#to end the show in essentially the same way

[tired-salty-vampire]

This hit way too hard. I came out to my mom late last year for similar fears. My parents aren't bad people, per say, and they love all of their kids - myself tentatively still included - very much. But it has always felt like there were strings attached. I told her that I'd been with my partner now for over a year and we plan to get married eventually. She said that while she and my dad would not shun me from the family, they would not be celebrating my relationship. Most of my family are very religious so I was amazed that I wasn't cut off on the spot because my parents had shunned my older sisters (who have since been welcomed back into family functions) for years on end for far less. I was proud of them for that and it showed growth and while I wasn't expecting them to be elated and jumping off the walls in excitement for me, I am sad that they will never be happy for me and that I've found someone I love, loves me in return, and that I want to spend the rest of my life with.

We spent our last Christmas with our respective families before moving out of state and neither my partner nor I were able to spend it together at each other's famiy homes because they are both incredibly pious and have forbidden the other from being at their house. So we are allowed to still be with our families on the condition that our partner is not with us. This just drove home even more the "loved with strings attached" aspect of family who isn't awful, but definitely not great.

"It's just so sad." This something my mom has always said about people who are LGBTQ+. Especially about my uncle, who has been married to his husband for three decades at this point, but I didn't find out by that he was gay until I was fifteen. He'd been a part of my life with his "roommate" who'd occasionally come to Christmas or other holidays. It just wasn't talked about because of the homophobia and essentially the homoerasur from my parents and their parents.

Whenever she would say things like that, I'd always think, "No, what's sad is that you think it's sad for people to love someone of the same sex. Or to realize that they identify as someone that they weren't originally assigned at birth. It is sad that you can't accept or respect people who have different beliefs than you and don't adhere to the rigid system you do, and you reject them on principal."

My only hope is that after my partner and I are married, my parents at least will allow me to bring my wife to family gatherings. Because I have every right to do that just as much as a heterosexual family member would.

To come back to what OP said, most parents of queer people usually aren't just straight forward good or bad, kind or abusive. It's very often some confusing and emotionally trying combination of "We still love you, but with conditions" and because of that you never know where the line is or what is safe to mention or talk about before they go off on you about "life choices".

Overall, having parents or family members who are passive aggressively "accepting" of your being queer is likely more far common than media shows and that aspect, as much as it sucks and is complicated, is still worth sharing.

I feel like we always see parents who are 100% super supportive allies, or parents who are horrible and cruel.  At least in media or in the most popular stories.  But I feel like that ignores just how many people have parents where you just have no idea?  And even if you think they’ll accept you on a surface level, you don’t know if they have a breaking point.  Especially if you need to go on hrt, or request they change the way they think about and refer to you.  Sure they’re liberal and all, or centrists, or “tolerant”, but how far does that stretch?

I think most closeted LGBT+ kids live like this, wading around in the grey area.  I’d like it of more of us knew that was normal, I’d like if we talked about it more.

[thewritingrowlet]

The Heart-lifter, ft. Red Velvet Seulgi

tags: blowjob, anal teasing, first time anal

length: 10k

author's note: This fic was built on an idea sent by an anon, and this is a good opportunity to say that even though you can send ideas (complete with a plot or not), I decide whether I'll write it, and if I do end up writing it, I get to decide the way the plot progresses. I hope that won't discourage people from submitting their ideas.

-

Seulgi lowers the bill of her cap as she eyes this convenience store for the perfect opportunity for a quick in-and-out snatch.

“Fuck, am I really doing this?” Different versions of this question have been running amuck in her head, and for a good reason, too: Seulgi used to be standing on stage with bright lights shining on her, but ever since her agency folded, she was forced to do things that she normally wouldn’t (i.e. stealing) just so that she can get her hands on most-needed daily essentials.

Seulgi’s heart races: what if she gets caught? What if the police get involved? What if— “Ah, fuck it, I don’t have any other options.” Her good conscience tries so hard to convince her that there are other options, but no matter how much it’s trying to make Seulgi stop, she simply won’t, and as she’s approaching the shop, she puts on a mask and zips up her jacket to conceal herself better.

Once she’s in, she takes a few laps around the shop and takes mental notes of where the desired items are: soju is in the glass fridge at the back, pads and soaps are on the shelves in a nearby aisle, and finally, makeup are on the shelves across in the same aisle. “Do I want snacks as well?” Seulgi tries to estimate the size of the items she wants since they will all need to fit around her body, inside the jacket that’s not too big to begin with. “Maybe I can fit a pack of Oreo or two,” she thinks.

She stands in front of the big fridge, and the way the glass door is showing her reflection makes her question herself once more. Seulgi’s eyes wander off her target and shift towards her feet. “Fuck, mama would be so sad if she knew about this.”

“Excuse me, miss,” a voice snaps her out of her trance, “I want to grab something, so can you please move a little?” Her first instinct is to say sorry and step back, but she manages to stop herself from speaking just in time. There’s a possibility that this woman might recognize her based on hearing her voice, so she simply nods and moves away from the fridge.

Seulgi takes a momentary shelter in an aisle that’s full of instant noodles. Her eyes happen to land on a pack of instant carbonara ramen that she loves. “I used to be able to afford boxes of this thing at once,” she thinks as she holds one in the air. She hears the fridge’s door closing and guesses that the woman is done grabbing whatever. “Alright, let’s not second-guess this.”

With renewed certainty, she makes her way back to the fridge and, without thinking twice, snatches a bottle of soju. After hiding it inside her jacket, she proceeds to go to another aisle to get some sanitary products. Seulgi has half a dozen items hidden underneath her jacket now, and as tempting as it is to get more stuff, she doesn’t want to risk it even further. “That’s it for now.” Seulgi fast-walks towards the exit, and as luck would have it, a bunch of other people are also about to exit, so if the alarms were to trip, no one would be able to point at her directly.

True enough, the shop’s alarms start blaring as soon as she walks out of the door, but she stays calm so that people won’t be too suspicious. Seulgi immediately makes a left turn into an alley, and that is when she starts running, hugging herself tightly as she does to prevent the stolen items from falling out. “C’mon, Kang Seulgi; you can make it home safely.”

-

“Thank you so much, miss,” you say as you take a cup of hot chocolate and a triangle kimbap from the server. “Of course, sir—come back again soon!” With a smile, you step away from the register and make your way towards the exit.

You take a sip from the paper cup, and your body immediately feels the warmth from the hot chocolate that serves as a salvation on this cold night. “Oh my God, that’s so good.” You set your hot chocolate on the hood of your car so that you can shift your attention to this warm triangle on your other hand.

“Alright, let’s see if their spicy tuna is actually spicy,” you say to yourself as you free the kimbap of its packaging. The taste of the first bite makes you let out a sigh of satisfaction; not only is the tuna filling properly spicy, but it’s also very flavorful. “I’m about to fucking bust from this,” you think.

You pull out your phone and take a picture of the café’s exterior— “Oh, I’m so sorry.” You turn around to see who just hit you. “Are you okay, miss?” You can’t see her face, but she gives you some rapid nods. You’re a little surprised when you see some soaps falling out of her jacket. “Let me grab that for you, miss.”

You bend down and pick up the soaps, but her hands are too busy hugging herself when you’re trying to hand them back. “C-can you put them in my front pockets, please?” You finally hear the woman’s voice. “Sure.” You lift the tabs that are covering her pockets and fill each pocket with a bar of soap.

“Here—" You hear a short static from your earpiece, thus interrupting your speech. “Unit 318, 10-40. 10-20, 102 South Boulevard. 10-21, complainant reports of a theft from the shop they’re working at. 10-12, await further information.” You keep your eyes on the woman as you wait for the rest of the call. “10-35, suspect is a female, wearing a brown jacket and a cap of similar color.”

The call finishes right as the woman begins walking away from you, but you manage to halt her by gripping her shoulder. “Not so fast, miss—wait a moment, please?” You lift the left side of your coat to talk into the radio hidden underneath it. “This is unit 318—10-4, will respond directly to South Boulevard.”

You pull her closer towards your car, and that is when you see that she’s shaking. “Are you cold, miss?” She simply shakes her head to your question, still not making eye contact with you. You’re quite confident that the call was about this woman who’s standing right in front of you, but obviously you can’t just arrest people based on gut feelings alone, so, “Miss, I have some questions for you, so please get in the car.”

With little resistance, the woman enters your car from the back door that you’re opening for her and takes a seat in the back of your police car. Once she’s seated comfortably, you sit on the driver’s seat and lock the doors. “Miss,” your voice is stern as intended, “will you please tell me your business, or do I need to take you back to the station first?” “D-do I not have t-the right to remain silent?” You nod as you turn on your siren. “Well, the station it is.”

You haven’t driven too far from the spot of arrest when the woman cracks. “O-officer,” she calls to you, “I-I give up—look, I-I’ll confess.” You make a quick stop on the side of the road. “Yes?” From the rear-view mirror, you see that the woman lets go of her jacket, and you see the pile of items hidden underneath it.

“I-I took some stuff from a convenience store.” You try to stay focused despite her curves that have been exposed to your eyes. “Those are daily necessities, aren’t they, miss?” She nods. “I-I don’t have money, sir, s-so I took them.” “You’re aware that it’s a crime, aren’t you?” She nods again. “P-please, officer, I-I need these things.” You sigh as you think about—wait, what is there to think about? It’s obvious that she has committed a crime. “Look, let’s get to the station first—we can talk more there.” “No, no, no—officer, please!”

You’re surprised to see that the woman has taken off her cap and mask. “Huh, I’ve seen you somewhere,” you mindlessly comment, “wait, you’re Kang Seulgi—you’re a celebrity, aren’t you?” The woman promptly breaks eye contact. “I-I was, officer; m-my agency went bankrupt.” “So, you had to shoplift to get stuff?” She nods. “I-I’m sorry, I-I should’ve known better.” You palm your forehead, oddly stressed about the fact that a celebrity (formerly, as she claims) has committed theft for such simple items.

“Can you keep a secret, Miss Kang, because I’m about to put my career on the line for you.” You’re a little startled when you feel her wrapping her arms around you from the back seat. “Of course I can, officer; I swear on everything that I’ll keep this between you and me.” You chuckle, and it might have come across as suspicious. “You don’t even know what I’m about to do, do you?” “W-well, that’s true,” she takes a moment to think, “y-you’re not going to rape me, are you, officer?” You’ve never heard something that absurd in your life before, especially in your career in the police force. “No, I’m not—are you out of your mind?”

You turn your head to the side so that you can see her in your peripheral vision. “We’re going to go back to the store and return those items,” you start, “after that, we’re going to go to another store, and I’ll buy you whatever you need.” Seulgi wraps her arms more tightly around you. “Yes, officer—thank you so much!”

You start driving again when Seulgi lets go of the hug. “I’m so fucking cooked,” you think, “can’t believe I’d see a celebrity shoplift.” “Officer,” you hear her say, “c-can I ask what your name is?” You nod. “Kang Hyunwoo, Criminal Investigation,” you briefly introduce yourself, “my family knows me better as Aiden, though; I’m of foreign descent, you see.” “We have the same last name?” You nod again. “That’s how it’s intended for us.”

-

Before long, you arrive at the store Seulgi stole from. “Wait here, okay?” You don’t wait for an answer and hop out of the car with the stolen goods in your hands. “Excuse me, excuse me,” you say as you make your way towards the front of the line. “Hello, my name is Kang Hyunwoo from the Metropolitan Police,” you introduce yourself to the staff, “I’m not too familiar with your system, but I’m here to return the stolen items.” The staff thanks you for your help and tries giving you a shopping voucher, but you politely decline. “Thank you, but that won’t be necessary,” you say.

 You quickly return to your car, and you’re glad to see that Seulgi didn’t drive away with your government-issued car. “You know, officer,” she says, “it was bold of you to leave a criminal alone in a running car—I could’ve driven away.” You chuckle. “I trust you more than I’d like to admit, Seulgi-yah.”

It is when you get in your seat that you realize that you might have been too friendly with her. “Anyway,” you clear your throat, “we still have some business at the station.” Seulgi’s face turns sour. “I-I thought you were going to buy me some stuff?” “Sorry, but that was a bait.” Seulgi gulps to swallow the anxiety that’s stuck in her throat. “C-can you just not let me go?” You shake your head. “I’m afraid not.”

