#time to watch neverafter adventuring party

[t-hirstreview]

[littledoggy-girlcollar]

has anything broken me as quickly as emily axford’s little red introduction flashabck. no i don’t think so!

[boneles-ss]

Hhhhhhhhuuuummmmm Donnie Boy Critical Role and Princess Clara Neverafter.

You agree.

[mgrover]

I think ttrpg shows have ruined my context or "a lot" of content cause I'll recommend something and be like Calamity it's nice and short and then it's like no that's 20 hours. Or mismag season 1 I watch that all the time when I'm cleaning cause it's nice and short. 9 hours. Not counting adventuring parties. Children's adventure nice little romp - 8 hours, county affair? Nice and short only 3.75 hours

Then stuff is coming out and it's a feature-length film each week and that's if your only keeping on top of one show.

Like I've rewatched Neverafter and Starstruck twice this year and Fantasy High Junior Year 3. Don't know how many times I've watched Calamity and other "mini-series." Just going oh I'm gonna watch a quick one-shot - that's 3 hours don't lie to yourself

[pixiecaps]

D20 NEVERAFTER!!!!

all my liveblogs for epi one can be found in the tag pix.neverafter if ur interested frauggie !!! this was my first time watching. i also watched the first adventuring party epi for that:3

[la-principessa-nuova]

Hi i just got dropout and was wondering what to start out with, any nice tips? :>

Depends what specifically you’re into. I watch everything on there now, and I would categorize Dropout’s content into a few categories, so I’ll break it down by category.

Game Changer and Spinoffs

I started with Game Changer, and I think that is a very good first Dropout show because it introduces you to a lot of the recurring cast members, and since the game changes every show, you can either join in on the latest season or start at the beginning to get all the recurring jokes.

Make Some Noise I enjoyed more once I’d become familiar with the people doing it from other shows (plus it’s a spinoff of Game Changer, so chronologically it would come some time after the Game Changer episode it’s based on).

As a former theater kid, I very much enjoy Play It By Ear. It’s improv musicals, so i feel like you either hear that and absolutely must see it or you heard that and know you absolutely don’t want to see it, lol.

The D20 section

If you’re into D&D or think you could be, Dimension 20 is my favorite thing on there, and you could definitely start with that if you’re up for the long episodes. I’d recommend starting at the beginning with Fantasy High. Personally I really liked going through all the seasons in order so I didn’t need to figure out which ones were sequels and spinoffs of other ones.

If you’re going to watch Dimension 20 definitely use the “The Complete Experience” versions that have the adventuring parties (talkback) in between the regular episodes.

The order of the seasons has occasionally been flipped around in a way that puts one of the spin offs before the season it spun off from, so here is the order of the seasons so far, with some symbols I’ll explain after:

Fantasy High [I, F]

Escape From the Bloodkeep

The Unsleeping City [I, U]

Fantasy High: Sophomore Year [I, F]

Tiny Heist

A Crown of Candy [I, C]

Pirates of Leviathan [F]

The Unsleeping City - Chapter II [I, U]

Mice & Murder

Misfits and Magic

The Seven [F]

Shriek Week

A Starstruck Odyssey [I]

Coffin Run

A Court of Fey & Flowers

Neverafter [I]

The Ravening War [C]

Dungeons and Drag Queens

Mentopolis

Burrow’s End

Fantasy High - Junior Year [I, F]

The letters in brackets mean:

I - Intrepid Heroes season (the players are the main cast of players from the first season)

F - Fantasy High (this season is in the Fantasy High universe)

U - The Unsleeping City (this season is in the Unsleeping City universe)

C - A Crown of Candy (this season is in the A Crown of Candy universe)

I believe adventuring party starts during A Crown of Candy, so there is no talkback for the previous seasons. In general, you can watch the seasons that don’t have an F, C, or U in any order, but there are callbacks to previous jokes, especially in Adventuring Party, so I would say to watch any season with any letter above in order at least, and the rest it doesn’t really matter the order.

