#tomorrow I'll be gone

[falloutconfessions]

"I remember awhile back ago, when i was playing Fallout 4, I had Maccready as my companion and i was playing through the Nuka-World DLC and i went to swap Maccready for Gage and i even said to myself what the plan was, however, when i finally swapped the two so Gage was my companion i cried so hard that Maccready was gone that i left Gage back at Nuka-World and went all the way to sanctuary just to apologize to Maccready and make him become my main companion again."

Fallout Confessions

[valhallavalgrace]

Have you used your powers at all since getting to Hotel Valhalla?

Leo hasn't used his powers once in battle and it's probably costed him a couple losses. (The dreams are likely both from the gods and also from genuine demigod PTSD.)

I've posted a flashforward in-universe valgrace fanart about this arc here... he'll be happy again one day I'm sorry

prev ask

[pastafossa]

🎉🎉🎉 MOM IS OFF THE VENTILATOR AND BREATHING ON HER OWN! 🎉🎉🎉

[lost-in-fandoms]

Obsessed with tarzan!Max and his preference for wearing Daniel's shirts. Now I'm wondering how Daniel feels about this? 👀 and when he gets them back, are they a little stretched out from Max's broader shoulders? Smell more like his earthy musk and sweat than soap?

Hi friend <3

I think daniel is very smug about clearly being max's favorite and he's quickly grown very fond of him so he likes that max seems to prefer his shirts. I think he gives up a couple for the cause so that max gets to keep them.

maybe max has some nesting habits? has a few places where he likes to sleep and to make them cozier he likes to make little nest-beds with grass and leaves and maybe birds feathers? and he adds the tshirts to them too. but daniel can't exactly give all his shirts away, so he asks for most of them back and at first max is very confused because daniel gave it to him? that's his now? and they have to explain to him the concept of borrowing and sharing lol

the tshirts are a bit stretched out, not much because max is bigger, because daniel likes his tshirts oversized anyway, but because max fiddles with them a lot, tugging them and tying them when they get in the way, and maybe getting stuck in them a few times when trying to get them off.

and daniel won't admit it, probably not even to himself at first, but he likes to see max in his clothes. at first he tells himself it's because he just prefers max to be clothed (liar, he liked to ogle at his strong body) but then he has to admit he prefers when he's in his clothes. because it makes max feel a little closer, not like someone who could just disappear in the jungle at a moment notice and never come back, and because it feels like max is a little more his, not as free and wild. someone he could keep. even if i don't think daniel is at a "i like max" stage quite yet.

and yes, the clothes are to be washed when max gives them back, because even if none of them is that careful with not getting dirty since they're in the middle of the jungle, max seems to make them three times dirtier by climbing trees and laying on the ground and jumping into rivers and hanging out with all sorts of animals. but daniel doesn't mind. and if the clothes still smell a bit like max even after being washed (they just have a limited amount of soap and river water it's not like they can do miracles) he's not going to complain about it.

maybe one time he has no clean tshirts left, between max stealing and/or wearing them and the fact that they don't do the washing too often, and instead of being a normal person and asking one of the other guys for one he decides to wear one max had already worn and isn't (surprisingly) too dirty. he finds himself bringing the collar up to his nose to smell it way too often lol (i know what you are...)

this also made me think about max cuddling up to daniel to sleep. he has a weird sleep schedule, is up a lot during the night and take a few naps during the day, and he likes to check on his usual spots, but he almost always come back when the night is almost heading into dawn and curls up around daniel, pressing his face against daniel's neck.

the first time he did it, daniel startled so hard he hit max and max had ran away like a kicked puppy. daniel had to work pretty hard to convince him to come back and that they weren't fighting and yes max was allowed in the tent, no daniel wasn't marking his territory. but now daniel expects it and lets max be his big spoon <3

wait wait hold on, i was pressing post and had another thought!

obviously max doesn't have a name right? because why would he. so daniel gets to give him one and goes for something ridiculously excessive like maximus emilian the first of his name, or something like that. max for short <3

[archerbrodrick]

ekko seriously, at least pretend that you're not head over heels for a piltie

[zu-is-here]

cupid

[1craig2craig]

Dialtown as MTMTE panels (part 7)

References under the cut

[monstermoviedean]

if you have a good vibe/kind thought to spare and could send it my way. i'd really appreciate it.

