#time-quenching

[taliesin-the-bored]

The difference between old Welsh literature and old Irish literature is very simple. In old Welsh literature, there are five page runs of names. In old Irish literature, there are five page runs of adjectives.

[milflaszlo]

(AKA the "Eurydice = Hades = Orpheus = Persephone" post. These four characters all simultaneously becoming one another and having already been one another in an endless cycle feels very fitting to me... it's a show about cycles -- in both the seasons and the song.) 📹: @medium-observation

[aioliravioli-69]

Detective Noir AU

Alright, this au has been sitting around, waiting for me to finish it but chances are, I never will :((

So instead, I'll just post what I have so far

This was inspired by that one comment on the au post the author made(at this point you could consider me a stalker for the amount of hours I've scrolled through her feed💀)

First things first, none other than our main character himself, Detective Hollow!

I made him the detective in this one mainly because I was basing it off of the theory that if there was no heroine the keyholder would simply become the hero instead(don't remember where I read this but I'm guessing it was the webtoon comment section).

I also my have just really wanted to draw him in an overcoat

gonna be honest, I did little to no research going into this AU, the thing I most tried to learn about was the femme fatale so I could get a good view on how to design Buddy

Speaking of the femme fatale:

Seems like someone got caught in the spotlight!

And before you ask, yes, those are pants. Weird ones, but pants nonetheless. I swear, I hate lighting when it's from the front. Frontal lighting can go fuck itself. Please ignore the little help lines I put in

Honestly, Buddy's outfit was probably the hardest part of this one. I wanted him to look slutty, but I didn't want to make it TOO slutty, but I feel like I may have added WAYY too many folds in his pantsuit and I kinda messed up on the overcoat lol. The diamond on his chest was inspired by the diamond on the villainess key more than anything and I tried to incorporate that into his gloves too.

Anyway, have some potential outfit sketches I made:

the two I thought might come off as too slutty and

the ultimate winner of the outfit ideas

As you can see the diamond chest window and fur coat were a mut in this outfit and I'm pretty happy with the end result

Y'all know how the femme fatale usually has to seduce the main character a.k.a. the detective?

Well, y'all know me so have an extra just for you <33

But I'm not done just yet!

Remember how I said that I made Chase the hero because of the lack of a heroine in the story? Well...

I did some more surface level research(and I mean very surface level) and decided to adapt the trope of the girl-next-door archetype for him!!

Don't think it suits him, since they usually just sit pretty and wait for the detective to notice them, but they do have badass roles once in a while and I live for those!!!

The one Chase has taken on doesn't though sadly :')

I decided to go with Charlie Hollow for this one because it sounded more like something the timid and 'pure'(yuck I know, but sadly film noir movies often prop up comparisons between the femme fatale and the girl-next-door, this being one of them) girl next door would have

Overall I tried to make this one as cutesy as possible because, why not lol

Lastly(I apologise, I made this in a rush because I was running out of motivation)

The distance between Buddy and the detective sure did close QUICK-

Originally I was planning on adding Deacon as a police officer and now that I think about it I could technically fit Prunella in here as well, but I just don't have any willpower left to keep this thing alive

My art blocks been acting up recently and I can't even pick up the pencil without immediately wanting to put it down :((

I wish I could have continued this and maybe I will someday, but until then this'll just stay in my drafts

[simplynims]

Thinking about Charlie with Casper who has more rugged hands due to their mysterious job. Their hands are much bigger and texture wise more leathery than soft. Faint scars of daily life litter their hands all the way up to their wrists. Charlie has grown tough skin too, earned from his past but nothing quite close to how Caspers hands are like.

I like to imagine Charlie is definitely touch starved but craves the more simple aspects of it. Like resting his head on Caspers shoulder, legs touching one another while they sit and watch TV, simply wrapping an arm under theirs as they weave through a crowd together. But one of his personal favorites is to just hold Caspers hand. Laying side by side as they drift to sleep, Charlie gently takes hold of one of Cas's hands and enjoys the smaller details of it. How their jagged hand feels against his fingers, memorizing absent mindedly the lines on their skin, and using his thumb to gently graze over Casper's palm.

It's comforting, it's warm, and most importantly? It feels like home.