I watched them all in order except I gave up on Shriek Week because I wasn’t enjoying it and then came back to it when I was out of seasons to watch, and I saved Dungeons and Drag Queens until I was in the mood for a beginner adventure (plus Mentopolis started just after I finished The Ravening War).

Other TV-style shows

The first season of Very Important People just wrapped up, which is Vic Michaelis interviewing Dropout cast members who are improvising characters based on a costume they were put into without knowing what it was ahead of time. Like many other shows on Dropout, I got more into it the more episodes I saw. It could be watched first, but you’ll get more out of it from knowing who the person is that’s being put in costume to be shocked how different they look.

Dirty Laundry, which is a panel show where they share a secret/embarassing/weird fact about someone and then the panel members guess who it was, could be watched first, but the episodes with Dropout cast members as guests are more enjoyable if you know who they are.

Smartypants is a new show that just started. The show is them doing presentations, and I’m realizing I’m not going to be able to describe it in a way that doesn’t sound awful, but it’s good. This is a good one to watch earlier, I think. At least so far it hasn’t been highly dependent on inside jokes.

Um, Actually is very fun to play along with trying to find the mistake in statements about nerdy media. That you can watch whenever.

One of the first shows they did, Total Forgiveness, I would highly recommend. It’s only one season, but you might want to be familiar with Ally Beardsley and Grant O’Brien first.

I also liked Where in the Eff is Sarah Cincinnati

YouTube-Style Videos

Since Dropout got its start from CollegeHumor’s YouTube videos, there are some things that feel more like a YouTube video than a TV show (in the sense of less polish, shorter length, and/or the concept just being more like what you’d expect from YouTube)

The only ongoing one that I would describe that way (I think) is Breaking News, which is where they act like newscasters but they’ve never seen the words on the teleprompter and they have to try not to laugh as they say all the ridiculous things on there. Some episodes are funnier with more context on the cast, but most of them can be watched whenever, and there isn’t really any continuity to it, so any season can be watched in any order. I’ve only watched some of the past seasons and picked and chose the episodes to watch.

They also have all the old College Humor skits and stuff, and some of them have not aged well, but the Hardly Working series has a lot of good stuff in there, especially in the later seasons, that explains some of the running jokes across the platform.

Also all of Brennan’s A Message from the CEO skits are very funny (I think they’re all still on YouTube too, but they’re also on Dropout).

Early Dropout Content

The last category in my opinion is some of the stuff they tried to do early in Dropout where they were trying to grow out of the YouTube videos but didn’t yet pivot into what Dropout is now.

I already mentioned Total Forgiveness, which is from this era, but the only other thing I’ll mention is that they did some video podcasts during this time, and personally I really enjoyed Tales from the Closet.

There’s also just a LOT from this time and I’ve only seen some of it. They really tried some different things.

Summary

There is a lot of good content on Dropout, and it is the sort of thing where whatever you watch first you’re probably missing some inside jokes that you’ll then get next time they come up.

Having just thought about it all to write this, I’d say the best places to start are either Game Changer or Dimension 20: Fantasy High depending on what you’re looking for.

And then poke around at some of the shorter videos when you don’t feel like watching something long.

[sugaldean]

Watching cis-her gal-a-them for the first time.

Neverafter adventuring party have been hilarious so far and I can't see how this one can be better

[mulligans-tavern]

Cinematic Parallels

"I'll be happy to watch you shit one last time."

-Calroy Cruller, A Crown of Candy

"I piss a little bit wherever I go."

-Baba Yaga, Neverafter

"Is it like, y'know... it's piss, or, y'know... that's what we all thought. It's God Piss."

