#to see if i can even color this series
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georgeromeros · 2 years ago
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ARCANE  1x09 - The Monster You Created
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adriartts · 2 months ago
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this network of mycelium
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animentality · 11 months ago
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there is a difference between being a hater and having a working human brain that can pinpoint exactly what does or does not work for you specifically in media.
don't be such a mindless consumer, you aren't really appreciating art if you're not thinking about it at all.
and how is that a controversial statement?
"turn off your brain," oh yeah, sure, i know you only use yours for cobweb storage.
but some of us use ours for things other than work.
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triglycercule · 3 months ago
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im on vacation how can i make this about the murder time trio. mtt fresh out of a flight and the minute that they leave the airport dust stops horror and killer for the smoke break. because being around a smoker is like that. and while horror is dying and coughing from the cigarette smoke and killer is pretend coughing to make dust feel terrible theyre both simultaneously roasting the shit out of dust for being such an addict smoker. cancer speedrun GO says horror. refreshing his signature smell says killer. dust just glares at them and blows smoke in their face (horror literally takes damage he's at 0.7 HP)
#killer ended up liking that btw. he later asked for dust to extinguish the cig on him. freak#this is absolutely based on my own personal experience#only a person who knows a smoker knows how annoying it is when they take smoke breaks everywhere#car rides are TAINTED by dust having to smoke. eating out is interrupted because dust gets up every 15 minutes to smoke#his bones are a dusty color but not because of the dust but because the smoke has turned them gray from the inside out#i'll need to figure out the right time to post this but the mtt grind never stops even while inter nations ‼️‼️‼️#i MUST relate every single thing i do to the mtt. a similar situation just happened to me like 15 minutes ago#im in germany oui oui or something idk#i cannot wait to come up with a bunch of travel related mtt headcanons this is gonna be so fun#the only fun i'll have during this trip is the imaginary characters in the head i sound delusional#delusional??? like like like horror sans. like like dust sans. is killer delusional. probably idk#update on horror character analysis: i finished some of it on the flight but smh#UNFORTUNATELY i have a human body so i needed to sleep so thats 4 hours wasted on NOT mttmaxxing#and it turns out i REALLY shouldve pre translated time to go mad so i could localize it on a flight with no internet#yeah i didn't think that one through. but at least i got parts of the analysis done WITH NO MUSIC. im a god#since Mad Time Series was so eye opening and fun to translate i cant WAIT to see what Time to Go Mad will be like#calvateyla after being canon dusttale's lord and savior. even after not posting on ask dusttale for years they still manage to surprise me#i almost lost my apple pencil during the flight i swear i was tweaking out#how can i connect this to the mtt#how can i make EVERYTHING about the murder time trio#3 is my favorite number. K D H are my favorite letters. when i see a knife i think of killer when i see a hood i think of dust when i see#mtt brainrot goes hard just like me. im hard. fortunately not like like an erection the mtt brainrot never goes away#top ten most outrageous triglycercule statements#killer sans#dust sans#horror sans#murder time trio#utmv#tricule hc
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lovinnelily · 10 months ago
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Y'all do know you can't make Jason be NOT white without changing his whole character, right?
For other characters, yes, because their physical appearance are not that influential in their story, on how they are viewed by people, on their personality formation — you can have a black/asian/indigenous/arab/brown/latino/etc Nico and yes, the hate he gets will have a undertone of racism but at the same time nothing significant on his story, motivation or personality will need to change. This is also true for other characters: Clarisse risks repeating the "aggressive WoC" stereotype but the character itself doesn't change.
This isn't true for Jason, whose main character trait is how he is perceived by others and how he showcases himself to others based on that perception. (specially with how little effort Riordan put on him besides making him perfect-er Percy who's somehow also weaker and less important than him).
Let's not pretend a black, Arab, indigenous, Asian, Latin man, etc, in the USA would ever be treated with the universal reverence Jason gets from New Roma, you can't have the illusion of perfection and most of all, of invincibility they have about him when you see him suffering racism or xenophobia in the middle of a mission. In theory, nothing in his life has ever gone wrong, that's his image, destined to be king, he is supposed to have no weakness on his peers eyes.
He is not trying to prove people wrong, he is trying to prove them right; he isn't worthy despite their prejudice, on the contrary, he only tried to make himself worthy to fulfill their expectations. He can't be a woman or an immigrant or have a visible disability or any other thing that strays him from a perfect ideal by western society standards, and be that same character.
#Different from the other white character in the series he was never questioned or doubted#There's a presumption of perfection with no exceptions that society doesn't give to us (women poc immigrants visible minorities in general)#His privilege (handsome white man with no visible disability son of Zeus etc) also prevented anyone from worrying for his well being#This illusion/expectation of him having no weakness/being untouchable pushes himself too far and clouds his judgment.#I headcanon he didn't even consider the possibility of myopia because that wouldn't fit Jason Grace Son of Jupiter so it wasn't an option#And you think it'd be the same character after facing racism? Because ain't no way he'd be praetor without going through racism#I think I'd love him nonetheless since I'm very weak to the whole golden boy tearing himself to save the world but it'd be a new character#jason grace#I know racism in USA is different from here but I know how different a “non-racist” white person treats me and treats my white friends#Also for him to not be an entirely different character if PoC would be incredibly disrespectful and racist on its own#It would fail to recognize the difference in how we are read (and written). I hate that a lot.#I remember that when Cody told Brandi “I see no color” she told him “then you don't see me” and that's so fucking striking#We ARE different. treated differently. if you act like you don't see it then you also turn a blind eye to the violence that comes from it#This is straying from my point I got a bit heated banalization of things I care about usually does that to me#Point is please don't change Jason on the very few things that man actually bothered writing about him#I actually think this is true about Octavian too. A lot of what he is allowed to do would not be possible if he weren't a white man.#Same for Rachel Elizabeth Dare. I mean you can work around making her poc but it will truly be pushing A LOT#Let's put it this way: a woc doing a street performance is perceived very differently from a white woman doing a street performance.#Specially in the eyes of cops#Pjo
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butterflieswhisper · 6 months ago
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hhelp wait this is so funny. didnt you follow me forever ago after a scott themed october song analysis . sorry if you dont remember that and this ask doesnt make sense but this is still funny to me
hi!!!! yeah. it was the cherri crane lives art i think and also where you made your flower husbands tag! I have never really interacted with fh outside of you (and like, seeing pretty fanart) but i am nonetheless deeply invested in your interpretation specifically!!! I honestly haven't watched jimmy outside of rats and the beginning of empires2 either i genuinely have no clue what they get up to you just seem to have a lot of fun with it
