#tmagp 02

[written-among-the-stars]

Me, after completing TMA: I feel like they should've done more with the body dysmorphia aspects of the Flesh, that one episode of the mortal garden was really good.

Me now, listening to TMAGP 02: I change my mind I don't want them to do that

[thirdchildart]

THE MAGNUS PROTOCOL IS LIVE! So many new characters to which I will grow unreasonably attached before tragedy strikes!

[cult-of-the-eye]

tmagp is so trans oh my god we have statements about body dysmorphia and feeling peace in changing bodies and general body horror not to mention Alice fucking Dyer

[morning-softness]

Frankenstein? Assuming you mean the scientist, not the monster, that’d be another “resurrection,” possible subsections... “obsession,” “medical”, “pursuit” and... hmmm. “Blasphemy”, maybe, so that would make it... four two three seven.

[Image Description: A digital drawing of Gwendolyn Bouchard from The Magnus Protocol. Only her head and upper torso is shown. Gwen is leaning on a desk, with her chin propped in her hand, and looking off to the side with a thoughtful expression on her face. She is portrayed as a fat woman with pale skin, blue eyes, and strawberry blonde hair in a bun. Gwen is wearing a light blue dress and has blue nail polish on her fingernails. End Description.]

Pose reference from @adorkastock

This latest reference pack was exactly what I needed!

[tmagpposting]

Alice’s Attitude

and why I don’t think it’s going to save her.

I haven’t seen a lot of people talking about the implication of Alice's attitude towards the incidents and horror elements so far, so I’m going to. Someone else may have already made a post about this, but I haven’t found anything yet, and I couldn’t find a way to get this out of my mind without writing it down. Naturally, I’m also going to inflict this long-winded and potentially needless analysis on all of you, since I spent 2 hours typing it out (sorry in advance). TW for blatant overuse of parentheticals and politics towards the end. This draws on content from TMAGP episodes 1-3 and TMA overall, particularly the series finale.

I feel like a lot of us going into TMAGP and having listened to TMA already were probably pleasantly surprised by Alice’s attitude of “The Horrors? Just say no!” since a lot of TMA revolved around the idea that curiosity and investigation of the fears usually doomed people to be consumed by one of them, as we saw with a lot of the Archive staff, particularly Jon. I certainly was. Though her ideas about how to deal with the incident reports are definitely somewhat callous, in the context of TMA, they feel very pragmatic, and I found myself thinking, “finally, a character who knows what genre she’s in and refuses to surrender to it.” I’ve been seeing a couple people agree with this, and say that her approach might even help her stay afloat when things start to escalate as the conflicts of TMAGP develop in the coming episodes. I thought that too, at least for a while. 

After thinking about it for several days, I don’t think this is the case. Given TMA’s themes and propensity for tragedy, and Jonny’s approach to tackling social issues, I don’t think Alice’s apathy is going to save her. In fact, I think it’s potentially going to be the character flaw that will doom her in the first place.

1. Alice already cares (not about the horrors, but about people)

To start with, I’d like to point out that Alice will only be able to maintain her apathy to a limited extent, and when people she cares about start being harmed, she is going to get involved. In fact, we can already see this happening. Ep 3 notably starts and ends with Alice making a plan to get Central IT involved in looking into their computers, when she tries to mention them to Colin in the first scene, and when she asks Sam to call them on her behalf in the final scene. I’d argue that the issue comes up because she’s concerned about Colin more than fixing the OIAR’s computers. She tells Sam it’s because Colin may not be able to handle FR3-D1 as well as he thinks he can since he’s been working on it forever with very little positive progress, but given the additional context of the starting scene, I think it’s reasonable to assume she also wants to meddle for Colin’s sake. In the first scene of ep 3, she seemingly talks more softly/slowly than usual (to me, it sounds like she’s trying to be soothing when compared to how she normally talks, even outside of the times she’s actually soothing FR3-D1), she doesn’t make too many digs at Colin as he sounds increasingly stressed, and she asks gently and subtly about calling Central IT for help when she is generally pretty direct when she seriously wants something (like all the times she repeatedly shuts down Sam’s questions because she wants him to stay out of danger). It sounds like she’s trying to slip it in as a half-joke, but Colin treats it as a genuine suggestion when he usually either brushes off her jokes or plays into them instead, so I think it was her actual intent to involve Central IT even at that point. Furthermore, Gwen tells Sam something along the lines of “Alice is the only one [Colin] tolerates” in a previous episode, they have good banter throughout so far, and Colin’s explosive reaction to Sam mentioning the app completely deflates when he learns it was Alice’s idea. All of this seemingly demonstrates a bond that goes pretty far beyond what I’d think of as a basic work relationship with no actual friendship involved. Colin is already pretty deep into investigating FR3-D1 to the point that it’s probably going to be detrimental for him based on him threatening/ranting at the computers in the first episode, and Alice is already trying to intervene on his behalf. Simply put, she is doing a pretty bad job of pretending not to care and staying out of it so far, and we’re only 3 episodes in.

