#to love the stars fic
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"This committee and its members have spoken: no more Naboo for you."
(AU where post-banishment Ahsoka gets zapped back to TPM and starts strategising a battle plan against Fate. Link to fic)
#the committee in question is ofc comprised of Jinn's kids#star wars#fanart#illustration#art#artists on tumblr#ahsoka tano#obi-wan kenobi#anakin skywalker#qui-gon jinn#although he smiles (fic)#thanks for all the engagement and love over on ao3#so glad peeps are enjoying the ride!
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fem hilson is attacking my brain like they're seagulls and i happened to bring food to the beach,,,
and in regard to my original fem hilson post where i mentioned that wilson for sure had an impulsive pixie cut that she very much regretted:
women,,,,
#to the people who follow me for star trek- dont worry i will go back to that!! i just needed a moment for these fellas#fem hilson#hilson yuri#genderbent hilson#genderbend#hilson#house md#house md fanart#fanart#art#if anyone knows of any good genderbent hilson fics where they're BOTH women (not just one) i would love to hear your recommendations
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𝐅𝐈𝐂 𝐑𝐄𝐂𝐎𝐌𝐌𝐄𝐍𝐃𝐀𝐓𝐈𝐎𝐍𝐒
disclaimer: these are all smut so minors dni.
★ - favorite
MULTIPLE MEMBERS ‧˚₊•┈┈┈┈୨୧┈┈┈┈•‧₊˚⊹
hyung line when you ask them to spit in your mouth by @heejake-hoon
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meddle about by @en-dazedafterdark
how they would punish you during sex by @gyusrose
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homecoming by @enha-stars
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4:00 am by @enhaheeseung
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★ you take your engagement ring off during an argument by @heeliopheelia (a)
#everyone is srsly so talented#i love all of your writing so much#i hope to improve my writing and to be in the same ball park as everyone on this list!#enhypen#enhypen fic#enha x reader#enhypen x reader#enha imagines#fic recommendation#fic recs#star hoon fic recs
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mr reca fic where he’s suffering a creative slump due to the lack of good scripts (by his standards) from various screenwriters. he feels himself going positively insane with every script he’s given.
it’s too dull. it’s too predictable. this one has no creative flair whatsoever!! that one just doesn’t spark enough imagination!!!
it’s troublesome, really. some think he’s really going through it, while others believe the scripts he’s been given won’t bring him enough money. but really, who cares about monetary value when it is he who cannot even begin to picture himself enjoying the process that comes with each script?
and so that is how he finds himself wandering around aimlessly. sometimes the outdoors is necessary for the mind, and who knows? perhaps he really will find something that will give him a spark. hmm, those trees are looking a little dull. the sky overhead is too cloudy. hm? did he just hear thunder—
something collides into his chest, a choked “oof!” following soon after. he stumbles backwards a little, papers flying through the air around him. he blinks once, twice, at the sight of you on the ground, muttering something under your breath before a sharp gasp escapes you, hastily scrambling to gather the papers fluttering and strewn around.
one such paper falls into his hands. he glances over its contents, skimming through it as he goes to pass it over to you with an apology at the tip of his tongue, only to freeze.
this… this is genius! this is absolutely the pinnacle of writing!! while a little rough around the edges (as drafts usually tend to be), his once clouded mind is now clear, giving way to a blank canvas which slowly depicts the imagery your writing induces. idea after idea pours into his brain as he can visualise exactly what he wants, his body trembling and heart pounding as he insantly fixates on your panicked form still collecting all the fallen papers.
“yes… yes! this is what i was looking for! everything about this is pure artistry! the possibilities are endless, the sky is the limit!!”
this is possibly the happiest and freest he has felt in what seems like eons! seriously, compared to those other mind-numbing scripts this truly is the pinnacle of writing itself.
a laugh full of pure, unadulterated glee escapes him, careful not to crinkle the god-sent paper cradled in his palms. “you! you’re a genius!”
“i’m a wha…?”
he whirls in the direction of the source of the voice, further praises and a proposal for a collaboration on the tip of his tongue, only for his breath to catch in his throat.
you… you’re so radiant! even with that disheveled appearance and absolutely adorable confused expression you’re giving him, he never realised such beauty existed! not only does your writing fill him with endless creativity, but his pounding heart, parched throat and warming skin tells him you’re definitely the main character!
but wait! if you were to be the main character, then would that make him the main character’s love interest? surely he wouldn’t have had such a cliché meet-cute like bumping into each other if he wasn’t the love interest! but what if there is a second love interest? no, no, he can oust them…
you, on the other hand, believe you’re about to get whiplash instead of the man, baffled at how he instantly switched from a maniac to stark silence to muttering senselessly with a dreamy expression.
well, each to their own. you have more pressing matters, and that’s to quickly return home and continue fantasising before you forget the idea! but first, you have to get the last piece of paper back…
“um… sir? can i have my paper back, please?”
in an instant, he kneels in front of you. now that you’re at eye level, he certainly is very handsome. if you didn’t know any better, you would have thought this was some movie or drama plot with him as the main lead! oh, but why is he holding your hands—
“yes, i will spend the rest of my life with you.”
“…what?”
tldr; you’re just a silly writer who daydreams far too much for their own good, and somehow managed to bag top-tier director mr reca with the power of said daydreams. (his ever-growing obsession with you is concerning to say the least but, hey! what genius isn’t at least a little insane?)
#sophie talks : concepts <3#HE IS JUST A SILLY I LOVE HIM SO MUCH COBGRATS FOR FINALLY BEING REAL AFTER SO LONG MR RECA MY LOVE#i wanna turn this into a long fic…. delusional meets delusional….. grrr……#when he sees u for the first time u have the sparkly shoujo filters and everything no i do not make the rules#mr reca x reader#honkai star rail x reader#hsr x reader#mr reca x you#honkai star rail x you#hsr x you
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So, I read THIS, and my life will never be the same
Go and read it
Right now.
#also#OLIVER#OLIVER BANKS#hes so ><#and its like#the least traumatised Jon I've ever seen#and his hair looks like there falling stars in it :((#tma#the magnus archives fanarts#the magnus archives#magnus archives#vast!jon#oliver banks#jonathan sims#mike crew#jon is a wet cat and i respect that#art#sketch#gerry keay#gerard keay#why people would use his full name :(#my dead gay goth son isnt dead in this fic#more reasons to love it#michael crew
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The tac net crash chapter is one of my favorites so far~
Ah and. Guess what. I just discovered that including this post, I made 50 pieces of fanart for Mistakes on mistakes until.. I’m so sane and normal about this story can you tell👍
#maccadam#transformers#fic fanart#momu fanart#jazz#prowl#jazzprowl#considering the speed and the amount of fanart#….yeah I can see why tumblr thought I was a bot lmao#also#I mostly read during night and then drawing from memory during day so uhhhhh the accuracy is questionable haha#mainly I feel like half of the time I don’t know how tf Jazz looks. The guy switching between his looks so often jdjfjfj#IM. SO GLAD THEY RESOLVED THEIR DRAMA EHEHBJGJ#The scene in medbay was so damn cute#oh my goddddd#the scene of the tac net crash#muah#loved it~#you know the thing is - I'm a biiiig fan of mutual feelings and actions#the scene of the kiss was absolutely great but it was a bit one sided#Jazz cared about Prowl but Prowl was far more concerned about information safety and strategy and stuff#but this?? mmmm~ Them caring for each other#Prowl using his last moments of consciousness to ask Jazz if he is mad at him#Prowl actually deeply caring of what Jazz thinks about him now when he knows Prowl killed his friends#i don't know how to explain#kisses are great but this (points) this is my favorite five star meal right here#also there is something so funny about Prowl slowly discovering fow fucked up Jazz is and just accepting it#but being so scared when Jazz discover how fucked up he is. Only for Jazz to be like “boo I knew about your fuckedupness from the start”
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tos jim kirk is very funny to me because he is so bad with children. you'd think he'd be good with them, but he isn't. i think he probably likes them well enough, he just. doesn't know how to talk to them. not one bit. has no idea how to interact. kids can tell he's trying, but he's bad enough at it that they don't really like him more for it. type of guy who you'd hand a baby to, and he'd hold it out in front of him with stiff arms. like, um. what do i do with this. he could be coached on proper holding technique, but he'd still look visibly uncomfortable the whole time.
tos spock is Not Much Better. i think that he feels more clueless around kids than kirk does, but kids also like him more. he doesn't have it in him to be mean to a child ever, so all the awkward kids adore him, and he spends the whole time with them sending desperate looks to other crew members, being like, 'help, i am ill equipped for childcare' and everyone around him is like, 'nooo, you're doing great!!!' while the child has a blast and he is wishing desperately to be Anywhere Else. however, he does refuse care of babies. somehow, he is even worse with babies than jim is.
bones, though - he's a kid guy. he loves kids and babies. he adores them, they adore him, it's a win win. and he looks over at kirk and spock Struggling and he laughs and laughs and laughs. (the kids, of course, think this is hilarious, and they join in on making fun of kirk and spock, even if they don't really know what they're making fun of them for.)
#in spite of not being much of a kid person myself i *do* enjoy the kid fic genre. but.#giving tos spirk a kid requires a certain amount of suspension of disbelief. my tos spirk are both Fucking Clueless#i've read some very very good aos spirk kid fics tho so maybe aos kirk is better with children. i don't know him well but he seems like it#anyways i'm spock in this scenario. i want nothing to do with babies. kids exhaust and frighten me but inexplicably love me#benjamin sisko: first captain who actually likes (and is good with!!) children. picard? hates 'em. kirk? just can't handle 'em.#tos#james t kirk#jim kirk#kirk#spock#bones mccoy#leonard mccoy#star trek#star trek tos#triumvirate#mcspirk
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Sunday when others fidget around him : This person must have a poor grasp of their emotions, despite how much they're trying to pull off the bravado. Or, something must be making them uncomfortable and they're trying to distract themselves by fixing their appearance. Or perhaps they simply were not taught manners. Seriously, is it that difficult to stay still—
Sunday when you fidget around him : That's... kind of cute.
#shower thought i had while stewing over a fic idea#i seriously think sunday would bend so many of his principles for you#idiot birb in love#sunday#sunday brainrot#sunday hsr#sunday x reader#hsr x reader#honkai star rail x reader#sunday x you#yandere sunday#yandere sunday x reader#yandere hsr x reader#yandere hsr
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Dean misremembering the purgatory portal scene is altering my brain chemistry in so many ways. What do you mean Dean remembered it as him not being able to save Cas because he wasn't strong enough, but in reality Cas let go??? We know he remembers some things perfectly like when Cas went into the lake because he had nightmares about that, but how many other things does he misremember? Does he remember Mary dying? Does he remember all his fights with Cas? Does he remember all the times Sam died? This was such a missed opportunity to do more. They could've made Dean even more traumatized by having him misremember something for so long, and then him having to learn it was completely different and having a whole crisis about it.
#i love him dude#you dont understand#also a good fic that uses this idea is falling stars for a fallen angel by redamber79#amazing fic#10/10 would recommend#anyways#supernatural#spn#dean winchester#destiel#deancas#dean x cas#saturn rambles#supernatural headcanon
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"Luke Skywalker isn’t like the old Jedi. He saves Vader with his attachments!”
Wrong!
Luke Skywalker, at the end of Return of the Jedi, after his confrontation with the Emperor drags Darth Vader through the destructing Death Star. He’s desperate, knuckles white under the heavy weight of his father’s body, a little boy dragging his dad to safety. He sets Vader down for a moment, to catch his breath or maybe to get a better grip. He goes to grab Vader again, but Vader, uncomfortable and in pain, asks Luke to take off the mask. He wants to see Luke through his eyes instead of the eyes Palpatine built for him. Luke refuses, says that removing the mask is a sure way for Vader to die. Luke doesn’t want Vader dead, he wants Vader alive. Not to hold him accountable for his many evil acts, but for the same reason why Luke Skywalker can’t kill Darth Vader; Vader is his father and Luke loves him.
And yet, after a moment, Luke removes Vader’s mask. He doesn’t want to, he hesitates, but he removes the mask with enough slowness to allow Vader to take it back. In that moment, Luke sets aside his desire for Vader in his life, sets aside his desire to see him live, and sets aside his entire mission, the reason he was even on the Death Star in the place. In his compassion for his father, Luke stays with Vader until he dies. It is this moment where we see him be the best damn Jedi he can be. I’d even argue that this moment is the greatest example of non-attached love we see. Because Luke lets Vader go! He lets his father die, and in some ways, by removing the mask, he too kills Vader, he stays with him until his last moment, gives him the kindness of granting his last wish and finally chooses Vader.
And Luke doesn’t have to do this. If Luke Skywalker’s love for his father was an attachment, he would ignore Vader and continue dragging him to the escape pod, put his desire for a father as his central focus and ignore Vader’s wants and discomfort. Maybe he would even save him. But he doesn’t. Instead, he watches as Vader dies.
He builds a Jedi burial for his father and watches it burn the remnants of Vader and Anakin Skywalker away. He mourns Vader, he mourns what they could’ve had as father and son, considers what ifs and maybe-if-I-did-this. Vader/ Anakin is released from his mortal body, from his ‘crude matter’ and Luke lets him go. He says one final goodbye to Anakin. Then, he joins Leia, Han, Chewie, Lando, and the rest of the Rebels and celebrates their victory. He lives in the present and celebrates what he has instead of what he lost.
Luke Skywalker is THE Jedi. Everything about Luke Skywalker serves as the foundational cornerstone of the Jedi, everything about the Jedi as a culture and philosophy is reflected in his character. Luke’s desire for the New Jedi Order isn’t to throw away the values of the old Order, but to vitalise them, breathe life back into dying lungs, and rebuild a path that people set out on their way to destroy. (Yes, his Order is different from the Old, but that’s because it has to be. He doesn’t have the resources or the safety of the Old Order.) The philosophies of the Jedi are difficult and they aren’t for everyone, and like the perfect Jedi that Luke is, he struggles and stumbles and sometimes he even rejects it. But, no matter how far he falls, it is a way of life he chooses again and again and again. It is a way of life that welcomes him back each time
#luke skywalker#star wars#pro jedi#jedi positive#luke skywalker meta#luke skywalker loves being a jedi and i'm so tired of people pretending he doesn't#I hate you 'time-travel fics where Luke judges the Order for how they've handled things'#Luke would be the people's padawan actually chasing everyone down to acquire every bit of knowledge that they have#star wars meta#jedi order#the jedi#anakin skywalker#darth vader#the original trilogy#a new hope#empire strikes back#return of the jedi#if I tell you that luke outgrows anakin/vader? if I tell you that Vader is just the start of his Jedi growth and the end of it? then what?#Iong post#it kind of ran away from me
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If I were not myself, would this be easier? (ao3)
#kazedoodl#AH... this fic concluded. Loved it to bits!! Here's some doodles of earlier chapters#probably no spoilers#isat#isat game#in stars and time#isat siffrin#isat mirabelle#isat iseabeau#isat bonnie#isat odile#my art#i was going to do a doodle for every chap but i ran out of steam pensive emoji
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I love this so much, it’s so good! I love all the family dynamics and I love the way this chapter weaves that in between everything going on between Violet and Reader, and the drama unfolding as well. Once again, I’m so impressed with the ease with which you are building this story and their modern world. It feels so authentic and true to the characters we know from the regency era. Two lines that I feel really encapsulates the most important elements of the chapter are this:
Violet to reader: “Yes, of course time with them is precious, but why would I say no to something we all wanted?”
Reader to Violet: “I’m not going anywhere.”
This so the essence of what you’re creating and the dynamic that is growing between them. They clearly care so so much about each other already and I’m so excited to see how these sentiments continue to grow into the romance that is (very slowly!!! 😩) coming.
Thank you for sharing this, Mimi!!!! 💜💜💜💜
𝐓𝐎 𝐋𝐎𝐕𝐄 𝐓𝐇𝐄 𝐒𝐓𝐀𝐑𝐒 [𝐀 𝐕𝐈𝐎𝐋𝐄𝐓 𝐁𝐑𝐈𝐃𝐆𝐄𝐑𝐓𝐎𝐍 𝐒𝐓𝐎𝐑𝐘]
PAIRINGS — Violet Bridgerton x fem!Reader [Modern!AU]
SUMMARY — Violet and Hyacinth attend Francesca's performance with the London Philharmonic and receive some shocking news.
WORD COUNT — 4.1K
WARNINGS — descriptions of panic and anxiety
NOTE — You guys it's been a hell of a week it's a miracle I'm getting this formatted now (ie. it's a miracle I remembered). Anyways hope you enjoy this chapter as things get more intriguing.
𝐒𝐄𝐑𝐈𝐄𝐒 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓 | 𝐓𝐀𝐆𝐋𝐈𝐒𝐓 | 𝐀𝐎𝟑
𝑪𝑯𝑨𝑷𝑻𝑬𝑹 𝑽: 𝑪𝑶𝑴𝑷𝑳𝑰𝑪𝑰𝑻
Violet watched as Hyacinth rolled on the balls of her feet while they waited for an usher in the theatre to lead them where they were to be seated. Unsure of why her daughter was so fidgety, Violet wrapped an arm around her shoulder and pulled her more into her side, pressing a kiss to the top of her neatly done hair.
“Thank you for coming with me, dearest.”
Hyacinth looked over at her mother and smiled, leaning a little more into her hold, careful not to have her hair catch onto her dangly earrings or to get any makeup on her shoulder.
“I miss Franny too,” she said. “It’s nice she could get us tickets, even nicer that Gregory isn’t here to ruin it.”
“Hyacinth!” Violet chastised with a chuckle, tickling her sides a little.
“No, but seriously,” Hyacinth looked up at her mother, “it’s been a while since I’ve had a Mum and me day. It was fun getting ready together and going out for dinner beforehand.”
“Yes and I must say I am pleasantly surprised I did not walk out of the washroom looking like a clown,” she teased and Hyacinth stuck her tongue out.
“You love it when I do your makeup,” she nagged. “And pick your clothes, look at you Mum, you’re smashing.”
Violet laughed at Hyacinth’s comment and looked down at her attire. It had been a while since she had really dressed up, mainly sticking to dress pants and blouses for work and at home, but Hyacinth had dug around in her closet and found a blue off the shoulders dress that she was entirely convinced she was now much too old for, but was lovingly bullied into wearing by her youngest regardless. Not to mention, Hyacinth was now old enough to steal her clothes as well, and so her dress was also a little number from the back of Violet’s closet.
“Mrs. Bridgerton, Miss Bridgerton, I can take you to your seats,” an usher came and introduced himself, taking the two to their booth that Francesca had especially reserved for them.
Both Violet and Hyacinth were anxious for the performance to start, and anyone who was watching could tell how much their smiles widened once Francesca made her entrance onto the stage.
“Wow, Mum, look at her dress!” Hyacinth exclaimed in a whisper.
Francesca was never one for much extravagance, and so, Violet was sure her peers or her conductor had something to do with her choice of outfit, a dress that trailed behind her gloriously and shone against the bright stage lights, accentuating her daughter’s radiance.
