#three years later i was offered a place at my audition

[theresa-of-liechtenstein]

and thus my first year of orchestra comes to a close 🥲

[keepingitformyself]

we might just get away with it (i)

A/N: hey all!!! this is the first part of my first ever series, i’ve had this one in the drafts for a while and i’ll try my best to update it as much as i can. a-lot of this first part is just setting up readers life until their eventual meet with natasha (who goes by natalie rushman in this) this is an AU. HOPE YOU ENJOY!!!! i had a lot of fun writing this one.

ALSO: in honor of scarlett johansson opening an instagram account.

synopsis: hollywood is a tricky place for someone new like you, a certain elusive redhead is hoping for you to let her in.

pairings: writer!natasha romanoff x youngactress!reader

genre: fluff.

warnings: none.

part two found here. part ii

please do not repost my work anywhere for any reason at all. if you do see this happen to any of my stories, please let me know. thank you x.

—————————

you hadn’t been in the dating scene since you graduated college two years ago. it was a long time to go without going on a proper date with anyone, even your mother had called at one point to voice her concerns on why her only daughter hadn’t brought anyone back home to introduce.

truth be told, the mere idea of a relationship really stressed you out. especially now that you’ve been working tirelessly since the second you left college. the week after graduation your plane had already been booked four months in advance when you found out you landed the role for a lead in a film.

you left your hometown in texas and flew to la for a three month shoot. it was only in post-production for five months before the first teaser dropped and two months later the film finally hit hbo max to stream.

the success of it was enough to earn you an online following. people within the industry had reached out in hopes of getting to know you or even work with you. and now people knew your name enough for you to have been stopped a handful of times during grocery runs.

it was back to work in getting auditions and doing things that kept your artist mind flowing. it wasn’t too long before you landed a role for another lead in a netflix series.

the director of the series was a well known one. greta gerwig, it was her first time directing for tv as opposed to film, she told you she was truly impressed by your delivery in the film you’d been in months prior. you felt incredibly lucky to have even been thought of for her leading girl.

you told her you were a fan of the work she’d done. how you truly cherished her way of encapsulating the female experience through her writing and directing.

she smiled gratefully and said she hoped you’d be willing to accept the role she was practically offering to you, you knew she was just teasing. no one was stupid enough to let an opportunity like this pass. you said yes without hesitance.

it was a lot more intimidating this time around.

you were set to shoot for six months in london. a whole different country thousands of miles away from friends and family. you left home two months later.

greta was amazing, the sets were amazing, the cast was amazing, the crew you were especially grateful for. you made sure they knew that by ordering a free coffee and pastry truck to set every friday.

some of it comes as a blur to you. it’s easy to get lost in the craft when you love it so much, your mother told you once. you worked tirelessly often times worrying the ones around you but you promised you were fine. it was very easy for others to say how lovable and playful you were while still being able to maintain the professionalism that was needed on set.

it’s what they loved most about you. so it was no surprise to anyone when there started to be some conversations involving you, the star, and the series.

there had been mutterings between crew and even your own cast-mates.

you were in the city today, sat outside a corner coffee shop in mayfair. devyn, a cast mate of yours, and self proclaimed local, offered to show you around london.

‘i heard gary, one of our light technicians say that he heard the producers talk about how they’re expecting a huge rollout once they start announcing the series.’ devyn said as he sipped on his latte.

‘what do you mean?’ you took your eyes off the busy street to look at your cast mate.

‘you’re an absolute powerhouse in this series, you know that right?’ he told you seriously. ‘everyone sees it, there’s no doubt this show is gonna get big. they’re already expecting it to be.’

you cringed at his words, you were never good for taking compliments. ‘oh god, please stop.’ he smiled with a shake of his head, a look on his face that screamed, you’ll see.

turns out devyn was definitely not talking out of his ass.

greta had started to pull you out for meetings with the producers. they spoke to you about how netflix was willing to go all in for promoting.

greta told you herself, ‘although netlfix will definitely be a big help, i think just the show on its own is already set for a very promising release.’

they had you sign contracts and explained to you what would happen once filming was over. 1. you’re gonna go home and take a well needed three month break. 2. prepare yourself for what’s to come. 3. then you were to be called back in for promo shoots and teaser reels. 4. get ready for the big premiere.

‘it’s gonna be a lot, there’s no way of knowing the scale of success this will reach except that it will be huge, and a lot of that will be you.’ tony, one of the producers told you. greta along with everyone else in the meeting nodded to his words.

‘yeah, some stills from some of the finished scenes released a few weeks ago. it’s easy to say a lot of people seemed to make noise from that.’ rhys, another producer said.

your blood ran cold. although it was easy to say you were proud of how far you were able to come on such a short notice… it also sort of felt like a lot was being thrown at you all at once.

you maybe had an idea of what your life would be looking like afterwards. you remember seeing all sorts of opinions once it was found out by the world that you’d be the next lead for greta gerwig’s first ever series.

mostly everyone was excited. greta on her own was an insanely talented writer and director, people were happy to hear she’d be turning to tv and seeing what she’d come up with. you remember the week following the announcement feeling a little overwhelmed, all due to the men in cameras who had followed you around for a week.

‘rising actress Y/N Y/L/N seen leaving her west hollywood condo ahead of reports saying that she’s been casted for the lead in greta gerwig’s next directorial project.’

you’re thinking that maybe life will look like that but multiplied by a thousand, but you’re hoping not…? the success part will be great. why wouldn’t it be? it’s all you’ve ever wanted. to be a successful actress. but at the expense of having your life put on a pedestal? it was a very tricky thing to play at.

greta gave you a smile, almost teasing, like she knew the big secret that everyone else didn’t.

she leaned forward with her arms crossed on the table. ‘once this is over, it will never truly be over. are you ready for it?’

nothing could have ever prepared you enough for what would come with the release of the series. if you thought everyone knew your name before, they definitely do now.

the release of the series was just seven months after you finished filming it. it definitely had a huge rollout like everyone else said it would. you don’t remember much of the premier either. it was a bunch of flashes and getting asked questions. as soon as you got home you knocked out cold.

number one in seventy three countries was a lot. you wouldn’t even want to imagine the amount of people it took to watch you for that to happen.

but with the success of the series also came a huge amount of scrutiny on your personal life. within the week of its release you’d had an influx of followers on any social platform they could find you on.

apparently that still wasn’t enough. people were itching to know more about the new girl that had come out of nowhere and stolen their attention in just a week.

it was all very scary. it was all mostly positive, at least the things you’ve seen and been shown. your agent and team did a great job at keeping you away from all the bad. you still knew it was all there though. people loved you but people also really disliked you.

you’ve also come to learn that people chronically online are insane. especially if you give them something to hyper fixate on, you knew of the tweets and posts people had been making of you. it made you absolutely freak out how fast people were to find out every little thing there was to know about you in such a short time.

‘i want you to go home for the week. not home in LA, home as in with your mom.’ samantha, your agent, told you. samantha along with your publicist fred, had seen firsthand what was being said online. she’s been in the industry long enough to know how ugly it can get for the victims, you were young and she wanted to protect you from that as much as possible.

‘i called your mom, she’s already expecting you home by tomorrow morning. your plane leaves at midnight.’ you nodded gratefully. the tension in your shoulders had slouched a little after hearing that. you missed your mom and you were scared as shit right now.

samantha was there in the uber when you were dropped off. she bid you goodbye and told you she’d call you for details on the next flight back to LA. ‘rest as much as you can, the press tour is gonna hit real hard.’

now came the insanely difficult part. the week back home went too fast and now you’re on a plane back to LA where your agent and a stylist were awaiting your arrival.

as soon as you’re off the gate a beefy man in jeans and a polo helps to escort you towards your luggage and eventually the car. ‘ma’am, just a heads up. there’s paps.’ he tells you before quickly ushering you out the glass doors and into the suv.

you don’t remember much after that. just that as soon as you arrived to your condo you were quickly pushed into a room with a stylist and pushed into another car after that.

the week had gone fast for the amount you’ve been doing. you’d met up with your cast-mates for the first time in a while and you were happy for that. most days it was just going to interviews answering questions, promoting, playing question games, more questions, etc…

it was finally friday. but promo was far from over. ‘you’re flying out tomorrow morning to new york and then we’re off to europe for the week.’

tonight was the huge post-premier party for the series. it was expected that there’d be quite a few well known names attending tonight aside from the cast. although a part of you was dreading another night of questions and just overall socializing, you knew it was needed to network.

cameras flashed in your face and people shouted your name upon arrival, but people were quick to let you in. ‘there’s a lot of people who want to speak with you.’ samantha tells you. you nod and put on your best brave face for the night.

samantha lingers around you as you cycle through speaking with all kinds of people. producers, actors, writers and the like. the first two hours fly by and things have reached some sort of stasis by then.

you’re in the middle of a conversation with some cast mates when tony— who you recognize as one of your producers— walks up to you with a redhead in tow.

‘the woman of the hour!’ he raises his arms to hug you.

‘i have to introduce you to natalie! she’s an excellent writer!’ the redhead next to him who you now know as natalie lets out a dry laugh at the man’s words. he was very obviously drunk.

and you see now that she is very obviously attractive.

she takes a few steps towards you and sticks out her hand for you to shake.

‘i hear you’re the talk of the town. have not stopped reading about you online.’ the smirk she wears makes you appreciate her beauty even more.

it was true. you were everywhere— in the tabloids, the headlines…natasha indulged in every single piece of information about you that she came across.

she also might’ve convinced tony to somehow introduce you two when she found out he was working with you.

she was a fan since your last film, and as a working screenwriter for film and television, she caught a bit of inspiration from seeing you on her screen.

‘i’ve gotta say, i was really impressed by your performance in this show. greta is a long time friend, she did good in choosing you.’ natalie compliments.

‘oh, thank you! it was a pleasure to work with her…she’s great.’ you cringe at your words. you still aren’t any better at taking these compliments no matter how many you get.

natalie smiles at you in silent understanding. she’s picked up on the small awkwardness that underlies the conversation.

you let out a low huff and motion towards the bartender to get you a shot of tequila. natalie quirks an eyebrow at your order but doesn’t question it.

‘do you want a drink?’ you turn to natalie with a smile. not only is your social battery slowly starting to diminish but talking to someone like natalie will have you saying nonsense.

you figure you’ll need a drink if you’re gonna continue to speak with her.

‘a diet coke will do me right. i’m driving home tonight.’ she says, the bartender nods and fixes your drinks.

an hour later and the drinks are sure to have calmed you down. in fact they’ve done more than just calm you down.

natalie and you spend a long while talking about anything and everything. you bond over being major nerds when it comes to philosophy. she tells you about how she double majored in philosophy and english at nyu.

‘my love for english had always existed but after taking a philosophy course my freshman year, it’s like i needed to write about these things that were talked about. i needed people to see what i thought about.’ natalie explains to you.

you’ve come to enjoy natalie despite only have met her about an hour and a half ago.

you tell her about how you were a huge thespian in high school and entering college, how philosophy was an added bonus when you figured out they both go very well together.

you’re grasping her arm as you explain it to her.

‘i mean genuinely i would hear so much about aristotle in my ethics class and then he’d somehow be connected to creating the 6 elements of a play! how crazy is that?!’

natalie is trying hard to concentrate on your words. you’d think it’d be a lot easier for her given the fact that she hasn’t had a single drop of alcohol…but all she can pay attention to is your lips. how they’ve now plumped up slightly due to your drinking.

she’s completely smitten with you by now, and she’s just met you. you’re definitely not like what the internet makes you out to be. for the most part, it really is just the alcohol in you.

you continue to ramble on.

‘honestly, i think socrates is good guy— like he has some great ideas but it’s kinda annoying how he thinks his way is the only way and he makes it his entire personality— ugh hold on i need to go piss.’

you’re clearly too drunk to care about what words leave your mouth. natalie doesn’t seem to mind it— and quite frankly neither do you.

‘do you need help getting there?’ natalie is quick to ask. all in good intentions, of course.

‘uhhh, yeah.’ you’re quick to agree. you have a rule, always travel in pairs when alcohol is present.

your arm is hooked to natalie’s as she helps lead you to the restrooms. it’s here when you get a slight whiff of her. you cringe at how weird you think of it in your head.

but she smells awfully appealing. like suede, lemon and a fireplace. all combined.

‘you smell really nice,’ you say, too worried about your bladder to care.

you feel vibrations of a chuckle leave natalie, you smile when you see her smiling too.

you nearly run into a stall as soon as you’re in the seemingly empty bathroom, thank god, you think. pee anxiety is a real thing.

you feel a little more level headed after doing your business. natalie waits by the door staring as you dry your hands.

‘feel better?’ you hear her ask.

‘much,’ you smile, a drunk one, your mind a little hazy.

‘i had a fun time tonight, with you, i mean.’ you find yourself saying.

she quirks an eyebrow. you continue.

‘i’ve had a really stressful past few weeks, it was nice to just…drink and talk knowing my words wouldn’t be plastered on some magazine issue the next day.’ you finish. your body is still buzzing. the alcohol making your body slightly move in place. but nonetheless you feel oddly content.

natalie smiles. a really big one.

‘i’m glad i could help take the edge off,’ she says.

you chuckle, turn to the mirror and make sure your makeup is still in place. a ding from your phone makes itself known, indicating a message. you dig through your clutch bag to get it.

we’re leaving now, you have an early start. plane to nyc leaves at 7:35am.

the text message from samantha reads.

you huff.

‘sorry to cut this short, natalie. my presence is needed near the entrance. i have to be in new york tomorrow before noon.’ you smile apologetically

she smiles. a part of her wasn’t surprised at all. you’re you, and everyone wants to be around you. she was surprised she even had your attention for more than an hour.

she nods. ‘i get it, can i ask why though?’

‘interview with fallon, i think.’ is all you say before you step closer to the redhead and press a kiss to her cheek. you think nothing of it.

‘truly, it was lovely to meet you natalie.’ and she doesn’t have the chance to reply before you’re out the restroom door.

natalie realizes she never got your number.

two days later, she’s made it back to her home in new york. natalie decides to shake off the jet lag with late night televison and a glass of wine in hand.

ironically, jimmy fallon is on.

‘please welcome…!’ and she sees you appear before her.

she is so captivated, she doesn’t realize she’s finished the bottle of pinot grigio next to her.

stupid as it sounds, this is when natalie rushman decided she wanted to be a part of whatever world you were creating for yourself.

[goodluckclove]

Hi! So I had some thoughts about the way abuse has reflected in my writing and I wanted to talk about it. It's actually not going to be a rough, long ramble, because this is still something I can really only talk about with an air of detachment.

There's an offering to an old play of mine I want to do another online reading of later this year, a link to the script if anyone's down. I'm still adding triggers and a read more just so I don't hurt someone. Take care, friends.

So I had the thought recently that, since I'm pretty open about saying that Scott and Edgar are both manifestations of myself, that Edgar's personal history as a child of abuse mirrors my own. And that's actually mostly not true. Genevieve, Edgar's mom, is nothing like my mom. You could say the subtext of his childhood and his relationship with his mom matches my own - what was actually happening instead of what I was conditioned to think was happening.

I was thinking last night if I ever wrote about my own personal abuse in any project. It's something that feels unique and unusual, but I'm actually pretty sure a lot of people will relate to. And then I realize that I actually did! I depicted it pretty on-the-nose in a play I had a reading of in 2020.

Resting Place is a regular-length play that takes place in the Forever Friends Funeral Home. Once led by Joanne Seaver, it is now being run by two of her three children in the wake of her oncoming death. The third and eldest child has come home for the first time in seven years, and things are tense and complicated. There are secrets. People are coping in different ways.

Joanne Seaver is not a perfect depiction of my mother. She is way more eloquent because she's written by me and I'm a good writer. She is depicted, despite being complicated and having MANY faults, as genuinely loving her children to an extent that I'm not really sure my mom was ever capable of. She has the capacity to sort of be a little redeemed and understood, because I don't think I'll ever have the opportunity to redeem and understand my mother.

She is not what a lot of the population think an abusive mother is. Portrayed excessively, she is not supposed to be a figure you can entirely hate. Because if you hate someone you don't have to think about them as often. Acted out, she is meant to be a figure that lingers uncertainly and provokes a lot of different opinions.

This is the most personal play I've ever written. It's a family drama, mainly between the three siblings (I'm the youngest of four) and their dynamics in having to orbit around a sick mother at such a young age. It covers a lot of the grief I had with my own older sister at the time, who left at 18 and was promptly lovingly villianized by my parents for years afterwards.

Most of this cast cried during the reading when we did it. I cried while reading it just now, alone at a cafe. The ultimate fate of the Seaver siblings is way, way more optimistic than the current state of my own siblings. I will probably never see my brothers again and that hurts me every time I think about it.

