#to really truly realise

[chenouttachen]

they really brought a real devastating heartbreak vibe to the ‘fake’ break up of a fake relationship

[atalana]

supergiant you can't keep toying with my heart like this re: aro mel

[hercarisntyours]

artist rendition of gay break up.💕

[youmakethelight]

I need scenes where Daryl explicitly shows that he loves Carol for all of who she is as a human. I know we know it, even though that feeling has been fading since the spin-off and even in parts of season 11. But I reallyyy need at least one scene where Daryl catches Carol doing something distinctly Carol and looks at her for a *prolonged* time with unambiguous love all over his face. And then he actively shows and tells her. Like the scenes where Aaron and Rosita see Carol putting herself through pain to kill the horse to feed Alexandria. I need to know that Daryl sees that in her. And I need to see him radiate intense love in her direction because she fucking needs it.

[gingermintpepper]

:0 I hope you're doing ok!! <3

🥺Hello, thank you so much for the check in!

Admittedly, I wasn't doing very okay for a while, but I'm very much trying to get better. It's been a rough couple of weeks but I think I've spent enough time in my own head now.

Here's to getting better <3

[aliusfrater]

sam as a character that breaks the 'us vs them' dichotomy of hunting with the conditions of his monstrosity is not only something that is deeply inherent to the narrative's exploration of the familial dynamics that sam disrupts, both metaphorically (in terms of hunting as a metaphor for the cycle of abuse) and literally but it's also something that is deeply internalised by every character that bears witness to the same conditions of sam's monstrosity that the audience does but most importantly both dean and sam himself.

there are a lot of aspects to the way that dean approaches sam's involvement within his own agency/independence as well as The Family Business that mirror or directly correlate with sam's monstrosity and when it's worth condemnation vs not but by far the most interesting aspect of this to me is the fact that there is an inherent separation between the idea of sam, sammy, that is not monstrous but is capable of becoming so and the sam that is monstrous and is capable of corrupting/encroaching on/preying on the sammy isn't/is not yet monstrous. like this idea is mostly explored within dean's idea of sam and monstrosity, either separately or together, but there are a few moments within which sam demonstrates a subconscious awareness of this separation, and subjects himself to it as well, and most of them are within 4.21 and explored as the fact that the Sam—corrupted and monstrous—that Sammy—othered regardless—is to be protected from is ultimately someone that sammy cannot escape. it is in him and evil ('them') and giving into it means freedom or an entire 'acceptance' (the usage of his monstrosity—"maybe there's no escape. after all, how can you run from what's inside you?" / "don't let anyone or anything get in your way."—something he's explicitly expressed since 4.04) of himself.

there will always be an 'us vs them'. it is vital to supernatural. and regardless of the fact that sam exists to break the dichotomy, the dynamic of the structure is one that demands you fit into it and ultimately, i think this manifests within the ideas of sam's monstrosity, more than it does around it, while he perpetually struggles to fit into his role under 'us' so much so that his struggle becomes a vital part of his role. it becomes a non-role that's present in examples of the dynamics of his and dean's relationship as well as the patriarchal structure that i've talked about previously

[hella1975]

hiiii haha. hello. exceptionally awkward introduction bc idrk how to start something like this so let's just jump right in. im taking a break from this account for a bit. i know i said i wanted taob out before halloween and currently im fine sticking with that deadline, but if i decide i need longer away then i will take longer away. every time ive reassured people that id never abandon a fic and updates will always come eventually i never once considered that my writing and ability to feel safe and comfortable on this site would be actively taken from me, so im not even going to apologise. i dont want this either and more importantly i dont fucking deserve it. i dont know what it is in the past year, if ive hit a certain amount of followers or 'popularity' that's made it so the natural ratio of positive to negative interactions must in turn go up, but there's been a serious uptick in weird asks for me. the annoying part is that a very small amount of them are actually objectively mean and hateful, the rest are just weird and invasive from people who seemingly dont realise that's what they're being. ive reached a point where i dont care if the intentions are good. it's not my job as a 20 year old tumblr user of all things to defend the morality of someone who couldnt even bother to come off anon. unfortunately, after blocking only one or two anons, the weird asks have decreased substantially, which says all you need to know about the fascinating and exhilarating lives led by these people, but ive also gone on to turn anon asks off entirely. this is something i actively fought against doing and had to be pushed into by my mutuals (who have been the coolest people on planet earth during this entire thing). turning off anon was a big deal to me even if it sounds silly. i felt betrayed and like id been backed into a corner because it was so vehmently something i DIDNT WANT that to feel like i had to do it anyway for my own mental health??? that sucks. so even though ive 'fixed' the problem, im still kind of reeling and uncomfortable every time i come on tumblr. i hope it's just something i need time to ease because i'll truly be devastated if this becomes 'ruined' for me. tumblr exists as the only place in the world where i am honestly every facet of myself without shame or hesitation; losing that would be insanely harmful to me. and to the people who cant appeal to the actual human behind the post, let me put that in words you can understand: we wouldn't get any more writing 😦😦😦 riots and fires and sirens, i know. so yeah. to anyone who has sent me an anon ask and you're now wondering if you were part of the problem, im firmly of the belief that you'll know if you are. when i say 'weird asks' i dont mean 'you sent me a para about your personal life just to vent or ask for advice' or 'you sent me a really deep emotional compliment about the impact me and/or my writing has had on you' - i love asks like that, so much that i put off taking a break and turning off anon solely for the joy they bring me. im sorry that it might feel like you're being punished too bc of the actions of what in reality is a HANDFUL of weird people, but this is what i feel like i have to do to feel safe and not go insane every time i log in. love you guys, hopefully ill see you soon x