#asks#<-omg i can make that a tag now#i also am a year behind on the life series. i think the most recent one i've seen is double#like from any pov. i am a year behind. however that goes for everything on youtube#my poor watch later playlist hit the 5000 video limit forever ago and so did the second one i made to replace it. i am on my third#but seriously i don't know what goes on in fh canon but i like their blue/yellow thing they have going on. idk if that's like? intentional?#but like scott blue and canary yellow are really pretty colors together#and they are also SO close to being complimentary colors and yet. they aren't. just a little bit off#they don't quite fit quite how they should. i made that up on the spot i mostly think yellow and blue are nice colors#i think my biggest exposure to scott before you was literally the deal with destiny song in empires1#and i don't even think i acknowledged him as like a real guy ykwim.#like oh yeah. scott smajor. he's like. in that song lizzie made or something. he can sing alright i guess (plays it on loop)(plays it on lo#whisp whispers#seeing u post about Discourse(tm) is always really funny to me because i didn't realize for a while that u did not have like#the 'normal' interpretation? like i didn't realize you had a different view than other people#i was like oh yeah the relationship held in the death games is toxic. that makes sense yeah and is not surprising#and then suddenly there would be a post where you mention discourse and i went. Ohhhhh wait they're supposed to be HAPPY!!!#but i feel like this is infinitely more enjoyable i love Flawed Characters#and especially now after watching his rats. i get it. i get it i get it i see what you are saying#he doesn't interact much with jimmy hes mostly with owen and. i mean#'i've never heard someone apologize so much while putting the blame on the other person'???? i see exactly what you mean#r!scott accidentally hurting r!owen and then apologizing profusely while insisting it's because owen stood in his way. and then immediately#isolating himself in a room for like 20 minutes and refusing to interact with anyone feels like. idk#it reminds me of ur rambles and i understand them more now i think. kind of#to be clear by 'with' i mean like. in proximity of. those rats are AROMANTIC!!!!! (to me)#i'm so sorry these tags are a mess. but alas#i also think it's really funny to follow Flower Husbands guy and know nothing abt them. invested by proxy. whenever i hear abt scott giving#jimmy a flower i get excited not because like i know what's going on but because omg! that's like that thing bree talks about sometimes!!#i hope that like. any of this makes sense shdbfjk
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just-spacetrash · 2 months ago
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#you guys already know what tf is up!!!!#i should do a tag for sentinelposting so my poor followers shouldnt have to see this but im not gonna#u guys can count yourselves lucky i was gonna sentinelpost yesterday too but i didnt! so ur welcome#im gonna cryyyyy everything this show does is so endearing to me idk why#im not s3ep21 and we got a double whammy of slow-mo AND car chase scene#also the amount of stunts and like explosions and crashes they do in this series astounds me#modern series would neverrrrr#jim and megan are going undercover as a couple moving into a house AND STILL. AND STILL#jim has to have his emotional support blair sandberg moving in WITH THEM#insane. insane. the modern tumblrinas wouldn't survive this#they refuse to be separated for a single god damn episode and im not even in the infamous soulbond ep yet#also i love simons actor he Brrrings it every single time#hes got this like. i mean its not exactly camp its not exactly exaggerated but its like. its so funny#esp when hes in scenes with sandburg im having such a good time#sorry guys for getting obsessed with a stupid old series nobody cares about i genuinely cannot help it#also theyre so color coded this ep like whyyyy is everyone wearing red was this a conscious decision? im gonna cryyyyy#aaaaaaaa#my post#dw guys only like 10 or 9 eps left ^-^ i am gonna immediately rewatch some of them though so you will never stop seeing my sentinel posting#<3333#im cryinggggggg megs like flirting with jim and he IMMEDIATELY had to bring up sandburg#yes bitch we know hes the most important thing in your life!🙄#im actually gonna cry im having so much fun
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silverselfshippingchaos · 8 months ago
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k.abru d.ungeon m.eshi the man that you are...
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seenthisepisode · 2 years ago
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lacefuneral · 2 years ago
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by the way Arceus is a superior game because I can walk around as a feminine man. I have my cutesy outfit with bows on it and long pink hair  and hot pink short shorts and gogo boots. that fucking rules.  all open world games should let me do this without mods 
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creatingblackcharacters · 20 days ago
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No, That’s Not ‘How Color Works’. - Whitewashing
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Whitewashing, as defined by Merriam-Webster:
"to alter (something) in a way that favors, features, or caters to white people: such as a) to portray (the past) in a way that increases the prominence, relevance, or impact of white people and minimizes or misrepresents that of nonwhite people and B) to alter (an original story) by casting a white performer in a role based on a nonwhite person or fictional character"
In fandom context, we know it to include:
Making someone’s skin lighter
Making someone’s hair a thinner texture
Changing someone’s nose to be thinner
Shrinking their lips
Changing the character in their entirety to be someone else
The Normalization of Whitewashing
Remember how I mentioned last lesson that despite the nature of poorly drawn Black characters, most audiences are not turned off enough to discourage the action in professional works? Similar idea with whitewashing. Not the same- unlike the Ambiguously Brown Character, which claims to have plausible deniability, overt whitewashing is usually enough to make fans speak up! But that’s the key word here- overt! It has to be “bad enough” to make enough people speak up, but as we’ve seen many a time, “bad enough” seems to have a much higher threshold for nonblack viewership (sometimes the limit doesn’t exist!)
Some visual examples
This is a link to my personal thread on a Netflix show I was watching- Worst Ex Ever. Now, while the show itself was quite enlightening, there was something I could not get over. I thought I was going crazy. And that was that no matter how dark the person of color would be in real life, the animated portions would draw this light pinkish-brown. Every. Single. Time. It's like they couldn't fathom scrolling down the color wheel. And this is a Netflix original! Netflix has plenty of money for someone to have caught this in creation. But... it was produced. And put out. And they're making more of it.
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I asked all of the Dragon Age fans about the series, and uh… I didn’t know things were this bad, guys! Apparently this is a man of color, but it doesn't seem like the creators want you to know that 🤣. Jokes aside, as I’ve discussed before, the noticeable whitewashing- and that was one of many racist things I was told- was not enough to prevent sales... so why would they stop? I can only hope this new game, with all the updates, is enough to turn the tide. But the series has gone on for a while now, that if they’d chosen to do ye same olde… there clearly would not be a lack of financial support to prevent it.
Colorism as a Tool
Even when actors of color are cast, colorism often plays a role in normalizing whitewashing to audiences, even to Black audiences! People think “oh well at least they’re Black!” as if that is the only important part. It is not.
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While Aaron Pierre, the actor cast for John Stewart of Green Lantern fame, is a GORGEOUS, STUNNING man, he is not the dark-skinned man that John Stewart is supposed to be and should not have been cast! To me, this is overt colorism, but clearly for many people this is not “enough” to warrant concern or even prevent the casting itself- including the studio behind the movie! Black fans have plead for years for the character of Storm to be played by a dark-skinned, preferably African, woman, and it has never happened.
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It naturally happens in fan spaces as well, which is another indicator that colorism as a tool for whitewashing is quite effective for audiences. If I see one more Zendaya fan cast for Kida from Atlantis, I will scream. It’s been happening for years, and I don’t think any of the people who just want to see her and Tom on screen either understand or care that Kida is a dark-skinned character. Zendaya doesn’t look anything like Kida- it doesn’t matter if she’s Black too! Just because someone is Black does not mean they can play every single Black character! I’ve even seen people fancast Emilia Clarke of Game of Thrones fame, to which… I don’t have the words. I can’t fathom what would cause these decisions other than racism.
The Common Excuses
I must be honest. I don’t really feel like re-iterating how certain things are not okay and how to fix them, because I’ve already discussed these things in massive detail. So I’m just going to direct the excuses I regularly hear to my lessons, where you can read up on them.
“Their hair/eyes are like that because they’re biracial so-”
Relevant Lessons: 2.1, 2.2, 2.3, 8, 9, 10
There is nothing wrong with having biracial characters with a range of features. I am not saying that! Because yeah, genetics do happen!
But I mentioned this in my last lesson, and I will re-emphasize here, that using biracial identity as a way to whitewash is a sinister form of racism. The intention here- the real intention- is the issue here! The idea that somehow this character can only look the way you want them to look by "diluting" their Blackness… I don’t know how you can explain yourselves out of that one.
You don’t get to use us as an excuse for diversity while still trying to maintain your preference for Eurocentric beauty standards. Black biracial people don’t always look light skinned, thin-haired and ambiguous, and even the ones that do don’t deserve to be treated as your fetish for pretend antiracism. If you just want to draw a white person with a tan, do that. But don’t change a character’s entire look just so you can work in some whiteness. If you want to claim that canon Black character’s mother was white, then I guess they inherited some of her personality because their features should not change.
“It’s my style/It’s the color-”
Relevant Lessons: 3, 4, 10
I hate all excuses for whitewashing, but I’ve grown to despise, hate, abhor and loathe this one the most as I’ve become an artist. I wish there were stronger words to describe just how much I hate the “style” and “color” excuse.
