#tis my shit post

[maskedhatter]

Count Dracula: Listen to them, the children of the night. What music they make!

Henry Higgins: Oh, dear me, what a cacophony! Not the howling wolves, mind you, but your dreadful enunciation. It’s as if your tongue has no idea where to position itself!

[bixels]

tarpit site.

[lucabyte]

Olive Branch

Wrong Move

[poorly-drawn-mdzs]

Reasons to play In Stars and Time: Canon Pronoun Warfare.

[ganondoodle]

theres people that build the entire map of botw in fucking minecraft and im sitting here for the 100th time within less than a year crying bc i cant draw a line how i want

[solitaireships]

I feel like I should say since there's been a recent uptick in a lot of communities I'm in/see stuff from a lot of white people pretending to be Asian, but you are not welcome here if you are in anyway stealing from Asian cultures for clout or the aesthetics of it

This includes if you're white and you give your self inserts Asian names, I truly do not care if your f/o is from an anime, you should not be using an Asian name under any circumstances. I hate that whenever I see someone using an Asian name online, I feel like I have to start searching their account to see if they're actually Asian or just a white person who likes the aesthetic of it bcs far too many white people will use Asian names here just bcs it sounds cool, with no regard for the actual cultural meaning behind it. Meanwhile actual Asian people will be mocked for their names, or treated like their names are too hard to learn to pronounce, or discriminated against based on their names

Asian cultures are not a fun little costume for people to dress up with. They aren't just a nice aesthetic, they aren't just a thing you can borrow from bcs you think it sounds cool

[pa-pa-plasma]

hey i feel like we're really sleeping on that time Danny possessed Vlad & framed him for assaulting a minor

Editing with the clip because people don't believe me. Episode is 41: Eye for an Eye.

[dukeofthomas]

Honestly the thing about Jason&Bruce for me is that I don't think they can reconsile.

Like even outside of the different moralities and vengeance and the Joker and all of that. Once your father has split your throat open with a knife, that's it. You can't come back from that. There is no reconciliation or forgiveness after something like that is done.

[boombams]

some stuff from insta doodle requests :3

[lucyvaleheart]

i feel like a rabid wild animal. i can feel my teeth in my mouth i can FEEL how they would close around some cute little prey's flesh. i can practically smell the fear rolling off them in waves as i drag them back, kicking and screaming, into my lair to be utterly fucking devoured.

i need to get my hands on someone. i need a victim. i NEED a victim. the next little thing to cross my path-

.... Oh. Hello there, aren't you adorable~? Did you see something that caught your eye, cutie?

Come a little closer, won't you?

My teeth have been absolutely aching for someone like you. 🥰

[averageclawcodeenjoyer]

CLAWCODE NATION COME GET YO BOYS

(it's me, I'm the nation/j)

"Why is he always so much happier with her than he's ever been with me..?"

Little animatic thing I did about my freaks (cough cough my au cough in my fic cough sorry guys I must have caught a cold-- that I don't post about COUGH COUGH BUT I AM WORKING ON)

Ganke is already so used to being left out, rough childhood and all, and seeing the person that he's maybe-just-a-crush maybe-something-more-sometimes with ditching him for some girl who is.. at least fifty times prettier than he is... and having a much better time with her?

That shit stings.

..But it's nothing he's not used to.

Especially with how Miles can be.

..

Erm

HIGHLIGHTS (my favorite frames only)

His hair looks SOOOOOOOOOO SOFT I love him can you tell

[youssefguedira]

I wish you would write a fic about irreconcilable artistic differences on a movie set between Joe and Nicky.

not really irreconciliable as in not solvable at all but you know i had fun with this

Joe squeezes his eyes shut, covering his face with both hands, and leans forward. His shoulders tremble uncontrollably. He takes a short, sharp breath, and another, and another, but he can’t quite seem to get enough into his lungs. There’s a lump in his throat and a weight in his stomach. He leans forward with a low, wounded sound and–

“Cut,” Nicky says softly. Then, because it takes Joe a second to hear him: “Joe, stop.”