[charcubed]

Disneyland's Rogers: The Musical, propaganda that turns Steve Rogers into more myth than man, and revisionist history (possibly) to a purpose

Any of my thoughts in this post could just be me reading too far into things. I'm very aware of that, and please know that this post exists just because this sort of thing is fun for me! This is a thought exercise where we propose "What if we live in a world where the MCU is actually doing a cool and interesting thing as a longcon?" If you have anger at Marvel, that's valid and relatable, but please don't get angry at me or imply I'm an MCU stan who doesn't think critically about the mouse. Thanks!

Breaking news: I'm back on my bullshit!

A quick personal recap: I infamously hated Avengers: Endgame for a long list of reasons (and I even rewrote the movie). One of those reasons is that I've always taken issue with Steve's ending. But in the years since then, and as the MCU's phase 4 has evolved, my frustration at Steve's "ending" has turned into an ongoing and legitimate theory that the MCU could be slowly leading into a loosely adapted Secret Empire plot line. I know we've all been joking about Steve being trapped or about an imposter Steve since 2019, but uhhh, it's kind of not a joke to me anymore? It feels weirdly plausible at this point and so I enjoy discussing the potential.

You can find a full elaboration on that here, where I wrote out my "Steve was snatched by HYDRA" theory in 2021.

In that post, one of the things I mentioned at the time was Rogers: The Musical being in the Hawkeye trailer.

[The musical's] very existence is an example of how in-universe the stories of the lives of the heroes are being commodified, especially (in terms of how they’re framing it) for Steve’s. The heroes are no longer seen as people, if they ever were. They are, as Kate Bishop says to Clint in a recently released clip, more about “branding.” Sam Wilson will be redefining the shield moving forward in a Cap context, but simultaneously, the world is still enamored by Steve Rogers as a symbol in his own right. And that is ripe for manipulation as a Trojan horse to control public opinion… whether in the context of things like this by themselves (is the musical portraying Steve accurately, or is it painting an inaccurate picture of him the world accepts as fact?) or in future (is this propaganda that makes the public see Steve a certain way and continue to love him, to set up a fake or brainwashed Steve coming on the scene later?).

Now a form of the musical exists in full, at Disneyland and all over Youtube. Considering some of its baffling content – which I will break down below – this perspective seems even more strongly worth considering.

I have two main reasons for why I'm defending examining this musical so closely:

1. It is (arguably) an in-universe piece of media that has bearing on the MCU canon. It isn't like any other typical Disneyland attraction; its very existence is meta and it was in canon first. Obviously it's seen in Hawkeye, but there are also posters for it in several different phase 4 properties. It's lurking in the background indefinitely. So what can this musical tell us about what the wider public within the MCU is being told about the life story of Steve Rogers?

2. This Secret Empire graphic – which is animated in the center of the stage of a prolonged period of time – feels like a literal sign to pay attention.

Granted, this is obviously still ancillary material. 99% of the MCU audience will never see this musical, whether in person or on YouTube. But just because it isn't a vital piece doesn't mean it's automatically an entirely irrelevant piece.

They've given me an inch with that sign and I'm taking a mile.

So if you're interested, please join me on this journey :)

For the record, let me just say that I salute the creative team behind this show. It's pretty fun and the songs are catchy, the sets and costuming are cool, and the cast is overall very talented.

It's also fucking maddening. LMAO.