Are style and use of color oft intertwined? Absolutely. I’m not saying they aren’t. But out of everything, there are two things I want artists to understand:
1. Style does not cancel out racism! No style forces you to choose ashy greys and to change peoples’ features. That’s you! If you look at something, and it looks offensive, you change the style. You grow as an artist!
2. “Everyone who is brown will look ashy so I just-” if you recognize that your Black characters look strange in comparison to your nonblack characters, then it’s time to try something else! I don’t understand this sudden need for “realism” when it comes to color and lighting, but not when it comes to hair, for example. No one cares about realism when giving every and all Black characters wavy tresses they probably wouldn’t have, but suddenly milquetoast watercolor attempts at brown and off-putting lighting is “how it works”. That’s not fair.
The color picker is an available tool! I use it often!
Dead giveaway of purposeful whitewashing: if someone gets the outfit color palette right via color picking, but the skin color is multiple shades lighter. That means they were looking at that character and chose not to proceed.
Dead giveaway of purposeful whitewashing: if the white characters in the show are completely correct in their palettes. Again, that means they cared enough to look at everyone else… and not the Black characters.
If you use the color picker and the color picked is… disrespectful, you do not have to use that! You can simply choose a better color that is still similar to the brown that ought to be depicted!
“It’s the lighting-”
Relevant Lessons: 4, 5
If your white characters do not shine like snow in the sunlight because of your lighting, then your lighting does not make your Black characters suddenly light tan.
If your Black characters look bad in your lighting of choice- for example, putting a very dark-skinned character in electric white lighting can be ghastly- try changing the intensity or the color of the lighting. DON’T change your character’s skin color!
I'm going to show you some pictures of South Sudanese model Nyakim Gatwech. Pay attention to the choices of light, color, and makeup.
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Look how BEAUTIFUL she is! Look at the choices of intensity and color of light, and how they make her look different in each image.
Now look at this image in comparison:
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In this image, whoever did her makeup and took this picture did not take into consideration her skin tone. She's also under this really intense lighting. This is an example of "increasing the lighting does NOT make an image "better"". She didn't need to have lighter skin or "more lighting" to look good. She needed BETTER lighting, lighting that worked with HER.
To see this as an example in drawn art, @dsm7 makes an excellent argument for proper lighting and color, why it is an issue to use it as an excuse, and how to solve that problem.
‼️DISCLAIMER FOR NEXT EXAMPLE‼️
Okay. I am about to show y’all a fan-created example from my personal experience. It is a TEACHING EXPERIENCE ONLY. I am not including the artist’s name in this image. It happened a couple years ago, and it’s over- they’ve chosen to be who they are despite me kindly confronting them about it. The only reason I’m including it at all is because I feel like it would be remiss to have such a clear-cut, multi-level example, and not teach with it. That said, no, I am not telling anyone to act out towards them. Again, that is not what I’m telling you to do. The last thing I need is a literal lynch mob of angry nonblack viewership for trying to teach you all, and y’all sitting there watching it happen to me. Every example of whitewashing is not going to be so obvious, but I hope you learn how to spot the examples in the art you see and share.
I'm obviously a Hades fan, particularly of Patroclus- despite my disdain for the lack of effort in his canon character design. So I've seen a lot of things. That said:
“Well it’s just MY design of them-”
Relevant Lessons: ALL
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The sepia coloring did not do this. The lighting did not do this. The design is the exact same as the Hades version, even down to the shape of the hair curling in the back. The only thing that is different… is the man himself.
Y'all. Y'all! You CANNOT take a pre-existing Black character and say “oh well this is my design of them” …and the design is of a whole white person. Because if the rest of the fit is the same, and the only thing that changed is the Blackness… Racism. If you’re going to “make up your own design”, then do that!
“Blackwashing”
Speaking of: I’m sure someone edgy out there thinks they’re so smart as they retort to the screen: “but if that’s not okay, then why is Blackwashing okay?” To which I say- shut up. 😐
The “definition” by fandom: making a nonblack character Black, usually an anime character, but characters in general.
Funny enough, the actual definition in the dictionary (or closest to) is “to defame”, in contrast with whitewash (as in whitewashing history). Maybe racist fans ARE using it correctly when they say you’re blackwashing their characters, when they mean you’re making them “less likable because they’re Black now”. 🤔
Anyway: Blackwashing is not real for the same reason reverse racism is not real.
Me painting these characters brown is not going to take away from the fact that there are far more of you in media than there is of me. Me saying that I ‘headcanon a character as Black with 4C hair’ is not going to make the studio go “oh! Well they must be Black with 4C hair now!” Me saying “oh I think I’d like this character better if they were Black” as a beta tester (less overtly, obviously, because I’m not racist!) will never make a studio change that character. Black viewers have minimal value in comparison to the power of the white viewer’s dollar. I could draw white characters Black every single day of every single game media… and they would still produce majority white characters. There has not been centuries- if not millennia, when we consider Jesus Christ himself, even- of purposeful “Blackwashing” with the intent of removing the original ethnicity- and thus importance- of white people. No one has ever been allowed to forget when someone is white. No one has ever been allowed to forget or not acknowledge white people.
How it could be "solved"
Personally, I love Black edits and I welcome them here. I find them creative and fun. But if you really, REALLY didn’t want us to make those edits, then naturally, we need more Black characters in all of our media!
I wouldn’t have to make edits if I saw more of me to begin with in the things I like to watch- but when we have those characters, racists act an ass about them. We’re not allowed to even be present! I’ve seen too many gamer bros mocking the existence of Yasuke in Assassin’s Creed, and he was a real ass man. But if we made a game about African peoples in African societies, how many of the gamer bros would actually play those games? Do you think there’d be as much support, when we hear so much about Black characters that are treated so abhorrently? How many games do we have where people would love their faves just as much if they were Black? I even learned that Solas was apparently supposed to be a man of color. IMAGINE how many people would not have liked that man, with the same exact plot and characterization.
Something I’ve noticed recently: apparently "Blackwashing" is not a thing when White fans “allow” it. Take this recent trend with Miku. International Miku was beloved! But if you draw any other character as Black on any other day, there will be people that are horrid about it. Ask any artist, Black artists and Black cosplayers especially, who’s ever done it what their comments are like. I’ve read entire missives akin to white supremacist drivel on how it’s somehow morally wrong to make characters Black. Meanwhile no amount of “hey maybe you shouldn’t do this” prevented the movie Gods of Egypt from being created, with a cast full of British White people.
Solutions to Avoiding Whitewashing!
1) Using References!!
Do I think you should know what Black people look like? Yes. We’re humans. It’s 2024. Everyone knows what we look like when it’s time to hate and discriminate against us, so you know what we look like when it’s time to love and depict us. If you’re on Tumblr, you have access to the Internet. ESPECIALLY if you’re in the U.S., as Black people are the source of damn near every piece of online pop culture. If you can find my dialect to make my jokes, you can find pictures of me.
Would I rather you use a reference every single time so that you can only strengthen your depiction of my people? ABSOLUTELY.
Anyone on the Internet telling you not to use a reference or that you shouldn’t need a reference? Unfollow them. You don’t need that negativity in your life. Why would you deprive yourself of a tool to create? The greatest portrait painters in history had to look at their subjects! You are not getting paid nearly as much to do this as Hans Holbein, and he had to stare at Henry VIII correct else lose his head- you can pull up multiple references. I’d far rather be judged for using hella references than be judged for being a racist!