Slowly, Joe raises his head. Wipes at his eyes and takes a few deep breaths to steady himself. Nicky’s already up, frowning ever so slightly as he looks at the camera. 

“What is it this time?” Joe manages. His voice is hoarse; he has to clear his throat once or twice. Nicky doesn’t look up. The clock on the nightstand reads 01.34, but Nicky’s changed it a few times over the course of the shoot. He has no clue what time it really is, only that it’s dark outside.

It’s just the two of them in the room. Nicky had wanted to keep this one small, just him and Joe and the camera. The apartment they’re in is nice, if a little empty, though Joe supposes that’s the point. They’re in the bedroom, Joe sitting cross-legged on the bed, shirtless, sheets bunched up over his lap, a phone lying on the nightstand behind him. One entire wall of the room is taken up by a floor-to-ceiling window which lets the moonlight in, though there’s a few low lights set up behind Nicky to send bars of silver light across the bed, because the natural light hadn’t quite been strong enough for the effect Nicky wanted. It’s otherworldly; it’s beautiful. 

Nicky still isn’t looking at him, so Joe says again, “What?” It comes out a little harsher than he means it to, but it gets Nicky’s attention.

Nicky runs one hand through his hair. Joe can’t see him well, not with the light behind him and the shadows in the room. “I don’t know,” Nicky says. “It’s missing something.”

Joe has worked with Nicky enough times before. It’s not that he doesn’t like working with him - they’re friends - but he can’t fucking read him, and so after the sixth take of the same scene he can’t help but take it a little personally. 

Joe reaches for the bottle of water hidden just under the bed and takes a long drink, mostly to keep himself from snapping. What time is it? “I can try again, but I can’t do this indefinitely, Nicky.”

“I know, I know,” Nicky says, fidgeting again with the camera, “it’s not you, it’s just–” 

“What else could it be?” Joe interrupts. He’s not stupid. This scene doesn’t work if he can’t get it right, which means the entire film doesn’t work if he can’t get it right. More than anything else, this one depends on him. No music, no camera movement, no dialogue, nothing but him and the camera. And he wants to do it right, he loves this project almost as much as Nicky does, but there’s a hollow feeling in his chest and he’s spent the last however-many-hours having a near-complete breakdown over and over again and it’s still not right. And Joe doesn’t know what it is he’s doing wrong.

“I don’t know,” Nicky says quietly. Now he is looking at Joe, and Joe can’t tell if he’s disappointed, or angry, or – or what. He’s perfectly expressionless, as always. 

Joe loves this job. And he wants to get this right. But it doesn’t mean it’s not one of the hardest things he’s ever had to do, and he’s tired.

“I don’t have much more left in me, Nicky,” he says, and this time he does snap. He wipes at his eyes again, can’t look at Nicky. He’s supposed to be making himself vulnerable, above all in this scene, but suddenly he can’t stand the way Nicky’s looking at him. “Pass me my hoodie.”

“Joe–”

“I can’t. I can’t keep doing this.” He kicks the sheets off and gets tangled trying to do it, grabs his hoodie when Nicky offers it, pulls it over his head in one fluid motion and gets out of there as soon as he can. Thankfully, there’s only Andy and Nile in the other room, Andy lying back on the couch with her feet up and Nile perched on the arm of it. They both look up at Joe as he enters, both look like they’re about to ask, and Joe can’t stand it, can’t be in here a second longer, can’t–

“We are done for the day, I think,” Nicky says behind him, startling Joe. He hadn’t realised Nicky was there.

Andy raises an eyebrow, but doesn’t argue. It’s already the second day of trying to shoot this scene: they’re running the risk of falling behind schedule. 

“We’ll find something else to do tomorrow,” Nicky says. “I’ll look over everything tonight. We will try this again on Monday.”

Andy and Nile look at each other. Nile shrugs. 

“Get some rest, Joe,” Nicky says. 

Joe shoves his hands in his pockets and doesn’t say a word.

