#to people who watch the netflix version....

[nqueso-emergency]

Idk if I've just been in these fan spaces too long or what but it really amazes me that people are so convinced their ship will be cannon. I've watched plenty of shows with... 'opinionated' fans and almost never do things play out exactly how you'd like them to. Hell even if you get a version of what you want it's not going to be the same as what you've built up in your head.

Add on to that the fact that this is a network tv show with a wider audience, more overhead than some indie show on Netflix, and cast and crew who have been as honest as they can about not really wanting to do it and idk. I just don't see how people can be so sure about it.

I also don't understand why it matters, the whole point of Fandom is that you can imagine and write these characters however you want. Who cares if they're cannon or not? If you think Buck and Eddie should get married, co parent Chris and have wild gay sex great! Write it yourself, and enjoy the show for what it is. You're happiness shouldn't hinge on two characters getting together exactly if/ how and when you want them too.

Yep

[bahoreal]

Isn’t Three Body supposed to come on Netflix? Or is that another adaptation?

(Mint or mint chip, anyway 😉)

theres an adaption coming to netflix yes, it is called 3 body and it is made by those game of thrones guys. the ones who fucked up game of thrones real bad. the ones with a really bad track record of racism. i am skeptical of how good it will be given that from what we can figure out, they removed the main character and recast him with a white guy. i will watch it to see if its any good, but the chinese version has the original author involved, and it is clearly done with a lot of care and love.

[imposterogers]

still thinking about the scene in netflix daredevil when matt is recovering from his injuries / relearning to fight and they bring in an amateur boxer for him to practice on. bc imagine being the guy approached by a nun and a priest, invited to the weird basement of a church, and instructed to try and beat up a blind guy who then proceeds to beat YOU up

[sonknuxadow]

these thumbnails are kinda funny to see next to eachother ngl

[stinkrascal]

this is my most controversial opinion but you couldnt pay me to give lilith vatore those ugly short bangs

[tangerinesri]

not to be dramatic, but I think Josh Barnett singlehandedly saved the fandoms perception of Race

[edwinspaynes]

I was angry. I'm still angry. But sadness and exhaustion have overtaken that anger, and I have A LOT to say about this.

Dead Boy Detectives is a very special show to me. It occupies a ridiculously large place in my heart, and it's brought me joy in a way that only a few pieces of media ever have. When I watched it for the first time, Edwin Payne had my heart within minutes. By the end of episode one, Charles Rowland did, too.

It meant a lot to me, seeing such wonderful and nuanced queer characters brought to life in the type of paranormal story I have always loved. In these past months, Edwin and Charles have felt like real friends to me, and to never see them again without a satisfying conclusion to their story is something I have not truly processed. Same for Niko and Crystal and The Cat King - they should be back. But I haven't fully processed it yet, that they're not coming back, and yet I am still aggreived.

@netflix is, at this point, so fucking gagged on capitalism's dick that they're not even pretending to care about art anymore. Dead Boy Detectives is genuinely masterfully made on just about every level. The actors did a phenomenal job and I will be following all their careers heavily. Steve, Beth, and the writing team crafted an incredible tale. The sets, the lighting, the props, the effects were all on point. This was a well-constructed program, and you could tell that everyone involved with the project gave it their all because they cared so deeply.

(Also my heart breaks for the whole cast, but it's hardcore hurting for George since this was not only his first screen role but one he clearly thought he would be keeping as of two weeks ago. He seemed so secure. I hate this for him.)

In addition to being a good show, DBDA had good reception. It's got a 92% on Rotten Tomatoes, was on the Top 10 for several weeks, got 4.7 million views within week one, and was getting daily articles posted on various review sites with NOTHING but praise. The fandom is incredibly active. We trend on Tumblr like five times a week and on Twitter regularly as well.

THE. SCRIPT. FOR. SEASON. 2. WAS. WRITTEN.

What the fuck happened?

Idiot executives at @netflix, choking on the dick of capitalism, probably just thought that they wouldn't get new subscribers for a second season of an existing show that didn't rake in Bridgerton-level cash. That's how they work - people who are interested in it are already subscribers, so who the fuck cares about them? Better to make some other shit, hope new people subscribe, and maybe that'll be a Bridgerton-level hit.

But also, Netflix has fun little trends to look into. And, when you look at the lineup of shows Netflix has canceled, they are overwhelmingly queer. The homophobia of @netflix and their operatives is clearly boundless, and it hits here really badly because this show was clearly made with a queer audience in mind. It was one of the most authentic pieces of queer media I have ever experienced, if not THE most authentic pieces of queer media that I have ever experienced.

It's fucking ridiculous that Netflix canceled a show that they commissioned a completed script of months ago. It sucks that they decided that their existing subscribers, their queer subscribers, did not matter.

Edwin and Charles are ours now. Well, of course, they're George's and Jayden's respectively, but the characters are no longer Netflix's to use and throw out. They're ours now, our fandom's, and we all love them so much.

And we deserved to see more of them, and we deserved to see their love story play out onscreen, but I for one am not going anywhere. Let's give Edwin and Charles - and the rest of the gang - millions of versions of the stories and endings that Netflix deprived them of.

[rockpaperimpala]

So about Netflix's the Last Airbender....

I am literally so confused you guys. You made me think I would HATE this show. And I LOVED it. Me. Known perfectionist and hater.

Katara was lovely. Yes, she started as a more soft spoken character than her cartoon version, but she was still passionate and hopeful throughout, just visibly unsure of herself. I think people were thrown off by this actress' natural way of expressing herself, which is Different from animated katara for sure, but not bad. Then she spends the whole season growing in Confidence and Fire. I Adored her fight with Paku, it really did feel like a payout of the whole season's development, and the bending kicked ass!