With that in mind, I don’t even think Colin will be the primary reason she’ll get involved as the series goes on, and I actually think Sam is being set up to be the one to draw her into much of the conflict. She cares enough about Sam to find him a job when he’s having a rough time, based on their conversation in the bar, and she tells him not to care about the incidents precisely because she cares about him, and doesn’t want him to get sucked in and hurt by them. With Sam’s propensity for curiosity established and likely being set up to be one of his fatal flaws, Alice will probably get drawn into the conflict whether she likes it or not if/when Sam goes digging and actually stumbles on something dangerous later on. As a side note, I really do think Sam’s curiosity is being set up to be something big here, since he repeatedly wants to look into the Magnus Institute and says it’s a “blast from the past,” he wonders about how the code system works and how it could be improved, and he’s generally shown to ask a lot of questions about the OIAR, Gwen’s backstory, etc. He asks about things more often than I think he would if his questions were purely an expositional device for the audience and not actual characterization (I could make a post just about this, but I think other people have definitely already done that). Finally, our very first introduction to Alice as a character in TMAGP shows her trying and failing to be glib and uncaring about Teddy leaving, where she jokes with him casually before admitting, sincerely and somewhat hesitantly, “I’m gonna miss you.” If her failing to not care about something in the opening scene of the entire series isn’t going to turn out to be important, if not Jonny Sims style foreshadowing of some kind, I’ll eat my hat.

2. Apathy kind of sucks, actually (thematically and otherwise)

Alice being saved by her refusal to care, assuming she manages to maintain it, feels too much like an easy out for the kinds of stories TMA was trying to tell, and clashes with its sensibilities in my opinion. A lot of people fall into the trap of nihilistic apathy when thinking about the state of the world right now, and TMA even acknowledged this in the series with the Extinction beginning to emerge as a new entity/fear. Between worsening climate change, the gradual rise of bigotry and the increasing trend toward fascism in the western world (especially america, it sucks here), escalating international conflict, poverty and the worsening cost/standard of living, like the fact that a majority of people my age will probably never own a house and our college debt is going to eat us alive, etc., it feels like we’re all circling the drain and no one with the power to help is interested in doing anything other than making it worse to make themselves money. A lot of people think the only way to cope with that is to decide to not give a shit, which is a pretty natural response to being constantly confronted with worse and worse news every year that shows no sign of stopping. This has also naturally inspired a lot of doomerism and a rise in insincerity/irony poisoning and cynicism in popular culture that’s really hard to escape even if you avoid the news entirely.

