#time to pick some names
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beastlyidiocy · 3 months ago
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my sweet old man who is genuinely too kind for the world he lives in :(
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tubbytarchia · 9 months ago
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@mcyt-yuri-week day 1 Sun/Moon awooga awooga (Aiko - Star/スター) (Lyrics TL)
(Yeah you're only gonna see GemPearl from me)
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bottombaron · 1 year ago
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I think we sometimes forget that Nandor was chosen by The Baron, one of the most ancient and powerful vampires, to lead an expedition with Nadja and Laszlo to conquor all of 'The New World' and subjugate its people roughly 200 years ago...
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ryonello · 3 months ago
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i have ........... a new meowmeow fixation .........
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aro-aizawa · 1 year ago
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i like to think everyone has a colour associated with them, whether its just your fave colour or what you generally wear most of or what colour your bedroom walls are. i always associate the name sophie with dark blue, my mum is always a nice turquoise, i like to think my colour is a bright sunflower yellow.
if you have a specific shade pls tell me i adore when ppl have associated colours and tell me them, bc i think of them when i see that colour
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marblerose-rue · 3 months ago
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new lioden king except ive had him for a couple weeks :-)
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starflungwaddledee · 11 months ago
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some rather strong first impressions were made.
required reading for the magical "voice" headcanon and another for starstruck's signature in particular. asked by @trainerbob23 !
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aroaceleovaldez · 1 year ago
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i still think a lot about how technically, it's implied Anubis and Walt started dating each other before they asked out Sadie, and if Sadie had said she wasn't interested they would have gone "Entirely fair have a nice day" and proceed to just go continue to date each other.
Cause like, that was the entire thing. They decided that themselves. That things would work best if they were together (as in both physically sharing a body and also relationship-wise). The "asking Sadie about it" part was secondary. If she had said no, they would have stayed together, because among other things Walt would kind of die if they didn't. Walt and Anubis are technically the first gay couple in the Riordanverse. AND they're in a polyamorous relationship with Sadie. Why does no one talk about them ever.
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melooooo17 · 3 months ago
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@openphrase123 your fanfic(s but i mainly made art of the mira and siffrin one because i cant remember words for the life of me for i do not speak french) IS???? ? SO GOOD. SO GOOD IM FOAMING AT THE MOUTH finally something to look forward to in the week fr
Mild spoilers for it ig!! But nothing too explicitly groundbreaking i dont think it'll kill your mom to look at these without having read the ff first
Don't mind the shit quality i??? I drew all these so fast theyre kinda shit and i have yet to fully acclamate isat to my artstyle so it's mid
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Teehee me when i make shitty rushed fanart to show my appreciation that i cannot put into words for my faovorite games and also authors
peep the rant in the tags
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daily-hanamura · 11 months ago
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toxintouch · 29 days ago
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yk how in veres likes on his character sheet it says he like cooking (badly)…… WHY HAS NO ONE DONE A FIC ABOUT THAT YET‼️⁉️⁉️ THAT SHOULD NOTTT BE A WASTED OPPORTUNITY. i’m not even joking im ab to send this to so many people because i can’t let this go to waste 😞
Here u are anon!  For the record, you are completely free to send this prompt around wherever you’d like!  It was such a fun idea, I’d love to see more takes on it. ^^
Warnings: Vere talking Innuendos? Innuendos.  So many, and I don’t guarantee that they are funny lol.  Just a general silly vibe and imo: absolutely  tooth rotting fluff.
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‧₊˚ ⋅ 𓐐𓎩 ‧₊˚ ⋅SOUS CHEF ‧₊˚♡₊˚
You find yourself wandering through Lowtown during the lunch hour, trying to decide what sounds like a good meal.
Your mouth waters at the scents being carried on the breeze, a plethora of pleasant aromas wafting out of the eateries nestled inside the Amaryllis District, so fragrant that you can smell them all the way down on the bustling streets of Lowtown as long as you stay downwind.
However, if there’s one nice thing about knowing Leander it's that you also know you don’t have to go that far (or spend that much) for a delicious lunch. 