The Bending Kicked ass!!! The martial arts was fun and fast and creative and exciting! It looked SO good. That alone would be enough reason for me to watch and enjoy any show.

Zuko's actor was fantastic. He really captured the rage and confusion of this 16 year old banished prince. And there were so many Added moments between him and Iroh wich to me enriched their relationship. Like YES! This is why I'm watching, to see more of them, to see things done a little differently.

Iroh facing the consequences of his actions at Ba Sing Se!! That's what I'm here for!

Zuko's relationship with the men on his ship! That's what I'm here for!

The Extra layers we get to Ozai manipulating his children!

Also no one is talking about Admiral Zhao, who I had SO much fun with. I feel like they slightly fleshed out his character in a really dramatic way, really developing the hubris and frankly insane grasping ambition of someone who would kill the moon. I completely enjoyed this wilder, less controlled version of him, who comes up through the season from basically nothing and no one!

I am OBSESSED with King BUMI and his anger and disillusionment with the world! Like this was SO real. Living a hundred years of futile war would do that!!!! It is one of my favorite changes to the whole series. This new layer of emotion and character depth is what I'm here for!

Sokka was SO funny. He literally had me laughing out loud so often. That actor GETs Sokka, and GETS the way his humor is delivered. And is also able to tap into the more vulnerable side of him. People said he was "obsessed" with leadership. WHAT? That is a young person trying desperately to do his best and to try and find his place in the world, to figure what he has to offer. I loved his pride at hearing the Mechanist say that he would make a good engineer, and the sweetness of the moment that Yue's father says that he can be a hero without being a warrior. Sokka does so much growth in this series, in understanding himself and life.

And his chemistry with Suki was adorable!! I even like him and Yue (who was a totally unexpected sweetheart, despite her terrible wig)!! Like he has that same ability that Sokka has in the original to Connect with people.

Aang was great! He WAS fun loving and sweet and funny. I don't know what you guys wanted. Cartoons are always bigger and more exaggerated than live action. People's eyes swell up an, birds fly around their heads, and there are funny sound effects. That larger than life quality is the strength of animation! You have to look for different strength in live action. Like the SUBTLETIES of the acting choices. This little actor brought so much kindness, innocence, and strength to Aang.

And I FELT his frustration at being asked to do this at 12, his fresh hope anytime it looked like someone more experienced would be able to help him and no one did, and that's why he didn't learn waterbending this season, because he kept waiting for an freaking ADULT to show him the way, to help him carry this immense burden, but every adult he meets asks him for help instead, asks him to carry it himself, and then the finale hits and he realizes that there won't be any adults helping, he does have figure this out himself, and he makes the hard choice, takes on responsibility more than his years and offers himself to the ocean spirit, and he might have been lost entirely if not for Katara!

And that counter running theme to the show pays off: that he doesn't have to do it alone. He may not have more experienced guidance, because the adults have let him down again and again, but his friends will be with him, and they will figure it out together!

This is there throughout the series! Katara tells him this about learning waterbending, when he says he still wants to wait. Bumi tells him this in the palace at Omashu, and Aang sees the faith he has in his friends repaid!

I like these changes! And the show still found time for silly fun adventures and character building moments.

The show was never going to be the animated original. That is already a Masterpiece, and it frankly did NOT need to be adapted at all. I did not WANT a live action adaptation. I was adamantly convinced I would hate it. But the changes that they netflix show gave are what I Iike most about it. If I want to see Zuko say "you rise with the moon, I rise with the sun," I will go watch the animated original, because that version is perfect. And now, if i want to see Zuko say "Lu ten would have been proud to have you as a father," and see iroh pull him into a tight hug, I can watch this live action version, which is very good too. I'm going to disagree with most of the people on here and say that the Netflix's Avatar: The Last Airbender, DOES capture the heart of what we liked about the original show. It's spirit, fun, excitement, and characters. And the changes made are the reason we should be watching.

[eloise-t-g]

i think for me, the watcher situation comes down to this:

it's absolutely respectable that the watcher team wants to grow and produce better quality content. it's respectable that they don't want to stagnate and end up pushing the same content out over and over again. that's not satisfying for them creatively, i get that.

however, if higher quality, more heavily produced content is not what your fans are asking for, then you can't ask them to fund it.

this all-or-nothing method they've gone for is frankly bizarre. it feels like they leap-frogged all other alternatives to improving their finances and ended up here, alienating and frustrating the majority of their fanbase (the fanbase they thanked for getting them to where they are).

i think this could have gone a lot better if they:

Hadn't hyped up this video for a week.

Hadn't announced the worth it successor just beforehand.

Hadn't put out a wishy-washy, "boo hoo we're so sad about this", over-produced video.

Hadn't made it $6/month (more in a lot of countries given exchange rates).

Had considered that this means fans in specific countries literally cannot pay for the subscription due to geo/region-locking.

my ideas for improving their funds, aka things they could have tried before blowing their brand up: create their own website with two options - a free version with ads and a paid version without ads, OR make better use of their patreon/make their website extra content, not all their content, for example:

Put the ghost file debriefs on there.

Put shows like survival mode on there (or even shift that show from pre-recorded video to live-stream - live stream access to patrons and VOD access to everyone, maybe).

Put episode commentaries there.

Do reaction videos to their old buzzfeed content, talk about memories and BTS, and put that there.

Put one/two episodes of each show, per season on there (and ONLY there).

