#tom and judy
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blizzardheart12 · 4 months ago
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Hoffs and Hanson + Hopps and Wilde (21 Jump Street x Zootopia)
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“Don’t call me cute. Get in the car.”
I’ve been thinking about the similarities between these two duos for a very long time. Hopps and Wilde have always reminded me of Hoffs and Hanson from the Jump Street series. I seriously don’t believe that the whole Hoffs/Hopps thing was simply a “coincidence” as Disney says. Regardless, I hope the new movie contains many references to the show! I think it would be very fitting. Watching Zootopia is like watching a movie about Tom and Judy in another universe.
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Y’all don’t forget to check out my Jump Street Discord server (link in my most recent post)!
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davidtennan-t · 10 months ago
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The absolutely hilarious opening sketch from the BAFTAS 2024!
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end-of-xistence · 3 months ago
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Animal Crossing Graphics
Not mine, if you are the owner please ask if you would like credit/removal.
Feel free to use!!
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fuckyeahgoodomens · 10 months ago
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Very funny Staged-like opening of BAFTAs 2024 with David and Michael! :D ❤
David: Can you hear me? Michael, how is it going.
Michael: Yeah, I don't have time for pleasantries, David. Some of us are big in America. In fact, I have a zoom with LA in ten minutes.
David: It's 04:00 a.m. in LA.
Michael: Well, that was the only time I could fit them in, so they're getting up early. Anyway, look, I just wanted to confirm, I'm going to drop the new dog off on Sunday morning. We've called him Bark Ruffalo. It's cute isn’t it?
David: That is actually quite good. But listen, that's what I wanted to talk to you about. I'm afraid I can’t dog sit on Sunday.
Georgia: Oh, hi, Michael.
Michael: Yeah, hi, Georgia. Look, I don't want any of your excuses, David, you promised. I can't leave him with a neighbour because he peed in her kitchen.
Georgia: Right. Whereas we are desperate for him to come and pee in our kitchen.
David: I know that I did promise to dog sit on Sunday but since I promised, something else has come up and I-
Michael: Well, that sounds like a you problem.
David: Hi, Stan how are things?
Stanley Tucci: Hi, David. How are you?
David: Okay, listen, I need a favour. Michael Sheen has asked me to look after his dog on Sunday, but I agreed to host the BAFTA Film Awards on the same day. I was wondering if you could look after his dog for me?
Stanley Tucci: I would love to do that for you, David.
David: Oh, Stan, you're a lifesaver. Thank you so much.
Stanley Tucci: Is there anything else I can do for you?
David: No, looking after the dog is... I mean, that's obviously amazing.
Stanley Tucci: I could wash your car or something or the windows in your home.
David: You're not really gonna look after the dog, are you?
Stanley Tucci: And the BAFTA for Catching On Very Quickly goes to...
David: Himesh! Oh, Himesh, I think your computer is frozen. Oh, no it’s not frozen because I just saw someone.
Himesh Patel: Look, I know you're just calling because you want something from me.
David: Yeah. What are you doing on Sunday? Oh for crying out loud. Tom Hiddleston!
Tom Hiddleston: Hey, David. What's the pitch?
David: Pitch is dog sitting for Michael Sheen.
Tom Hiddleston: Wow. Okay. Yeah. Interesting. I'm guessing that we're going for, like, funny.
David: Could be funny, it’s a cute dog.
Tom Hiddleston: Yeah, I suppose the dog sitter initially could present as benign, and then he and the dog get up to all kinds of hijinx and ultimately disrupt stuffy old Michael Sheen's boring life. But for the better.
David: Listen did your agent tell you that I wanted to talk to you about a film?
Tom Hiddleston: Well yeah, obviously, unless you're actually, you know, calling me to ask me to dogsit for Michael Sheen.
David: No. Oh. Dame Judi. Long time no see.
Judi Dench: I thought you were going to be that beautiful Michael Sheen. What do you want?
David: Well, I wonder if you'd be up for a bit of dog sitting. I promised to look after Bark Ruffalo for Michael on Sunday, but I'm double booked.
Judi Dench: David. Bark Ruffalo. He pees everywhere. And anyway, I shall be watching a BAFTA Film Awards with a big glass of champagne. What's with the kilt?
David: Wait and see.
Judi Dench: Ooh.
David: Hi, David Tennant signing in. There's a courier here with something for production.
announcement: David Tennant to stage. David Tennant to stage.