-Lou Wilson, FHJY Adventuring Party

[d20-brainrot]

get ready for some d20 asks bestie

favourite season

favourite pc

favourite npc

LEAST fav season/pc/npc

a line that you like

a funny bit that makes you laugh

saddest/most heartwrenching moment that makes you sad every time

best character arc in your opinion

which of the newly announced seasons are you most excited for?

who would you like to see on d20 for the first time or to return?

who would you like to see DM on d20?

a mini that you like

a battle set that you like

something you hope comes back for another season

a season you wish people would watch more

ooh i love this!!!

favorite season: definitely starstruck odyssey or neverafter. they are just both so fun, and everyone is having a good time. plus i like a little horror y'know?

fav pc: ylfa!!! she's just like me for real. no but seriously, she is a child growing up into a body she doesn't fully understand, and thinks that how she feels makes her irredeemable. little el is shaking in their boots right now. i also love lapin. he's deadpan but he does the right thing. plus i just loved how zac played him, it was wonderful

fav npc: esther sinclair is my shit!!!! i love her sm, she is a fierce warrior and i love that about her! also AYDA AGUEFORT IS THE BEST!!! just her and fig are adorable, her being besties with adaine, her calling gorgug the finest wizard ever, just beautiful!!

least fav season/pc/npc: i hate biz glitterdew with every ounce of my being. just the "nice guy" energy radiating from him makes me sick. like i had dudes like that interact with me in middle and high school, and they creeped me the fuck out.

a line i like: "i'm the prince of shoeberg, motherfucker!!!" is a great line and it makes me giggle every time i hear it. a very impactful line for me is "you listen to me right here. having panic attacks, that is not a character flaw, do you understand? you are not a coward. you have a goddamn medical condition, all right?" like that makes me want to sob. i watched this season right around the time that i got diagnosed with severe general anxiety and social anxiety, and it hit me that i am not flawed, i just needed some help.

funny bit that makes you laugh: god just the fact that murph cannot for the life of him roll well is hilarious. i also love the hairy baby dance! like the fact that it came back in an adventuring party for starstruck was fucking great.

saddest moment: god when jet is talking to liam and tells him to tell ruby that she did the right thing, and then the light goes out of the locket of the sweetest heart. gut-wrenching dude. or when they're in the nightmare forest, and brennan is talking about how ayda loves fig because she was kind to her, and that she sees her for who she really is. that always makes me tear up dude.

best character arc: dude ragh for sure! like him going from being a bully, to everyone realizing it was because he was getting harassed by his best friend/the guy that he had loved for years? god what a good storyline. or kugrash, sacrificing himself for everyone by eating the bagel?? killer moment.

fav newly announced season: wasn't there one about them blowing up or something? what the actual fuck does that mean mr. mulligan and mr. reich? huh???

who would you like to see on d20 return or for the first time: alex song-xia needs to come back. no ifs, ands, or buts about it! they were wonderful, and i loved how they played conrad. if they don't come back, i will lose my mind.

who would you like to see dm: murph should dm! he's amazing on naddpod (even though i'm only on the very first campaign) and i would love to see his work in the dome. it would be absolutely amazing!!!!

mini you like: preston was so tiny and so cute! i also loved sprinkle, for the same reason. the fact that it literally was just a sprinkle as a mini was great and i loved every second of it

battle set you liked: the battle with the terrible dogfish!! the fact that it came from like the top of the dome????? absolutely astounding. rick perry truly works wonders with minis.

something you hope comes back: ooh, that's a tough one. i did really like the moving part of mentopolis, the little pressure meter thingy. i did also love in acofaf that they got little trinkets! i love a good trinket!!

everyone needs to watch escape from the bloodkeep!!! i love it so so so much, and it has some amazing characters, some amazing minis, great players, and it's dimension 20 history y'all!!

[utilitycaster]

Some of the resentment I've seen of FCG's coin feels like it stems from viewing FCG as less a character than a vehicle for Sam to do bits. They view the coin as Sam doing a bit that isn't landing and is taking up time and space that could go to the actual characters in the group that have stories instead of what they view as a bunch of disconnected jokes. I saw this with FCG going into the Grand Ring, too. People on Twitter saying that that was Sam trying to get the group killed for a laugh.

Truly I have to believe there is either one server or just like...a bunch of very stupid people who all follow each other and parrot each other's takes because the reaction to the Grand Disk especially is absolutely batshit fucking nuts:

If you give a heroic adventurer a weird noise, they are probably going to investigate it. If they investigate it, they are probably going to check it out. If FCG hadn't run in, someone else would have.