Near enough to the Wet Wick, there’s a series of side streets that make up an eclectic amalgamation of Lowtown and the Amaryllis District, and in it: a small and inconspicuous eatery.  The menu changes often, though you aren’t sure if that’s out of innovation or necessity, but the food is always filling and reasonably priced.
You follow the winding streets, getting lost for a brief moment before correcting your course, traveling until you see colorful chipped girih tiles and wide, clean windows.  You let yourself into the shop, the now familiar sound of hinges in need of an oiling welcoming you.  
There’s an assortment of goods on display–jars of honey and spiced fruit and loaves of braided bread with seeds–all kept safely locked away beneath an enchanted pane of glass.
Looking around, though, you don’t see anyone selling said fantastic wares.
You call out, expecting the shop keep or her wife to come running but instead you hear…silence.
Followed by a loud metallic clatter.
You freeze, unsure what to do, what the threat is–if there’s even a threat?–but before you can make up your mind, you’re greeted by a most unexpected sight.
Vere comes out of the kitchen area, his hair swept into an artfully stunning up-do that reveals the long line of his neck and clavicle, blemished only by the heavy collar locked around his throat. 
He’s wearing a weighty linen apron over his clothing, presumably to protect his outfit, though–his long gossamer sleeves are completely discordant with the notion, making you think that maybe the apron is more of an aesthetic choice.
“What’s this–?  A mouse?  In my kitchen?” Vere asks playfully as you continue to stare, dumbfounded.  He wields a spatula in his hand like a weapon–swatching it into his off-hand like a riding crop with a decisive snap.
“Where is–?”
“–The shop keep?  Wherever she pleases–the shop’s closed on Mondays.”
(You really don’t like the way he’s watching you…  Or the way he keeps inching closer…)
You take a step backwards, your eyes never leaving his.  “Oh,” you say, bandaged hands reaching blindly behind you.  “I didn’t realize.  The door was unlocked, so…”  You trail off.
You find the doorknob at last.  You attempt to turn it only to find that it won’t budge.
“Was it?”
Vere saunters up to you, tail swaying behind him.  You manage to tear your eyes away from his predator stare to search for possible exits, though you know for a fact you won’t be fast enough.   You look back and he’s already in your space, crowding you against the entryway.
(He smells really good, actually.  Like leather and spice and the subtle cling of perfume and incense.  And beneath that, something–earthy–animalistic, but in a way that’s intoxicating as opposed to unpleasant.)
“I was just about to make myself a snack–how nice that a snack came to me.”
“Stop playing around.” You try to steel yourself and inject the perfect amount of scolding into your voice while combating his heated stare.  “I know you’re just fucking with me to try and get a reaction; you and I both know you’re not going to eat me.” 
If he was, he would have done it by now.  Sometime within the weeks you’ve known him.  …Probably. 
Unless he just likes to play with his food.
“I didn’t realize you knew me so well,”  he says, looking amused.  “Perhaps I didn’t plan to, but now I simply can’t resist.  You look so absolutely delectable, how could I possibly contain myself?”
You don’t get the chance to reply.  Vere’s countenance changes suddenly–you watch his ears flatten a second before you hear the screaming whistle of a teapot.  His ears twitch in annoyance at the sound, his perfectly sculpted face showing a sour sneer.  He gives you a sideways glance, calculating.
“Then again.  I find myself in need of a sous chef.  Congratulations on your promotion.  Come along now.”  He hooks a finger into your cloak and pulls you easily into the kitchen.  (To be fair, you don’t struggle.  Anyone would want to see where this is going, right?)
He releases you once you’ve crossed over the threshold, waving his fingers uncaringly towards a second apron affixed to a hook on the wall as he beelines to remove a glass teapot from the stove and stifle the noise.  He moves quickly as you watch, casually throwing aside the spatula in his hand in favor of an ornate silver teaspoon.  He measures a vibrantly colored tea into the inlaid steeping container of the equally ornate teapot and takes a pleased inhale as the tea’s fragrance blooms, humming as he flips over a delicate hourglass to keep track of the steeping time.
There’s silence for a moment–
Him watching the teapot and you watching him.