David: Hi. Hello. Hi, everyone. Hi. Hi. Hi there.Sorry. I've got-Are you good with dogs? Yeah, and not on your dress. I'm sorry. Thank you. Hi. Hi. Sorry. Hello. Hello. Hi. This is fine. This is fine. This is. Michael? Michael?! What? What is this?
Michael: What are you doing there?
David: I'm hosting the show.
Michael: What?!
David: This is why you wanted me to dog sit, so you could sit there?
Michael: Yeah.
David: You going to have to take the dog.
Michael: What? What if I have to go up on the stage to be given an award? Yeah. All right. Give me.
David: Yeah. Come on. Get that one. You take that. And this weird thing.
Michael: Was this Scottish man mean to you? All right, come on to me. Oh, darling, hello, hello.
David: Never work with animals or Michael Sheen. Not a great start. Not a great start. Don't worry, though, tonight is going to go smoother than Ken's chest. For one thing, he's not a dog anyway. He is actually being played by Andy Serkis. Look at that. What a performance. Andy.
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haveyouseenthismovie-poll · 10 months ago
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thornescratch · 1 month ago
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New Stromer Zini nickname lore emerging.
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ediths-shades · 1 year ago
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Costumes in MEET ME IN ST. LOUIS (1944) [4/4].
Costume design by Irene Sharaff
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issacharmastersdp18 · 1 year ago
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Ultimately, the reason Cats (2019) didn’t work is that it never took itself seriously.
You may say “well, how could they possibly do that? The premise is ridiculous.”
Yes, the premise is ridiculous. But the show didn’t earn (at one point) the honor of “longest running show on Broadway” by simply being ridiculous.
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People singing and dancing, dressed as cats, only works by suspension of disbelief.
You can’t suspend disbelief if the narrative isn’t trying to take itself seriously.
Will everyone enjoy the show, even when done right? No. There is, thus far, nothing everyone enjoys. We’re all different that way.
But this
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Is not taking itself seriously.
They look more anatomically accurate and cost much more money to make, but that’s how they come across as less convincing.
Having the physical attributes. The exaggerated features to play off of is INVALUABLE to a Cats performer and their performance.
Cats (2019) doesn’t try too hard for feline mannerisms, but when they do, it doesn’t work. Why? Because there’s nothing actually there to play off of except imagination.
Imagination is a powerful thing, yes, but practical makeup, costumes, and effects are very useful. CGI is more beneficial when trying to create fully fictional or dangerous to film in landscapes. The ocean, an asteroid field, etc.
While humanoid cats aren’t a real thing, they have been created with practical means on stage for decades.
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You can stack a cast until they reach the moon. You could have the absolutely most talented singers, dancers, and actors. It will all be meaningless if the overall production is not being taken seriously. Individual actors taking the project entirely seriously (Ian, Judi, etc.) will not make up for others (editing, effects, producers, etc.) not doing the same.
This absolutely goes for anything, with or without a ridiculous premise.
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anliafail · 23 days ago
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THE BEST EXOTIC MARIGOLD HOTEL (2011) | dir. John Madden
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nathalieskinoblog · 1 year ago
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bookaddict24-7 · 3 months ago
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(New Young Adult Releases Coming Out Today! (October 1st, 2024)
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Have I missed any new Young Adult releases? Have you added any of these books to your TBR? Let me know!
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New Releases:
The Champions by Kara Thomas
The Dark Becomes Her by Judy I. Lin
Make My Wish Come True by Rachael Lippincott & Alyson Derrick
Killer House Party by Lily Anderson
No Rules Tonight by Kim Hyun Sook, Ryan Estrada (illustrator)
Some Like It Cold by Elle McNicholl
Heir by Sabaa Tahir
Inheritance of Scars by Crystal Seitz
Ros Demir is Not the One by Leyla Brittan
The Kiss of the Nightingale by Adi Denner
Class Act by Kelsey Rodkey
Three Things About Emmy Crawford by Allison L. Bitz
Gentlest of Wild Things by Sarah Underwood
There is No Map for This by Tom Birdseye
This Dark Paradise by Erin Luken
The Wild Huntress by Emily Lloyd-Jones
Remember Me Tomorrow by Farah Heron
New Sequels:
The Magic You Make (The Spells We Cast #2) by Jason June
Prince of Glass & Midnight (Princes #3) by Linsey Miller
The Brightness Between Us (The Darkness Outside Us #2) by Eliot Schrefer
Nothing Like the Movies (Better than the Movies #2) by Lynn Painter
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Happy reading!