Put the episodes up there a few days early.

Make specific, website only content (that's not your main and most popular series aka ghost files and puppet history).

Record the live, in-person shows and put those VODs up there.

EDIT (thought of something else lmao): put extended or even uncut versions of ghost files on there. Paranormal Detour on Detune's twitch channel has shown that people will willingly sit through 6+ hours of a ghost investigation.

EDIT: idk, do livestreams once a week where you watch scary movies with fans on discord or twitch.

(side note: the fact that they're not taking down their patreon and instead shifting all of their podcast content on there, something the patreons who have been loyally giving them money for years didn't ask for, is ridiculous and greedy. add to this the fact that they don't even get a free sub to the new website, instead get 40% off - a measly 10% more than anyone else who subs before the official launch).

the thing for me is that they're claiming they want to make "television" and "television-grade content". that's completely fine. what's not completely fine is acting like your four episodes a month is equal to netflix's entire catalogue.

this really felt like it should have been something they told us they were progressing towards, not something they revealed to be on the imminent horizon. idk, it just feels out of nowhere. no, they don't owe us all of the info about their company. but something had to be better than this.

final thought - it's okay and valid to be upset at the team for this. for a lot of people, it's a complete betrayal (especially the comment that $6 a month is something "anyone and everyone can afford", i mean yikes). i do think some people's anger got the best of them, and some of the comments i've seen across youtube, twitter, and tumblr are plain bullying, racism, and harassment. until we have the whole story, we can't decide that one founder (aka steven in a lot of people's minds) is solely responsible. i know a lot of these awful things are only coming from a small minority of the fandom, but they still get seen.

at the end of the day, all three of them got up in front of a camera and made this video, together. that can only lead us to the conclusion that they made this decision together. acting like these men in their 30s couldn't stand up against it if they truly wanted to, is so strange and parasocial lmao.

tl;dr there were much better ways of going about this announcement, if it even needed to be made at all. however, that doesn't excuse the hateful shit being spewed at the team. for now, all we know is the three founders decided they were done with youtube, and done with their loyal youtube audience.

(i have so many more thoughts on this but i need to stop lmao. however i do wonder how different things could have been if 1. they had hired someone with actual business experience as their CEO from the jump, and 2. this video was more of a "hey we're broke! this is a last-ditch effort to save our company!". guess those questions will remain ... well ... you know ...).

[thelaurenshippen]

okay, maybe the day after the show has ended is the worst time to try and get people to watch it BUT can we please get more people on tumblr to watch evil. let me share the ways in which it is everything tumblr always says it wants:

it's x-files meets supernatural - a psychologist, a priest, and a scientist walk into a bar get hired by the catholic church to investigate demonic possessions

kristen bouchard. woman of All Time. canonically bisexual psychologist mother of the best daughters ever, wants to fuck a priest so bad it makes her look stupid and also definitely murders at least one guy and probably seduces a nun. single handedly destroying the catholic church by making everyone horny

father david acosta, hot priest 2 electric boogaloo. mike colter being the softest catholic priest who also vividly hallucinates biblical visions and has sex dreams about a demonic version of his best friend

ben shakir. ben the magnificent. my perfect skeptic, my favorite special little guy who gets his head quantum fucked and starts seeing a djinn. but before that he's the driest, most reluctant demon hunter ever and the best accidental stepdad to four teenagers. ultimate girl dad. genuinely offers to kill someone for kristen but can't say I love you. if you have ben in your corner, I think you could kick god's ass

you want to watch something that isn't just another show about white dudes? the only lead who is a white dude is the villain and literally (?) a servant of satan

on that note, the ? after literally is because the show never actually confirms that any the supernatural shit is real. incredible needle to thread

the OT3 to end all OT3s. none of these people ever have sex with each other but they are SO in love and devoted to each other its insane. you think you know what a situationship looks like but you haven't seen three people have to pull over off the highway simply so they can all hug. they would kill and die for each other but mostly they sit on the floor and get drunk on tiny margaritas in a can

a nun played by andrea martin who is literally holding the braincell for the entire catholic church. she actually fights demons and is afraid of no creature in heaven or hell. I want her to be my grandma

I could go on forever and ever but you just gotta watch it. it's on paramount plus and netflix and you're gonna fall in love with it I promise

[kajaono]

Remeber this headline?

This was when Netflix Persuasion dropped and i already hated the headline back then (thanks for nothing NYT). But now that I am watching Sense & Sensibility 2024 by HALLMARK (for gods sake!) I hate it even more.

The two best Austen adaptations we had recently were Fire Island

A modern PP adaptation featuring Darcy and Lizzie as gay asian men.

And yes, the Hallmark version of Sense & Sensibility, with the main cast being - more or less - exclusively POC

Is it rushed? yes. Does it pepper in extra scenes for Edward and Brandon just for the sake of it? Yes. Is the acting often medicore? Yes!

But it stayed true to the spirit of the story and is such a delightful watch. and the costumes are lovely!

netflix Persuasion was just bad. Full stop. Don't blame that on the fans. And dont you dare the play the racism card. (and yes, fuck everyone who hated Persuasion becasue of the Musgroves being people of color).

Your Austen adaptation can be queer, and diverse, and colorblind or in highschool, or include a BJ... you can all have this... as long as you repect the true spirit of the story.

Yes, I am still extremly angry at CC and her shit "Austen women faint too much!"