Part of the issue is people draw what they’re used to, what they’re comfortable with (thus last lesson). But if what you’re used to is not what someone will look like… That’s not okay. Their features are not the issue, your skills are the issue. Learn! Practice! There is no rush. No one is rushing you to be perfect at drawing Black characters, and no one is rushing you to post them. You can just practice! If you’re not a professional, you can take as long as you need to draw! If you need to draw that piece of hair over and over until you feel like you have down the shape, you do that! If you need to use a tool that would draw the hair for you, you get that tool!
If you want to post, you can say you are practicing! If you make clear you are practicing, then be willing to accept that people may have feedback. I’d far rather deal with someone saying they’re unconfident and practicing, than someone posting a whitewashed caricature and closing their ears because “well at least I’m trying!”
2) Empathize! Care about actual Black people when you create a Black character!
Imagine, if you will, in the Twilight Zone: you went to an artist, and you asked for a white character (I typed in “regular looking white dude” on google). There’s hardly ever any white characters, you’re so super excited about this one! You paid good money, because you’ve seen just how amazing this artist creates! They’re so good at drawing characters of color! But no matter how many times you ask, they send you back an image of… Assad Zaman.
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That man might be fine as hell! Gorgeous! Beautifully done! Chef’s kiss. Stunning! But… He’s not white. That’s not what you asked or paid for. You can’t even fathom how they mixed this up, they don’t even look alike! And when you confront them, they gaslight you, they call YOU the issue for not understanding how you can’t tell that this is a white man! They would never get this wrong! They have white friends, you’re the racist! But you’re not stupid, and you have functioning eyes- you can SEE what this drawing looks like! And… It’s not you.
It’s dehumanizing. It’s being told that there’s a “better way” to look like you, and that’s by… Not looking like you. You, as you exist, are what’s incorrect. Your identity is incorrect, not their drawing. It’s better to have thinner hair instead of an afro or locs, it’s better to have lighter skin, it’s better to have a straighter, thinner nose over a round one, and smaller lips.
And what makes it worse is knowing that people who don’t look like you? Probably won’t care. They won’t be willing to see- not unable, but unwilling- that playing with this caricature is harmful, that they’re propagating harm by not acknowledging it. They’re letting you know that your humanity means less to them than the clout received with a whitewashed or half-assed Black character, and that people will applaud them for that ‘attempt at inclusion’. And people will applaud! They will be entertained by the mere performance! And that hurts.
I’m going to say this, and it’s awkward and I try not to say it directly on here, but… Having Black friends and/or being around actual, real life Black people would help. I can tell from some of the questions I receive that Black characters and their traits- especially things like our hair and our cultures- are being treated as… alien concepts. But even if, for whatever reason, you legitimately don’t know any Black people, you do not need to know us individually to care about our humanity as a whole! Even if you do not know we’re there, we are, and we could possibly see your work!
By acknowledging Blackness and making room to understand what it means- and that includes how we can look- you are doing the bare minimum of acknowledging our personhood. If you cannot do even that, you don’t need to be drawing us.
Conclusion
Here’s the thing: if you want to draw a white man with tanned skin, do that. Just do it! You do NOT have to erase me to have more of you! There is not a single fandom where the majority of the white fans ever said “gee, not another white guy!” It simply doesn’t happen. God knows we wish it did sometimes. You will always have an audience for white characters. There’s no danger to any of you of “being erased”.
(Without putting on my political hat, I will say that a lot of white people who consider themselves to be far from white supremacist will express beliefs in line with great replacement theory if you push them hard enough. It is unfortunately not as uncommon an idea as you might think. I would do some self-evaluation.)
People are going to notice that you only ever draw white people, but… To be frank, that has never stopped anybody from being successful. Again, Jen Zee, at Supergiant with the terrible dark-skinned characters… Still has a job. at Supergiant. A professional studio. Dragon Age. Multiple games of consistent whitewashing and racist writing. Still going. If racism prevented creation and popularity, I wouldn’t have to have this blog. Alas, that is the society we currently live in.
But if you ACTUALLY want to depict Black characters, if you ACTUALLY want to do right and be respectful- not because you want the clout, but because it’s the right damn thing to do- then you need to commit! This means drawing them as they are meant to be! Accept that you’ll likely lose some fan base, who was there (whether they were aware of it or not) for the white and lighter skinned characters. Accept that this means that trying to appeal to those people by whitewashing characters is 1) wrong, 2) racist, which is 3) something you chose to do when you could simply have just… Drawn more white people.
I’ll say it again: antiracism is hard. It’s hard doing the right thing in a society that rewards racism so easily. It’s really hard knowing that people will stop supporting you or caring as much about your work when you start including Black characters as actively as you do white ones, especially if you start talking about the importance of it. But in my honest opinion, I’d far rather be someone that cared about others, with genuine fans, than someone that was racist for the fleeting internet clout of strangers. And that may be less ‘hopeful’ than I normally am in these lessons, but… People make choices. And people who have been informed- as you are now- are aware of the choices they are making. It’s the thought that counts, but the action that delivers- let’s choose better actions.
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mneverland · 1 year ago
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miniimight · 6 months ago
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I need more dad Sukuna and mom reader fics / headcsnons, I love the way you wrote for them!!
hey anon thank you! i'm thinking about making this a series, if you guys have any ideas/requests/prompts lmk <3
PICKING UP BABY FROM SCHOOL oops, toddlers can't ride motorcyles! (dad!sukuna x mom!reader)
sukuna rolled up about twenty minutes before his daughter's school got out, deploying the kickstand of his pitch black motorcycle against the rainbow colored fencing. he pulled off his helmet, sighing deeply when he met fresh air again.
his phone buzzed against his thigh. he pulled it out of his tight cargo pocket, answering immediately when he saw your caller ID. "hey, doll."
"you got there okay?" you asked.
"mhm."
"and you're on the right side of the building? that's where her class comes out."
"mhm."
"great." you exhaled. "m'sorry i couldn't make it this time—"
"stop." he says gruffly, his phone between his shoulder and ear as he pulls off his gloves. "what are you sorry for, silly girl? you're sick and should rest."
he doesn't mind anything when it comes to his two girls, not the fifteen minute commute to her school or the half hour of waiting just to get a parking spot nice and close to the doors.
your laugh was warbled over the phone. "at least the car is air conditioned. it's been getting warmer lately."
"..." he looked down at his bike.
"ryo, baby?" you hummed.
"hm?"
"you did take the car, right?"
"..."
his silence was all you needed to hear. he tuned out your worried rambling about how the hell is your daughter going to get home on that thing in order to process. toddlers don't usually use motorcycles as a mode of transportation... and he should've thought of this before!
"it'd be fine if i had an extra seat." he mused, debating on how he could manage this situation without having to call you to get them.
"an extra seat?! not even an extra helmet?" you shrieked. "baby, i swear, if you're actually thinking about driving with my baby girl on that thing—"
"relax, doll," he grumbled, pushing down the traces of embarrassment burning at his ears. "the brat will be fine, s'just a couple blocks away. she can handle the wind."
"..."
the bell rang and the doors swung open, children pouring out of the hallway and buzzing around in search of their parents.
"she's out, we'll see you soon." he was about to hang up when he heard,
"i'm literally about to come get you, do NOT go anywhere."
he frowns, his eyes scouring the crowd of midgets for his kid. he didn't mean to make you so upset and worried. he just... overlooked important details sometimes. not his fault, he's trying his best :(
"y/n, you will sit your ass down in bed. when i come home, you better be laying down exactly how i left you." he warned. he heard your breath hitch. "you trust me, don't you, baby?"
"yes... unfortunately."
he nodded. "we'll be home soon."
"in one piece?"
he rolled his eyes, grumbling. "yes, woman."
"hm." you huffed and hung up.
he strolled into the compound. as soon as he saw those pretty eyes that creased happily when they landed on him, he smiled and crouched down.
she ran over to him, her backpack jostling behind her. she held up a painting she made. "daddy, look!"