Why? Firstly, because of the seemingly deliberate ahistorical inaccuracies. We all know Ant-Man is wrongly shown in the Battle of New York, which originally "came from [the Hawkeye showrunner] and Marvel, as something to further aggravate Hawkeye as he watched the show, and also as a comment on how movies and articles and people always get something wrong." It seems like they expanded those meta nods, but most inaccuracies are now in service of glorifying Steve and Peggy's "love story." Yes, romance objectively makes for good theater; but again, I feel that this is worth examining considering the full context.

And secondly, Steve's ending is framed as an offer presented to him, convincing him it's the happy ending he deserves because he's tired. In my mind, these two big elements go together, and I'll walk you through the details of what happens in the musical before I tie the thought threads back around into some theorizing.

For your reference, here's a list of the main songs and story beats:

• "U-S-Opening Night" - the Starkettes (who are basically a Greek chorus) frame the show's story, and then it turns into an ensemble that loosely takes place at the Stark Expo. • "I Want You" – Steve's "I want" song about trying to enlist in the army. • "Star-Spangled Man With A Plan" – Steve performing on the USO tour obviously, and then there's a reprise with an added voiceover that (very briefly) covers the Howling Commandos' rescue + the war via comic book imagery. • "What You Missed" – Fury and the Starkettes tell Steve some pop culture things he missed while he was frozen, + they tell him about the Avengers. Then Fury goes down a list of other hero characters, including the Guardians? Doctor Strange? Wanda?? It plays loose and fast with time, because many non-2012 characters are bafflingly mentioned in this nonlinear Avengers list – including the Winter Soldier (???). • "Save the City" – this is the song seen in Hawkeye, with the civilians + the Avengers all involved, but it's slightly different here and expanded to also reference other battles. • "End of the Line" – Old Steve presents main Steve with the time stone as an opportunity for his happy ending, and they reflect on things together. (Yes, this is insane.) • "Just One Dance" – Steve and Peggy reunite and sing about their love. • And then there's basically a reprise of "Save the City," with the Starkettes and the whole cast closing the finale out.

Right out of the gate, let's address this: the main reason you're going to see some fans pissed about this musical is not only that Steve and Peggy's ~epic romance~ is made a pillar of the story... but also that Bucky's importance/involvement in Steve's life is minimized as much as possible.

And they took Bucky-related elements from canon and made them center more around Peggy instead.

• For some weird reason, Peggy is in the Stark Expo scene. When a soldier is hitting on the Starkettes ("hey sweetheart, I wanna dance!"), Steve tells the soldier to show the ladies some respect. The soldier grabs Steve and throws him down, and then Peggy swoops in to yell "Pick on someone your own size!" and punches the guy before walking away. So she's given Bucky's TFA line verbatim, and she is given the role he had of saving Steve from bullies. There is blatantly no reason they couldn't have had Bucky still serve that function and be truer to "history," because he briefly enters this scene in uniform less than a minute later to announce he's shipping out to the 107th – and then he spins off with a date on his arm. (We don't see Bucky on stage again until the full cast comes out for the finale!)

• After the Star-Spangled Man show, Peggy rushes in to talk to Steve. Steve is excited about his USO performance (???) but she urgently tells him to listen as she says that the 107th has been captured. Peggy apparently knows it's Bucky's division, and she knows Steve is going to go, so she tells him that she's already arranged transport for him. This is a subtle twist from the truth of how it went down in TFA, in which Steve recognized 107 as the number of Bucky's division, and his dogged determination inspired Peggy to relent and help his rescue mission. Here, Peggy is given a stronger role in the Cap origin story. And before Steve rushes off, Peggy sings a short untitled ballad hoping for their dance, so Steve pauses before he leaves to ask her to go on a date with her when he returns. • The most egregious Bucky-to-Peggy change of all is the song "End of the Line," in which the infamous Steve and Bucky line/promise (that broke Bucky's brainwashing...) is re-contextualized to be about ???? Peggy waiting for Steve in the past??? Old Man Steve and regular Steve sing it together. But we'll go back to that in a minute.