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insanityclause · 10 months ago
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David Tennant's HILARIOUS Opening Sketch 🐶 | BAFTA Film Awards 2024 - BBC
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didanagy · 1 year ago
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PRIDE AND PREJUDICE (2005)
dir. joe wright
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compacflt · 2 years ago
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if you're open to angsty prompts - tgm mission goes bad and Ice gets to accept Bradley and Mav's flags at their funerals? (but only if you're feeling angsty. if not, feel free to ignore!)
San Diego, California. November 2016.
It should not be surprising that the complicated politics of a funeral like Mitchell’s supersede even the national grief of losing him, but of course it is. The Defense Department and the new administration (loudly Tweeting out of their asses because the President-Elect hasn’t yet been sworn in) want to hold it in Arlington. Do it in D.C., show American unity, show how proud we are of our fallen aviator, who sacrificed himself for America’s national interests, bury him in Virginian soil next to Kennedy’s eternal flame… It’s not a terrible idea, geopolitically speaking. But the Republican leadership of the state of Texas wants a piece of him, too. Why not bury him in the National Cemetery in Dallas? That’s where he’s from. Lay him to rest in the soil of his forefathers, as all good men should be. But the entire Pacific Fleet of the United States Navy, it is argued by people who aren’t Kazansky, also has a stake in this. Bury him at sea. He gave his life for the Navy. This is how it ought to be. Bury both Mitchell and Bradshaw at sea the way we buried other American Navy heroes like John Paul Jones. (When he hears this argument, Kazansky also remembers that we buried Osama bin Laden at sea, too.)
The whole political clusterfuck is put to rest at last in mid-November, when someone bothers to ask Kazansky what he thinks, and Kazansky says, “I’ll remind you that there’s absolutely nothing left of him to bury. But Mitchell lived in California for the last thirty years of his life. He told me he’d want to be buried in San Diego. I don’t really care where you put him. But that’s what he said he wanted.” And after Pacific Command leadership hears this and communicates it to the White House, everyone all of a sudden bends over backwards to organize a joint funeral in San Diego, where Bradshaw’s parents are buried, anyway. Maybe it really is fitting. Okay.
It’s a funny thing, ritual. The military’s full of it. A funeral: that’s a ritual. So, too, is promotion, retirement, commissioning in the first place. So, too, is the everyday ritual of getting dressed, donning battle gear, which today is dress blues, the way it was the day Mitchell died. Medals instead of ribbons. The President posthumously gave Bradshaw and Mitchell Medals of Honor. Their bodies would be wearing them, if there were bodies to bury. The President prehumously gave Kazansky and Seresin Medals of Honor as well. Kazansky’s is sitting around his throat like a noose. He feels like nothing but a body himself, no soul, already passed-on. They’ll lower Mitchell’s empty casket into the ground this afternoon and Kazansky’s already thinking about climbing inside it before they do. He’s not so un-self-aware that he can’t see the absurdity in that thought. But he’s also not so self-aware that he isn’t having that thought.
It’s the highest-profile funeral Kazansky’s attended in a few years. The Secretary of State is here. The Secretary of Defense is here. The Secretary of the Navy is here. The Vice President is here. He, too, has only recently lost a son; he, too, has already lost someone he thought he’d spend the rest of his life with. They don’t talk, but when they shake hands, it feels like stronger solidarity than all the Sorry for your losses Kazansky’s received over the past couple weeks. Everyone here knows about him and Mitchell, in a way that had once been Kazansky’s worst nightmare; now, his actual worst nightmare having been realized, he can’t bring himself to care, and no one’s making a big deal out of it. When they say, Sorry for your loss, they don’t mean in the “loss of two highly strategic assets for the U.S. Pacific Fleet” sense, they mean in the “loss of the only two people you cared about more than your career” sense. Sorry for your loss. It’s not so bad. And because everyone knows, in a way that had once been Kazansky’s worst nightmare, no one bats an eye when Kazansky realizes his actual worst nightmare and accepts Mitchell’s folded flag. No, they weren’t legal family. But everyone knows they were close enough.