“Well?”  He asks, without looking up.  You’ve seen this look before, you think – this pensive, almost lonesome look that makes your heart ache against all better judgment.  “Staying or going?”
He grins when you put on the apron.  You search his face for some sincerity, but he’s all sharp teeth and tall ears, covering any glimpses of deeper emotion with a sheen of smugness.  He circles you once you have the apron on, taking in the image.
“Mm, don’t you just look adorable.  Very domesticated.”
You’re pretty sure that the word he’s looking for is domestic. But of course, he knows what he said and he meant to say it.  You decide that he’s probably betting on your correction, already armed with a witty retort.  You smooth the apron down while pointedly looking away, deciding that you won’t give him the satisfaction.  You hear him chuckle.
Since you’re avoiding looking at Vere, you look around the kitchen for the first time.
It’s a spacious workspace–moreso than the storefront, even.  There’s a large iron stove unlike anything you’ve ever seen, covered with magical runes and dials, with a large hearth built into the belly of it.  A plethora of pots and pans have been placed on the burners, left to sizzle and pop in the red hot heat.  
Oil is singing from the heated, shallow basins but you don’t see anything cooking inside.  
There’s a slab of meat diced into neat squares and a heaping bowl of lumpy batter set to the side of the stove top.
“What are you making?”  You ask, trying to make sense of the scene.
“Panko crusted fish filet.  And there’s a pasta in the oven.  For dessert, I was thinking–” he gives you a sly look, one that makes your ears feel warm, “hmm, well.  I just had a much better idea in regards to dessert.”  He makes a show of licking his fangs, the movements of his tongue slow and sensual.
You think you tied your apron too tight; your airway is feeling a little constricted.  It seems to be getting worse the longer you watch.
You clear your throat, tearing your eyes away.  More ingredients, most partially prepared, and a host of dirtied pots and pans greet you.  You turn your back to him as you explore, fully engrossed in all of the views that the mess of a kitchen has to offer.  You’re almost afraid to ask: “So, what am I here to help with?”
“Oh?”  You don’t hear Vere come up next to you, but you feel him brushing up against you.  “Does my darling sous chef require…instruction?  A guiding hand, so to speak?”  You freeze, feeling his breath against your ear, shivers running down your spine at his light and teasing chuckle.
But then he’s breezing past you, making a wide dramatic gesture toward the large tome perched surreptitiously on the counter.  “Lucky for you, I’ve a recipe.”  His tail wags swishes elegantly behind him as he beams with pride.
His tail knocks the whisk out of the mystery batter beside the fish filet but he takes no notice.
Vere hops gracefully up onto the counter, reaching for the batter.  He does an impressive twist in order to grab hold of another whisk and you take the time to appreciate that.  Then, with Vere occupied and seemingly ignoring you, you take a look at the recipe book.  
The text is old and withered with the occasional dash of sprawling spidery script painting the margins.  (Said writing is utterly illegible–you’re actually not sure if it’s in a language you can read, though if you squint you think you can see something that looks like the word ‘cake’.)  The page it’s opened to is ripped in half, rendering precious steps of the recipe lost to time.  You spot a mysterious bite mark piercing through the corner of the leather cover.
And can’t stop yourself from surreptitiously glancing over at Vere.  He’s moved on from the batter (which looks as lumpy as it did a minute ago) and is now eating skewers of raw fish with his nails.
“You’re not supposed to eat while you cook,” you say, the time worn words out of your mouth before you can examine your personal stance on them.
“Says who?  Some limp dick?  No shame in indulging, pet.”
“You’re not even gonna have anything left to cook,” you warn.
“Hum, sounds like my sous chef should get to work covering them in batter instead of just standing there before I eat them all.”
You roll your eyes, but follow through with instructions.  The space is unfamiliar and your movements are slow and unsure with Vere looming over you from his perch on high, watching.
One of the pans of oil gives an ominous pop.  “Hmm, sounds like it’s hot enough,” says Vere.  “Move over.”
“Is that safe?”
“For me,” Vere says simply.  “And it’s faster.  Now stand further back or you'll get splattered–and not in the fun way.”  Idly, he tosses a batter covered filet into the shallow pan.  The resulting hiss makes you both cringe.