[neonbodyache]

actually fuckedup so bad today i cant believe it

[mc-critical]

E22 is certainly all about the deepest fears and suspicions of the characters related to belonging (or rather, NOT belonging) that accumulate through the whole episode (as it gets more and more likely for them to be fully realized), which in turn makes the jealousy and/or resentment within these characters grow.

Ibrahim starts off still ruminating on Beyhan's words from a previous event relayed to him through Hatice in the previous episode, so his fear is immediately established: the fear of his death coming forth regardless, and from the sultan's hands worst of all; of his place in SS's heart, in the family's hearts, ultimately always ending up shaky and temporary; of him being discarded and erased at a moment's notice; of him never actually meaning anything to anyone, thus he aims for the biggest sense of belonging out of everyone else here: SS is most valuable to him, of course, as this is his first bond in this foreign world, but that value and his approval also turn out predicated and empowered by the value and approval everyone else gives him too. As it all begins from the possibility of a future action of SS and his bad mood that could possibly mean anything in the next day, then it goes to Mustafa's opinion on Ibrahim's closeness to SS, and then it circles back to SS again as a reaction to Mustafa's reaction (hence the smallest recurring disapproval, as Mustafa's stance here is a continuation of Mustafa's remark in E03, means wide disapproval — this is why in Ibrahim's dream everyone is out there witnessing and almost delighting in his execution; even Hatice who is clearly sad, is portrayed with resignation, as if the execution is an inevitablity she has to accept and never go against - this is of course also informed by what Ibrahim has seen of Hatice so far, how she couldn't oppose SS's decision to marry her to Mehmet Celebi even though she loves Ibrahim and aches inside and always claims to not be able handle it if she loses him, so the only thing he can say and do is try to spare her the pain). Ibrahim has to fully belong in order not to be reminded of what he's lost before and what he can lose now, but his sense of belonging is so fragile that every little thing can create big, irreparable cracks, bringing him to realize that he never actually belonged anywhere and what's more striking, he has nowhere to belong now as he's lost everything. This is terrifying to him and he can't share it with anyone (not even Hatice could really provide him solace: she calmed him down a bit, sure, but she also related to Mustafa's motives - right on par with Hatice's theme of relating this episode - that perhaps meaning to Ibrahim that even she can't be reliable, that even she could turn her similar possessiveness against him, if she can muster to do even that), so he buries it deep - he is the only one who doesn't lash out due to his fear in this episode, but this sense of fear beginning with him colors the whole rest of the episode and remains an omen of what's to come next. It's this fear that will make him more offensive, more insistent to secure his position even more and remove everyone who stands on the way of that, even in this season finale.

Mustafa's fear is established by one event in this exact episode that puts him at odds with his brother more directly than ever before (there's a reason why this is their first lesson together): the fear of him not becoming a padişah; of him being replaced by someone else, and by someone else who he too loves worst of all; of his efforts not being recognized; of his father leaving him behind forever, not wanting him, not loving him anymore; of him not having the future he's been eager and preparing to have, what's his use if he doesn't have it?, in that case the only thing he can do is disappear, thus he aims for a narrower sense of belonging: he cares about the rest of his family, but his father's love matters to him most of all. He looks up to him and is inspired by him, trying his best to follow his example in order to be the best he can be. And he is constantly encouraged by everyone to be the best he can be, so when even the smallest threat to that come up, his whole self is challenged, so what's left is to lash out, to defend his beliefs and mindset, to make this fear known in order to evade it. He doesn't belong without his father's love that gives him all he craves. He can't belong if that isn't there. And his belonging predicates on him being prioritized at all times, as this isn't a place reserved only for him, it turns out; anyone can take it away. So Mehmet's assertion plants this fear, while Ibrahim's place next to SS confirms it (Mahidevran here, just like Hatice with Ibrahim, tried to comfort Mustafa by putting Mehmet's words into context as well to an extent, but Mustafa actually managed to ease up until the Ibrahim matter popped up), so Mustafa's reaction is precisely that kind of lashing out. The lashing out culminates the episode but there's some finality attached to it as well, as it is the last such clash Mustafa has with Ibrahim (with him realizing his mistake afterwards) - from that point on, they will fully be a source of support for one another. Even his jealousy of Mehmet that sets up the future becomes more restrained.