–--------------------------------

He doesn’t get called in the next day at all, and he doesn’t interrogate it too closely. Takes the day off, pretty much, because they’ve only really got one scene left to film, and there’s not much more he can do for that. Nicky had wanted to leave it to the last, and Joe had agreed, at the time.

At about nine pm, someone knocks on his hotel room door, which is unusual on a day where they don’t have a night shoot to do. When he opens it, Nicky is on the other side. Joe lets him in without a word. 

“I wanted to apologise,” Nicky says, standing in the middle of the room and looking as uncomfortable as Joe’s ever seen him. “For last night. I was pushing you too hard, and I should not have done.”

Joe closes the door behind him. Nicky fidgets with the sleeve of his hoodie. 

“Sit down,” Joe says. 

Nicky does, settling himself on the edge of Joe’s bed, not quite looking him in the eye. Joe joins him, after a moment. 

“At the risk of sounding cliche,” Nicky says, “it’s not you, it’s me.”

Joe laughs, mostly because the phrase sounds so strange coming from Nicky and also because out of everything he’d thought Nicky might say, he hadn’t expected that. 

Nicky smiles slightly, too. Then he gets up and heads for the minibar. “Mind if I have a drink?”

Joe shakes his head. Nicky gets out a little bottle of wine, glances at the label, and takes a swig straight from the bottle without bothering to get a glass. 

“I can’t seem to get it right,” Nicky says. “You know I wrote almost fifteen different versions of that scene?”

The scene in the script itself is barely a page long. “No,” Joe says. 

Nicky nods. Rubs a hand over his face. “I wanted it to feel real. I thought if I could get it right, it would… help, somehow. I don’t know.”

It’s the exact same reason Joe said yes before he even read the script, when the whole thing was just an idea in Nicky’s head, when they were talking about it over drinks at Andy’s and Joe was in love with the idea almost immediately. He knew exactly why Nicky was writing it; he knows, now, exactly why it needs to be right. But at the same time – “I don’t know if that’s possible, Nicky.”

Nicky sighs. “I know.” He crosses back over to sit beside Joe again, takes another drink from the bottle. “But there is something missing, and I cannot seem to find it. And so it does not feel real. And I know this is not easy for you.”

“It’s not,” Joe says plainly. 

“But you know,” Nicky continues, “I could not have trusted anyone with this but you. If you had not said yes, I would not have done this.”

That, Joe didn’t know: he knows he’d been Nicky’s first choice, but he’d assumed that’s because they know each other well enough already. But it makes sense: the reason Nicky wrote the script is the same thing they’d bonded over. 

Even still, it’s a lot. “I don’t know if I can do it the way you want,” Joe says. 

Nicky looks up at him from where he’s been running his fingers over the label on the bottle absentmindedly. “If you want to stop, I can–”

“No,” Joe says quickly. “But I don’t think it’s ever going to be exactly the way you felt.”

Nicky looks away. “It is a lot to ask,” he says. “I know this.”

Joe doesn’t think; just reaches over and takes Nicky’s hand. “I know,” he says. “Trust me.”

Nicky takes a deep breath. Then he nods. "Okay."

[a-finnish-janitor]

So I decided to go and replay Quantum Break for reasons, mainly the main couple of Alan Wake easter eggs during the beginning of the game.

I like how they kept the whole "Saga and Alex drink out of their cups at the same time" gag for AW2.

And the whole deal with Alan killing Alex. Or Scratch. Or something. But then! On to the main event, the large chalkboard with all of the ramblings on it about Alan.

And here we have the name of the novel he writes in the second game! I can't remember when it was first mentioned, was it mentioned in the first Alan Wake game, or one of the specials? Please tell me if you remember.

"Spiral into depths", "its not a loop, its a spiral". Exactly how planned out was this, or is it just a super random coincidence? Any way, the fact that the spiral is shown and mentioned here makes me go !!!!!!