As if on queue, the hourglass for the tea gives a gentle chime, lighting up with a golden glow.  (You’re beginning to wonder how this humble shop can afford all these magical items, but then again this is the city of secrets.  You’re probably better off not knowing.)  Vere’s ears perk up, pleased.  He tosses the remaining fillets in the pan without a fuss, setting lids on top of each to contain the oil, acting as if doing so is going to stop any potential disaster.
Main course forgotten, he moves on to digging something out from inside one of the many cupboards.  “Be a dear and cut this for me, will you?”  He hands you a delicate peach before heading to the tea pot, stirring the contents and adding what must be a priceless amount of honey.
The peach in your hand is overripe but still vibrant–amazing, as you haven’t seen fresh fruit at all since you came to Eridia.  Your mouth waters anew as you remember what led you here in the first place–your quest for a meal–and you’re almost tempted to take a bite, follow Vere’s advice and sink your teeth in.
“My, my.  I’m almost jealous.  I thought you only looked at me like that.”
Vere shushes the denial from your lips, bossing you around regarding how he wants the peach sliced before shooing you out of his way and finishing his remaining tea preparations,with the look of an artist at work.  The tea is a warm oolong color, made only more alluring once the infusion of peach is complete.
It’s refreshing, too, once Vere serves it to you over ice.
You can almost ignore the great plumes of smoke coming from the oven.
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Vere cooks how others might enjoy a leisurely stroll. 
Which is to say, he seems to be having fun, but you’re not convinced he intends on really going anywhere.  Still, there’s a rhythm to it–a dance, though he leads you in expected loops and turns, changes the tune at a moment's notice.  He’ll get bored of the task at hand and find some new spice to peruse, demand you taste test an ingredient or give your opinion on a dizzying new flavor he’s concocted.
(He manages to convince you to sample a bit of cucumber soup from the cold box.  You retch, proclaiming it salty, downing another glass of delicious peach oolong–
“I can still taste it in the back of my throat…!”–and he cackles wildly.)
Thick locks of hair are falling out of his up-do by the time he’s satisfied, framing his face and bringing your attention, again to the inviting line of his clavicle.  He tosses his loose hair over his shoulder, preening.
The recipe book is basically ruined, and the pasta is null and void, but some of the fillets look mildly edible.  The artful garnish is beautiful, at least.  The kale and orange slices really bring out the crispy burnt bits.  Vere seems to enjoy plating the food a great deal, humming and rearranging and circling the display until he deems it arranged to perfection.
He’s elegant when he takes a bite, biting down with a crunch.  His tail goes very still for a moment, then shivers microscopically as he chews.  He swallows in a manner that you can only describe as dignified, dabbing his lips with a napkin.  You wait in anticipation, but Vere says nothing for a long time.  Then, he quietly takes the old recipe book and throws it away.
Thankfully, he doesn’t insist on you trying it too.
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You end up snacking on some of the pre-made goods, drinking the remaining tea and lounging at one of the shop’s cozy little tables.  The mood is light and easy, and the view is magnificent.  Outside, there’s nothing but trash littered streets and urchins, but inside…the afternoon glow coming from the window illuminates Vere like a sunset, painting him in dazzling shades of gold and red and bronze.
Vere hums, peering at you pointedly through his sooty lashes.  “So, dessert?”
You can’t imagine the look that comes across your face–whatever it is, it makes Vere laugh.
“What are you giving me that look for?  My intentions are pure.” His voice is a masterclass in syrupy false-innocence.  “As clean as Leander’s bed sheets after–”
“Please don’t finish that sentence and give me any mental images,” you beg.  “I have to sleep there tonight, I’d rather not know.”
“Ignorance is bliss.”  Vere agrees, closing his eyes and appearing to bask in the sun for a moment.  His face does something that you don’t quite catch–some hidden expression–but then, he’s smiling easily.  He must really be relaxed if he can still smile seconds after thinking about Leander.  You’re still admiring him when the shadows against the walls flicker, and suddenly he isn’t sitting next to you any more.
