#timothy bond

[cosmonautroger]

Sherilyn Fenn, The Shadow Men, Timothy Bond, 1997

[charlie-grusin]

"The Haunted Mask" (1995) : Movietalk # 02

“The Haunted Mask” is the story of a girl so tormented by her peers she neglects the true loves of her life and kills herself. She parades her severed head out on the streets as she allows herself to become a different beast – a being of malicious mischief with a greater urge for destruction from within and without – only to then renounce that creature persona from reality, embracing instead the one who could ever love back. It’s a suburban gothic survivor story with an ending you can expect from good ol’ Jovial Bob, that finest trick-meister of the horror trade (besides, it’s Halloween – what could go wrong with a hearty laugh?).

Kathryn Long is a force to be reckoned with. Where else could one find a performance so involved at such a young age that not only goes for long stretches of time waging havoc with throat-crushing gremlin voices and latex running deep in the eyelids but who also suggests (no, insists!) on eating live worm sandwiches not once, nor twice, but on eight-to-twelve takes? (Not even How to Eat Fried Worms could claim that!!) But what Long was able to achieve was not made solely on high theatrics: it’s like she really lived Carly Beth, pushing Stine’s original tale further towards its truth-inside-the-lie that as you want to reach through the screen and hold her and comfort her and reassure her that this too shall pass, you can’t help but get the feeling that you could also be her in those moments of vulnerability – that perhaps you were once Carly Beth… or that you are still very much the seemingly lonesome little girl lost in that hallway house of mirrors – that you can’t help but cringe and squirm whenever the monster takes full control because if experience has taught us anything it’s that it really is all too easy to make the inversion of the self and turn vile from the hurt and/or the fear of being hurt. It’s all too close, all too familiar… and it’s all the more reason she should be inducted to the Child Horror Star Hall of Fame pronto if such a thing is christened.

Every now and then it’s imperative that a Goosebumps story (or anything adjacent to that) must include in some form or another a creepy shopkeeper and/or salesman, and while the “Tall Thin Man” definitely matches the head on the bill it is not with the touch of the usual; the role as written by José Rivera and delivered by Colin Fox give this character a menace all the more heightened by the fact that it is ultimately a tragic one (he is a man doomed by admission to repetitively shred himself down to the marrows of his darkened soul), yet that isn’t to say director Timothy Bond didn’t manage to invoke any of that unbearable weight on his behalf; even with the occasionally shaky production levels the series offered as its norm, it’s quite impressive he still managed to bring his A game to TV movie cinematic heights as it is surprising he only did like, what, three two-parters(!?) – you gotta love that slow pan to the face in the mirror, that inspection of the abnormous skin devoid of music: “Very soon it will join the other failures on the shelf!” – and with much lighter affairs such as the “Monster Blood” special (which had compromised the series’ inability to adapt the other Bert I. Gordon-esque escapades of that green viscous substance with a mini-Airport movie on the fly), I can’t help but find it possible that Bond and crew may’ve also single-handedly spoiled the lot of us just by how (dare I say it) elevated their efforts seem in comparison. Episodes like “The Girl Who Cried Monster” or “The Haunted House Game” or even some of the other two-or-three-parters still hold up to this day on their own merits, of course… but damn. Damn.

Most Goosebumps stories are pure three-pages-a-thrill adventures where the monsters are either some big bad and hungry goop monster, a mummy, or “hey what if lawn gnomes were kinda bastards you know”, but when they getcha like this they getcha good. Viewer, listener, reader beware, you’re in for more than a scare.

[babadork]

[samthechaotic]

Tim: Whenever I face a horrible situation, I ask myself "what would Jason do?" and do the exact opposite.

Damian: For the first, and probably last, time in your life Drake, you're right.

[hibiscusbabyboy]

Perfect Little Angels (1998, dir. Timothy Bond)

[ghostlyarchaeologist]

"How are we supposed to do Christmas without any presents?"

Leverage S05E14 The Toy Job.

[snakeredbirdbatkatana]

There's something about Tim that has always slightly unnerved Bruce.

That's not to say he doesn't truly love him, the little Robin who dragged him kicking and screaming from the edge, who reminds him everyday he has to be better.

Yet something in his eyes always makes him hesitate.

Watching him solve cases connect dots that even Bruce at his most able couldn't hope to understand.

Watching him fight it's calculated every move planned but executed with a grace that would make ballerinas jealous.

He couldn't identify it the greatest detective stumped by his own son until one day when he walked down to the cave.

His eldest sparing with Tim it was beautiful moves that he could never replicate they worked as if they were one. Escrima quickly blocked by a bow staff, every single move perfectly executed.

It felt like for once he could see clearly the thing that had made him so uncomfortable brought forth a fear that was so instinctual.

It was Dick.

The same moves, the quiet grace the deadly motions, even the anger.

A perfect copy a clone couldn't even hope to achieve.

He stays so still almost frozen afraid to catch the predators attention.

As Tim ends it heading to the showers his eyes drift meeting Dick's.