[barbiesmuse]

WELCOME TO NEW YORK ₊✧⋆

;ֶָ 𓂃⊹ ִֶָjohn price + reader

summary: in which john finds a new column in the paper quite interesting, although he isn't the target audience he keeps coming back for more.

tags: perv!john, reader is somewhat slutty (but aren't we all?), talk of sex, reader and john masturbate, perv!john has a voice kink, john is also a hoe, reader is astute, john is painted in a more submissive way in reader's mind, when the true smut comes it won't be this way obv!! this is long as hell and i hate the way i wrote the end but i needed to get this out, reader being sexy as usual!!

HEAD BARBIE'S ANNOUNCEMENTS: hi gorgeous gorgeous people!! this is so silly and unexpected of me but with sex and the city being added to netflix we're going to celebrate!! i'm actually moving to NYC because this barbie has a boyfriend!! alright, now you may read. it's very long so beware!! also yes i did steal the name of carrie's blog i am not that creative i fear!! love you always, xoxo natty.

ps. y'alls little reblogs for better version headcanons & the fic were absolutely adorable i read them over and over!! your ideas and continuations were so so smart. i loved it soso much. if u ever have any thoughts send an ask!! thank you thank you thank you!! ₊✧⋆

Wednesday, October 20th.

John Price was a man who liked routine. If anything was even remotely out of order all hell would break loose. John saw it as a silly quirk, his past partners saw it as a deal breaker. Which is how he ended up here, watching his seventh girlfriend this year pack her things. He watched as she packed her belongings in a cluttered manner. He couldn't help but cringe at the sight. Her clothes overflowing as she stuffs them in the cardboard box. As she heads for the door, she and John make eye contact. John can't help but chuckle at her glare and wave her off, he told himself again and again that he was getting too damn old for this. As the girl walks out of his condo John can't help but sigh. It wasn't like he was attached to these women, they were just simple sleeves for his cock until he found a pretty little housewife. John runs a hand over his face, his beard hairs scratching against his palm. He lets out a low grunt before heading to bed, as he trudges up the stairs he spots the woman's red lace panties. He let out a quiet chuckle before picking them up and stuffing them inside his pocket. She'd left them on purpose. After all, John was a hard man to get over. He would worship you like you were a goddess, all to sneak out the next morning. Thursday, October 21st.

As John made his way into headquarters he picked up the newspaper, exchanged pleasantries with the secretaries, and even gave the nurse a nod. He was in a good mood, and when John was in a good mood all was right in the world. The sound of his heavy boots filled the halls as he made his way to the break room for his morning coffee. He threw the newspaper on the table before grabbing a mug, as Soap walks in he can't help but roll his eyes. He did not have the time for his childish banter. Not after he spent the whole night fisting himself with those red lace panties.

“Mornin' Cap, have a good weekend?” Soap says as he comes beside his Captain. He smelled of liquor and sex, his hair was disheveled, and his pants were unzipped. John let out a scoff before pouring the rest of the coffee into his mug. “No, but I can see you've had a good morning,” John says before licking the coffee that drips from the black pot. Soap lets out an embarrassed chuckle and takes a seat next to Price as he sits at a table.

Soap opens the newspaper and is met with the same column every time, written by a young female journalist. Soap would know because his wife practically lived off of it. He lets out an annoyed groan before turning to see any big news. There was none, the only interesting thing on the paper that morning was that damn fashion and gossip column. John quirked an eyebrow up at his exasperated expression, he didn't want to know, but the awkward silence in the room was slowly eating away at him.

“Sorry Cap, s' just this damn fashion column is what takes up the paper these days. S' all my wife talks about with her friends, I mean I get it. The journalist is a fuckin' babe. S' just annoyin', continue y'r coffee.” Soap rambles, although John doesn't really listen after the mention of Soap's wife. That woman had been eyeing him since Soap had joined the Task Force. John nods before speaking firmly, “We've got a briefing in less than twenty minutes, I suggest you fix yourself up now unless you have a kink for embarrassment.” Soap nods before scurrying out of the break room.

John grabs the newspaper and his eyes widen at the black and white picture of you. He could only imagine what you looked like in person, how fucking beautiful you were. You looked as if you belonged in the Louvre. His eyes trail down to your column, he can't help but chuckle at the name.

❝𝐒𝐞𝐱 𝐚𝐧𝐝 𝐓𝐡𝐞 𝐂𝐢𝐭𝐲!❞ The guide to Vogue, sex, and cigarettes.

John was more than intrigued he was captivated by you, even from words you had caught him by the balls. As he continued reading he couldn't help but start to wonder who you were. How did you get to be this mysterious woman who he craved to know more about? John grabbed the paper and left the break room, his coffee now cold and lonely. Hell, who needed it when you had given him just enough energy by showing the tiniest bit of cleavage! John walks into the briefing room as if he's in a hurry. He looks around at the men before mumbling, “Meetings canceled.” In ten minutes you had thrown John completely off of his game. Where was the order and routine he usually lived for? Had he thrown it all out the window for a pretty little minx such as yourself? Of course, because when John saw something he liked; he needed to have it. No matter what it took. John barges into his office and locks his door, he couldn't be seen reading some girly column in the paper. His eyes trailed down to your column, and he began reading his eyes squinting at the use of your tiny font.

❝𝐒𝐞𝐱 𝐚𝐧𝐝 𝐓𝐡𝐞 𝐂𝐢𝐭𝐲!❞ The guide to Vogue, sex, and cigarettes.