If you are interested in reading the script, either just to read a script or maybe audition for an online reading sometime this winter, you can do so here. If it provokes a conversation in you, I'm honestly so happy to talk about it. If anyone relates to this I want to hear from you. My DMs are open and I don't even care if we haven't had a conversation before.

[gerec]

Favorite and/or recommended professor X/wolverine fics? (Your cherik recs are always immaculate.) You're the reason I even considered xavierine as a pair and now I love it

Hi Anon! I'm always THRILLED to talk about Xavierine and rec some excellent fics! You've definitely come to the right place. Enjoy!!! :D :D :D

Here is a masterlist I made (last updated 2018) of my Xavierine faves:

XAVIERINE MASTER REC LIST

Here are some newer faves added since 2018:

Readjustment by softforsummers (orphan_account)

Looking at how sweet and trusting the prof was, Logan realized that letting Erik into his life was never an option.

Daylight by orphan_account

"What do you want, Logan?" Charles attempts to sound hostile, but his voice trembles instead.

Logan doesn't know either. But he knows that Charles is much more than the sum of his insecurities.

Sword and Sorcerer by TurtleTotem

Logan hates working with sorcerers, but Charles is offering enough gold to make him leave his comfort zone. He might be offering something else, too, if Logan is interested.

Diversions and Distractions by still_lycoris

Logan thinks he knows a good distraction but it might not have been the best idea.

an empty hearth by Ireliss

The nighttime city, shrouded in fog.

(Logan works for Shaw, guarding his pretty young boyfriend. They grow closer than they should.)

And here are some fics written by me (my personal faves) under the cut:

Setting A Different Course

On the way to Paris, Charles has sex on the plane with Logan instead of Erik.

The Professor is the Key

Based on this awesome prompt: Logan is a colossal, callous asshole, and doesn't care who knows it, unless Charles is involved. Then he's a darling fluffy bear, prone to cuddling the professor and making him tea. This surprises everybody, Logan in particular.

or Charles and Logan, from friends to lovers.

All of You and All of Me

Erik Lehnsherr aka Magneto is King of Genosha, forty-three and the veteran of countless wars against the British Empire.

Charles Xavier is his new husband, in a marriage arranged by the King of England as part of the peace treaty between their two kingdoms.

Logan Howlett is Charles' long time friend and bodyguard, in a secret love affair with the married Prince Consort.

Or Regency/Arranged Marriage/Age Difference/House of M style/Love Triangle AU

The Choices We Make

Soulmate AU: The minute he meets Erik, Charles is positive he's found his soulmate. When Erik's name fails to appear on his body, he's confused, but dismisses it as being too faint to see yet or some other quirk that happens occasionally. Time goes on and he still can't find Erik's name, through the beach, through Kennedy, through Vietnam, even though he looks every day, then every week, then only every so often.

Then as he's showering to pull himself together and go to break Erik out of the Pentagon and he sees the dark letters on the inside of his wrist: LOGAN.

We'll Always Have Paris

Charles Xavier disappears from Paris without a word, leaving Logan to start his new life alone. Six months later, in a tiny bar in the Canadian Rockies, Logan gets an unexpected visitor - a man he's tried very hard to forget.

A Casablanca AU, where Logan is Rick, Charles is Ilsa and Erik is the dashing Victor Lazslo.

From Lovers to Friends and Back Again

Logan Howlett meets Charles Xavier on one of his first real auditions, for a T.V. series about World War II. Charles gets a part; Logan does not. They also agree to go out on a date.

Somehow it takes them ten years to make it happen.

Frost & Darkholme

Men's fashion house Frost & Darkholme is shooting an ad campaign for their brand new underwear line, starring one of the faces of F&D Charles Xavier and his new partner, Logan Howlett.

Sparks fly, which may spell trouble for Charles and his long time partner at work and at home, Erik Lehnsherr...

[dollarbin]

Shakey Sundays #37:

Trans, Part 2

Every artist worthy of your Dollar Bin buck has at least one wacky identity crisis record.

Joni declared God a boogie man and life one big Pork Pie Hat; a few years later she went full synth on Dog Eat Dog; Cat Stevens decided songs should be 18 minutes long and then dedicated a record to the Pythagorean Theorem; Sandy Denny tried out war-era white jazz under a thatched roof; Lou Reed strove to make an album that was entirely unlistenable; and Paul Simon dedicated years and millions of dollars to a musical about a caped Puerto Rican vampire kid...

And, of course, you've got your pick of midlife crisis Dylan records: most of his records fit that description. Prior to dedicating the equivalent of 5 albums in a row to Sinatra, he did everything from a cowboy soundtrack to 80's reggae, not to mention the still largely incomprehensible Self Portrait.

But for me, Neil Young's Trans remains, hands down, the very best identity crisis record in the dollar bin. I see I got my copy for 92 cents. And, now that I've dedicated an entire 65,000 word post to both exorcising and exercising my own personal demons associated with Trans, it's time that we settled in and talked about its actual songs.

First of all, Trans would be far better as an Eldorado length EP. Three of the album's songs have no place on the record thematically or musically; rather, Little Thing Called Love, the interminable Like An Inca and Hold On To Your Love belong on a Shakey / Joe Freakin' Lala duo record with the working title of Johnny's Island of Steaming Hot Dog Waste, or something akin to that: it's a perfectly dull set of songs which Young's new boss at that time, David Geffen, labeled as lousy.

(I'm going out on a limb with that conclusion because I have yet to hear all of the newly released tracks from those sessions that appear on Archives 3; my famous brother is probably choking on his microbrewed sourbeer in rage and swearing by Neil's yacht rock phase as we speak.)

Disappointingly, as near as I can tell Archives 3 doesn't offer any new truly Trans songs; Young apparently just recorded five core songs with his wall of machines.

(I don't consider the Mr Soul on this record a core song; Young says he jokingly recorded it as a Buffalo Springfield reunion audition tape. No wonder they never got back together.)

But forget about Mr Soul: I'm here to argue that every single one of Trans' original five songs is a winner.

Let's consider them in order.

Computer Age is a top twenty Neil Young track. If the whole record were this good we'd all talk about Trans in hushed tones and toss around descriptive words like masterpiece and mothercuddler. But Computer Age is the album's high water mark.

First of all, the song freakin' rocks: I totally dig its groove and hooks. Computer Age makes me want to cook up a six course meal made entirely out of recycled semi-conductors, all while dancing. Computer Age! Computer Age!

To my ears, Computer Age is the only piece of music on this record, or, frankly, on any of Neil's records between Re-Ac-Tor and This Notes for You, which sounds 100% finished and successful. Neil has plenty of visions; occasionally he fully nails one of them. The vocoder vocals all make sense to me here. The pacing is both stately and frantic. The bridge swoons.

We R In Control is nearly as good and twice as nuts.

The day I lose my mind entirely and start blogging here about how there was no moon landing and how Hilary Clinton is a Taiwanese super spy android, please know that I have adopted We R In Control as my personal theme song. And while you are at it, please get me some help.

There are more competing hooks in this song than in The Cure's Fascination Street - and I've counted, there are at least seven hooks in that song. Plus every one of Neil's hooks is bonkers. Whoop! Whoop! Whoop! Whoop! He attempts everything in the song: he swings; he stomps; he performs a solo on an 80s-era telephone's digital keypad.

Song three, Transformer Man, should be the other fully successful track on the record. After all, it's a truly beautiful song, a fact Neil admitted 10 years later on MTV Unplugged.

I love how there's one single nerd-club-level Shakey guy in the audience who recognizes this song as it opens - you can hear him let out a shocked Yeah! while everyone else fingers their MTV-issued bowls of mixed nuts and wine coolers and wonders what's up.

The summer that this live version of Transformer Man came out I was at journalism camp (yeah, Journalism Camp). Midweek I derailed an entire class taught by the LA Reader's music critic by complimenting his citing of this song as the only redeemable moment on the live record. He looked at me dumbfounded: a 17 year old existed who enjoyed Trans. The rest of the class sighed and waited for a resumption of normalcy. It took a while.

But the song's original take makes a critical mistake: Neil occasionally shuts off the vocal altering vocoder. Every time we hear snatches of his almost normal singing voice we get distracted.

See what I mean? When Neil's computerized pinprick of a voice quivers this song is shimmies. But when we know it's him singing we're disappointed and want to hear On The Beach.

Happily, there is not a single note on Computer Cowboy that sounds like standard Shakey.

Neil has spilled a lot of ink outlining his thematic intentions with this record; I think a lot of what he was trying to say is actually really valuable, and I'll get into all of that in my eventual post for Trans, Part 3.

But, try as he might to tell his interviewers that Computer Cowboy is a deep think piece centering around a cattle rancher by day who's a hacker by night and the implications of that guy's whole deal on life as we know it, this song has no possible justification, and that's makes it wonderful. Back in 1993, long after the Dylan show I chronicled in Part 1, all 5 or 6 adolescent boys in my bedroom and I definitely fell down laughing hysterically when Neil got to his "yippee-yi-yippee-yi-ay" fade out. He may continue to take this whole project seriously, but Trans is also just ridiculously funny.

Sample and Hold stands alongside Computer Age as the record's other attempt at something vital. There's just a lot of ambition to be heard in the track. Neil thought a lot about, well, something or other while working on this song.

Young issued an extended dance remix of the song in 1982 but left that version off Archives 3. A critical mistake!

I can't think of anything insightful to say about Sample and Hold other than please, go listen to it.

We know you'll be happy.

[paradigmsofbrittaperry]

also if I can complain for a minute. WGI is the silliest little activity to get involved in because the cut off for participating in it is 22. you have to be 22 or under on April 1st of the year you’re marching. so it’s this silly little thing where if I’d been born literally two weeks later than I was, I would have two seasons of eligibility left. instead, because of where my birthday falls, I only get one more season. meanwhile, my friends with summer birthdays who are only a year and change younger than me get THREE more seasons because of the cutoff date. and I’m the only one of my friends who is my age - all of the others are either younger and have seasons upon seasons left to go or are older and have already aged out. so I am about to enter my unfairly early ageout year by myself, only having just found an organization that I love and feel safe in, knowing that my time is up and that I wasn’t able to get more time and experience due to a million things outside of my control. WGI and DCI are like thee only activities that you can pour your heart and soul into for years only to be too ancient for them at age twenty fucking two. like yeah I’ll keep teaching high school groups and probably start teaching an independent group once I age out, but it’s not the same. I’ll never get to perform again. I’ll still get the friendships and the bonds and the payoffs - but not the rehearsal grind or the fun of designing my performance hair and makeup or all of the things I’ve fallen in love with over the past five years. and it’s odd because I can’t help but compare myself to my elders and peers who climbed the ranks of the activity in a way I haven’t, even though I know that so much happened to me and I’m not to blame for my lack of opportunity/motivation/general will to keep going at certain points. however comma!! I still feel inadequate sometimes as an open class member when I’m on a staff full of people who marched world class groups. and still!! I have been told that I am one of the strongest and most resilient people in the activity because most who have been through a fraction of what I have quit before their time was up. and I know that’s true. I know how many people marched a shitty season and a half and then became ambivalent about marching again. I know how few people from my graduating class and past groups came back to try again, kept hope alive that there was a better place out there for all of us. AND I’ve been told time and time again by my few friends that have gone world class that all experience is valuable and that I wouldn’t be asked to be on staffs and help out other programs if I wasn’t knowledgeable and capable and had so much to offer. AND STILL. I lament not having more time to get better. more time to improve on my technical skills now that I’m finally out of survival mode and not dedicating all of my energy to healing unfair wounds. more time to enjoy finally being a member of an organization that I am proud of instead of one that I barely tolerate so that I can do the thing I love with my friends. the WGI system is unfair. groups punish you for exploring your options and auditioning multiple places. they use intimidation and fear to keep you trapped in the place you started. and, even if you start in an understanding group that lets you go out and explore while ensuring you will have a safety net, you may not have time to both find and enjoy the group that is right for you because of the ageout rule. 

(a bonus note on the ageout rule is that they extended it in 2022 to allow 23 and 24 year olds to march, since they’d gotten seasons taken away due to covid. I find this extremely unfair to this day, because I wasn’t an ageout when covid hit, but I lost a season and a half same as them. I fucking deserve that time back too you know!! it was taken from me too you know!!)

anyway. many words, did not intend to write this much, but tl;dr is that WGI is unfair and idk how my passion became the one thing that you can’t do anymore when you become an old obsolete bag of bones at the ripe old age of 22.

[lyndonriggall]

Why I’m Performing in The Pillowman in Five Days

Time moves quickly. I think it was only a moment ago that we had months ahead of us to rehearse, and yet that expanse of time has receded as swiftly as waves on the shore. Somehow, I have very quickly reached a point where I have only five days before I will be acting on-stage at Launceston’s Earl Arts Centre, for the first time in fifteen years. I am playing the part of Katurian the writer (originated by David Tennant in the 2003 premiere of the play, and most recently in 2023 by Lily Allen) in Martin McDonagh’s The Pillowman, directed by Mitchell Langley for the Launceston Players, which also stars Travis Hennessy as Tupolski, Lauchy Hansen as Ariel, Jesse Apted as Michal, and Renee Bakker, Michael Mason and Eva Cetti in various roles. As the play begins, my character is dragged in for questioning by the police. He writes powerful—but very disturbing—short stories, and it seems that someone is bringing those short stories to life.

Wouldn’t it make sense that he has something to do with it?

It all sounds pretty grim (and in many ways it is), but if you are at all familiar with McDonagh’s writing then you’ll know that he can be relied upon to strike an electrifying balance between horror and comedy. His works include The Lieutenant of Inishmore (2001), A Behanding in Spokane (2010) and Hangmen (2015) for the stage, while more recently he has made his name as the Academy Award-winning writer and director of In Bruges (2008), Seven Psychopaths (2012), Three Billboards Outside Ebbing, Missouri (2017) and The Banshees of Inisherin (2022). While The Pillowman is undoubtedly one of the darkest plays I’ve ever come across, it is also one of the funniest.

A year ago, I probably would have considered it unlikely that I would find myself here. In fact, I find it pretty unlikely even now, just days away from opening night. So why did I want to be part of The Pillowman? Aside from the obvious strengths of the team behind the project (who have taught me so much, whilst also giving me the delightful and terrifying challenge of trying to prove my right to share the same stage as them), this is a play that is very close to my heart. In 2008, in my Year 12 Theatre class, my teacher Nicole assigned me Tupolski’s famous railroad tracks monologue as my assessment piece, which I also later performed at a college academic awards night.  Ambitious creature that I was, I wouldn’t dare perform something like that without first having its context in the whole work. She lent me a copy of the play—the first time I had seen one of those strange slim paperbacks with no picture on the cover (this one was orange, as is the copy I am learning my lines from now). I went home and read it. I was laughing, I was shocked, and I was moved, all in equal measure. Oh, of course there’s something special about a work of literature that finds you on the cusp of a new phase of life, and most of my favourite books are books that I found (or that found me) that year. But aside from Shakespeare’s Hamlet (which I also discovered just before finishing school, and found myself falling into, and have since found it very hard to clamber back out of), The Pillowman swiftly became my favourite play, and Martin McDonagh my favourite living playwright. There have been a number of times on this blog where I have talked about the challenge of balance, how we prioritise and choose what to spend our precious limited time and our creative resources on. For me, the only thing worse than having the burden of auditioning for The Pillowman, being offered a part in it, and rehearsing and performing it, was the horrifying thought that someone else might get to do it in my place.

And so, here I am.

In my teaching of English, one of the most important concepts that I discuss with students is that of an “invited reading.” What I mean by this is not merely what the author (or even a character) says, but what the audience is supposed to take away as its meaning. Bad things happen in literature, but the existence of evil as a narrative element is not necessarily an endorsement of it, even if it might be tempting and easy to think so. In our inattentive world of click-bait headlines, out-of-context soundbites and addiction to outrage, it can be very easy to mistake a single puzzle piece for the whole picture, and while it happens constantly, it happens at our own peril. This is the very essence of what The Pillowman is asking us to consider: what stories are we allowed to tell? How do we shape the audience’s understanding of what we are trying to say? Can we shape the audience’s understanding of what we are trying to say? Should we be expected to? In the end, is it even fair to say that stories mean anything at all?

In a prescient update relating to the show’s themes, on World Poetry Day last month, PEN International released “War, Censorship, and Persecution,” an international case list for 2023/2024, highlighting the latest challenges for writers in global conflicts and emphasising the need to safeguard freedom of expression, especially in war-torn regions. The report documents 122 cases of writers facing harassment, arrest, violence and death worldwide. This is why the tale of Katurian still matters: because we do not yet live in a world where you can be sure that a story will not cost you your life.

A few days out from opening night, I’d be lying if I didn’t admit that I was a little scared. There is never a moment where I am not on-stage in the play. Playing Katurian as a return to performance is the theatrical equivalent of “having another go at swimming” by throwing myself into the churning waters of the Atlantic.