However, the idea that not giving a shit about the problems in the world can somehow spare you from them is a) ludicrous, since they won’t go away if you decide to ignore them (a majority of the TMA statement givers didn’t previously know or care about the fears, and they got screwed over regardless), and b) definitely not supported by TMA’s cannon or themes. Surrendering to the idea of your own helplessness is precisely what TMA ends by specifically not doing. Jon sunk into a hopeless state of mind throughout S5, with the culmination of this process being his proposal to let the world end and allow the End to consume everything, including the rest of the fears. It wasn’t necessarily that Jon didn’t care or was apathetic, especially since one of his primary motivation was to avoid inflicting the fears on another universe, rather, he didn’t think anything could be done to stop the fears from destroying his world or whatever world they ended up in, which is the same deterministic mindset that Alice’s style of apathy stems from (“I can’t change or fix it, so I don’t care”). The other characters refusing this course of action and banishing the fears is what ultimately spares TMA’s universe from the sort of extinction it would’ve had if they’d accepted that it was hopeless and Jon had gone through with what he wanted. TMA ends with the central takeaway that you can’t give in to the idea you won’t be able to fix things because then you won’t try, and shows the characters subverting their helplessness and actually solving the problem of the fears by getting rid of it at the source (the ethics of sending the fears somewhere else are definitely debatable, but that’s a totally different post). The idea that Alice could be saved from the consequences of the problems in TMAGP’s world by choosing not to care flies in the face of the conclusion to the previous series. Alice’s refusal to care won’t save her from whatever TMAGP has in store, and judging by the events of TMA, fatalism and apathy might even seal her fate. 

Some of these points of evidence might be a little bit basic “water is wet” types of statements and I probably could’ve explained this in half the time, but I really do think that Alice’s apathy isn’t going to turn out to be very useful to her and I wanted to include everything I could think of that led me to believe that.

TLDR, Alice is just as screwed as the rest of the cast, if not more so, and her attitude is not going to get her out of it.

[syntia13treeman]

Case files 02.01

what I think happened in:

Case 02.01, the case of "Portrait of Daria Gray" or "The artist becomes the canvas."

Daria's story is pretty straightforward. What we know about Daria: she's a struggling left-handed artist who used to wear a lot of hand-me-down clothes from her sister, and she doesn't like the way she looks. At some point she decides to get a bit of a makeover and, among more mundane things, she starts shopping for a new tattoo. She finds a deal too good to be true (it is) offered by one 'Ink5oul'.

Ink5oul is sketchy as hell, and definitely has something supernatural going on. The tattoo they gives Daria (with no input from her, WTF! - paintbrush, floral patterns and glittering symbols) hurts much more than it should, but also heals almost instantly.

Looking at the tattoo (which is 'perfect') fills Daria with sudden desire to paint an autoportrait (which comes out 'perfect'). And once that is done, looking at it again makes her realize she can adjust herself (and make herself perfect).

So she takes her painting tools, most notably a pallet knife, right to her own face (and soon pretty much every other body part) and gives herself an impromptu plastic surgery. Which goes on uninterrupted for several days (???!?!!?!) until her room-mate Sarah comes home. Poor Sarah walks in on Daria while she has a knife stuck in her jaw, understandably freaks out and punches Daria, at which point half of Daria's face collapses under her hand like putty.

Having no idea that her room-mate has been touched by the spooky, Sarah comes up with the only rational explanation she can think of, which is that Daria poured some acid on her own face (which is very comic-book logic, but maybe Sarah paid more attention to Batman than chemistry and biology class as a teen).

So now Daria has severely disfigured face, and also is officially considered suicidal and a danger to herself and must go to therapy. (Honestly, she needs therapy).

There are two things, aside from the obvious, that grabbed my attention here:

The voice. Narration in the first case was that of a pretty normal email - a little bit rambly, a little bit disjointed, referencing things that the recipient would know about that we can only infer. The second case had a perfectly average forum thread. This case... also starts out with pretty realistic voice - right until the moment Daria stats talking about the tattoo. Then suddenly this story gets ridiculously verbose. The way she describes the studio, the tattooing process, the tattoo itself, the painting process and finally the 'adjustments' - the details, the wording - there's no way a regular person talks that way. Not in real time, not about a traumatic event that they very much don't want to talk about at all. So where is this coming from? I think it's the ink. Until proven otherwise, I'm going to assume that Ink5soul's tattoo somehow infused Daria with power to 'express herself' perfectly in whatever medium she's using - be it words, paint, or her own flesh.