Instead, he’s returning from the kitchen, a tray in hand.
He sets it down in front of you, revealing an assortment of strawberries and an ornate silver porringer of what appears to be melted chocolate.  Vere sets it down on the table, plucking the small dessert spoon from the chocolate once he’s seated across from you again.
“Occasionally, life does offer up something sweet to savor–only for those willing to go out and take it.”  His tongue darts out to lick the chocolate off the spoon in his hand.  He maintains eye contact as his tongue laves across the basin and–embarrassingly–you think you get a little lightheaded from the intensity with which your blood rushes to your face.  The crinkles at the corners of his eyes tell you that he know exactly where your mind has gone.
Setting the spoon down, Vere instead picks up a bare strawberry, leaning in closer to press it gently to your mouth.
The chocolate is overly bitter–a little burnt, perhaps, but you can’t find it in yourself to care when you’re tasting the remnants of it on Vere’s lips.
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(Before leaving, you plop a few coins down on the counter as payment.  You brought enough to cover your food…but definitely not enough to cover the mess in the kitchen.  There’s really nothing you can do about that.  
You hope you don’t get blacklisted.  You’d like to come back next Monday.)
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Hope you enjoyed if you made it this far! ⸜(。˃ ᵕ ˂ )⸝♡
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yujeong · 4 months ago
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The Score of 4 Minutes - A few examples
Inspired by @noraigo's post, below you'll find some of the OST I managed to find that play throughout the 1st episode and in which scenes they were used. (YouTube links only - sorry folks I don't use Spotify, but I assume you'll be able to find them there, too.) - An Old Friend by Headlund: When Great (Bible) feeds his cat (Akira) some food (Kaniva Ad) - Don’t Care Anymore by Roof: The song Great is listening to while driving, before hitting the woman (Mrs. Manee) - High Octane by Hampus Naeselius: When Mrs. Manee is brought into the ER and Den talks to Tyme about her case - With Tenacity by Christoffer Moe Ditlevsen: When Tyme operates on Mrs. Manee - Sly Fox by Jon Björk: When Den is explaining his secret project to Tyme - Boiling Point by Hampus Naeselius: When Korn gets to see the "investment department" up close - The Sixth Night by Rand Aldo: When Tonkla gets introduced - In Frozen Waters by Hampus Naeselius: When Tonkla sees the black cat in his apartment, after Korn leaves - Blush Response by Hampus Naeselius: When Great grabs his plate and moves away from his family at the dinner table - Easter Morning by Joyspring: When Tyme eats dinner with his grandma
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sukibenders · 5 months ago
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Racism and misogynoir are so apparent in fandom, especially when it comes to shipping because why is it when a white male, sometimes female but I see it more with the former, character is on screen with a love interest, particularly woc, especially if they're black, and even with all the emotional scenes or just moments where they look at one another in ways different from the rest, it's met with "No, they aren't dating/the show is not going to put them together" but let the other love interest be white as well and suddenly it all makes sense? Heck, the examples I mentioned above don't even have to exist between the latter for some to STILL go and believe this rhetoric (eg. some Jace and Helaena shippers because, even if these two only interacted with a dance but yet we see Baela console Jace, after he seeks her out, apparently it's to far fetched to believe that Jacela could be a thing?!)
Sometimes it could be a headcanon that, largely, would make sense (and oftentimes was birth due to lack of respect that the poc characters could have been given by the writers *cough* TVD *cough*), and yet you'd still have people dismissing it left and right and spewing hate. At a HEADCANON! And I'm not saying that just because the other person in the ship is poc that you have to ship them, I'm not, but it's very apparent to many poc fans in fandom that unless the characters are swapping spit and doing the nasty, the possibility of them being viewed in any romantic lens feels too much of stretch even though their white counterparts don't have to jump through the same loops.