He tacks his own Naval aviator wings onto Mitchell’s empty casket. Twenty-one guns fire. He salutes. They lower two empty caskets into the ground and he’s still standing. It doesn’t really mean anything. It’s not really a goodbye, because neither Mitchell nor Bradshaw are actually inside. He watches Seresin struggle not to cry. He stands before a few hundred people and makes a short boring speech about service and sacrifice that he did not write. This is all political. This is all just for show. Most ritual usually is. So who gives a fuck.
He disappears before anyone can pin him down to apologize again and again, but finds that his intended hideout location has already been claimed: by the time he makes it to Goose’s grave, Seresin’s already standing there alone, his hands in his blues pockets, his cap tucked under his arm.
“I just,” says Seresin stupidly. His eyes are red-rimmed and his face is sallow. They’ve never really spoken, the two of them, but Kazansky’s heard the rumors about him and Bradshaw. And he’s sure Seresin’s heard the rumors about him and Mitchell. They’re in the same leaking boat, here. “Bradley talked about him all the time.” Gestures down to the grave. “And about you. And about Maverick.”
Kazansky says, “Would you want to have lunch with me? I’m not very hungry. But maybe we can talk.” He’s trying. Too little too late, but he’s trying.
He exchanges his jingling blues coat for a regular suit jacket in the armored Suburban. Takes the Medal of Honor off as he does. Seresin, still only a lieutenant, doesn’t have the luxury of a general staff who will carry around a wardrobe change on his behalf. He’s gonna have to make do with his dress blues. He’s nervously fingering the Medal of Honor around his neck, and will continue to do so long after they’ve taken their seats in a restaurant downtown where Kazansky used to take Mitchell out for dinner, not so long ago. He can hear his chief flag aide kindly whispering to their waiter: Somewhere in the back. Where they won’t be bothered. Everyone’s being so kind.
“I could kill him,” Seresin says after a few minutes.
“Who?” says Kazansky incuriously. He’s been running his fingers over the condensation on his water glass. Now his fingertips are wet. Actions and consequences.
“Cyclone. He’s the one who refused to send me. And he didn’t launch search-and-rescue, either.”
Kazansky blinks, then looks down at his menu. “No, son, that was me.”
Seresin’s Then I could kill you goes unsaid. It’s quiet for a long time, long enough that Kazansky’s read through the menu—every word—twice. Then Seresin says, “Why?”
“You would’ve searched for the rest of your life and rescued nothing, and blamed yourself.”
“I blame myself for not going anyway. For not disobeying orders. —Maverick would’ve gone.”
Yeah, he probably would have. Kazansky remembers, in a split second, a story Mitchell had only told him a few years ago, lying next to him in the dark, a little tipsy after dinner and touchy-feely as he always was lying next to Kazansky in the dark: I don’t think I ever told you the story of how I saved Cougar’s life. His warm hands, gentle and unhurried, sliding up and down Kazansky’s abdomen: it’s so funny the details you choose to overlook at the time, and only remember when you lose them. / Well, I never wanted to ask. You hate telling those stories, I thought, Kazansky had said. Because it was true. At any party, Mitchell could tell the stories of how he saved Cougar’s life and how he ejected out of a flat spin at TOPGUN and how he shot down three MiGs not two weeks later—but he’d always have nightmares about all of it the night after. He hated telling those stories. He’d only do it if people asked, so Kazansky never asked. / You’re here in bed next to me, Mitchell said, so I’ll sleep just fine. Let me be a hero for you for once. —It was the day I saw that first Soviet MiG up close. Remember that? Negative four-G inverted dive? That was real, baby. Scared the shit outta Cougar. Messed him up bad. I mean, he thought we were all cooked. He wasn’t gonna land, I mean. Or if he tried, he was gonna plow right into the side of the boat. Couldn’t see straight. You ever been so scared you couldn’t see straight? He was dipping his wings, power too low, basically drunk-driving his Tomcat, I mean, it was freaky. So I touch-and-goed my F-14. / Against orders, surely, Kazansky’d said. / Oh, of course. You’ve met me, haven’t you? Of course, against orders. We were both outta gas. But I took off again and circled around to find him, and guided him in, you know, level off, call the ball, there you go, Coug, you got it, you got it. Don’t know if he ever told you this—he probably did ten million dollars of damage to that plane. Fucked up the landing gear and snapped off his tailhook and ground up into the fuselage. / But he lived. / But he lived, Mitchell said, and that’s how I got sent to TOPGUN. And that’s—with a soft sweet kiss—how I met you. / My hero, Kazansky’d said.