Violet noticed how Francesca’s eyes drifted over to their booth, and both she and Hyacinth gave her a small wave, making her smile before she sat down and waited for the cue from the conductor to begin with the opening piece.
She had never once imagined in the many performances of the London Philharmonic she’d attended with her husband, that one day she would be sitting and watching her daughter grace that very same stage. She only wished Edmund had been alive to see it.
At the end of the performance, an usher came to grab Violet and Hyacinth, expressing that Francesca had asked for them to be escorted backstage so she could see them.
By the time they managed to weave through the crowds of people, Francesca was in much simpler clothing, sipping on some water and speaking to the first violinist.
When she saw her relatives, she quickly wrapped up her conversation with her colleague and made her way over to her mother and sister. Hyacinth wasted no time in giving Francesca the biggest hug and singing her praises while Violet quickly pulled out her phone and took a few photos to keep for herself and maybe the rest of her children as memories of tonight.
“Mum, what did you think?” Francesca asked once she could finally get a word in between Hyacinth’s rambling.
“I loved it,” Violet grinned, pulling her into a tight hug, pressing a kiss to her cheek. “Your father would be so proud if he could see you like this,” she whispered. “He was always proud of all of you, but this would have been special to share with him.”
“I was thinking about him tonight, too,” Francesca admitted, still holding onto her mother. “Is it odd I almost felt like he was here?” she chuckled a little nervously as the two pulled away.
“Not at all,” Violet held her daughter’s face in her hands, brushing a thumb across her cheek. “Actually that’s quite special,” she smiled, “but speaking of being here, where is John?”
“Oh, he and his family came to my show last night before heading back to Scotland. John went with them for a week to take care of some family affairs,” she explained while they began to walk out of the backstage area in order to get to Violet’s car so that they could head out.
As they re-entered the main entrance of the theatre, Francesca and Violet were so involved in their conversation, they didn’t notice someone familiar amongst the crowd, but Hyacinth’s eyes and ears were sharp, beaming as she ran off.
“Hyacinth!” Violet exclaimed immediately, noticing her daughter’s escape. They quickly followed her path until they saw her, arms wrapped tightly around you while you laughed, a little surprised to see the youngest Bridgerton at the Royal Festival Hall.
“Goodness, Hyacinth, what are you doing here?” you asked, returning her hug with just as much force. Just as you asked your question you looked up and saw Violet standing there in front of you.
You still held onto Hyacinth, but you were caught even more off guard by the staggeringly simple elegance Violet always seemed to have, now only accentuated by her choice of dress, the blue making her eyes more striking than you’d ever thought you’d seen them.
“Violet,” your voice was much softer than you had anticipated. “Hi.”
“What a pleasant surprise,” Violet smiled, enjoying watching the interaction between you and her daughter, each of you with an arm still wrapped around the other as you faced the other women.
“Yes, quite pleasant,” you cleared your throat. “How did you two end up here tonight? A mother daughter outing?”
“Sort of,” Hyacinth nodded.
“We were here to see my daughter, Francesca, perform,” Violet placed a hand on Francesca’s back.
“You’re Francesca Kilmartin,” you looked over at her, finally taking her in and recognizing who she was. “Oh my God, I thought you looked familiar.”
Violet did the honours of introducing you formally, explaining your name and position to the second youngest daughter in the family.
“I guess I never made the connection,” you admitted. “I think I’ve seen you in some of the family photos around the house, but your name made it totally slip past me.”
“Yes, I recently got married,” Francesca explained. “I love being a Bridgerton, but…”
Violet pulled Francesca closer and kissed her temple.
“Life is quieter as a Kilmartin,” Violet finished, completely understanding where her daughter was coming from.
“Can you come with us tonight?” Hyacinth looked up at you. “We always go out for ice cream after Franny’s shows.”
“Oh, I wouldn’t want to intrude, I know your Mum doesn’t get to spend a lot of time with you guys, and she’s probably sick of me by now,” you chuckled.
“I would like it if you could join us,” Francesca said. “I’ve heard bits and pieces about you from Anthony, but it would be nice to get to know you better.”
“Oh, all good things I hope,” you said as you looked over at Violet, searching her eyes for any hint that she didn’t want you there, extremely careful not to overstep with her family.
“Ice cream is always better with more people,” Violet assured you. “Did you taxi here?”
You nodded your head.
“We can go all together, I was planning on taking Francesca home afterwards, and she lives close to your place anyways,” Violet explained. “Shall we?”
“Yes, definitely,” Hyacinth nodded, taking your arm and Francesca’s and dragging you along, Violet trailing behind with a laugh on her lips.
Once you were all piled into Violet’s car, Hyacinth was quick to take over the music and you could hear Violet sigh with exasperation.
“Dearest, we’ve been listening to this album on repeat, can’t you pick something else?” she asked.
“Mum, you don’t understand, I have to prepare myself for the concert,” Hyacinth said.
“Yes, but even concert preparations sometimes need a break,” you chuckled. “Why don't you indulge your Mum on this one?”
Hyacinth looked reluctant while Violet pulled out of the parking lot, but she then pulled up her phone again, scrolling through her playlists until she landed on something else.
You could see Violet’s eyes land on yours through the rearview mirror, a thankful smile on her lips, especially once she’d heard Hyacinth had switched to the music her grandfather used to play before he passed away.
“So, do you come to see the Philharmonic often?” Francesca turned back and looked at you while she asked her question.
“I used to, but then life got a little hectic. This is the first show I’ve been to in a while,” you admitted.
“As a member I have some privileges when it comes to seating. If you ever want to come to a show just let me know and I can see what I can do,” she offered. “It’s always nice to see someone closer in age to myself in the audience,” she chuckled.
“I can imagine,” you nodded your head. “None of the other family could join tonight?”
“Oh, God, no,” Hyacinth shook her head. “Getting them all in one place is impossible.”
“They’ve all come and seen me, just not at the same time,” Francesca explained. “Mum’s come the most, obviously.”
“And I hold onto that title with much pride,” Violet assured, pulling down another side street before parking the car in front of what looked like a small, empty ice cream shop.
“How do you always find these little hole-in-the-wall establishments?” you asked while stepping out of the car, adjusting your blouse.
“Mum likes to find places where no one else goes,” Hyacinth explained. “Most of the time.”
“Yes, most of the time,” Violet agreed. “I think Edmund and Francesca actually came across this place together on a day out. Didn’t you?”
Francesca nodded her head.
“It was after he took me to see the orchestra for the first time,” she explained. “I was kind of hoping we might come here.”
“Us Bridgertons are one thing if not sentimental,” Violet chuckled.
“Would you three hurry? I want to take a picture and show Gregory what he’s missing out on,” Hyacinth said, while pushing the door to the shop open.
Francesca was the first to acquiesce to her sister while you and Violet trailed behind.
“I’m sorry. I didn’t mean to intrude on your family outing,” you found yourself apologizing.
Violet was in the middle of rummaging through her purse when you said that and she looked at you, surprised.
“It’s not an intrusion,” Violet said, pulling out her wallet. “Hardly so.”
“You don’t have to sugar coat it for me, I know how precious time with your kids is. Especially the ones who don’t live with you anymore.”
You looked back into the glass window of the shop, seeing Francesca and Hyacinth playfully teasing each other about various flavours.
“Yes, of course time with them is precious, but why would I say no to something we all wanted?” she asked you. “You heard Francesca and Hyacinth, they both wanted you to come, I wanted you to come.”
You looked over at Violet and chewed the inside of your cheek, nodding your head.
She placed a hand on your arm, using the other to open the door, now seeing that Francesca and Hyacinth had already gotten their cones.
You and Violet both ordered, but before she could notice, you passed your credit card over to the cashier and paid for the four of you. When Violet reached the till and noticed everything was paid for she sent you a look and you shrugged your shoulders.
“My treat,” you smiled. “Can’t quite convince Anthony this one’s a business expense.”
Violet chuckled and conceded, moving over to take a seat with her daughters, Hyacinth already prepared with her camera to take a picture and send it to Gregory.
It was an odd sight, four very well dressed ladies in an ice cream shop past nine o’clock, but you also supposed that was part of the Bridgerton charm.
“So, how did you end up working for my Mum?” Francesca asked. “And Anthony, I guess, as well, but everyone knows it’s really her that runs things.”
Hyacinth snorted, and you and Violet both chuckled at Francesca’s words, and you thought back to a few months ago when you had first gotten the job.
“Well, I had just left my old position at a holding company, and I heard through a friend that your family was looking for a new financial manager. I’d heard about everything that happened on the news and I must admit, before, I didn’t really know who you guys were, but everything I saw made me think that I might actually enjoy this position. So, I emailed your mother, we arranged an interview that was interrupted by a Whitney Houston song, if I remember correctly,” you teased and looked over at Hyacinth, who blushed with a laugh and apologized. “And the rest is history.”
“And do you like it?” Francesca asked.
“Oh, I love it,” you nodded. “Not just the work, but getting to know your family has been quite the treasure,” you looked at Violet fondly. “I only hope it continues.”
“I’m sure it will,” Violet nodded before looking down at her cup of ice cream and taking a spoon of it to put in her mouth.
The moment was interrupted when your phone began to ring, and pulling it out of your pocket, you apologized and excused yourself, needing to take it.
Francesca and Hyacinth continued with a conversation while Violet’s eyes remained on you, studying your body language, how you responded to what was being said on the other side.
She began to worry when she saw your hand move to cover your mouth, stress evident and written all over your face. She quickly put down her cup and went over to you, pulling her dress slightly to adjust it while her heels clicked against the tile floor where she walked.
“Is everything okay?” Violet asked quietly.
You shook your head, still listening to what was going on.
“Work or family?”
Violet chewed her lip, waiting for your response.
“Work,” you mouthed, and Violet could feel a lump begin to form in her throat. As much as she was happy that whatever the crisis was didn’t involve your family, she couldn’t help but wonder who in her family it did.
Eventually, you hung up the phone and sighed, pinching the bridge of your nose.
“Violet, I’m so sorry. I-We have to go deal with this,” you pointed to your phone.
“Is it…?” she asked, thinking she knew what the situation was just based on your response.
You nodded your head and looked away while rubbing the back of your neck.
“Mum, is everything okay?” Hyacinth asked, sensing the tension between you.
“Just a work problem. I’m afraid we might have to cut our evening short,” she apologized to her daughters.
“Mum, why don’t you leave Hyacinth with me at my home tonight,” Francesca suggested. “John’s away and I have the extra space…”
“Hyacinth?” Violet looked at her daughter to see if she was on board with the change in plans and she seemed more than happy to comply.
You all grabbed your ice cream and headed out of the store, first taking Francesca and Hyacinth to Francesca’s home before re-routing to Bridgerton House.
“Violet,” you paused her before she pulled out of the driveway. “Maybe I can take the wheel.”
She looked over at you, the stress and uncertainty of the situation clearly getting to her.
“We have to talk about this and I don’t want you to be stressed and driving at the same time.”
Violet’s hands were still firmly on the steering wheel, looking ahead at Francesca’s townhome, seeing the lights go on and the silhouette of her two daughters behind the curtains of the windows.
“Okay,” she said quietly while turning off the car and unbuckling her seatbelt, switching sides with you before you started your conversation and the drive back.
“So, Pat called me,” you began. “She saw something on the news that said Landon had released a statement saying you were complicit in the embezzlement from the charities.”
Violet’s heart dropped to her stomach and she immediately felt her hands going to settle there in an attempt to suppress her nausea.
“I think I’m going to vomit,” she covered her mouth.
You looked between her and the road a few times before pulling over and giving her a chance to breathe without the added motion of the car.
“Violet, it’s not looking good,” you shook your head. “At least from an optics perspective.”
She could feel the bile begin to rise in her throat at the mere thought of what tomorrow might bring. She wanted to hold her head between her legs, to steady herself, but she couldn’t do anything in the dress she was wearing, let alone in the car.
You pressed your lips together and looked at her, clearly still in shock from the news and made a decision to turn around and instead head in the direction of your apartment, at least temporarily, as a landing pad.
Violet hadn’t spoken a word since you had turned around, and even when you arrived in the underground parking, slipping out quietly and heading up to your floor, she remained that way.
When you entered the apartment, you rummaged through some old boxes, finding some clothes a previous partner of yours had conveniently never picked up and you had never gotten rid of, handing them to Violet so that she could get changed.
When she came out of the washroom, her face was washed and wiped clean of any makeup, her jewelry most likely tucked away in her purse, her hair fell into loose curls on either side of her shoulders, and the clothes hung off her frame in such a casual way you’d never really seen before on her.
You hated yourself for staring when the situation was so dire, but she always seemed to make it hard not to.
“Did Pat say anything more?” she asked. “About what….what was on the news? In the statement?”
“Not much,” you shook your head. “I phoned the lawyers while you were getting changed, they haven’t heard from the police yet, but if this is legitimate, they’ll expect a request to interview you.”
Violet ran a hand across her face, squeezing her eyes shut, trying not to let overwhelmed tears form in her eyes.
Her stomach began to churn again and she shook her head, moving over to your couch, sitting down and placing her head between her knees, attempting to take deep, steadying breaths.
You kneeled down in front of her, placing one hand on her back, the other on her leg, both rubbing gentle and soothing patterns.
“What am I going to do?”
Her voice was so quiet and broken; you could feel your heart begin to tighten in your chest.
There were a million questions running through Violet’s head, but none stopped long enough for her to ponder, creating a hurricane in her mind, the noise of thunder becoming louder and louder until she felt a hand against her cheek. The sounds became more muffled. Her head lifted, gently, tenderly, until she saw your eyes, the sympathy, the conviction that things would work out in the end. It wasn’t until your arms wrapped around her and her face was partially buried in your shoulder, her own hands wrapped around you gingerly at first, until she gained the confidence to hold onto you like you were her only tether to the world, did everything fall silent. The thoughts racing in her mind, quiet. And she clung onto that feeling for dear life.
There was no question in your mind that Violet was innocent. Of course she was; she was Violet. Nothing in her nature or her character pointed in that direction, but you knew that wasn’t what the public would see.
“I-” she began, her voice slightly choked. “I would understand if you wanted to leave. My family’s employment, I mean. We both know it isn’t a position that will be around forever, I-I wouldn’t want to tarnish-”
“Violet?”
“Yes?” she whispered into your shoulder.
“I’m not going anywhere.”
She pressed her lips together and nodded her head, the tears she had been trying so hard to hide and push away finally pouring out of her eyes like silent rain, wetting the fabric of your dress as she clutched onto you.
A part of her was always hoping you would say that, given the nature of your work together, she’d like to think your relationship had become more than just employer to employee, but a true friendship and partnership, and this surely confirmed that for her.
“The children,” she said, pulling away from you for a moment. “I-I have to call them and tell them before it gets too late a-and before they see it anywhere.”
She wiped away her tears quickly with her hands before you passed her a tissue, which she used to quietly blow her nose before pulling out her phone and started with Anthony, knowing it would be the latest where he was.
One by one, she called and spoke to her children with almost alarming calmness, explaining to them the situation, how it would affect her and then, in turn, how it might affect them. You could see she was most concerned when speaking to Gregory and Hyacinth, both of them having been much more sheltered from the media than their siblings and knowing the spotlight could be hot and intense.
She figured after tonight, when Hyacinth came back from Francesca’s, it would be good for everyone to lay low for a little while.
Next, you called Pat together, trying to craft a statement you could release to the public in an attempt to mitigate some of the damage done to the family’s reputation, but there was a key and strategy on what to say and when to release it, all of which Pat was very helpful with.
After your call with Pat, you checked the time and saw it was getting quite late, and Violet would need to be home tomorrow to deal with everything that was coming.
“Let me drive you home,” you suggested, but Violet had since sobered up to the reality of what was happening and shook her head.
“No, I can drive myself,” she said. “It might be my last chance for a while.”
You nodded, understanding her need for some time alone, and gave her a bag for her dress before letting her go with one more reassuring hug that you both lingered in a little longer than normal.
Given the late hour, the streets were more or less empty on the way back to Bridgerton House, and Violet savoured the silence the car ride home offered, with one hand on the wheel and her other elbow resting against the car door, her fingers interlaced in her hair.
She pulled into the driveway and walked through the front door, noticing a few lights were still on, signalling to her that Gregory was still awake.
She heard a rustle she assumed was coming from the kitchen, and before long, her son was in front of her, taking a moment to look her over.
“I don’t think I’ve ever seen you in sweatpants.”
Violet chuckled a little at his comment, using it to cover up a sniffle and wipe away a few tears that were stubborn and still lingered.
“Mum, are you okay?” he came closer to her, watching as she bit the inside of her cheek and carefully shook her head, which was all it took for the young man to close the distance between them, wrapping her up in his arms.
Violet wrapped her arms around her son, and they stayed there in silence for a moment before Gregory pulled away and placed a hand on her back leading her towards the kitchen.
“Come on, I made you some tea. You should have a cup before bed.”
She leaned into her son’s side and gave him another silent squeeze, so grateful that through his years, he’d retained his caring and kind nature.
And through all the craziness that was yet to come, Violet thought, perhaps, she might appreciate the calm before the storm.
TAGLIST —
@paola-carter @madde11 @thesamesweetie @cherrysxuya @philocalistwrites @mako-mermaids2021 @oh-mydarling @courtneyteal @amethyst-bitch @etherynn @lilisdarling
#if you love Violet brigerton and you’re not reading this story#please start now#it’s so good!!#to love the stars#to love the stars fic#fanfic#bridgerton fic
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#honkai star rail#hsr fanart#hsr aventurine#veritas ratio#ratiorine#s/o to any fic where ratio calls aven mea vita... i love it every time..
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I hate when you’re reading an interesting fic and then they through in some stupid subtle anti Jedi thing like ‘Oh the Jedi don’t have mattress because comfort leads to the dark side’ and it’s just like. no the Jedi didn’t do that, don’t be stupid, and so now you just can’t enjoy the fic.
#star wars#pro jedi#anti jedi bashing#the Jedi aren’t stupid#or cruel#having a mattress doesn’t lead to the dark side#that’s just stupid#the Jedi didn’t believe that#and the temple was a lovely place to live#I’m ranting on tumblr because I’d feel bad doing this in the comment section of a fic#but it really annoys me#this isn’t a clone wars reference#it’s because of this fic I was reading
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What's in a Name?
Pairing: Aaron Hotchner x reader Summary: 5 times you and Agent Hotchner questionably cross paths over the years, just for him to watch you walk away (+1 time you don't). Warnings: long asf, murder, violence, addiction, unhealthy coping mechanisms, corruption in government, allusions to abuse, one made-up case, hotch is a lil ooc (not rlly), and reader has grey morals (lmk if there's more) Eps incl: S1E21 (secrets and lies), S3E20 (lo-fi), S4E1 (mayhem) Words: 24.4K
Masterlist | Bonus (no.6)
a/n: this is the longest fic i have ever written. guys, one section is literally 10k words long— and i didn't notice!! it's too long for one part (there's a 1k block limit on tumblr) so the bonus is linked above and at the bottom. it took me... a while. so i hope u enjoy! might do a part 2. also i'm only on s4 of cm rn (even tho i know too much alr) so pls don't spoil. ly guys!!
