misconduct.

[godisshook]

Casual

Cody is the ultimate fuckboy. He prides himself on never getting attached and only using others for sex. A path of broken people and torn relationships is left wherever he steps foot, and he just doesn't seem to care. He was a horrible boyfriend, but he was my friend regardless. In my defense, we had known each other since grade school, and I can confidently say that this is a recent development. The worst part of it all is nobody else seemed to care (aside from those he hurt of course) about his dating behavior.

I tried to be a balancing force in his life, as much as I could, hoping that I could be a good influence on him, or at least prevent him from doing as much damage as possible. I tried to steer him on the right path, using our friendship to hopefully help him understand, but all my pleas fell on deaf ears. Usually, I was the first to know if Cody had entered a new relationship, but I stopped receiving those all-too-common relationship updates from him for months. Knowing his habit of being a serial dater, it seemed far too suspicious that something hadn't happened in all of this time.

In addition to ensuring Cody doesn't implode by ruining every relationship he had, it was also my plan to make this summer the best of my life, and that meant changing everything. I have only dated one guy, and that resulted in an incredibly underwhelming breakup and an even more underwhelming friendship afterward.

Our gym days had been a sort of ritual between the two of us forever, I always did cardio, while he did weights. We used this time to catch up on each other's days and make plans, all intermixed with some exercise. As one of our many rambling conversations soon circled to the topic of relationships, I used the moment to bring up my grievance with him, in the sternest way I could. Balancing seriousness with a friendly air, I said, "It is wild how you manage to be so bad at keeping a relationship." He replied, "Remind me, you've been with how many people?" With an immediate, "Oh, one!" Keeping up with the banter, I quipped, "But, I mean, at least my one relationship still likes me after." Even as the words left my lips, I knew I had crossed an invisible line. Cody's look at me only proved my thinking, as I glanced over to a blank stare.

The moment suddenly felt intense. I thought I had hit too deep, even gone too far. I steeled myself and prepared a response, but as I did, I noticed a smile appear on his face, soon replaced by a full-faced chuckle. As the sudden shift in emotion gave me whiplash, I could only manage a light laugh, but I felt his strong hand pat my back, as he said "I mean, if they hate me so much, they should take it up with me, but they all knew what they were getting into." The seriousness of his response was dulled by his kind demeanor, but his words hit hard.

He always had that effect on people, where his words never seemed to match his face. I always thought it was a quirk of his, but at this moment, I became aware of just how effective it could be. His disarming smile made it impossible to hate him for long, and his way with words always got him out of whatever jam he found himself in. As if nothing had happened, he said, "You wanna go on the treadmill?" Whether it was a strategic olive branch, or him just genuinely not caring, I did not care to know, I grabbed my water bottle and followed behind him.

As our workout drew to a close, I sat to cool down, and scrolled through my socials as Cody still migrated around the gym. He would soon place himself right between me, and a mirror on the wall. Looking up from my seat, I said, "Why arent you sitting down?" As if he took offense to the statement, he responded, "I have to admire my hard work first." Knowing that this was the least ridiculous thing he could have said, I replied, "Y'know what, knock yourself out." Before I could even properly go back to scrolling through social media, it became obvious why he chose this position, as he lifted his shirt to admire himself in the mirror, and chose to close the distance between us.

Cody had always made it obvious he had feelings for me. But due to my general aversion to dating and knowing his dating habits, there was never a chance for anything to happen. Despite all of this, he flirted as if we had never seen each other, which always yielded interesting situations. This felt like a nice shift from things, and I soon reassured myself, thinking that maybe I did actually get through to him, and all of these months were him reflecting on things. While I most definitely was going to exaggerate my role in this process, despite the true cause, it was fun to think about.

There were many days like that afterward, with quips and banter, and our friendship remained strong. He invited me to the park, an event that seemed very date-like, but one that was incredibly pleasant nonetheless. Weeks filled with the usual late-night texts, sudden house walks, and constant snack trips, things felt so familiar, so, safe. I reveled in this moment, as with our return to college, life would get busy, and we would inevitably fall out of touch, meeting in hurried coffee rushes, or quick workout sessions.

For now, there was peace, and I appreciated it whenever I could. After lounging my day about, I received a sudden text from Cody.

"Come to the gym," He texted.

"What do you mean, it's literally closed," I responded.