"i see." he pulled her closer, holding the backpack off her back and letting her walk off it. he slung the bedazzled bratz backpack over his shoulder, lifting her up in his arms. "what is it?"
"for mama."
"oh. all your crafts seem to be for mama. still nothing for me." he complained with a drawn out sigh.
she rolled her eyes, and he swore he was looking at you for a second.
"don't roll your eyes at me, brat." he scoffed. "who the hell even taught you that?" he muttered under his breath.
sukuna finally stopped in front of his bike. her eyes lit up as her legs started to kick in excitement. she's only ever seen daddy ride off on this thing, now she gets to ride with him?
he swung his leg over the bike, ignoring the mix of distasteful and flirtatious looks thrown at him. "okay, kid." he exhaled, shrugging off his jacket and holding it up to her. "gotta put this on."
she turned up her nose. "stinky."
his jaw dropped open. "i showered before i came to wait half an hour for you, chubby brat. the hell do you think you're talking to?"
she looked at him as if it were obvious.
"you'll put this on now. give me mama's painting, i'll put it in your bag." he said gruffly yet gently slid the painting into her backpack with the utmost care.
the jacket drowned her, the sleeves near triple the length of her arms. sukuna zipped her up and put the helmet on her head.
she started to whine. "stinky." she wailed.
"hush." he hissed, slapping some shades on and holding her towards her chest firmly. with her protected as best as he could with what he had, and with the jeweled backpack strapped to his back, he began to roll out into the road.
that drive home was the longest thirty minutes of his life. he had never drove so slow before.
you were waiting by the front door, running down to meet them as your husband pulled into the driveway.
"oh my god oh my god," you ripped your baby from his arms, tossing the helmet off her head. "are you okay, baby?" you smoothed away the sweaty hair from her face, your lips pursing when you hear her sniffles.
"my poor baby. daddy's never gonna pick you up again, don't you worry." you peppered her face with kisses.
sukuna caught the helmet before it crashed to the ground, walking behind you with his hands in his pockets. he kissed your temple as he leaned over your shoulder to peer down at his daughter. "daddy didn't do so bad."
you glare at him, cradling your daughter's head against your chest. you whirl away and storm into the house.
he sighed.
after many apologetic kisses and a good amount of groveling, you let him do pick-ups and drop-offs again. though you made sure to watch him get into the car before he drove off.
© miniimight ! thanks for reading <3
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an-au-blog · 19 days ago
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I'm about to nerd-out about the Fan Letter project:
The one piece fan letter project is so genuinely beautiful. I'm not even talking about the jaw dropping animation and the comeback of the art style. The very idea of this - the perspective of civilians, non-power/haki users and just random people in a world that's already so wide is so cool. And the way we got to experience the main characters of the main series - their impact on the world and the collateral. I particularly loved how they were still there but in the way their faves were obscured, never fully shown (other than the last scene) you could tell they weren't the focus even if the whole episode was a tribute to them and their fans.
(This is what I mean by the faces thing)
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This entire scene is just the girl and Usopp (I can talk about the symbolism in colors and shading/the parallels of the marine literally casting a shadow on her while one of the strawhats gives her a helping hand, but I digress) - the focus is still on her, regradless of the speaker and the camera is only following her movements and facial expressions. We only get a clear view of Usopp's face a second before the scene changes.
This too, Luffy is the only one on the screen but we don't get to see him, not fully(even in the closer shots), because it's not about him.
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I also loved how funny they made the power scalers in the bar (and he way we saw Zoro and Sanji interact with them. As they are probably one of the usual ones to be compared by dude-bros, it was like an inside joke for the fandom and I love it to bits!)
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Truly amazing.
Or the little fanboying moments, so cute!
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And I can't believe I'm just now hearing of the theory that Chopper's bounty is always this low because the mariens love him so much they don't want the high bounty to put him in danger!
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There's so much to be implied/confirmed! For example, we get to see how many people love Brook because for some reason we keep forgetting he's a world-famous rockstar. He has his own merch, he started a trend with afros and those glasses he has on the poster, his fans picked up his puns,
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It was also touching how Luffy touched lives without even trying (not that he usually does), as the marine brothers. Even though the older one claims he doesn't like his brother, he loves him enough to appreciate him being alive when he witnessed an entire war for someone else's. Even if he doesn't want to admit it, it's clear he cares about his brother deeply. It's just so amazing seeing it :''))
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(Bonus to this is the little monologue Nami's fangirl has that adds so much about their relationship :))
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I'm so looking forward to more ;;--;;
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malavera · 3 months ago
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Peaches: “Will you forgive me... Daddy?” (18+) — Logan Howlett
this is a part 2 of my series called Peaches, but it can be read as a standalone 😉 if you wish to check out the part 1 click here!
summary: It’s not like you can’t take care of yourself, no. Your dad just worries a lot so he asks for your friendly old man neighbor to look after you while he’s gone on his business trip. But is that all?
warning: SMUT! MDNI. a little bit fluff, ddlg dynamic, bratty!reader, dom!logan, oral M receiving, throatfucking
taglist: @wcndercore @peachyystuff @kholdkill @narjuko @the-occasional-artist1125 @robynanthonystark @suchasweetieee @jensojkaobecna @explainthisaetheists @currentlyquestioningexistence @cathers-world @seasonofthenerd @thinkinonsense comment if you'd like to be tagged for the next part 😉
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The peach-colored bath bomb hisses as it plunges into the warm water, sending ripples through the surface. It fizzes and dissolves, releasing a cloud of sweet fragrance that wraps around the room like a soft, intoxicating embrace. You inhale deeply, the scent pulling you back to a moment not so long ago. As the steam rises, you let the bathrobe slip from your shoulders, but hesitate. The water beckons, promising comfort and warmth, yet something in you resists. His scent still clings to your skin—a haunting reminder of a presence now gone. The thought of washing it away feels like surrendering the last trace of him, and for a moment, you stand there, torn between the allure of the soothing bath and the ache of holding on to what remains.
But in the end, the warmth proves too inviting, and you let yourself slip into the bath. The water envelops you, pulling you into its embrace as your mind replays the scene, vivid and haunting. You can almost see him again, the way he casually brought his fingers to his lips, licking the last remnants of you with a slow, deliberate ease. He didn’t say a word, but that smirk—so confident, so sure—spoke volumes. It was a silent claim, a parting message that lingered as he turned to leave, leaving you with nothing but the fading echo of his presence and the water that now seems too gentle, too cleansing, against the memory you wish to keep.
Time has slipped away, and now, two weeks have passed since that moment. It feels like a distant dream, yet the memory remains sharp, refusing to fade. You’ve been avoiding Logan ever since, even though that’s not what he wants from you. He’s the opposite of what you’ve intended to do; he wants you to embrace it. He wants you to embrace your desire.
But like what you are, you’re too much of a pussy to face your own desire. Even though it aches for his touch.
Now, with your dad away on a business trip, you couldn't be more thrilled. The house is yours, a rare freedom that has your mind buzzing with possibilities. You imagine nights without curfew, slipping out into the night without a care, and not having to worry about getting caught. But your excitement gets the best of you, and you celebrate too soon. Just when you think you’ve outsmarted the system, your dad’s words come crashing down like a cold wave, his rules and expectations finding a way to reach you even when he’s miles away, dampening the thrill before it even begins,
“I’ve asked Logan to watch over you here and there. So, I won’t worry much. He’ll update me on whatever it is you do so, behave.”
Fun right?
And here you are, sitting in the diner’s booth with your girlfriends, the buzz of conversation and the smell of greasy food filling the air. They’re all planning to head to a party after this, and when they mention the time—10 PM—your stomach flips. That’s your curfew, the invisible line you’ve never dared to cross. But tonight, the temptation is too strong, and you’re about to go for it, to finally break the rules. Just as you’re about to give in, the door chimes, and there he is—Logan, strolling into the diner like he owns the place. He walks right up to you, his presence sending a jolt through your resolve, and without a word, he makes it clear he’s not letting you out of his sight tonight. As he takes your hand, you know the party isn’t in the cards anymore—Logan’s about to take you on a different kind of ride.