Again, I get it, yeah? It's for theater. Whatever. But in reality, the obvious logical truth is that Peggy is centered (to the point of taking elements from Bucky's story, and in turn Bucky is downplayed) because they needed to convince the audience that Steve going back in time to be with her makes sense. Steve's time travel ending had to be justified, so the Peggy and Steve "love story" had to be a pillar in this with everything else being given lesser weight.

And the inherent selfishness of him doing something as big as going back in time also had to be justified... which is why they do their best to convince you Steve fought so much he deserved it.

Let me elaborate on that by describing the lead-up to the "End of the Line" song.

So, right before "End of the Line" is "Save the City" – which includes Steve belting "I can do this all day!" repeatedly, of course. It's the 2012 Battle of New York as the Avengers come together to win.

As they begin to disperse, the song then transitions to a voiceover alert mentioning Sokovia being under attack by artificial intelligence (a.k.a. Age of Ultron). The Avengers group rushes back to center stage to say "Save the city! Help us win!" together for battle again.

And then things get fucking weird.

Because the next voiceover threat is "Washington DC. Attack: the Winter Soldier." This is not accurate to the order of events! The Winter Soldier events were before Age of Ultron; the public of the MCU would also know this.

And suddenly on stage Steve is now in the center while everyone else gestures to him. Instead of singing with him, they're telling him "Save the city! Help us win!"

Then, another voiceover: "Wakanda, under attack" (Infinity War) and again, Steve is centered while everyone else points to him. The ensemble says, "Save the city, help us win! Save us all from the state we're in! Got to hear you, got to hear you, got to hear you say..." as Steve is buckling to his knees under their pointing. And as the lights go down to one spotlight on him and everyone else leaves, he says "I can do this all day" one last time, but now it's subdued.

The implication is that Steve has been fighting and fighting, people leave him or he loses them, and he's tired.

And then fucking Old Man Steve arrives.

He says "On your left," because yes, they gave him Sam Wilson's line. BATSHIT.

So now there's two Steves on stage! There has been no mention of Thanos or infinity stones or anything up to this point! (I can only assume that's because in the MCU universe no one would want to be reminded of the trauma of "the Blip" – though it's pretty wild that they're allowed to know about magical time travel?)

Steve is baffled by Old Man Steve's arrival. I, too, was baffled by Old Man Steve's arrival.

As Steve questions how this is possible, Old Man Steve shows him the time stone from his pocket – and only the time stone – which Steve recognizes.

OLD MAN: "You've got to remember where you've been to know where you're going." STEVE: "Where am I going?" OLD MAN: "A date with destiny." STEVE: “Destiny. So we’re the hero till the end?” OLD MAN: “That’s the thing about endings, Steven. They can be rewritten.”

Lmao???????

Steve starts singing about how he hopes this means they "win" and calls himself a "tired hero."

STEVE: "But sometimes I wonder, who will save the savior? Can we really do this all day? So here I am, now and also then. Just a man, looking back at where he's been." OLD MAN: "The road is rough but wounds are healed by a thing called time. You can't forget what's waiting at the end of the line."

Me, watching this: the fact that he says this out of the blue makes absolutely no sense.

There's a bit more singing, including "end of the line" repetition, and then Old Man Steve pulls out the time stone to essentially show visions of... I don't fucking know. Past, present, and future?

That's pre-serum Steve, Steve with Mjolnir, and Sam Wilson as the new Cap. This is the only reference to Sam in the whole thing.

More singing, and then: Peggy's silhouette.

OLD MAN: "Can't forget who's waiting..." STEVE: "I can't forget who's waiting..." BOTH: "Don't forget who's waiting..." STEVE: "At the end of the line."

At this point I'm like, what in the hell?

Did Old Man Steve just brainwash normal Steve into thinking "end of the line" is now about Peggy? Because uhhhh, sorry, that's what it feels like!

Then Steve uses the stone to go back in time, reunites with Peggy, etc. etc. finale.

It's truly some crazy shit.