This show has been on for literally 8 years now and there has never been a main campaign TPK. Truly the Otohan fight is the only one where I take serious issue with the balance and signaling, and even then, so what, half the party died, they fixed it. Why is this fight different from all other fights?

On top of that this happened before we knew resurrection was broken, too, so like, the reaction during the episode truly makes no sense; the audience knowledge was that this party has THREE people who have revivify and two with Raise Dead and only one true glass cannon. They are arguably better positioned to take on threats than like, Bells Hells the regular party.

If a character dies the cast member will play another character and just based on the track record of past replacement characters the chances are high that they will be just as good if not better. If you don't want to watch a show in which permanent character death is an option then go do that.

I have, recently, actively tried to push back on the "bro do you even play TTRPGs" attitude people sometimes have regarding really stupid criticism, and to be fair this is narrative criticism too but like...unless a TPK is explicitly the goal or baked into the setting as a possibility (eg: Calamity; Neverafter; games designed for it like the Tomb of Horrors module or Call of Cthulhu or something) the GM absolutely does not want a TPK. Do you know how much fucking PAPERWORK is wasted in a TPK. If they had a TPK Matt would have had to look at an entire encounter and backstory regarding, say, Oltgar and Drixlitch, that he had lovingly designed, and go "well, guess that's fucked."

So anyway if you saw FCG go through the gates and your thought was not "ooh, combat" but rather "this will be a TPK" idk work on your breathing exercises or something because that's a wild leap.

Anyway the funniest thing in all of this is that the most recent episode made it clear that it's not just a bit. Also though it's like. Which "actual" characters? Chetney has been pretty decently served as a character, all things considered; the entire solstice plot revolves around Imogen so it's time for Laura to get a well-deserved break so Imogen can actually process and develop as a person rather than just be under constant nonstop stress; I love Fearne but this arc is just not really about her whole deal; and both FRIDA and Deanna have gotten plenty to do. Honestly while balance between characters is not really a thing in the sense that some people make D&D characters with tons of hooks and things to do and paths to take and some do not, and also the overall narrative of the party is important to consider*, the character balance of this particular arc has been the best of the whole campaign.

*most people get this intuitively UNLESS they are particularly stupid, or have either shipping or My Blorbo Is The Protagonist brainrot, to the point that you can diagnose these conditions when someone's previously decent understanding of story falls off a cliff

[jq37]

The fact Gerard's vision of a better world is 'none of that 5am bullshit, we wake up at 8 to workout', just the best. I wonder if Ylfa's still got dawg in her, or if that's not a thing in her new reality. Anyway, another great finale for the books, wrapped more satisfyingly than I expected. There were so many threads, I didn't think they would have the time. I was expecting the Top Hat Fairy to do something to help like Turquina, but *shrug*. I suppose Ylfa having that hat for the rest battle was enough help and was definitely not a waste of precious resources. *sighs* So many 20's, so many stressful Box of Doom's, on the edge of my seat the whole time, satisfying conclusions to everyone's story arcs. You can't ask for better than that.

OK this has been sitting in my inbox for a bit for two reasons. The first is I've just been majorly busy with IRL stuff. The second is that I have...let's say mixed feelings about Neverafter as a whole having seen the finale. 

Like, as a vehicle for comedy (which Dimension 20 largely is--makes sense considering the cast is all comedians who are friends. A recipe for shenanigans if I've ever heard one) the season absolutely succeeded. There were very few moments of this season where I wasn't entertained. Thinking about Ylfa saying the phrase, "honking big" will break me every time. Watching the cast lose their mind during adventuring party every week as they descended further into madness was fantastic. And Ylfa going in for the kiss w/ Pinnochio at the end had me dying. 

But as a story? And specifically, as a story ABOUT stories? 

Ehhhhhhhhhhh.

[To be clear, I am talking about MY opinions here. To everyone who really loved how this season wrapped up, that's fantastic! I'm just talking about me and my thoughts. Even when I'm making broad statements, I'm still just talking about me. Cool? Cool.]