[bfdifan26]

i love this tiny little moment where winner kinda looks at yellowface and they’re like huh maybe he isn’t so bad!! i really loved him this episode, to me it was such a good way of highlighting the type of character he is. he’s loud and chaotic and can be so selfish and cruel, but when it comes down to it and the people he cares about need him and are in actual danger, he risks getting himself trouble to keep them safe. (letting them hide in cloudys stash and eventually ruining it, yellowface being the one to blame for that) i would like if it he went back to being the way he was in tpot 8 though like, i dont want it to be a ‘character’s arc get solved just because they acted different for a moment some other time’ situation. i just want this to be a gentle reminder that yellowface isn’t a complete monster and he has a very soft caring side to him that just needs its own chance to shine

[general-grey]

so.... who was gonna tell me that Lucio's masquerade costume was based on Raoul (phantom of the opera)'s masquerade costume

[daily-hanamura]

[rexcaliburechoes]

does gale know that he's appreciated? does he know that he's loved? does he know that he's funny and witty and charming and worthwhile as a companion because of his simple existence? does he know that there is fulfillment in following the ambition to live? does he know? can he see the paths laid before him, the paths he is destined to walk, some that end in his death, others that continue on with his life, does he understand the ramifications of his choices, does he understand how his choices have affected the other companions' courses just by asking for a hand?

does he understand how the act of taking his hand grounds him in reality, towards a brighter future?

of course he doesn't; he's a fictional character and he only knows thst he sees in front of him and that is his death several feet ahead of him. he is entangled in the fabric of the universe like a moth in a spider's web, the strands of his ambitions and regrets clinging, gossamer thin yet sticky and strong, holding him fast to the paths that rip him in too many directions.

all he needs is a little push into the spider's maw or free to fly and live another day.

[dreamspring]

literally NO ONE asked but @/ford-owner’s op band au has got me thinking abt what music the straw hats would listen to so here are my thoughts!

zoro listens to the nastiest slam/grind/death out there. sanji hates it and cannot understand and he thinks it's awful and just incomprehensible screaming and probably horrifying to women or something

robin listens to Weird Shit. not genre specific it's just across the board Weird. she listens to like high brow prog rock and metal yeah but also to weirder shit than what zoro likes. stuff like stalaggh (re: the album which is just the sounds of screaming from an asylum). she also listens to bands w like 3 tapes ever made of their music and extensive lore that probably contains murder and cannibalism and she WILL tell you about it while smiling

luffy ABSOLUTELY listens to punk he's such a punk rock kid oh my god he goes crazy in the pit i just know! he loves hardcore too i think. and nami - yes she's a joan jett/lita ford fan 100% she listens to 80s power ballads too.

sanji. sanji listens to hair metal ok. he fucking loves 80s music he loves van halen and bon jovi and shit and his first crush was probably the guy on the poison (‘look what the cat dragged in’) album cover because he mistook him for a woman. re: that iconic interview.

usopp yes 1000% listens to power metal i have zero notes that's just so real and correct. he and franky bond over this because they are both ridiculously into it however franky’s tastes also includes a lot of classic 70s NWOBHM, some 80s speed metal and a lot of stoner doom (he is a stoner. to me)

brook… i honestly think he appreciates everything bc he just loves music period. but he’s also an old man so i think he loves the beatles, led zeppelin, the velvet underground etc.

[galedekarios]

it’s been a day and i still can’t believe there are ppl out there who believe that gale‘s narrative arc is about learning to communicate better

[theotherrichardpapen]

...because any moment may be our last. everything is more beautiful because we're doomed.

[mo-ok]

Toku Summer Day 3 - Fruit

Strawberries are stubborn like that. If you don't give them a hand they don't even turn red. Magiranger ep3: Ride the Magical Dragon

[ohdeargodwhy]

Still trying to work out why they made Trent a gay man if not for TedTrent and/or to be a parallel to divorcee Ted also coming out later in life make it make sense

(Like yes kinda support to the colin storyline but also there were so many other characters who could have provided that - sharon for one, obviously, keeley another, any new character. Also why specifically gay and (we assume) divorced and not happily married bi or gay with kids???)