And then a three for one in this shot. Mentions of Zane (still calling him a poet at this point in time), who is writing who, loops mentioned again. The Scratch stuff is pretty standard, nothing much that jumps out at me there, except the whole tying it into the idea of the devil, and the mention of Norse mythology. And the use of AWE! And Altered World Event, just how much do they plan out in advance?!?! How much is just lucky coincidence?!? Sam Lake I am at your door demanding answers.

And then this I just find funny, Barry Wheeler I love you.

[alchemicaladarna]

Hi sorry, I'm ill about the soul vulture arc again. Because q!Bad made choices in his grief, in his rage, thinking he will never feel an ounce of happiness again because he thought his kids were dead. Q!Bad's Acceptance was never of accepting that grief and learning to live after it, but rather, it was the silent admission that his children were dead and there was nothing he could do. No rage, no monster, no demon, no power in heaven or hell could bring them back. It was Acceptance. But the cruel twist of fate was the fact that he was wrong. Pomme, Dapper, and the other eggs were alive, actually. By the time he found out, however, it was already too late. He was long gone, and every choice has a consequence, and he suffered the consequences of his choices like hell.

Q!Bad was dead long before he fell in the lavender field one hundred feet away from the house his children built. One hundred steps away from his sleeping children he fought so hard to keep safe, under all costs. He died the night they were taken away, because they were his soul, his happiness. Everything that mattered in the millenia he's existed, nothing could compare to his children. He died that night; and all those months where it seemed like he was alive, where he was "healing" was the grim reaper bargaining with himself to hold on a little longer for his children.

Q!Bad loved Dapper and Pomme, and Richas, and all the eggs- he loved them so much it hurt. He loved them so much that love became his hell- his purgatory. Q!Bad loved them until the moment he finally stepped in his grave and couldn't bargain any more.

He deteriorated for months. He was literally melting from the inside. The vultures pecked at his body and fractured his soul. The radiation melted the skin off his limbs, and the brain inside his skull. It hurt like no other death, but if it meant seeing his kids for one more day, then that hell was more than worth it. And the physical pain wasn't the worst of it- no, eventually, he forgot his children's names, their faces, he forgot his own name, and he forgot himself. Memories slipping away like lost fragments of time. Until his death, when he was barely himself anymore.

People noticed, but never really did anything to stop it did they? I mean, who are we kidding, even if anyone spoke up, nothing they could have done would have prevented the inevitable. Dapper knew the fate his father subjected himself to. She knew what scars from soul vultures looked like, and she tried to find a cure. He tried, when he still had his lab, but there was never enough time. No science or magic could ever remedy what was already destined to happen.

And Pomme, sweet Pomme, stayed with her father until the end. She gave him health potions- "medicine"- to help his ailments. And she had so much hope she lived in denial- she thought he was getting better. But the truth is that the memory lapses and the illness never ceased because no medicine could ever resurrect a fractured soul clinging on to his deceased body.

Then Q!Bad finally relinquished himself to the sweet mercy of death. And when he arrived, he found the promise of paradise- the promise of Home, where he would never have had to suffer a painful hell again. But he chose to come back to live and to suffer once more because this time, his children were waiting on the other side. For the first time, the scales were balanced, and his happiness was halved because he had a home that was worth living in, and a life that was worth living. For the first time in the millennia q!bad had been alone, he had love. And that was enough.

The story has always been about love and loss, and the beauty of love and life, despite that loss. That's why the soul vultures arc is my favorite, and also why I nearly cried halfway through writing this. Because love thrives in spite of the loss, and the grief, and the personal hell. When death comes, and it always does, and time has eroded every portrait, or photograph, or memory- all that is left is love. And that love is hope, as well as grief. It is joy and sadness. It is heaven and hell. It is simply love.

[iinryer]

"don't you just want to have fun" is so true about 911 fans...so many people just hate so many characters and so many things about the show...why are you watching!!

yeah 😭 at a certain point it’s just like, idk man. everything in real life sucks so monumentally why can’t we just watch tv together and have fun

[izzypaw]

silly