[drags hands down face]

Look... there's a lot to unpack here, and there's a lot that gets me about it. I know this is dramatized for the stage! I KNOW! But the fact that Old Man Steve shows up to convince Steve he should go back in time makes me want to gnaw on furniture.

Another person essentially uses the lure of a life with Peggy to tempt Steve into doing this, dramatized or not. That is how it's framed.

It's a hell of a way to frame it, and it makes Steve's ending stand in even starker contrast to so many other things in phase 4. Desperately trying to go backwards when you shouldn't or to bring back a lost lover is an evil temptation, and it results in a trap or negative cosmic consequences for basically all of the other characters in the MCU.

• In Shang-Chi, Wenwu is tempted by the Soul Eaters beyond the Dark Gate. They use the voice of his deceased wife to convince him to set them free. • In "What If" episode 4, Doctor Strange becomes evil in a desperate bid to save Christine and he destroys his universe. Along the way, he tries to tempt/trap the good Strange who's fighting him by using visions of Christine, but good Strange knows she isn't real. • Wanda's grief and desire to bring back Vision leads to – well, you know. • In No Way Home, Peter trying to undo things is what causes the multiverse problems.

And the fact that they frame it as Steve being tired, so basically the argument is he deserves that time travel ending (just like MCU fans who defend Endgame say in real life)... Well.

There's no way to make it hold up, especially because in "What If" they explicitly subverted that and had Captain Carter not go back in time despite how she felt she'd "earned" it.

Lastly, in this musical as Steve decides to pursue time travel as his course of action, he basically has the meaning or memory of "end of the line" rewritten for him. I refuse to not think that is some nefarious shit. Yes, it's not out of the realm of possibility that it's just some general Disney erasing Steve and Bucky nonsense.

But... this is on another level to me. I do think that it's a blatant choice that they had to be aware even general MCU fans would call bullshit on. Everyone knows it's inaccurate. "End of the line" is embedded in pop culture consciousness as being connected to Bucky. It just is! Surely that means it's not a stretch to theorize it could be deliberate meta commentary.

How, in the MCU world, would the in-universe playwrights even know the phrase "end of the line"? How the fuck would it be accidentally applied to Steve and Peggy? Not to sound like a crazy person, but who the fuck was rooting around in Steve and/or Bucky's personal business or their brains in order to obtain that knowledge and then remix it, and why? Neither of them would flippantly mention it in the public eye or interviews ever. So where did its inclusion come from?

And in the finale ensemble, this is Bucky's line when he comes out on stage and salutes + points to Steve: "Don't forget who's waiting..." And Old Man Steve completes it with "...at the end of the line."

What on God's green earth am I meant to do with THAT?

Smh.

The vibes are fucked, folks.

The MCU public wouldn't know enough to say the vibes are fucked. The MCU public wouldn't know the origin of "end of the line" as a phrase. But us? The ones who know the "true story" via the movies? We can call bullshit.

Whether the creative team behind this musical did every aspect of this consciously or not, in my opinion the fact that they had to tweak canon "history" to A) make Peggy's involvement in Steve's life more central and B) emphasize Steve as a tired hero all works as commentary on and almost a condemnation of Endgame's frustrating ending. In a way, it's also what Endgame did with the compass and 1973 moment with Peggy as well.

Steve's ending had to be convincing.

It's theater.

And so, maybe the same is true for the in-narrative perspective of this musical in the context of the MCU world. What purpose would it serve to tell the MCU public a feel-good narrative about how all Steve Rogers wanted was to no longer be a tragic man out of time and get to make a life with his best girl? To frame it as being about how he fought so hard for years and so he earned a happy ending? To minimize and nearly erase Bucky's importance in his life?

Who would want to do that sort of propaganda, and why?