“Daddy, please.”

You immediately turn your head towards her. “What did you just say?” “Please don’t turn me in, daddy,” she puts quite the emphasis on the name, thus making your jaw drop. “What the fuck are you talking about—why are you calling me that?” Seulgi takes off her jacket, thus exposing the tight-fit top that she’s wearing and showing you her perfect curves. “Give me a chance to change your mind, daddy—it’ll be worth your time, I swear.” “You’re not giving up your body to escape the law, are you?” Seulgi leans closer towards you, giving you a peek into her cleavage. “No, daddy; I’m giving up my body for you.”

“Goodness me,” you think. You’re oddly and seriously debating whether you’d turn a blind eye to crime in favor of sleeping with the criminal who happens to be a celebrity. “You’re dangerous, Miss Kang.” Seulgi shakes her head in protest. “Stop talking so formally, daddy; I’m yours for tonight, y’know.” You’re so unfocused that you press the ignition button again and shut off the running car. “Heh, I can tell when a guy is sold on an idea.” With red cheeks, you turn on the car again and immediately start driving. “We’re going to my place, baby.” “Oh, that’s exactly what I want, daddy—you’re going to take me to your place and fuck me until the sun rises again.”

-

“Wear your cap and jacket again, Seulgi-yah,” you’ve dropped the formality with her, “wouldn’t want to be seen running around with a cop, would you?” Seulgi looks at you blankly, making you confused. “Yes?” She shakes her head. “Nothing.” She puts on her identity concealment instruments as you’ve requested and follows you towards your apartment.

Seulgi quickly lets out a wow as she enters your apartment. “What a nice apartment.” You chuckle. “I’m sure a celebrity like you lives in a better place than this.” “I used to—not anymore, though,” she corrects you. “Fallen from grace, huh?” You say it with your back turned around, so you miss the way Seulgi’s face turns sour when she hears your words, only catching it when you look at her again.

You move to stand in front of her. “Sorry, I didn’t mean to say it like that.” Seulgi shows you a pretty smile. “It’s okay; I got what you meant.” She tries to hug you but gets confused when she doesn’t feel the shape of your body, thus tapping your body to figure out what’s wrong. “There’s some equipment underneath my jacket, baby,” you let the name slip out. Seulgi chuckles. “Yeah, should’ve thought about that first.”

You step away from her so that you can take off your jacket, and when it’s off, Seulgi can see your handgun and a pair of handcuffs that you keep on each side of the shoulder holster. “Ah, so those were in the way,” she says, and you simply nod is response. “Let me sort this out first, and then I’ll come back to you, okay?”

You unload your firearm and put it in the safe along with the magazine after making sure there is no bullet in the chamber. After that, you hang your jacket and holster on the wall hooks behind the bedroom door.

“Alright, so, what now?” You invite Seulgi to sit on the sofa. “You’re here right now because you want to escape the law, and to do that, you want to offer your body to me,” you don’t bother sugarcoating your words. “You don’t have to be so crass, though,” she says in a sad tone. You slowly reach for her knee, placing your hand on it. “I’m sorry; I’ve never been good with words.”

Your heart jumps a little when Seulgi places her hand on yours. “I wish we could talk—y’know, about ourselves.” “I mean, we can,” you say, “I’m off-duty right now, so at the moment, this is your safe space, and you’re safe with me.” She lets out a chuckle. “Didn’t you try to arrest me just minutes ago?” You also let out a chuckle. “Well, that was Officer Kang Hyunwoo from the Metropolitan Police—at this moment, I’m just 32-year-old Kang Hyunwoo.” “Oh, you’re 32? My group’s leader is 33,” she says. You laugh. “I know—I mean, your group was famous.”

Joyfulness disappears from Seulgi’s face, and in turn, it disappears from yours as well. “Unnie would be so disappointed if she heard about this.”  “I wish you hadn’t tried all that, and I’m not saying this as a law enforcer.” “What was I supposed to do, though? Should have I just asked someone to buy stuff for me?” “Honestly, I would’ve bought those things for you.”

Your heartrate jumps again when Seulgi puts her head on your shoulder. “Will you date me?” Her question doesn’t help you calm down. “S-sorry?” “I promise I’ll be a good girl for you, oppa,” she pulls out a new endearment for you. You fight the hesitation in your head and wrap an arm around her shoulder. “I have no question that you’re a good girl, but don’t you think you deserve someone better?" “Are you not a good person, oppa?” “I think I’m alright—I’m not perfect, you know.” “We can’t chase perfection in this world, oppa, especially when it comes to falling in love.”

It doesn’t take too much to make up your mind. “So, girlfriend, hey?” Seulgi grins. “I mean, I could be yours if you’d let your guard down and let me enter your heart.” You take a few deep breaths as you get ready to say this sentence that your brain has come up with, and with every second passing, you can feel conviction filling your head rather rapidly.

“I love you.”

You’ve never been so nervous to say such a short sentence before.

“Say it again?”

“I love you, baby—I love you with all my heart.”

Seulgi lifts her head off your shoulder and looks at you in the eyes. “I love you too, oppa, and thank you for the sweet words.”

You hesitantly reach for her chin, hoping that she’ll let you kiss her. “I know what you want, oppa.” She slaps your hand away and comes in quickly for a kiss, and right now, all you can think about is how soft her lips are.

Seulgi finds your hand without looking and guides it towards her tits. “Touch me here,” she softly whispers, and you’re eager to do just that. The cream top she’s wearing is so soft to the touch, and combine that with her perfect-sized tits, it feels like you’re dreaming—never in your life have you ever thought about being able to do this with someone like her.

Having had enough of your lips, Seulgi breaks the tangle. “Oppa,” she calls to you, “promise me this isn’t a one-night thing.” You shake your head, but gesture alone isn’t enough for Seulgi as she demands a verbal answer. “No, baby, it’s not a one-night stand; I want to be with you until you’re sick of me.” She laughs. “I won’t get sick of you ever, oppa, so we’ll stay together forever.” You peck her on the lips. “I like the sound of that, baby.”

Seulgi moves to sit on your lap; her crotch is grinding right against yours but blocked by the pants that each of you are wearing. “You know,” she says, “you’re so fucking hot—so fucking manly.” You laugh internally, because what does she mean you’re “manly.” “You’re so fucking hot too, baby.” “Yeah, oppa?” You’re getting hard as Seulgi grinds her crotch against yours. “Shit, haven’t you looked at yourself in the mirror?” She smirks, satisfied with your answer. “I wonder how you’ll react when I’m naked, oppa.” “Then let’s find out, baby,” you whisper right into her ear.

As horny as you are, you don’t forget to ask for consent if you can take her to the bedroom, and only after she says yes that you lift her by her thighs and make your way there. “Do you sleep with girls often, oppa?” You shake your head. “I haven’t gotten in a relationship in years, actually.” “You must have a huge load for me, huh?” “You know it, baby.”

You take a seat on the edge of the bed with Seulgi on your lap. “Hey, baby,” your tone is relaxed and soft, “look, before we start—” She interrupts you by placing a finger on your lips. “I consent, I want to be with you, and I love you.” You chuckle. “Well, that will do the trick.”

Seulgi lets her jacket fall onto the floor, and only now that you can see her curves properly. “My fucking God,” you exclaim, “fuck, I wish I had the words for this.” “I’m not even naked yet.” “Yeah, well, what are you waiting for?” She slaps your chest lightly. “I’m waiting for you to shut up.”

Your jaw drops when Seulgi takes off her top; her tummy looks so firm, her tits that are covered in black tight bra look so soft and full, and her neck looks like the perfect spot for hickeys. “God damn,” you wipe the drool off your lips, “aren’t you God’s most perfect creation.” She slaps you in the chest again. “Normally, I wouldn’t tolerate someone talking about me like that, but you’re my exception tonight.” Your eyes that have been roaming wildly all over her body shift to meet hers. “Just tonight? I thought we wanted to keep seeing each other?” “Well, actually,” she puts up a finger, “whether we can see each other again will depend on your, erm, performance.”

You have Seulgi sit on the bed so that you can undress. “My performance, huh?” You can see a mix of excitement and nervousness in her face. “I’ll show you.” You quickly get rid of your clothes, thus allowing Seulgi to have a look at the excellent physique you’ve maintained for God-knows-how-long. “Goodness me,” she bites her bottom lip sexily, “so that’s what you’ve been hiding from me.”

Seulgi stands closely in front of you and places her hands on your shoulders. “May I?” You express your consent with a nod, and that is when she begins running her hands all over your torso. “Do these girls know that you’re this sexy, because they’re missing out big time.” You chuckle. “I’m the sole reason that I’m not in a relationship—those women out there have nothing to do with it.” “Yeah, yeah, whatever you say.”

Seulgi’s eyes land on your cock. “Oh, speaking of big,” she reaches for the half-erect, half-limp shaft that’s dangling between your legs. “Say, how many girls have you torn in half with this, oppa, hm?” You laugh as your ego inflates. “You’d be the second.” It’s Seulgi’s turn to laugh. “You’re underestimating me if you think that I won’t be able to take you.”

Your heart beats faster when Seulgi kneels in front of you while her hands are still wrapped around your cock. “Oh, this will be a tight fit,” she comments. Before taking you in her mouth, she stretches her mouth first, making these funny expressions as she does. She catches you grinning and hits you on the thigh. “Don’t.” “I don’t know what you’re talking about.” “I know that face—that’s the I-can’t-wait-to-fuck-this-girl face.” You shrug. “I mean, can you blame me?”

Seulgi doesn’t answer your question with words and instead parts her mouth to let your cock in, and the first contact makes your knees weak. “Oh, God, baby,” you’re running out of breath already. You gasp sharply when more of your shaft enters her mouth, and it’s getting really difficult to stay upright. You feel her soft hands on your thighs as she fights her gag reflex to get as much of your length in her mouth as she can.

The gurgling sound that enters your ears when Seulgi removes you from her mouth is nasty but arousing. “D-did you like that, daddy?” You nod feebly. “You want to fuck my face, or no?” You take a few deep breaths to collect yourself. “No, baby; I don’t want to do it rough on our first date.” Seulgi shows you this gorgeous combination of lip and eye smile that you’re seeing for the first time tonight. “That’s sweet of you.”

You pull her onto her feet and invite her to lie in bed with you. “Can I ask how many guys have been rough with you?” “One,” she says. “I hope it wasn’t on your first date.” She smiles a little. “It was, but not on the first round.” You stay silent as your eyes are locked with hers. “What’s wrong, oppa?” The smile on your face is a gentle one. “I just can’t see myself going hard on you, baby; I feel like you deserve soft sex all the time.”

Seulgi rubs your face gently. “That’s sweet, but you have nothing to worry about; I can take whatever you send my way.” “Vanilla is what I’m sending your way tonight, baby.” Seulgi chuckles, and the way it hits your face makes you shiver. “You’re going to make me cry if you keep talking like that.” You place a hand on her cheek and rub it with your thumb. “I swear on everything I have, baby, that you’ll be crying for all the right reasons with me.”

“I’ll hold you to that, my love.”

With a warm heart, you pull her into a kiss, and you wholeheartedly hope that Seulgi can feel the tender love you have for her.

“Take me, love; make me yours,” she whispers softly. You roll over so that you’re on top of her. “Your pants are in the way,” you crack a little joke, and you’re successful in making her laugh. “Do something about it, please—pretty please?” “Oh, you’re pretty, alright.”

You move backwards a bit until her crotch is right in front of your face. “May I?” “Yes, you may.” You unlatch the metal button of her pants and undo the zipper. You then continue to drag her pants down her legs until they’re properly off. Seulgi also cooperates by taking off her panties—that has a wet spot in the center—herself.

You give her pussy a little peck (thus earning a cute little moan) before returning to your previous position on top of her. “Show me how much you love me.” You peck her on the lips once. “Gladly, baby.”

With your cock in one hand, you guide yourself to enter her warm pussy, and Seulgi immediately lets out a long moan because of the first contact. “You make me feel like this is my first time, oppa.” “With me, this is your first time, and I’ll be your last because you’re not leaving me ever.” “Are you that sure about us?” “Yes, baby, so God help me.”