Invasion of privacy issues all over the place. First Daria's tattooing session is streamed for who knows how many Ink5oul's fans without her say-so, and then her be-damned therapy session gets intercepted by some weird basement government branch. Daria glosses over the former and doesn't know about the latter, but they are there. And there was that private email in case of 'Not-Arthur' too. I wonder how present this theme will be in rest of the show. One thing I can bet on: if one of the cases doesn't deal with a conspiracy theorist yelling about government spying on them, I'm gonna eat my hat. (And the poor paranoid guy will be 100% right, just not in the way they think).

[welcometotheanonsclub]

"if i wanted to clear the canvas, i would have used turpentine." the gasp i gusped. these lines! keep killing it! (no pun intended)

[perse-persecution]

the magnus protocol sure is a podcast , , ,

[syntia13treeman]

It will be Lena.

I'm not saying she'll get brutal-pipe-murdered, but she'll die/disappear in 'mysterious circumstances', and no-one will get promoted to replace her and the cast will spend rest of the season without immediate superviser, with Gwen going feral over being denied the position she wanted.

I have absolutely nothing to back it up, it's just a theory. (a podcast theory)

[yellow-yellow-jacket]

it’s INSANE how we’ve gotten an ‘iconic line’ in every tmagp case so far. we got “some of him,” we got “canaries should stay above ground,” we got “if i wanted to clear the canvas, i would’ve used turpentine,” we got “i think i shall stay here for a good long while”

the writing in this show is crazy so far

[dyslexicpolishdude]

MAGNUS PROTOCOL BABES new characters, new fanart designs, so I really want to add my part in creating this beautiful headcanons and even if nothing I made will stick I still want to join the fan

INK5OUL

Do we think we will ever see them again? Are they a Flesh avatar ? I don t know but they give witchy/influencer/ theater kid vibe

If you have some ink5soul fanart I would I’ve to see it

[thirdchildart]

First pass! Was going to add Alice's whole entrance, but it ballooned into waaaaay too many drawings to finish XD.

(Honestly I don't think I could stand being co-workers with either one of them)

[syntia13treeman]

I wonder if we'll see Teddy again a few episodes from now, after a 'mystery illness' made him unable to perform his new cushy job and he is forced to crawl back to horrible-hours-and-worse-pay gig in OIAR just to make ends meet.

I'm relistening the first 2 TMAGP episodes AND THE FUCKING "Teddy's goodbye party” MF I'D LOVE TO SEE YOU TRY

[im-gonna-squeet]

real bodybuikder vibes. nice

[lia-the-normal-human]

Database Additions for MAGP 02: Making Adjustments

Released 18 Jan 2024 Episode written by Alexander J Newall Edited by Jonathan Sims

Episode summary from The Magnus Database

SPOILERS BELOW CUT

CASE

CAT3RBC1567-23092022-18012024 Transformation (full) -/- dysmorphic [video call] Video call recorded between subject Daria and her Therapist

Parties mentioned: Daria Ink5oul Khan (Doctor) Therapist

Locations mentioned: Ink5oul's Studio Sarah

Misc objects mentioned: Unidentified symbols

Other Parties Introduced

Bullets for Saint Sebastian Dredgerman Luke Trotter

Other Locations Introduced

None

Other Misc Objects Introduced

None

Connections/Item Relationships Found (New)

Alice's family Luke's bands

Voiced Characters

Alice Dyer Gwendolyn Bouchard Samama Khalid Daria Therapist

Database

The Magnus Database has been updated for this episode.

[syntia13treeman]

So, the Magnus Institute ruins are, apparently, "a blast from the past" for our main protagonist. I wonder if that is where Sam had his supernatural experience hinted at in the trailer, and how young was he back then.

For sentimental reason I want to guess he was 8 at the time. I sure know that kids in my day could and would get into some very questionable places to get in trouble in. But Sam sounds like he's at least a decade younger than me, probably more, and it's more likely that he stumbled upon the forbidden place in his late teens. Definitely before uni, because by then he was friends with Alice and that girl would absolutely immediatly know if Sam had a spooky adventure on her watch.

I'm gonna wait eagerly to learn exactly what happened to our noodle-armed boy.