Gülşah's fear is established by a series of events in this exact episode, feeding into each other and fueling her at every turn: the fear of falling into disgrace alongside with her closest person, or on her own worst of all; of being scolded by both the person she loves and the person she hates; of being mocked and ridiculed; of being denied the agency to do anything about it, as everyone else overpowers her either by being above her or simply being the majority. Her fear seems the most driven out of self-preservation, not so much out of a desire to belong at first, however these two are interlinked for her as well. Her very survival is predicated by the most narrow sense of belonging: on her sultana, the only person who can give her any sense of belonging. Her job is being next to her, so she has to share her joys and sorrows, but she also gets her sense of respect and worth namely from that role, so she can't help but make these joys and sorrows her own. E22 is the first time this is challenged however, since we see her outside of her sultana for the first time, as even what she has to do due to her role as her servant (taking Mustafa from the lessons and defending him) and as a servant in general (bringing Mehmet to Hürrem), is challenged and that whole facade of respect from others due to her sultana is fully broken (even Nigar's threats and almost drowning Gülşah before are because of something Mahidevran's ordered and done, this here has next to nothing to do with Mahidevran) and then her own wishes to seek justice and accountability are uncovered, but the more her sultana seems to not join in, the more Gülşah loses every sense of belonging in each moment (the mockery of the girls of the harem is only there to accentuate that loss and reveal how alone she is) and the only thing she can do is desperately tie them to her sultana, to cling to her in order to convince herself of her righteousness, of how she hasn't lost her sense of belonging actually, isn't that right?? She has no choice: the disillusionment, the resentment only grow throughout the entire episode and she can't really share the full extent of her sorrow with anyone - even her sultana wants her to suck it and wait, but she's sick of waiting, of being humiliated, so she provides the final imminent lashing out of the episode, the one that sets up the future the most in terms of Gülşah's relationship with Mahidevran, as well as it sets up the main deal of the very next episode.

[hermioneismyrealname]

Another ruinous thing I thought of.

How many times has a lineage been given the title of villain all because they loved and grieved in the wrong way. How many times did we see they fall of a character into tragic madness when they were once so happy. This madness from unfathomable grief, the loss of their loved ones, and yet fate calls them villains when their hearts were stolen from them. How dare they brandish the blood of their loved ones on their shaking hands not because they did it, but because that was what remains as they held their beloved, their heart, their soul, their life in their last moments of death.

Do not fault me for knowing their tortured souls, their hearts break like mine loves.

[horsemage]

Strong contender for my new favorite tortured astronomy acronym

[serendipitousbun]

Listen pt. 2

My stance on Y/N stuff hasn't changed; HOWEVER COMMA...

Izo? From One Piece? Sign me the FUCK up right now. He has unlocked a whole new level of feral within me and I cannot contain it any longer.

I mean just LOOK at him!

If you have any fic recs or if your skilled hands and brain create something... let a bitch know. It's me, I'm the bitch.

[lovethemalephysique]

[evermoredeluxe]

taylor singing “my cards are on the table, yours are in your hand” in foolish one, and then later in her career going on to have lyrics like “i’ve been played before if you hadn’t guessed, so i kept my cards close to my foolproof vest” and “you’ve been calling my bluff on all my usual tricks” and so many other lyrics that just suggested that she kept things to herself and ran away and didn’t easily invest fully because she was afraid it would make the other person leave or they’ll use it against her, and just thinking how this thing led to so much other stuff

[airrain]

SPOT IS 7'3⁉️⁉️⁉️⁉️⁉️ JOHNATHAN IS 6'6⁉️⁉️⁉️⁉️ HELPJSMAKANAKANKANA THAT WONT STOP ME FROM WRITING THEM WITH A HUGE SIZE KINK THO AND MAKING THEM FEEL LIKE A LITTLE PRINCESS WITH FEMINIZATION😈

[lesbienneanarchiste]

Finding out after all these years that my dad is a star wars prequel trilogy girlie??? Asked him what his favorite star wars movie was and he said tie between Attack of the Clones and Revenge of the Sith surprised pikachu dot jpg

[euthymiya]

River. This ayato movement is getting out of hand. We need to let the public process things one a time okay, slow down 😭

The public is coming to me I’m not responsible for this 😭 you guys need to think about me—I’m the one who’s slowly losing my life span one skipped heart beat at a time every time I read an Ayato ask ☹️

[mc-critical]

2.02 (26) / 2.16 (40)