The MCU civilians are given this happy explanation and maybe don't widely question it. Who cares about the details or logistics if it makes a good story, I guess. It's a stretch, but maybe they mostly applaud it. Maybe they're happy for "America's favorite son" (not unlike people who uncritically liked Endgame). In a way, it's even a rehabilitation of his image (after the Accords) like putting the shield on the Statue of Liberty. And maybe they'd even be ready and waiting to applaud if Steve ever made a dramatically selfless and de-aged return to the spotlight or a position of authority.

But mostly, the public is being conditioned to not know or to forget that anyone else like Bucky Barnes or Sam Wilson would possibly know Steve Rogers the person well enough in the modern day to call bullshit on any of this – or on his hypothetical miraculous future return.

So. Sure, it's probably nothing.

But what if it's not?

-------

UPDATE: @faeriecap added to this post with some incredible information and further behind-the-scenes context about the MCU/Marvel stuff at Disney parks! Check it out here :)

[agalychnisspranneusroseus]

My hot take is that marcanne has as much potential for toxic yuri as any other calamity trio ship and it's not nearly as soft and fluffy as one may think

[wc-confessions]

CHRIST ALMIGHTY. mod(s) I feel so bad for you holy shit. I am so sorry on behalf of everybody with half a brain jesus christ

This inbox is like playing minesweeper sometimes. I never know if I'm gonna open it to find the little flag or if I'm gonna explode and lose my high score.

- mod lichenbark

[lloydfrontera]

i don't know what would've been worse. if the summons vanished along with rakiel so there was no real sign of him still being alive somewhere out there. or if they were also left behind, waiting for him to come back from a place they couldn't follow him to. either way the possibilities are devastating <3

[leenfiend]

listening to my top songs of 2023 playlist and like half of them were songs that reminded me of klance that i had on repeat i miss them

[mxxnlightwriting]

I spent the entire day formatting my ebook and all I can say is that I'm upset it's not showing up properly on my Kobo 😭

[rosanna-writer]

WIP Wednesday

It's been a hot minute since I've opened my doc for Love at First Sight's For Suckers, but Something to Believe In came on shuffle and I got in my feelings. Paging @the-lonelybarricade <3

She started to reach for the buttons of his jacket, but a broad hand covered hers. "Mother above, Feyre," Rhys murmured, huffing a soft laugh, "we don't have to do this on a rooftop." Feyre started to protest—after all, they'd have even less privacy if she brought him down to her crowded, shared bedroom in the tenement below—but before she could get the words out, her feet were off the floor. Rhys had slid his hands beneath her knees and shoulders to scoop her up. Her stomach flipped. If being cradled against his chest didn't feel quite so nice, she would have wiggled her way out of his arms. She still had half a mind do it, just to spite him for not giving her any warning. Rhys snapped his wings out wide. She felt the slight bend in his knees, as if he were about to— "Don't take off without telling me where we're going," she said quickly. "The House of Wind," he said, as if it should have been obvious.

A blush crept up her cheeks. "You're…taking me home?" "Contrary to popular belief, I'm not an ill-mannered brute." They shot into the sky, and the rushing wind drowned out any of Feyre's further complaints. All she could do was loop an arm behind his neck and cling to him even tighter.

[diliqence]

hey!! so!! this blog isn't dead!! i've just been sick, busy, and tired, which has slowed me down a whole lot. but i do have a lil news -- the plan for this blog is to make it a multifandom multimuse, focusing on bnha, kny, lads, and possibly a few other fandoms in the future. overall, i just want to turn this blog into a space where i can indulge in the media and characters i enjoy, both oc and canon. i'm gonna try to keep it stress-free and lighthearted!

i want to point out that this blog will likely remain low-activity not only bc the holidays stress me out but bc i tend to spend most of my time on @quietlyblooms, my main blog. chiyo's an oc i've had for nearly a decade now, and while her own story is more slice of life, you can trust that she has a bunch of fandom verses that i end up developing quite a bit :' ) i hope i see y'all over there while this blog is under construction!

the last lil thing is that i do plan to write those starters and my owed replies! i'm not giving up on them! i'm just incredibly slow atm, and i really appreciate everyone's patience <3