But that’s the point, isn’t it? I’m scared. Oh yes, I’m scared. But I have a story that needs telling.

The Launceston Players Production of The Pillowman, directed by Mitchell Langley, is on-stage at the Earl Arts Centre Wednesday 24th April at 7:30pm, Thursday 25th April at 4:30pm, Friday 26th April at 7:30pm, and Saturday 27th April at 2:00pm and 7:30pm. Tickets are still available at Theatre North.

[playermagic23]

20 Years of Munna Bhai MBBS EXCLUSIVE: Khurshed Lawyer talks about playing Swami in the Sanjay Dutt-starrer: “The film got delayed for nearly 10 months due to Shah Rukh Khan’s back injury”

Munna Bhai MBBS (2003) completed 20 years last month, on December 19. It’s a film that revived Arshad Warsi’s career and made director Rajkumar Hirani and actors Boman Irani, Kurush Deboo, Yatin Karyekar, etc known personalities across the country. Another actor who got fame through the Sanjay Dutt-starrer was Khurshed Lawyer. He played the role of Nagarajan Swami, Munna’s roommate. Despite limited screen time, he left a mark and is also a part of the now famous ‘Mast hai; apun ko bhi karne ka hai’ meme. As Munna Bhai MBBS celebrated its 20th anniversary, Bollywood Hungama exclusively spoke with Khurshed Lawyer about the film and a lot more.

What were you doing before you landed the role in Munna Bhai MBBS? After I graduated from college in 1996, I started working with Tinkle Comics. I was the sub-editor in Amar Chitra Katha. Then I was an information analyst at The Indian Express. We started with having news on the web. This was in the year 1998 when the internet was new. Hence, the experience was thrilling. Then I underwent laser surgery for my eyes. This gave me the confidence to get into acting. Until then, main bahut hi darr raha tha. The number in my eyes was -16 or 17. I used to look funny wearing the soda bottle glasses.

After the surgery, I spent my savings and made my portfolio. In 2000, I worked in three ads. One of them was for Channel V. Since the director liked me a lot, he offered me two more assignments. So in all, I worked on five projects. In 2001, I didn’t get any work. My bank balance was low. Those were the days when we used to have only hard copies of the photographs. So, once you gave the pictures to someone, we had to make another copy and that used to add to the financial burden. Nevertheless, I decided that I’d do one big project and then I would quit. Then one day, I got a call to audition for Munna Bhai MBBS.

What was the audition process like? I got a call from Rajkumar Hirani’s office. I was told to not just get ragged but also rag a student. Dono karna tha. Later, I was told on call that I had been selected. At first, I thought they had wrongly called me because the person who called me was from Vidhu Vinod Chopra’s office. Aur maine toh unki office dekhi bhi nahin thi! I felt ‘Main wahan jaunga aur pappu ho jaayega’! I told them that they had dialled the wrong person’s number. This is when they explained the whole situation to me. And I was like ‘Toh fir right number lagaya hai aapne’!

How did you get the audition call? There was a casting coordinator in those days. Also, I had gone to Rajkumar Hirani’s office, Canvas Films, many times for auditions. So, they had my photographs. Those days, directors would meet people. They would have an interaction with actors. It was unlike the chaotic, undisciplined scene that exists today. There were limited people and there was a system in place. Tab aisa nahin hota tha ki har dusra insaan bole ki ‘Main acting karunga’ and reel bana ke daal di.

Meanwhile, I was getting older obviously and people used to mock me that I left a steady job. It’s a typical Indian mindset. I was the first one in my family to get into acting. Though my parents were very supportive, somewhere deep inside, they also felt anxious. And I also felt guilty since no money was coming in and I was living off my parents’ money.

Finally, Munna Bhai MBBS went on floors. It got delayed for nearly 10 months due to Shah Rukh Khan’s back injury. Once I shot for the film, I joined a call centre. I was true to my word – I had decided to work in one big film and quit, with a heavy heart though. Thankfully, Munna Bhai MBBS worked. People started recognizing me. I started getting more work. Meanwhile, call centre mein panga hone laga as some people were jealous. My team leader Atul purposely would make things difficult for me. He was not able to digest the fact that I was getting a lot of popularity. My call centre manager, however, used to adjust for me. He would grant me leave if I had to go for a shoot. On my part, I used to manage in such a way that work would not be affected. Nevertheless, I was told that things were getting messy because of my work arrangement. This is when I decided that I’d quit. My family was also supportive.

How much were you paid for your part in Munna Bhai MBBS? I was paid approx. Rs, 50,000. That was a big amount then, as good as Rs. 5 lakhs.

How many days did you shoot?

I shot for 15-20 days spread over six months.

What was your first shot? I had to first rehearse the chaddi dance. I was wondering why I was doing this bit as the scene was different. Nevertheless, I was happy that chaddi mein dance karne milega! Then, I was told that I didn’t have to do the chaddi dance. Dil toot gaya bechare aadmi ka! But on second thoughts, thank God for that actually (laughs).

So, this was the first rehearsal that happened. But my first shot was the one in the room when Munna Bhai enters the room and Circuit tells him ‘Yeh room toh shuru hote hi khatam ho gaya’.

Were you nervous? Not at all. Why would I be nervous? I was excited. But I was not able to stay serious when Munna told my character ‘Sab kuch apna samaj, mere underwear ko chhod ke’! I was supposed to be petrified and keep a poker face. It took a while to get the scene right.

Then, there’s a scene where the doctor is explaining about a dead body. It was being shot in J J College of Anatomy. The room next to the one in which the scene was shot had trunks full of dead bodies. I was roaming around and opened a trunk. And I saw dead bodies staring at me! They were dunked in a solution called formalin. It was enough to get my b***s in my mouth! I ran from there. But I couldn’t resist and went back to check out the mortal remains! I must have done it the whole day.

Then, one doctor asked me what exactly I was doing (laughs). I told him, ‘I am scared to look (at the bodies) but I still want to look at them’. The doctor explained to me the whole process. I also shook hands with a skeleton. I assumed it was made of Plaster of Paris. But the doctor told me that it was a skeleton of a real, dead person. Ussi waqt maine uska haath chod diya!

Did people start recognizing you after the film was released? I went to see the film at Maratha Mandir with my family. In the interval, people noticed that I was a part of the film. In the second half, they would look back at me instead of staring at the screen during my scenes! After the film got over, I was mobbed. Koi bahar hi aane nahin de raha tha. It was the first time that this happened to me and I was wondering, ‘Ab bahar kaise jaayenge hum log?’! We waited inside. Then we assumed that everyone must have left. This is when we came out but 30% of the people were still outside to catch my glimpse!

You said in an interview that you were offered a role in Lage Raho Munna Bhai (2006) and 3 Idiots (2009). What were those roles? In Lage Raho Munna Bhai, I was supposed to be a part of the scene when Munna goes to the toilet before meeting the RJ (played by Vidya Balan). Circuit mouths the ‘vinamra’ dialogue to him. That part was ultimately played by Dileep Desai, Rajkumar Hirani’s colleague. Since I was shooting for Home Delivery (2005) and Mr Ya Miss (2005), I had to decline as they called me to shoot the scene at the last minute.

As for 3 Idiots, I couldn’t do it as it was being shot at the same time as I was shooting for Ajab Prem Ki Ghazab Kahani (2009). I don’t remember which part I was offered, though.

You were a part of a funny scene in Dunki. How did you become a part of this film? I was called by Mukesh Chhabra’s casting team. But I guess it was Raju sir’s call because he is someone who knows who’ll fit in which role. However, the protocol was followed and the casting director called me.

Did you interact with Shah Rukh Khan? No, as it was a very tight schedule. There was no time to interact and also, it was a very professional setup. On top of it, it was very hot. We shot it in April in Film City. It’s not the time when we can chit-chat under the sun!

Did you get a chance to interact with Shah Rukh Khan for Munna Bhai MBBS?

No, as he never shot for the film. Eventually, things moved with Sanjay Dutt. In my personal opinion, Munna Bhai wouldn’t have been Munna Bhai without Sanjay Dutt and Dunki wouldn’t have been Dunki without Shah Rukh Khan. They both were meant to do their respective characters. It was God’s will, I guess.

How did your parents react to your success? They were more thrilled than me. I am just doing my job, just like everyone else. The only thing is that in my field, there’s a lot of glamour and public love. Both my parents were bankers. They were also very loved by their customers. They knew my parents would help out in case they got stuck. Yet, I received different kinds of appreciation and hence, it was an out-of-the-blue experience for them.

Interestingly, my dad was there in one of the posters of Munna Bhai MBBS. I had gone for the photoshoot. My father was with me and they clicked his snap as well. It is part of a group photograph setup where Munna and Dr Asthana are seated with several professors. My father is next to Boman Irani.

I have now started getting my father to do some ads occasionally, but strictly under my supervision. Unfortunately, the industry doesn’t really take care of people today. I am very particular that he doesn’t need to work at this age. But he likes to act as it helps me get a little excitement in his life (smiles).

[tallmantall]

#JamesDonaldson On #MentalHealth -  What Happens When Happy People Die By #Suicide

Perhaps the most controversial ‘final’ act of life, any life, should always start conversations around #mentalhealth. And it is, perhaps, the unlikelier cases of #suicide that should ring louder warning bells for society at large Nusmila Lohani One of the most active and happy #Instagram profiles is, perhaps, #tWitch's.  His face is a familiar one, one that carved out a space in the entertainment industry in #America at least 14 years ago when he auditioned in So You Think You Can Dance (SYTYCD). It's a televised #American dance competition, where participants dance through cutthroat stages of the competition to reach the finals or make the top 10 list. From that list, many have moved on in their careers to bigger things, expanding the limelight that the reality TV show accumulated for them.  #tWitch was one of them.  I primarily follow #tWitch on #Instagram where he has over 4 million followers. On the #socialmedia platform, between paid partnerships, business ventures and collaborations with other dancers along with features of his co-founded dance studio, #tWitch seemed to have been doing great with his wife (who was an SYTYCD 2nd season contestant) and three beautiful #children.  His name was not just well-known in America's dancers' community, but a popular one even in some circles of A-list Hollywood celebrities.  On 13 December 2022, Stephen Laurel "tWitch" Boss died by #suicide, having recently celebrated his 40th birthday and nine years married to his wife. According to the LA County Medical Examiner, there was "no foul play" and reportedly there is a #suicide note left behind by #tWitch, the content of which has not been revealed to the media.  When the news broke, it first took me back to 2008.  I was rooting for #tWitch to win the SYTYCD 4th season that used to air on AXN, mostly because I enjoyed replicating some of his easier dance moves. #tWitch – the Alabama native on the Los Angeles SYTYCD stage – brought a lot of joy to me, the closet dancer in Dhaka who would fight over the TV remote with her older sister.  #tWitch came second place, breaking my teenage heart. And eventually, I stopped watching the show thus relinquishing my 'avid' SYTYCD TV audience status.  But #tWitch rose.  He went on to star in movies and in a short time, started to work as the resident DJ on The #EllenDegeneresShow. Reportedly, he also became a co-executive producer on the show in 2020, the same year when Ellen Degeneres faced intense backlash over a toxic work environment spanning #racial discrimination and #sexualharassment allegations.  #tWitch maintained his support for Degeneres, and said "We can't speak too much legally about it, but I'll say this, there's been love," in an interview later on.      When the news of #tWitch's #suicide broke, it took me back to his #Instagram profile next.  I stand corrected, it is one of the most active and happy feeds. I drowned myself in tributes that #Instagram users paid to #tWitch. Many are from celebrities and blue tick account holders. The ones who knew him kept saying, he was the "light" in the room and the life and joy of the party.  I understand how #socialmedia profiles seldom mirror a person's state of mind, let alone offer the real-life picture of public figures. But with this case, something else tugged at me, how a 'happy,' young (yes, 40 is young) public figure, who seemingly had a good life, died by #suicide.  And this took me to 2014.  #RobinWilliams -  in my opinion, not just the greatest comedian but also one of the greatest actors - died by #suicide at the age of 63. This shook the world, causing ripples of disbelief and shock beyond borders. More so because of the happy and joyful persona that defined his illustrious career.  Williams was misdiagnosed with Parkinson's disease before his death, according to his wife, who went on to learn of Lewy body #dementia with which the actor was diagnosed following an autopsy on his brain, reported #CNN.  What can we learn from unlikely cases of #suicide  The objective is not to limit the category of unlikely cases to those who are wealthy because that logic is primitive in thinking that wealth and/or fame, by default, can resolve #mentalhealthissues. But to broaden our perspective and dismantle our internalized typecasting of "likely" cases of #suicide. For one, seemingly happy people may be suffering from #suicidalideation. And for those who are already dealing with #suicidalideation, death by #suicide of seemingly happy public figures may work as a trigger.    Frankly, we know little to nothing about a person's state of mind or their cognitive dissonance. This 'person' can be our colleagues, friends and family members. And the more we continue to avoid, demean, mock or discourage discourse on #mentalhealth, the more we continue to walk on the same path that leads to preventable final acts.    #James Donaldson notes:Welcome to the “next chapter” of my life… being a voice and an advocate for #mentalhealthawarenessandsuicideprevention, especially pertaining to our younger generation of students and student-athletes.Getting men to speak up and reach out for help and assistance is one of my passions. Us men need to not suffer in silence or drown our sorrows in alcohol, hang out at bars and strip joints, or get involved with drug use.Having gone through a recent bout of #depression and #suicidalthoughts myself, I realize now, that I can make a huge difference in the lives of so many by sharing my story, and by sharing various resources I come across as I work in this space.  #http://bit.ly/JamesMentalHealthArticleOrder your copy of James Donaldson's latest book,#CelebratingYourGiftofLife:From The Verge of Suicide to a Life of Purpose and Joy www.celebratingyourgiftoflife.com Suicides have claimed nearly double the number of Bangladesh lives in 2020, compared to the deaths from #Covid-19. Nearly half of the suicides were from young #adults, with 35% in the age range of five to 19 years. In fact, as many as 364 students in the country's education institutions committed #suicide from January to August of this year, according to a survey by the Aachol Foundation.  Earlier this year, speaking to TBS on the uptick in suicides among students, Tawhida Shiropa, Founder and CEO of Moner Bondhu said "More than their socio-economic state of affairs, the lack of sympathy and empathy had led them to take such a decision. I believe a little touch of empathy could have changed their whole trajectory for a few of them." This probably does not need to mean that we, individually, carry the responsibility to save people from dying by #suicide. Rather, we should strive to collectively build a support system and environment that essentially welcomes dialogue on #mentalhealth.  What we now have is a wall blocking discourse on #mentalhealth at every level, be it the dinner table conversations that still remain outdated because older generations refuse to understand what therapy is or the existence of #mentalhealth.  Or we have educational institutions, corporate worlds and industries that remain determined to focus with a hyperbolic intensity on advancements and progress reports than the #mentalhealth of its people. It's almost like the #Covid-19 #pandemic never happened nor did its incredible toll on human lives.  #RobinWilliams once said, "Comedy can be a cathartic way to deal with personal #trauma." And tWitch once said "As dancers, especially for myself, personally, dance constitutes a lot of the conversation that I have. While I'm not a ridiculous wordsmith and I can't clearly verbalize the things that I'm feeling sometimes, I'd say that I can emote how I feel by dancing, 100% of the time, and fearlessly at that." The common thread, albeit a little stretched, is curious. They both spoke of expressing themselves through their art.   This year will end in a few days. Many of us must be mulling over our year's personal progress report. This could be an opportune time to spare a moment on how we perceive #mentalhealth, both at an individual level and at a collective level. We could also consider seeing #mentalhealth in two-fold: How we can assist those who are silently, or otherwise, suffering. And how we can learn, for ourselves, to ask for help when we need to.   This is a tall order, granted. But the most simple step forward could be to be kind to each other and become open to having conversations about #mentalhealth. By doing just this, perhaps, in the new year, we will collectively step on the same page in the 21st century on understanding #suicidalideations and create environments that start a discourse on #mentalhealth.  Otherwise, we will continue to have people, some of great talent, resorting to expressing themselves through their works of art, or other channels. And then seek refuge in their last resort, which the world will not hesitate to call their most controversial and selfish 'final' act. Photo by Pixabay on Pexels.com Read the full article

[phoenixyfriend]

Anakin Introduces his Jedi Babies (and Himself)

Context:  Anakin and the Jedi Babies, chrono

Warnings for: canon-typical dismemberment, unfortunately-aimed puppy crushes

Word count: 5,839

-------------------------

The first time a Jedi meets a Skywalker, it’s on Bandomeer.

The planet is close to Mandalorian space. Finding someone associated with Mandalore is, technically, not that surprising. There are even Mandalorian operations on the planet.

What is surprising is the fact that the person from Mandalorian space is an unfamiliar Jedi Knight who is utterly unstoppable.