There was a second of hesitation, but a speech bubble quickly followed with an,

"I know."

It was weird, but he's had stranger ideas, and so I followed along, wanting to see what situation he had conjured up today. I arrived at the gym only ten minutes later, as it was a quick walk from my place. As I approached the door, I noticed it was already ajar, and in the parking lot, a single black car was parked at the far end. "Cody," I thought to myself. I entered, and the few lights that were on illuminated a path to the far back. With a tinge of paranoia overtaking me, I looked around to see if the cameras were on, but to my surprise, they had all been blacked out. When I finally reached the back, Cody was standing there, expectantly.

In a cool tone, he said, "I've been thinking about what you said a while ago, I do need to get my act together, I wanna do better." A look of surprise came over my face as I replied, "How so, and why does it involve us being here so late?" My question was met with hesitation, a moment of silence, but even that felt like an eternity. Breaking the lull, he responded, "Let me show you." He was serious, there wasn't even a smile to join his words, he wanted me to know he meant what he said.

Things felt different this time, as Cody closed the distance between us, I felt an indescribable heat and urgency emanate from Cody, as if everything in this moment was his world, and was waiting for my word to let loose. I had been able to resist his charms for years, but this moment felt, different. It was as if everything had aligned for this to happen, but it was just right. "I know you can't stand my dating habits, but I did it all to try to replace my desire for you.

My body gave away my feelings in a way words could not, and I leaned onto Cody and laid a kiss on his cheek. I whispered, "I should've done that from the start." The kiss elevated the heat of the moment, and a sharp intensity came over Cody, desire and joy mixing, as he assessed just how he was going to have his way with me.

Suddenly, I felt my knees hit the ground as his warm hands moved expertly around my chin, bringing my gaze up straight to him. "There's a reason I haven't been seeing anyone because it's always been you." His words lit a dangerous spark, and I could not resist anymore. But just as the moment was set to hit a fever pitch, a noise outside brought us back to reality. As the sounds of footsteps drew close, we rushed out the back door, and ran to the forest behind the gym, an escape route we were used to navigating for years. It was exhilarating, it felt like, in this small rush, we were back to being kids again. As we approached the other side, we watched our breaths for a moment, and after looking around to ensure we hadn't been followed, we walked up onto the sidewalk.

The walk was calm and serene, with few words spoken, but many thoughts still communicated. I felt my cheeks redden, a blush overcoming me. Cody took notice of it, but only his eyes gave away his knowledge of things, as he continued conversating as usual. In a second, as if he finally had his chance, he asked,

"You wanna go back to my place?"

It was obvious what his offer entailed, but there was a curiosity nagging at me, and I just had to resolve it. "What are we?" I asked. It was a brave question, I could have gravely misjudged the moment and ruined the friendship right here, but I felt bold, and it was a time for big steps. The usually calm and hesitant Cody became fiery for the moment, responding, "We're whatever you want us to be." It was clear what he intended with this, but it was my turn to hesitate. With uncertainty meandering throughout me, I replied, "Let's keep things casual for now, then." "Fine by me," he shrugged.

His arms went over my shoulder, bringing me close to his chest, where I could feel the intensity of his heartbeat. The rest of the walk back was silent. Where once there was small talk and expectant words, it was now a walk of resolution, one of completion. Finally arriving at his, I splayed myself on his bed, and turned on a movie, as he went to the bathroom to take a shower and change. Even though I snuck a peek (of course) things were relatively PG, likely due to me being too exhausted to actually capitalize off of him being in the shower.

I looked around his room, a place I had been to many times, and once I had seen change countless times over the years, as new aesthetics came in, and old looks went out. It was fun to see all of this change, and made me admire just how long our friendship had lasted. Just as I thought that the situation that I now found myself in could put the whole friendship in jeopardy. I had just told him I wanted to "keep things casual." Which I immediately regretted, not knowing what response he even wanted. With my overthinking taking up every moment, I couldn't truly enjoy the fact that my hot friend wanted to date me.

Taking in how I even got to this moment, things seemed so complex. The guy who I had been lecturing for ages on how to be a better boyfriend, somehow wanted to be with me? It seemed like one of those perfect coincidences like the stars aligned in my favor just this once. I was going to take it in stride but still was mired over what he wanted out of all of this. With my thoughts all over the place, it seemed fortuitous that the person to take me out of that lull would be none other than Cody.