You see that Seulgi’s dams are threatening to burst, so before it does, you distract her by pushing your cock deep into her. “I’ll be the best girlfriend for you, oppa—no one else deserves me like you do.” You silence her with a soft shush. “Let’s focus on us right now, baby.”

Seulgi holds you tightly, locking you in place close to her but still gives you enough space to keep moving your hips. She wants to express how safe and loved she feels in your arms, but her lips are busy moaning. “I know you can’t hear me, but I love you,” her heart says. “I know you can’t hear me, but I want to be with you for a long, long time.” A particularly deep thrust disrupts her train of thoughts, making her hide her face in the crook of your neck. “I love you, Kang Hyunwoo—I love you so much.”

At one point in her life, Seulgi heard that the heart controls the mind, and the mind controls the body. Right now, all her heart wants is to show you just how much she appreciates you—how much she appreciates this new relationship that she’s building with you. Without too much convincing, her mind agrees with the idea and, in turn, signals to her body that she’s highly enjoying this hot sensuality you’re offering her.

“L-love,” she calls to you, “I-I won’t last long.” “That’s fine, baby.” Your deep voice in which your reply is said sends goosebumps all over her body. “I don’t want you to last too long anyway,” she hears you say. “Y-you don’t?” Seulgi feels a sudden peck on her lips. “You finishing early would mean that you could feel my love, and that’s what I’m aiming for right now.”

Seulgi’s moans become more frequent as she inches closer to the checkered line. “Love me, oppa—love me, love me,” she chants into your ears. She gets ecstatic when the pace of your thrusts grows faster. “Yes, just like that, oppa.”

“Can you feel that?”

"Damn right I can.”

“Then give it to me, oppa; I deserve it.”

“Oh, yes, you do.”

Seulgi is the first one to crack, announcing her orgasm with a scream from the top of her lungs. “Oh, what an amazing girl,” you praise her while petting her head gently. “You’re such an amazing girl, aren’t you, baby?” She keeps squirming around in your arms as she rides the high of orgasm, moaning freely as she does.

You keep whispering sweet words as you wait for her to calm down, and finally, after what felt like forever, she’s now able to speak coherently again. “I-I love you,” she’s out of breath now, “I-I want no one else but you.” You spray kisses all over her sweaty face. “I love you more, baby.” Seulgi giggles a little. “Y-you’ll give me your load if you really love me.” “One second, baby; let’s calm down first.”

Soon, Seulgi signals that she’s ready to help you get to the finish line and asks that you resume your thrusts. “Don’t forget to cum inside, love.” Initially, you hesitate, but she repeats the line, and it’s clear that you have no other option. “As you wish, baby.”

Apparently, you were only a few pumps away from orgasm, thus busting deep into her after a handful of them. “Oh, fuck, that’s so warm.” You hit her cheek very, very gently. “No profanity during vanilla, please.” “S-sorry, b-but you’re so warm in me, love.” You kiss her fleetingly. “That’s just how much I love you.”

-

“The court hereby orders the defendant to pay 200.000 in fine and do 10 hours of community service.” The judge slams her hammer on the round pad repeatedly, thus officially passing the sentence for Seulgi’s crime that thankfully has been deemed as minor after considering the severity of it and her previously clean record. “The officer may escort the defendant out of the courtroom.”

You make your way towards your girlfriend as she stands up and place a hand on her cuffs. “Time to go, miss,” you whisper. Seulgi simply nods and starts walking to wherever you’re taking her.

You see that there’s an empty room on the first floor of the courthouse, so you open the door and enter with Seulgi. You take your hat off and put it on the table while she takes a seat on one of the available chairs. “Love, I can’t pay that,” you can already hear the anxiety and fear in her voice, “shit, had I had money, I wouldn’t have stolen.”

There’s no CCTV in this room, but there are see-through glass panes on the wall to your right, so you can’t touch her no matter how much you want to.

“I have money, baby.” You’re sure that Seulgi understands what you’re talking about.

“B-but I can’t do that.”

“You either take my money or go to jail for failing to pay—the choice is yours.”

It doesn’t take long for Seulgi to make up her mind.

“Erm, I-I’ll take your money; I don’t think I have other options.”

Now that the two of you have come to an agreement, you ask Seulgi to stand up again so that you can take her to the bank to pay her fine. You maintain character from the moment you exit the little meeting room until you’re hidden in the privacy of the police Sonata you’re assigned to.

“So, here’s the game plan, baby,” you start, “I will give you this card, and you’ll withdraw 200.000 and use it to pay the fine.” You don’t see her reaching out a hand, and that is when you remember that her hands are still cuffed behind her back. “Oh, I forgot about that—I’ll let you go when we get to the bank, okay?” Seulgi laughs. “I was starting to think that you had a bondage kink.” You look away to hide your smirk. “Maybe we’ll find out soon.”

-

After a short drive, you arrive at the bank with Seulgi.

You look at her through the rear-view mirror; with her wrists restrained behind her back, you have unrestricted view of her plump tits that you love so much. “I know you’re looking at my tits, you pervert,” she calls you out and sticks out her tongue in playful mockery. “You know I can’t keep my hands off the cookie jar.”

You get out of the car and open Seulgi’s door—wait, why does she look weak?

“You alright?”

She shakes her head, and you can’t help but scratch your head in confusion.

“I need some vitamin D, and I’m not talking about the substance.”

“Then let’s go in there, pay this God damn fine, and go home, hm?”

“I can’t,” she shifts a little to show you her bound wrists, “daddy is tying me down.”

You pinch her on the thigh.

“Let’s not play around too much right now, Miss Kang.”

After freeing Seulgi from the cuffs, you hand her your card and head inside, and you almost forgot that you can’t be seen holding hands with her while you're in uniform.

“Good afternoon,” Seulgi greets the staff member, “my name is Kang Seulgi, and I’m here to pay a fine.” The staff asks Seulgi about some things to confirm her identity and the sum that needs to be paid, and after everything is verified, Seulgi hands your card to the staff so that the payment can be processed. After a brief moment, “The payment has been verified, and this is your receipt.” From where you’re standing, you notice the way Seulgi’s body relaxes as she takes the receipt and card from the staff. “Thank you.”

Seulgi sighs deeply in relief and offers her wrists to be cuffed again, but at this point, it’s no longer necessary—in fact, it hasn’t been necessary since you left the courthouse, but she doesn’t know that. “You’re free to go, Miss Kang,” you say, back in character. “Oh, really? Is that it?” You nod. “Aside from the community service, you are now a free woman.”

Seulgi asks you to follow her outside, and it appears that she wants to get back in the car for some privacy.

“Love,” she calls to you from the back seat, “thank you for everything, seriously.” You smile gently. “Of course, baby; now promise me that you won’t steal again, okay? Come to me whenever you need anything, and I mean anything.”

Your heart is promptly filled with warmth when she hugs you from behind. “Never thought I’d date a cop, but here I am.” You chuckle. “I bet you thought that you’d end up with some rich guy.” “No,” she denies, “those guys are fake; they probably just want my money or my body.” “I mean, you do have a body that guys would kill just to have a chance to lay with you.” “Yeah, well, they’re not getting me ever—I’m yours now, remember?”

-

Usually, you have nothing to be excited about or look forward to when you get home after a shift, but now that you have Seulgi living with you full time, you’re always excited to go home, and it is no different today.

The way your heart is beating with excitement has your finger trembling as you enter the passcode to your apartment, and when you open the door, you’re instantly met with your girlfriend who has the beautiful grin and eye smile that you adore so much.

“Welcome home, love!” Seulgi greets you with open arms, and you waste little time to fill the space between them. “How was your day?” You let out a deep sigh to show how tired you are. “It was pretty exhausting, actually; I had to train shooting and worked out after that.” Seulgi turns her head to the side and gestures at the kitchen. “I may have some food for you.”

Seulgi drags you towards the dining table, thus showing you the table that has two bowls of tteokbokki on it. Based on how it’s presented, you estimate that she must’ve cooked this herself. “Oh my, thanks a lot, baby.” She gets on her tippy toes to peck you on the forehead. “Thank you for coming home—your timing was perfect, by the way.” “I’ve heard that before in my life.”

Seulgi pulls back a chair for you to sit on. “Let’s eat quickly, love, and then we’ll talk.” Your heart rate spikes for a moment. “Am I in trouble?” She shrugs. “I don’t know—are you?” “I don’t think so, but maybe I’ve missed something.”

You stare blankly at the bowl in front of you as you try to figure out if you’ve done anything wrong. Currently, there are two things in your head that might be the reason why she’s unhappy: you forgot to buy some eggs and instant noodles that she had asked for yesterday, and on the following morning, you rejected her offer to do a quick one.

Seulgi saves you from drowning in your own thoughts by placing her hands on yours. “Hey, now,” her voice is so soft, “I was just playing, love; you’re not actually in trouble. “I’ll buy you those eggs after this,” you blurt, and the suddenness of it makes your girlfriend burst out laughing. “Oh, don’t worry about them.”

She picks up a piece of tteokbokki with her chopsticks and invites you to do the same, so you do just that. There’s a bit of unease in the back of your mind that leads you to scratching your nape. “Thank you,” are the first words that leave your lips, and those are enough to make Seulgi smile. “You’re welcome, love,” she replies.

Like a cat, you shake your head rather violently to get rid of unnecessary thoughts in your head, and with renewed focus, you’re ready to take a bite of tteokbokki that you already know will blow your socks off. “Oh, I really like this, baby; this is really good,” you praise the fruit of her work. Seulgi blushes a little. “You always say that to everything I cook for you.” “You know how easy it is to please me—give me anything edible and I’ll say it’s good.” “But not eggplant.” “Anything but eggplant, yes.”

-

Seulgi says she wants to get a shower before going to bed, so after washing dishes with you, she makes her way towards the bathroom. “Join me,” she says as she jogs towards her destination. “Gladly.” You take the chance to undress yourself and put your equipment away while she’s off doing her business in the bathroom.

The door to the bathroom isn’t shut all the way, so you simply push it open, and that is when you see Seulgi standing under the shower, water flowing freely on her curves from top to bottom. After stopping the flow of water, she makes a “come here” gesture at you, and you waste little time to get close to her. “My, aren’t you God’s most perfect creation,” she recites your words from the first meeting. “Is it safe to say that we’re going to completely spend our batteries tonight and wake up late tomorrow?” Seulgi laughs. “You rejected me yesterday, didn’t you, love?” You answer in the form of a nod. “So, this is your chance to make things right with me, and you may start now.”

You take a few steps forward, thus making Seulgi step backwards until she’s pressed against the wall. “Vanilla, baby?” “No, daddy.” The name makes it obvious what she wants from you. “Safe word?” “Teddy.” You reject her choice because it sounds too similar to the kinky name. “Cookie, then.”

After agreeing on the choice of safe word, you quickly lean in for a kiss to kick things off, and as usual, Seulgi places her hands on your shoulders. “Tell me, daddy—what’s in that head of yours?” It’s a habit between the two of you to share each other’s plans before the actual sex to make sure you and her are on the same page. “Tell me your ideas first, baby.” Seulgi puts a finger on her chin. “Hmm, let’s see,” you can see the gears in her head spinning, “what about locking my wrists together, daddy?” You’re immediately sold on the idea. “Let’s do it, then.”

Seulgi gets down on her knees. “First, feed me your cock, daddy.” You hold your cock in one hand. “Choo-choo, the meat train is coming through.” Seulgi, who initially had her mouth open to take your cock, bursts out laughing. “Meat train? Really?” You pout a little. “Just play along, please.” “You’re so funny sometimes, daddy.”

“Only some—oh, God, fuck.”

You let out a profanity when Seulgi suddenly puts your cock in her mouth. “Oh, God, that never gets old.” You try your hardest to breathe at a normal pace as she begins moving her head along your length, and this is where you start regretting your decision to reject her offer to have sex yesterday. “Are you trying to make me pay for saying no, baby?” You grit your teeth in pain when she bites your cock slightly. “I’ll take that as a yes.”

You notice that she’s starting to pick up the pace, so you put a hand on the back of her head to prevent her from hitting the wall. “Relax, baby; you’re going to make me bust if you don’t slow down.” She doesn’t listen to you and keeps the fast pace—at least that’s the case until the tip of your cock hits an odd spot in her throat, thus making her gag. As soon as you pull out of her mouth, Seulgi begins coughing violently. “You’re okay, baby,” you say repeatedly while petting her head softly.