A smile that before he would call kind he can't help but see almost a sadistic undertone like a animal playing with it's food.

He breaks first, hair standing on end as he heads back up into the manor.

He should do something, but he can't whatever monsters that are his sons he decides to turn a blind eye.

To let the tigers play he knows he is beaten that if he were to try anything his blood would stain his eldest's chin.

But a darker deeper part of Bruce recognizes the same look he ignores in the mirror.

The look that both Jason and Damian try so hard to replicate.

He has never consciously favored his children but as he erases contingencies and allows full access to a network he had never shared with anyone before he can't help but feel a tide changing.

Sitting the next morning at the table secrets smiles shared between him and his sons. Jealously crossing theirs brothers eyes he wants to cackle, scream but it's time he returns the loyalty that they have bled.

After all what's some secrets between Kings and crowned princes.

[mirrors-are-green]

How to make Tim & Damian friends? Through animals. Obviously. Also Damian should've gotten a horse waaaaay before there was a cow. He's a 10 year old aristocratic child. Which likes animals. OF. COURSE. HE. IS. GETTING. A. HORSE.

Damian is a horse girl. No, I will not elaborate.

(It's a sport. Dignified. With animals. Which you get to train. Actually the better you train them, the more successful you are. OF COURSE he would be into it. Come on.)

(horse riding training in Mongolia was actually used as a reward/present for him from Thalia. Still training. Technically. But you all know how it went.)

(bonus points if he gets to bond with a stable man)

What if Tim got a horse from his parents for a late random-rich-folks present? Like a car, but he was too young so... He names her Queenie Buttercup.

What would Tim do with a horse? Well, he researches. Alright. His parents bought him a place in the best stable in the city, but it's so obviously corrupt. Also incompetent. Tim' s gotta take care of that. Obviously. Also some horses are horribly mistreated by their owners. Or sold to the slaughterhouse. He manipulates, blackmails, bribes these people off. And.... he somehow ended up with a full stable some day, without even realizing it or planning it one bit???.

Also he lets all the poor kids in (he hired some people to supervise dw) to the horsies. Obviously. They help around. Get to ride? There is one pair of twins from Crime Alley (most of the kids are from there...) taking care of this one old horse in particular. They're making him the most beautiful looking food, braid his mane, decorate him with frills...

There is a quiet red haired boy, with black eyeliner, heavily tattooed. He always helps the younger kids and is the best at shushing any spooked horse.

There is a great competition who can decorate their saddle the prettiest. Some adults even try to cheat...

There's also one reeeealy ambitious kid. He wants to compete for real. He showed up, determined, fists balled up, at Tim's front door one day. He said that he discovered some of Janet & Jack artifacts were in fact very convincing fakes like this one tile, from example. Supposedly from Hadrian's grave. But it was identified on the basis of three papers, all of which cite in a critical junction a paper which, under closer examination, is clearly just pretending to answer the question of the origin, in fact it was written with the specific person in mind from the very beginning, isn't it strange that....... etc etc. But he won't tell anybody, no siree. He'll spare Tims' family the embarrassment. But only if he gets to ride Queenie Buttercup. And if he's good, get the chance to compete.

(He has a mother who supports him very much. And a stepfather who loves him. And two no no-nonsense older sisters (one is veterinarian, Tim hires her immediately. Pays her VERY handsomely. She always sees through his bullshit and doesn't care about his money or power or status, her brother and animals come first. Damian is Very Impressed and demands to be made aware every time she does something so he can watch or even assist.) who do whatever they can to help him realize his dream. Actually his whole block loves him. When he competes the whole Crime Alley keeps their fingers crossed for him to win. He gets a big celebration when he comes home after winning his first big trophy.)

There's also a girl from Tim's class really into horses. She's overly formal and does karate in her free time. Tim never noticed her before, but now they're besties. They trade statistics and have regular fights about what's the most likely breed to do XYZ.

Damian of course wants the piece of that fairytale dream stable as soon as he finds out (so maybe the stables are not on the manor grounds idk). Also after realizing how many animals Tim has rescued he starts to respect him.

How he found out?

Tim obviously doesn't advertise that he's got a whole stable and is literally changing lives of a bunch of kids. No one cares about his stuff, obviously. He would bore them to tears when talking about it, just like with any other of his hobbies. Also it's normal and totally what anyone would do. Besides, doesn't every upper class family have stables? It's, like, a requirement when you're filthy rich. Like having a yacht.

Also that could make Tim, who always wants to do everything by himself, the most experienced in terms of normal farm adjacent/ manual labor. Like, the Bats are city boys through and through. Jason maybe did idk some construction work when he needed money, but he wouldn't get the chance to actually muck about with horse manure probably ever. So it would be HILARIOUS. He could casually bring it up? His casual knowledge of this kind of work. Everyone would think it was a joke and something he researched, so in poor taste even to pretend to actually have experience with this hardship and act all knowledgeable. Jason would scoff at the silver spoon Tim has been fed with since birth, so what can he possibly know. And he just goes...