His return from the bathroom resulted in him only in his boxers and a sweater, his bulge already noticeable as he walked out. As he sat down, I resisted the urge to drool on the spot. He sat right next to me and started watching TV. I could not resist the urge, and immediately laid my head on his waist, feeling his bulge just inches from my head. Both of us were making moves, but in a way that allowed us deniability, it seemed that we were each taking my words to heart.

We continued watching, only getting ten more minutes before Cody decided to lift off his sweater, revealing his muscled chest. He knew exactly what he was doing at the moment, and as I had to shift my head to accommodate him taking his sweater off, I was now face to face with his toned body. I had to admit, he knew exactly what times he was hottest, and this was definitely one of them. I was mesmerized by him, and he knew he had me enamored.

I decided to still resist, wanting to beat him at his own game. I sat close to him, resting my head on his shoulders, and laid my hand on his bulge, while watching the movie innocently. It was my bravest moment, but I felt his cock pulse under my hand in response, meaning I had clearly succeeded. Cody kept his cool for now, but his face was going flush, it was clear that his body was going to betray his mind when it came to how he felt, and that was most apparent when it came to his dick.

His bulge was getting more noticeable, and it was clear that this movie was no longer the focus of the night. I looked over and met with bedroom eyes from Cody. As his bulge grew, I knew what I was being beckoned to do, but I, always the tease, wanted to extend the heat. I laid a kiss on his cheeks, "You seem so excited to watch a movie with me," I quipped. A strained look came over his face as if he was simply waiting for the go-ahead.

I only gave him kisses, but he returned them with a special intensity. Small pecks became deep kisses, and we began feeling each other up and down. The moment could have gone further, the feeling was there, and the moment had aligned. To my surprise, however, Cody would be the one to stop it in its tracks. Separating from the kiss, he said,

"Please, just stay the night."

I was awoken by the smell of eggs and bacon cooking downstairs, and my nose guided my path to Cody cooking in the kitchen. It was obvious I made the right decision in staying, as Cody was set to dote on me every second he could. Hypnotized by the delicious-smelling food, I could only sit and grab a plate, as Cody said, "Take as much as you want, I made plenty," I confessed, "You are truly my favorite person." "I know," he replied.

I lounged about, enjoying my day by doing absolutely nothing. Even on Cody's bed, I felt a comfort that I hadn't experienced in a long while. Things just felt, right. As Cody ran errands, I watched TV, changing between reality shows and trying to beat commercial breaks. He would return occasionally, and always lay a kiss on my head or, if I had gone into one of my many naps of the day, simply leave a snack for me as he left.

As the lazy day drew to a calm evening, I stood up to go home. I had walked to his with none of my things and had to steal even the clothes I was wearing from his closet. Deciding that I had to go get my things, I stepped out, leaving a note for Cody on his return. Instead of the note greeting him, it would be me, as when I opened the door, none other than Cody was standing right there, having returned. He noticed me holding my stuff and putting things together in a second. Instead of letting his feeling be known through words, he simply dropped everything, and grabbed my waist, laying a deep kiss on my lips. As he drew away from the kiss, he said, "You don't have to go."

His disarming smile once again clouded everything, as it felt as if I couldn't say no. I said, "But none of my things are here." He immediately replied, "We can get it and you can come back." As I finally put the pieces together, I understood what he was truly asking. He had long wanted us to live together, and this was the moment.

I had lived by myself for years, and there would be worse people to live with, so I finally responded, "Y'know what, I can just use your stuff." Cody broke into a full smile from this, and he closed the door behind him and began kissing me continuously. The only moments we stopped were to come up for air, as we took off each other's clothes then and there, leaving on only the more base layers. I felt his bulge press against his shorts and decided to play with him a bit.

Maintaining the kiss, I brought the distance between us closer, pressing straight into his bulge. As I did, a jolt seemed to go through Cody, as he bucked against it, temporarily breaking the kiss. Grabbing me tighter he said, "You do these crazy things, and don't expect me to respond?" Before I could respond, he had lifted me up on his shoulder and was carrying me to the room. Seeing the kitchen and hallway move around me, without my legs being able to do a thing felt, different, but sexy nonetheless.

