#to design the cover art... much to think about

[ellipsus-writes]

Each week (or so), we'll highlight the relevant (and sometimes rage-inducing) news adjacent to writing and freedom of expression. This week:

Inkitt’s AI-powered fiction factory

Inkitt started in the mid-2010s as a cozy platform where anyone could share their writing. Fast forward twenty twenty-fuckkkkk, and like most startups, it’s pivoted hard into AI-fueled content production with the soul of an algorithm.

Pictured: Inkitt preparing human-generated work for an AI-powered flume ride to The Unknown.

Here’s how it works: Inkitt monitors reader engagement with tracking software, then picks popular stories to publish on its premium app, Galatea. From there, stories can get spun into sequels, spinoffs, or adapted for GalateaTV… often with minimal author involvement. Authors get an undisclosed cut of revenue, but for most, it’s a fraction of what they’d earn with a traditional publisher (let alone self-publishing).

“'They prey on new writers who have no idea what they’re doing,' said the writer of one popular Galatea series."

Many, many authors have side-eyed or outright decried the platform as inherently predatory for years, due to nebulous payout promises. And much of the concern centers on contracts that don’t require authors’ consent for editorial changes or AI-generated “additions” to the original text.

Now, Inkitt has gone full DiSrUpTiOn, leaning heavily on generative AI to ghostwrite, edit, generate audiobook narration, and design covers, under the banner of “democratizing storytelling.” (AI? In my democratized storytelling platform? It’s more likely than you think.)

Pictured: Inkitt’s CEO looking at the most-read stories.

But Inkitt’s CEO doesn’t seem too concerned about what authors think: “His business model doesn’t need them.”

The company recently raised $37 million, with backers including former CEOs of Sony, Penguin, and HarperCollins, proving once again that publishing loves a disruptor… as long as it disrupts creatives, not capital. And more AI companies are mushrooming up to chase the same vision: “a vision of human-created art becoming the raw material for AI-powered, corporate-owned content-production machines���a scenario in which humans would play an ever-shrinking role.”

(Not to say we predicted this, but…)

Welcome to the creator-industrial complex.

Publishers to AI: Stop stealing our stuff (please?)

Major publishers—including The New York Times, The Washington Post, The Guardian, and Vox Media—have launched a "Support Responsible AI" campaign, urging the U.S. government to regulate AI's use of copyrighted content.

Like last month's campaigns by the Authors Guild and the UK's Society of Authors, there's a website where where you can (and should!) contact your representatives to say, “Hey, maybe stop letting billion-dollar tech giants strip-mine journalism.”

The campaign’s ads carry slogans like “Stop AI Theft” and “AI Steals From You Too” and call for legislation that would force AI companies to pay for the content they train on and clearly label AI-generated content with attribution. This follows lobbying by OpenAI and Google to make it legal to scrape and train on copyrighted material without consent.

The publishers assert they are not explicitly anti-AI, but advocate for a “fair” system that respects intellectual property and supports journalism.

But… awkward, The Washington Post—now owned by Jeff Bezos—has reportedly already struck a deal with OpenAI to license and summarize its content. So, mixed signals.

Still, as the campaign reminds us: “Stealing is un-American.”

(Unless it’s profitable.)

#WarForever

We at Ellipsus love a good meme-turned-megaproject. Back in January, the-app-formerly-known-as-Twitter user @lolt64 tweeted a cryptic line about "the frozen wastes of europa,” the earliest reference to the never-ending war on Jupiter’s icy moon.

A slew of bleak dispatches from weary, doomed soldiers entrenched on Europa’s ice fields snowballed (iceberged?) into a sprawling saga, yes-and-ing with fan art, vignettes, and memes under the hashtag #WarForever.

It’s not quite X’s answer to Goncharov: It turns out WarForever is some flavor of viral marketing for a tabletop RPG zine. But the internet ran with it anyway, with NASA playing the Scorcese of the stars.