1. The myth
Quantico, Virginia, 2004
The interrogation room was cold and your fingers felt frozen against the metal of the table, but you doubted it had anything to do with the fact that it was December. If anything, you'd bet good money that as soon as you stepped out of the room, the heat would return. You'd bet good money that a certain Agent Hotchner sitting across from you had fucked with the AC unit.
Nonetheless, you didn't show your discomfort, keeping a poker face.
Well, as much of a poker face that you could keep.
You had a smile on your face, a twinkle in your eye. While you preferred not to spend time in police stations, this really was turning out to be quite interesting.
Agent Hotchner didn't seem to hold the same opinion as you. The frown on his face was unmoving, his expression stone cold. High-strung, you thought, and then you wondered what crazy things he might've seen to make him that way.
You turn to the man sitting next to him (the boy really), and asked, "Does he ever smile?" You pointed to the man in question to emphasize your point, even though it was clear as day who you were referring to.
Spencer, as you'd learned his name was, looked somewhat flustered at your question, like he wasn't expecting you to speak to him, but he ignored you regardless. You took that as a no. "Ms. Y/L/N, you're known throughout the United States and many other European countries as 'The Angel of Death.'" Your smile widened at your nickname. "They say that, as soon as you contact someone, they're as good as dead."
"Oh? Is that what they say?" Your voice was sly and teasing.
Spencer ignored you yet again. Rude. "You send them a message through various online media, and then they mysteriously turn up deceased."
"Do they?" you drawled.
The stoic and silent Agent Hotchner took this as his cue to speak up. "As of late, your existence has been nothing more than a rumour, an urban legend amongst criminals and internet sleuths. A myth."
You hummed.
"But your recent attempt on Congressman Baylor has failed. You got sloppy," he deadpanned. "You went for a fish bigger than you could handle, and now the myth is likely headed for life without parole unless you tell me who you're working for."
You were silent for a moment as you held his stare, and he thought that finally, he was getting somewhere with you, but then you broke that silence with a giggle so bubbly it was almost hard to believe you were assassin.
"That's cute," you remarked.
He narrowed his eyes. "What's cute?"
You shrugged nonchalantly. "The fact that you think you can convict me."
It was Spencer this time that spoke up, his voice soft in comparison to the jagged edges of his partner's. Perhaps this job hadn't broken him yet, you thought. "Y/N, arrogance isn't gonna get you out of this."
You snorted. "No, trust me, this isn't arrogant. It's self-assured." You didn't give them a chance to get another thing in. "Tell me, what exactly has your technical analyst, Penelope Garcia, been able to dig up on me?" You saw slight alarm flare up in Agent Hotchner's eyes, surprise in Spencer's. "She's FBI, yeah, and you guys sure do like to play by the rules, but she isn't an agent like you, Hotchner. She must get impatient, bend the rules, perform some illegal activity that you don't question because it helps you with your case. That's why I'm a bit surprised that, even though she likely did run an illegal background on me, she didn't find my records. I mean, they're not that sealed. I bet I could unseal those bad boys right now."
He's lucky you didn't put money on that bet, because you would've won.
Aside from his eyes, no emotion other than irritation showed on his face. "What are you talking about?"
"Oh, you poor sweet things." Another chuckle left you. "Have you ever heard of this little thing called immunity?"
Hotch was quick to dispute. "No. You do not have immunity."
You contested, "Oh, yes, sweetheart, I do. And if you had checked my pockets for anything other than a pistol, then perhaps you'd have noticed this." Since they hadn't cuffed you, you reached into your back pocket easily and pulled out your badge, the words Central Intelligence Agency catching their eyes immediately.
Hotchner scoffed, the most emotion you'd seen from him since you met. "You're CIA?"
You cocked your head. "Y'know, for some of America's supposed best minds, I'm a little unimpressed."
Reid leaned forward in his seat. "You're—"
"Yes, I am. So your girl back at HQ seemed to miss a few details about me, and you have missed more than a few details about this case— if a case is even what you could call it." You stood up and rested your hands on the table, getting bored of this game already. "What you have, SSA Hotchner and Dr. Reid, is not a serial killer. I hope your victimology analysis picked this up already, but the quote-unquote victims you have are all bad people, people who have broken the law in irreparable ways. And when I say irreparable, I don't just mean Bill Clintoning it up with minors, despite many of them having done that. I mean selling government secrets, espionage, treason. Things that threaten national security, things that my bosses do not like. I'm sure you catch my drift, don't you?"
Before Agent Hotchner could respond, the door to the interrogation room was opening, and a smirk automatically arose on your face. About damn time.
A man who you instantly recognized as Jason Gideon stood in the doorway. You briefly met once, but you doubt he remembered you. His face was stern, too, and reluctance shined through his voice. "Hotch, the Secretary of Defense is here, and the DOD is demanding she be released."
You maintained Hotch's stare all the while Gideon spoke. The clench in his jaw was small, but you caught it. Something told you this man didn't like to be challenged—you'd keep that in mind.
Eventually, he nodded.
You grabbed your coat from behind your chair, stowed your badge away and flashed them your million-dollar smile. "Well, it was nice meeting you, boys. Let's do this again sometime, yeah?"
Then you were out the door, and Hotch thought that if he went forever without seeing you, it'd still be too soon.
And when Congressman Baylor was found dead a few hours later, he wasn't surprised.
2. Smile
Langley, Virginia, 2006
"I've got the personnel files all set up for you guys. Video, whatnot—it's all there in the conference room. Now if you have any questions, feel free to talk to my senior officers. This is Gina Sanchez, she's the Associate Director of Field Operations. And that guy up there is Kruger Spence, the Assistant Director of Operations. The lady with him is his second-in-command, Olivia Hopkins. And then there's, of course, my boss."
Gideon's brows went up. "Your boss?" he echoed. The rest of the team's confusion was just as palpable. When he was brought in by Bruno Hawks to assist the CIA in finding their mole, he assumed he was the one running point. As far as he was concerned, Hawks didn't even have a boss that'd be there.
"Yes, she's flown in from an assignment to help with this case." Right on cue, you walked out of an office, heels clicking on the floor and the same smile on your face that Hotch could remember from two years ago. "Meet Director Y/N Y/L/N; she's head of a CIA black ops initiative and envoy from the NSA."
Your voice was smug. "Oh, trust me, Bruno, we've met before." This time, Hotch couldn't conceal his scoff. He felt Elle glance at him in confusion—she's the only one who didn't know who you were. "Agent Gideon, it's a pleasure to meet you formally." He shook your hand, albeit unenthusiastically. "Agent Hotchner, I knew I'd be seeing you again." He rolled his eyes, making your smile widen, but out of his strong urge to be polite above all other things, he shook your hand, too, pulling away as fast as he could. "Dr. Reid." He nodded back to you, almost hesitant. You nodded to the rest of them individually. "You two I haven't met, but you must be Derek Morgan and Elle Greenaway. I wish we had more time for pleasantries, but lives are on the line, so I'd like to get moving ASAP."
With that, you swiftly turned and walked back to the office you'd made your own. You didn't often spend time at headquarters, but a mole in the Agency was enough to pull you away from the case you'd been working previously.
As you left, you heard Reid explain to Elle in a hushed tone, "That was The Angel of Death."
You stifled a chuckle. Let's see if Agent Hotchner's team was as good as they claimed to be.
❧
You and Hotch stood on either side of Bruno on the platform as he spoke to the entire office, Gideon off standing alone, seemingly in thought. "Now, we all know why BAU and Ms. Y/L/N are here. They have their job and we have ours. And we're down to the wire on this. Aaliyah Nadir risked everything, and now she and her children deserve our fullest attention. Let's find her."
They all walked off after Bruno dismissed them, all but Gina Sanchez. You glanced at her from the corner of your eye as she went to talk to Agent Gideon. You didn't hear their conversation, but you saw the hostility painted all over her face. Interesting.
After she left, Gideon made his way over to where you were standing, speaking quietly. "We think the agent who's tipping off Hassan may have had some kind of extreme event in their life."
"Something that distorted or redefined their belief system," Hotch added.
Bruno was quick to get defensive. Why, you weren't sure. "No, every agent undergoes regular psych evals. You know that. They're trained to cope with extreme events"
"Well, whatever turned this agent must not've been something you can train for," you cut in. You didn't miss the way Hotch glanced at you.
Bruno gestured outward with his hands. "Well, you're welcome to everything I have. Every op undertaken by these guys is on file."
You snickered a bit under your breath. Your ops certainly weren't "on file."
"What about the ones that aren't on file, like the wiretaps of the Saudi Embassy?" Hotch questioned.
"Those don't even exist," Bruno said. You didn't confirm nor deny that statement.
"How long has your department been running operations in Riyadh?" Hotch turned to Bruno, back straight and eyes sharp.
"We have a declared presence in Riyadh, monitoring US interests there. You know that. Now if that's all, I have an informant to save." You hummed as Bruno walked off, finding his attitude quite intriguing.
"And you, Agent Y/L/N?" You turned to face Gideon. "What do you think?"
You tilted your head. "Aren't you and Bruno friends? Why not ask him?" Because he had the same feeling you have.
He responded without missing a beat. "You don't have a belief system—this job is all you believe in."
This caused you to chuckle. He wasn't wrong. "Good profiling, Agent Gideon. And yes, I have my suspicions, but until further information is gathered, I'm not at liberty to discuss them. For everyone's safety." You gave one last glance to Agent Hotchner. "I look forward to see what your team has brought together."
❧
Not long after your talk with Hotch and Gideon, you stood with the latter and Agent Greenaway in a supply office where the body of Olivia Hopkins was lying dead.
Gideon turned to you expectantly. "It's your job to clean house. You do this?"
You scoffed. "If I wanted to kill a CIA senior officer, believe me, you wouldn't have thought it was a murder at all." You glanced around the room you were in. "And I certainly wouldn't have done it in a federal building."
He must've believed you because he ended his line of questioning there, turning back to Elle. "Have any other agents seen the body?" When she shook her head, he replied, "Good. We can use this to our advantage. Get the others."
You met up with the rest of the BAU in their designated conference room as Gideon quickly explained the situation. Your suspects filed into the room shortly after, each confused and annoyed. You analyzed their body language closely, standing next to Agent Hotchner.
"You're pulling us away from our assignments?" questioned Kruger. "There's a woman out there whose life depends on us."
Defensive. Self-centred. Rude. But not your guy.
Gina was the first to ask where Olivia was, which was either genuine or she was covering her ass.
Hotch was the one to answer. "Olivia Hopkins was murdered 10 minutes ago. Her neck was snapped."
"Just like John Summers," you drawled.
Kruger let out a scoff, but you kept your eyes on the other two as he spoke. "What are you talking about?" Gina looked spooked, but Bruno's expression was cold, even as he tried to imitate warmth. "You're lying. Where is she?"
"Right now, she's dead," you emphasized, not really caring to be sensitive.
Kruger looked at you like you'd just killed his dog. "Look, people don't just... get murdered inside the CIA."
Gina looked at him with betrayal in her eyes as if he were a traitor. Shifting blame.
Hawks spoke up. "I realize the enormity of this, but Hassan Nadir is still out there looking to kill his wife, and I need every agent on this." You tilted your head. Deflecting. He didn't even acknowledge that his own colleague, his responsibility, was dead.
Gina was the first to leave the room, deeply frazzled. Gideon followed after Hawks, but you didn't go with him. You stayed in the room with Hotch while the rest of his team filed out.
You weren't expecting him to talk to you, let alone ask for your opinion, but he did. "What are you thinking, Y/L/N?"
You hid your surprise, nodding to the door Gina and Kruger walked out of. "My money's not on her; it's not on Kruger, either."
He furrowed his brows, lowering his voice. "You think Bruno Hawks is the mole?"
You shrugged your shoulders. "Bruno's been leading this unit for all of, what, ten years? And he hasn't advanced at all? Someone like him must have higher ambitions, like leading the Agency one day, but that's not in his cards. Gina Sanchez and Kruger Spence have bright futures here; Hawks is already at the end of the line. So what's the next best thing in this city besides power?"
Realization dawned upon him. "Money."
"And by the looks of the old car he drives, that's something he's lacking, but something that he wants," you deduced, pausing. "But I'll let you continue your investigation."
He caught your hand just as you turned away, and you ignored the small spark that was sent through your body. His eyes were earnest and curious, but most of all you realized that they were beautiful. "Y/N, what's going to happen to the mole when we find them?"
You ignore the unfamiliar flutter you felt after he said your name for the first time, and it's then that you remember Hotch was a prosecutor. Before he was unit chief Agent Hotchner, he was just Aaron Hotchner, a man who valued balance and believed in justice. Even now, after climbing the ladder, he still didn't seem to understand that his own government was different.
In matters like these, the United States government didn't value justice.
They valued revenge.
But still, if not just to help him retain his faith in his country, you shrugged and told him, "The scales will be evened, Hotchner."
Then you pulled your wrist out of his light grip and walked away, and he couldn't tell if he wanted to know what you meant.
❧
Sanchez and Morgan were on their way to rescue Aaliyah and her children, and then you were made aware that Hassan was already there.
Bruno turned to Gideon. "Look, we can't arrest him. This is still a CIA matter. You do know that?" He then turned to you, like he was expecting to you to back him up.
You shook your head as Gideon said what you were thinking. "How are you going to explain this to the Saudi government?"
"Explain what?" he fired back. "This isn't happening."
You crossed your arms. "That's not how this works, Bruno. You don't just kill a Saudi diplomat and get away with it—that is how wars begin."
He scoffed at you. "Look who's talking. The Angel of Death, giving me a lecture on in-house cleaning."
You narrowed your eyes and stepped forward. "I don't know who the hell you think you're talking to right now, but you need to double back because, at the end of the day, what I. say. goes."
Bruno opened his mouth to argue, but Jason mediated, "Let's just get Aaliyah and her children back alive. We'll worry about Hassan's life after."
You gave Bruno one last hard stare before you turned back to the screen showing the Nadirs with Morgan and Gina outside. "Make the arrest, Morgan," Gideon called out. "It's FBI jurisdiction. You're in charge."
You listened to them over the comms. [FBI! Let the lady go and put the gun down. I said, put the gun down!]
The movement of heat on the screen told you that Hassan listened. [Diplomatic immunity, my friend], he said, and you chuckled.
[Uh-uh, you got it wrong, my friend. This container hasn't passed through customs. Officially, we're not on US soil. Summers was a smart man.]
Suddenly, you heard Gina's voice. [That he was.] Pause. [Drop the gun.]
The feed cut in and out as the figures moved out of the container. Confused, you called out, "Morgan, Sanchez, what's going on?"
Hawks turned to you and Gideon, and you wanted to wipe the smug look right off his face. "You two still certain that Gina isn't the mole?"
Gideon ignored him. "Morgan." No answer. "Morgan, what's going on?"
[Gideon, we got a situation here.]
You raised your voice. "Gina, don't do this. Do not do this."
"She doesn't take orders from you," Bruno snided.
You took another step forward to him. "Listen here, asshole—"
Gina cut in, [Bruno, what do you want me to do?]
"Gina, you put down that gun. That is an order—"
[Bruno?]
This made you turn to Bruno, and if you were in an animation, smoke must've been coming out of your ears. "Hawks, I swear to god, if you don't stand down, you will be endangering the security of this country—"
Bruno only responded to Gina. "You know what to do."
[Say it!]
"This is not your call. It is not your fucking call, Bruno."
He finally turned to you. "This is strictly in-house and you know it."
"I don't give a damn. It is still not. your. call."
"Finish him."
"Gina, don't you dare do this."
[You're going to cut the visual feed, right, Bruno?]
"Of course. Cut it now. Cut it," he ordered, and the feed was off before you could even protest.
And then you heard four gunshots.
You sighed, pinching the bridge of your nose. White hot anger rushed through your veins in contrast to your normal playful demeanour. Meanwhile, Bruno turned to Gideon, saying, "I want to thank you, Jason, for your help."
You stayed quiet as Gideon responded, too angry to speak. "Why?" He paused, genuine disbelief evident in his tone. "Why'd you turn against everything you believe in?"
"What are you talking about?"
"When someone asks you how you feel about... losing one of your colleagues, the only human answer is 'I feel guilty,' isn't it?"
Bruno nodded and mocked, "But as you so brilliantly deduced, Kruger Spence is the guilty one." Following that statement, you watched as Elle walked up to where you three stood, a tiny paper in hand that she gave to him. Based on the ignorant smile that graced his face upon reading it, you could guess what it said. "Ridiculous," he deflected, tucking the paper into his jacket pocket. "Absurd."
That's when you snapped out of your anger-induced stupor. "No, Bruno." You shook your head. "The only thing that's absurd is how arrogant you are to believe that you're getting away with this."
Bruno pursed his lips, flashing you a sarcastic smile. "Unfortunately, with Hassan now dead, you have no proof."
"Oh, you son of a—"
Dr. Reid cut you off, announcing to everyone, "Actually, Hassan is alive and well. He's en route—that's all the proof we'll need." At this, you let out a chuckle. You certainly didn't need that proof, but it was nice to prove Hawks wrong before he was sent to where he deserved to be.
He clenched his jaw, stepping closer to Gideon instead of you, likely because he knew he couldn't shake you. "You are a fool if you think they're going to put me in prison with all that I know." He glanced at you and your lips quirked upward, because this was true.
"Why'd you have to kill Olivia?" Elle interrogated. She was straight to the point; you liked her.
"Economics," Gideon replied, staring straight at Bruno. "Olivia was looking into your financial records when you snapped her neck."
Elle scoffed under her breath. "So she knew your dirty little secret."
"Which one?" Bruno asked. "I have so many."
You stepped closer to the trio. "The one that involves you cashing out through Hassan, maybe buying a real Rolex instead of the fake you don so proudly."
You could see Bruno's façade cracking, his frustration leaking through. "Twenty-million from Hassan will go a very long way to help occupy my mind on a beach somewhere."
Gideon wasn't fazed. "The only beach you'll see is on a postcard I send you from my vacation. Let me have your gun."
Knowing there was no way out of this, Bruno did what he said willingly, but he still had to taunt. "You know, I think the consequences of what you're doing to me, my friend, are going to be a lot harder to live with than you think."
Jason stared at him without blinking, and he stared until Bruno walked out, escorted by agents left and right of him. You found it comical, that petty thieves were escorted to the back of police cars in chains, yet a man who nearly started a war could walk out freely.
Well, you supposed Bruno Hawks wouldn't be free for much longer.
And it was your job to see to that.
❧
You were packing up your things in your office when a knock sounded. You turned to see a raven-haired man in a suit standing there, a hand in his pocket. A grin came to your face. "Agent Hotchner," you greeted. "Congrats on solving the case."
He let out a chuckle that surprised you. Aaron Hotchner didn't look like a man who laughed often. "Yeah, well, thank you, but I have a feeling you knew from the beginning."
Your grin widened. "Ah, I just needed proof." You continued to pack your things. "And besides, I wanted to see what your team was capable of."