Finally reaching our destination, he took care as he entered the doorway, and finally getting inside, rushed to throw me on the bed, to which I exclaimed "Hey!" He quickly replied, "Your whole trip here wasn't allowed to be amazing." I giggled at this, and got up on my knees, beckoning the still-standing Cody over to the bed with a finger. He walked over in a sultry manner, and as the distance between us closed once more, I felt up his body, admiring every bit of muscle as I made my way down.

I took him by the waistband, and pulled him onto the bed, resting my body right beside him, able to feel every breath hit me, as his heartbeat pounded against his chest. It was a singular second of peace, we both knew where things would go from here, but in this moment, we were just laying by each other, without a care in the world.

The feeling was nice, but I decided it was finally time to take this to the next level. I moved our bodies closer to each other, and took his face into my hands, laying a light kiss on his lips. He took this for exactly what it was and returned the favor. With that, things heated up faster and faster.

After I initiated things, Cody truly let loose, our hands taking off what little clothes remained on the other's body. His dick, as if it was waiting to be released, bounced up from his underwear, and as I noticed, I could only laugh. "You really wanted this, didn't you?" I asked. "More than you could even imagine," he responded. Instead of taking off his underwear immediately, I teased his prominent bulge, guiding my hands up and down, and was met with a deep sigh in response. Taking a hand to his chest, I moved my hands down, taking deliberate slow care to every point on his chest, to which Cody took my arm to guide me further down once more.

Now noticing the position he had me in, Cody quickly took control, shifting my body under his, and taking my wrists in his hands, a steely stare meeting my eyes. Once again, there was hesitation, as he assessed what to do. Taking advantage of this, I asked with a chuckle, "What? You didn't think you'd get this far?" Instead of a response, however, my words were met with a sudden kiss, his lips pressing into mine, hard. The intensity of the kiss sent a flash throughout me, and his bulge now pressed against my thigh, as if it was waiting for permission to be let out. As a flurry of emotion came over me, I could only muster a single response.

"I'm all yours."

He moved like a man possessed, laying hot kisses throughout my neck, and moved my thigh up, in a moment, he moved down and began eating me out. His tongue worked expertly, and I could only moan in response, pleasure surging throughout me. A fire came over his eyes, as he knew he had me exactly where he wanted me. With a flourish, he took off his underwear, and his cock was finally freed. I gawked at his size, unaware that someone's dick could be that big.

I took the initiative, taking it in my hands and jerking him off. It was now his turn to respond with a low grunt, his deep voice bucking against the pleasure he felt. Taking things into his hands once more, he grabbed the lube from his dresser, and wet his cock. As his tip entered me, I felt a wave of heat overcome me, as my body responded to him entering me.

Soon, he was fully thrusting into me, his cock filling me up entirely. Shocks of pleasure strike through me as he continued fucking me, with me only being able to make small moans, each thrust silencing me again. We fucked for what seemed like hours, trying each and every position. Each time I thought we were done, he would cum again, setting the cycle anew once more. Load after load filled me up, and soon I became numb, after being fucked to my limit. Cody, still full of energy, kept going. I found myself wanting to keep going, for him, and didn't want this moment to end.

I felt as if the world around me was blacking out, with my only focus being Cody's warm face, laying kisses all over me as he continued pounding me. In one final thrust, I was sent to true climax, and everything became hazy. Cody's voice would be the thing to break the fog. I focused on his words with his voice being a familiar sound to my ears.

"I'm addicted to you, did you know that?" He asked.

On the verge of blacking out, I replied,

"I always did."

[thepenultimateword]

Not That Special

"Good evening."

Detective cursed loudly, tea splattering the wall as they whipped around to face the thief lounging, ankle crossed over the knee, on their sofa. "What are you-- How did you get in?"

"Key."

"What key? There is no other key, I have the only set."

"Ah, the only set you knew of. I asked your landlord for the spares when you moved in. He thinks we're married."

Detective let that sink in a moment before forcing their mouth shut and running an exasperated hand down their face. "Alright. Ignoring that for now. Why are you here? I could have you arrested with one phone call."

"Oh, please don't do that. I'd have to make run for it, and I'm really trying to stay off the streets right now." Detective raised their eyebrows inquiringly, and they continued, "I'm on the downlow. A recent target really did not like being robbed. Two of my places are being watched, and I would not like to risk the third. You see I'm rather attached to my skin."

They slid the back of their hand down their cheek, turning their head haughtily to the side, almost like an invitation to admire them.