#fandom racism#and even if the characters are already together in some way you still have some in the fandom picking a part every little thing#and don't let it be a love triangle either bc even tho the main consensus is supposed to be rooting for one side#if the other happens to be poc you can BET that their will be racial undertones from the fandom used as “justification”#(mark/amber/eve even tho mark is half korean but even with that some fans still viewed him as white and used that even more to hate on amber#and use a lot of misogynior) i remember those dark days in that fandom#from the early days until the ends of the westallen to jacela its so apparent especially when the love interest is black#and its not only jace/helaena shipprs that do this but cregan/sara shippers as well#and this is coming from someone who doesn't even mind jacelaena (prefers jace/hel/baela tho)#dont even get me started on the star wars fandom & how the idea of finn and rey was too out there l#and how much racism finn & john boyega had to deal with as a result#and i just know the same will happen with percy & annabeth when rachel is added (as someone who ships all three of them too)#like you can ship whomever you want but at the same time don't ignore/be apart of this racist and hateful rhetoric#jacela#sydcarmy#percabeth#westallen#bc its the way that this can be applied to SO MANY fandoms and ships that it's exhausting#finnrey#bamon#klonnie#kennett#tvd#pjo#star wars#hotd#the flash#for queer stories too bc ill never forget how some acted about dare me even tho the afro latina character was literally being groomed!#so many examples to many to name 😭#stefonnie
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chiropteracupola · 6 months ago
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The islander and his chronicle.
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primus-why · 7 days ago
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I Feel TFOne Could've Handled This Better...
Hot take but I feel like folks have been really generous with the take that OP was unable to find ~the perfect words~ in the heat of the moment (and thus should be given some grace) when he told D to stand down and "not be like Sentinel"... namely cuz I don't feel that the narrative supports this?
Like-- after all is said and done, OP doesn't reflect on that part of their split. He doesn't have a moment where he seeks validation or voices his regrets over the choice of his words, it's actually cut-and-dry. The narrative (as it stands) supports that OP saw D-16 acting up, so he called him out and stood on business, down to the last scenes where he's basically like "yeah it's a shame but y'all knew I had to do it to 'em."
It didn't have to be much! I'm not saying to absolve Megs, just show OP looking at things from a different perspective/contemplating a bit on that tough choice and the morality of the moment. Some examples of what I wish we had:
B-127 straight up blurting the obvious by later chatting with Orion like, "Wait so you told your best friend that he was acting just as bad as the guy who enslaved us for our entire lives and was torturing him like an hour ago? Oof. Seems kinda harsh." Then have some of OP's regret show on his face.
OP asking Elita-1 after Megs is banished if he did the right thing. Have Elita back his choice up, saying, "You should have seen what he did after you were... gone. It was terrifying. I know it was tough, but you made the right call." OP is grateful for the support, but a conflicted look still flashes across his face before he steels himself to look out towards the horizon... and the future.
Have OP walk past other mechs/former miners who didn't go with the High Guard saying stuff like, "Wish I could've given Sentinel a piece of my mind!" "Yeah, but I'm glad he's gone for good." "Ugh I miss everything." "Oh, it was crazy! Megatron picked him up and then he rrrrriiipped-- oops, hey there, Mr. Optimus... Prime... sir?" And have OP wave hello, looking a bit sick when they leave.
Post-credits scene with Starscream going on and on, asking Megs when they'll be back to teach the upstart Prime a lesson. Megs grabs his face to shut him up. "Patience, Starscream. The Prime thinks I'm no better than Sentinel... but I'll show him. He wants Iacon? He can have it. In the meantime we'll take the rest of the planet! Then I'll come back, crush Prime under my heel, and we'll take Iacon too. Sentinel's reign will barely be a footnote, because I'm about to become Optimus Prime's worst nightmare." The vocal performance would really need to sell this-- like picture Megs saying something like that from a place of anger and hurt, not so much a place of genuine evil or malice.
Basically instead of Orion's assertion being backed up as black and white/good vs bad, I wish we had some different opinions/reactions from the characters sprinkled in there. Like you can't tell me out of allllll the miners who weren't strong enough/willing to go with the High Guard and ended up sticking around that NONE of them were like "eyyo honestly?? Kiiiiinda glad Sentinel is dead. Wish I could have helped, tbh." like come onnnnn...