(Obi-Wan Kenobi has no way of knowing how similar his experiences are to what might have been, on this planet. Mandalore has been interfering in operations here ever since Ylliben Skywalker started reporting visions about the coming catastrophe. Where that interference has helped or hurt... well. There’s no way to know.)

(Is there?)

When Xanatos shows up and starts taunting Obi-Wan and Qui-Gon, there’s a giggle from the doorway.

All three have to turn to look at the individual in question.

Mid-twenties, leaning against the doorframe, slim but strong, covered in dark fabric and half a set of armor. A scar by one eye, well-kept hair, and a smirk that could burn the longest fuse. A lightsaber, unlit, in one gloved hand.

This man is... very attractive, Obi-Wan thinks. This is not an appropriate thought for the situation. Obi-Wan thinks he can maybe blame it on the exhaustion.

“No, no, keep going,” the stranger says, sounding like there’s a laugh stuck in his throat. He waves dismissively. “Let’s, ah, let’s hear the master plan. Good ranting voice, maybe a six out of ten on the ‘I’m better than you’ and a four on the actual intimidation. You can do better.”

“Excuse me?” Xanatos hisses, sounding incredibly malicious to Obi-Wan’s ears. “Just who do you think you are?”

“And now you’re overselling it,” the stranger sighs. “Are you new at this? You seem new at this.”

“I would... also like to know who you are,” Master Jinn admits, shifting uncertainly as he tries to keep both du Crion and the stranger in his sights.

“I’m just your friendly neighborhood Jedi Knight, here to fight darksiders because... that’s my life, apparently,” the man says, looking down at his arm for some reason. He shakes his head and looks up at them with a bright grin. “Do you need some help, Master Jinn?”

“You still haven’t told us your name.”

“This is true,” the knight says. “That said, I’ve been told by my boss to explicitly avoid naming myself while on this mission for a variety of reasons.”

“Your... boss,” du Crion drawls. “Not the Council, then.”

“Current supervisor,” the stranger offers as correction, completely unconcerned. “It’s a complicated situation, don’t worry about it.”

“I don’t worry about nonentities.”

The man purses his lips like he’s trying very, very hard not to laugh again. It’s very mocking. “Sure, kid.”

Xanatos has had his lightsaber out ever since Obi-Wan and Master Jinn entered the room, but he does one of those fancy, meant-to-be-intimidating one-handed saber twirls as he turns to face the Knight.

The man’s smirk widens. “You do realize you’re going to lose, right? C’mon, kid--”

“I’m older than you!”

“I did like zero research on you as a person, just your many and varied crimes; how old are you?”

Du Crion’s face goes pinched. “I’m twenty-five.”

“Ah, yeah, no, I’m older,” the knight says. “Only a few years, but I’m also a delightfully obnoxious little bastard who ages real slow for, uh, reasons--”

Obi-Wan is fascinated. This man is very strange. And very pretty.

Obi-Wan may be light-headed. Is he bleeding? Blood loss would explain this.

Obi-Wan isn’t bleeding. Damn.

“--anyway, I’m sure I’ve got a more interesting life with more mature experiences than you,” the knight says. “So even if I wasn’t older in body, I’d be older in spirit.”

The knight’s entire sense of being carries such an air of banthashit that Obi-Wan can barely believe it. It’s almost impressive. Obi-Wan wonders how often this man just opens his mouth and immediately gets punched in the face.

“You talk a lot for a man in someone else’s domain.”

“Hey, look on the bright side,” the knight says. “At least I’m not flirting with you. That’s what my master did with almost every darksider we met except his grandmaster.”

Du Crion pauses.

Obi-Wan has the distinct feeling that he and Master Jinn have lost any control they might have, at any point, had over this situation. They hadn’t had much control in the first place, but anything they did have is squarely in the stranger’s court right now. The silver lining to that is that du Crion is thoroughly distracted and has also lost some control of the situation.

“Besides,” the man continues, completely ignoring the very red lightsaber that is being very obviously readied for his death. “This is not that big of an advantage for you. I mean, hey, the fancy central console that can only be reached by skinny walkways with no railings are a nice touch, all chromed metal and minimal lighting, very dramatic, but there’s no lava. I’m not, like, chained to a rock in the middle of an arena for a public execution at the hands of starving animals the size of a fighter ship. You’re threatening to kill me personally instead of standing in the most expensive box of the theater, sipping your wine and congratulating yourself on step one of a plan that has another fifty-thousand steps and no end in sight. You--”

“Is there a point to this?”

“I’m just saying, I’ve been in worse situations by better darksiders than you. This is sad. You’re sad. Try harder.”

Obi-Wan makes a little noise in the back of his throat. Nobody seems to notice, but Master Jinn does put a hand on his shoulder. That’s nice.

“I don’t have any interest in setting up a public execution.”

“What kind of a Sith wannabe are you?” the knight asks, tilting his head. Obi-Wan distantly notes that his hair is longer than initially assumed; it’s just held back and curled. “Public executions are a whole thing. It’s like you’re not even trying. Tell me you’ve at least got vague plans to hand me off to a pirates instead of killing me so you can make some comment about me not even being worth the effort.”

“Are you trying to get yourself killed?” du Crion asks, his voice the kind of forced casual level nonsense that shows he’s actually very, very frustrated. Obi-Wan could almost believe that du Crion is as uninterested as he’s pretending to be.

“If I was trying to get myself killed, I’d... pick a fight with the Trade Federation, maybe? I mean, I survived that when I was nine but they’d probably take me more seriously this time.” The knight taps at his chin. “I don’t even know where the actual Sith is, but--”

“There are no more Sith,” du Crion scoffs.

Oh, the knight looks pitying now. Obi-Wan likes that much more than he should. It just really suits the man’s face.

Quin’s going to make so much fun of him later.

“I have fought multiple Sith,” the man says, slowly and clearly, as though explaining something to a child. “My master fought more than that. I lost my arm to a Sith when I was nineteen. You can say they’re gone, but I don’t trust like that.”

“It’s not a matter of trust,” du Crion says, rolling his eyes. “It has been a thousand years since the Sith were wiped out. Much as I’d like them to still be around, I’m not going to--”

“Oh!” the knight exclaims. “You’re lying! You do think they’re back, this whole mess is you auditioning.”

Du Crion stares at the man as though he’s lost what few marbles he had. “Excuse me?”

“You want to be the next Sith Apprentice,” the man says, cheerfully unconcerned by the mounting tension in the air. “That’s adorable. Well, no, actually, it’s very bad, both for you and for everyone else, and now it means I can’t just kill you in battle like I was planning because the Jedi are going to need you for information. Blast.”

Du Crion’s eyes widen. It is not in fear, but in incredulity. Obi-Wan thinks that it’s all in the eyebrows and the tight, befuddled smile. “You were planning to kill me, Jedi?”

“I mean... yeah, kinda,” the knight says, shrugging. “Quick and clean option, that.”

This time, Master Jinn is the one that makes a disbelieving noise that both of the bitchy twenty-somethings ignore.

“You’re a Jedi,” du Crion points out, entirely pleasant.

“...yes,” the man says, not meeting anyone’s eyes. “Technically.”

Du Crion is very much distracted by this. “Technically?”

The man wiggles a hand. “Arguments can be made. I certainly was trained as a Jedi and consider myself to be one. My knighting was according to protocol, and at the Temple. Technically.”

“...but?” Master Jinn prompts.

The knight smiles like he’s got something very spicy in his mouth and is unwilling to admit it’s too much for him. “But nothing! Don’t worry about it. There’s a fight to be had with a Sith wannabe who doesn’t realize he’s not going to measure up.”

“Arrogant,” du Crion accuses.

“No,” the knight immediately says. “You just don’t fight a galactic war without learning which opponents are actually going to kill you.”

Obi-Wan leans into Master Jinn’s side, his legs feeling a little too much like jelly. He whispers, “I have so many questions.”

“As do I, Padawan,” Master Jinn mutters back, and something in Obi-Wan’s heart twists. He’s a padawan! Master Jinn’s actually going to go through with it!

The fight does actually happen, at that point. The knight lights his saber and leaps forward, flashing through Djem So movements without a moment’s hesitation. For all the trash talk and boasting, the fight isn’t actually over very quickly. Du Crion is good, even without having had a chance to spar against a real person since he left the Order. Power flows around him, dark and heavy and sharp in ways that the Force usually isn’t, and the red saber snaps through the air with a speed Obi-Wan can barely track. Xanatos du Crion is, without question, danger incarnate in this moment.

The unknown knight is better.

There are attempts at banter, mostly by the stranger. Du Crion is too focused on the fight to bother responding. Obi-Wan just clings to Master Jinn, trying to stay awake and aware. It’s difficult, given the past few days, and even with help from the Force, he’s flagging.

The way the knight moves is... captivating, though.

(Quinlan’s going to laugh at the top of his lungs, later. Obi-Wan’s going to blush and stutter and bury his face in a pillow, and Bant’s going to pat his back like the amazing friend she is, and Quin’s just going to laugh, like an asshole.)

The fight doesn’t end cleanly. The knight cuts du Crion’s saber in half and, in the same movement, cuts the man’s hand off.

Obi-Wan’s seen too much blood in the last few days for it to shock him, but the smell is... unpleasant.

“I don’t suppose either of you carries Force-nullifying cuffs?” the knight asks, holding his saber to du Crion’s neck with an expression that is amused and satisfied in equal measure.

“No,” Master Jinn says. He seems... very bothered. Well, du Crion was his student once. Obi-Wan can’t imagine he’d be very calm if he had a student that went dark and started killing children. “Was cutting off his hand really necessary?”

“I feel like half my fights end with either someone dying or someone losing a limb,” the knight muses. “Sometimes that limb is my own, even!”

Obi-Wan isn’t sure if the man is manic or just trying to throw them off their rhythm. It probably doesn’t matter.

“Okay, I have Force-nullifying cuffs of my own,” the man says. “But these things are expensive as hell, and they weren’t paid for by the Order, so just giving them to you isn’t really on the table. That said... my ship kind of got shot down on the way here. If you could give me a ride off-planet--”

“Our ship was also shot down.”

The knight blinks at him, and then kicks du Crion in the hamstring. It’s not a very hard kick, but du Crion shoots him a look of offense that’s probably justified. Getting kicked when one is already down is never a great feeling.

“Stop shooting people,” the knight scolds.

Obi-Wan feels vaguely like he’s having a fever dream.

“Okay, new plan,” the man says. “What kind of ship did you come in?”

“KYL-3400 small transport,” Master Jinn says, with not a little hesitation. “Why?”

The knight grins. “I’m going to cannibalize it for parts.”

-------------------------

Jango has known Anakin Skywalker for six years. Many of those years have been spent being yanked into babysitting for the man. For reasons Jango doesn’t feel like examining, this will likely continue.

“You’re late,” he says, as the man in question stumbles out of a battered ship that looks only barely like the one that left three months ago. “I thought you said Bandomeer was a quick fix.”

“Ship got shot down, had to help some Jedi, ran into fucking Onaka on the way back,” Skywalker grouses. “I feel like shit. Where are my kids?”

“Buir says you have to go to medical.”

“Yeah, sure, whatever. My kids, Jango.”

“They can visit you in medical.”

“And, what, Mereel’s gonna go there for a debrief?”

“Your debrief is going through me,” Jango says, and doesn’t let himself flinch when Skywalker makes a face. “He’ll check in later.”

“Yeah, no,” Skywalker says, taking a step forward and then swaying with a curse. “Listen, this actually does need to go to Mand’alor direct, not just the Alor-in-training--”

“Please don’t do that with my language,” Jango immediately says. “That’s not--no. ‘Alor-in-training’ isn’t a thing. Don’t do that.”

Skywalker turns on his heel with a frustrated snarl, and Jango’s eyes widen as the stupid tunics the man wears flare out.

“Is that a blaster wound?”

“No.”

“Yes it--for fuck’s sake, Skywalker!” Jango growls and just goes over to grab the taller man by the shoulders and march him to medical. “I’m calling your sister.”

“Don’t tell Shmi, she’s got enough to--”

“I’m calling your sister,” Jango snaps. “And you’re going to deal with it. Ka’ra, do you even think? Is there a brain in that head of yours?”

“I’ve been told my braincell is lonely.”

“I’m going to shove you in a trash compactor, dikut’la jetii,” Jango mutters. “Are you hurt anywhere else?”

“If I say yes, will you let me go deal with it on my own?”

Jango strangles his own scream and shoves Skywalker into the nearest examination room. “Fix him!”

The medic looks up, raises a brow, and turns to Skywalker. “What did you do?”

“What didn’t I do?” Skywalker shoots back, grinning like they’re sharing battle stories over a drink in a cantina.

The medic--Mirka’lu, he thinks--crosses her arms. “General.”

Oh man, the medics must be angry with him already if they’re already jumping titles like that.

“I’m just a knight--”

“General Skywalker.”

The man in question grimaces. “I maybe got shot during an altercation with some pirates.”

“Uh-huh.”

“And... I maybe--maybe--picked a fight with some Hutt enforcers.”

Jango’s going to wring his neck.

Right after he calls Shmi.

-------------------------

Komari does her level best to not shift nervously under the judgmental eyes of the man they’re pretty sure is the Mand’alor. Her master’s got the situation under control. She’s just there to observe. They’ve got an entire team--

“Is that your way of telling me that your Order did minimal research on the situation before coming to intervene, and the only reason you bothered to reach out is because one of my men, weeks ago, let you know that Death Watch is setting traps for both my people and yours?”

Komari feels the flare of annoyance from Master Dooku. She doesn’t react, but she can hear the tension when her Master speaks.

“I assure we would not have attacked on Galidraan unless attacked first, or if we’d found solid evidence of the actions we were informed of,” Master Dooku says, quiet and even. “All your messenger did was save us all a little time.”

Mereel smiles thinly. “Saved us all some lives, more like it.”

“Perhaps.”

“Ah, jetiise aren’t the only ones with Force-Sensitives,” the Mand’alor says. “I’ve more than a few under my command. Visions aren’t foolproof, I’m aware, but I’ll be damned if such a warning goes completely ignored.”

Master Dooku makes a low humming noise. “Be that as it may, I’m unsure of what it is that you’re expecting out of our... presence. We are not here to help you claim your presumed throne. We are only here to stop the killings we were told about.”

“I don’t need your help to reunite my people.” Mereel waves a hand, batting the mere suggestion away. “But I’d appreciate the help with taking out the terrorist group that’s actually going out and murdering the helpless, this planet’s farmers and doctors and children. Kyr’tsad isn’t just a thorn in my side, Master Jedi.”

“And what proof do I have that you aren’t just the same kind of monster as you claim they are?” Master Dooku challenges.

It’s a little brazen, considering how dicey these negotiations are. For all that Komari herself doesn’t wince, someone behind her outright hisses in dismay. She agrees with the sentiment.

Mereel just laughs at them. He catches the eye of one of the armored individuals along the wall, human or close to it, and nods to himself.

“Right,” the man says. “Well, we have our own Jedi. Would you like to meet him?”

Master Dooku is immobile, as if carved from stone. The rest of the group is... not.

“I suppose that would be acceptable,” Master Dooku says, and Komari feels the tension in him wind further through the training bond. There are a million questions to be had here. None of them can be answered without the supposed Jedi.

“Great,” the Mand’alor says. He leans back in his seat and turns to the door. With the press of a button, the door slides open. “Ben!”

A child darts into the room, stops, and bounces on their feet. Probably male, Komari thinks, and very anxious. The child’s eyes dart about the room, taking in every single Jedi in sight. When that gaze lands on Master Dooku, there’s a flash of recognition and... not hate, but distaste. Confused and distant dismay, maybe. The child turns back to Mereel.

“Mand’alor,” the child greets, still bouncing. “Am I needed?”

“Thought I told you this meeting was for grown-ups,” the Mand’alor says.

Ben shrugs. “I wanted to listen in.”

“That door is soundproofed and you know it.”

“So?”

The Mand’alor grins. “Do me a favor and go fetch your dad.”

“Buir’s still sleeping,” Ben says, grave as dirt. It’s a strange expression for such a small child. He can’t be older than eight, and Komari’s pretty sure even that’s a stretch. “Shmi’s gonna be mad if he has to wake up before the bacta’s done.”

“I just need him for negotiations,” Mereel assures the child.

“Aggressive negotiations with a lightsaber?” Ben asks, and Komari nearly chokes.

“No, just regular ones.”

Ben nods sharply, and then turns and runs out.

“That boy...” Mereel mutters, but it’s fond. “Anywa--”

“BUIR!” Ben’s voice echoes from the hall, faint but audible, along with some very loud banging on what is presumably a door. “DAD! WAKE UP, THE COUNT IS HERE!”

The Count? Komari wonders. Even Master Dooku seems surprised.

The question is clearly on more minds than just her own. Mereel raises a brow at Master Dooku and gestures vaguely. “Didn’t know any of you were nobility. You a Count, Master Jedi?”