He hummed, and you thought he'd leave after that, but he stayed, looking around the room with a careful interest. "No pictures," he noted. "No personal artifacts. It's extremely clean in here—untouched, almost. How much time do you spend here?"
You fully turned to him after that, giving him your full attention. With comments like those, that must've been what he was after. You crossed your arms, but the smile never left your face. "Perceptive, Hotchner," you remarked. "Profiling me now?"
He shook his head. "Not profiling, just observing."
Now it was your turn to hum, looking him up and down. You found that you liked what you saw, visually, but the implications to what you saw weren't very fond. "Well, what I observe, is an accomplished man in a nice suit, but you don't wear that suit because you're unit chief, you wear it because you got used to it as a prosecutor and now it makes you feel on top of things... professional. You're stiff and stoic, but that's because you like to separate your work life from your home life. At home, with your wife and kid, you're lively and relaxed, but that's also to compensate for the fact that this job takes a lot out of you; you're not home often, and that puts a strain on your marriage, which is why you haven't called your wife once today." Your voice was soft as you delivered that final blow. Hotch looked both uncomfortable and, surprisingly, impressed. But thus far, nothing about Aaron Hotchner was what you were used to. "Tell me, Agent Hotchner, was I correct?"
Hotch lightly snorted, but he didn't answer. Instead, he took to staring right back at you. You'd been stared at by bad men, murderers, rapists, terrorists and the like, but for some reason, his stare bothered you. You turned back around and packed one last thing into your bag. Then you walked toward the door, stopping just before you made your exit like an invisible barrier was holding you back.
You patted his shoulder, telling him, "You should smile more, Hotchner. It'd suit you."
And then Aaron watched you leave for the second time in his life, except this time—for reasons he couldn't begin to fathom—he hoped he'd see you again.
3. The games we play
Washington, D.C., 2007
The air in Washington was always crisp. There was something different about it—like you could smell the power in the air, like you feel it. When you were home, in your apartment, it was suffocating. There was enough politics in this city that you could drown in it, politics you didn't care for. You saw enough of it as is.
Nevertheless, you weren't home often, so it wasn't too troublesome. Today, however, you were home, except you weren't here to rest.
You stepped out of your Mercedes as soon as you parked, locking the car and walking straight into the alleyway. Men in blue stood in your path, hands out. "Ma'am, this is a crime scene—"
You wordlessly held up your badge, effectively shutting him up. With red climbing up his neck, he nodded and lifted up the yellow tape for you.
When you made it past them, there was a woman in a red dress there. She'd be beautiful, you thought, if she weren't sprawled out dead on the ground. Her dress was so dark you almost couldn't see the blood stain.
But the blood pooled around her was a telltale.
Next to her body was a card with typed-out letters and numbers that appeared random.
But you knew better than that.
There was a woman taking photographs of the scene and a detective analyzing it. He was just as confused as those officers when you showed up. "Excuse me, who are you?"
You gave him a short smile. "Detective Walker, I wish we could've met under better circumstances. I'm Y/N Y/L/N." You held one hand out and simultaneously held up the other with your badge. "I've been instructed to take over this case."
He furrowed his brows. "I'm sorry, Ms. Y/L/N, but I've already alerted—"
"Detective Walker."
At that, you screwed your eyes shut and cursed under your breath. You recognized that voice—hell, you recognized the sound of his footsteps. And he was exactly what you didn't need.
Composing yourself, you spun around with your signature smile. "SSA Hotchner."
Hotch looked momentarily stunned at your being there, but that was quickly wiped away. "Y/N. What are you doing here?"
"Well, if you mean in the city, I live here. And if you mean at this scene, then that's because it's mine." You paused, letting that soak in. "This is my case."
Confusion was visible on his face. For a second, you thought it was cute. "No, this is a BAU case. Series of murders, victimizing high-level escorts—forgive me, but I don't see why this would require a CIA presence."
Of course, you don't, you thought, but for once, you didn't say what you were thinking. Instead, you explained, "I understand that 4 women have died in the past week, but believe me, Agent Hotchner, that is not the case I'm here to solve." When his brows knitted together, you elaborated, "These women are not the targets of these attacks."
"What do you mean?"
You sighed, pointing over to the woman's body. "See that card over there?"
"Yeah, it's the unsub's signature."
"No, it's more than that. It's not a way for him to get off; it's not something he does compulsively. It is a taunt," you stressed. "Those letters aren't random. They're part of a code."
"A code to what?"
"A code to an NSA file recording every single undercover operation the United States has in foreign countries." Like your words were a vacuum, they sucked anything lighthearted out of the atmosphere—if there was any to begin with—and left tension in their wake. "6 high-level analysts have parts of that code. I'm guessing that 4 of them are already dead." You glanced back at the dead body before looking back at Hotch. "The unsub isn't a serial killer, Agent Hotchner. He's a traitor with a mission to annihilate everything in his wake."
❧
After looking at the scene, you sent Detective Walker away, telling him it wasn't personal but this case was too sensitive to be worked by local police. They didn't have the clearance nor did they have the means to help. You asked him to send you all of his evidence, and he complied easily, but someone wasn't so easily persuaded.
"You're going to need help."
You snorted. "Thank you, but I think I'll do just fine without it." Just as you reached your car, Hotch grabbed your wrist.
You turned around, but before you could say anything, he spoke. "You could use my team, and you know it."
Your eyes ever so slightly narrowed. "All due respect, Agent Hotchner, but this is above your pay grade."
He held your stare for a few seconds until you saw his jaw tense. He glanced to the side before he exasperatedly muttered, "Please, Y/N." He looked up at you. "I want to help with this case."
Unknowingly, you straightened your back. Aaron Hotchner surprised you more and more each time you saw him. The corners of your lips curved upward, but something about your smile was more sincere. "You're not a man who says please much, are you?"
He rolled his eyes and neglected to answer. "Does that mean you'll accept our help?"
You paused. Was that what you meant? Your mouth didn't correspond with your brain as you replied, "I'm running point on this." Hotch's shoulders imperceptibly relaxed and he nodded. "I'll tell Detective Walker to send his stuff over to the BAU. I'll meet you there to brief your team." You turned away before you could see him nod a second time.
You don't know why you said yes, but you did. On the drive over, you told yourself it was because he was right, you could use some extra hands, and it helped that the BAU were good at what they did.
Yes, that's why I didn't send him away.
You didn't explore any other option.
❧
Hotch got to the BAU before you but waited for you to arrive before walking into the building. To make sure you got to the right place, you reasoned.
You went through the typical security procedure: removed your guns, walked through the metal detector, and showed your ID. In the elevator, you cracked a couple jokes that he didn't laugh at, asshole, but you nearly caught him slipping at one.
"This city's so damn power-hungry that even the serial killers would prefer a fucking computer code over sex. What a nerd. Hey, how often does that happen in your line of work, Hotchner?" You turned your head for his response when you saw his lips twitching.
You let out a dramatic gasp. "Agent. Hotchner. Are you..." you lowered your voice, a devious smile crawling to your lips. "smiling?"
His efforts to suppress his little smile failed after that. "Let's focus on the case, Y/L/N."
"Sureeee," you drawled. The elevator dinged and opened. "Better be careful, Agent. I might just start thinking you have a soul."
He shook his head at you and walked out of the elevator ahead of you so that you couldn't see him as a full smile graced his face. However, once you got to the conference, Hotch erased any sign of that smile and walked in full-stride.
You gave the room a cursory glance, duly noting that they must've spent a lot of time in here. You noticed immediately afterward that some faces were missing, and on the other hand, some new ones had appeared.
You followed Hotch to the front of the room in front of their TV.
"Everyone, this is Director Y/N Y/L/N from the CIA. She'll be leading this case—and as some of you may recall, she's already worked with us on an investigation about a year ago," he announced, subsequently gesturing around the table. "Y/N, this is SSA Emily Prentiss, SSA David Rossi, our communications liaison Jennifer Jareau, and our technical analyst Penelope Garcia."
You nodded, smiling at them. "It's nice to meet you all—"
"You're— you're her."
You turned to the blonde with pink highlights that'd cut you off, Penelope, and furrowed your brows. "I'm sorry?"
"Oh my god, you're her," she whispered, her eyes wide and her face awestruck. "You're The Angel of Death."
You held back a laugh. "That is what people to tend to call me, yes."
She opened and closed her mouth repeatedly before eventually blurting, "I— you're an icon. I've read some of your code before in snippets, and it's beautiful. And, I mean, when you can code like that and then do what you do, it's no wonder that the government would want you all to themselv—"
"Garcia." At Hotch's command, Penelope's mouth snapped shut and snickers were heard around the table. "We are here to work," he told her, trying to be serious, but you could hear the amusement hiding behind his tone.
"Yes— yes, Sir. Work. Working," she said, but her eyes remained trained on you even as she spoke.
Morgan laughed, swivelling his chair toward you. "Sorry, angel. She gets a little..." he twirled his finger next to his head, "Comicon-y whenever things involve computers."
This snapped her out of her trance and made her whip around to point her finger at him. "You better shut it, Morgan, before I show everyone those pictures of you at Comicon with me."
His smile dropped. "Babygirl, you wouldn't."
"Oh, yes, sugar, I would."
Hotch exasperatedly cut their very entertaining banter off. "Work."
"Morgan, you've been to Comicon?" Without even looking at him, you could hear the smirk in the man's words.
"Leave it, Rossi. You heard the bossman: we've got work," he changed the subject, but based on the fiery look being sent his way by Reid and the teasing one by Emily, you'd bet that this conversation wasn't over.
Hotch signalled for you to start, so you stepped forward, got a little more serious for his sake, and began, "The serial killer you've been phoned in on is not a serial killer. The women he's killed are unfortunately collateral damage to a much bigger problem." Behind you, pictures of the paper left next to the bodies appear on screen. "The unsub is going after high-level members of the NSA who have fragments of a specific code. He's been leaving those fragments at the crime scenes. So far, he has 4—there are only 2 more. Once he gets the last two, it'll only be a matter of time before he's able to unlock a classified file, detailing every undercover op we have or have had in other countries."
The room was quiet. Morgan was the first to question, "So, he's a whistleblower?"
"No, not necessarily. Given his M.O. and need to taunt us with these papers, his goal isn't to expose the government—it's only a stepping stone to what he truly wants, which is chaos."
Emily spoke up next. "Well, he's clearly a narcissist, and he's sadistic at that. Otherwise, he wouldn't have killed these women like this."
Dr. Reid nodded, keeping his eyes on the file in front of him. "Craves control, finds a way to manipulate the situation and mold it into what he wants it to be." He looked up, talking with his hands while explaining, "Narcissists are devoted to themselves and will further themselves in whatever way possible. They lack empathy and find enjoyment in causing others pain, stemming from their grandiose sense of self-importance. Nathan Leopold and Richard Loeb were drawn in and obsessed with Nietzsche's idea of Übermenschen, supermen who possessed such high intelligence that it put them above the law. They later confessed to the police that they sought to commit 'perfect crime.' This unsub is likely suffering from the same sense of entitlement."
Rossi tipped his pen at him, agreeing, "Yeah, he's arrogant and he believes he can get away with this, hence the taunting. All he wants is to feed his ego, but he hides behind the whistleblower façade to absolve himself of blame."
"And he's impatient," Derek added. "4 bodies in one week. We don't have much time before he strikes again."
"No, we don't," you said. The screen changed to display the pictures of two men. "The last two people with the code are Malik Hussein and Ethan Torrie. I believe he'll go after Ethan first; he's in D.C. for this big gala tonight. That's where the unsub will make his move."
Emily looked between you and Hotch, almost as if she was unsure who she was addressing her question to. "So what's our plan?"
You, too, glanced at Hotch before looking back at her, splaying your hands out in front of yourself. "Well, we only have one course of action: wait for the unsub to approach Ethan."
Unexpectedly, Hotch interrupted you, saying, "Y/N and I will go in undercover." What? You held yourself back from widening your eyes and whipping your head around. "The rest of you will be waiting for our signal. Garcia, can you get us on the guest-list?"
"Already on it, Sir."
He nodded, firing orders away, "Alright, Morgan and Prentiss, I want you both to go back to the crime scenes. Talk to the owners of the establishments, bartenders, doormen—anybody who could've seen the unsub leave the building with the victims. Garcia, consult with CCTV footage. Rossi and Reid, I want you looking at his M.O. and why he didn't leave the men there with the women. JJ, contact The Post and tell them not to run the latest murder; it's imperative we keep this and the unsub's true motives out of the press. Y/N and I will go over tonight's plan."
They all voiced their confirmations and, like clockwork, filed out of the room until it was just you and Hotch left standing. The air suddenly got heavier—with what, you had no idea.
It felt different, old and new all at the same time, like everything and nothing you'd ever felt before. You couldn't pinpoint it, couldn't describe it.
Growing bored of the silence, you raised a brow, repeating, "'Y/N and I will go undercover?'"
Hotch, who was in the middle of collecting his things, paused and raised a brow of his own, turning to face you. "Yes. Is there a problem?"
You looked him up and down, taking your time and not bothering to be subtle about it. After a moment, you responded, "No." A smirk slowly came to your face. "Let's go over that plan."
He maintained his stare for a few seconds, reminding you of when you met. Eventually, he nodded and got to it. All the while, your mind ran rampant—but not with the case.
Agent Hotchner continued to surprise you.
And you'd be sure to return the favour.
❧
After planning for hours, you and Hotch came up with a decent story. He'd be going as himself. You'd pretend you were his girlfriend, his tag-along for the party, with a fake identity. His presence would make sense, but if people found out Y/N Y/L/N was there, they'd start to wonder things that this plan couldn't afford.
Your name wasn't widely known, nor was your face, but at a party like this, you had to be careful.
That's what you explained to Hotch.
"I don't understand. Nobody knows who you are. Not even Garcia could figure out who you really were when we met." He furrowed his brows in confusion.
You sighed, "There's going to be a lot of powerful people there, Hotchner. Everybody knows The Angel of Death, but there are some big fish in Washington that know she's Y/N."
This seemed to confuse him more. You surmised that he didn't like not knowing things. "Why do you say it like that—say your name as if it's not your name?"
You gave him a look.
His eyes widened. And for the second time that day, you found yourself thinking that Aaron Hotchner was cute. "It's not your name?"
"Why do you think Penelope had such a hard time finding my credentials?" you inquired. You went on before he could answer. "I take it she didn't find my records at The Academy, either. She found that I went to Caltech, but she didn't find yearbook photos or my social media. She found that I grew up in Massachusetts, that my parents are dead, that I was born in '79. But otherwise, I'm a ghost, aren't I?" Your voice was somewhat playful.
Hotch didn't seem to find the humour in what you were saying.
"So everything about you is a lie." It wasn't a question.
Your eyes glinted with amusement. You leaned in to where he sat across from you on the other side of the table. If you didn't know any better, you'd say that Agent Hotchner stiffened. "'Nothing more than a rumour, an urban legend amongst criminals and internet sleuths. A myth,'" you whispered. "Does that sound familiar?"
He didn't respond.
"As you said, Agent Hotchner, I am a myth. I am not meant to exist. So find me another identity and show me that you're up for the task before this entire plan is derailed by a name."
Your memory was cut off by a knock at your door. You swiped your lipstick across your lips and they immediately quirked upward right after.
You took your time getting the door. Whether Agent Hotchner realized it or not—or rather, whether he was willing to admit it or not—this was a game. And you were nothing if not a damn good player.
Without knowing it, he started it when he picked you up off the street that day in '04. He moved another piece on the board when he walked into your office in '06. And then he asked to work on this case.
It didn't matter what he thought about you or what your name really was. All that mattered was the next move.
You opened the door and his eyes immediately widened on their own accord. They travelled down your body, tracing the outline of the red dress you'd picked out, finding the slit on the side. But this was all within a split-second.
In the blink of an eye, his eyes were back on yours. If you hadn't been paying attention, you would've missed it. He was hoping you did.
But you didn't.
You did, however, miss his ears going red when you turned around, leaving the door open as an invitation inside.
"You're wearing a suit," you noted, smirking. "How out of character for you."
You heard the door shut, and then footsteps behind you. "Funny, Y/N."
You chuckled. "Please, I know you think I'm hilarious."
He lightly shook his head as you stood in front of your mirror, putting on your earrings. He took that moment to look around your apartment, eyes scanning over your living room. No pictures anywhere, no plants or art. You had a couch, but no television. He glanced to the adjoining kitchen. There was an espresso machine, but he was willing to bet that if he checked your fridge, it'd be empty.
"You can stop trying to profile my apartment," you informed him, still adding the finishing touches to your outfit. "I don't stay here often."
"I can tell."
He watched as you picked up your heels then went to sit on the couch to put them on. He tried not to let his eyes wander, instead trying to look around the room some more, but even without having his eyes on you, he still couldn't get your picture out of his head.
Distractedly, he heard you absentmindedly ask, "Hey, whatever happened to Gideon and Greenaway?"
He looked at you to respond, seeing you get up. "Things with the job. Certain cases take more of a toll on others." He didn't explain that Elle spiralled or that Gideon lost everything he held dear. He preferred not to think about it.
You tilted your head. "Did things happen with you, too?"
He didn't answer, instead opting to suggest, "Let's go over the case one more time."
You nodded and let him get away with it.
Hotch schooled his expression. "You're Deirdre Carter. You're a CPA. We met years ago on a work conference but hit it off recently. We've been dating for five months."
"Dating," you repeat.
His brows furrowed. "Yes." He didn't understand why you were hung up on it until he saw you glance down at his hand. It's then that he realized he was still wearing his ring. "Oh."
Your voice got softer, and you didn't know if that was part of the game or not. "Look, Hotchner, you don't have to do this if you don't want to. I can do this solo."
"No—" he sighed, looking down at the ring he'd worn everyday for years on end. "I'm divorced. I guess I just wear it out of habit," he revealed.
"Oh."
He took it off and stuffed it in his jacket pocket. "Let's head out," he said. You nodded, leading him out.
And you didn't mention the ring again.
❧
Once you got to the building, you met Derek, who was in a secuirty uniform, at the front. He momentarily disabled the metal detector for you so that the guns on your thigh and in Hotch's boot weren't caught.
In the hall, the music played ceremoniously, an orchestra of jazz players working tirelessly to entertain D.C.'s wealthiest and most powerful. The President would be making an appearance later. You hoped to get this done and get out of here before that happened.
Your eyes found Torrie within a minute, subtly signalling his location to Hotch. He was by the bar, a redhead on his arm. The two of you went that way.
He ordered you drinks at the bar that he wouldn't drink, but as soon as your martini was in front of you, you were picking it up and taking a sip.
"What are you doing?" he hissed, talking through his teeth. "We don't drink on the job."
You smirked at him. "You don't drink on the job. I'm just keeping up appearances." You then took the olive and bit into it. For some reason, you enjoyed getting under Hotchner's skin.
He rolled his eyes at you, likely about to reprimand you again, but a voice in your ears stopped him. "Do the two of you have eyes on Torrie?"