And you can't even argue that he's not an active threat-- I don't think everyone would see things that way! It's not just about the threat he physically has, but the threat he represents and is very likely to act upon if given the opportunity! He has a proven track record of not only being sneaky and conniving, but also capable of dealing some serious damage/killing people bigger and stronger than him, plus he has the backing of the Quints. All he'd need to do is wriggle his way out of jail and run off to his sponsors, then he'd probably be back to hurt more people! (If the Quints didn't just kill him out of incompetence lmao). There's a lot of "ifs" here, but I think it's a valid argument that not everyone would agree on what is the right or wrong way to handle Sentinel once he was down long enough to, like, do something about him.
I feel the situation needed a bit of nuance. In some way I wish they had kicked the can and had D and Orion bicker while Sentinel escaped, then have D get frustrated enough by the loss of Sentinel to point fingers (and his fusion canon) at Orion, who then falls and becomes OP. (Megs could still show some of thar emotion/remorse right after he does it too.) Not only would this open the door for a sequel, but tbh the Quint might have just killed Sentinel anyways and sought to deal with the miners uprising themselves lol. (Maybe that could have been an after credits scenes too instead of the B-127 bit??)
Would love to see a moment in a sequel where they have a calmer moment after arguing for a bit. Have OP mention how Megs was out of line, that it hurt and even scared him to see him act that way, and Megs can quietly point out "you said I was as bad as Sentinel... is that really how you see me? After everything we went through?"
Then OP can fumble the bag again lmao like "D, I... I'm sorry, that didn't come out right... but you still took things way too far..."
"Why am I not surprised-- your opinion is what matters the most! Maybe that's why you became a Prime, since you're so good at acting like the world revolves around you--!"
*gets interrupted by someone else before another yelling match ensues*
#rambling#transformers one#tf one#tfo#i'll be honest a lot of this stems from how rushed i felt the last like... 3rd of the movie feels#i feel Optimus is so dismissive of Megs!! like basically the whole movie but ESPECIALLY after coming back to life as a Prime???#your best friend is Going Through It. clearing having an Emotional Breakdown.#He drops you. In the moment it mattered most he chose violence... but notice what he says right before that?#Megs says ''I'm done saving you''#Like??? y'all don't wanna delve into that a little more?????#i half expected Optimus to pop up and be like ''excuse me. i wasn't done talking. what Did You Mean By That??''#instead he comes up and IMMEDIATELY has already written off this entire relationship as well.#Megs dropped him. it was a aplit second decision. we see in the movie D leaning into these bad impulses.#Orion is supposed to mature gradually so he's more level-headed by the end. why does that equate to abandoning the friendship??#why does he suddenly wanna drop Megs too? wouldn't this be the time for ''please listen to me'' part 2?#''it doesn't matter who has the matrix. we can make a change for the better! please listen to me'' etc#also minor nitpick but lmao why was OP Talking Like That after becoming Prime?#like he goes from ''haha hey guys hows it goin'' to ''You have used your gifts for Evil and Betrayed the entire planet''#babes what. Cybertron?? we went on a 2 day road trip on foot the fuck you know about Cybertron.#like betrayed Iacon maybe but idk maybe the guys in Tarn would be cool with Megs you dont know! lmao!#if my friend and I had beef and they started talking to me like the queen of england i would literally ask where they got their soapbox.#ohhhh you think you're morally superior? stop speaking for the whole planet lmao!! already named prime and letting it go to his head!!#strange dieties lying in the core of the planet distributing magic baubles that bring you back to life#is no basis for picking a planetary leader#this has been Orion Was Right: The Movie#when i wish there was a bit more.#maybe another 20-30 min would have helped me idk hhhhh#but Megs turn felt sooooo fast... then things just kept escalating from there.#''some transformations are permanent'' sir it's been like 48 hours since y'all learned you lives were a lie.#you *really* don't think Megs could ever cool down and apologize/change his mind?? you too??? tf???
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majiburger · 2 months ago
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there's this common misconception that kagakuro is a love at first sight ship, but it's actually a "kuroko was using kagami to get back at the generation of miracles, but he didn't expect to fall in love with kagami, so he finally admits to his wrongdoing under the pale moonlight, but kagami doesn't care because he's fallen in love with kuroko too" ship
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