"Oh yeah, I run a stable actually. Yes I do the clean ups with everyone. Obviously. So that's why I know about that. Anyway so what are we watching?" And they're just SHOCKED.

Or alternatively

Tim is of course the owner of like, 6 cats. Actually there was just one stable cat at the beginning but she had kittens so... yeah it's 6 now. Yeah we take care of them. They're cute. And he just casually brings it up to Damian?

Tim: "I totally get making so many pictures of your pet. I have, like, five thousand pictures of my cats. I sometimes stalk them, even. To get better shots. And they look so adorable in each of them!"

Damian: "You. Have cats. As in. Multiple."

Tim: "Oh I've never told you, sorry, completely forgot haha. Do you wanna see the pi- *grabs his phone*?

Damian: "That. Was. The. Stupidest. Question. I've. Ever. Heard. OF COURSE I WANT TO SEE. SHOW ME NOW OR PERISH.

Damian, some time later: And just as I was looking at Ismat Hasna...

Tim: Woohoo stop. I don't know what you're talking about. None of my horses are named like that?

Damian, completely seriously: Well obviously. If she was originally named like that, it would mean you have some common sense and I wouldn't have to rename her. But, alas. You named the most majestic horse on this plane of existence QUEENIE. BUTTERCUP. So. She needed an intervention from someone more sensible than you. Obviously.

Tim:

Damian: You're welcome, by the way. I already corrected her paperwork.

And they just bond and start being friendly towards each other and Dick is soooo proud, Bruce has no idea what/how (he suspects blackmail or witchcraft), Jason and Tim team up to support Crime Alley kiddos in pursuit of their hobbies. Jason got literal tears in his eyes when he saw, in real time, some harmless contact with animals and getting a chance to take care of something slowly, slowly breaks the circle of violence these kids were stuck in.

His next charity project is some martial arts centre, an indoor basketball court, paying some good trainers to just believe in those kids. It works wonders.

Idk just some thoughts I would be very glad if someone made it into a proper story or even help me develop the concept fuller... just tag me!!

[in-love-with-movies]

The Living Daylights (1987)

[spockvarietyhour]

Licence to Kill (1989) directed by John Glen

Bonus:

[smilesheartshugs]

Follow up to this post:

Gold markings on the side of the shoulder are for grand and great grand parent child bonds and orange bonds on the outside of the arm are for aunt/ uncle niece nephew relationships. Cousins don’t have their own special denomination. They will usually have a sibling bond or an aunt bond.

If someone where to come back from the dead, they will need to touch their bonded ones again for the color to return

Ideas on how this au concept could play out in the batfam:

A young Tim pre batfam with a bad parent au:

Tim always wondered why he didn’t have a bond with his parents. He always assumes he didn’t hug them enough. It’s to bad they don’t like to hug him very much. They have no problem hugging each other, he has seen the bonds they have with each other.

Years later in a fancy gala Tim bumps into Dick who then becomes Tim’s first soul bond.

New parent Bruce:

Bruce finds a new bond he has in his sholder between the greyed bonds of his parents and the royal blue bond he has with Alfred (their bond is a tea cup). There’s only one child he’s held recently, Dick, his new ward. Bruce has watched as the young boys soul marks with his parents grey out. Bruce freaks out not wanting to replace Dick’s parents. It takes a while but the two figure out. Years later they have each other as a trust bond on the back. Dick and Bruce’s bond mark looks like a small bird. When Dick becomes Nightwing he chooses to use the same blue in his uniform as the blue with his bond with Bruce

Jason’s trip to Ethiopia:

Dick was looking at his wrist thinking of his new brother while out in the middle of space when suddenly their brilliant grass green bond starts to grey out. He has no way of contacting earth and has no way of finding out what happened.

Bruce refuses to look at his mark with Jason, Jason died in his arms he refuses to look at the bond to see proof that his son isn’t coming back.

In a rare moment of not being formally dressed in butler attire, Alfred watches his gold bond with Jason in hopes his grandson comes him. He could do nothing but watch as the bond greys out like some many other bonds he’s had before.

Duke:

Every day Duke looks at the soul bond he has with his parents, still a vibrant sky blue color even after so long being affected by the joker venom. At least he’ll always have prof they’re alive, right?

Maybe I’ll have more ideas later

New post!

[voguefashion]

Timothy Dalton and Maryam d’Abo photographed by Keith Hamshere for The Living Daylights, 1986.

[atomic-chronoscaph]

James Bond gun barrel sequences: 1. Sean Connery - Thunderball (1965); 2. George Lazenby - On Her Majesty’s Secret Service (1969); 3. Roger Moore - The Spy Who Loved Me (1977); 4. Timothy Dalton - Licence to Kill (1989); 5. Pierce Brosnan - Tomorrow Never Dies (1997); 6. Daniel Craig - Spectre (2015)

[babadork]

[bandaidfingers]

James Bond lineup :)

wanted to draw them all in their classic gun barrel sequence poses for funsies

[hibiscusbabyboy]

The Interior of Justine's room in Perfect Little Angels (1998, dir. Timothy Bond)