Hotch turned to you and brought his hand to your face, cupping your cheek. To those surrounding you, he was just a man caressing his girlfriend—hell, the leap in your chest told you that you nearly bought it. But you knew he did this so that the mic hidden in his sleeve would be at your mouth. You held his stare, a sweet smile gracing your face as you replied to Rossi, "Yes. By the bar."
"Good. Prentiss is on the floor with the ambassador if you need her."
You leaned into Hotch, too, running your hands down his suit jacket while he glanced around for Emily. "Got it."
The next voice you heard was Garcia's. "Hello, my lovelies, I am watching you on camera. Hotch, to your left is the door through which you'll take our bad guy. It's being guarded by Reid and JJ as we speak."
You lowly thanked her, to which she stammered out a "you're welcome." Hotch took his hand away from your face and you removed yours from his chest, cursing the part of yourself that missed his touch.
If you weren't on a case, you'd have thought more about how pretty his eyes were.
The music suddenly changed, becoming a slow song. Your eyes darted behind Hotch to see Ethan and his date making their way to the dance floor. You downed the rest of your martini then grabbed onto his hand, wordlessly pulling him to the floor.
You felt him lightly tense when you put your hands around his neck. "Relax," you whispered. "Just go with it."
At that, he eased up, wrapping his hands around your waist. You moved to the beat of the song, taking control of your dance while he kept a close eye on Torrie. No one had approached them yet, you gathered.
The dance came easy to you, too easy, like it'd been rehearsed or like it was something you'd been doing all your life. Your feet moved synchronously like they had a mind of their own. You didn't have to think about it—it just happened.
It was funny, almost. The stiff and stoic Aaron Hotchner could dance. Your mind went back to when he smiled in the elevator earlier. It made you wonder what he was like before. Before he was a profiler or unit chief.
You know you were different before you were in this life, before you became Y/N.
You wondered what would've happened if you met back then, when you were just you and he was just him.
And just as soon as you started wondering, you no longer wanted to think about it. Instead, you asked him, "Did you ever think you and I would be dancing together like this when we met?"
He glanced down at you then looked away. "No." A ghost of a smirk came to his lips. "I thought I'd be putting you behind bars."
You chuckled. "I know. It was quite entertaining."
"To you, maybe." He glanced down at you again. "I don't like being blindsided."
"Oh, I know." When he glanced down at you this time, he saw your eyes twinkling. "That is precisely why it was so entertaining, Agent Hotchner."
He chuckled under his breath, and something in you fluttered. "You're something else, Y/L/N."
You hummed, murmuring, "And don't I know it?"
He was gonna say something else but then something in his expression changed. He was back to stoic, eyes hardening. You straightened your back and stopped dancing. "7 o'clock," he muttered.
You unwound your hands from his neck, turning around to see a man beelining at Torrie from across the room. But if you had your way, which you would, then he wouldn't make it to Ethan at all.
With Hotch hot on your heels, you headed his way, moving through the crowd effortlessly. Just before he was about to reach them, you inconspicuously unholstered your gun from your thigh and pressed it against his back, stopping him in his tracks.
Hotch caught up to you, standing to the side and obstructing the view. "Careful, friend. I wouldn't want to shoot you in front of all these people, but I will." As a warning, you clicked the safety off.
The man tensed as Hotch grabbed his arm. Your voice was sweet in comparison to your sour words. "Now, you're gonna follow him or I'm gonna pump you full of lead. Capisce?" Neither you nor Hotch waited for a response, leading him towards the side doors that Garcia had notified you of.
Upon getting there, Reid and JJ opened the doors without a word and closed them immediately after you'd gone through them.
As soon as the doors closed, the unsub twisted Hotch's arm, prompting him to yelp. Simultaneously, he knocked the gun out of your hand, sending it thudding across the floor.
He shoved you against the wall, knocking the wind out of your lungs. Meanwhile, Hotch threw a punch his way. A crack resounded through the hallway followed by the unsub growling. He threw a punch back that Hotch narrowly dodged, but in one quick motion, he pulled Hotch's tie, catching him off guard.
In a flash, he had Hotch in a chokehold, fighting for breath. You acted quickly, reaching for the knife sheathed on your thigh, running up behind the ubsub and holding it to his throat, causing him to go rigid.
"Let him go or I slit your fucking throat," you spat.
He didn't ease his hold, making you bring the knife closer, knicking him. "I said, let. him. go."
Begrudgingly, he let Hotch go, who was gasping for breath. You let him catch his bearings for a moment, but you had to alert him, "Hotchner, the cuffs."
He coughed but nodded, grabbing the cuffs from his pocket. You took them from him, shoving the unsub against the wall just as he did to you and pulling his arms behind him. You wrapped the cuffs around his wrists and tightened them until you heard him grunt.
"In case you didn't get the memo, you're under arrest, asshole."
Knowing this would never reach a courtroom, you didn't read him his rights or tell him what he was being arrested for. He knew.
Where he was going, he'd never forget it.
❧
You and Hotch stood to the side in an alley after you'd shoved the unsub into the back of a black sedan, watching the car drive off.
"I know that you're just itching to interrogate him," you commented, your voice echoing in the night. "But trust me, that's somebody else's job now." You felt Hotch's eyes on you, but you didn't look at him.
His stare burned into the side of your head. "That wasn't a cop car," he said.
"No," you finally looked back at him. "it wasn't."
"Who was driving that car?"
"A CIA agent."
"And where is he going now?"
"To pay for his crimes," you slowly answered, narrowing your eyes. "Stop worrying about it."
He stepped closer to you. "He should be doing that in a federal prison, with a sentence decided by a judge and a jury. The families of those analysts, those women— they deserve closure."
You shook your head, an incredulous laugh leaving you. "You still don't get it, do you?" Your voice was teasing, but your undertone was hard and serious. "A trial means telling a bunch of people, including civilians, about ops that are not meant to exist. It's just not gonna happen."
Hotch kept staring at you for what felt like forever but was really only a few seconds, giving you the urge to squirm under his gaze. For some reason, you didn't like the way he was looking at you. Finally, he looked away, exhaling, "It's not right, Y/N."
Somewhere, deep inside, you felt a pang. You touched his shoulder, softly telling him, "You should know better than anyone that the law isn't about right and wrong."
He still didn't look at you.
You sighed. "Thank you for your help, Agent Hotchner." You patted his shoulder one last time and then left the alley, walking through the door you came out of and, in doing so, you felt something change.
The game was over.
You just couldn't tell who won.
By the time Aaron had noticed this change, he tried to follow you, but when he opened the door only to see an empty hallway, he realized it was too late.
You were gone.
And he didn't know why that disappointed him so much.
4. Unpredictable
New York, New York, 2008
Whenever Aaron was in New York, he liked to pick up good coffee and eat good food. But as he stood over a dead man's corpse, he felt his appetite vanish.
He and his team stood at the crime scene, analyzing it. It was different, but he couldn't shake the feeling that everything about these murders were different. There was something off about them, and he couldn't figure out exactly what it was.
Out of the corner of his eye, he saw a black car pull up next to the yellow tape, the Mercedes logo glinting in the light. He furrowed his brows then shook his head, thinking better of it. Stop thinking about her.
"Uniforms are rounding up witnesses."
Detective Cooper and Brustin's arrival made him look away from the car and toward them instead. "Doesn't sound like anyone got a clean look," Cooper said.
Morgan looked up at the security camera that should've caught everything but in reality caught nothing useful. "It's over in a flash," he remarked. "He's probably gone before anyone even realizes what's happening."
Right beside him, Kate asked, "Is this what it felt during the Son of Sam?"
Just as Brustin was about to answer, a new voice sounded from behind them. "Son of Sam is the least of your worries." His breath hitched. They all turned around, and Hotch instantly realized that he was right: that car was yours—and now you stood right in front of him.
You gave him a glance but then your eyes were back on Kate. "What you should be focused on is another 9/11."
Kate lightly scoffed. "My apologies— who are you?"
"Y/N Y/L/N, CIA," you introduced yourself, flashing your badge. Recognition briefly flickered through her eyes. "And you must Kate Joyner, head of New York's field office." To be polite, you held out your hand, and she reluctantly shook it. "I'm here as the Agency's delegate, and I'll also be representing Homeland Security for the time being."
"Homeland Security?" You looked to Morgan. "It's nice to see you again, angel, but what does Homeland Security have to do here?"
You went to answer, but Joyner cut you off, "I'll ask the questions, Agent Morgan, thank you." Your eyes widened slightly in surprise, and a quick look at Derek told you that his did, too, but then Kate was looking at you again, waiting for you to answer.
Your mind was brought back to the situation at hand. You glanced at Hotch once more to see he was already looking at you, but then you looked away. "I have reason to believe that this guy is more than a serial killer. In fact, I have reason to believe this is more than one guy."
Kate crossed her arms. "What are you suggesting?"
Every time Hotch had seen you, no matter how serious the situation was, you were lighthearted, amused, knowing you'd come out on top. But this time, your voice was devoid of its usual playfulness as you disclosed to them a fact that changed their entire investigation.
"If I'm right, Agent Joyner, then we're dealing with terrorists."
❧
Once the initial shock from your revelation died down, you told them that you'd explain everything back at the field office. Unexpectedly, Morgan asked to ride back with you and you obliged, figuring his company wasn't too bad.
Hotch stared at you the entire time as you got in the car, and he continued to stare at you until you sped out of sight.
You didn't look back once.
"So, terrorism, huh?"
You glanced at Derek and smirked, finding that playful nature again. "I told you, I'd explain at the Bureau."
He shook his head at you, a similar smirk on his face, then he quizzed, "Hey, did Hotch happen to tell you why Joyner's giving me attitude?"
You furrowed your brows as you came to a stop light, turning toward him. "What makes you think I've talked to him?"
Derek snorted. "Please, every time I've seen the two of you together, you're all flirty—even when he was still with Haley."
"So what? I've flirted with Spencer before—doesn't mean I wanted to get into his pants," you defended.
His smirk widened. "I never said you wanted to get into the boss' pants."
"You insinuated it."
"Why, angel? Do you want to get into his pants?"
You deadpanned, "No, I do not." Despite yourself, you couldn't stop red from crawling to your cheeks.
"Yeah, keep telling yourself that." Right after, the light turned green, as if saving you from whatever this was. Then the teasing disappeared from Morgan's voice, replaced with curiosity. "Wait, so you're seriously telling me Hotch didn't call you?"
"Yes, Derek. That is exactly what I am telling you," you insisted, then you glanced back at him. "But to answer your question, Kate doesn't like you for the same reason she doesn't like me: power." He stared at you confusedly, so you elaborated, "Word on the steet is that the FBI wants to reassign her, and you're their star replacement."
"What?" Shock laced through his voice.
"What, are you telling me you actually didn't know?"
"No, I thought the Bureau was so proud of itself for stealing her away from Scotland Yard."
"Well, don't ask me to explain FBI politics to you. I'm in an entirely different organization, my guy."
Derek groaned in exasperation, making you laugh and forget about Hotch, even if it was only for a second.
❧
By the time you and Derek got to the field office, you were all business, unlike any time Hotch had ever seen you.
With the team gathered around you, you stood in front of the evidence board and started, "The unsubs' behaviour is questionable. They're disciplined, they're using countersurveillance. They take a quick shot then leave the scene immediately, not stopping to watch or enjoy the kill at all. There is nothing sexual about it, and that is because these killings are not the work of a serial killer. They're methodical. They look like mob hits at first glance, simulate gang initiations. They seem random, but they're not. The murders, just like the Death card you received, are a smoke screen."
Kate cut you off. "How can you be so sure?"
You suppressed your irritation at being interrupted and kept calm. Cooly, you explained, "Murders like these create panic— not just amongst the general population, but amongst law enforcement, as well; it is terror. It serves their greater goal." You gestured with your hands as you spoke. "The murders simulate a bombing. From there, they station someone to watch, gauge how long it takes police to respond."
Understanding flashed through Morgan's eyes. "At which point they bring in a second bomb."
"Exactly," you affirmed. "The goal is always to take out a first round of civilians, followed by a second wave of emergency responders. It's trial and error—it's how they practice. And if someone catches the shooter, that's fine because we just end up thinking we have a murderer; the cell is never compromised. And in creating such panic, they ensure the most urgent response time short of a bombing. It's by far the smartest way to plan for a terrorist attack."
You crossed your arms, giving them time to absorb your words. You didn't expect anyone to respond so soon, and you certainly didn't expect that person to be Hotch. "It's a theory, Y/N." His voice was soft, and that seemed to only add fuel to the fire.
You resisted the urge to scoff, sharply retorting, "Isn't any profile?"
He didn't answer. Perhaps that was the smartest choice; he didn't want to pick an argument with you, not now.
Hesistantly, Spencer spoke up, "I think— I think she's right." He walked behind you to the board, picking up a red marker and circling spots on the map before turning back around to face you. "I think they're targeting points of entry. All the murders have taken place near a bridge or tunnel."
"Holland Tunnel, Midtown Tunnel, Manhattan Bridge," Emily muttered.
"If bombs went off, emergency response would shut down any ability to get in or out of the city," JJ remarked. "It's— it's like people would be trapped on the island."
It looked like you had everyone convinced, even Hotch—despite his reluctance to believe you—but for some reason, Kate Joyner just couldn't let up. She crossed her arms. "I still fail to see how you came to the conclusion of multiple shooters."
Unbothered, you replied, "Having followers do the shootings would ensure they're willing to kill or be killed for their cause."
She countered, "But is there any evidence that that's the case?"
You narrowed your eyes, going to respond when someone's ringtone sounded. Derek picked up his phone and put it on speaker. You could almost thank whoever it was for stopping you from saying something you would or wouldn't regret.
"Talk to me, babygirl."
Penelope's voice came through the phone. "Okay, I have bad news then badder, connected news. What would you like me to start with?"
Derek glanced up at you, then at Hotch. "Gimme the bad news, Garcia."
"Alright, well, I was looking at the surveillance footage from the murders, specifically the most recent compared to the previous, and found something very, very off. I'll share my screen with you." Emily turned on the laptop on the table closest to all of you, and the footage immediately appeared. Silently, you watched the videos one after the other, and you had a feeling that Garcia was just about to vindicate you. "You guys see what I saw?"
"Well, he sprints off in one and walks calmly in the other. It's two entirely different demeanours," Morgan said.
"Exactly, my dove. So check it out, I did a digital perspective analysis rendering on all the shootings we have footage of. Now the first two were inconclusive, but again, in the last two, I found something très weird." Garcia did a freeze-frame, her analysis software appearing. "Your calm, walking type—he's about 6 foot 1." The screen changed to the other scene. "But your sprinter, he's like 5'9", 5'10" tops."
While the air in the office got colder, you stood there holding back the urge to smirk. You saw both Morgan and Hotch glance at you from the corner of your eye, but you only turned to Kate, seeing somewhat of a defeated expression on her face.
"Is this evidence enough for you, Agent Joyner?"
❧
That surveillance footage was enough confirmation for you, no matter what Joyner had to say about it. Following Garcia's revelation, you walked away from the team's makeshift conference room and walked into the bullpen, pulling out your phone and dialling Homeland Security.
You notified them of the situation at hand and that you were expecting something big soon, but not yet, telling them not to act without your say-so. It was of vital importance that you controlled the situation; you couldn't let the unsubs know you were onto them, so you couldn't make any moves just yet, either.
You hung up the phone, sighing. You hated cases like these. Being The Angel of Death was something you got used to; you could control that, but dealing with a cell like this wasn't just more challenging—it was unpredictable, and unpredictable was something you weren't quite fond of.
You turned around and nearly jumped out of your skin when you saw Hotch standing right behind you. Your hand slapped against your chest. "Holy shit, Hotchner, don't they teach you not to a sneak up on a girl in FBI school?"
Something almost like a smile came to his lips, the last thing you were expecting from him, especially at a time like this. "I'd hardly call that sneaking up on you. And according to you, you've been to 'FBI school,' so you should know."
You scoffed. "Regardless." Hotch's eyes remained on you, and the corners of his lips never went down. An uncomfortable silence then settled between you, despite the loud bustling in your surroundings.
You were hoping you could've gone this entire visit without speaking to him alone.
He must've noticed this, because his next words were, "You've been avoiding me."
You tensed ever so slightly. You'd been here all of five minutes, and he thought you were avoiding him. "I have not been avoiding you—"
"Yes, you have."
"We have bigger problems to deal with. Not everything is about you, Hotchner."
"Why are you avoiding me, Y/N?" You hated how his voice sounded, calm and soft. You hated the fact that he was even asking you this right now. You wanted him to be the stoic guy he always was. You didn't like this. And deep down, you knew that that was why you were avoiding him.
You didn't like the unpredictable.
And Aaron Hotchner was just that.
In lieu of responding, you dodged the question, biting back, "Why do you care?"
Hotch stilled as if you'd just hit him with the question of the century. It was then that he realized he didn't know. He couldn't answer you because he didn't have the answer himself.
He didn't know what he was going to say when he opened his mouth, and he supposed he never would, because a second later, a phone rang.
A sigh left his lips as he went to pick the phone up off some agent's desk, and you watched as the stoic man you knew returned. Yet, for some reason, you weren't as relieved as you thought you'd be.
"Hotchner." Kate chose that moment to walk out of her office while Morgan and Rossi came up from behind you. Hotch's voice became grave. "Does it look it could be one of our guys?"
Derek took the words right from your mouth. "What's going on?"
Hotch put down the phone. "We've got eyes on one of them," he answered. "He's on the subway platform at 59th and Lex."
"59th—? We could've been right there." He looked at Kate with an accusatory glare. The fury that lit up in his eyes and the way she refused to look back told you there was a conversation between them that you missed.
Over the phone, you heard Garcia let out a shaky breath, telling you all that the unsub shot the woman.
Kate paced. "Where the hell are the police?"
Meanwhile, you picked up another telephone from the adjacent desk. "This is Y/N Y/L/N with the CIA. We have a murder suspect on 59th and Lex, subway platform. Hurry."
You slammed the phone down as you heard Penelope fret, "God, he's getting away."
"Garcia, can you get eyes on him above ground?"
A few clicks were audible as she responded, "He's heading west on 59th Street."
Kate spoke up, stating what you already knew. "If he makes it to the park, we've lost him."
"We lost the visual," another woman said.
Derek scoffed while Rossi questioned, "Are the police on the scene?"
"Negative."
And just like that, without another word, it was clear to everyone in the room that you just lost your only suspect.
You pinched the bridge of your nose, cursing under your breath. Next to you, Derek made his frustrations much more known. "We could've had that guy," he snapped.
Kate finally looked at him. "Even if we were on that platform, odds are he would have moved onto someone isolated."
This didn't console him at all. "Maybe, but it was worth taking a shot—"
"I had every available man on the street."
Morgan stepped forward, seething. "And I suggested to you that you use this team." Realization came over you. Now you understood why he was so angry; Kate let her resentment of him get in the way of the case, and that decision may have just cost you a life.
Just as you thought Hotch couldn't get any more unpredictable, he scolded, "Morgan, second-guessing doesn't do us any good right now."
Your brows raised, but he didn't look at you, nor did he look at Derek.
"Hotch, we have a possible terrorist attack coming. How am I supposed to look these cops in the eye and tell them that we're actually here to help them?"