“No,” Master Dooku says, and before the Mand’alor can press further, he adds, “but if I were to retire from the Order, the title would be mine to inherit. As I have no intentions of retiring, I am not and will not be a Count, but I assume that is what the child is referring to.”

“Ben,” the Mand’alor corrects. He seems pleased with the reasonable answer. “Ylliben Skywalker. I suggest you refer to him by name.”

“You have a fondness for him,” Master Dooku notes.

Mereel shrugs. “No more than any other child, objectively, but his father is one of my more effective allies, and he gets antsy about things. Saying ‘your child’ won’t be a problem, but ‘the child’ is... well.”

The smirk is a challenge that Komari doesn’t feel ready to meet. She’s glad it’s not hers to handle.

“Why do you ‘have’ a Jedi?” Master Dooku asks, pushing the conversation back to the point Komari’s sure he was initially aiming for.

“Found him in a snowstorm, brought him inside,” Mereel says, grinning. “And then he refused to leave, the shabuir. Troublesome man, like you wouldn’t believe, but useful.”

“Like a feral tooka,” someone behind Komari mutters. She feels a part of her soul die.

You can’t just say that in front of the Mand’alor! she screeches in the depths of her mind, despairing.

“Exactly,” Mereel agrees with a laugh. “Skywalker’s a feral tooka.”

Komari dies a little more.

“Talkin’ shit about me, Mereel?”

...oh no.

This one’s pretty.

The man is tall, dressed almost entirely in black, and looks like shit.

“You look like you got run over by a herd of bantha,” the Mand’alor notes.

“I got back less than a day ago,” Skywalker growls out. He leans against the wall behind the Mand’alor’s desk. He folds his arms. He glowers around the room. “The kriff is Count Dooku doing here?”

“Master Dooku,” the man in question says, a little pained. “As I informed Mand’alor Mereel, I may technically have claim to that title, but I am a Jedi. So long as I remain a Jedi, the title isn’t actually mine.”

Skywalker makes a face, and then shakes his head. “Fine. Whatever. Jaster, what the hell do you need from me?”

“Well, some manners would be nice.”

“I got shot and am putting myself in a position to get yelled at by baar’ur Mirka’lu for coming here when I’m supposed to be on bed rest,” Skywalker growls out. He kicks Mereel’s chair, glaring at the back of the man’s head. “You’re lucky I put on pants.”

Mereel seems unbothered by this statement or treatment.

Komari thinks her eyes may currently be the size of dinner plates.

“You’re the one from Bandomeer.”

Skywalker’s head snaps up to focus his gaze on Master Dooku. “Say what?”

“You’re the one my former Padawan encountered on Bandomeer,” Master Dooku says, something satisfied in his tone. “He said you refused to give a name, but the physical description does match.”

“Oh, lovely, Jinn’s been gossiping,” Skywalker mutters. “That’s just--”

“General Skywalker,” Mereel says, voice finally slipping to something more stern than amused. “If you could please focus.”

Skywalker rolls his eyes and mutters something about painkillers.

“Buir?”

Skywalker’s head tilts to the side, and he holds one arm out to the side. The kid from before--Ben--darts in to cling to the man’s side. A slightly taller Togruta follows in and ducks in under his other arm. Both children keep a wary gaze fixed on the same person, and their adult...

Every look from this man is a new challenge to Master Dooku.

“They’re yours?”

That is the exact question Komari was hoping her master wouldn’t ask.

“We’re in Mandalorian territory,” Skywalker says. “They’re Force-Sensitive orphans with an incredible amount of potential. If I didn’t claim them, someone else would have.”

It’s not an airtight justification--the man could have just sent them to the Temple--but the air around him is roiling with aggression. This man does not like Master Dooku, and is more than a shade protective of these--his--children. Komari shifts her weight and worries as the pregnant silence grows heavier.

“As you say,” Master Dooku allows, and some of the bowstring-tight tension in the room loosens, drains away like foul bathwater. “If I may... I was unaware you were a General, nor that Mandalore had a standing army large enough for such a position.”

“He’s not,” Mereel says. “Used to be, won’t tell me where. It’s not my business, or yours. Title’s a holdover from whatever war he was fighting before we got him.”

Komari is not the only person whose heart drops as Master Dooku says, “Qui-Gon claimed that the rogue knight he’d met on Bandomeer mentioned a galactic war against the Sith.”

Mereel blinks, and then turns his seat around to look at Skywalker. The other Mandalorians look at Skywalker. Every single Jedi also looks at Skywalker.

The Togruta child sticks her tongue out at Master Dooku.

“I did say that,” Skywalker says. “What of it?”

“You know, when I said I didn’t care what fight you were running that turned you into a soldier, I kind of assumed it was something on the level of, say, a system-wide civil war,” Mereel drawls. “Not galactic Force nonsense.”

Skywalker shrugs. “Don’t ask questions you don’t want answers to.”

“Because you’ll lie?”

“No, I’m just going to be really annoying about it,” Skywalker tells him. The Togruta giggles and shoves her face into his side. “Or, hell, I’ll let Ben do it. We both know he can talk circles around basically everyone in this room.”

“Skywalker.”

“Mereel.”

The two hold gazes for a moment that lasts just a little too long, and then Mereel breaks it off. “We’re talking about this later.”

“Of course, Mand’alor,” Skywalker says, with a grim sort of smile. “Wouldn’t dream of doing otherwise.”

Mereel doesn’t seem particularly impressed by that.

Komari wonders if anyone else remembers that Skywalker was supposed to be here to make negotiations easier.

-------------------------

Yan Dooku is having a Day.

He’s not entirely sure whom to blame for this mess. Perhaps Yoda, for suggesting he handle this mission. Perhaps the governor of Galidraan, who decided collaborating with terrorists for his own gain was a good idea. Perhaps Jaster Mereel, whose influence and power is enough that Yan needs to tread carefully. Perhaps Qui-Gon, for giving him just enough information about Skywalker to cause some drama.

Perhaps Skywalker for being a recalcitrant, ornery bastard who delights in Yan’s suffering.

(One of the Mandalorians calls him that to his face, and Skywalker informs the man that “my mother always told me I didn’t have a father,” and stares until the Mando stammers out an apology and turns on his heel.)

(The smirk on Skywalker’s face is certainly informative.)

“Hi.”

Yan looks up from the datapad he’s been using to try and punch out a report, for all that he can’t find the words he needs, and sees the Togruta youngling from Skywalker’s side hanging upside-down from a ventilation grate.

He blinks evenly at her. “Good afternoon. Is that your normal manner of traversing the building?”

“Yeah, when Jan-Jan isn’t yelling at me about it,” she says, and drops from the ceiling. Seemingly without paying attention, she directs the grate itself back into place with the Force, screws reattaching themselves with only the slightest whisper. She’s done this many, many times.

“I’m afraid I don’t know who that is.”

“Jango Fett,” she clarifies. “Ad be Mand’alor.”

Child of the king.

He does remember that much from the briefing.

“I see,” Yan says, rather than try to tackle whatever the usage of such a nickname implies. “I’m afraid nobody’s seen fit to introduce you, youngling.”

“I’m Sokanth Skywalker, but most people call me Soka,” she says, with a bouncing, shallow bow. Full of energy, this one. “I’m eight.”

“The General is your father, then?”

“Mm-hm! He adopted me when I was almost two,” she says, and climbs up onto the bench. She wraps her arms around her knees and beams up. “Ben was still a baby, and we didn’t go get Shmi until a few months later when Skyguy could afford it.”

“Skyguy?” Yan prompts.

“My dad,” she explains, head tilting a little as she studies his reaction. “I... I’ve always called him Skyguy. He took care of me before he adopted me, for at least a year. He says I called him Skyguy when I first started talking, back then, and then he didn’t make me stop when he adopted me.”

“I see,” Yan says. “Does your father know you’re speaking with me?”

“Probably.”

“And would he approve?” Yan hints as heavily as he can. “He doesn’t seem to like me very much.”

“That’s because we’ve all seen what you could be,” she says. “But you’re not the Count yet, so it’s okay.”

Information. “Ah. Visions, then. That would explain some things.”

“Ben gets them the most,” she keeps talking. “But it’s not just that. It’s like... patterns. The Sith are going to target you, because they’re going to think you’re worth corrupting.”

“And you’ve seen enough Sith to know that?”

“Yeah.”

“Visions are not foolproof,” he says, trying to keep his tone gentle. He’s not used to interacting with children of this age, and this one comes with a father in the Mand’alor’s confidence, someone he can’t afford to irritate by making a daughter cry. “I have a friend who is very prone to visions, and some come true, some don’t, and others--”

“Are self-fulfilling,” Sokanth finishes for him. “I know that. But my dad’s actually fought Sith, y’know. The guy who cut off my dad’s arm used to be a Jedi Master, like you, and he was all fancy-schmancy and a history nerd for Sith stuff, and didn’t like the Council or their decisions very much. Like you.”

That’s... very personal.

“A surface-level similarity is not enough to make the claim that I am to become a Sith,” he says.

She blinks at him, eyes too large for a face that’s so near to human in bone-structure. It’s unnerving. “Whether or not you Fall is your choice, Count. All I can tell you is that you are the kind of person they look to groom... if only as a pawn.”

The words are too old for a girl her size.

“You speak as if you’ve faced the Sith yourself,” Yan says, well aware now that he needs to tread carefully, but... “You’re too young to go out into the field. I can’t imagine your father would allow a child like yourself to go up against someone that dangerous.”

She blinks those too large eyes, and tilts her head in the other direction, and then smiles. “You care. That’s good. Keep that compassion, Count.”

He raises an eyebrow. “I feel like you’re evading the question.”

Sokanth giggles. “Maybe. Buir doesn’t like us talking about it much. It makes him sad, ‘cuz he can’t help us not hurt, and a lot of it is really scary. It’s like... my memories are too big for my head. I don’t get a lot of visions, but I get a lot of dreams of things that happened that I’m not alive for. And buir does remember those things happening, so it’s true, and it happened, but I only... sort of remember it, and when I think about it too hard, it hurts my head. Or I get nightmares about it, and I don’t like those. Ben’s got it worse, though. He has more to fight.”

It’s a lot of information.

It’s confusing information.

It’s... possibly information that the General has asked her to feed him for reasons he can’t even begin to guess at.

“In this war your father fought,” Yan asks, “were you a soldier as well?”

“Commander,” she corrects, voice soft. “That’s what the dreams call me, before they start screaming.”

“How old are you really?” He asks, before he can quite stop himself.

She laughs, suddenly bright again. “I’m as old as I look. I’m eight. Just because the Force gives me memories I shouldn’t have doesn’t mean that my brain isn’t a kid. Sometimes Ben tries to act older than he is ‘cuz of the memories, y’know. Buir gets sad whenever he does that, ‘cuz he thinks we deserve to be kids before the galaxy goes to hell again.”

“He’s sure of such a thing?”

“It always does,” she says, with the air of someone who isn’t sure how their conversation partner could be quite that dense. Her voice takes on a sing-song cadence, like she’s telling a fable instead of a philosophy. “War always comes eventually. Not every sentient is selfish, but enough are, and they tend to be the ones that claw their way to the top. The rich and powerful will take and take and take, and then, when there’s nothing left, they will use their living stepping stones to tear each other apart. All we can do is be ready to end it as quickly as possible once it comes.”

Yan lets the claim sit for a long, quiet minute. “Did your father tell you that?”

“No,” she says. “Ben did.”

The six-year-old.

“He has a way with words,” Yan manages.

“Sometimes he uses his stuffed animals to host courtroom dramas,” she says. “He makes me look up the right laws so it can be procedurally accurate, ‘cuz he’s a nerd but so am I, and it makes Skyguy happy when he sees us playing like that instead of just doing saber forms and stuff.”

Yan has... no idea what to do with that. “I wouldn’t normally call courtroom dramas a normal children’s activity.”

“Yeah, but Ben’s a nerd,” she says, as if that’s all that needs to be said. Maybe, for her, it is. “And there’s only so much time I’m allowed to spend hunting.”

Right. Togruta.

“And what was your father doing at that age?”

“I’m not allowed to talk about that,” she says immediately. “Because it’s very private and he and Shmi get upset if we bring it up, ‘cuz of trauma and stuff.”

Shmi. The... sister, he thinks. People seem to be unclear on that. He’s heard a few refer to the teenager as just “one of Skywalker’s,” so that’s something to consider. She’s near-perfectly halfway between the children and the General, in terms of age, so it’s a little ambiguous where she fits.

That said, he’s been in a lot of places in his time as a Jedi Master. It’s taken him a little longer than it should have to realize, but he thinks he’s got at least part of the puzzle.

Skywalker’s a slave name. Tatooine, specifically.

It’s not confirmation, really, but...

Well. He thinks it’s better he doesn’t dig, on that subject.

“Hey,” Sokanth says, tugging at his sleeve. “Can I ask ya something?”

“I cannot promise an answer, but you may ask.”

“Can you spar with Skyguy? I wanna see who wins.”

[ptergwen]

from one kid to another

w/c: 6.0k

warnings: mentions of drinking, lots of swearing, implied smut, and angst at times

summary: it was a mistake, a beautiful one that you didn’t make on your own

a/n: this genuinely is my favorite thing i’ve ever written :,) i say that a lot but this time i mean it, it’s really special i think and i so so so hope y’all do too <3 enjoy my loves

-

there’s only one thing in life that testing positive for is actually positive.

depending on the situation, obviously. yours isn’t ideal, or planned or a blessing or whatever people say. it’s a gigantic mistake that you didn’t realize you made until a minute ago.

you’d noticed something was wrong when your time of the month came and all you experienced was the symptoms. cramps, cravings, everything except your actual period. as everyone is pretty much taught to do, you ran to the closest drug store for a pregnancy test. what the hell else could it be? you messed around a few weeks ago, so there’s a possibility.

your heart felt like it was going to explode out of your chest the whole time you waited for the results. you’d thought of calling tom over for support, but there are a couple of reasons why you couldn’t do that. you realized you made the right decision when your timer for the test went off.

two red lines. you’re pregnant. you’re pregnant, and your best fucking friend is the father.

where do you go from here?

the test falls from your hand and hits the floor with a mocking clank. you slide down until your back is against the bathtub. well, you’re fucked. what an ironic word choice.

the fact that you aren’t ready in the slightest to be a parent when you’re still growing up yourself is one thing. it’s another that this could ruin the most important relationship you’ve ever had.

no, tom won’t be mad. he’s never once fought with or even raised his voice at you. in your times of need, he’s been the one to uplift you and kiss your puffy cheeks dry. no matter how he takes this, you know it won’t be out on you. he is half responsible.

but, with how you left things the last time you spoke, you’re not sure you’ll be able to get past it.

tom is alarmingly good at hiding how he truly feels. you always tease him that it’s because he’s a gemini. he’ll come back with shut up, i’m an actor and stick his nose in the air to give you the full image. in all seriousness, it does take a toll on how well he can communicate.

you’ve seen it in small ways, like when he brings you along for press days and uses unenthusiastic smiles to cover up his yawns. how he’ll be polite in a conversation with people he’d rather not speak to, then mumble about it once you’re home. he tries to put forward the “appealing” parts of himself even though he’s more than them.

tom’s biggest communication issue is that he’s been in love with you since year nine and hasn’t said a word about it. you’ve yet to figure that one out.

you two became friends while tom was starring in billy elliot. his schedule was so scattered between shows and school, so he struggled to balance both. he often had to stay late for extra help on the lessons. you’d also been there a few times. you worked better in the classroom, and he was grateful he didn’t have to be alone with the teacher.

most kids made fun of tom for his interest in theater, to his face and behind his back. not you. you thought it was just incredible that someone in your own classes worked at the west end. you’d told him on your way home one night.

he’d heard you before he saw you. “you’re tom, right?” you asked from behind him, the two of you making your way through the hall. the question sounded friendly, and it wasn’t every day kids were nice to him. tom stopped walking so you could catch up. “yes, and you are?” you gave him a small smile, books clutched to your chest. he instantly returned it.