Just to start with the broadest thing, it is *insane* to have a finale that is nigh incomprehensible without having watched some bonus content, and honestly, only slightly more comprehensible if you have watched that bonus content. Like, was it FUNNY to see the full cast practically melting as they went feral for the Orange Fairy? Yes, obviously. But it also undercut any sense of like real stakes or weight to the entire affair. 

I'm not the biggest fan of final fights in general because it often feels like just drawn-out math, but I feel like, even factoring that in, the fight didn't feel as engaging as it could because by the second part of the fight, we were fighting characters we hadn't spent a lot of time with. Like, sure, I have thoughts about how the princesses were handled but we did spend time with them. Enough time to at least have some sort of opinion when they were taken down. And enough time for characters to have relationships with them that paid off during their fights--Red taking down La Bete for instance, or Pinnochio reaching out to Mira. With the fairies, we only really met three of them (Turq, The Evil One, and the Godmother), and we really only got a half-decent read on Turq. So it really wasn't that emotionally satisfying (outside of whatever emotion they were CLEARLY getting from their Orange Fairy Acid Trip). 

And then the Authors we know the least about! There were all these meta elements that were introduced in this season that weren't really explored much at all. So that element felt really obligatory to me. It was like, the fighting of a vague concept. Which isn't to say that can't work. They fully fight the American Dream in Unsleeping City 1. But that worked for me because (1) they had the concrete villain of Robert Moses to fight as well and (2) there was a very clear thematic reason they were fighting the American Dream. Put a pin in that, I'm coming back to it. 

The last two big elements in the fight are the Gander who didn't really do anything but by all accounts, SHOULD have been a bigger player and the Stepmother who ABSOLUTELY should have felt more satisfying to defeat because I actually think she has one of the more interesting stories in the story. Unlike the princesses (who struck me as shortsighted and selfish at worst and majorly misguided at best) and the PCs (who felt very rebel without a cause and a bit aimless for large parts of the season), I fully understand why a character who is always written to be evil would want to be like OK, screw it. Burn it all down. But then, at the last second, we get this, "No, wait, I actually wanted to free us all from the authors" thing and it just feels like it comes out of nowhere. Like, maybe giving her her name back gave her back her humanity or something, Fine. But it gave me so much whiplash. We did not spend enough time with her story threads for that to work imo. 

Going back to the Authors thing now. I'm going to skip over a bunch of my logistical questions about them (Is that one ink hand speaking for all Authors? For only some? What even is an Author in the context of this world? Is the world that exists above the Never After even really our world? Fairy Tales don't even have set authors most of the time. They're oral tradition. What does killing an ink hand do mechanically in the actual world? Did they kill the entire concept of storytelling or just give one person bad writer's block? ) and go to my thematic question which is, what is the tone that was meant to be struck here? Or I guess rather, why was this the tone struck? The idea of Authors as a malevolent force and that never really being challenged is so bizarre to me. Because storytelling as a concept exists in their world. So why would they assume malevolence rather than people who just don't understand they're playing with the lives of sentient beings? Like, I get the concept of seeing something just beyond your meagre comprehension and cracking. I really do. But that really only happened when Tim saw the ink. Everyone seemed to just jump on the "Authors Evil" bandwagon and didn't examine that further. And I guess you're not obligated to look further into the people who are controlling your life against your will (though, I really don't understand to what degree the Authors were actually doing that--add that question to the pile) but that makes for a very unsatisfying story beat. 

But even outside of that, it's a weird take on storytelling from a storyteller in a medium where you're seeing the storyteller on screen at all times along with the other six storytellers who are telling the story. It's like, an insane level of dissonance, watching someone narrate about how Authors are so cruel and uncaring while watching seven people who are so passionate about what they do, clearly having a great time in the world they created. It made that thread ring hollow to me. And I'm not trying to do some kind of pedantic gotcha like, "Oh ho. You said storytelling is bad and yet you are a storyteller. Interesting." That's not what I'm saying. If you want to tell a story about control and lack of control and agency and all that, then I can see having your players play characters who are being controlled by authors. But it wasn't explored in a way that made any kind of point other than, "Free will is good." Which...yeah. And I initially thought it was very cool that they were telling a story about character feeling like they didn't have agency in a medium where we literally have to watch the "extraplanar beings" controlling the characters' agency because I thought they were going to do something interesting with it but they never really did. Frustrating. 