Hotch's reply was sharp. "We're here to present a profile. That's what we need to do."
Derek ignored him, pressing, "I said to put as express stops. 14th, 42nd, 59th— and that's exactly where they hit—"
"It's not your place to have this discussion." This time, Hotch did look at him, and his eyes were hard.
Immediately, you cut in, spitting out his name. "Agent Hotchner." Hotch's eyes went right to you. You stepped forward, firing, "We have six bodies. And right now, I have to call Homeland Security and tell them that we not only have another one, but we also just lost a valuable chance to find one of the perpetrators."
"Which is exactly why we need to stay focused."
"Focused?" Derek echoed. Then he took a step closer, standing eye to eye with his boss. "From where I'm standing, all your focus is on her."
Kate's head ducked down, and from there, it didn't take much for you to connect the dots. All of a sudden, it made sense why Derek had asked you about Kate earlier instead of going straight to Hotch.
And to think that, just a few moments ago, he'd been going after you.
With a tick in his jaw, Hotch commanded, "Take a walk. Now."
Derek stared at him for a split-second before walking off without another word.
"You know, I think I'm gonna take that walk with him," you muttered. And just like that, it was as if Hotch realized you were still there.
He went to say your name, but you were turning your back and walking away before he could even utter the first syllable.
Unpredictability. What a fickle thing.
You hated it.
❧
You found Derek at a nearby bar, the closest bar to the field office. Contrary to what you said to Hotch, you didn't come looking for him; he just so happened to find the same place you did.
Before you even pulled out the barstool, he was sighing. "I know. I was out of line."
You lightly snorted. "I'm not here to chastise you, Derek." He looked up at you, surprise flashing through his eyes. "I'm just here to drink." Right on cue, the bartender came up to you and asked you wanted to drink, to which you ordered brandy, neat.
When said drink arrived in front of you and you downed it in one go, it prompted him to ask, "Aren't you still on the job?"
A slight chuckle left you. "Morgan, I run an entire CIA ops division and then I also get asked to do things like this." You then deadpanned, "Trust me, I can hold my liquor."
He held his hands up in surrender, an amused expression on his face before something serious took it over, wiping the smile from his face. "I'm sorry about Joyner, by the way." When you look at him confused, he explained, "I didn't have to say that. Not in front of you."
You sighed. Not this again. "Derek, I have nothing going on with your boss. So whatever the deal is with him and Kate is absolutely none of my business." For some reason, the words stung coming out of your mouth, and you didn't like it one bit.
He left it alone and didn't press the issue further (thankfully). You glanced at the beer in front of him. You nodded toward it, stating, "You haven't touched that."
He glanced at it. "Guess I don't have the appetite for it right now."
You hummed. "Or you want to go back."
He let out a long, dramatic sigh, nearly making you laugh. "I have to apologize to her, don't I?" This time, when you nodded and he ran a hand over his bald head, you did laugh. "Fucking hell."
You sarcastically patted his shoulder. "Don't sweat it, sweetheart. I'll walk back with you."
"Sweetheart?" you heard him question as you stood up, putting enough money down for both of your drinks. "And now you're paying for me? You're threatening my manhood here, angel."
"Get over it, Morgan."
And as he let out a hearty laugh, you let yourself pretend that you didn't have a different agent on your mind entirely.
❧
Upon getting back to the office, you suddenly wished you'd had another drink as you were informed that there was not only another shooting, but Detective Cooper was shot after he and Prentiss chased after him.
Kate seemed to have taken Derek's suggestion and sent the team out on the streets in the hour and a half you were away. In that time, Prentiss and Cooper nearly got one of the shooters, but he was fast; he could've gotten away. Yet he stopped and shot Cooper, prompting Emily to fire a shot of her own.
Suicide by cop.
You hung up the phone, walking back into the room after telling Homeland that you'd be calling with another update soon. "Three shootings in one day," you said, catching everyone's attention. "They're ramping up to something."
Morgan held his phone up in the air and wiggled it. "Yeah, well, while you were on the phone, Garcia called. They hacked into at least one camera at every scene and have been watching from day one."
You cursed under your breath just as Kate called your name. "Y/N." You looked up at her in half-veiled surprise, seeing her standing with her arms crossed, a somewhat uncomfortable look on her face. "Aaron told me more about your position in the CIA, how you're more well-versed in situations such as these." It looked like she had a hard time getting the words out, despite the sincerity in her tone. "I'd like you to take the lead on this."
You were sure that the surprise must've shown on your face, courtesy of fatigue, but you quickly masked it and nodded. You took one deep breath, and then you dived in. "We need to hit the ground running." You turned to everyone individually as you gave them instructions. "Rossi, I'd like you to talk to the Commissioner. He'll be familiar with you." He nodded and left the room. "Derek, you brief Homeland Security, tell them I sent you. I want them to know we're expecting them to strike any minute now."
"You got it, angel."
You turned to Emily, who was already ahead of you. "I'll head to the hospital, check on Cooper, and brief Detective Brustin."
"Good. And Spencer—"
He (with a creepy accuracy) anticipated what you were going to say before you even said it. "JJ and I will talk to the Port Authority Police."
You nodded then realized that left only two people, unwelcome dread filling you. Out of a stubborn attempt to prove his earlier claim about avoiding him wrong, you looked to Hotch but still didn't meet his eyes. "Agent Hotchner, you and Kate should speak to the mayor. I have to make some calls to the DOD. We'll all meet back here as soon as possible. We are crunched for time, but the one advantage that we have is that they don't know we know they're watching."
Everyone who hadn't already left nodded and got to their tasks. Hotch looked like he wanted to stick around and say something to you, but as you said, the clock was ticking.
You called the DOD and briefly explained what Homeland Security had likely already spoken to them about, that you saw a terrorist event on the horizon. They told you that, luckily, the Deputy Secretary of Defense was in town, only ten, maybe twenty minutes away from where you were.
Quickly, you gathered your things and made your way out of the building. At the exit, however, you found exactly who you didn't want to see.
Hotch and Kate.
They hadn't left yet.
They stood outside the door, facing each other. He had his hand on her elbow, and he was saying something you couldn't make out. Whatever it was, it made her lips upturn.
You couldn't recognize the feeling that crawled through your veins at that moment. The green monster and you hadn't been acquainted in a while, but for some reason, she was showing up, making your body her home, and you hated it.
Shaking off whatever it was you were feeling, you pushed the door open. Hotch noticed you first. "Y/N," he said. He took his hand off her arm. A weight was lifted off your chest.
"Agent Hotchner," you greeted, promptly turning to the blonde and doing the same. "Agent Joyner. I've gotten word that the Deputy Secretary of Defense is in New York; I'm heading to see her."
Kate nodded. "Good. Aaron and I are on our way to the mayor's office now." She turned, starting to walk away, and then you realized she was heading in the same direction as your car.
Fuck. They parked next to you.
You started walking, too, Hotch now at your side. Kate was ahead of you guys. You're sure that Hotch could naturally walk faster than you, but he remained at your side. This is deliberate, you thought.
Your conversation from earlier hung in the air. With Kate gone, the tension between you was now palpable. But he wouldn't say anything, you assured yourself, not with her in earshot.
But perhaps you underestimated him. With every meeting, Aaron Hotchner continued to surprise you. He had become unpredictable to you.
Yet, the two of you would soon bear witness to just how unpredictable life could truly be.
Just as you were nearing your vehicles, Aaron opened his mouth to say something, but a loud boom cut him off.
Before either of you could register it, you were sent flying backward, shockwaves rippling through your body.
And then everything went black.
❧
New York City has never been so quiet, you thought, blinking your eyes open. And you've never been able to see the stars in this city, either, but tonight, you saw them just fine. Part of you wondered if you were dreaming.
No, not a dream. A hallucination.
There's been an accident.
The thought hit you like a ton of bricks as pain erupted in your side. A groan left you unwarranted. You went to touch it then hissed at the throbbing. There was no blood there, though, no wound, so it must've been the bones.
Nowhere else hurt—not that bad, at least. You tested yourself, trying to sit up. It hurt to do so, but you did it. And when you did, you were met with the sight of an SUV, up in flames.
No, not an accident. This was planned.
But it wasn't your car. It would've made sense if it were your car, if you were the direct target, but you weren't. Your mind ran a mile a minute. Why would they blow up a random SUV?
It's then that you remember it wasn't a random SUV. It was Hotch's.
Hotch and Kate.
They were with you.
With that realization, any and all intellectual thought escape your grasp. You shot upward, the pain becoming nonexistent as a surge of adrenaline flowed through your body. "Hotch!" you screamed. No answer. "Hotch! Kate!" No one answered. "Aaron!" You continued to cry his name but no one answered.
Tears you welled up in your eyes. It was lost on you that you hadn't cried in years. It was equally lost on you that this was the first time you'd ever said his name.
You spun around, letting go of a breath you didn't know you were holding when you spotted a man in a suit, standing there, just staring at the fire. You jogged over to him and called out his name, but he didn't move his head. You tried again. "Aaron." No response. "Aaron!"
Finally, he looked at you. A plethora of emotions could be seen on his face. Confusion. Anger. Fear. Then worry. "Y/N," he breathed. "Are you alright?"
"Yes, I'm fine." That was a lie, but you could handle the pain well. You had good experience. "Are you?"
"Yes, I think so."
You took a quick moment to examine him, the cut by his brow, the blood by his ear; you think back to how he didn't respond to your calls. Concussion, you thought, and a ruptured ear drum.
You take ahold of his arm, gently but firmly, and slowly asked him, "Aaron, where's Kate?"
He blinked, glancing back at the wreck and then back at you. You watched him swallow. "I—"
"Hey! Are the two of you okay?"
Your eyes and his simultaneously snapped to the voice that'd just appeared, seeing a scrawny kid stand in front of you. Like a switch had been flipped, the abundance of emotions on his face dissipated into one.
Determination.
"What's your name?" he questioned.
The kid looked at him, confused. "What?"
Hotch repeated, "What's your name?"
As if he thought you two were crazy, he glanced between you warily. "Sam," he replied.
Hotch didn't look at him or acknowledge his name as he ordered, "Call 911."
"Yeah— yeah, I did."
"Call 911— tell that there's been an explosion."
"Sir, are you okay?" His eyes darted to you. "Ma'am, are you hurt?" Momentarily, he glanced down, his eyes catching the gun on your belt. He looked to Hotch, finding the same thing. Stunned, he looked back up. "Are you guys cops?"
Hotch's eyes were still on the fire. "Call 911. Tell them... that a— that a federal agent—" Without warning, he took off running towards the car, yelling, "Kate!"
"Hotch!" You went to follow him but the kid stopped you.
"Okay so you want me to say you're a federal agent?"
You turned around, eyes blazing. "Call 911. Tell them that there's been a car explosion, involving two FBI agents and one CIA officer." You barely finished your sentence before you were running after Hotch.
By the time you got to him, he was taking off his jacket, about to shield himself and run right into the car but you stopped him. "Aaron!"
His eyes darted to you then travelled behind you. The dread painted on his features mixed with relief, but you couldn't tell which emotion was stronger. You turned, following his line of sight, and saw Kate lying on the ground, a trail of blood leading to her body.
Without missing a beat, you both ran to her, her coughing becoming more audible as you got closer. Aaron got down immediately, and her first words were, "My purse. I can't find my purse."
He shushed her. "Don't move, don't move."
"Aaron, my purse."
Shock. She's in shock.
If only just to placate her, Hotch glanced around for it. "I don't think you had one," he said.
"I must've dropped it," she gasped, moving her head.
"Kate—" you cut in from above, "Kate, you need to stop trying to move."
She looked up at you, her eyes widening at whatever she saw. "Y/N. Y/N, what happened?"
You ran a hand through your hair. "I don't— I don't know. A bomb. An IED, I think." You glanced back at the car, your mind going back to the same race it was racing in before you found Aaron.
"An IED?" she echoed. "I have to get up."
"No. No, no, no. Lie down. Lie still. You need to lie still," he pleaded with her.
Suddenly, she caught your attention back. "Am I moving my legs?"
Hotch shushed her again at first, then he questioned, "What?"
Both of you glanced down at her legs at the same time. You resisted the urge to cup your mouth.
You were gonna be sick.
Weakly, she asked again, "Am I moving my legs?"
You didn't have the heart to answer her. From the looks of it, neither did Aaron, because he changed the subject. "I'm going to have to turn you and see where the blood is coming from," he said.
"Do it."
"Alright? Okay." He turned her while you focused on the sirens wailing in the distance, getting closer. The sound blended in with Kate's crying until it was all one and the same to you.
Police cars and ambulances soon pulled up just ahead of you, maybe a hundred yards away. You stood taller, yelling, "Officer down!" When they didn't come any closer, you flailed your arms. "Officer down! Here! There's an officer down!"
Kate's voice, ever so quiet, cut through the noise like a knife. "They're not coming." You turned to her, seeing her look at both of you defeatedly. "We told them not to. Remember?"
Your own words rang through your head. The goal is always to take out a first round of civilians, followed by a second wave of emergency responders.
The reality of the situation struck you. They weren't coming.
"The first wave of responders are the targets," she got out. "ESU orders are not— to let anyone in until the area is cleared."
"No." You shook your head. "I'm not taking that as an answer."
"Y/N—"
"We are getting you out of here, Kate, come hell or high water." Your previous aversion to her no longer mattered. She was lying on the ground covered in blood, unable to move her legs. All that mattered was getting her out.
Without wasting another second, you ran toward the barricade. ESU officer braced their rifles, but you had your badge ready as you stood a safe distance away from them. You were trying to think calmly, as calmly as you could. Your ribs stung as you held the badge up in the air.
The words were spoken in an erratic panic. "My name is Director Y/N Y/L/N, I'm a senior officer of the CIA. Behind me are SSAs Aaron Hotchner and Kate Joyner. She is injured— badly—"
A man stepped forward and cut you off cooly, "I understand that, ma'am, but I have orders not to let anyone in—"
You lost it. "Screw your orders! She can't fucking move!"
"Ma'am, my orders are what they are."
"Your orders are what they are," you repeated under your breath, a humourless chuckle escaping. "What's your name?"
He squared his shoulders. "It's Captain Warner, ma'am."
"Well, Captain Warner," you spat. "Allow me to re-introduce myself. My name is Director or Agent Y/L/N, not ma'am. Director. And I am quite familiar with your orders, Captain; I gave them. You are here because I made the call that put you here. And, so help me God, if you don't listen to this order, I will make the call that relieves you of your position."
Warner didn't appear to be shaken, but you could see the cloud of doubt floating in his eyes. You'd think that anyone would grapple for their job, but Warner was being difficult. "I apologize, Director, but I can't do that."
Your nostrils flared. You were just about to continue telling him off when an awfully familiar voice sounded, asking for someone in charge. Your eyes widened. "Derek!"
Derek's head snapped your way. "Holy shit. Y/N!" He came running towards you but was stopped by the same officers that kept you from crossing the barricade, holding up their guns.
"This area is restricted," he said.
He held up his badge. "I'm Agent Morgan, FBI. That's my friend—"
"This area is restricted," Warner repeated, barely looking at him. "I will take care of your friend. Now go back to the Federal Building. There are evac marshaling spots. Check in and make sure they know where you are."
Morgan held his ground, stepping in front of Warner and retaliating, "I am not about to do that."
"Get out of my face or I'll have you bodily removed, Agent."
"Derek." You caught his attention. "Hotch and Kate are down there."
He spun around. "That's my boss down there!"
"My orders are what they are."
You scoffed at the recycled statement while Derek argued, "I don't give a damn what your orders are!"
"I get it, Agent, but we've been told by you" he gave you a glance "'Responders are the targets.' So, until the blast site is cleared, no one goes in."
Morgan looked back at you then back at the Captain with a renewed resolution, trying a different approach. "You're Marine Corps, right?" Warner didn't respond, looking down. "Right?"
"Please. Go back to the marshaling point."
"I'm not doing it." He pointed to the site. "I'm not just going to let my man lie down there like that."
As if on cue, Hotch screamed, "Someone! Damnit, we're here!" You nearly flinched at the sheer pain in his voice, and Derek certainly didn't look unaffected, either.
"'Never leave a man behind.' You do remember that, don't you?"
Hotch kept screaming as Morgan and Warner stared each other down. It seemed that he must've gotten to him, because within just a moment, he said, "Go."
Derek didn't waste another second, immediately running to you and grabbing onto your shoulders. "Y/N, are you alright?"
"I'm fine! I'm fine, it's Kate."
He nodded and then took off following with you trailing closely behind, but not before you gave Captain Warner a pointed glare.
When you got to Hotch, the kid was back, seemingly tending to Kate as Morgan explained, "They're not letting any ambulances down here until they clear the scene." He glanced at the kid like he just noticed he was there. "Kid, you've gotta get behind the barricades. Let's go." The kid didn't move. "Go!"
"Go, Sam." At Hotch's word, the kid got up and ran, but your attention was focused solely on Kate, checking her vitals.
"Talk to me. Can we carry her?" Morgan barely gave him time to respond. "Hotch, can we carry her?"
"No, I tried. Morgan—" he paused, intaking a shaky breath, "she's going to bleed to death if we don't get her out of here. We've got to do something."
Derek's phone ringing cut off whatever he was going to say. He picked it up immediately. "Garcia, I got Hotch and Y/N, but listen to me, you got to get somebody down here right away. You hear me? Right now." You didn't hear what Garcia said next, but it caused his head to snap up. "What? You're absolutely sure?" He glanced at you then to the kid who you realized never left.
The kid held his hands out like he was asking what you were waiting for, causing you to tilt your head, confused.
Morgan hung up the phone and then his next words shocked you. "Hotch. The kid. He's the bomber."
Your eyes went wide before instantly going to Hotch. "Are you okay to stay here?" you asked.
He didn't even think about it. "Go."
With that, you and Morgan took off running. The kid bolted, leaving you to chase after him.
Despite the heels on your feet (that luckily weren't stilettos) and obvious bruise to your side, you couldn't feel pain. All you feel was the pure adrenaline pumping through your veins. You hadn't been so ready to fight in ages. The anger coursing through your body was unparalleled.
This kid wasn't getting away with this, and you'd make sure of it.
You chased the kid down the street, Morgan ahead of you. An ambulance passed you while you ran, and you prayed it'd be heading Hotch's way.
You kept chasing after the kid, turning a corner and he was gone, but Morgan was already heading down the stairs for the subway, so you knew he was down there.
You ran down the stairs, skipping steps as you went, following Morgan's lead and pulling out your gun. Civilians filled the station, evacuating. "Out of the way!" you screamed, pushing past them.
"Move! Where'd he go? Where?" Some pointed straight ahead, so you kept running.
You got down to where the subway was, but by now, it was empty. You came to a stop next to Morgan, holding up your gun.
"Show your face, you son of a bitch!"
No one showed. You nodded to the train and panted, "Morgan, I'll take the back. You take the front."
Heaving, he nodded, going for the front. You entered the train with your gun held high, pointing it on either side of the door. You walked through the cart slowly, checking beheind yourself periodically to ensure the kid wouldn't sneak up on you.