“Yeah,” he says noncommittally. “Maverick would’ve gone. —But he’d have searched for the rest of his life and rescued nothing, and blamed himself.”
Seresin says, “Is that what happened with him and Bradley’s dad? Is that what happened with Goose?”
“Yeah.”
They sit in silence for another while. The waiter comes by to take their orders. Kazansky’s not hungry and orders a beer. Seresin’s starving and orders a burger and a side of onion rings and a glass of wine.
“Can I ask you a question?” Seresin says after another few minutes. “Are you, like, a coward, or something? —That speech you gave was pretty neutered, sir. You loved him and you can’t even say it at his funeral?”
It’s a stupid, immature question. The Navy doesn’t deserve to hear that out loud. Nor does Mitchell’s empty casket. Only Mitchell did, and too late now. Kazansky shrugs. “If I were a brave man,” he says, “do you think I would have let him go?”
“I’d like to think I’m a brave man,” says Seresin. “I let Bradley go because I trusted him to come back. —Honestly, I’m kind of fucking pissed about it, to be honest. Sorry for the language. But it’s the truth. The night after he died, I mean, I went apeshit. Tore up our photos, punched the wall, cried myself fucking dry, that kind of stupid shit. I was so mad. I trusted him to come back, and he didn’t. Thought he was a good pilot. —Sorry. Is that sacrilegious to say? We aren’t supposed to speak ill of the dead, are we? I don’t care. I’m still mad about it. I know I shouldn’t be. But it’s the only thing I know how to be, is angry. Does that make sense?”
“It makes sense.”
“Are you angry?”
“Yes, but not at Mitchell. You know that saying, we have old pilots and bold pilots, but never old, bold pilots? Maverick was an old, bold pilot. We both knew he was living on borrowed time. That’s how he lived.”
“Pretty fucking defeatist.”
Kazansky shrugs again. He is a man defeated.
Seresin says, “Are you gonna be okay?” Then, in the resulting silence, he says, “Sorry, stupid question. Sorry. It’s just—“ He hesitates. It’s only now that Kazansky sees the dark circles under his eyes, the tremor in his hands, the desperation in the stiffness of his shoulders. “Look, it’s just that I don’t think I’m going to be okay, and you’re a lot older than me, and I keep thinking you have, like, the answer. Some wisdom, you know what I mean? How am I gonna be okay? You’re the Commander of the Pacific Fleet of the United States Navy. Aren’t you supposed to know what to do? Aren’t you supposed to give me orders? What do I do?”
“If I were a wise man,” Kazansky says, “do you think I would have let him go?”
Seresin is quiet. His food comes. He immediately launches into it, eats ravenously and silently for a few minutes.
Then he says, around a bite of his burger, “You know, I was gonna ask him to marry me.”
“Bradshaw?”
“Who else?”
Kazansky blinks. “I’m sorry for your loss.”
“Yeah,” says Seresin. “You know, fucking everyone is.”
“Lunch is on me,” Kazansky says.
Home, afterwards, is silent and lonely. Of course it is: Mitchell’s not here. Of course. Kazansky’s settling into it. Life so rarely gives you a choice, when assigning you ritual, routine. There’s still legal paperwork to fill out. That he can do. And there are still letters of condolences to respond to: Thank you for your kind words. Maverick was… figuring out how to end that sentence will give Kazansky a way to occupy his time for a while. And there are flowers to throw out—no one wants flowers after someone they care about has died. They stink up the house and permeate everything with their reminder of grief and mourning, and you’ll find the dried petals even months later and grieve and mourn all over again. Kazansky throws them all out before they can start shedding. There are friends to call and thank for coming. “I don’t know what to say,” Slider says over the phone. / “Yeah, neither do I,” says Kazansky, so they sit in silence on the line together for a while, and that’s pretty nice. / “He was the best of us,” says Sundown, and Kazansky thinks about what Seresin had said a few hours ago: Thought he was a good pilot. It’s a cruel thought, but sometimes the only thing you can be is angry: if Maverick really was the best of us, he should’ve come home. / “You know, I’m still in his debt,” says Cougar. “He saved my life thirty years ago. It’s so fucking stupid, you know what I mean, this idea that I should’ve saved his in return? Feels like it’s my fault that he died. Maybe I’m too superstitious. I’m indebted to a fucking dead man. I’ll never be able to pay him back. —Sorry, Ice. Sorry. I don’t mean to make it all about me. I can’t even imagine what you’re going through right now. I’m so sorry.”