Why do all men have to be so complicated? I swear we women deserve a raise for the constant bullshit we put up with. It's almost impossible to find a man who isn't trying to keep his penis hard! Although I degrade men usually, one of my closest friends just got engaged! He's one of the few who deserve a pat on the back. The engagement was out of a movie almost! Although it's nowhere near close to happening for me, I can live vicariously through my friends. As I sit here and right to you I can't help but wonder if there actually is a man out there for me? I'm not as scary as I sound, I just have a passion for women's rights! What's so scary about that? It's not as if I'm some lock-ness monster trying to lure people in, just a woman who knows her worth. On a happier note, I've found a new bar called the “Cafe Society.” They open at five o'clock every day! They have some of the best espresso martinis I've ever had, and I consider myself a connoisseur of espresso martinis! I go every Thursday, come see me! Although this month's column is short I'll be back and better than ever before you know it. Might just need a man to pick me up and show me a good time, until then you might not know where to find me most of the time; but you can always find me on the 21st. Lots of love.

On the twenty-first, your column was in the newspaper every month. Finally, something else to look forward to besides fucking brainless women. He usually didn't like women who put up a fight, but you, God, there was something about you. You were such a breath of fresh air, you had opinions. He could tell you were able to hold a conversation. You were a woman. Not a girl, a fucking woman. John looked at the date, Thursday. What a perfect little setup, almost as if you planned it just for him. At least, that's what John would like to think. The time was currently 12:35 pm, he could last until five, only for a pretty girl like you.

Thursday, October 21st. 5:00.

As John walks into Cafe Society the first thing he sees is you, setting your purse on the bar counter and making conversation with the bartenders. He figured they knew you well considering you were a regular. He walked over to the bar, exhaling slowly. He takes a seat on the stool next to you. His cologne gently clouded your nose. You look over at him, your gorgeous eyes meet his cold brown eyes and he swears he's in heaven. “Captain John Price, a pleasure to meet you,” he trails off, waiting to be told your name. After hearing your name he swears he's been struck by Cupid himself. He can hear the winged baby chanting your name in his ear. Had you cast a spell on him? As a soft smile paints your sweet face he knows he's struck gold. You turn away, not sparing him another glance for the rest of the night. John's palms are sweaty, had he not charmed you enough? You were an enigma to him, and he was determined to figure you out.

As you get up from your seat, slinging your mini purse around your shoulder John smirks. You were such a pretty sight, the way your curves filled your skirt made him spiral. You shoot him a tight-lipped smile before walking out, your heels clicking echoing in his mind. He quickly gets up, placing a hundred-dollar bill in the bar to pay for his drink before rushing to find you. There you were, looking around for a taxi, he assumed.

“Ending the night so early?” John says, a chuckle escaping his lips as he accidentally startles you. He places his large hand on your shoulder. You let out a soft giggle, looking up at him with those same fiery eyes. “Well, unfortunately, the man at the bar didn't speak to me. I assumed he was married.” You say, a grin resting on your face. You were witty, John didn't usually like that in a woman. He liked more submissive women. But you, you were different. You held your own, you would be just fine without a husband. At least that's what you kept telling yourself after the failed relationships.

“Quite far from married, darlin',” He begins, his hand trailing down to your lower back. You shiver at his touch and he hesitates. You give him a reassuring glance and begin to walk, you wait for him to follow before letting out a playful sigh. “You coming or what?” You say and smile as he quickly catches up. The two of you walk side by side, a comforting silence cast over the two of you. “So besides being a captain, what do you do in your free time?” You ask, a bashful smile painting your face as your pinkies touch briefly.

“Not much, work usually takes up a lot of my time. What about you? What do you do for a living?” He asks, you look up at him and as you pass a newspaper stand you pick up a paper and point to your face. “Journalist, Mr. Captain.” You say with a cheeky smile, almost as if you knew he knew. It hurt your ego he didn't know who you were, almost everyone did. “Ah, interesting,” He says calmly, his eyes trailing down to your breasts, fuck. They were even better in person. He couldn't help but mentally facepalm as he felt a hard-on begin to grow.

“Quite,” you say, pronouncing your “T.” sharply. The silence is now not-so-comforting. Before you can say anything John quickly speaks, a hint of panic in his voice. What had changed in the last twenty-one seconds? The size of his hard-on, that's what. “As much as I'd love to stay n' chat doll, I've got to get home. Th-the missus needs me.” He says before quickly walking to his car. The missus? Didn't he say he wasn't married?

Men, what a bunch of fucking assholes.

Thursday, October 21st. 11:00.

As you lie in bed, your computer resting to your side, glasses perched on your face. Legs spread, lip drawn between your teeth you search for everything there is to know about Captain John Price. How old is he, what he truly does for a living, and if he is married or not. Various pictures of random men come up, none of them the sexy captain you'd met only a few hours earlier. You sigh and let out a sexually frustrated moan, how could there be absolutely no pictures of him. Just as you're about to give up you spot a picture of him with a woman, they're kissing and they seem to be in a tropical setting.

Intrigue takes over and you decide to click on her page, double-checking your incognito window before scrolling. You'd hit the jackpot. Several pictures of the woman and John flood your screen, some are more sensual others are simple selfies. Yet as you scroll you check for one thing, a ring and or wedding pictures. A small smile on your face as you find none. Gosh, he looks so damn sexy. It's shameful, truly. But you can't help but dip your hand down into your panties. Your pointer and middle finger rub gentle circles on your bud.

You can't help but slip a finger inside yourself at the thought of him touching you. He was just so perfect, you could only imagine how his rough beard would feel against your pussy as he laps at it. The burning feeling would feel good, you'd come right on his tongue. He'd be so needy for you, humping against the bed to get himself off while he pleasures you. He'd whimper against your clit, a chuckle escaping his lips as you whine from him blowing cold air on your pretty pussy.

Oh, you just know he'd touch you so well.