"So you decided you'd put me in danger?" Detective said.

Thief scoffed. "Nobody even knows who you are, let alone that I crash here in my off afternoons."

"You what?"

"Landlord thinks we're married, remember? You think that was a one-lie assumption? Keep up."

Detective had to sit down. Everything sort of felt like it was spinning out of control. Before they could think better of it they'd sunk down to the cushion on Thief's left and ducked their head between their knees with a long groan.

"I'm going to have to inform them I'm very much single. Then I'll have to change the locks. Probably change all my passwords--who knows where you've been snooping. Then there's the police."

Thief reached over their back and began massaging their neck. "Why. go through the stress? It's just a few measly days. I'll even return my set of the keys. As for the police, why is any of their business?"

Detective didn't have the energy to swat them away. The day had been exhausting enough all on it's own, and now all this...

Villain hit a knot, and they practically puddled at its gentle unraveling.

"Maybe because they're paying me to catch you? Besides, they already think I treat you specially. If it got out you were in my house and I didn't report it--"

"Like you said, if it got out I was in your house. Many times at that. With an eye witness. You really think they're going to believe I got in on my own?" Thief leaned against their shoulder, breath hot in Detective's ear. "After all. I am special."

Detective jerked out of their grip, their stomach dropping to their toes as they wheeled on Thief's pouted lips and innocent-seeming dark eyes. "Are you blackmailing me?"

Thief surged forward, wrapping their arms around Detective's neck. The scent of rosemary and mint wafted up from their hair. "Only a little. And only if you call someone."

Detective moved to shove them off, but Thief clung tight.

"I would like you to leave," Detective said, squeezing hard on Thief's wrists. "Now."

Thief still did not unlock. "I told you, I'm in trouble!"

"So? That's your thing! You love danger. Your court it so often your practically a suitor."

"But I went too far." Thief shifted a little. Detective didn't notice they'd climbed into their lap until their legs were wrapped as tightly around their waist as their arms were around their neck. "I robbed Corvina Sedero."

Just the name made Detective shiver. Dragging hidden criminals into the light was one thing. But the ones that stood in plain sight were quite another. Detective had been young when they realized that mere knowledge of wrongdoing was not enough. Evidence was one manacle and decent law enforcement the other, and Corvina Sedero with all her reputation remained chain-free. The rumor was that she skinned the people who crossed her. Detective had never taken it as hyperbole.

"If she catches me..." Thief drew out a hairbreadth from Detective's face, dark eyes shining. "I'm scared."

Detective probably would have taken it for a lie if they couldn't feel the rapid pound of Thief's heart against their chest. For a moment, they considered making the call anyway, telling Thief that the safest place for them was behind bars. But even if Thief didn't run for it, Detective doubted any prison was truly outside the reach of Corvina's claws.

"A few days," they sighed.

"Really?"

"But we come up with another solution in the meantime."

"Of course, it's not as if I planned on moving in." Thief snuggled against Detective's chest, limbs loosening into less of a death grip and into more of a real embrace. "I knew I could trust you."

Detective jolted a little. That was not a good thing. A Thief should not feel comfortable with the person actively trying to jail them. Yet they couldn't stop the warmth flooding their chest cavity. "Don't get used to it. I'm still telling my landlord I'm not married."

Thief did not argue.

"You're not going to say no? Tell me what a mistake I'd be making?"

Their only reply was soft breathing.

Detective flicked their gaze to Thief's face, eyes closed and tucked snuggly against their shoulder. They must have been as exhausted as Detective, holding on for confirmation before finally letting themselves drift off. Detective couldn't imagine how much running they must have done, how many dead ends they faced, before they got here.

Their arms hovered awkwardly over the criminal's thin back, stuck between ideas of guiding their wiry figure to the couch cushions and holding them back. They'd once read that hugging made the body release the oxytocin hormone to combat anxiety, and Thief probably could use as little anxiety as possible. But that didn't mean Detective needed to be the one to do it. The weighted blanket on their bed probably would do just as well.

Detective braced one palm against the couch back and gingerly rose to their feet. They turned off lights as they went, brain growing drowsier out of habit with the dark hall and spattering of wall lights ahead. They'd tuck Thief in and then collapse on the sofa.

It was just one night.

It wasn't wrong if they weren't in the same room.

And these were extenuating circumstances.

Anyone would be swayed.

Thief was not special.

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