“y/n. i heard you’re in billy elliot?” you laughed at your understatement, then corrected yourself. “that you are billy elliot, i mean. that’s so cool.” “oh, i am. thank you,” he chuckled back, a full grin taking over his face. you were both walking again, you by tom’s side. “i was hoping to come see you soon.” your voice got quieter as you told him, like you were nervous.

tom never had much luck with girls, not at this point in his life. this was an opportunity to change that. at the very least, to make a new friend. he offered something you said yes to without a beat of hesitation. “what if i got you the tickets?”

from then on, you began talking during class and not only when it ended. tom really knew how to keep the conversation going, telling story after story that left you laughing so much your teacher would shush you. you’d eventually moved to hangouts at either of your houses. harrison came into the mix at some point, the three of you forming your own group.

the difference between tom and harrison was that while harrison linked with other girls, tom was only interested in you. he’d gotten a crush on you pretty fast, if he was being honest. it might have been your shared sense of humor or the way you said his name.

thomas, when he was being cheeky. tommy, which took the place of a pet name. even regular tom. that might have been his favorite. he loved how it rolled off your tongue. he loved, and still loves, you.

you’d gone to all of tom’s performances you possibly could, the ones for school theater included. you also gave him the push to take his talents to hollywood. tom was afraid he wasn’t cut out for the big screen, that he needed more practice and experience first. you told him that if this was what he wanted to do, he had to start somewhere. why wait?

tom then landed his first movie role in the impossible at the age of fifteen. he’d received tons of praise and almost gotten nominated for an academy award, all because you convinced him to audition. you played a huge part in keeping him grounded when he was between films, and caught him up on whatever schoolwork he’d missed.

you practically zoomed to tom’s house when he was announced as the next spider-man. you’d been constantly refreshing every social media platform marvel was on since tom became a finalist for the part. that process was probably the most difficult experience he’s ever gone through. you’d know, having heard all about it from tom.

the two of you celebrated along with the rest of tom’s family that night. you kept giving him little proud of you squeezes on his shoulder or knee. tom is eternally indebted to you for being the most supportive of everything he does.

he of course sends the support right back. although he went down the movie star path, acting wasn’t for you. you’d gone off to university and studied hard as hell and aced all your shit. tom quizzed you on material whenever you needed. he wanted to help you somehow, and this was all you’d let him do.

he’d offered to pay off your loans and any other expenses necessary because he had the money to do that now. you refused every single time, not trying to become dependent on him. he admired your drive, yet hated it at the same time. everything you’d done for him, it was his turn to be the caretaker. it should’ve been.

whenever tom wrapped filming for the holidays and came back home, you were always preparing for final exams. he kept you company, content with simply being in your presence. you typed away on your keyboard and read over notes until your eyes burned. tom occasionally brought you snacks, tea, asked how you were and what he could do.

sometimes, he would have to cut your study time short. he’d say it wasn’t healthy or you were overdoing it and to come relax with him for a bit. other times, tom let you be. he didn’t want to get in the way of your already stressful assignments. those were the nights you’d fall asleep in front of your laptop. drool on your chin, hunched over at your desk.

tom made sure to tuck you in, press a light kiss to whatever part of your face wasn’t covered in spit, then let himself out. he knew where your spare key was, so he used that. you’d wake up to a “Fell asleep studying again. Rest today x” text the next morning.

when it came time for you to graduate, tom was on the first flight there. it was during another round of reshoots for chaos walking. he respectfully told doug that he’d have to work around his schedule or replace him, which couldn’t be done so late into filming. tom didn’t care that it made him seem like a prick. he was getting to you no matter what he had to do.

he’d earned plenty of stares and whispers from people as he took his seat in the crowd. he was a proper celebrity now, so he expected it. his solution was to ignore everything and chat with your family about how proud they were of you, tom the most. he saw you go from a kid attempting algebra equations to an adult at her uni graduation. you’ve really grown up together.

it was why he teared up hearing them call your name, seeing you beam as you walked across the stage. your mom grabbed his hand and nodded at him, like she could tell exactly what was going through his head.

you ran right up to tom after the ceremony was over, leaping into his arms. he let out a couple of chuckles as he spun you around. “i didn’t think you’d make it,” you’d admitted, happy yet sad tears in your eyes. tom put you down so he could pull you in for a real hug. “i’ll always be wherever you are, y/n,” he said into your ear, rocking you while you gripped at his suit collar.

flash forward to a year later, your career is finally taking off, tom’s is flourishing like it has been for years, and you’re pregnant with his child. you’re trying to recall the series of events that led you to this moment.

you were both drunk, blackout drunk because the only reason you remember sleeping together is that you woke up naked in the same bed. harrison’s bed.

he threw a housewarming party for himself, having recently moved out of tom’s and the other boys’ place. the three of them, sam, and you were all in attendance, along with a lot of others you hadn’t met.

neither you nor tom could figure out where he knew all those people from. he’d clinged to you two for the most part, more so you now with tom usually away. they could have been from work. harrison is breaking into the business himself, small roles here and there. tom actually met him in your school’s theater program, then he introduced him to you, ten years ago already.

sam entertained himself by making concoctions with the snacks harrison set out. harry got together a playlist for the party. harrison and tuwaine struck up a conversation with some of harrison’s actor friends. that left you and tom alone, out of stuff to do, and with one way to fix it.

“drink?” tom had asked you, a smirk playing on his lips. “love one,” you hummed back and set off for the kitchen. the two of you raided harrison’s liquor cabinet, grabbing his biggest bottle of wine. he’d dumbly pointed it out during the house tour he gave you before the other guests arrived.

you were about to search for glasses, but tom’s fingers threaded through yours. he gently tugged you away and nodded behind him. “let’s bring this upstairs. seems much more fun there,” he’d murmured over the music, a grin breaking across your face.

tom is big on clubbing and socializing, however, you aren’t. he comes up with ways to get you out of these events, just in case.

“we can break in harrison’s bed for him,” you said as a completely harmless joke, no intentions of that becoming your reality later on. spoiler alert: it did. “and how are we gonna do that?” tom quirked a suggestive eyebrow and breathed out a laugh as you dragged him towards the stairs. despite yourself, you’d giggled at his words.

not one drink in either of you yet, and you were stumbling and cracking up as you ran upstairs. you’d pulled tom by your still attached hands into what you remembered as harrison’s room. tom shut the door, locked it, saying under his breath that would be a “convenient investment” for him to make as well.

he took out a bottle opener that he must have put in his pocket at some point and got to work on your wine, you getting comfortable on the new mattress. the two of you passed it to the other after every sip, tom licking the taste of your lip gloss off his own lips every so often.

the equivalent of three drinks in, you were making out. both of you were just tipsy at this point, tom holding you by your hips as you lied down, your legs around his waist. god, he could’ve done this sober. he’d dreamed about kissing you, really kissing you since he was fourteen. you’d always felt like you two had something more. ah, there it was.

halfway through the bottle got you past the next two bases, and you were ready for the fourth and ultimate one by the time you shook the last few drops onto the tip of your tongue. tom groaned at the sight of that, drawing your half naked body in closer to his.

you two had forgotten to use protection in each of your drunken states. without a doubt, you both would’ve agreed to a condom had your minds not been everywhere but where they should have.

you’d woken up first the morning after, panic immediately coursing through your veins thicker than blood. a fully nude and sleeping tom had you in his embrace, arms secured around your middle, facing you. you gasped when you made the connection, loudly enough to wake tom up. his long eyelashes tickled your face, a confused pout on his lips. uh... um...

“did we fucking...” you trailed off, no words to describe whatever unfolded. “fuck?” tom finished for you. a very blunt explanation, but true nevertheless. “looks like it,” he rasped, pout changing into a smile. your face fell at the vague memories of how you spent your night.

you definitely wanted to do it. just, he’s your best friend, who’s seen you at your least sexy moments over the years. when you were sick, had breakdowns from stress, you name literally anything, tom was there. it took one bottle of cheap wine for him to forget that?

the real answer was no. tom is entirely in love with you, for a decade at that. you were beginning to discover you feel the same, only you had no idea he already loves you. you’d assumed this was meant to be merely a hookup. from the frown your face held, he’d thought you were regretting it. oh, were you both so wrong.

“um... we don’t have to talk about it,” tom told you halfheartedly, under the impression that’s what you preferred. you physically felt yourself get weaker in tom’s strong arms. he’s not interested. “yeah, that’s probably for the best. i...” you were lying. his heart shrunk, shriveled up inside his chest. she doesn’t love me like that.

“you have to go. aren’t you behind on some emails?” tom hoped you didn’t hear his voice strain from the tears pushing at his eyes. “right. almost forgot, thanks.” you’d plastered on a smile, slipping out of his grasp. a tear rolled down his cheek, so he wiped it away before you noticed. you’d already gotten out of the bed and begun picking your clothes up off the floor.

“i’ll drive you home, then.” he rolled on to his other side, you thought so he could give you privacy to change. it was that, and also because he was crying. he couldn’t hold it in. tom is naturally an emotional person. imagine finding out the love you’ve had almost half your life is unreciprocated. it’s soul crushing.

you two found harrison snoring and on top of tuwaine as you left the house. no silly remarks or shared glances for the first time in ten years. tom couldn’t muster anything up, and you felt numb.

the drive was painful. you’d said your goodbyes after tom pulled up to the curb, which held an odd weight to them. once you were out of the car, a sob wracked through him, banging on the steering wheel and not giving a shit about the loud horn going off. you collapsed face first onto your bed. hours passed by while you stared at nothing and contemplated everything.

since it happened, you haven’t spoken much. small talk over text every few days or so, both of you pretending things are normal for the other’s sake. about a month later, today, is when you found out you’re pregnant.

there’s no use wallowing in any of this. you need to figure out your next move, one that should probably involve tom. first, you want to talk to someone else. you want other opinions and a voice in your head that isn’t your own. harrison gets a text from you saying to come over now, the now in all caps. he does.

you let him in after the second knock, his eyebrows furrowing in concern. however torn you are, you must look it. shirt balled in your fists, lip quivering. he keeps his eyes on yours as he steps inside, pushing the door shut behind him. this is all becoming too real. “y/n, are you okay?”

you’re about to cry in three, two...

“haz, i fucked up,” you choke out, tears unable to stay at bay. he takes you into his arms for a hug. half your face is hidden in his shoulder, hands clutching at his back. he lets you cry it out, holding you until your heavy breathing steadies. “what’s happened?” harrison asks quietly, both of you leaving the hug.

“if- if i tell you, you can’t freak out. you can’t tell anyone else, either,” you instruct, searching his eyes for certainty that he won’t under any circumstances. “i won’t, y/n/n,” he assures you and puts an encouraging hand on your arm. your heart pounding abnormally fast, you spit it out. your first time saying it aloud. “i’m pregnant.”

harrison flinches and doesn’t even try to conceal it. he takes his hand off of you, worry swimming across his features. he blinks at you, unsure of what to say. you’d react the same way, maybe worse, so you don’t blame him. a discussion you, him, and tom had a couple years back replays in his mind.

the three of you were talking about your futures, seeing as you were close to living them. when tom asked you two where you stood on having your own families, you didn’t hesitate to answer. “nope, the factory is closed for a long ass time.” until you were in your thirties, you aimed to focus on yourself. harrison distinctly remembered because of how you phrased it.

“you’re... you... wow,” is all he replies with. you head over to the couch, more tears welling up in your eyes. do the pregnancy hormones act up this early? harrison follows you over and sits down next to you with an awkward clearing of his throat. “do you want to be pregnant?” he has to ask because he’s not sure if he should congratulate you or what.

“i don’t know,” you answer honestly, voice airy. your eyes are fixed on the wall in front of you. you haven’t given yourself time to think about it. there are so many reasons you don’t, and a single one you do. “do you, um, know who the dad is?” harrison glances over at you. “yeah.” your voice cracks. you’re both afraid for him to ask what he does next.

he shifts so he’s sitting up. “can i know?” a sniffle passing through you, you finally look at him. “it’s tom,” you say it before you lose the nerve to. harrison’s face doesn’t change this time. he isn’t surprised you and tom went there. he’d seen your friendship growing into more the older you all got. what he can’t believe is where it took you.

his best friend pregnant, and his other best friend responsible for it.

“when did you...” “at your party,” you explain, bringing your legs up so they’re criss cross on the couch. “i thought you were gone a little too long.” he says that to try cheering you up. you appreciate the effort, but it doesn’t work. you’re not in a joking mood. he’ll stick to the main issue. “so, have you told him?”

“clearly not,” you scoff, not at him but at what you two have gotten yourselves into. “y/n... i think you should tell him,” harrison sighs out, then adds, “whether you keep it or not.” “why? that would ruin everything, it already has.” you’re getting angry now, which plunges you into angry crying, voice unsteady as you go on.

“the last time i saw tom was that night, and i guess it meant more to me than it did to him because we haven’t talked about it at all. he didn’t want to.” you swipe the back of your hand across your eyes, gaze stern compared to harrison’s soft one.

he drapes an arm around your shoulders, you curling into him with another sniffle. he doesn’t say anything for a minute, then he tries again. “i know you, y/n, and i know tom. you’ll kill yourselves not talking about this.” he’s right, no shit he is. avoiding telling tom how you feel, and your pregnancy on top of that, it’s eating you up inside. it’s swallowing you whole.

“what if he doesn’t want to be a dad? or- or i’m a shit mum?” you croak out, your doubts getting the best of you. “i can barely take care of myself. what am i supposed to do with a baby?” you’re leaning forward with your hands pressing into your temples. harrison’s hand moves to your upper back. “i- i don’t think i should have them. i... we can’t,” you conclude.

“tom loves kids,” he gives you a gentle reminder. “why would his own be the exception?” another good point, yet you still have rebuttles. “right, he’s a godfather and he’s really good with them and all that, but i’m not the right person, and it’s a terrible time,” you tell him all at once, in a rush to get your words out before harrison’s sway you.

“he’s never around, i’m doing my own stuff. we’re not meant for this.” you lift your head out of your hands and sit back on the couch. harrison returns his hands to his lap. he’s frowning at you, which you see from the corner of your eye. “i’m not going to force you to have the baby. just saying you have options.”

yeah, really shitty ones.

“either way, talk to tom.” harrison says this more like a demand so you’ll take his advice into actual consideration. “at least about the hookup.” your teeth sink into your lower lip, eyes watering for the nth time already.

you have no choice because he’s right again. you’ll never move on from what happened unless you and tom address it.

the next morning, you do what harrison told you to and invite tom over. he replied saying he was on his way maybe a minute later. he’s nervous to see you because yeah, but more so looking forward since it’s been so long. you’re so nauseous you barely have room for nerves. it’s morning sickness with a hint anxiety.

it feels almost normal when he first gets here, no how’ve you been and what are you up to these days? being as close as you and tom are, you’re not capable of such a dry conversation. personally, you still feel uneasy while he recounts a golfing incident him and harry got into the other day. you know something he doesn’t.

“when i tell you we flew, we flew,” tom makes a pushing forward motion with both hands. “right into the tree. i think harry, like, dented part of his face.” he lets out a breathy laugh, you forcing out one of your own. you’d be more interested without the fact that you’re expecting a child, his child, at the back of your mind.

tom exhales, shifting to face you on your couch. it’s funny how different things were when you and harrison sat in these same spots yesterday. so much has and is about to change.

“they had to send another golf cart to come get us. it was wild.” “it sounds wild,” you hollowly agree. he can tell you’re not too invested in hearing about harry’s terrible driving skills, so he changes the subject. “anyway, harrison told me he came over last night?” your stomach drops, heat coming over your whole body.

“did... did he say why?” you murmur with a look of urgency in your eyes. tom shrugs a shoulder, and casually. there’s no way he knows. “no, was he supposed to?” his tone stays playful, which you can thankfully tell. that puts you more at ease. “no. no, never mind. i would’ve asked you to come, but...” you’re searching through your catalog of excuses.

thank god tom says something else because you can’t find a good one. “it’s alright. i actually, um, had a work call.” a small smile spreads across his face, a proud one. intrigued, you raise both eyebrows. “what’d you talk about?” tom twiddles with his fingers in his lap. “i’ve been offered an audition for this really amazing film. everything works out, it’ll be huge for me.”

you’re smiling back this time, putting a hand over one of his. “woah, that’s incredible. i’m so happy for you, tom.” you lock your fingers with his from the back of his hand. he looks down at them, humbly shaking his head. “when is it?” “a few weeks from today. it films in brazil...”

oh. you can’t tell him now. it’s not worth him missing out on a milestone in his career for a baby you’re not sure you should have. that would be so unfair of you to ask. what are you going to do, not support his dreams for the first time in a literal decade? and, you’d call yourself his best friend through it all?

you guess this also means the way you feel about tom is one sided. he’s okay with leaving you after the most intimate moment you two have ever shared. you’ll dance around it the rest of your lives. better yet, act like the night never even happened. that’s not so easy to do when you’ve got a permanent reminder of it.

the thought makes you sick to your stomach. so sick, you could...

while tom is talking more about what the audition entails, you suddenly bolt up from the couch. you run for the bathroom, a hand cupped over your mouth. his face twists up in confusion from your disappearance. tom calls, “y/n/n?” out to you, but you can’t respond because your head is in the toilet. he rushes in when he hears you retching.

he gets onto the floor with you. you’re bent over, puking your guts out, back in another place where your life changed forever less than twenty four hours ago. tom pulls your hair out of your face and into a makeshift ponytail with one hand, his other on your back. that’s all you have in you. you stay over the toilet just to be sure.

saliva drips from your mouth, making you cough roughly, the sound echoing. tom moves so he’s next to you, keeping his hand in your hair and not caring one bit about the smell because he loves you and he’s utterly concerned about what he witnessed.