“100 days together and I still can’t take you deep,” she says, seemingly disappointed in herself. “That’s okay; I’m not mad or anything like that,” you assure her, but it appears that she doesn’t want to hear it. “That doesn’t mean that I get to slack off,” she argues. You deny her attempt at taking you in her mouth for the second time by gripping her hair. “No, no, no, let’s have a timeout first.”

You leave Seulgi seated on the bathroom floor to get a towel to dry her body with. “You want to move, don’t you, daddy?” You nod. “You’re my girlfriend, so let me treat you the way you deserve to be treated.” Seulgi rarely blushes, but this is one of those times where she feels like she can’t help it. “Am I lucky to have you, daddy, or are you lucky to have me?” The question sounds like a test, but you still answer properly from the bottom of your heart. “From my perspective, it’s me that’s so lucky to have you. If you think that you’re lucky to have me, then that’s a huge honor for me.”

You sit in the center of the bed with Seulgi still in your arms and are ready to have sex, but it changes when she begins tearing up. “Are you okay, baby?” She fans her face with her hands to get herself together. “Oh, don’t worry; these are tears of joy.” You’re glad that your nails aren’t long because you’re now able to wipe her tears without worrying about scratching her. “I promised you that you’ll be crying for the right reasons, didn’t I, baby?”

“I-I don’t know if I can continue, daddy—I’m sorry,” she’s still unable to stop crying. You chuckle. “Tell me how I’m supposed to be rough with a softie like you, baby, hm?” “Well, y-you’re supposed to be mean and dominant.” “I can’t be mean to you, can I, my love?” The way you say the last two words must’ve triggered something in her heart, because her cries grow louder than before. “Oh, I’m so sorry—look, I’ll get you some ice cream, okay?”

You rush to the kitchen quickly to get a cup of strawberry ice cream for her, and when you return to the bedroom, Seulgi is curled up in the middle of the bed. “Seulgi-yah, my love,” you tap her thigh to get her attention, “do you want some?” “Y-yes.” Once she’s seated, you move to sit behind her and have her lean against your body. “Look at this, baby,” you open the lid for her, “it looks so tasty, don’t you think?” “A-and soft like me,” she adds.

You take a spoonful of ice cream and guide it to her waiting mouth, repeating it a few more times until Seulgi says stop. “You know,” she says, “I remember overhearing a guy talk about how he fantasized about fucking me hard like a cheap slut.” Your brain starts getting filled with anger, because what the fuck kind of fantasy is that. “Really?” She nods. “H-he said he’d tie me down and fuck my ass.” “I don’t mean to prod too much, but have you taken a penis in your ass?” Seulgi shakes her head. “I’m naughty but not that naughty.”

You feed her another spoonful of ice cream as you think about her words. “Can I ask who this guy was and how you overheard him?” “H-he was, erm, a fellow trainee, a-and I happened to be walking past a room he was in when he said it out loud.” You’re very baffled; if he was a fellow trainee, that means that he was around Seulgi’s age, and for someone that young to have that sort of fantasy sounds nasty. “He didn’t debut, did he, because there are many male celebrities from your old label.” Seulgi shakes her head again. “He didn’t make the final debut lineup.” Hearing her answer makes you let out the biggest sigh of relief in your recent memory.

You have a few sentences in your head that you hope will convince Seulgi that you’re not that type of person, but after the first sentence leaves your lips, she won’t let you continue. “I can tell from day one what type of person you are behind your façade.” You scratch your head in confusion. “Am I that easy to read?” She chuckles. “I’ll say that your book was a bit open.”

The ice cream has run out, but thankfully, Seulgi is no longer crying. You put the small wooden spoon in the empty cup and put them on the bedside table. “I hope I helped you feel better,” you say. “I mean, I wasn’t sad necessarily, but you did help a lot.” She moves to sit on your lap after freeing herself from your arms.

“I love you.”

“I love you more.”

Seulgi grins, satisfied with your quick answer. “Are you down to make some promises?” “Let’s do it.”

Seulgi asks you to go first, so you say the first thing that comes up in your head. “Promise me that you won’t leave me when you’ve got back on your feet.” “Excuse me?” You sigh deeply. “You met me when you were in a rough spot, and I sincerely hope that you won’t leave me when… you know, you’re in a better situation—maybe when you get a job or something like that.” She holds your face with her soft hands. “No, I will never do you like that—I’m here right now because of you, love.” “So, you promise?” She nods rapidly to show seriousness, and seeing it warms your heart. “Thank you, baby.”

Seulgi looks away momentarily. “I had something in my head, but you threw me off.” You stay silent to see if she manages to find something for you. “Okay, how about this,” she says, “promise me that you’ll propose to me and make me yours.” Your eyebrows rise involuntarily. “Propose to you? Are you that sure—” “Yes,” she interrupts you before you can finish your sentence. “You’re law enforcement, so what better way is there for us other than to formalize our relationship in the eyes of the law?” The phrasing makes you want to laugh, but your brain manages to stifle you from actually laughing, citing inappropriate timing. With that, your response is, “We’ll work on it, love.”

Seulgi quickly shifts to get on her knees in front of you. “Fuck everyone else; I’m the only one for you, and you’re the only one for me.” You rub her cheek gently. “What are you talking about, love?” Instead of answering your question, she repeats her line. “Love, seriously, what are you talking about?” “My ex,” her answer is a short one. “Why are you thinking about him?” She looks at you dead in the eyes, and you swear there is smoke coming out of her ears. “I’m not—if anything, I wish I could erase him from my memory.”

You don’t know how to react to that aside from saying that he’s completely irrelevant in your and Seulgi’s lives. “Please don’t bring him up again,” you say sternly. “Yes, daddy.”  She must be in the same head space as before when the two of you were in the bathroom. “Oh, you’re saying it again, huh?” She palms your limp cock. “You distracted me with that ice cream, but now I’m ready.” You run a thumb on her cheek. “You were literally in tears and said you couldn’t continue—how could I have ignored that?” “Yeah, well, that’s now in the past,” she deflects, “let’s focus on the here and now, daddy.”

Seulgi crawls backwards until your cock is right in front of her eyes. “Oh, you’re so hard already.” “How can I not when my beautiful wife is naked in front of me like this?” She grins. “I’m your wife?” “Yes, you are—also, it’s not like there’s anyone else in this room, is it?” “There’s no one else in this room aside from the two of us, and there’s no one else in my life aside from you, daddy.”

Without breaking eye contact, Seulgi eases your cock into her mouth, wasting little time to start things off. She then grabs your hand and places it on the back of her head. “Ah, of course, how could I forget?” You start petting her head gently. “You like this, don’t you, baby?”

You make sure the praises keep flowing out of your lips without obstruction as your soon-to-be wife moves her head back and forth along your shaft. “God, you’re amazing at this, baby.” Enticed by your words and the pets on the back of her head, Seulgi picks up the pace, thus filling the bedroom with slurps and other sounds that escape her mouth that only add to your arousal. “I’m starting to think that you like my dick more than that ice cream,” you quip.

Before long, Seulgi removes you from her mouth to come up for air. “You know, I’m curious what it’d be like if I could take your whole dick in my mouth.” You take a rough measurement of your cock with your palm and estimate how far your cock would go. “The tip would be in your throat, baby.” She licks her lips, curious about how that would feel like. “Can I try?” You shake your head. “I don’t want to suffocate you with my penis,” you reason.

You invite Seulgi to sit on your lap after closing your thighs, but instead of simply straddling them like you hoped, she puts your cock in her pussy first before actually sitting on your lap, thus forcing the two of you to moan in reflex. “You like that, daddy?” “How can I not when you’re this tight?” Seulgi rewards your good answer with a fleeting kiss. “At what age do you think we’ll stop having sex, daddy?” You shrug. “I don’t know—60, maybe?” “I doubt it; with your physique, you’d be able to fuck me until we’re 80.”

You want to say something else, but your train of thoughts got derailed when Seulgi starts moving her hips. “I-I’ll stay tight for you, daddy, even if we have a lot of children.” “I don’t doubt it,” you’re getting breathy.

Without command, Seulgi picks up the pace to the maximum that she can do, her sexy moans flying out her lips without rest. It is when you take her tits in your hands that her moans get louder. “S-suck them, p-please.” You do as she asks and put one breast in your mouth while stimulating the other with your hand. “Yes, like that, daddy—suck my tits like our future children would.”

It's not fair for you to only stimulate one breast, so you let go of the first one to make room for the other. You keep sucking until you notice that Seulgi slows down. In retaliation, you lightly bite and pinch her nipples. “Oh, God, don’t do that,” she jolts, “l-look, I-I’ll start again.”

Seulgi eventually pushes you away from her plump breasts and falls backwards onto the bed. “I-I’m tired—y-you’ll need to fuck me this time,” she says between heavy pants. You don’t bother waiting for her to calm down, opting to start again right away to ensure maximum stimulation.

Initially, you’re holding Seulgi by her legs as you’re thrusting into her, but as time goes on, you’re starting to fold her legs over her body. “Fuck me, daddy—fuck me nice and fast,” she eggs you on. You fasten your grip on her ankles as you prepare to give her your absolute everything, and not too long after you’ve started, Seulgi is reduced to moans and screams as her eyes are rolling backwards.

All you can think about right now is how wet and tight— “D-daddy,” she snaps you out of your horny trance, “I, I—c-cum, daddy.” You quickly pull out of her pussy and aggressively rub her clit, thus making her scream. “D-daddy,” her orgasm is getting so close, “I-I’m—your fingers, daddy, fuck!” “Cum, baby; cum for daddy,” you urge her.

With an ear-piercing scream, Seulgi explodes, soaking the bed with her juice. Once she’s done squirting, you drag her around and position her until her legs are dangling off the edge of the bed. “You want to be tied?” Seulgi nods slightly. “Then tied you will be.” You grab a pair of handcuffs from your equipment holster and lock her wrists together with them. “Are you ready to go again, though?” She nods again. “Fuck me, papi.” Hearing the new name makes you chuckle. “One day, we’ll sit down and talk about our kinks, okay?”

Seulgi moans when your shaft enters her again and screams when your palm lands on her butt. “You’re fucking naughty, aren’t you?” “Y-yes, officer.” You spank her once more. “That’s inspector to you, Miss Kang—or papi, like you said yourself.”

You fix your hands on her waist as you fuck her tirelessly from behind, her butt cheeks bouncing around as your hips crash into them. You notice that her small, puckered ring keeps peaking at you every now and then, and an idea enters your mind: what if you put a finger in there?

You coat your thumb with spit to prepare it for a brave adventure to a brand-new world that is her asshole. Seulgi jolts when she feels your thumb in the entrance of her forbidden hole. “D-daddy, gently, please,” she begs, but instead of getting an assurance that you’ll indeed be gentle, she gets a spank on the butt instead. “You’re mine, slut.” You feel a tinge of guilt for calling her with such a pejorative name, but you’re half certain that she’ll understand considering the current situation.

Seulgi grits her teeth as her asshole stretches to accommodate your thumb. “How are we feeling?” “G-good—oh, fuck, fuck, fuck!” She begins squirming around when she feels your thumb moving in and out of her asshole. You don’t give her a chance to breathe as you opt to start fucking her again with your thumb still stuck in her ass.

Amidst her endless moans, a thought enters Seulgi’s mind: should she let you fuck her ass?

“Maybe I should.”

“Fuck, it’ll hurt so bad, though.”

“So what? He’ll be the first and last.”

“But he’ll stretch me like crazy.”

“Let him claim you.”

Her conversation with herself ends when she feels that your thumb is no longer lodged in her ass. She gathers her strength to turn her head towards you to look at you. “D-daddy,” her voice is barely heard.

“Yes, baby?” You couldn’t hear what she just said, so you lean forwards and ask her to say it again. “F-fuck my ass, daddy.”

Your eyes widen in shock; did she just ask to be fucked in the ass?

“You’re a virgin there, though, no?” Your answer is some feeble nods. “I-I couldn’t bleed for you, s-so claim my ass a-and make me yours.”