In a digital hellworld increasingly dominated by AI slopification, data harvesting, and “content at scale,” projects like WarForever are a blessed reminder that creativity—actual, human creativity—perseveres.

Even on a frozen moon. Even here.

Let us know if you find something other writers should know about, (or join our Discord and share it there!)

- The Ellipsus Team xo

[dduane]

The Bad Armor Drinking Game

In the digital art dep't...

So, having just sorted out the new figure for Queen Eftgan in the Middle Kingdoms books, I spent most of last week (while continuing to recover from the household upper respiratory infection) doing preliminary planning for the visual of a scene from The Door Into Sunset in which all the MCs are out on the battlefield. The big battle (or the final one of a sequence) will be the next day, and last-minute tweaks are being made to strategy and tactics. Which means putting most of the our-side protagonists together in a command tent, bent over a table covered with maps. (The "sketch" for this scene is over here.)

But sweet Goddess in a bucket, the shopping I had to do to make sure I had those guys' armor the way I wanted nearly drove me around the bend. From the digital artist's POV, the main problem with this is realistically arming the female characters. And the reason for this is simple: Almost all of it that's currently available from Daz is crap.

There are a very few notable exceptions. In Eftgan's case, for example: she's wearing the female-fighter version of the male-fighter harness that Herewiss has on. Sickleyield and Moonscape Graphics have done good work here.

But almost all the other female-use armors available at the moment? Argh. It had been ...a few years, I guess? since I last went armor-shopping. Last week I'd hoped there might at least be some new possibilities in the Daz shop. But instead I found so much more useless crap than before that I was tempted to start day drinking. And by evening, there were enough drink-triggers to start my very own drinking game.

I am not going to illustrate the triggers enumerated below, as I don't want to embarrass the artists. But if you look at the items turned up by this search, you'll have little trouble finding the things that would have left me in a drunken stupor within an hour or two.

My baseline: if I'm going to buy digital armor, either for male or female characters, it has to be something that I myself wouldn't be embarrassed to show up wearing at a swordfight. Otherwise, I start hitting the virtual bottle.

So I'd drink when I see:

Armor that fails to cover or at least protect vital vulnerable areas. Not just vital organs, but seriously important places like the insides of thighs and arms, the throat area, etc. (And yeah, I know and enjoy the various webcomics that illustrate, for humor's sake, the idea that the more bare flesh a female warrior displays, the safer they somehow are. But I'm dealing with the "realistic" side of combat here. Yes, some of my characters are magic workers, but the reason they go out and get themselves armor is so they don't have to waste precious magical ability dealing with something that steel will manage perfectly well without them having to think about it.)

Armor that should serve a useful protective purpose but nonetheless doesn't because it's been twisted by the armor maker, for design purposes, into a shape that means it's now essentially useless. Drink, for example, on seeing an example of "Silly Pauldron Syndrome:" i.e., shoulder pieces that will not only not protect you from a shoulder cut, but will direct it toward the space between neck and shoulder. ...Drink again if the pauldron also somehow blocks your view of what's going on around you. Another drink for pauldrons, gorgets or neck pieces that poke your eye out when you turn your head.

Armor covered with decorative doodads that do nothing but get in your way or serve as something for your adversaries' weapons to catch on. The proper purpose of armor is to deflect blows away from vulnerable areas, not to catch and keep them there. No one is going to waste expensive metal (and armourers' labor time) on decorations that are a liability. Anything that would catch a thrusting sword? Drink. Drink twice if spikes are involved.

Poorly thought-out attachments to armor (loincloths, capes, etc), Drink if these would inevitably trip you or otherwise interfere with you if you tried to run in them: or that would make it easier for an attacker—especially from behind—to pull/knock you down and kill you. Two drinks if the attachments are asymmetrical. (Because, what, this is supposed to help somehow?) And drink for loincloths in general, because, FFS, why.