“That’s okay,” says Kazansky. “Don’t, um—look, I’m just curious. How did he save your life? Would you mind telling me?”
“I don’t remember too much of it, to be honest,” says Cougar. “That’s why I quit, isn’t it? Something wrong with me. I was so scared I couldn’t see straight. You ever been so scared you couldn’t see straight? I wouldn’t have landed if it weren’t for Maverick. Or, if I had tried, I think I would’ve plowed into the side of the boat. Dipping my wings, power too low, basically drunk-driving my Tomcat. There was something wrong with me. You know, they could’ve kicked him out for that stunt, touch-and-going his F-14 like that. We were both outta gas. It could’ve killed him, too. But he guided me in. Saved my life. —I don’t think I ever told you this. I probably did about ten million dollars of damage to that plane. Fucked up my landing gear, snapped off my tailhook, ground up into the fuselage.”
“But you lived.”
“But I lived,” says Cougar. “And I came home to my family. Only ‘cause of him.”
“He was a hero.”
“He was a fucking hero,” says Cougar. “To the very fucking last. Sorry you had to go and fall in love with him. They advise against that, don’t they?”
“What, falling in love with heroes?”
“Yeah. —Sorry. Not funny.”
“A little funny. In a cosmic sense. Means it’s my own fault.”
Cougar pauses. “It wasn’t your fault, Ice.”
There’s still a Fleet to be run. Still work to be done. Kazansky can do that. People will laud him for the rest of his life for his professionalism under duress. He works when he should be grieving. Work is a ritual, too. Take some time off, sir, one of the Chief of Naval Operations’ aides had begged him. You need time. But he can’t. Only thing to do is keep working until all the work is done. The geopolitical situation after the mission, which was still classified as a success, is quite bad. They knew it would be. A bombing mission on Russian territory right near the American general election? Yeah, that’s bad. Russia’s Foreign Ministry has openly stated that if they find any remains of Mitchell and Bradshaw’s bodies, they will not extradite them home to the United States. I’m sorry you had to hear that, the President e-mailed him personally. But it’s fine. Kazansky likes the chaos. Means there’s work to do. He works.
When he can’t work anymore, because he’s done all the work that needs to be done, he takes care of another ritual. Life assigned him this one without giving him a choice, too. It’s past 2200. He turns no light on. He’s not sleeping in their bed, which is pretty cliché, and maybe he should be stronger than that, but you do have to make some concessions to your own grief when something like this happens. But he’s strong enough to sit on the side of it that had been his and open his phone and dial the number of his only favorited contact and hold the phone to his ear. It gives the dial tone five times, as is routine, and then Mitchell picks up the phone, as is routine. Hi! Captain Pete Mitchell here! Unfortunately I’m not able to come to the phone right now. Leave a message, or if it’s Navy business, you can shoot me an e-mail at C. A. P. T. dot P. dot Mitchell at navy dot mil. Thanks! Bye. Maybe Mitchell’s just busy. Maybe Mitchell’s somewhere without cell service. Maybe Mitchell’s just out flying.
Kazansky considers leaving a message, as is routine; realizes he doesn’t know what to say, as is routine; and hangs up, as is routine.
He takes all his medals off the rack of his double-breasted blues coat, packs them back into their clear-plastic-velvet boxes. He considers, momentarily, throwing out the Medal of Honor with the flowers. But he’s too self-aware to do that. He hangs up his coat on its felt-lined hanger, steams it straight, does the same to his slacks, slips the ensemble back into its garment bag, hangs it up next to Mitchell’s in their closet. This is a ritual, too. He takes a shower. He eats something. He answers a couple e-mails. He climbs into a bed that is not his own. He holds one of Mitchell’s college sweatshirts over his face and breathes in. He takes stock. His fuel gauge is reading pretty low. He knows his wings are dipping. If he really thought about it, he’d say he’s so scared he can’t see straight. And the truth is—he’s not so un-self-aware that he can’t recognize this, however numbly—Maverick’s not coming home to guide him in to land. Maverick’s never coming home again. Thought you were a good pilot. He closes his eyes. He tries to sleep.
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haveyouseenthismovie-poll · 8 months ago
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atomic-chronoscaph · 1 year ago
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Gay Purr-ee animation cels (1962)
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