You pull out of her pussy so that you can address this further. “Baby, you know I have no problem with not being your first.” “J-just do it, daddy—l-let me show you exactly h-how much I love you.” “Are you sure?” “Y-yes,” she answers briefly. You ask once more and get the same answer, so you know that her mind is made up. “Safe word?” “C-cookie,” it appears that she hasn’t forgotten it. “Alright, let’s do it, then.”

It is when you’re back in your previous position that you realize you need something to make it hurt less for Seulgi. An idea pops in your head: “Her pussy will be able to coat me,” you think. You plunge into her pussy again and pump a few times until your cock is shiny because of her juice. For extra measure, you also coat your cock with a lot of spit.

“I’m ready, baby—are you?” She nods. “Claim me,” she repeats. “Stop saying it like that,” you protest. “J-just give it to me, please.”

Seulgi gasps when the tip of your cock touches her puckered ring. “Gently, love—I’m begging you,” she begs, changing the callout name for good measure. She inhales sharply when the tip of your cock stretches her virgin ass. “Please be gentle,” her voice starts to crack, and it’s understandable, too; this is her first time after all.

You push forwards into her pussy every odd second to not hurt her even more. Seulgi turns her head towards you, thus showing you the pooling tears in her eyes. “P-please tell me I’m doing well,” she says. “You are, baby; you’re doing so well right now,” you assure her, your hips still. It hurts your heart seeing your beloved woman be in tears like that, but it was her idea to give her ass to you, her beloved man, with whom she wants to have a life with.

“Love, take me.”

 Using her urge as fuel, you begin moving your hips back and forth, thus properly and officially taking her anal virginity.

“Does it hurt so bad still?” “Y-yes, b-but it’s fine—t-this is what I want,” Seulgi deflects. You take a few deep breaths to focus your mind on the task. “Alright, I’ll try moving now, okay?”

You maintain this relaxed pace as Seulgi’s muscles adapt to your intrusion, and slowly but surely, moans begin streaming out of her lips. “That’s better, love.” You place your hands on her butt cheeks to caress them. “You’re incredibly tight, baby.” “T-that’s—AH!” A particular thrust makes Seulgi scream. “T-that’s your proof that I-I’m a virgin there.” “I never asked for proof, but thank you, my love.”

Your orgasm approaches at an alarming rate with every thrust of your hips. On one hand, you’re happy, because it means that Seulgi won’t have to suffer for too long. On the other, you’re worried that she’ll be disappointed by your performance tonight. There is one way to make sure, and that is to simply ask. “Love, can I cum?” She nods. “S-sooner than later, please, daddy.” “Brace yourself, baby—feel free to tap out, though.”

After delivering a warning, you pick up the speed, fucking her ass fast like it was her pussy, and Seulgi immediately sinks her face into the bed to muffle her voice. You instinctively spank her, thus forcing another scream from her, but regret it right away. “Fuck, sorry, baby; force of habit,” you say, apologetic.

You can feel the way your cock is throbbing in her ass—orgasm must be very close. “Baby, I’m—” “Do it, daddy—f-fill my ass.” “Alright, okay.”

You leave the entirety of your cock lodged in her ass as you blow semen deep into it, thus officially marking the end of this painful first-time. After you’re done filling her, you retreat out of her ass, and after blinking a few times, her asshole properly closes, locking your cum inside.

You grab the cuffs’ key so that you can unlock them, and after she’s free, you flip Seulgi onto her back and pull her into an embrace. “It hurt, didn’t it, love?” “Y-yes, but I’m yours now.” You put on a gentle smile for her. “Thank you so much, love—I love you.”

-

You’re back in bed after a long shower with Seulgi, and what’s left for you to do is to take care of her, which consists of several non-skippable steps.

First, you hold her tightly.

Second, you say, “Love, thank you so much, seriously,” to express gratitude and appreciation.

Third, you come in for a kiss—one that is passionate to support your words.

“Don’t leave me now, love.” “How can I leave you when I’m so in love with you?” Seulgi lets out a tiny chuckle. “Are you in love with me or my body?” The question offends you a touch. “Surely you don’t think that low of me.”

Seulgi shuffles around rather wildly. “Are you okay?” She huffs in frustration. “You’re not close enough.” You laugh. “Our skin is literally touching, baby.” “No, not enough.”

Seulgi mounts your lap and puts your semi-hard cock in her pussy. “Oh, there we go.” You tease her by thrusting upwards but earn a slap on the chest in response. “Don’t—I’m already so sore.” “Are we sleeping like this, then?” She nods against your cheek. “If you wake up first tomorrow, feel free to fuck me and cum inside.”

You chuckle. “That’d be a crazy way to start the day.”

[transmisogyny-explained]

I want to submit a perspective on "afab transfemininity" from. an afab multi gender person. I know my experience isn't representative of everyone who calls themselves this, but I wanted to at least share

I don't call myself a trans woman, I hesitate to call myself transfem. nonetheless, I feel connected to femininity in a distinctly transgender way. when I first came out, I hated being a girl. I was a transmedicalist and validated myself by invalidating others. I had to face a lot of internalized misogyny and transphobia in order to really learn what it meant to be a man. after I started testosterone about 3 yrs ago, I realized I was a lesbian, and started feeling more comfortable being, at least in part, a woman. it was different this time because it was something I liked, something new and my own, not something ascribed to me. it's not cisgender in any way, it is transfemininity

this being said, I know my experience toward transfemininity is extremely different from the norm. I am not what most people are referring to when they refer to transfems, and there are many definitions of transfem that do not include me. despite that, I do have some experiences that overlap, things I can relate to. my femininity is at its core transgender in nature. my gender now is more complex... I feel like both a man and a woman, neither and both. but that doesn't mean my feelings about my gender are predatory or invalid. I don't want to talk over transfems, I am very aware of my place in these conversations. but I still have a place, and it frustrates me to see you share posts that minimize my experience into a stereotype

Why do you view transfemininity as being, at its core, the experience of being “both a man and a woman” lmao

Get back to me when you start viewing trans women as actual women and transfemininity as actual femininity, and not an aesthetic or a vibe or “some other third thing” apart from femininity.

You “feel femininity in a distinctly transgender way?” Congrats! You’re nonbinary! But that is NOT what being a trans woman is — Their womanhood and femininity is not essentially different from cis women’s.

What you are describing is a very generic experience of being a feminine nonbinary person, and I don't say that to insult you; but to compare that experience to those of trans women’s betrays the fact that you don't view them as the same gender as cis women. Which is transmisogyny. It’s textbook third-gendering.

Call yourself a nonbinary woman- Call yourself whatever you want, in fact. But trans women and TMA people are never going to feel safe around you so long as you continue insisting that transfemininity is essentially the same as the nonbinary femininity you experience, and essentially different from “real” cis women’s femininity.

Also, can I just say that it’s a little condescending that you would end your ask by saying “I’m aware of my place in these conversations, but…”

Like, if you were really “aware of your place” and were actually listening to transfems when we talk about transfeminism, you would be able to recognize the enormous amount of transmisogyny baked into your message. On top of the third-gendering, you also managed to:

Imply that TMA people don’t understand the complexities of gender and nonbinarity like you, a TME person, do

Imply that TMA people creating the language and spaces to discuss our experiences in a way that excludes you, a TME person, is invalidating and somehow tantamount to labeling you as “predatory” (what does that even mean?)

Sent an unprompted ask to a transfem’s blog venting your frustrations with the language of transfeminism, despite the fact that I’m not even the one who made those posts?

Showed a pretty absurd amount of entitlement by insinuating that it’s somehow my problem that you feel frustration over misunderstanding the basics of transfeminist theory

Subtly demanded that I do the emotional labor of managing your frustration, which, frankly, is just classic misogyny

Displayed a complete lack of understanding towards what transmisogyny even is, nor why we, as the direct targets of transmisogyny, need the the language and spaces to discuss it

I really don’t care what transfem “experiences” you think you relate to, the fact that you perpetuate and can benefit from transmisogyny will always separate you from us, and if you actually gave a shit about us and our struggles, you would recognize that and try to be a better ally to us rather than co-opting and redefining our language in a shallow attempt to define us out of existence.

As has been said countless times now:

“Transfeminine” does not mean “trans + feminine,” it is a term coined by TMA people to describe our specific experiences with being denied our femininity. That is something which you, as a person for whom (as you said) womanhood/femininity was ascribed by the system of patriarchy, cannot understand in the way we do.

[still-talking-to-ghosts]

Dirt Under Your Nails

My friends, "I'm the dirt under your nails" is not Vi saying she is in any way less than or a nuisance to Caitlyn. It's the same as Jinx's "I'm always with ya, sis." It's "one flesh, one end," if you will. Vi is saying that she is tied to Cait in a way that can never be severed, no matter what has or will come between them. They have impacted each other in ways that can never be scraped or washed away, just like every other tragically intertwined relationship we see in the show. It's Jinx/Powder and Vi orienting their entire lives around their connection to the other, even when they haven't seen each other in years, even if they think the other is dead. It's Vander working for a better world for Felicia's children even after she's gone, or Silco styling Jinx's hair the same way as her mother's. It's Mel loving and hating and becoming her mother even as she is finding her own path away from her. It's Jayce being most motivated to advance Hextech for Victor's sake and then destroying it with him, to save him again. It's Ekko painting a mural of Powder thinking she's gone forever, only to leave an alternate version of her because he needs to save her as Jinx, too. It's Jinx decorating her space with mementos of everyone she's ever loved and is haunted by. It's Warwick/Vander recognizing his daughters again and again. It's a record spinning around and around with the faces of two people who will always be part of the same song. "You can't take loved away."

Arcane is a show about many things, and one of them is the beauty and horrors of love, whether it's in found family or blood family or romance. Vi is acknowledging this indelible tether to Caitlin, and also declaring that she is going to be intentional about it. They have both lost so much, even each other, in the past. Vi is essentially promising that she is always going to stay.

[waytooinvested]

I just rewatched “It’s a Super Life” and it’s so frustrating.

Kara watches all these realities where she tells Lena about being Supergirl, and in NONE of them does it cause Lena to have a Dark Arc. Yes things go wrong, but it’s always due to external forces, not because of Lena making bad choices.

Then at the end of all that Kara’s takeaway is not ‘there will always be consequences, I need to put my energy into fixing the reality I have’ it’s ‘there will always be consequences, therefore that completely exonerates me from all guilt, so now I’m going to go and give Lena an incredibly cold speech in which I call her a villain.’

HOW is that the takeaway here???

She could have gone to Lena and had a version of that conversation in which the essentials were more or less the same ie ‘I can’t keep apologising forever for what happened, but nothing good comes of working with Lex’ in a way that was actually caring, and showed some faith in Lena.

She could have asked Lena to explain what she was doing. She could have explained HERSELF why she was so against myriad being used in their old world even if it was for a noble purpose, and that if Lena’s aim was to do something like that again, even for a good cause, she was going to have to stop her. She could have told Lena that she values her and would rather work with her than against her to find a way to help the world, even if it could only ever be a professional alliance and not a friendship. She could have reminded Lena that aside from their personal history, the two of them want the same thing for the world (in broad terms) and that has never been what Lex wants. She could have NOT TREATED HER LIKE A VILLAIN AND PUSHED HER FURTHER TOWARDS LEX.

[indeliblemarking]

what’s so good to me about timebomb is this theme you have with ekko’s character with improving life in the undercity for its inhabitants. not just so they can survive but so they can live and enjoy life. ekko says this but at the same time he loses himself in the negativity and loss of it all. he literally is the ‘boy savior’, always focusing on others and never his own wellbeing and happiness.

but in order for a better future to exist you have to truly believe in one and that’s a big part of ekko’s arc and the steps he takes outside of zaun and even bigger than piltover itself to possibly make it happen (even if magic isn’t completely the way in the end). so of course he’s trapped in the near perfect world he’s aiming for with no way back home because of no hex tech.

he has to believe in powder and jinx in numerous ways. there comes in the narrative with merging powder and jinx as almost a kintsugi whole; jinx’s gadgets are deadly but show off her true knowledge and skills in science. and powder, the wide-eyed, loving child part of her people idealize while jinx hates is still a part of her. ekko sees it on the bridge in season 1 but won’t fully let himself believe in it. until he meets powder in this universe of course and he sees how things could be; for both jinx in his universe and powder in this one because they are both parts of her.

just like though zaun has the capacity to be both the zaun in the alternate universe and ekko’s zaun at its worst, they are both still the undercity. you just have to believe something can be the best version of itself even when showing its flaws, even when it’s at its worst.

ekko reaches in himself and learns this by letting himself fully care for and love all of jinx again. (because he never didn’t care for her but it was suppressed because “she belongs to silco”) through that he can love his zaun for what it currently is while still believing in a future that’s always better. this love and acceptance within himself and for the most important aspects/people in his arc is what allows him to return home.

he is able to convince jinx that she can be this good version of herself because you can always start anew or choose to do something different. there is good within you to find and amplify even at what’s seemingly your worst. the whole is greater than the sum of its parts; you can love the whole. so the parts of both powder and jinx, and ekko seeing the potential in both is what essentially allows the world to be saved. meeting this positive ‘good’ adult powder allows him to fully believe in jinx and knowing jinx and her capabilities, he can believe in powder. and jinx having this boy who never contributed to the making of ‘jinx’ but also starkly resembles the separation of herself, come to that conclusion helps her see good within herself.

as corny as it sounds you just have to believe, even when it feels like the world is closing in on you.