Boob armor. If you're a woman who's fought with the sword at all, you know that unless you're absolutely dead flat in front, you bind up somehow to get the frontage safely restrained before the action begins. Armor that purports to separate your breasts into two different casings is simply idiotic. All that it does do is signal that you're female. (And you're doing this why, exactly? On a this-world battlefield, this strikes me as nothing but a recipe for trouble.) One drink for boob armor. Another drink for conical boob armor that would make even early!Madonna look askance. Two drinks for boob armor that covers only the tops of the boobs. Honestly, WTF!!

And: Armor that just looks silly. Armor that makes you go "Oh FFS, give me a break now" and look away. Two drinks (or more) for armor that covers hardly any of your character, but for which the designer is possibly charging you even more than for an intricately made and well thought-out piece of work with a lot more protective real estate.

...(sigh) So many drinks. And so little armor worth having. ...Anyway, I got away from that series of shopping sessions with my sobriety intact. Small mercies.

But let me show you something hilarious that came up along the way.

Very, very few of the people making and selling armors on Daz betray any sign of a sense of humor in their marketing images. The rig below, though, popped up suddenly and reduced me to gasps of helpless laughter.

This, I kid you not, will come up in that "armor" search above. Let's be charitable and refer to it for the time being as "fighting gear".

I haven't shown you the best of this, though. These two figures weren't alone. There was another.

This guy should be an example to us all. He's thinking, "They're gonna make me go out there wearing some stick-on leather nipple straps and half a rug from IKEA? Fine. I'm gonna make it work." ...And he not only owns it: he rocks it. This is a badass of some kind or another, and he has my sword, or axe, or whatever.

All I can say is: Good on the product designer for doing something genuinely funny for a change: because at that point, I seriously needed it.

(sigh) And now back to work.

ETA: A quick note per various recommendations of others online doing this kind of analysis: Thanks, but I don't need to go outside the household for more of the same. I'll just yell up the stairs to @petermorwood, who probably has some that's way more acerbic than mine. :)

[1nk-ling]

Does anyone have a moment to talk about my boy Usagi? He's very important. To me.

Look at him! Happiest 4ft Ronin on earth,

But also filled with, just so much affront at the world. Look at these faces!

Sweet mercy he's so adorable in this art style.

But let's look at some other takes:

Very cool, very dark and serious. I love 12 and 03 Usagi so much. 03 Usagi a little better but only because he had more time. They're both such great guys.

Now, keep all that you just saw in mind. We had this...

And someone made this!!?!

Lemme rephrase that.

This character existed, horrendously underused...

AND THEY MADE THIS??!?!!!!

BRO, WHUT?! What is this???

I am NOT against different takes on characters from the norm, okay? I'm not a comic purist. I watch rottmnt right next to other 2d and 3d shows and enjoy them all. But who on earth made these character design choices? His lips are so creepy man! And the eyes? "Illumination" called, they want their disconcerting background character back. And the way he has this hyper rendered hair-fringe-thing but it's a solid thick mass just makes me think he has a fleshy, fur covered lobe on his forehead! EWWW!

I don't normally pick things out to specifically hate on them. But to see my man Usagi, a most honorable, skilled, and wise warrior, turned into a candy colored, uncertain, form fitting clothes wearin'-!

Also, I don't know if this matters that much 'cause he's a rabbit an all, but, he doesn't look Asian. With the other guys it was mostly the vibe anyway, but you've taken his swooshy clothes, and made his face the most American looking thing imagineable.

I'm not actually accusing the creators of Westwashing him, but his vibe isn't there and I'm SAD!

[gingerteaonthetardis]

researching bookbinding... this is the year i finally bind a smutfic for my bestie. the one i was reading out loud to her and my partner when a deer hit our car in the national forest. and another deer almost hit the ranger car that came to pick us up. the three of us had to stay in a shady forest hotel but at least we got to read about bisexual threeways together. and eat soup out of a tupperware <3

[kizykoolors]

ARLIGHT PEOPLE, AFTER A TON OF HARD WORK AND HAIR PULLING, i present to thee....