There were hella loose ends that were never tied (What actually caused the Neverafter to merge? What does the Auroratory actually do? What caused the times of shadow*? What was going on in the other worlds?) but lastly, I just want to touch on the loose ends that actually *were* tied. Specifically in the epilogue. 

So the idea here is everyone gets to write their own stories. That sounds good in theory. But, in reality, people are gonna have wishes that contradict. And people are gonna have wishes that are bad. And people are gonna have wishes that control other people. Like, in this new reality Tom Thumb wakes up at 8. But that's what Ger wants. Is that what Tom wants? In this new reality Elody and Ger are divorced. Did they both want that? What if one of them didn't want that? What if multiple people want to be married to the same person? What if multiple people want to be royalty of the same place? What if multiple people want to be despotic dictators or the same place?

I'm not going to go through every epilogue, but Roz's in particular gave me pause. Not because she decided to not give herself a true love and in fact specify a cruddy dating life for herself--wouldn't have been my move but do you girl. No, it made me go "huh?" because Siobhan said that in this rewritten version, instead of avoiding spindles, she gets really good at handling spindles, and then when the witch shows up with a spindle, she knows how to handle herself. But that's just like...not how Sleeping Beauty works? Like, it's not that Auora's curse takes hold because she was bad at spindles. It happens because she was cursed to die (softened to sleep) when pricked by a spindle on that day and time! Michael Jordan could have been cursed to die via basketball on his 25th birthday and no amount of talent would have saved him because it's not about life experience. It's about magic. And like, I get that she wanted to have more agency in her story but that's just like...not Sleeping Beauty at that point. If she had been like, "So I spend my whole childhood preparing to face the evil fairy and defeat her in a battle of wits/magic/sword fighting/Uno/etc before my curse takes hold instead of letting people solve the problem for me" then that would have tracked for me. But as is? That was just bizarre. 

And then also the fact that the Stepmother AND the Gander were just like, good in this world? The stepmother, I can maybe kinda sorta buy. Like, I have questions 100%. Was this what Cinderella wanted? For her abusive stepmother to just get a clean slate to be in her life again? We're not given any indication that the Stepmother is really a nice person who is being forced to play into the villain kayfabe by her puppet masters and really in her heart just wants to be good. But that COULD happen (and I wish it had) so sure. Fine. But the Gander? The Gander, this primal force, just wants to be good and wander? First off, not the main thing here, but if I was Tim and this dude made my son turn to bones I'd be like??? No??? But also, I thought the Gander was like, a force of the universe! The opposite of the Goose! Yin and Yang type stuff! He can just be good with no cosmological consequences???

(Also, as I said, it's really kind of jarring to watch these characters like struggle for control of their stories and then just, in real time, while 6 actors put words in their mouths about what their best life is. I know that's the nature of the game but it doesn't make it not weird to watch.)

In conclusion, I found this season exceptionally funny but also not very narratively cohesive. I really wish it had come together a bit better because I really love fairy tales. My thesis project right now (which I'll probably share on here when I'm done with it)  is a fairy tale retelling and the last major writing project I worked on had a lot of fairy tale inspiration as well. I think there were a lot of potentially interesting ideas in this season! Pinocchio asking why other kids get to mess up but he can't is a great beat. Pib as an incarnation of an archetypical trickster spirit is inspired. The effects of a True Love's Kiss spell wearing off as your marriage crumbles has interesting implications. But it didn't coalesce in what I felt was a satisfying way. I admire the effort that went into this season and would love to see Brennan's notes because I'm sure there's a lot we never got to (some of which might answer some of my questions) but as is, it felt a bit overstuffed and underbaked. 

*OK, we actually did get an answer to this question, but it was so tautological as to be basically meaningless and I would like a more in-depth answer. 

PS: Oh! I got kind of carried away and didn't answer everything in your message. Let me fix that! 