[stagefoureddiediaz]

Something something about Bucks ‘boy crush on Eddie’ meaning he’s ready to move past Abby and his ‘oh’ moment on Eddies couch meaning he’s ready to move past Tommy and how both of them are connected to Eddie.

Its the parallel of those moments - that Buck is talking about Eddie being a really great dad in the first one and then doing something to help Eddie be a great dad and in the second, Eddie choosing to go to El Paso to be present in Christophers life - so he is still a Dad and Buck doing something to Help Eddie achieve that goal.

There is something about how both have conversations with Maddie connected to them about crushes or special people and are both about Eddie being a parent and about Buck facilitating Eddies parentalness that connects much more than the accidental coming out to Maddie scene does - that scene is more isolated where as both the crush scene and the new one sit in a sequence of paralleling events

- in S2 - Abby has left - Eddie arrives - Buck meets Chris - finds out Eddie needs help - talks to Maddie who talks about his crush and plants the seed about Carla - Buck gets Eddie over under the guise of helping Maddie move and introduces him to some one especially - Carla.

- In s8 - Tommy leaves - Buck goes to Eddies - Buck talks to Maddie who talks about the universe bringing him a special someone - Jee is paralleled with Carla as a special someone - Buck essentially gets over Tommy by discovering that Eddie is going to be moving and helps him with his appointment with the realtor.

Something something about the concept of tommy being paralleled with Abby, about Abby telling Buck he got her half way to who she was supposed to be (or whatever the line is) by opening the door to the world outside of her mom and it leading her to travel and find her person but how it also got Buck half way to who he is by showing him what a ‘grown up’ relationship looked like - and the idea of stepping in with someone. How that parallels with Tommy getting Buck half way to who he is supposed to be by opening the door to his bisexuality showing him that aspect of himself. But also how Tommy is alt Buck and also alt Abby and how Eddie is Sam - who was in a different state to California and how Eddie is going to end up in a different state and how it feels like Buck growing is about him becoming that alt version of himself and how buck is on his journey to find himself in the same way Abby was - only without the physical travel to Europe - but how Europe was a metaphor for broadened horizons and working through issues so Buck broadening his horizons and working through his issues is him kinda reverting to Buck 1.0 and sleeping around (eat pray love) as he figures out his abandonment issues and then goes after what he wants. How Abby went to stay with her brother - with her family when she got back and that is where she met Sam - and Buck going to El Paso - to his family is leading him to Eddie (which is why there is a bit of me that thinks he will go to El Paso and have his actual ‘OH’ moment there)

[floweycidal]

do you think when flowey was a wee weed and just got into calling himself flowey that he had a kind of embarrassing stage he does not want to talk or even think about where he tried too hard to be the opposite of asriel and it was so obvious everyone could tell it was asriel

BAHAHAHAHA, YOU BET I DO! this is probably going to be as headcanon-y as it gets (kinda), sorry in advance. but really, making him a total sopping wet soggy loser is the best part of writing him. it's my favorite angle, no doubt.

the first month of being "flowey" was an exercise in second-hand embarrassment, except the person you're embarrassed for is yourself. and you can't even leave the room to escape it, because surprise! you are the room. you're a flower. stuck there. living it.

he had it all planned out. goodbye asriel dreemurr, the prince of crying-at-literally-everything, hello to... whatever cool and clever thing he was supposed to become. the details were fuzzy, but he figured being soulless meant the whole "evil" thing would come naturally.

it did not come naturally.

the cracks showed almost immediately. everything he tried just came out wrong. his threats sounded more like worried suggestions. his evil schemes kept accidentally making things better. his idea of entropy was essentially community service with attitude.

he couldn't even get the basics right. he'd tried tossing out sick burns, but they'd just hit with all the impact of a wet napkin. they weren't even insults half the time—just weirdly specific observations that petered off awkwardly.

he sucked at it. no way around it. he sucked ass.

so, he worked harder. determined to sound edgy, bad to the stem—whatever that meant—but it didn’t seem to take. every affront felt more like an accident than an attack. 

and the laugh. god, the laugh. he practiced it, forced it, tried every variation. dry chuckles, derisive cackles, even an exaggerated villain’s howl. none of them worked. what kept slipping out instead was the exact same dorky laugh that used to bubble up when #she would do silly voices during storytime.

this was the worst. he was the worst at being the worst.

his own body double-crossed him at every turn, still running on years of ingrained kindness his mind was trying to stamp out. he'd be right in the middle of his most "menacing" speech yet, really getting into the whole eternal suffering thing, when someone would sneeze.

"bless you!"

every. time.

the number of “villainy” monologues ruined by his automatic politeness was actually impressive. really, it was almost a talent.

it was a drawn-out process, this transformation. no guidebooks or cheat sheets. however... i’d argue the closest thing he had to a mentor here was toriel.

she didn't know it was him. obviously. somehow that made it worse, because she kept almost-recognizing things. little stuff he hadn't managed to burn away yet.

a familiar turn of phrase. how he'd end sentences. that godawful giggle that still sounded too much like pillow forts and frolicking in the mud. how he’d fill glasses, just enough to make them brim above the edge. the efficient way.

each time her eyes would catch on these moments, these tiny betrayals of self, he'd slam that reset button with all six petals. nu-uh, no buckaroo.

her reactions were the compass he followed, pointing to what needed to be carved away. reset after reset, he got better at it. harsher. finer. a little less like the kid who used to run up to her with flower crowns and scraped knees. 

the kindnesses got rarer; the callousness came easier.

never easy enough, though.

she'd still tilt her head sometimes, something glittering in her eyes like she was hearing the first few notes of a song she’d once known by heart. and he'd realize he'd effed up again, let some stupid little piece of asriel show through.

she’d never know she was teaching him how to stop being her son. to her, he was just some weird flower guy that occasionally felt eerily familiar, though she couldn’t quite put her finger on why.

every time she almost intuited something in him, he'd reload, desperate to finally become someone she wouldn't know at all.

ahhhhh. and so it came full circle. in his frenzied bid to unlearn being her child, he was still (by the most bruisingly contorted logic) turning to her for guidance. still just a kid, looking to his mom for answers. just… not in the way either of them would’ve wanted.

[diamondkat]

Regarding Alastor being redeemed, I have been seeing some posts regarding how it can happen that trigger an instant ick reaction from me. I have taken time to think about why I keep having such a strongly negative reaction to it. The first thing I took into consideration is that I really do not want my current favourite bad boy to become good. I am first and foremost a villain fan and his becoming good has a high chance of ruining the character for me. This means that there is a chance that I would dislike any theory that ends with Alastor redeemed. A lot of time you see people making arguments for why a ship or character should not be liked when the real reason is they personally don't like it and the reasons are merely support. I try to make sure I am aware of my personal bias.

Regardless of my personal bias, I have decided that there is one particular theory regarding how Alastor can be redeemed that I hate from the bottom of my heart. It is the theory where Alastor after being humiliated, degraded and losing everything including his pride has no choice but to accept Charlie's care and change for the better. Sometimes it involves betraying the hotel first, but generally involves him being unable to deal with the challenges that he faces. I am sure how this works in the minds of those who like this theory makes perfect sense. He can no longer rely on himself, he sees that he isn't capable of anything and now has no choice but to become what Charle wants him to be. I hate it so much. I have kept turning it over in my mind and I think I have figured out all the reasons why separate from my bias.

First, suffering doesn't make people better. It just doesn't. The theory seems to require enough suffering to rewrite Alastor's personality and make him Charlie's puppet. It also reminds me of William Shakespeare's The Taming of the Shrew. The story of how the proud woman was broken down to make her obedient. She might be "better" but it also felt to me like she died and became a puppet. He would be "redeemed" but that wouldn't be Alastor. It would just be something that looks like him. I just feel like fans of Alastor who like this theory don't realise that he would lose everything that pulled them to him in the first place if this happened. Some could not deal with him being less energetic in the main show than the pilot due to him being bored. How would they deal with what would essentially be a hollow creature wearing his face trying to become good because there is nothing left in him?

Second, with a proud character you can't brute force them into letting people in. Part of the idea of the theory is that after he is humiliated and suffers in front of them, he will drop his smile and be forced to let others in. That doesn't make sense to me. We have already seen in S1E8, how Alastor deals with things not going his way. He holds onto what little control he has by refusing to drop his smile and holding onto his pride while going through a breakdown. The best way to get someone like Alastor as far as I am concerned is to deal with him the same way you would deal with a wild animal. Slowly lower their guard. I think Charlie is already doing that whether Alastor knows it or not. Besides, pride is an important part of the character. Pride is part of what drew me to the character in the first place. The kind of pride that makes a person think it is okay to say, "If I wanted to hurt anyone here I would have done so already" in front of the Princess of Hell, is part of what drew me to Alastor. If he lost it, the character would likely immediately lose all appeal to me. So, there is some personal bias there.

It would make sense to me if the theory was more about Alastor learning that he can rely on others and doesn't have to depend solely on himself which leads to him opening up and letting others in. However, the theory leans very heavily into suffering as a way to make him a better person and a complete erasure of everything that makes up the character through suffering to make him into someone who wants and is worthy of redemption. That's fine for fanfiction but I hope it never becomes canon.

[ganondoodle]

more .....

you cannot tell me they planned the whole timeloop bullshit from the start .... old viktor looks nothing like the mage in season 1 (aside from ... cloak and staff?? no tattoos, the way the mage does magic doesnt seem like viktor does anythign every etc) and its so?? granted i havent rewatched .. bc i dont want to see that again, but how even ... does old viktor turn 'normal' again?? they seem to break the loop by breaking viktor out of god mode so the loop is if he stayed in god mode ... right? what made him turn back .. complete with normal hands and everything? and tiem hopping powers?? is that the kind of "special" mentioned in that interview now? somehow?? is he gonna fuck with all the other region with his new special time hopping powers???