My designs for Calypso and Circe!!

[nylilcosmos]

♱ 4. Bat Wings ♱ #vamptober

[yo-yo-yoshiko]

I was complaining about not being able to draw him properly today so @ultrainfinitepit dared me to draw him seriously crying. Are you happy? He's sad now!!

[drpicklesart]

they are going to mehnahnaroo

[littlelightfish]

As I said I would, I drew my oc with yours my beloved @clawdouobit

My pretty girl likes to infodump your pretty girl about the smallest things. She's like a reel, talks a lot but most of it is meaningless.

Close ups and more info because I can't shut up ehtier under the cut <3

20 years old and engaged to a half-foot. They're waiting to gain some more money to get married and leave the dungeon. Note: they're best friends but idk if what they have going on is truly romantic love or just a very good friendship.

Quite skilled at upper levels, but wouldn't go to lesser levels. She isn't skilled enough to make her party survive there.

Her race is a mix between gnome and half-foot. Idk if that's possible but I don't think it's not.

If I had to guess, she's 13/14 on half-foot standars. It's unclear whether she's an adult or not, but she's preety mature most of the time. Most.

Flushed cheeks always. Also very pale.

She's 109 cms tall, a lot more than avarage on haflings, but lot less than avarage on gnomes. Since she hangs out mostly with haflings, she's a giant woman. This gives her some problems with traps so her BMI is 18 due to diet.

Fwens with Shahad. Who knows why tho. We gotta figure that out ;}

[vvirtue]

desperately trying to remember the graphic part of graphic design (full drawing below cut!)

introducing my pop disaster, Marnie Williams Daydream! she's upbeat and cheery on stage but a nervous wreck behind the scenes, pining after her manager and wishing things could go back to how they used to be with her ex-best-friend... oh honey, you've got a big storm coming.

this was meant to just be a quick sketch to unwind so I started out using a base by @/albanenechi but then decided I wanted to change what the arms and feetsies were doing :3 then I realised that the sketch was actually pretty good already so I cleaned it up and went straight to colouring. I love skipping the lineart stage so much.

[maulfucker]

a handful of oc concepts

[welcometogrouchland]

IMPORTANT UPDATE FOR BATMAN AND ROBIN (2023) FANS!!!...he eat a burger [ID in alt]

(taken from Nicola Cizmesija's insta, who's on art for B&R issues #5 and #6)

[hearts4pearlescentmoon]

I had an idea in math today that I know will go nowhere but you never know

Plus a silly lil thing that I’m considering for a story of some kind

[tulipsnflowers]

Hey everyone go read seasons of change by @zscyber if you like long fics. Seriously.

I realize this is not for the last chapter but if I drew anything for that it would be me punching the lights out of Xanders so let's not

I already ranted about it in a different post but by God is the fic great! I can't wait for TDAD. Mostly because of James but there's going to be so much angst in general.

[splendidcyan]

The end of Quantum Foam Latte work!!!

The first slide is the first sketch I did coming back to this project, I kind of love how wacky they all look. The next slides have some of the first drawings ever of these characters when I began this project last year, for my final semester. I noodled around with the two girls alone at first, but Dr Allax found is way in as I tried to worldbuild. The silly draw-the-squad piece at the very end LITERALLY helped me create the story that I finally settled on HAHA. Never underestimate creating memes for the fandom population of 1 (yourself) when making OCs and stories.

[paging-possum]

on one hand I swore off throwing my hat into the ring of dndads drama after 2020 but on the other hand as a guy who had many many similar thoughts and feelings about the close family...yeah. obviously its not the same situation but I feel like a lot of people use 'its an audio medium' to excuse whitewashing which is like, fair to an extent but it is also not that hard to just change a character design when you find out or. idk. use common sense.