#time to work on the physical problems

[theflann]

me shoveling food into my mouth before the horrors start

[tea-cat-arts]

I simply think this fandom doesn't give Wei Wuxian enough credit for the various ways in which he saved Lan Wangji

[shepscapades]

Why does Ren have 4 ears? Are they all real or is one set fake?

Hehe I’ve gotten this question a lot actually! They’re all real— I like to think hybridization isn’t always a clean balance of traits, so Ren just unfortunately ended up with two sets of ears— his Dog ears being much more receptive to sound, naturally— and sometimes when the extra intake of sound is too overwhelming, I imagine he wears earplugs in his human ears to help adjust :> it’s a bit weird, but idk! i like to make designs funky and nonconventional! I liked the idea that Ren had hearing struggles due to wonky hybridization and just kept the concept :>

[moeblob]

idk if it's a fun fact or not but! Right's favorite color is green. He never wears green but it's his favorite color. then I've been working on silly emotes for my OCs and they're "disappointeddad" and "tryme".

(Also there is an AU where these two are knights along with Paul and Evelyn while Brent/Caspian/Atticus are princes. Chris is basically Caspian's personal guard while Right just runs around trying to do everything to stay busy even when not on duty which stresses Chris out. But since he's kinda busy with the crown prince it defaults to Paul having to babysit Right.)

[silvermoon424]

When you find an amazing artist whose style just HITS for you and you love the way they draw your fave characters, but then after looking at their recent works you realize that they moved on from your fandom a long time ago

[4lph4kidz]

i was thinking about your dirk and hal poll and i want to mention that i think your concept for ink and iron where dirk creates hal from his reflection by enchanting a mirror is so cool 😌

thank you! hal's predicament and purpose within the canon narrative is so fascinating and i felt it was really important to find a way to explore what i find most interesting with him. i can't take full credit for the concept though i took inspiration from a few placees (one of my friends pitched the idea of the mirror accidentally dumping him onto jake's doorstop for example) but overall i think the idea is very fun and i'm really excited to write more hal stuff!!! also i'm going to take the opportunity to share this oldish doodle i found:

the mispelling of angel as angle was NOT intentional (<- dyslexia haver) but it probably explains a lot. he's pointy

[lovesodeepandwideandwell]

I don't understand how women work full-time regardless of pms

[dykedvonte]

Preston x Danse is the only companion ship I think would actually work because Preston’s inner turmoil is sort of a loss of faith in himself due to the traumatic experiences he’s faced while Danse is looking for something to have faith in and would find the fact that despite the desire to give up Preston held out so long not just for the honor of the Minutemen but because he had some hope.

It would 100% start off as a lotta unhealthy on Danse’s side as I believe he completely lacks the emotional intelligence (due to a combination of factors) to recognize the he’s feelings as anything but a sort of respect for a superior along with leaning too much into Preston as a substitute for the BoS. Preston may not really have a title but he’s like THE Lieutenant of the Minutemen. Realistically he’s the only companion Danse would probably be comfortable taking instructions from especially for how trusted Preston is by the Sole Survivor and his adherence to military standards despite how unstructured the Minutemen are. It would be him waiting for orders, approval, anything from Preston and he thinks it’s just the desire to have the regiment of the BoS again but he also like when Preston compliments him on being useful or resourceful. He likes the stories of Minuteman glory days and he trades the stories of the BoS that don’t hurt to talk about. He likes the familiarity Preston would provide and he’d be oblivious that it’s not just new found loyalty to the Minutemen.

Yet Preston explains it himself that he’s not a natural leader. He’s not an instructor. He helps manage what the General has put in place and he content on doing that. He relays what needs to be done and does major upkeep but I don’t think he’d know what to do with this guy this literally marches up to him and practically begs for a mission that doesn’t exist. Like the formality and respect is nice but he can tell it’s covering something even if Danse doesn’t.

Danse could go to Sturges for the many repair and upkeep assignments he gives him and has the freedom to go straight to the Castle if he really wants a big mission, but he chooses to come to him everytime. He’s aware enough that Danse only trusts him out of all of the Generals confidantes but it would take a bit for him to understand why. If anything Danse should be strategizing with him as equals seeing as he almost got the Minuteme wiped out and Danse was a Paladin for the Brotherhood with many successes under his belt before Preston even led his first scouting mission. It’s like he sees him as some figure of hope, some one who can come in and add stability. Someone with a fresh outlook who can provide a new perspective for him.

It’s like he sees him like he saw/sees the Sole Survivor but that would be crazy because that would also mean… and then oh, it clicks.

The revelation is both flattering and he doesn’t know what to do with it cause how do you address “I know you respect me but is that the only feeling you have for me?” To the guy who like refuses to rest unless you tell him at ease? He has to reevaluate his whole manner of interaction with Danse cause this is a very slippery slope that he’s sliding down and it’s even more perilous due to Danse’s repressed emotions regarding… everything. There’s an equal chance Danse will try to open up as completely shut down and he’s not just concerned about it cause Sole Survivor cares for him but because he has grown to care for the guy too. It’s not like he doesn’t also enjoy Danse’s company and value as a Minuteman member. He’s not a love at first sight guy but he’s played with the idea, anyone would when you’ve spent nights trading stories, historical facts and beers by the fire in a little home you’ve carved for yourself through literal blood, sweat and tears.

I think it’s one of those cases where it’s agonizingly slow to the actual relationship but neither part are anguished about that. If anything happened to soon Danse would be too dependent and Preston not equipped to handle it. It’s a case where I genuinely think they’d bring out the best in each other cause theyd want to figure out what is best for the other and not just apply what they think is the best. It’s the care that Preston would ask Danse what he wants to do and encourage it and at the same time Danse would be incredulous everytime Preston second guesses himself.

Long story short it’s a good ship to me because it’s just two guys with broken confidences and faith in their roles being each other’s hype man and kissin a little about it.

[lokh]

i think my biggest problem in time management is that i totally overestimate how much energy i have

[allastoredeer]

Not me making an outline for a fic, knowing it's going to be a fairly long one, and expecting 2,000-3,000 words tops (maybe 4,000 if I'm being detailed. 5,000 if I'm being SUPER detailed)

ONLY TO BE AT 7,000 WORDS AND STILL GOING

This is only supposed to be the outline. Not even the rough draft. I'm just putting down the most basic series of events the stories is going to follow, and I'm still hashing this thing out at 7,000 words. I haven't even reached the middle yet.

Fuck me and my natural inclination towards long and complex plots.

But goddamn am I having fun with this.

One day I'm going to figure out how to write sweet and simple one-shots. I'm going to figure out how to make a short story.

But until then, enjoy my gigantic, monstrosity of fanworks. If you have commitment issues, unfollow me now, cuz all of my shit is long-term.

[ineed-to-sleep]

GOT PEPPER WORKING AS AN NPV(after my third attempt at setting up the files) I'M LITERALLY SO SEXY & SMART

[kyouka-supremacy]

---

[u5an5]

Am I the only one that every time I get myself into new fandom I just sigh, knowing fully well that I just got next 20+ x reader, y/n, x Oc!whateverthefuck or just any form of self insert tags to blacklist?

[rapidhighway]

also picking raspberries turned out to be.. really fucking hard

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[look-at-the-stars-tonight]

the amount of effort that goes into figuring out what to cook and eat every day is RIDICULOUS. i used to think people were so weird and boring for eating the same thing every single day but it truly does make life so much easier