RIP og viktor btw, the VGU being the arcance god complex one is so .... thats not the same character man, like even his title 'maschine herald' (that was his og title right?) doesnt fit bc he does fuck all with maschines, its honestly one of the saddest parts of all this, he was a maschine guy and now hes a ... corrupted magic guy? (they even showed concepts for updating him maschine style .......) however outdated og viktor is, you cant fault people for feeling rather strongly about him being essentially deleted and replaced with someone of the same name (me with skarner ...)

did anyone else feel like the "big" fight at the end was really .. weird? like idk it felt like there was a total of 10 guys fighting at both sides and only around the hexgates, like they make it out ot be a big ol war and then its a handful of guys clobbering each other ... and all characters that got more than 5 seconds of screentime dying horribly ... ... the whole ending fight stuff, as pretty as fortiche makes things look, it felt so ... weird and floaty when most of the show before that ... ESPECIALLY season 1 felt so grounded

(ALSO i thought isha taking the crystals out of vis gauntlets would matter more? like ... she just doesnt have them from then on until at the end for some really underwhelming scenes but thats it?)

with the reveal of the new 'seasons' in league (which in itself is a cool concept and took them way too long to do anything with the darn map) ... i feel even mroe bitter bc ... yeah that ending going like that sure feels like it was done JUST to lead into that stuff, i liked mel, but her turn from political figure to just golden something magic blaster and then her turn for noxus feels so???? for her who wants to bet mel is gonna be the main character in the next show and shes gonna fight mordekaiser all holy golden magic style bc shes the chosen holy magic baby and having her fight him is the whole reason the black rose wanted her (bonus jinx annoying sidekick bc shes popular and has to be everywhere now no matter how little sense it makes) and of course shes a champion with a legendary skin to launch with (bonus points for putting her in skin tight bodysuit number 341)

(them making a big ass figurine out of jinxs last design in the show also feels slimy ... like its a neat design but really she does fuck all there and is .. barely a footnote in the whole universe and time bending stuff :/ )

while i do think alot of it is due to the extreme time constraints they had to work with ............... its not the only thing that messed with it

okay i do have to do a mini (i call it mini now.. this is just letting my feelings about it out, so its spelled agressively bc im just so .. frustrated ... also not hate to the studio or the people working on it .. obviously >_>) rant about arcane-

SPOILERS AHEAD FOR ARCANE SEASON 2

its the most beautiful show ever produced, i mean it, its style, fortiche's (the studio) style, is just .... impossibly pretty, 3d and 2d, the animation is just so GOOD, the designs largely (like 95%) are too, the acting and sound design, the voice acting (at least the english one) is so emotional and good, the show in general is just good ... until the last episode

i have my own problems with riot declaring arcane the new canon out of nowhere and for no good reason since it was, im very sure, never conceived to be that, its a reinterpreation and works best as such, now literally everything is once again completely messed up, no one knows whats real and what isnt, no champion or story is safe, especially with the weird hexcore bullshit potentially erasing the VOID (whish is like ... half on which the canon was built on tbh) AND hextech- multiple champions being impossible to exist now .... but thats not what i wanted to talk about

i was pretty on board with everything the show did, though i wasnt a big fan of the whole hexcore stuff, but it all spiraled so far out of control, it just kept making everything worse, also with bringing in the black rose and leblanc, it kept piling stuff onto the plate despite them already compressing everything so drastically; espeically regarding viktor, but i kept my hope up even after season 2s act 2 bc it still seemed 'fixable', though not easily so

what i liked about it (in its writing) despite its pacing issues was that it was rather .. self contained for the longest time, focused on the characters and the class struggle of piltover and zaun, and doing so rather well imo, like it did and said things i did not expect riot to let through

i was worried with the alternate universe stuff that came with the escalating hexcore bullshit but held onto hope even until episode 8 and then ...man .. the last episode ... the fuck was that- like i hate timetravel and multiverses and whatever but the thing with ekko was done rather neatly ... they made all those chaarcter models and sets just for that short stuff and really .. was of little use other than getting heimerdinger out of the picture as well lmao maybe he will get his own series to advertise for 200 dollar skins in league hahaaaa but i guess the main point was to give ekko the z-drive ... which feels alot like what i feared about them forcing it to comply with the characters in game ,,,, even though that wasnt for everyone like warwick was done SO dirty after giving me hope in act two

everythings focused on the hexcore/arcane shit, theres the black rose shit (honestly i think it was a mistake bringing them in too bc .. noxus is its entire own region with so many champs and story itself that got connected via ambessa .. which was a new character the show made up until they made her a champ now .. its just too much to put into this one show already going at a breakneck pace), mel doing her bit with them then bam she mage now which felt like a champion teaser more than an organic part of the story, especialyl with how hard it got pushed later (poor little riots gotta sell more game cosmetics uwu), jayce just taking over control again and everyone going with it, singed reviving stupid version victor via using vander/warwick WHO WAS STILL ALIVE AFTER ISHA BLEW HERSELF UP TO STOP HIM FROM KILLING EVERYONE (which was ALREADY pretty cheap, but i guess jinx had to be even more suicidal than she already was heehoo), dont even ask me HOW, viktor was just whoops from corpse to im a cocoon now, ambessa being so obsessed with it, the entire class struggle being """"solved"""" by piltover and zaun fighting stupid viktors weird ass robot shitheads together and then acting like giving sevika a seat at the council is the solution to it, half the cast just dying horribly for honestly no reason?? ORIANNA being now i guess some weird viktor robot but without the mindcontrol part and singed just kinda ... winning i guess by giving her cocoon some goo of stupid viktors cocoon

it just all ... turning from this so drama, character and class struggle thing into weird ass dimension hopping magical world war that all gets solved bc we fought together once uwu AND it being a fucking timeloop WITHIN what ONE episode? and that being the ENDING (i know i know the hexcore bs was building up throughout the show but it still felt so .. unearned and sudden ... )

also i got personal gripes with the 'ending' bc .. was it REALLY an ending like they kept saying?? was it?? viktor, jayce, heimerdinger, jinx are just disappeared i guess, mel going back to noxus- the fucking 'our story isnt over' tease???? the last minute appearance of swains fucking raven???? pecking at something blue and shining like idk a hex crystal??? SHUT UP i dont want more to come, this story should have had its self containing ending, not this open ended bullshit that just reeks of corporate meddling bc they want their game to connect to their popular show as much as possible now so we gotta bring in as many teases and connections to other champions YIPPIEEEEE (yelling)

also if jinx is dead, wow, what a way to end her story, the traumatized suicidal character being tortured and tortured especially after seemingly having something good for once (i liked act 2 except for its ending the most bc ... man jinx was so enjoyable there, i loved her dynamic with vi and isha and half wolf vander warwick with the beast and man struggle i love alot, that part was genuinely beautiful, i wasnt a fan of the idea of idk ekko doing time stuff and them having a happy ending bc i just dont like going back in time to fix everything kinda stuff, but i would have much much prefered that, not changing the existing story into the perfect world where everythings happy (though i liked that part ... vander silco being gay husbands like that is just so goood) but to fix what is fixable in the present- them still having gone through alot but being able to live with it, so act 2 setup was honestly my favorite way to not invalidate everything and still have something happy .... but no we gotta kill the kid to make jinx even worse and vander/warwick too while we are at it

if shes not dead (given you see a blimp(?) flying away and her scribbles showing up and caitlyn looking at the blueprints of the hexgates) then ... ??? oh yeah lets make her leave zaun and just idk go be the main character in noxus or soemthing for the next show they are gonna do bc jinx is popular so putting her everywhere is a good idea!!!1!!11

ALSO since vander/warwick is my favorite .. i thought maybe after isha doing that, if they dont reverse it, hed get taken by singed again or ran away and turned fully werewolf like he is in the game (though i would have liked if they were able to be a weird family like in act2)- but no he just gets used as fuel for stupid viktor cocoon and then mind erased and made into the ugliest weird robot thing that looks more like galio than him JUST and i feel like it really is JUST to have Vi at the end do the scene that gets jinx 'killed' .. to lead into the 'more to come' teaser.. idk about you but that scene felt so .. forced, the typical oh no platform is slowly falling down but Vi suddendly gets emotional about weird ugly robot warwick (who conveniently comes back to life as ugly robot beast since his human mind got erased but not the beast??? i guess???) and completely ignores jinx yelling at her to get to safety, it felt so WEIRD to me (if you gotta do him like that at least let Vi listen to jinx, them embracing and then watchign emotionally as robo vanderwick falls into the hexgate thing .. that was still active somehow i guess??)

(poor viktor got done so dirty too .. i liked him .. until it all went weird wit hthe hexcore stuff ....... ..... also jayce weird speech to him .. why the FUCK did you not do that back in the cult camp instead of blasting him to bits, i get it he was fucked up from seeing the future, but then later hes just ... okay???? pretty fine all things considered??? and pretty aware of everything?? also his weird speech being all like vitkor actually you were perfect in your imperfection BITCH HE WAS SLOWLY DYING AN AGONIZING DEATH???? idk ??? it all feels so weird to me, like there episodes literally missing- ambessa dying also felt so unnecessary .. just so mel can take her place and go to noxus and have more shows maybe- )

i just .... and just like how i cant enjoy botw anymore after them fucking it all up with totk ... i dont know if i will rewatch arcane knowing it ends like that, what was that for, the most beautiful show ever made just to do a game of thrones ending in a single episode?

im so tired of it all ..... im so tired of being disappointed and feeling let down over and over no matter with how little expectations i go in with

this willl be the only arcane rant unless theres some .. big stupid reveal that gets me more frustrated than i am now, which i hope there isnt .. im tired of being and feeling like this .. i just want to enjoy things, everythings going to shit IRL and i cant even find something enjoyable to watch

[scootersscooter]

Something beautiful about Will and Jack not getting together in the original Will & Grace. Something cowardly about them not getting together in the reboot.

[silver-horse]

bioware really said "let's release it on halloween... it's so terrible... it's gonna scare the shit out of everyone...the perfect halloween"

[vidavalor]

re: modern day flashback: That would be so fun! I'm a bit confused, though-- the trip to Edinburgh was to go to The Resurrectionist for the Everyday mystery (& for Aziraphale to go to the graveyard to work on his PTSD)? I do think we're probably going to briefly flash back to *very* modern days-- to after Aziraphale blew up his halo and The Metatron got on the circle floor zoom thing, as Aziraphale seemed to be saying happened the prior night during the morning of the end of 2.06.

We're going to see that Aziraphale told The Metatron to go fuck himself the night before right around the time that Aziraphale gets off the elevator in Heaven and is brought to... The Metatron. Because the one who took on that appearance and showed up with the coffee in The Final 15 is Satan. Hell doing Heaven's punishing for them a la the Job minisode, as Furfur brought up again just before The Final 15. Then, the actual falling part of Aziraphale's fall happens.

Our angel's a demon now but he's about to become the last angel to fall because the concept of Aziraphale being seen as evil is going to be enough to break the brains of every other character in this show enough that it's going to wind up toppling Heaven and Hell by them challenging The Metatron over it. That would be needed to help some people see what they just watched in The Final 15 differently and set us off running for The Finale.

If they want to show us another era that is closer to modern (by comparison to others lol), didn't they want to do the 1980s at one point? That would be fun. Like with anything, it'd have to be short and critical to the story to make it into The Finale but we don't know what else they have in store for us.

re: Bad Omen... Funny you should mention that... *dark snerk* I do think there was a plan for a Bad Omen-- not within the story but the show itself...

Didja notice how damn neat and tidy what I laid out in that post is? Like, suspiciously neat and tidy? I've had the thought that S2 was done in such a way intentionally that it would be possible for it to be concluded as a season or a movie. The asshole was always a ticking time bomb. I'm sure it was planned with options and I'm glad we get an ending but I've plotted story before and this was left in S2 in a perfect place to go either way with a season or a movie. I don't think that was sheer dumb luck.

S2 went deeper and slower in a way the story needed and it might have seemed like nothing was happening at times but everything really was. People mistake fast, action-oriented scenes for story. It's one of the reasons why the Armageddon threat being over so quickly in 1.06 throws some people. They don't realize that all the legwork to build to that quick dispatching of the threat was the slower-paced stuff they were watching the whole season through. The Finale is going to be the same way. People are freaking out about there not being enough time for flashbacks and it's just like... get Crowley & Gabriel to see what's going on and rally the other characters together and once that's in place within the first third of The Finale? They can end the fascist Mr. Potato Head in the length of time of a commercial break because we already spent S2 watching them get to that place.

Would I want more? Sure. Always. I love this show. Since the news of the film broke, though, have I ever been concerned that the film is too short to handle the main story points left and conclude it in a way that people will love? Not for a single second. It's going to be great.

<<The F15 was essentially the end of act 2. We only have the final act to uncover.>>

Exactly. I think people are concerned because they think that S3 was going to be about Jesus judging humanity and it's not. In a lot of Christian traditions, The Second Coming and Armageddon are more two parts of a whole rather than being the same thing. In order to get to the Jesus part, the war of Armageddon has to already be fought and won. In Good Omens, that would mean Earth would be destroyed and Heaven would defeat Hell. That's not happening. We may well see Jesus again before it's all over but, if we do, it's going to be briefly in some quirky capacity, not because The Second Coming in the Biblical sense was successful.

The Metatron's end goal is to get through Armageddon to The Second Coming but the plot is really Armageddon: Round Two. It's the same as it was in S1-- they have to stop Armageddon. They can do that by coming together and getting rid of The Metatron. That's very do-able with the time that's left because it's really now just a matter of needing something that pulls the characters back together and motivates them to do this-- i.e., needing to help Aziraphale.