You pushed open the door to the next cart warily. It was just as empty as the previous one. You went for the next cart. Nothing again. You met Morgan in the middle. "Nothing," you said.
"Me neither. But there's a door at the front. I'm thinking he could've hopped through there," he told you.
You nodded and followed him there, accepting his help and jumping down. Carefully, with your gun and flashlight in hand, you walked on the tracks, avoiding the power supply. You shouted, "We know you're in here, kid. Show your fucking face, you coward!"
A noise sounded, making you turn around to check it while Morgan continued forward. "You've got nowhere to run, man. You hear me? There's nothing down here for you."
"Is that all you see?" At the sound of the kid's voice, you spun around, moving your flashlight around. "Huh? Darkness?"
You caught up to Morgan, and then the kid showed himself. Your flashlight revealed his shoes lying on the ground while he slowly walked on the rail, balancing himself like this was a game. You cocked your gun. "You listen to me, you little shit. This is not a fucking game. Get your ass off the tracks and put your hands on top of your fucking head. Do it now."
When he failed to listen to you, Derek yelled, "Do it now!"
The kid did as you said, but not to listen to you. It was to mock you. "You will lose in the end," he said.
Derek moved forward. "Shut up. Shut your mouth."
"You wanna know why?" He continued on like he'd never said a word. "Because you fear what we embrace."
Before you could do anything, he took one foot off the track and put it on the third rail. "Get off the— no! No, no!" Derek and you were forced backward as the light blinded your eyes. Without even lifting your eyes up, you knew undoubtedly that the kid was dead.
He just killed himself right in front you.
"Damnit." You reached to run a hand through your hair but you were stopped by the stabbing pain in your ribs, suddenly reappearing. You hissed, "Ah, shit."
"Y/N?" Within a blink, Derek was in front of you. "What's wrong? Are you okay?"
"I'm fi— fuck." Your knees buckled, but Morgan caught you, holding onto by your waist. When that caused another hiss, he switched his hold to your arms.
"I think you might've broken some ribs. How the hell didn't you notice this before?"
"I— it didn't feel this bad before."
Morgan cursed under his breath. "Your adrenaline is wearing off. We need to get you to a hospital."
"No, I'm o—" a sharp stab cut you off, making you grunt. "Fine. But what about Kate?"
"We both saw that ambulance drive their way," he reasoned. "They're gonna be okay. Look, if we get back and they're still there, we can stay, alright?"
You thought over his proposal and eventually relented and let him lead you off the tracks, giving in to the pain. You just hoped that he was right, that they were okay.
Please let them be okay.
❧
You arrived at the hospital in record time, passing through the streets like light work. After receiving confirmation that Hotch and Kate were at Saint Barclays, he drove the two of you there, too, insisting that a doctor see you despite your equal insistence that you were fine.
Now, you sat on an ER bed. You had a few cuts here and there but nothing too deep; you were given sutures for one cut across your cheek. The doctor wasn't looking at you right now; she was looking at your chart, giving you time to glance around the triage room.
You weren't a big fan of hospitals, never were. They were never a source of good news, and every hospital you stepped into smelled the same, like bleach and chemicals. When you were younger, you were convinced that this was to cover up the smell of death.
That wasn't too far off.
The doctor pulled you out of your revierie, snapping the chart shut. "So, Ms. Y/L/N, I've ruled out the possibility of a collapsed lung, but you've broken 4 of your left true ribs," she informed you. "From what your partner has told me, you've over-exerted yourself, and thus exacerbated the issue."
"I'm a CIA officer and had to chase a suspect," was the only explanation you offered.
She deadpanned. "I understand that, Ms. Y/L/N, but you've just made your healing process ten time harder."
You gave her a short smile. "I've been through worse."
She looked at you for a few more seconds before she sighed, re-opening the chart book. "I can prescribe you some medication for the pain."
You declined perhaps a bit too quickly. "No, that's alright."
Slowly, she looked up at you, her eyes questioning. "No? Why not? I can imagine you're in a great deal of pain right now."
At her inquiry, you were reminded of someone else's interrogative questions. Hotch's voice filled your head, Why do you say it like that—say your name as if it's not your name?
Your mind travelled back to a time you weren't Y/N. There was a girl with a different name who wore your face, a girl you separated yourself from entirely. She didn't grow up thinking she'd have a future in law enforcement—she didn't even think she'd have a future at all.
She hung around the wrong crowd and picked up bad habits, habits like oxycodone and amphetamines. But you weren't her anymore.
You were 7 years sober.
You'd rather not explain all of this to the attending in front of you—you'd rather not explain it to anyone. Instead, you just said, "I have a high pain tolerance. I can handle it."
She stared at you warily, but otherwise, there wasn't much she could do but accept your decision. "I'd advise against that, but it is your choice."
You pursed your lips into what you hoped was a small smile. "It is."
She kept her persistent stare until she eventually gave up, leaving the makeshift room. You didn't wait long before you left, too, jumping off the table and pushing back the curtain. You walked through the halls in search of the tan-skinned man you came in with, avoiding looking anywhere but ahead of you.
Hospitals were unpredictacle.
You didn't like that.
You turned a corner, and as if you just had good luck, Derek was there, already walking your way.
He raised a brow at you. "You all good, angel?"
You fell into step beside him, letting him lead the way to wherever you were going and flashing him a flirtatious smile. "Never been better, muscles." It wasn't a total lie; the pain had mostly subsided, and you'd felt worse in your life.
Morgan didn't bat an eyelash. "Well, that's good because we need to get moving. The team's on the way."
At the mention of the BAU, your thoughts were re-directed. Without stopping, you glanced over at Derek and gave him a quick once-over. He seemed normal: he was flirting with you, no signs of dejection. So Hotch must've been alright. Still, though, you felt compelled to ask, "Hotchner and Joyner. Are they okay?"
If Derek noticed the small blip in your voice, he didn't say anything. You weren't sure if you even noticed it, either. "Hotch is fine, back to barking orders and being a drill sergeant. Kate's in surgery, though."
You couldn't explain the wave of calm that came over you at that moment. You couldn't explain why you even cared.
But you did.
You nodded in response and changed subjects. "Has anything happened since the first blast?"
"No. Nothing."
An exasperated sigh left you. "That doesn't make any sense. Something should've happened by now." You ran a hand through your hair, your gears turning. "I mean, why go through all this trouble just to hit a single SUV with a few agents? Why not wait until we were in our cars?"
"I don't know," he replied. "What I'm still stuck on is why the kid would stay knowing we'd figure him out."
"Yeah, why would he stay—" suddenly, you halted in your tracks, cutting yourself off as memories rushed to the forefront of your brain.
[Thank you for your input, Ms. Y/L/N. The Secretary of Defense is unavailable at the moment, so the Deputy Secretary will be fielding all defense matters for the moment. She happens to be in town, and she'd like to be briefed in person, if that's alright.]
Yes, I can do that. Just send me an address.
Then you heard the voices of Secret Service agents in your head: I'm sorry, but this hospital is on strict bypass.
"What? What is it?" Derek's voice shook you out of your reverie. You looked up to see him standing in front of you, a worried expression on his face. You would've laughed if it weren't so serious. He probably thought you had a concussion—and while you didn't, what you were going to say was worse than that.
"Derek," you started.
Your tone must've scared him because he stepped closer. "What?"
You paused, mulling over the details in your head. Secret Service was here. Someone important was in the building, someone like the Secretary of Defense. And that bomber just so happened to stick around until an ambulance showed up, taking Hotch and Kate straight here.
Sam didn't wait until you were cars, and that wasn't a careless mistake. It wasn't because he was so excited that he couldn't wait. It was because that blast wasn't meant to kill you, not on impact.
It was meant to take you here.
When you made up your mind, you took a step closer to him and lowered your voice, not wanting to attract panic in spite of the fact that it'd happen, anyway. Your voice was rigid.
"I think there's a bomb in this hospital."
❧
After quickly explaining your theory to Derek, you parted ways; he went to go find the team while you took off to find the head of that Secret Service detail.
Any uneasiness you felt being in this hospital increased a tenfold, no longer because of the fact that it was a hospital but because it could blow any minute now. You knew you weren't scared, though—and maybe you should've been, but this was the job.
You found the SS soon enough, calling out to them, "Hey, men in black!"
Your volume turned heads, including theirs. The bald man stood up from where he was leaned over on a counter and greeted you first, leading you to believe he was in charge. "Ms. Y/L/N." So he knew who you were. That made this a lot easier.
You didn't waste any time. "The Secretary of Defense is in this hospital, isn't he?"
"Ma'am, I know you're high up on the ladder, but—"
You cut him off briskly, "There is a bomb in this building, and it's rigged to assassinate the Secretary."
The agent whose name you didn't ask for stiffened but adapted quickly, ordering the agents behind him to hit the alarms all without looking away from you. "Where is it?" he then questioned.
"The ambulance my colleague drove in, I believe." The word colleague tasted wrong on your tongue, but you didn't have the time to dwell on it. "Is it already in the basement?"
"Yes."
"Okay, then you need to evac the building. You need to get the Secretary and everybody else out of here right now."
"We can't do that," he answered. "He's undergoing surgery as we speak."
You were sure that the next words to leave your mouth would be curses, but before you could even get them out, a band of rushed footsteps became audible from behind you. It didn't take you long to recognize who they belonged to.
The footsteps stopped where you were. You glanced to see the team surrounding you, Derek on your left and Hotch on your right. So he was alright. You held back a sigh of relief and kept your eyes off him, directing all your focus to the task at hand.
Silently, Morgan handed you a Kevlar vest. You nodded to him in thanks and put it on while Hotch hurriedly interrogated, "The paramedic I came in with—do you have eyes on him?"
The Secret Service Agent briefly glanced at you, to which you nodded, prompting him to turn over a computer playing a live feed.
"Is that a cell in his hands?"
Rossi pressed onto a mic on his chest. "Garcia, can you remote access the grid I'm in and jam all the frequencies?" She said something you couldn't hear and then he added, tone clipped, "There's a bomb in the basement of this building."
Garcia worked quickly, disrupting the satellite feeds in your location within seconds. You could tell she did this by paramedic's actions on the screen. "Look. He's coming back," Prentiss said. "He's going to detonate the bomb manually if he has to."
"Where did Morgan go?" At Hotch's abrupt words, you turned to your left but Derek was no longer there. He'd snuck off while you were paying attention to the feed, and you had no doubt as to where.
His appearance on the computer screen confirmed your suspicions. You sighed, before tiredly voicing, "He went to find the ambulance."
Hotch's voice was incredulous. "Alone?"
Rossi didn't share Hotch's surprise. "Let's head down."
You were off before he even finished the sentence, trusting the Secret Service agents to do their jobs well enough while you all did yours. You removed your gun from your holster, holding it up and jogging through the now empty hallways with tunnel vision.
You barely noticed the others behind you until Hotch somehow got ahead of you. "He's going to the basement," he called out.
You think it was Emily that replied. "Stairs."
You pushed the door to the stairwell open and Hotch entered quickly, scanning the area with his gun as he moved. It was eerily silent, the only sound being the alarms in the distance and your footsteps rapidly hitting the stairs as you took them two at a time.
None of you said a word.
By the time you reached the basement, the alarm was non-existent. Your loud footsteps became quieted, soundless with the precision only people like you could have. You could hear a pin drop.
At the end of the hallway, you wordlessly split into two groups: you with Hotch and Rossi, and Prentiss with Reid.
Hotch led the way while you and Rossi covered him. Your bomber was sitting criss-crossed against the netted gate, gun tossed on the ground with a cellphone in one hand and a knife in the other. Fuck.
You could only pray that Morgan got out before that signal came back online.
You had your gun in the air, even though you knew what was gonna happen. You all did.
Rossi's voice cut through the air. "FBI."
The bomber didn't flinch, staring at the ground with a lifeless look in his eyes. He was a dead man.
He raised the knife to his neck—and if you weren't with FBI agents right now, you would've shot his shaking hand and knocked that knife straight to the ground. You would've forced him to take accountability—perhaps not in a courtroom, but in a place that would still enforce a semblance of justice.
But you were with FBI agents. And Hotch reminded you of this as he spoke up, "Put it down. It's over."
Yes, it was. Because the coward slit his throat thereafter, and the knife clattered to the ground.
Slowly, you lowered your guns. You holstered yours, and then you were walking away. You didn't spare the body another glance. It wasn't a life lost.
Either way, he would've died. It just shouldn't have been on his terms.
Emily was behind you. She flipped her phone open and then you heard a sigh of relief. "Garcia just messaged me," she told you. "Morgan's okay."
Spencer and Rossi let out their own sighs while you muttered a small "Thank God" under your breath. You hadn't known Derek Morgan for long, but he was good, and he felt like a friend.
You didn't have many of those.
You got back to the floor you were on in little time, and everyone parted ways, likely going to rest. The night was over—this was over. You, on the other hand, still had some administrative work to do, starting with checking on the Secretary of Defense.
But before you did anything, you stood there. You stood there and watched the team trickle out of the area, everyone but Hotch. He was still down there.
You went to glance back to see if he was coming up but then thought better of it, choosing to walk away instead.
He's fine, you thought. He was fine.
And so were you.
❧
You got off the phone with the DOD, your last in a long line of phone calls, telling them that the threat had been eliminated as far as you were concerned. You would've been out of that hospital ASAP, but they asked you to stay there until the new Secret Service detail arrived, and you couldn't really say no.
The lack of action suddenly made you more aware of your surroundings. Your senses returned to you; the smell of bleach became more pungent, and the fluorescent lights seemed to just bounce off the white tile.
With nothing else to focus on, the pain in your side returned, too, but you were good at handling pain. It hurt to breathe, but the alternative was relapsing, and you'd come too far for that.
Normally, when you were craving drugs or just stressed, you'd find a drink. It wasn't the best coping mechanism, but it worked. Alcohol wasn't strong enough to hook you; it was just enough to sate you, to take your mind off the pills.
However, you were in a hospital, and none of that was around. So you went looking for the next best thing: coffee.
You found a mini coffee bar in a nearby waiting room, right next to a vending machine. It was one of the automatic ones that took capsules. The selection was pretty shitty, but you weren't exactly expecting premium Italian coffee, so you plopped a pod into the machine, anyway.
You waited for your coffee to brew in silence, listening to the sound of the machine whirring. The PA dinged in the background and footsteps were muffled. You had a habit of listening for those, for footsteps. Most times, like now, if you weren't preoccupied, you could detect them right away.
You sensed Hotch when he was 5 feet away. You could recognize his footsteps so easily, but that was the habit.
You told yourself it was the job.
Without turning around, you quietly greeted, "Agent Hotchner."
He returned your greeting, grabbing a styrofoam cup and going to stand next to you. "Y/N." His voice was as saccharine as the sugar you poured into your coffee.
You hated that, and you hated what it implied.
The case was over. The threat was defeated. And now you were alone together with a conversation unfinished, a conversation you'd much rather not have.
To think that, when you last saw Hotch in Virginia, you were all for the game, the chase. But now it felt like the roles were reversed. This was different. He shouldn't be talking to me.
But he was.
"Yo—"
You cut him off, "How's Kate?" Low blow, Y/N. The breath of air he sucked in made you look up from the creamer to his face. His eyes were no longer on you; they were on the machine as it poured his coffee, but you understood. You could taste apology on your lips before you even said the words. "I'm sorry."
Hotch nodded, grabbing his coffee from the tray when it was finished brewing. "She wasn't in pain," he said. That's all there was to say, really. She wasn't in pain when she died, nor was she in pain when you found her.
Kate Joyner was dead the second that blast hit.
But you spoke none of this. You went to grab your cup, intending to walk away, but Hotch stopped you, placing his hand on your arm before you could fully turn away. You stopped yourself from intaking a sharp breath.
"You're avoiding me."
He said it so plainly, like you were talking about a case or the weather, like this was normal, like the two of you didn't see each other every other year at most, like you weren't you and he wasn't him. It made you want to screw your eyes shut, but you didn't. As if to prove a point, you turned yourself toward him fully, facing him head on.
"I'm not."
"You are."
Your eyes narrowed. "I'm not an unsub, Hotchner. I'm not gonna fold to this interrogation tactic."
"I met you as an unsub," he retorted.
"But I wasn't." You let out a little scoff, half amused, half annoyed. "How would you know if I was avoiding you? You didn't know me then, and you don't know me now."
"But I want to."
Whatever reply you were expecting, it wasn't that. Your breath got caught in your throat. His voice was still so soft, a harsh contrast to the cuts littered across his face. He took a step closer to you. "I want to know you."
You blinked once in shock, almost like you were checking if you were hallucinating, but when your eyes opened, he was still there. When you blinked a second time, it was in realization.
He's just been told Kate's dead, and now whatever pain meds they gave him are kicking in.
Reality slapped you across the face. You took a step back, slowly shaking your head. "You don't want to know me, Hotchner."
He took another step forward. "I do."
Another step back. "You don't." You shook your head again, emphasizing your point. "You really don't."
"Y/N—"
The shrill sound of your ringtone cut him off, and you'd never been so grateful. You picked it up immediately. "Y/L/N." The lady on the other end got to it quick; all you had to do was agree. "Okay, I'll be there momentarily. Thanks."
You hung up your cell, snapping it shut. You gave Hotch a glance before you were looking away, letting your eyes wander everywhere else. "That was the DOD. Secret Service is here. I have to go check out with them." You didn't let him get a word in. "I'll see you around, Agent Hotchner."
And then, just like every other time Aaron Hotchner had ever been in your proximity, you were leaving. In his grasp one second, in the mist in the next.
He watched you walk away wordlessly, not knowing when he'd see you again, words he was going to say dying on his lips.
And then you were gone.
He let out a long sigh, and then looked to his coffee on the mini table, spotting a similar one right next to it.
You left your coffee there, he realized.
With all the other things you left, too.
5. The gavel and the gun
Southbridge, Virginia, 2008
You didn't find yourself down in Virginia too often, not unless you were on business, but Derek assured you that tonight was about everything but that.
"I'm breaking you out of your shell, angel," he said, making a turn on Curtis Drive. "You need to get out more."
You snorted. "One, I don't have a shell. Two, I am literally out so much that my apartment collects dust, and three," you held up a third finger, despite his close attention to the road, "that's bullshit. You just want me to score you some hot chicks."
He let out a burly laugh, something you'd gotten used to after hanging out with him. "Baby, I don't need you to pick anyone up for me. I can do that all on my own."
"What, are you afraid that I'll steal all your girls, Morgan?"
His reply was swift. "Couldn't do that if you tried, Y/N/N. You're still hung up on Hotch."
Your jaw nearly fell, but you were used to this banter you had. You quipped back, "Please, the only one hung up on anyone here is you. You want Garcia."
He choked on his own spit, making you throw your head back and laugh. He didn't see that one coming.
You caught onto Derek's feelings for Garcia early on, but they became especially prominent when he was buzzed one night and told you she was the one on call with him when he drove that ambulance into the field.
That was six months ago. And now, you were in Derek Morgan's car, trying to coax him into asking out a woman with whom he violated many HR regulations.