As John sits in his bed, his gray sheets crinkled as he fucks his fist at the sight of you. He'd searched the internet for you, needing to know everything about you. You made him crazy, you carried yourself in such a polite manner, he almost felt ashamed for wishing it was your hand wrapped around his veiny cock. You'd take him so well, he was sure of it. A sinister smirk painted his face as he clicked on an interview of you, it was recent and fuck you looked perfect. He couldn't help but imagine your plump lips wrapped around his cock, his tip repeatedly hitting the back of your throat as he face-fucked you.

Not to mention how well you'd take him, you were such a good girl. Your moans would be so pretty against his pillow, he'd fuck you from behind so well you'd be shaking when he was done with you. Your sweet sounds only making him come quicker, he was sure he wouldn't be able to last long. And your voice, your sweet voice. You might've been a little firecracker but your voice was the sweetest thing he'd ever heard. If only you'd moan his name, just for him. One day, you would and he was damn sure of it.

As you come down from your high you can't help but imagine the title for next month's column, “My shameful addiction to Mr. Captain.”

[weclassybouquetfun]

Finished watching Netflix's BABY REINDEER in one go.

This show.

Not to trivialize it This "show" is actually seven episodes of an artist who flays himself open to examine the very real, extremely harrowing trauma of his past. Based on the award winning one-man play of the same name,

BABY REINDEER presents actor/comedian Richard Gadd's stalking journey to television. Playing a version of himself, Gadd stars as struggling comic by night/bartender by day Donny Dunn who becomes an object of obsession by customer Martha (Jessica Gunning) after her performs a kind gesture for her.

People are comparing it to HBO's Michaela Coel created I MAY DESTROY YOU, but to me the only similarity is that both shows - both created from the personal experiences of their creators - branch off into more than what the initial subject seems to be. BABY REINDEER deeply explores trauma and the guilt/shame/self-recrimination and overall destruction it can cause.

It's gut-wrenching, but a vital piece of work.

[zutaranation]

Wishing for the Netflix Live Action Avatar series to be bad and jumping to conclusions based on one-off interview comments isn't it. This show is reclaiming its culture inspiration and being led by a majority POC cast and crew, so the hope for its downfall is icky to me.

I've discussed this on Twitter a lot, but not on here. I find it incredibly frustrating that people seem to be wishing for the live action Netflix version of Avatar to fail. This fandom is so dead set on commiserating and hating that they're damning the show before it even comes out and they see a single second of it based on a few lines from interviews taken out of context.

The watering down of sexism from Sokka could be done in just such a way that translates better to a live action format. It makes sense for Sokka to be sexist in a way that believes in rigid gender roles, but still appreciates the roles women perform. In the cartoon, he was more disparaging of women's roles in general. I think this would be a suitable change that still addresses sexism.

The change of Katara's role in regards to sexism I welcome as a breath of fresh air if it's done how I expect. Katara was portrayed as motherly, and I hope that stays, but her motherliness was seen as nagging, annoying, and a bad thing. She can keep these traits, but be appreciated and not depreciated every second and seen as a bore. She is also a child and deserves to be viewed with the same depth and appreciation as the others.

The Game of Thrones comment also makes sense. This is a show primarily for older audiences who grew up watching Avatar. GOT is a popular, beloved fantasy drama series. Many people who watched ATLA as adults compare the appeal of Avatar to GOT. The comment does not mean that the show is going to have sex scenes and SA scenes. It means it's going to appeal to that sort of audience, which makes complete sense for a fantasy live action series. The head runner of the live action show also stressed that the integrity of the show and its characters remaining intact was pivotal to their depiction. So, striking a balance between making this something fresh and interesting in its new medium, but staying faithful to the original should actually be seen as a promising aspect for the series, not something detrimental. I'm so hackneyed by this fandom's obsession with dragging everything down.

Azula having a bow and arrow is badass. Zuko had the dual swords. I have no idea why anyone is mad about this. It's cool. Her coming in early in an 8-episode series makes sense. She's the best villain in the show, she SHOULD get more screentime. It's not like Toph where her Book 2 introduction is concurrent with the pacing of the plot. I also hope Zuko is on the gaang's side for the entirety of Book 3. I always thought that would have made more sense, gave us better friendship building moments, and improved pacing. This criticism confuses me.

And, the thing about Aang not going off on side quests is simply logical. Of course Aang can't be mentioning side quests and frivolous detours like riding on the sea eel (sorry I forget its proper term rn lol) because the way the show is being adapted does not have any time to show these kinds of filler episode scenes. It's being reimagined as a mini series drama with 8 episodes. It makes no sense to subdivide these episodes to include filler moments, so of course Aang needs to be more plot driven becasue there's less breakdown in the episodes because there are less of them. It doesn't negate his childlike eagerness and faithfullness to his original portrayal. It could also serve as an enhancement where this 20-year-old series fell short, despite its successes.

This is a reimagining, otherwise there's no point. A carbon copy would be absurd and terrible for anyone to watch. Wishing a show to fail that was created by an almost entirely POC cast reclaiming the show's culture is so icky to me and I think it's a disservice to this fandom. I'm hoping for the best and being cautiously optimistic. Of course, things could go sour, but why expect it? Why not hype the show up instead of aspire for its failure? Especially in the Zutara fandom, we should be better than this. There is so much opportunity for this series to correct the problems our fandom at large has been complaining about for years and years.