The Finale is really more like not having a S3 but, instead, having a bonus, two episode finale to S2. I think it helps to think of it all more like we've only seen six of the eight episodes of S2, which is the final season, because The Finale isn't a separate plot with a new starting place. It's going to pick up where S2 left off.

<<If I was running the show I would hit us up with the flashbacks back to back like in S1, ending on their new arrangement which would feed right into the final 15. Recontextualise everything, and then hit the ground running...>>

Oh, you're a dastardly writer. *grins* I like your style! Just come in hot, flip everything on its head, leave everyone reeling and riveted through to the end. I think it could very well be like that and that would be a lot of fun.

I have a pretty big suspicion that the first scene of The Finale is The Vavoom. Whether that's a one-off scene that flips the kiss in The Final 15 on its head for some people and then goes into the opening title sequence and we're back in the present or whether it's the start of a second cold open, I don't know.

I tend to agree with you that doing a flashback sequence cold open to start The Finale would be pretty amazing. Structurally, I think this is the best place for it to go... in large part because of what could happen immediately in the present on the other side of it.

Imagine they cold open for, like, 25 minutes straight like they did in 1.03 and we go through time with Crowley & Aziraphale again in a half-dozen scenes and now, since they're past the point of needing to duck and weave in order to pull off the S2 twist, these are all pretty openly romantic scenes. The ancient times first kiss, a story around the cottage making us unable to wait for them to go live there, the origins of "A Nightingale Sang in Berkeley Square", the last part of 1941, etc...

...and then, while we're all trying to come up for air? Boom, we're back in the present, where Aziraphale gets off the elevator and is taken to the The Metatron to fall-- and Saraqael takes his memories before he does.

Everything we just finally watched is, for the moment, now gone in the story. We saw it to set up its existence being temporarily erased. Aziraphale goes into the pit of boiling sulphur and... cue the opening title sequence.

They should definitely do that. 😂 People would be screaming.

Ok,Since the Good Omens Finale is only going to be 90 minutes,I have a feeling we might not get a flashback sequence.

Hi there, @rougeside4 💕 I made an apple pie, if you want some. 😊Allow me to offer a different take? I wouldn't worry about this. There will be flashbacks. It's not the show without them.

Short thing on why we're definitely getting flashbacks and on which ones we can maybe see as being very likely still in The Finale.

The secret sauce of Good Omens, imho, is that the real juice of the story is actually always in the flashbacks. The flashbacks that we see are not random; they're always written to support the story in the present. There's a point to why it is these flashbacks we are seeing-- and when and in what order we are seeing them--when Crowley and Aziraphale have been on Earth for over 6,000 years and we could see any of their adventures. They're designed to inform our understanding of the story in the present. The real beating heart of the story is in the scenes set in the past and the story in the present would lack... *searches for words* emotional resonance? thematic weight? general, dramatic oomph? all of these?... if they were to cut the past. Put more plainly: it would suck 😂, and they're smart enough not to do that.

I think some of the most exciting parts of The Finale are actually going to be the flashbacks, just like how they were always the biggest treats in S1 and S2. In the way that they roll those out to us, piece by piece, they're changing our understanding of what we're watching in the present. The meaning of the story in the present is driven by the flashbacks in the past to a point that you cannot have one without the other.

Good Omens is actually driving all of its suspense and anticipation through the story in the past and that's what makes its non-linear storytelling clever. After all, right now, most people know this thing has a happy ending and aren't worried about that, right? We know Crowley and Aziraphale will get back together and be fine and no one is stressing over that. (And if you are... really? Guys. Honestly?! It's called Good Omens. It's a romance. It's a sweet, cuddly show. It's going to be fine. 💕)

So, what are we curious about, if not where it's going in the present?

1941, Part 3, right? Whether or not there's an ancient times vavoom coming our way? What the deal is with Jane Austen and/or 1650? Whether or not we might be surprised with a flashback that hasn't already been set up earlier in the story and what that might be?

Our biggest questions in the story aren't about what will happen in the future but about what we might get to see that has already happened in the past.

There is actually no conceivable way to do The Finale without flashbacks because the entire story is built towards having at least a couple of essential ones happen in its end game. I would not be surprised if at least somewhere around a third of The Finale is set in the past. Are there ones that we would have had with a full season that will be cut? Yes, but, are there also ones, though, that are too essential to cut because the entire story for two seasons has been building towards eventually revealing them to the audience in the final part of the story? Oh, yeah. 😉

Guaranteed: 1941, Part 3. There is no chance that they cut this-- none. They have built the ending of this trilogy of flashbacks to support the ending of the story in the present so it has to happen. It doesn't need to be an entire minisode in length. Part 2 really did all the heavy-lifting with plot and themes here, and Part 1 was a single, brilliant, not terribly long scene. If Amazon reduced The Finale to 15 minutes long, I think the show would still find a way to put 1941, Part 3 in there. The first two parts were so pivotal to the themes and parallels of the story in the present and it's the only flashback that we keep getting installments of throughout the story so its Part 3 is going somewhere massive. If there's one flashback that's in The Finale, it's this one.

Extremely, extremely likely: the ancient times vavoom to which they have been building in clues and hints for two seasons that is going to flip the entire show on its head by going back to The Flood. It would parallel and add extra weight to all the conflicts we have in the story in The Finale that were set into motion by the end of S2-- the kiss, one of them leaving/them being separated, the threat of an apocalyptic-like event, etc.. It would, in almost no time at all, complete the narrative magic trick of the show by turning it inside out for the audience.

The show that shows everything backwards has been sitting on the real first kiss the entire time and saving it until the end game of the story and that end game is The Finale so expect that angel and that demon to be sheltering under a canopy from a rainstorm in the very long ago days and break the internet in the process.

If I were them, I'd even open The Finale with this flashback, just because of how much it's going to pull the rug out from under The Final 15. After all, the first two seasons opened with a canopy-and-rain-themed scene, did they not? Just one wing at a time, though... no under a canopy together yet. No gazing into each other's eyes and vavooming. That bit of the beginning of their story has always been going to be shown to us in the end of the story. It could well be the, well, beginning of the end of that story by opening The Finale. We'll have to see. Either way, it's in there.

It's also worth mentioning that both of these above flashbacks would be going back to eras we've already visited in the story so no time would need to be devoted to setting up the scenes. That would seem to make them easier to not cut, in addition to how narratively important they are.

Going To Be In There In Someway, Somehow: A flashback that sets up the South Downs Cottage ending, which is suspected to be the Jane Austen flashback because of her living in real life in the South Downs around the years that it was mentioned in S2 that Crowley and Aziraphale knew her.

When this was set up for S3 back in S2, the Jane Austen story felt juicy enough to potentially be a whole minisode in length. Maybe especially since it's probably how they are going to be build a history of the cottage between Crowley and Aziraphale to help give emotional weight to them going to live there in the present at the end of the story. I've no idea what this looks like with a shortened run time. They might abbreviate or maybe it was never even that long in the first place? They might do something different in its place? It's hard to say, since we don't know, but they've got to do something to set up the cottage, so...

Whatever this winds up being, though, we're now up to three flashbacks that have to happen because of how they connect to the story in the present in The Finale. These are three, non-negotiable ones, basically-- and we are obviously only looking at ones that we can see having been set up already.

There is also the fact that there's usually a surprise flashback that wasn't set up but which is crucial to the story, like the Job minisode was in S2. It fits in perfectly, retrospectively, but we were intentionally not really given enough in S1 to see it coming in S2 so that there was something unpredictable for us to enjoy. I'm not expecting anything as long as Job again but there could still be a scene more 1.03 Cold Open in length that we don't even know is essential at this point because we aren't meant to know at this point but, much like we did with Bildad 😊, we will see as vital to everything once we see it.

Including that as a possibility, we're now up to four flashback scenes that seem unlikely to be chopped from The Finale. What I just described, give or take and depending on the length of 1941, Part 3, is probably collectively getting within shouting distance of the run time of the 1.03 Cold Open-- and that's going really bare bones and only talking about the scenes that seem too story-essential to consider cutting. There's also one more that might meet that criteria...

Could Go Either Way: 1650. If this has nothing to do with Agnes Nutter, it's probably gone. If it's how Agnes has an appearance in the end of the story to pull stuff together, they'll probably find a way to put it in there because... Agnes. 😊

No one knows what this thing is supposed to be about but we do know that it was set up in S2 for S3 and, between Aziraphale mentioning it, the historical ties to eccles cakes to this era, the fact that it could potentially show a Whickber Street in early development and, most importantly, that it's set five years before Agnes Nutter died, whatever this thing is? It's intriguing. We don't know how long it was meant to be but if it's something that was minisode-length but could be reworked to be shorter-- or if just was always short in length-- it's probably still in there.

It's very possible to have many, quality scenes that hop throughout time in a very short period of time. The 1.03 Cold Open is about 23 minutes long and jam-packed with goodness. I have no idea if they're going to sprinkle flashbacks in throughout The Finale or if they're going to do a flashback sequence like 1.03/Ineffable Bureaucracy again but I do think that at least a third of The Finale-- so, roughly 30 minutes of it, give or take-- are likely flashbacks.

We are going into this movie a lot closer to the end of the story in the present than I think it may appear to some at this point. All the set up work to get the characters into place to overthrow The Metatron in The Finale was already done in S2. It's not going to take 90 minutes for Aziraphale to be in trouble, Crowley and Ineffable Bureaucracy to find out and rally the troops, everyone to challenge The Metatron, expose him as a fraud, and kill the threat of Armageddon by overthrowing Heaven and setting it up to be democratized. That's pretty much what everyone knows needs to happen in The Finale and what is likely going to be the main story in the present in S3.

We know what is going to happen because we know it has a happy ending and we know that we need the Armageddon threat gone for the South Downs Cottage happy ending to occur. We know the only answer is that they've got to overthrow The Metatron. Whether you think the plot is Supreme Archangel Aziraphale or whether you're like me and think the plot is that Aziraphale is in mid-fall as of the end of S2 and that's the thing that triggers the other characters to come together against Heaven, the end result is still going to be the same: The Metatron's gotta go and everyone's got to come together to make that happen if we're getting the happy ending we already know we're getting.

We are all sitting here knowing pretty much exactly what the story in the present is going to be in The Finale and that's because the story has set it up so that we do. Yes, there's going to be joy in watching that unfold but a story designed like a magic trick has to have suspense and give the audience a sense of anticipation. We feel that from this story and from where are we getting that?

The past. The flashbacks.

Everyone knows what the end of this story in the present is but no one knows for sure where, say, 1941 is going, or what new things about Crowley and Aziraphale the past will show us in The Finale. Every new thing we see in the past? Changes our view of the present. That's what makes the story clever. It's also what makes it enjoyable. They cannot cut flashbacks because they'd be cutting the most interesting parts of the story and what makes Good Omens the quirky, unique bird it is.

The present and the past are so interwoven in the story that I'm pretty sure that it is impossible to do Good Omens without flashbacks. The only question going into The Finale is which ones they're going to surprise and delight us with. Don't lose faith or sleep over it-- at minimum, we'll see Crowley's 1941 hat again and that, truly, is all any of us really need to survive.

[ferociouslycreativemystery]

Me: I'm fine about my autism now btw, like I've come to terms with my fixated interests, limited tolerances and social inabilities. The alienation it brings is not ideal but it's just a reality I've gotta deal with now that I know it's just a part of who I am. I mean, it's not like an awkward conversation is gonna ruin anyone's life, is it? We'll both move on from it eventually. This is fine!

Also me: physically unable to watch beyond the first word of the first question of The Assembly because oh my god what if someone says something awkward or controversial or someone can't make themselves understood people are gonna get mad and scream about it online and I will freeze up and be stuck in the backlash forever I don't know how to handle conflict AT ALL let's just hide in the corner behind the sofa instead wait what if I became a hermit actually yeah yeah yeah that sounds good let's do that

[phantom-bleu]

I literally have to pretend this never happened because the speed at which devsisters chose to ruin their only character With Development in the name of peddling the same character archetypes that sell well makes me so mad

[gh-0-stcup]

Idk exactly what went down with Darla in this show (though I do have a vague idea), but I can say they clearly did her wrong.