Crossing your arms tightly over your chest, you pout, your bottom lip jutting out as you stubbornly refuse to look straight ahead. “I’m not a seventeen-year-old,” you mutter under your breath, the words more for yourself than for him.
“But you act like one,” Logan shoots back with a tsk, not missing a beat.
You scoff, rolling your eyes. “I’m twenty-three, for god’s sake. Both of you need to stop treating me like a baby!” You huff, finally turning to face him. He’s driving with effortless ease, one hand on the steering wheel, the other casually resting against the door. The simple, relaxed way he holds himself only makes him look even more frustratingly attractive. You hate that he’s right, but more than that, you hate that you can’t stop noticing just how good he looks when he’s in control.
Stubborn as ever, you dig in, determined not to let him win this round. You reminded yourself of why you were fuming in the first place, the anger bubbling back to the surface. “Stop the truck,” you demanded, your voice edged with frustration.
Logan’s head snapped towards you, surprise flashing in his eyes. “What?”
“I said stop the truck, or I’ll jump, and I won’t hesitate. Do not test me right now, I swear, Logan,” you grumbled, your tone leaving no room for doubt. Your sudden tantrum catches him off guard, and for a moment, the confident Logan you’re used to falters. The sweet little peach he thought he knew is nowhere to be found, replaced by someone fierce and unpredictable.
It intrigues him. Something in your defiance pulls at him, piquing his curiosity. He’s not sure what you’re planning, but he wants to find out. Without a word, he slows the car, watching you closely, waiting to see what you’ll do next.
The tension in the car was thick, suffocating even, as you glared at Logan, fury burning in your eyes. The moment felt like it could explode any second, and you weren’t willing to sit there another minute. With a sharp huff, you pushed the door open and stormed out of the car, the cool night air hitting your face like a slap.
“Peach!” Logan’s voice boomed, filled with an urgency that barely masked his frustration. He fumbled with his seatbelt, the metal buckle clinking violently before he freed himself and followed you out. The car door slammed behind him, reverberating in the stillness. “What the hell are you doing?!”
You didn’t stop. “I’m going to my friends, and you can’t stop me!” Your voice was a defiant shout, each word a hammer striking the fragile foundation of whatever was left between you two. Your footsteps were quick, determined to leave him and everything he represented behind.
Logan’s grunt was more animal than man, filled with a rawness that made your heart lurch. “Peach, I swear, get back in the fucking car!” His voice cracked through the night, a desperate command that echoed around you.
But you didn’t turn back. Not this time. “No! And stop calling me that, that’s not even my name!” You shot back, your words slicing through the tension like a blade, final and unyielding.
As you thought you’d finally put enough distance between yourself and his truck, something shifted beneath you—your feet were no longer pounding against the pavement. You shrieked in surprise, your arms flailing as you tried to break free. But before you could fully process what was happening, you were momentarily released, only for Logan to scoop you up again, this time slinging you over his shoulder with a grunt of determination.
"You're not going anywhere, not even in that dress," Logan growled, his voice rough and unwavering, sending a chill down your spine. You writhed in his grasp, pounding your fists against his broad back with all the force you could muster.
"Let me go! Please! Help, someone!" Your voice rang out, desperate and frantic, but the night offered no solace. The street was eerily quiet, not a single car in sight, no one to hear your cries. The only response was the echo of your own voice and the steady, unyielding pace of Logan’s steps as he carried you back towards his truck.
Logan wasted no time strapping you into the passenger seat, his hands moving with a practiced efficiency that left no room for protest. The door slammed shut with a resounding thud, and before you could unbuckle yourself, he was already climbing into the driver’s seat. Your frustration bubbled over, and you flailed your arms, grunting and throwing a full-blown tantrum like a five-year-old denied their favorite toy.
But then Logan’s voice erupted, filling the car with a booming authority that silenced you instantly. “ENOUGH!” The word hung in the air, heavy and final. Your arms froze mid-motion, and you stared at him with your brows furrowed and lips pouting, the anger in your eyes now mixed with a hint of confusion.
Logan’s gaze softened just a fraction, but his tone remained firm as he continued, “I’m just doing what your dad wants me to do here, Peach. So help me God, if you wanna go hang out with your friends past curfew, fine, I’ll let you go. But not this one!” His voice was low, edged with a protectiveness that made your heart skip a beat. “I’m not letting you go out there to that fucking stupid party where you could probably get drugged or have alcohol shoved down your throat without your consent; no fucking way.”
The weight of his words settled over you, and for a moment, the car was filled with nothing but the sound of your heavy breathing, the tension between you both palpable.
Logan’s eyes flicked over to you, taking in the way your chest still heaved with heavy, frustrated breaths. He understood why. The anger bubbling inside you wasn’t just about this moment—it was about the bigger picture, the suffocating sense of disappointment that came from a reality that refused to bend to your desires. You craved freedom, the kind that seemed to come so easily to everyone else.
All you wanted was to be like the others out there, those who could breeze past curfew without a second thought, who laughed and danced through the night without anyone holding them back. Hell, they didn’t even have curfews anymore, not since they turned twenty-one. But here you were, feeling like the world was passing you by, like you were missing out on all the big, exhilarating experiences that came with being young and reckless.
You’d never touched alcohol, never gone to a party where the night stretched into the early hours, never done anything that could be described as recklessly fun. And it gnawed at you. The longing for that freedom, for the chance to let loose and live a little, was a weight on your chest, one that no amount of logic or concern from Logan could lift.
Logan watched you quietly, his grip on the steering wheel tightening as he saw the storm brewing in your eyes, the conflict between the person you were and the person you wanted to be. He knew he couldn’t give you the freedom you craved, not in this moment. But he couldn’t ignore your pain, either.
Logan leaned over, his movements deliberate as he unbuckled your seatbelt. You watched him, confusion flickering in your eyes as the sharp edges of your anger began to soften. His gaze met yours, steady and calm, as he murmured, “C’mere.”
Before you could fully process what was happening, his hand found your thigh, firm yet gentle as he lifted you up and guided you to sit on his lap, sideways. The shift in position felt unexpected, your body tensing for a moment before you let yourself relax into the warmth of his embrace.
Logan’s strong arms wrapped around you, guiding your body to lean against his chest. He carefully positioned your head on his shoulder, his touch tender as if he knew exactly how to soothe the turmoil raging inside you. The steady rhythm of his breathing, the solid feel of his chest rising and falling beneath you, gradually eased the tension from your muscles.
In his arms, the world outside the car seemed to fade away, leaving just the two of you in the quiet, shared space. The anger and frustration still simmered, but now, in Logan’s embrace, it felt more manageable, less like a storm and more like a lingering cloud.
Logan's voice rumbled softly against your ear as he spoke, the firmness in his tone leaving no room for argument. “I’m taking you home, alright? Whether you like it or not, I don’t care. But if you want to go out with your girlfriends tomorrow night doing other things than PARTYING, you bet your ass I’m gonna lock you in the house myself. Deal?”
You didn’t respond immediately, the weight of his words settling in as you considered his offer. It wasn’t exactly what you wanted, but it was better than nothing. The compromise, though not ideal, felt like a small victory. So, without saying a word, you nodded your head against his shoulder, accepting his terms.
Logan seemed to take your silent agreement as enough, his arms tightening around you in a way that felt protective rather than restrictive. The frustration still lingered, but there was also a sense of relief in knowing that, at least for tonight, you didn’t have to keep fighting.