For the bulk of the fandom, including casual and nostalgic fans, they don't know the horrors of the behind the scenes nonsense Bryke, the two white guys who created ATLA caused. So they're crapping on this version left and right because Bryke left. Bryke didn't even create these characters' depth. They didn't write the intricacies of the beloved episodes or develop the characters the way people are so found of. That was the other writers. Bryke wanted Toph to be a boy and have a love triangle with Aang and Katara. They also wanted Azula to be a boy. They wanted Iroh to betray Zuko and be pro-Ozai at the end of the show and Zuko have to choose between Iroh and the fate of the world. The other writers changed this. Look at the mess they made of LoK without the input of the other writers when they were writing entirely on their own in Legend of Korra book one. Their removal is a chance of further improvement.

[karereiko]

Hello, everyone from Yuumori fandom.

Guess what, because of Concert that will be held in July all parts of Moriarty the Patriot Musical (op1-op5) are available to rent and watch online. With my Morimu fanarts or other talks about it I often get asked where you can watch it, often my answer is that you have to buy DVD or Bluray to watch this wonderful adaptation of Moriarty the Patriot manga. I know it's a big cost and hard to get for some so Streaming like this is a great opportunity to watch Morimu.

Official twitter posted few days ago about this possibility and here is the post with all information about it:

1600 yen is great amount to check if you will like it and wach it because I think it's worth any money, director who made morimu clearly loves manga, he treats source material with care and even makes it batter at some times, there is also a lot less cuts than in anime, like a lot. May be little spoiler or not, but Baskerville arc is there and Durham date too, as well as many Sherlock and John stuff that was cut in anime, some things from Moran arc etc. this is already big selling factor, right?

Actors are amazing and they love and care for characters they play. I wasn't into any actor adaptations before Morimu, I was ok with musicals but not caring too much about them and Morimu sold me since first part and it only got better and better each part even if you think that's not possible. Songs are there to make emotions and moments deeper or to have real fun with plot they show, they are not there just for song to be there. So yes high recommendation for you all to check Morimu if you didn't saw it yet. The most amazing thing is that you don't need VPN to buy those streams.

I was going to write about this few days ago and was busy, good I didn't because I talked with friends in Yuumori fandom who knows morimu and we were troubled to recommend this stream to people who doesn't understand Japanese. Morimu is faithful adaptation so almost like 70% lines comes from manga and you should understand what's going on if you read manga. Still, with subs it's a lot easier.

Kana did amazing job in creating English translation for Morimu Op1-Op4 at this point, all who bought DVD/Bluray versions of Morimu are using those subs and if you decide to buy own copy after seeing stream then those subs works great with DVD/Bluray versions.

So we talked over the stream matter and from what we checked with this plugin to Chrome it's possible to play subs with Morimu stream after you rent it (It works only with Chrome but if you know other program like this you can try it on different browsers, we only checked Chrome and this plugin) :

The only matter is that Kana saved subtitles in .ass file format, but you can easily format them to .srt file format that this plugin plays with this site:

You just open subtitle file and save it as srt, and open it with plugin to your Morimu stream. If you will have any more problems with subs them write me a message and I will try to help as soon as work let's me.

I think this is the easiest option that creators gave us now to watch Morimu, it was never so easy to buy or rent it until now, you had to use crazy VPN programs and other stuff to just check on it. So this is best option since for sure it won't last forever. Such promotional streamings are only around when new part is coming up, currently Concert I mentioned.

So for other things I wanna to say. If you get your copy of Morimu then please don't share it, don't post it to any social sites. Company that makes Morimu is quite strict with that matter and they do search who uploads those musicals and strikes them down/ deletes files even on places like google drive. Even without it, it's a matter of love for Moriarty the patriot. As much as fandom wants more people to watch those musicals, any piracy might destroy our chances to get Op6, possibilities for future streams and other stuff. Currently with Op5 we reached end of Final Problem arc and there is hope that maybe one day New York arc will be done in op6. Any piracy, sharing and messy stuff might destroy such chance, so please if you hold dear MTP then respect those rules. Watching streams with your friends in closed groups after you buy it isn't bad but please hold from any public sharing (they would be taken down anyway, but it would still put us fans in very bad light).

I know end of this post was not nice but it had to be told. I hope this possibility will help you see Morimu and fall in love with it like I did. I would recommend at least seeing OP1 and OP2, it should hook you and OP3 is where everything hits even more than op1-2, more hits from songs, more hits from sherliam stuff.

Hope to see you in Morimu cult :D... ehem... fandom. May you have "wind" (for some Great Detective) in your heart like William....

[zutarasbuff]

I watched the Netflix adaptation of ATLA today and being a hardcore fan of the OG series who knows every nook and cranny of the ATLA world, here’s my unbiased and truly honest review (It contains both the negatives and positives of the series, so dear reader please enter to read at your own risk).

Firstly, let’s talk about the wonderful additions to the already magical world of ATLA.

1. The depth of the genocide

Well, I always wanted to know how the air nomads were suddenly wiped out and how it would have been for them? Why didn’t they resist? I got my answers in the first episode where we explore how the unhinged power of the comet was “actually” used to create a genocide on a massive level. Before that, I had only heard about it in the OG series. Those few scenes were so powerful that they had left me sobbing uncontrollably and Gyatso’s concern regarding Aang had me bawling.

2. Suki’s Characterization

In the OG series, we do find our Suki the fiercest warrior, but here in the live action, she’s an absolute goddess. She is perfect in every sense. She understands the responsibilities she has being a non-bender and is fearless. Her character is what I believe to be was the strongest one of all.