Derek clearly didn't have a response which only made you laugh harder. You patted his back while he recovered. "Caaaaareful, muscles. I don't want to die on my way to a bar. I'm literally in the CIA—that would be so heavily anti-climactic."
The only thing he heard in that sentence was his nickname, snapping out of his stupor. "Okay, this 'muscles' thing is starting to feel less like a compliment and more condescending."
You huffed out a little chuckle as he put the car in park. "And 'angel' isn't?"
He furrowed his brows, opening his door. "You love that name."
You copied his movements, getting out of the car before pointedly looking at him. "Yeah, when the words 'of death' follow it."
He snorted. "Cryptic." He held his arm out for you, to which you obliged, wrapping yours in his before walking into the estabishment with him.
You would've responded and teased him further had you not been cut off by an oddly familiar voice. "Morgan!" Your head snapped to a table where not only the object of your teasing stood, but all of their crime-fighting friends. From afar, you watched Penelope's eyes widen behind her glasses. Then she squealed, "And Y/N!"
To her credit, she did look just the slightest bit embarrassed when people turned to stare at her.
She still wasn't used to you. And God, was that comical.
A smirk crawled onto your face as you walked to their table, glancing at Derek and recalling your earlier quip. "Ooh, careful, Morgan. Your girl's a fan. I might just take her."
For a guy that nearly died in the car at the mention of her, he didn't seem all that startled. In fact, a smirk of his own graced his face. "I doubt you'll be focused on Penelope tonight, angel."
Your brows pinched together, but before you could question what he meant, you reached the table. JJ and Emily greeted you with wide smiles, the latter pulling you in for a hug that was surprising but not unwelcome. Garcia followed right behind her, hesitantly wrapping her arms around you. You cleared this hesitancy by embracing her tightly. Goodness, she's precious.
Over her shoulder, you mouthed to Morgan, Don't fuck it up.
When you let her go, Rossi tipped his glass at you while Reid just gave you an awkward wave. For his benefit, you resisted the urge to laugh.
You spun back around to flash a smug smile at Morgan, eager for him to see that you weren't fazed by this little surprise he so clearly wanted to jar you with, but then your eyes locked with a darker pair and you realized, oh. They weren't the surprise.
He was.
"Y/N."
What was this feeling? Winded? Was it— breathless? You couldn't describe it; you'd only felt it a few times in life, and you didn't know why you felt it right now. Eventually, you realized you had to answer.
"Hotchner."
You were going to fucking strangle Derek Morgan.
❧
If it wasn't considered rude and you weren't surrounded by a horde of profilers, you would've been texting Derek furiously. It didn't help that the only spot left at the table was next to the man you'd be texting about.
Derek was fun to party with—you went out with him all the time—but whenever he invited you out with the rest of the BAU, you politely declined and came up with whatever excuse was available. Clearly, he caught on to the reason.
You've been avoiding me.
And maybe that was true.
A gasp broke you out of your thoughts. You looked over to see Penelope jumping out of her seat. "Oh, my god, I love this song. Derek, get up right now, we're going to dance," she all but demanded.
It's then that you noticed that JJ and Emily had already beat them to the dance floor, and Spencer was being talked up by some girl at the bar.
No— "Alright, alright, calm down, mama, I'm coming." You glared daggers at him as he flashed you a sly grin, then he wrapped an arm around Penelope and left. He left you alone with Hotch and Rossi.
At least Rossi's still here— "You know, I think I'm going to get another drink." You're kidding.
Apparently, he was not kidding. Rossi got up, and you could've sworn you saw him wink at Hotch before he left for the bar.
And then there were two.
Fuck.
Now that the others were all gone, you felt his proximity much more prominently. If you moved just the slightest bit, your knees would touch. You hated that the thought even crossed your mind.
But you couldn't leave. If you left, then it'd be obvious that you were, in fact, avoiding him, and you didn't want it to be obvious. It shouldn't have been obvious because there was nothing there to avoid; the two of you were nothing, so you had no reason to avoid him.
You were nothing.
Even if, for a second, you might've felt something.
"What's wrong?" His voice cut into the tension like it was butter. But the question didn't sound like concern; if you didn't know any better, you'd say it was almost teasing.
You finally looked at him, turning your head and realizing he was closer than you thought. Close enough to see the specks of green in his eyes and the locks of hair falling over his face. Close enough that you could push those locks back if you wanted to. And you wanted to.
But you didn't.
You schooled your expression and raised a brow, causing him to elaborate, "You were much more flirtatious when we didn't know each other."
Of course, I was, is what you wanted to say. Of course, you were; that was before whatever happened in D.C., before you danced with him and before you let him down. Before reality came knocking and showed him that you were polar opposites, that he was a man of the gavel and you were a woman of the gun. Before he confronted you. Before he told you that he wanted to know you.
So, of course. Of course, I was. Because what the hell was I supposed to do with that?
That's what you wanted to say, but you didn't. Instead, you countered, "Why do you assume something's wrong? Maybe I've just lost interest in our game."
Hotch looked at you like he knew that was a load of bull. He looked you up and down like he could see right through you, and you hated that, because if he looked hard enough, he just might. You thought, for a second, he'd drop it, but then he came back harder. "Is that because you're not winning?"
Taken aback, you laughed to hide how astounded you were, looking away as you deflected, "You must've been one hell of a lawyer, Agent Hotchner."
He let you re-route the conversation, humming. "I was good at my field," he admitted, pausing briefly. "I actually got my nickname while I was working at the DA's office, Hotch."
"Oh?" you uttered, disinterest shining through your voice that you hoped he'd pick up on.
"Yeah. And now it's what everybody calls me." Another pause. "Everybody but you."
You turned back to him. Clearly, that's what he wanted from you with that statement. He was looking at you expectantly, waiting on you for something—you just didn't know what. "You dwell on what I call you?"
He shrugged like he was unbothered. "It's just an observation. You refer to everyone using their first name, even Kate. At one point, I think you even said our names consecutively. Agent Hotchner and then Kate."
Shit, you didn't remember that, but he was probably right. It must've been a blip, you must not have been paying attention. Still, you shrugged right back at him. "I don't put that much thought into it."
He continued like you'd never said anything. "You said my name after the blast." You stiffened. "Repeatedly. And then, once we were in the hospital, you were back to formality."
You forced a smile onto your face in attempts to mask the discomfort. "So?" you said. Like you weren't affected. Like you weren't surprised that he noticed or equally surprised that he was calling you out on it.
"So," he repeated. "What's holding you back from saying my name?"
Damnit, he had you. He had you, and he knew it. You knew he knew it based on the fire in his eyes, fire with intent to burn.
But you had more.
You had walked through fire; you were forged in fire, so this was a challenge you'd accept.
You leaned in closer, just until your mouth was next to his ear. He inhaled sharply. Good. Slowly, you breathed, "What's in a name... Hotchner?"
When you leaned back, you were met with a thrown-off-Hotch, but you didn't stick around to savour the image. You hopped off your barstool and left the table, opting to go dance with Emily and JJ as opposed to let him have the last word.
If you had it your way, he wouldn't get another word in for the rest of the night.
If only you could always have it your way.
❧
You danced with the girls the rest of the night, Hotch forgotten. The others were elsewhere, off on their own. They were good company, and it was nice to hang out with other women. Eventually, the dancing wore them out and they decided it was time to head out, making sure to exchange numbers with you and add you to their group chat before they bid you farewell.
Something told you they were a little more than friends, but you weren't sure if they even knew that.
Alone, you decided to get off the dance floor, making your way over to the bar to text Derek. It was getting late; the bar would close soon, and you wanted to head home. But when you opened your phone, you already had a message from him—timestamped an hour ago. Furrowing your brows, you clicked on it.
Sorry, angel, but Pen opened a window for me and I had to take it.
If you know what I mean ;)
Please don't kill me. I'll send a car for you when you're ready.
Audibly, you groaned, closing your eyes in exhaustion. Of course, he shot his shot with Garcia on the night he's meant to drive you home. And you couldn't even be that mad about it.
You sighed, accepting it and going to open your Uber app when a voice queried from behind you, "Are you alright?"
Fuckkkkkk, you were really hoping he left by now. Reluctantly, you turned around, facing Hotch. "Yeah, Derek was my ride home, but he um," you paused, wiping a hand across your face, "he got lucky."
"With Garcia?"
You laughed at how transparent it was and how quick he, their boss, was to get it. "Yeah, so I'm just gonna catch an Uber home."
"Don't be ridiculous; I'll drive you home." You were shocked at how quickly he shot you down, looking up at him to see he was being totally serious.
"No, you are being ridiculous. I live all the way in Washington."
He shrugged his shoulders like it was nothing, like you were friends and his offer was normal. "I live in Arlington—it's not out of the way. Besides, would you rather pay for an hour-long car ride or have me drive you for free?"
Honestly, you'd rather do many things besides let Hotch drive you home for an hour, so you excused, "I'm good for the money."
He rolled his eyes. "It's 1AM, Y/N; I'm not gonna let you take an Uber home." He nodded to the exit. "Come on, let's go."
Now you rolled your eyes. He'd made up his mind, despite your disapproval. Yet you still glanced down at your phone, debating it. You supposed that he was better than a total stranger, and it was only an hour.
Maybe you were tired and your judgement was impaired, but for some reason, you obliged. "Fine."
You didn't know if it was a trick of light, but for a second there, it looked like Hotch's lips quirked upward.
For a second.
❧
The car ride was silent if not for the music drumming lowly in the background. You didn't crack any jokes or say anything playful or innapropriate; you were a silence filler, you hated silence, but you'd rather sit in silence than talk to Aaron Hotchner any longer than you had to.
His presence was already pushing it.
If Hotch noticed how quiet you were, which he likely did, then he didn't comment on it. You were sure that he was profiling you silently, though, the same way you were silently profiling him.
He wasn't driving his official government vehicle, but it was still a black SUV. Not a Tahoe, though; it was an Escalade. It wasn't too proud or boastful but it wasn't too unassuming, either. Expensive but not too much of a head-turner.
A glance to the back displayed a car seat. You suspected that his son was with his ex-wife, since he was here at one in the morning and not at home. He was a stable father, and you could tell.
You knew what instability looked like.
The CD he had in when you got into the car was the White Album, Beatles. That, you could've guessed easily. It fit.
The car was clean. It smelled like peppermint and his cologne. If you opened the glove box, you'd probably find a gun. He carried two on his person while working, so he probably had one in here and then another at his place.
Prepared.
But what neither of you were prepared for was the sudden downpour of rain.
Hotch turned on his windshield wipers, then you saw a flash of white followed by a loud clap of thunder. He cursed under his breath, and you then cursed yourself for finding it attractive. "It's a storm."
"I can see that."
He ignored your quip. "Well, we're already in Arlington. My apartment is two minutes away—we could stop there until it's clear."
You held back a sigh. Regardless of your feelings, it was unsafe to drive in this weather. That's why you agreed. "Okay."
He wasn't lying about being two minutes away. With in no time, you were in front of his complex. Running inside barely did anything; you were drenched after being outside for maybe ten seconds.
The thunder was loud and continuous; the only place you didn't hear it was in the elevator. Then it returned once you were out, walking through the halls to his apartment.
You were on your phone while he unlocked the door, checking the weather app. This time you couldn't repress the sigh that left you. "Forecast says this storm's going all night."
"Oh." He opened the door, holding it open for you. "Well, you can stay the night." What? "I'll drive you home first thing in the morning."
"Um—"
He gestured to his living room, suggesting, "I'll take the couch. You can have the bed." Well, it wasn't really a suggestion, and you didn't have much of a choice, either.
So you nodded. He said something about going to change and fetch you clothes, and then you were alone in Aaron Hotchner's foyer.
You. In his apartment.
You thought back to when you met him, in an interrogation room as he accused you of being a serial killer. And you were a killer, just not that kind. Yet, now, he willingly had you, a gun for the government, in his apartment. This was the same Aaron Hotchner who prosecuted criminals, who hunted down evil, and believed in justice and court of law. The same Aaron Hotchner who frowned upon your unseriousness and grey morals. And he was also the same Aaron Hotchner that stood next to you in a hospital waiting room and told you he wanted to know you.
God, it was ironic. Him wanting to know you. You didn't know if he understood what that meant, what that entailed.
He was the gavel, and you were the gun.
And that was that.
He walked back into the room after a good three minutes, changed into attire more informal than you'd ever seen him. He wore a button-down and jeans to the bar, but you didn't imagine you'd ever see him in sweats.
"Bathroom's on the left," he told you, pointing to it. "Feel free to use the shower. I left some clothes on the bed for you, and if you need anything, I'll be out here."
You nodded, saying a quiet "thanks" before you walked past him to his room. You'd skip the shower; you didn't have any underwear for that.
Closing the door, you took a moment to scan his room. Bed in the middle, navy blue sheets. Window facing the door, dark red curtains covering them. There was a closet to the side, likely filled with suits, then a dresser across from the bed for ties and everything else.
There were two nightstands on either side of the bed, a frame on one. When you got closer, you saw it was a picture of a little boy with a grin so wide that it brought a smile to your face.
On the bed, Hotch left you a pair of grey jogging pants and a worn blue hoodie with George Washington University painted on in chipped white in the middle. You changed out of your wet dress, and all hesitation for wearing Hotch's clothes went out the door the second you put on his hoodie.
The sweatpants were just as comfortable, despite having to pull the drawstrings immensely far. You could fall asleep like this no problem, but then just as you went for the bed, the light cut out, drowning you in darkness.
You're kidding me.
There was a knock on the bedroom door soon after. You weren't sure if you could find it without stumbling or knocking something over, so you just shouted, "Come in."
Hotch's head poked in, illuminating the room with the flashlight on his phone. "It's the whole neighbourhood. Do you want a candle?"
Yes, I do. You had a thing about sleeping in the dark, but like hell if you were gonna tell him that. A CIA agent, afraid of the dark—you weren't telling anybody that. "No, I'm good, but um," why am I stammering? "Could I get some water, please?"
"Yes, of course." Hotch was quick to leave the room for what you requested, and you were quick to follow him. He was the one with the flashlight.
His kitchen was barely visible, but you caught a glimpse of a few drawings on the fridge. When he lit a candle and placed it on the counter, you saw the the drawings were finger paintings, one of a whole child's hand. Again, you couldn't stop the corners of your lips from curving upwards.
Aaron Hotchner. You'd seen the prosecutor, the profiler, the unit chief, and now the father.
"Here." Hotch's voice cut through your thoughts as he handed you a glass of water. You didn't even hear when he turned the tap on.
You wordlessly took the water, thanking him with a nod. He stood there as you took a sip, watching you with a gaze that felt scrutinizing but probably wasn't. He was good at hiding what he was thinking, but you could still tell that he was thinking, nonetheless.
In a split-second decision, you lost the battle with yourself not to engage in conversation. "What? Did you poison this?"
He ignored you, like always, and questioned, "Are you afraid of the dark?"
You just barely stopped yourself from choking, masking your cough with a chuckle. "What?" How the fuck did he guess that?
Vaguely, he added, "You seem like the type."
"Oh, 'I seem like the type?'" you echoed. "Is that your normal-person way of saying 'it fits with my profile?'"
He shrugged. "More or less."
Another chuckle left you, this time unforced. You were wondering if he was drinking before you and Derek showed up. This confidence and nonchalance was new, but amusing. Maybe you had one too many drinks, too, or maybe something about this version of Aaron was drawing you in, but you indulged him. "Okay, Hotchner. Give me my profile."
He paused, looking at you like he was debating if you really meant it but you saw the moment he made up his mind, decision flashing through his eyes. He gave you a once-over, but not because he needed to; you had a feeling this profile had been brewing for a while now.
"You're a control freak," he started. "This doesn't just shine through in your work—it also appears in your day-to-day life, like your overwhelming need to fill silence or dislike for the dark. This comes from a period of your life when you weren't in control, and now you have to control every situation you encounter. You come off as easygoing, but in reality, you're closed off. You hide behind jokes and arrogance because you don't want people to know the real you, but every once in a while, she reveals herself. She cares, but you can't have that be used against you, so you pretend you don't. You don't have many friends because that opens doors, and you are afraid of what is behind them. That is why, even as you stand in my kitchen, wearing my clothes, you still refuse to say my name. It's a defense mechanism, a way for you to create distance because, as much as you deny it, you feel something."
Somewhere in his explanation, he got closer to you. He never broke eye contact, not once. He stared at you like you were a puzzle he was waiting to solve, and he had too many pieces. You suddenly wished you'd never asked.
You intook a deep breath. "Ho—"
He cut you off, voice now just above a whisper. "What are you hiding from, Y/N?"
What am I hiding from?
Your eyes involuntarily darted down to his lips, and he caught it. He took another step closer, and you let him. What am I hiding from?
Your breath was shaky as Hotch leaned down, resting his forehead against yours. One movement and your lips would touch. You wondered what it'd feel like. To kiss him. To stop hiding.
What are you hiding from, Y/N?
You leaned in, and then just before your lips met his, the lights turned back on.
Just like that, you pulled away, the sound of your racing heart concealed by the sound of the heater kicking back on. "I should— I should get back to bed now." You kept your eyes on the tile.
"Y/N—"
"Um, thank you for the water—"
"Y/N."
Finally, you looked up at him, concern and confusion swimming in his eyes, and you understood it. One second, you were on the verge of kissing, and now you were on the verge of tears. You didn't understand it, either.
But this, whatever it was, it couldn't happen. This was a lapse of your judgement. He was Aaron Hotchner, the prosecutor, the profiler, the unit chief, and the father: the gavel. You were Y/N Y/L/N, the hacker, the director, the addict, and the killer: the gun.
This wasn't gonna happen.
So you loaded a round into the chamber, put your finger on the trigger, and took the safety off. Then you aimed it at yourself and fired, "You're a good man, Aaron." Too good for me.
You think he was too shocked by his own name, and that's why he let you walk away.
And as you closed his bedroom door, you had a feeling that it wasn't the only door you just closed.
6. A lie is the truth (link)
taglist: @flow33didontsmoke
extra a/n: guys i'm so mad ab this block limit and how this can't be one part but wtv!!
#aaron hotchner x reader#hotch x reader#aaron hotchner#i love hotch#aaron hotchner fic#star crossed lovers#aaron hotchner fanfiction#aaron hotchner imagine#aaron hotchner angst#aaron hotchner fluff#bau x reader#bau family#bau#criminal minds#cm fic#criminal minds fic#criminal minds fanfiction#criminal minds x reader#criminal minds fandom#derek morgan#penelope garcia#morcia#emily prentiss#jennifer jareau#jemily#spencer reid#david rossi#elle greenaway#jason gideon#cm lo-fi
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From Natural Satellite by @sixpossumsinatrenchcoat! It's probably my favorite ISAT fic. Sif x toilet paper gone wrong compels me...
#idk why i decided hand lettering this was a good idea bc i have never written in a consistent font size in my life#but uh. we ball!!! hahaha#just a little bit in love with this fic <3#isat#in stars and time#isat spoilers#sort of...?#my art#comic#siffrin#isabeau#loop#aseplant art#fic rec
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