“love, are you sick?” he coos, searching for your eyes. they water from the intensity of everything. “morning sickness,” you answer without thinking first. shit. shit, shit, shit. it came out of you like more vomit, word vomit. there’s no going back now.

tom lets go of your hair with his eyes still on yours. his hand on your back then leaves you, fingers trailing down your body as they go. “morning sickness,” he repeats, putting it together. “you’re pregnant?” guilt taking over your features, you sit across from tom. you’re once again leaning against the bathtub, him against the counter.

“this isn’t how i wanted you to find out,” you admit and bring your knees up to your chest. “i took a test yesterday. it was positive.” your arms wrap around your legs, you now tearing up because tom figured it out. a shaky breath passes his lips. “i haven’t gone to my doctor or anything yet, but i-“

“are you keeping the baby?” tom cuts in. not to judge you for your choice, to find out what the fuck is going on before he travels across the world. you tighten your arms around yourself, grabbing your wrist. “i haven’t decided.” he gives you an understanding nod and reaches out for you. you dodge him. he might not want to do that after what you say next.

“tom, i... there’s more,” you whimper out. “yeah. i’m... i’m listening,” tom croaks, unable to hold in his infinite amount of emotions for a multitude of reasons. he’s losing you a second time. more tears spill from your eyes as you break the news, the news that will destroy what he’s been working towards his entire life.

“the baby is yours.” his face relaxes, looking almost relieved when you confess it. “when we slept together, uh,” you’re sure it’s obvious enough that you don’t have to go over the details. he’s tearing up himself. you reluctantly continue. “if you still want to audition, i get it. we don’t have to do this.”

“fuck the audition. fuck the whole movie. all of my movies, really,” tom surprises you by blurting out. he moves in until your legs are touching. “i’m staying. even if you don’t have the baby, i have to be here.” you watch in disbelief as he wipes away what are actually happy tears. “really? i was scared you’d resent me for it, or hate me even,” you mumble to him.

“y/n, what? why would i ever do that?” tom places a hand on your cheek, touch gentle and filled with love. you part your legs so he can be closer to you. he takes the space between them, thumb brushing over your skin. “i didn’t think you’d want to deal with all of this. i thought that night was only a hookup for you.” your voice wobbles under his gaze.

“no, are you kidding? i thought that’s what you thought.” he’s smiling now, eyes twinkling along with it. what he’s been meaning to tell you since you were only kids finally comes out. “i’ve loved you as long as i’ve known you, y/n. i always imagined myself doing this with you.” his words draw a quiet laugh from you, a happy one. “i know we were drunk, but i meant it all.”

the sincerity in his voice, the warmth in his eyes, they make you cry all over again. you’re getting used to it.

“i love you, tom,” you lean into him with a sniffle and a grin, his forehead now resting on yours, using his thumb to catch one of your tears. “i really do.” “i love you forever. i always have,” tom speaks lowly, breath fanning across your face. your hands grab at his shoulders. “so, you’ll stay? you’ll do this with me?” he reminds you of what he said before, this time a promise.

“forever.”

-

you ended up having the baby, and tom held your hand through the entire labor. nikki was holding his other hand, your mom holding your other hand. harrison had originally been in the room as well. when you started to push, he got freaked out and had to leave. your support system remained strong either way.

despite his repulsion of your daughter’s birth, you and tom decided to make harrison her godfather. he eventually became the godfather of your other two children also, which you had a few years later.

tom took a paternity leave from the industry so he could be with you and jamie. he’d also used his time off to propose to you, something else he fantasized about since year eleven in school. it wasn’t anything too grand because the whole world was already buzzing about you two, and a big gesture felt too impersonal with everything you’d been through together.

he did it in the form of passing a note, something you often did in class to avoid being scolded by your teacher for talking. the note came with a pencil to check off either the yes or no box, “will you marry me?” written above them. anyone else would have found it so unromantic, but you giggled as you checked off yes before your lips crashed into his smiling ones.

you were married shortly after the proposal, jamie as your flower girl and all your friends and family in attendance.

to do what he loved and stay with the people he loved, tom created his own version of hollywood in london. he took it upon himself to assemble a team and make a production company. harry behind the camera, harrison and tuwaine in the films, and tom either starring alongside them or directing. they give so many young actors tons of opportunities.

you eventually went back to work, too. it was like you’d never left, coworkers offering endless hugs and going over what you missed, not that you struggled getting into it. tom was there to celebrate every promotion, every compliment from your boss, every part of your life. jamie was also there, then liam and lucy.

all three of them are running around the house right now, putting on shoes and collecting their supplies for school. you take a sip of the orange juice liam didn’t finish with a lighthearted eye roll. tom chuckles as he passes you in the kitchen, getting the kids’ lunchboxes for them to minimize the chaos.

“you have that pitch meeting today, right?” he slips his hands through the lunchbox handles and walks over to you. “mhm,” you hum, mouth full with juice. his lips press to your temple, giving your waist a one handed squeeze. “you’ll smash it. always do.” “thanks, tommy.” putting down the cup, you reach up to button whatever parts of his shirt he didn’t have time to.

“aren’t you doing a casting? for the new script they sent?” you wonder aloud and smooth down the cotton material. “me and harry. should be interesting,” he remarks, you giving him a quick kiss back on his chin. they tend to have their artistic differences. “good luck with that. you do drop off, i’ll do pick up?” you pat one of the lunchboxes around his arms.

“deal.” tom goes in for a kiss on your lips, then a chorus of dad, we have to go led by jamie rings through the house. with a knowing smile, you push at his chest. “see you later. love you.” “love you, holland,” he bites back a grin of his own. his last name, now yours, suits you perfectly.

[missymurphy1985]

The Extra (part 2)

Warning - smut (eventually....)

Taglist @queenshelby @margoo0 @being-worthy @peakyscillian @peakyciills @janelongxox @elenavampire21 @noctvrnalmoth @ysmmsy @cloudofdisney @lauren-raines-x @namelesslosers @misscarolineshelby @screemqueen @cilleveryone @peaky-cillian @misselsbells06 @datewithgianni @heidimoreton

You were finishing up your coffee, grateful that Cillian didn't hang around after grabbing his. Suddenly you heard Anto shouting in the yard outside. You told Liane you'd find her later, and headed out to him. He was pacing the grounds on his phone, the anger evident in his face. With an abrupt "Fuck you!" down the line, he hung up, kicking a rock across the courtyard in frustration.

"Anto? What's wrong?" You approached nervously.

"We start filming in three hours, and one of the cast had dropped out!!"

"What? Who?"

"Rachel Foster. She was supposed to play Tommy Shelby's girl."

"Oh shit.."

"Oh shit in-fucking-deed. What the fuck am I supposed to do now?! I can't call someone in at this short notice!"

"I don't know anyone who's even available.." he suddenly looked at you, you squirmed a little, you recognised that look.

"You know, it's not too late to reconsider my offer y/n."

"Anto we talked about this, I'm not an actress."

"But you used to be! And you were the best I knew!"

"When you offered me a role in this I was flattered beyond belief, I truly was, but my role is as a professor now, not an actress. I gave that all up nearly a decade ago!"

"Think about it - you're here anyway! She was only meant to film this week, it's a few scenes with Tommy, nothing major.. she's not even lasting the whole series it's just a few scenes I swear it. At least let me do a casting call with you? I'll pay you for your time, even if you don't want to do it? It's win-win! I'm desperate here y/n..."

You thought about it. You enjoyed the theatre shows you used to be involved in years ago so much, but then you were offered the job at Birmingham University and it was too good an opportunity to miss - a steady wage, guaranteed income.. the thought of going back to being a struggling actress made you very nervous.

"One casting call. If it doesn't work, I'm out and you'll have to find someone else Anto."

"Oh you fucking legend... You BEAUTIFUL legend!!!" He scooped you up and spun you round in a circle, before dragging you over to costume and makeup.

An hour later, you were in costume, hair done, makeup on, ready for the camera. You stood in the set for the Garrison, Anto giving you the once over for the short scene he'd got planned for the casting call.

"Anto you didn't say anything about kissing Tommy!" You groaned, reading the paper he handed you.

"It's one kiss - we need to make sure you have chemistry. You know these scenes are always filmed first y/n."

"You fucking owe me Byrne." He grinned his cheesiest grin yet, allowing you time to get to know your lines and the scene. You were lost in it, focussing on getting yourself into a character for the first time in years.

"Y/n?" An Irish brogue suddenly dragged you out of your prep, and you nearly dropped the whiskey glass you were holding as you were practising a scene.

"Holy fuck..."

"Sorry, I didn't mean to scare you - " he held out his hand, chuckling at your outburst. "I'm Cillian. I'll be playing Thomas Shelby."

"I, uh, I know who you are, I'm Y/n..."

"I know, Anto tells me you're Rachel's replacement? Really appreciate you stepping in like this, I know it's all a bit weird. Just take your time, okay? There's no rush, and no pressure to get it perfect, just relax. I know how intense these things can be."

"Thank you. I'm sorry if I'm shit..." You laughed, your stomach in knots.

"You won't be! You wanna stop at any point, tell me. No pressure, remember that. I'm looking forward to it."

"To what? Me throwing a whiskey glass at you?"

"No, not that bit," he smiled, his blue eyes glittering in the stage lights behind you.

"Right then you two, are you ready?" Anto called, and you pulled yourself together. Taking a deep breath, the scene began.

"You promised me Thomas. You said you were going legit!! Now I find out you have guns hidden away from the fucking IRA??"

"Clara, you have to trust me! I AM going legit but I need money behind me to do it - this is our way out of here!"

"You're a fucking liar Shelby. Four years I waited for you. Four fucking years you wrote to me promising me a life of safety, no more having to watch our backs, no more Peaky fucking Blinders, and you lied through your fucking teeth!" You threw the glass, missing his face by a mere inch.

He ducked, and approached you carefully, hands out to catch your arms as they flailed around. A sudden flick of your wrist in the wrong direction caught him off guard and you hit him. Full force on the side of his cheek.

"Oh fuck!! Shit I'm so sorry!!"

"Quite the left hook you've got there!!" He laughed, regaining his composure, rubbing his face. A decent shade of red now blossoming across his cheek. Anto was in stitches the other side of the camera and you shot him a glare.

"I can't believe you've just smacked the star of the fucking show!" He laughed.

"You're certainly feisty enough for Clara's character, I'll give you that!" Cillian smirked. You were mortified.

"I really am sorry..."

"No harm done, I'm fine. I've had worse. Come on, let's finish this yeah?" You were convinced you'd screwed it up, but Anto calling Action brought you back into the scene.

Cillian cleared his throat and approached you again, you could see him trying not to laugh though and you couldn't help but giggle a little, which set him off too.

"I'm sorry, really I am!" You panicked.

"That was my fault, I was too busy watching her arms!" Cillian smiled.

"Guys I really like what I'm seeing here. There's definitely chemistry on screen. Why don't you two go rehearse a little more together and come back in 30 minutes?" Cillian nodded and turned to you.

"Fancy a coffee?" He asked. You nodded and he led you over to the trailers behind the set.

"Are we not going to the cafeteria?"

"Not unless you want to rehearse in front of your Uni class?" He smirked. You shook your head and followed him into a decent sized trailer at the back. He flicked the kettle on, telling you to take a seat while he made the coffee.

"So why did you give up the theatre? You're clearly very good, else Anto wouldn't have requested you?"

"It wasn't going anywhere. I was in the West End, Broadway, Galway.. just seemed to be bouncing around with no real direction. I wanted to get into film or TV work but the roles were in high demand. And it became very clear very quickly that I wasn't the right kind of actress the movie makers wanted as a leading lady."

"Really? Why?"

"I wasn't prepared to get my tits out at every audition like the others I guess?" You shrugged. "I auditioned for a horror movie once in Hollywood. Some big budget thing that never ended up happening anyway, but the director wanted me to audition in this skimpy little dress - barely covered my ass never mind my thighs. Wouldn't audition me unless I wore it, so I threw it at him and walked out. Kinda blacklisted from then on."

"That's horrendous? Which director?"

"Cant even remember his name now it was so long ago. It doesn't matter anyway, the movie was scrapped before production and I landed the job at the university. Secure, stable, good money - couldn't ask for more really. And the kids are so great, Cillian, full of passion and enthusiasm! They're so inspiring they really are!"

"I'm meeting some of them later, I'm looking forward to it. My youngest wants to get into the industry. Been trying to put him off for years but he's such a little showman. Exactly like I was at his age."

"Is that Jack?" You asked.

"Yeah. His mam is keen on him getting into it but she hated me going off for months on end filming. One of the reasons she divorced me last year."

"I heard about that. I'm sorry.."

"No don't be! We get on better now than we ever have. Only stayed together for the kids you know? Milk and sugar?" You nodded, and he handed you the cup.

"This scene is awkward, I've never done a scene like this before," you confessed, taking a sip.

"Like what?"

"A kiss? How do you kiss someone without actually kissing them?"

"You just do it, I guess. Once you're in character it just happens. I won't use tongues I promise - nothing personal, it's just one of my rules."

"That makes it less awkward I suppose!"

"Exactly. Although didn't stop Scarlett Johansson that one time... Nearly got me shot by the wife that one did!" You remembered that scene in Girl with a Pearl Earring and laughed.

"You know, I've learned over the years that if you do those scenes first it makes all the others much easier," he said, putting his coffee down and taking yours from you, placing it on the table next to his. He took your hands and stood you up in front of him.

"What are you doing?"

"I'm going to kiss you."

"What?"

"Not like that, I'm going to 'movie-kiss' you. Show you how it's done. Trust me - you won't feel awkward after this."

"I beg to differ..."

"Come on y/n, what have you got to lose?" My senses? You thought. My mind, maybe? You were hesitant, massively hesitant. You weren't even sure you were even going to go through with this. He glanced at his watch.

"We have five minutes, close your eyes and trust me." He nodded at you, and you took a deep breath, closing your eyes.

His fingers back on your cheek, this was just a reenactment of the scene but those fingers felt like lightening bolts. You could sense him moving closer, and his lips brushing yours. You were almost frozen to the spot until he whispered for you to relax.

"Okay, okay... I'm relaxed.. try again.." he leaned in again, your lips meeting properly. His hand in the back of your hair pulling you a little closer. You fell into it, your hands reaching round his back. As promised, he didn't use his tongue, which felt really strange at first but you quickly got used to it. Your mouths meshed together perfectly as you found your rhythm. A few minutes of this, before he pulled away, another gentle kiss against your lips as he did.

"Wow..." You gasped, opening your eyes. If someone had told you this morning you'd be kissing Cillian Murphy by lunchtime you'd have had them commited to the local loony bin, yet here you were. He didn't speak, and his hand was still on your cheek, brushing it lightly.

"Didn't plan on making you blush so much."

"Didn't plan on kissing Cillian Murphy when I woke up this morning," you laughed.

"Ready to do that again?"

"Again?"

"Just to make sure we got it right, of course."

"Yes.. of course.." he moved in quickly, but it felt different this time. His lips crashed against yours, and you definitely felt his tongue brush your lips a couple of times but you didn't reciprocate. You both moved backwards, your thighs hitting the table behind you, coffee nearly spilling over.

"Fuck, you okay? I'm sorry.." he pulled away to make sure none had spilled on you.

"I'm fine, it didn't fall, I'm fine... I uh, I think we've got the kiss nailed down though..." You brushed your hair out of your face and looked to the floor.

"Yeah, I think you're right.." your eyes met again and you both smiled. Before he could speak though, Anto was at the door knocking.

"Ready for round 2 guys?" He called. Cillian nodded at you, and you nodded back, both of you heading out to try the scene again.

[blessednereid]

Pity the Living

Daniel Sharman x Reader Series

A/N: The Much Requested, and By Requested, I mean @rogershoe wanted me to write this, MY DANIEL SHARMAN FANFICTION!!!!!! The character that Y/N plays is based on my OC for FTWD and is not an actual character in FTWD. Basic Premise of the setting for this chapter is that they're in high-school/ secondary school. But for the majority of the story(minus flashbacks) it's set in 2016/17 when s3 of FTWD was filmed.

Story Summary: When (Y/N) (L/N) reunites with a high-school friend on the set of the job she's been working on for the past 2-3 years, not only is she excited to work with the guy who inspired her to go into acting, but to hear about what he's done since she's seen him. But the more they talk, the more she realizes, this reunion is not going the way she had planned.

CW: Cursing? brief mention of alcohol, anxiety, mentions of food, fake dagger, fake blood, bets,

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Career Day

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Most of the students around you were chorusing to the tune of your school anthem, but not you. You had heard the melody and sung it almost a million times. Whether you were exaggerating or not, not even you knew. Instead, you were whispering and laughing with one of your best friends, Daniel Sharman.