“Okay,” Logan murmured as he turned the key, the engine of the truck rumbling to life. You instinctively started to shift, ready to slide off his lap and back into the passenger seat, but his hand on your thigh halted your movement.
“Whoa, whoa, where are you going?” His voice held a teasing edge, but there was no mistaking the seriousness in his eyes as they locked onto yours.
“But, you’re about to dri—” you began, but Logan cut you off with a grunt.
“I don’t care,” he said, his gaze intense, the authority in his tone leaving no room for argument. “Make yourself comfortable and sit on my lap like a good girl, no more tantrum.”
The command sent a shiver down your spine, your breath catching in your throat as you met his stare. The tension from earlier was still there, but now it was mixed with something else, something that made your pulse quicken. His grip on your thigh was firm, but his touch was still gentle, almost reassuring.
Slowly, you settled back into his lap, your body leaning against his solid frame as the truck began to roll forward. There was a strange comfort in the way he held you, the familiar scent of him filling your senses. The fight had left you, replaced by a quiet acceptance, your earlier anger melting away as you rested your head against his shoulder.
The ride was wrapped in a comfortable silence, the kind that didn’t need to be filled with words. For some reason, being around Logan soothed you in a way that nothing else had for a long time. It was a feeling you’d longed for, a sense of security and warmth that you hadn’t realized how much you missed until now.
Even though you had your dad, it wasn’t the same. You were never really close with him. The glue that held your family together had always been your late mother, the one who bridged the gap between you and your father. But when she passed away from that illness when you were seventeen, everything changed. The dynamic between you and your dad became something different—just plain family.
He loved you, you knew that, but it was a love that felt distant, like an obligation rather than a connection. And you loved him back, but only just enough. There was a gap, a void left by your mother’s absence, that neither of you knew how to fill. You’d drifted apart, existing in the same space but not truly together.
But with Logan, it was different. Even in the quiet, even without saying a word, there was a comfort in his presence that made you feel like you weren’t so alone. The steady rhythm of his breathing, the warmth of his body against yours—it was like a balm to the aching loneliness you carried.
The warmth of your house greeted you as soon as you unlocked the front door, a comforting contrast to the cool night air outside. You stepped inside, the familiar scent of home wrapping around you like a blanket. With a tired sigh, you tossed the keys into the bowl on the console table, the clatter echoing in the quiet hallway. Without a word, you made your way upstairs, leaving Logan standing in the entryway, the silence between you stretching out once more.
Logan watched you disappear up the stairs, a heaviness settling over him. With a resigned sigh, he headed straight for the kitchen, his boots thudding softly against the hardwood floor. He grabbed a bottle of scotch from the cabinet, the glass container cold to the touch as he unscrewed the cap, pouring it down the glass.
Taking a generous sip, Logan flopped down onto your couch, the cushions sinking under his weight. The remote was within reach, and with a flick of his wrist, he turned on the TV. The soft glow of the screen filled the room, casting flickering shadows on the walls.
But even as the TV droned on in the background, Logan’s mind wasn’t on whatever was playing. He took another sip of his beer, letting the quiet comfort of your home settle around him, a stark contrast to the tension that had filled the night.
After slipping into more comfortable clothes, you hesitated at the top of the stairs, hoping that Logan was still there. The night had left you feeling unsettled, and the thought of him being gone added to the unease. Slowly, you made your way downstairs, the soft fabric of your clothes brushing against your skin, grounding you.
As you reached the living room, you cleared your throat, the sound breaking the stillness. Logan, who had been staring at the TV without really watching, turned his head towards you, his eyes meeting yours. There was a flicker of something in his gaze—concern, maybe relief—before he watched you walk towards him.
Without saying a word, you sat down on the couch beside him, the space between you feeling both intimate and vast. You looked at the glass of scotch in Logan’s hand, your curiosity piqued. “Can I try?” you asked, your voice soft but eager.
Logan glanced at the glass and then back at you. He simply handed it over without a word, his expression neutral. The amber liquid sloshed slightly as you took the glass from him. The warmth of the scotch felt foreign in your hand, but there was a sense of anticipation as you held it. Logan watched you silently, his gaze steady as you prepared to take your first sip.
You raised the glass to your lips, the rich, amber liquid catching the light. With a deep breath, you took your first sip. The taste was immediately intriguing—complex and smoky, with a hint of sweetness that lingered pleasantly on your tongue. It was unlike anything you’d ever had before, a unique blend of flavors that seemed to dance across your palate.
The warmth of the scotch spread from your mouth down your throat, a slow burn that settled into a comforting glow. You took another sip, savoring the taste, letting the sensation wash over you. The flavor was bold and sophisticated, a little bit of adventure in a glass.
“You like it?” Logan asked, raising one eyebrow and giving you a half-smile. His gaze was curious as he watched you take in the experience.
You folded your lips, glancing down at the glass before meeting his eyes again and nodding. “It’s not bad,” you admitted, a hint of a smile playing on your lips.
Logan chuckled, his eyes twinkling with mischief. “Would you trade your life for this or for your peach soda?” he joked.
You giggled, the scotch giving you a carefree lightness. “Peach soda for the win,” you declared with a playful grin. But then, without hesitation, you raised the glass to your lips and chugged the rest of the liquor in one swift motion.
Logan watched with a mixture of amusement and surprise. “Says one who’d trade her life for the peach soda,” he remarked with a scoff, shaking his head in mock disbelief.
He grabbed the empty glass from your hand and, with a quick motion, poured another round for himself. The scotch swirled in the glass as he settled back onto the couch, the warmth of the liquor evident in his relaxed demeanor.
“I want one again,” you murmured, a pout forming on your lips as you looked at the empty glass.
Logan sighed, giving in with a resigned smile. “Fine, here,” he said, pouring another generous measure of scotch into the glass. But instead of reaching for the glass, you snatched the bottle right from his hand.
“Wha—hey whoa, Peach,” Logan started, surprised.
“I have my limits, don’t worry,” you replied with a mischievous glint in your eye.
Logan frowned, his hand reaching for the bottle. “Right, considering this is your first time and you like this more than your peach soda, I think that’s not a great idea. Come on, give me the bottle.”
With a shriek of playful defiance, you pushed yourself off the couch and stood in front of him, waving the bottle mockingly. “Watch me,” you smirked, lifting the bottle to your lips.
You took a generous sip, the rich warmth of the scotch flowing smoothly down your throat. Logan watched, amused. The newfound confidence in your actions only seemed to grow with each sip, the scotch emboldening you in ways you hadn’t anticipated.
As the minutes ticked by, you began to feel a subtle shift within you. The warmth from the scotch seemed to spread through your body, making you feel more alive, more fearless. It was as if the world outside had softened, the edges of your worries and reservations blurring into the background.
“Hmmm,” you hummed contentedly, taking a step closer to where Logan sat. With a playful glint in your eye, you placed the bottle on the coffee table and then gracefully straddled his lap, wrapping your arms around his neck.
Logan’s expression shifted subtly, his initial concern giving way to something more intimate. His eyes softened, the playful warmth of the moment casting a new light on his face. He adjusted his position slightly to accommodate you, his hands resting gently on your hips.
"I'm sorry for the way I acted tonight," you murmured, looking down to his lips before gazing up to his eyes. "Will you forgive me... Daddy?"
Logan looks at you surprised, he couldn't believe what he just heard. It's something he has never heard anyone addressed him with that before. The tension wasn't comforting it was rather more, sensual. Logan slowly leans forward inching closer to your face, he looks down to your lips before murmuring, "What did you just call me?"
You giggled, "Daddy." You repeated. "You're more like a dad to me than my dad ever was," you giggled. "The only difference is, I wanna fuck you." The scotch is now talking. "You were right, all those times you've caught me fucking myself with my fingers through my window, I wanted you to watch me," You stare at him with doe eyes. "And thank fuck, you watched me."