-I think Ylfa is just a normal girl now. I did think Roz taking her in once she was separated from the wolf was very sweet. I have some existential questions about the splitting situation but the moment was still sweet regardless. I do like that people still draw her with the wolf ears though. Wolf ears are always fun. 

-It *is* very funny that Ger had a page to write literally whatever he wanted and that made the list. 

-I am fascinated by what would have happened if they'd failed that roll. I know Brennan said they'd have time looped back to the start and ended on a bummer note, but I mean like, what would the table's energy have been like. They've never lost like that before. Still haven't. And I didn't really *want* them to but also...my fatal flaw is curiosity so you know...

-Them fighting fully corrupted Tim would have been interesting too. What a cool what could have been. I'm sure there are so many of those. 

-That damn Top Hat. Do you think they're actually gonna sell that with the rest of the minis or keep it?

[peachie-bun]

i officially finished the neverafter finale (and the adventuring party) !!!

i absolutely loved it. this season was so good and watching it as it was coming out made it a lot more fun !!! i always will love binge watching things but having something to look forward to every week was rlly nice :33

i went into this season thinking rosamund and pib would be my favorites, and they were for most of the season !! but gerard rlly climbed in the list and i think the season ended with him and rosamund as my top two characters. obviously everyone was amazing and i loved them all but if i had to pick a favorite, i think the royals are tied as my pick.

i cried three times during the finale. gerard's death triggered the first time, then it was rosamund talking to ylfa after they got the spell to work (thinking abt this one too much still makes my eyes misty-), and then the last time was tim saying that he kinda stays around hapley to help everyone when they have writers block.

this season was absolutely amazing and im sad to see it end !! but also the ending was amazing and im glad i got to see the story through to the end <33

[solglas]

I really should sleep but I've been in an endless cycle of opening tumblr ->dropout ->youtube ->Firefox ->twitch ->repeating that over and over.

I wanna watch d20 but I don't wanna watch d20 at the same time... I can't make up my mind on what season to finish so I've just begun doing this cause I aslo tried to watch an adventuring party. Just to realise, I've not finished like almost any of the campaigns. So I'll just be being spoiled.

Shout out, to fantasy high and unsleeping city ch I for being the only two I've currently finished!

I've got no idea if this should be on my fandom blog or here, sooo hiii!! I started typing it for here so it's staying, bit I'm just rambling now.

Wait actually! List of all d20 seasons I've started and how far in I am..

Fantasy high, caught up.

mentopolis, about half way through ep 1.

neverafter, 2 and a half eps, im actively getting through this one on walks rn.

A crown of candy, a tiny tiny bit through ep 1.

unsleeping city, ch1 done ch1 half way through ep1, I need time to adjust to no kugrash </3.

Escape from the bloodkeep, about 3 and a quarter eps in.

The seven, I think almost exactly half an ep in.

Dungeons and drag Queens, I think I watched like 2 eps on YouTube before swapping to dropout. Sorry, it was two and a half.

Annnddd done!

Also not d20, but worth mentioning I started the newest naddpod campaign aswell, I'm on ep 2..

[dnd-shows-have-my-soul]

I’m watching the Starstruck Adventuring Parties for the first time and I gotta say, it is such a surreal experience.

I’m so used to the Neverafter episodes, where everything they talk about it so wildly off-topic that to see the cast actually talk about the episode at hand is incredibly bizarre.

[with-stars-in-hand]

Neverafter thoughts but I haven’t watched the most recent two eps yet

Thinking about the stepmother bc I’m watching the ep 11 adventuring party and I think the horror of her is that she’s much more clearly a construct than the other characters. Like she’s an amalgamation of all the depictions of herself she’s consumed, all the characters her archetype contains. But at the same time so many of those characters resist perfect categorization under her—the evil queen most notably isn’t exactly the wicked stepmother archetype in our current version of the story—but the stepmother is forcing them to fit within her, growing more unstable and less comprehensible as she becomes made up of more and more categorical violations.

[equalseleventhirds]

can u believe brennan lee mulligan looked up the second verse of nursey rhymes for this. dedication.