3. Graphics & Music

We never talk about a film by M.Night (that didn’t happen), but this one is really a visual treat for you can readily set yourself up for some mind-blowing bending scenes, plus the fight scenes are quite impressive. It seems that the VFX team had really done their homework this time. Plus, both Momo and Appa are so freaking cute. I loved the fluffy Appa. Good work over there. The revival of the OG theme is also a highlight plus the sun warriors’ chanting in the end is given a new but intriguing twist. The background music especially in scenes where Aang unravels his Avatar powers is mystical in every aspect.

4. Life in motion

I don’t know about others, but I have always been a sucker for animation as well as live-action where characters are operating even in the direst of the circumstances. Life is there and even after they know what happened a hundred years ago, they are still trying to believe and regain their past confidence. This is beautifully portrayed and I was very much impressed by the way people are continuing their day-to-day activities even in the middle of a crisis.

Overall, the series serves the purpose of an adaptation carrying its unique colors (at least better than the previous live-action disaster that didn’t happen).

Now let’s move to the bad side, and when I say it’s honestly what I felt, you need to take my word on it being a hardcore Atla fan.

1. Weak writing & lots of exposition

ATLA remains at a 9.2 IMDB rating even after years because of its writing, strong plot, and very few plot holes. This time, the writers are the real amateur ones. Despite adding more to the already flourishing universe of ATLA, sadly, they killed the quest of the viewer to find answers. There is too much exposition. It seems that every character just wants to see the end of the war and keeps on revealing things after things. Plus, some of the OG moments that were the soul of the series are not even included. The way Aang finds Momo and then decides to keep it with him as a last remnant of their bygone air nomad civilization is nowhere to be found. In fact, the replacement of Roku with Kyoshi is the biggest disappointment. I love Kyoshi like no one else but that was unnecessary as per the cycle.

2. Bland acting

Even the worst writing shots can be digested only if the acting appears real good. Sadly, this is another issue that I found with the NETFLIXED version. No doubt the characters must have done a lot of hard work for this, yet, they lack the expressive power. Gordon as Aang is super cute but the goofiness is not even there. Katara seems a nerd who doesn’t like to talk much even when it’s necessary and Sokka’s jokes are forced. Meanwhile, Dallas seems to save the day at one point, but again his over-the-top angry young man attitude ruins it for me. Maybe the actors will learn from the criticism in the upcoming season (if Netflix plans to go with it).

3. Major changes

Yes, it’s okay to change the narrative while you are working on an adaptation, but targeting the loyal viewers who are OG fans of ATLA means that you have to be very careful when you are trying to implement your changes in scenes that are the real soul of the OG. You can’t change the Omashu myth as if it’s nothing when we actually see even the cute animated version of the folklore. You cannot portray Roku more as a perpetrator of the genocide and Bumi as the evil king when in truth he’s the mad king who’s known for his genius ways of teaching. I hated that. Plus, reducing Zhao’s authority and taking Uncle Iroh’s sarcastic attitude is just meh. Mai again doesn’t even seem perfect as a cast. Jet is good as far as the aesthetics are concerned but Jet being in Omashu doesn’t even sit right with me. The amalgamation of multiple storylines creates so much confusion and this persists till the end.

4. Bending at convenience

We all know how Katara’s bending progressed throughout the first season and it’s little effort each day. However, in series, one day she’s unable to bend even a droplet of water and the next day she is capable of producing ice crystals. This was unacceptable for me because I was anticipating her learning strategies. Besides, Aang doesn’t learn much water bending throughout this season and in the end, it’s him being the savior in Avatar state. Thoughtless bending sucks despite the great VFX and that’s one thing at which you can’t convince me otherwise.

5. Forced friendships

We all know how it took some time for Sokka to embrace Aang as a chum. However, here Sokka keeps on calling him “the kid” and remains mostly alienated from Aang. Talking to Katara, then she also seems more interested in helping Avatar fulfill his goal than being with a friend. I hated the scene where Aang comes into the Avatar state and instead of hugging him just like in the OG series, Katara runs along Sokka and keeps on calling his name. How is that going to build any organic friendship? I think the first mistake began right from the very moment when Aang was taken back to Wolf Cove on a boat in his unconscious state. Upon opening his eyes, the first person he finds near him is neither Katara nor Sokka but a tribesman who’s playing guessing games. Writers were really high when they wrote that.

6. Lack of the four nations’ biodiversity

Maybe in live action, it’s difficult to create all the marvels of the four nations when we talk about their natural biodiversity. In the OG series, it is indicated by Aang that even after 112 years, he has still not forgotten the animals that define different regions in the four kingdoms and that’s exactly why he wants to finish those “important tasks” alongside saving the world. His important tasks included keeping a check on the natural biodiversity of the lands and exploring whether the Hundred Years’ War had not damaged the majestic animals. Actually, his first dialogue right after regaining consciousness is to go for an otter penguin’s ride with Katara. When I thought about that I felt that somewhere in Aang’s mind he was always connected to nature and that’s why he wanted to regain that connection by being an avatar. Sadly we never see much of the biodiversity but I hoped that maybe they will.

Also, how come Aang had that silent whistle for one hundred years when in the series he only discovers that accidentally? I missed the OG Yip Yip for our Appa. There are lots and lots of problems with the Netflix version, and no I am not being a nitpicker. I appreciate how the current creators credited the original ones, but now I know why Bryan and Michael bade farewell to this project. On a scale of 10, it’s a 4 for me or 4.5 if I am being too generous.

If I am asked to review the live action in a single line, I would only say this:

“The Netflixed ATLA makes you go back to the OG series and you end up watching the animation to give your mind a much-needed respite from a carefully crafted artistic disaster aimed at the sensationalized generation.”