Logan groaned from listening to you talk like that. His hands gripping your hips, throwing his head back against the cushion. "You promised me you wanted me to feel your cock," you pouted, starting to move your hips, rubbing your clothed cunt against his denim jeans. Inching your face close to him, you whispered against his lips, "So give me your cock, Daddy."
Logan grumbled something under his breath, his gaze darkening as the playful tension between you ignited into something more intense. Without warning, his hand moved to your throat, not with force but with a possessive firmness that sent a shiver down your spine. In one swift motion, he pulled you in, crashing his lips against yours.
The kiss was searing, filled with the passion that had been simmering between you all night. His lips moved against yours with an urgency that took your breath away, the earlier tenderness giving way to something more primal. The heat of the moment enveloped you both, and you felt your heart race as the kiss deepened, becoming more feral and uncontrolled.
Logan’s hands tightened around your waist, pulling you closer as his mouth claimed yours with a hunger that made your head spin. The kiss became sloppy, desperate even, as the two of you lost yourselves in the intensity of the connection. You struggled to keep up, your breath hitching as you tried to match his pace, but it was overwhelming, intoxicating. The world around you seemed to blur, your senses consumed by the taste of him, the feel of his hands on your body, and the way his lips demanded everything from you.
You never stopped grinding your hips against his clothed cock as both of your lips were dancing with each other. The bulge in his jeans kept growing bigger and bigger until he decided it's finally enough to torture him; he broke the kiss and lift you up before his hands went to undo his jeans.
You watched the way he swiftly pulling down his jeans along with his boxers, his cock slapped against his abdomen. Shit, you thought. He's nowhere near small, he's big and fat. You wonder if it's going to fit in your small cunt and your small mouth. Logan noticed your demeanor has changed as he smirked to himself.
"Don't worry, Peach. I'll show you how." You looked at him confused. "You're gonna put my cock in your mouth first," You inhaled sharply before nodding your head, Logan smiled at you, happy that you're obeying to what he wants you to do. "Good girl, get on your knees."
Logan walked you through it, by telling you to grab his cock with both hands. "Give it a kiss." He urged, nudging his chin cockily. You hesitatingly kissed the raging red tip of his cock that has his already pre-cum leaking from the tiny slit. "Lick it, peach." He commanded, you obeyed. Dragging your warm tongue out from your mouth and made contact with the skin.
Logan watching you so innocently making out with his tip, makes his heart beat faster, eager to slide his cock down your throat and fuck your stupidly innocent face. "Thaaaat's good, peach. Put 'em all in your mouth." Before you do that, you fixated your gaze on Logan before moving away to inch your face close to his heavy balls.
You decided to improvise and see if he'd like that, Logan watches you intensely and groaned as you drag your tongue from the bottom of his cock upwards to meet his tip before putting him all in your mouth. Hollowing your cheeks, and teasingly rolled your eyes close to show that you're enjoying it so much. And it did sent Logan to heaven, watching his little peach enjoy sucking his girth.
"You like my cock, peaches? .... Yeah? .... Well come on, put them all in ya." Logan muttered as he raised his hip slowly upward, pushing his cock into your mouth further to reach your throat. When you gagged, Logan moaned. You thought that was a good sign, especially when you couldn't control your saliva as it drips down to his pubic hair and all. "Fffuck." Logan cursed watching you bob your head and up down his cock.
"Feels s'good.. Peach, god." Logan rolled his eyes and lean his head back, his hand rest on top of your head, fisting your hair. He grunted, "'want more." He murmured under his breath before he decided to take control. He bobbed your head up and down, increasing the speed while also thrusting his hips upward, fucking your throat.
"Fuck yeah, you better think twice before you talk back to me like that in the car." Logan grunted, watching you struggle to breathe, your eyes getting teary and choked on his cock. Logan laughs rather maniacally, watching you struggle turns him on even more.
"You wanna feel how it feels like to have a warm cum slides down your throat, peaches?" Your eyes widened. "Yeah.. I'll show you. 'M gonna cum soon, Oh.. So good, peach." Logan moaned, eyebrows scrunched together with his eyes closed.
Placing your palm on his thighs, you tried to at least breathe a little. You didn't want to pull away as you don't want you disappoint him. You can feel Logan's tip twitch in your mouth, you take it he's about to cum soon.
Without warning, Logan let out the loudest moan ever, spilling his warm cum down your throat. His hips stuttered a little, giving you one final thrust to make sure he emptied everything in your mouth. And you gladly took them all. As Logan pulls his cock out from your mouth, he watched you swallow his everything down your throat as he smirked in proud.
You watched him with your famous doe-eyes when you want something but Logan just laughed at you, mocking.
"You think after you pulled that stunt on the road you deserve my cock in your pussy? Hell fucking no, peach. At least not tonight, now get to bed."
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chillyfeetsteak · 10 months ago
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I first became fascinated with it a few years ago when I noticed it out an airplane window on a flight from Texas to Southern California. In an expanse of endless desert, suddenly, a vast body of water. When I got home, I immediately looked it up on a map. The Salton Sea.
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It’s the largest landlocked body of water in California. It sits right on top of the San Andreas Fault at over 200 feet below sea level. It is more than twice as salty as the Pacific Ocean. It is completely toxic. And I had never heard of it before then.
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In the early 1900s the Colorado River was diverted through a series of irrigation canals in order to provide water for the farmlands of Imperial Valley. One of the head-gates broke during a flood, and the desert basin filled with water for 2 years before it was fixed. The unexpected lake soon became a popular vacation destination; it was stocked with fish, and resorts and hotels popped up along its shores. It became known as a great place for sport fishing, waterskiing, and yacht parties. Big name celebrities visited. At one point, it had more annual visitors than Yosemite.
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Salton Sea has no outlet, and is only filled via agricultural runoff. As the water evaporated in the hot desert sun, the lake became more and more saline. Chemicals began to build up from the run off causing toxic algae blooms, and mass die-offs of fish and birds started in the 80s. By the 90s, the beaches were littered with fish gills and bird bones and the resorts were abandoned. The lake began to dry up as irrigation run-off was diverted away. The exposed lake bed is also toxic, and the high desert winds kick up the dust, making the air poisonous. 
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Despite the unpleasant odor, the noxious air and the summer temperatures regularly reaching 120°, a renaissance of sorts began in the early 2010s. Artist and nomad colonies began to spring up around Salton Sea. Bombay Beach, once a popular resort destination, is now mostly a ghost town, but the folks who remain have turned the ruins on the shores into an outdoor art installation gallery where the found-art sculptures are cyclically destroyed by the elements and then replaced with new ones. Many of the houses and RVs in town are themselves art pieces.
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In nearby Slab City, a settlement of off-the-grid lifestylers, you can find even more folk art. Salvation Mountain is a manmade hill painted with bright colors and bible verses and maintained by a community of volunteers. East Jesus is a sculpture garden and art installation. 
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This past weekend my partner and I finally made the pilgrimage to the Sea. California has the benefit of being home to a huge array of biomes. In just a couple of hours you can travel from snowy mountain peaks to lush oases to endless sand dunes. Driving the hour or so south from Palm Springs towards Salton Sea is like driving towards the end of the world.
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Bombay Beach especially enamored me. The beach is crusted with salt and millions of tiny shells and bones. It smells awful, like sewage and chemicals and low-tide and rotting fish. You drive out onto the beach and park anywhere amongst the sculptures and deteriorating resort ruins. The art feels raw in a way I haven’t experienced before. It reminds me of seeing paleolithic cave art. Humans made this, with no motivation other than to create something intriguing or beautiful or sad. Not much can live out here, but what you find fills me with a great adoration for humanity. Despite the asphyxiation of the natural world, the human spirit persists.
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