You met Daniel when you first came to the school. You didn't know many people. You didn't even know yourself in this place. It was a completely foreign experience, but he stuck by your side and showed you around.

Since then, you had made friends, joined the swim team, learned your way around the school without ending up in the boys' restrooms instead of the girls' ones. Despite not needing Daniel to show you around anymore, he still provided plenty of comedic support and pick-me-ups and was a great mate all around.

Your teacher had just finished introducing all the parents who were presenting at career day. The assignment being after the presentations were finished, you were supposed to think about what you wanted to be in the future. You had no idea what you wanted to be. But of course… Daniel did.

"An actor."

"An actor?" he nodded. "Like Macbeth?"

"No, Macbeth is a character. An actor is a person who plays the character."

"Why an actor?"

"Dunno. Just seems right."

You frowned. "Huh, that's nice. Knowing what you want to be."

"You could always try acting. It's worth a shot."

"Hah, if I ever tried acting, it would probably be when I'm old, senile, and look like Betty White."

"Oh, come on. You're a great actress!"

"What's that supposed to mean, Sharman?" you gasped.

"Just that you tell fibs and stories as if they were the truth. That's all acting is."

"I DO NOT!"

"How did you convince your mum that your dog jumped onto the table and ate the cake without making any noise last weekend, then?" You opened your mouth to speak before closing it.

"Cat got your tongue?" he teased.

"Shut up, Sharman."

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L/N Residence

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You and Daniel were both swimming in the pool in your backyard when Daniel asked you the question.

"Did you think about it?"

Still floating, you asked, "About what?"

"Acting."

You laughed incredulously. "You were serious?"

"Of course I was." He swam closer to you and pulled your leg down, making you flop around and splash water.

"WHAT THE HELL!"

"Was just trying to get your attention," he remarked innocently.

You coughed. "You had it."

"Picture this," he waved you off. "Us, on the red carpet-"

"Who's red carpet?"

"Does it matter? We'll be each other's dates anyways."

"Why is that?" you asked.

"Because we're best friends."

"What if one of us has a boyfriend or girlfriend?"

He shrugged. "Ok, whatever. We're on the red carpet separately. It's both of ours red carpet-"

"So, does that mean we're in a movie together?"

"Yes, Y/N," he muttered exasperatedly.

"But that's impossible?"

"Why do you say that?"

You leaned closer to his ear. "BECAUSE I'M NOT BECOMING AN ACTOR."

He jumped away from you, proceeding to splash you with water.

"Mark my words. I know talent when I see it."

You sighed. "Could this just be you not wanting to be lonely in the acting world?"

He jutted his lip and spoke in a whiny voice. "Maybe…"

You laughed before splashing a giant wave of water at him. While he still had water in his eyes, you dove under and pulled him down.

He flailed around before his head popped up, and he calmed down.

"WHAT THE HELL!"

"PAYBACK, SHARMAN!"

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Announcement

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The intercom gave a heavy buzz, and static-y noises ran amok over the building before a voice actually came through the speakers.

"Hello, Teachers, Students, and Faculty. Welcome back to school. We hope that you all enjoyed your holidays and got the rest you needed to pay attention in class today," the last part was passive. Your principal gave more announcements for clubs and sports around the school, such as upcoming games or reminders for students to buy the school yearbook.

You were nodding along interested, or looking for interest really when something caught your best friend's attention.

"The school will also be hosting its first-ever play, Romeo and Juliet. Interested people should report to the music room before the end of the week to receive information."

You saw Daniel's eyes widen only moments before he spoke up. "Hey," he waved at you. "You should audition!"

"Daniel, are you insane?"

He chuckled, "No, but I think you'd like it."

You tried arguing, but he wasn't taking no for an answer. "You're the one who said you didn't know what you wanted to do after you graduated. Doing this cannot hurt."

"Yeah, it can't hurt until I trip on my costumes and break my neck!"

"That rarely ever happens," he said exasperatedly. "Ok, how about this? You audition, and if you end up getting a role and actually doing the play, I'll give you fifty pounds."

You squinted. "Do you even have fifty pounds to give me?"

"Do you even have to ask," he feigned shock in the accusation? You gave a sour face before he truthfully answered. "Fine, I don't have it now. But I will by the time the play comes around."

"What do I get just for auditioning?"

"I'll convince my mum to make that cake you like."

"Fine."

"BUT!" he exclaimed. "You have to audition for Juliet."

"You're kidding?"

He laughed. "No, I'm not. You have to audition for Juliet."

"I hate you," you mumbled before sighing a whispered 'fine.'

He gave a toothy smile. "Then we have a deal."

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Auditions

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You reluctantly walked onto the stage, Daniel's widening grin so visible in the audience. He said that he only put his name on the audition sheet so he could watch the auditions. He would've already been gone by the time it was his turn.

"Hello, My name is Y/n L/n, and I am auditioning for Juliet," your lips pressing into a straight line after saying the sentence.

You stammered through your first few lines. "Sh-Shall I speak ill of him— that is my husband?" You said with a laugh.

"Ah," you paused and clicked your tongue. "Poor my lord, what tongue shall smooth thy name… When I, thy three-hours wife, have mangled it?"

You said your following line in an accusatory manner. "But wherefore, villain... didst thou kill my cousin?" you said, though your voice squealed trying to pronounce 'didst.' "That villain cousin would have killed my husband."

"Back, foolish tears, back to your native spring!" Your voice rose and fell several octaves. "Your tributary drops belong to woe, Which you, mistaking, offer up to joy." Fake tears spring to your eyes, your voice cracked, and you began slowly falling against an invisible wall.

You looked down at your paper for what to say next. "My husband lives, that Tybalt would have slain; And Tybalt's dead, that would have slain my husband. All this is comfort; wherefore weep I then?" You wiped your cheeks dramatically.

"Some word there was, worser than Tybalt's death, That murd'red me. I would forget it fain;" your lips quivered, and you sucked in deep, heaving breaths before speaking your line.

"But O, it presses to my memory. Like damnèd guilty deeds to sinners' minds! 'Tybalt is dead, and Romeo--banishèd!" You shouted.

You stood back up in a startling jump, and with a proud smile, you said triumphantly, "And Scene!"

The directors and some students in the audience, especially Daniel, gave a round of applause before the director dismissed you.

You took the steps to the stage and sat next to Daniel as the director called the next student to audition.

"You were amazing! The director might as well have given you the role right then and there."

You laughed, "Hang on, charmer. There were a bunch of Juliet's who literally said that entire thing so… fluently. I stammered through the whole thing."

"But you showed more emotion than anyone else. You only had a week to prepare. The actual show will be like child's play."

"They want people who can memorize and recite. The emotion can be added later, but it's worth nothing if they forget their lines."

"There is such a thing called improvising for a reason," he reassured.

"Who in their right, bloody minds wants to improvise Shakespeare?"

He turned his head and chuckled before waving a five-pound note in front of your face. "Here, I got to go before they call me, but you earned this at least."

"Five pounds for being forced to audition for a stupid play so you can prove a point? Wow, you must really fancy me, huh, Sharman?" you said sarcastically.

"Goodbye, L/n," he whispered before sneaking out the back door of the auditorium.

"Alright, next up. Daniel Sharman!" The director shouted your friend's name a few more times before giving up.

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Headmasters Office

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A week after your audition, you were called to the headmasters' office. Thus is the cause of the curious looks from your classmates. Oohs and Aahs flooded your ears as you grabbed your bag and headed out the door to the front of the school.

When you got to the front of the building and went into the headmasters' office, you saw the Theatre director, Ms Parker, standing behind the desk. "Headmaster Leo allowed me to use his office to do this. Isn't that cool?"

Ms Parker was one of the younger teachers in school. She was twenty-four, and this was her first year teaching after receiving her bachelor's degree in education and a master's degree in music production. A fact she could astoundingly ramble about for fifteen minutes. As proven at the auditions.

"I didn't want to call you to the theatre room. That would be too predictable, correct?" You'd come to realize she was a very eccentric woman. "I have called you in here to inform you that you have been selected to perform in this year's play of Romeo and Juliet."

A wave of shock coursed through your body, and you were sure it reflected on your face. "Are you sure?"

"Darling, I'm positive!- your audition was totally spectacular! So brilliant-in fact- that I am completely sure in my choice to make you our female lead- Juliet!"

"What!" Your eyes widened into a blank stare. Your thoughts were running rampant in your mind. You thought that performing on the stage would be a breeze when you weren't the lead.

"Ms Parker, I didn't actually want the part of Juliet! It's just that my friend dared me to audition for Juliet! Is there no way I can get a smaller part? I'm no Juliet. The show would be ruined," you rambled.

The directors' facial expressions softened, "Darling, you are the only choice. None of the other people who auditioned can even compare to the amount of passion you produced in that audition. I am determined to have you as our Juliet."

You whimpered out an "Ok." Professors had a strange way of convincing you to do extra credit assignments or things that aren't necessary.

"We have a chemistry read for you and a few of our other choices for Romeo after school today. Do you need to contact a parent to let them know where you'll be?"

"Uh, yes, please."

After you made your call, you walked back to your classroom with shaky hands. The class period was almost over, but you had to tell Daniel that you had gotten a part in the show. Not just any part- THE PART!

You shuffled into the classroom reluctantly. All eyes were on you as every student had assumed you'd been in trouble. Either suspended, expelled, or told your parents were going to have a sit-down with the headmaster.

You took your seat next to Daniel before taking out a piece of paper and writing out a note, encompassing the words, "I got the part!"

You slid the sheet discreetly onto his desk. When he read it, his eyes widened, and he quietly moved his hands toward yours, beckoning for a high five.

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First Rehearsal

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After the chemistry read, the role of Romeo was given to a kid named James Mercer-Allen got the part. Though it was more because the directors were starting to become tired.

The next day was the first rehearsal. Swimming season was last semester, so there was no clash in schedules with the play.

"Alright, this rehearsal is to get acquainted with the stage, your fellow actors, and directors," she insisted. "Now, let's introduce ourselves. Can our Romeo please stand up?"

James stood up and gave a brief introduction. You were called on next. You stated your name, "I was on the swim team last semester, and I'm in my thirteenth year. I hope I can do this role justice."

More students stood up to introduce themselves. The entire process took more than thirty minutes.

The next thing to happen was that the rest of the students were called to recite lines for various roles. The only parts that had been cast preliminarily were Romeo and Juliet.

You and James had sat on the wooden stools unless there was a scene going on that needed Romeo and/or Juliet.

By the end of the first rehearsal, the majority of the speaking roles were cast. You went home exhausted but not expecting the conversation that waited for you.

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The Talk

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"We're moving?" you shouted at your parents from your seat across from them in the sitting room. "What do you mean we're moving."

"Honey, your dad got a job in the states, so we have to move," your mother argued.

"But what about school? No school will take me in the middle of the year, and it's my last year of secondary school. I don't want to spend the rest of my last year knowing nobody."

Your dad, the man of the hour, spoke up. "Dear, we're moving at the end of the year. After school ends."

"But- What about Uni?"

"You said you were taking a sabbatical year!"

"Yes, so I could intern in London!"

"Can't you intern in California?" Your mother whined.

"We're going to California? It's the furthest state?"

Your dad attempted to reassure you but failed. "Darling, it won't be that bad. Maybe you'll like it there more than you like it here!"

"I could never like anywhere more than I like it here!"

You agreed to go to your room and spent the rest of the day there. Later on, after you finished moping, you ringed up your closest friends to tell them you were moving. You did that until you were so tired you fell asleep on the phone with Sarah before you even called Daniel.

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Confrontation

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"Why am I hearing from everyone besides you that you're moving?" Daniel appeared out of thin air behind you, and the accusation was an assault on your conscience.

You could lie and tell him that you wanted to reveal that to him in person, or you could just tell him the truth- say you fell asleep. Mix-and-Match? You ended up just telling the truth. "I fell asleep when I was making some of my other calls. I was going to tell you, I swear!"

"Why didn't you call me first. I'm your best friend?"

"That's why! It was too hard. I kept putting it off and putting it off and putting it off because I didn't want to tell you, I don't want it to be true, and telling you of all people would make it feel real."

"Why can't you stay for Uni?"

"I already told my parents I was taking a gap year. I didn't apply to any colleges."

"Crap!" he sighed. "Ok, well, we're going to have to make the most of it. And! You're getting a going away party!"

"Daniel, I don't need-"

"No debate! You are getting a going away party!"

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Opening Night

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Four months later, after all the rehearsals and memorizations of lines. After much running around the entire film department, it was finally opening night, and your nerves were shot.

You were scrambling all morning to find everything you needed. All your costumes were at the school, but you still needed to bring your black leotard, skin-coloured tights, and wear your hair in an up-do style.

You decided to do your skincare routine, but your panic got the best of you, and you forgot what every single product was used for.

Daniel came over and helped you get ready but found you practically hyperventilating.

Your parents drove you both to the theatre, and when Ms Parker told you that Daniel couldn't be backstage, you promptly told her that he was your emotional support. After much arguing, she finally let him backstage.

Around an hour before showtime, the director told Daniel that he had to go wait in the audience if he already bought his ticket or that he had to go do it now.

Before he left, he gave you a pep-talk. "Hey, so one time, I was in this play, and the idea was that I was expelled, and there was a piece of paper I had to give my 'mother,' but I lost it. So we had to improvise, but I couldn't find the paper, and I felt horrible. So just know, even if you forget your lines, you must improvise, and remember, it still probably won't compare to the embarrassment I felt that day. So you can laugh at my humiliation. "

You chuckled, "I will. Ok, go before you get in trouble."

"Ok, me, our parents and all your friends will be in the front row. I've already reserved the entire row. I brought a whole bag of jackets just for that reason!"

"You can't do that," you said in between cackles.

"For you, I'll do anything," he grinned.

A few hours later and the show was almost done. "What's here? A cup, closed in my true love's hand? Poison, I see, hath been his timeless end," you wept.

"O, churl! Drunk all and left no friendly drop to help me after? I will kiss thy lips; Haply some poison yet doth hang on them, to die with thine restorative." You leaned over James and let your hair fall to the side of your head to cover your face. You pulled back without actually kissing James.

"Thy lips are warm."

A whispery voice came from offstage, "Which way?" The cue for you to take the poison, which was actually cranberry juice.

"Yea, noise? Then I'll be brief. O happy dagger!" You grabbed the dagger and brought it near your chest. "This is thy sheath;" you drew the fake knife back three inches from your chest and stabbed it to where the bag of more cranberry juice was and punctured the bag. 'Blood' soaked through your dress. "There rust, and let me die." You fell dramatically onto the altar and waited for the scene to end as the crowd cheered.

After the show, you dashed into the crowd where your friends and family waited for you. Ovations and Applauses were passed, lauded boxes of chocolates and gorgeous roses were given.

When you got to Daniel, he practically tackled you with a hug. "I actually thought you died for a split second. The blood looked so real."

"Daniel, most people don't bleed that fast, do they?"

"I don't know but fear kicked in, and I couldn't make sense of anything."

You grinned and almost went to your parents before Daniel grabbed your arm. "You don't have a date to the Leavers ball, do you?"

"No, I don't. Why?"

He sighed. "Well, I was thinking that you could go with me. I don't have a date either."

You squinted, thinking there was some ulterior motive behind his actions. "Ok, I'll go with you if you give me the money you owe me before then."

"It's right here," he smiled.

Your face scrunched up, but you reluctantly agreed. You only had a month of school left, and you might as well spend it having fun with your friends.

☆◦ 。＼｜／。◦☆

The Leavers Ball and the Getaway Party

☆◦ 。／｜＼。◦☆

You were dressed in a light blue, pleated, Mikado prom dress that cut off at mid-thigh. You had black wedges on your feet and a black pearl-beaded bracelet on your arm.

You were wearing a half-up, half-down style that framed your face and a silver necklace with a circle-shaped diamond.

You were sitting in the parlour when Daniel rang the doorbell. He was ten minutes late.

"Sorry," he said when your dad answered it. "I know I'm late. I was picking up Kat and James."

Kat and James were your and Daniel's respective friends who'd started last year after you and Daniel introduced them.

"Hi," you popped out of the shadows. "Alright, Mom, Dad, we're late, so we're just going to get goi-"

"Wait! I have to take pictures! Go get Kat and James."

"No, Mom. No pictures!"

"It's only right. I just want a few. We can take it outside."

You sighed but reluctantly caved into your mother's will.

The four of you took pictures outside of Daniel's Jeep Wrangler. You took ones with silly faces, just girls, just boys, and ones with all four of you before your parents allowed you to leave.

You were forty minutes late, and the ball was already in full swing by the time you got there.

You got on the dance floor immediately because one of your favourite songs was playing, but the DJ switched the song as soon as you found a decent spot. It was a slow song. You chuckled, and Daniel put his hands on your waist.

"Well, this is awkward."

A few minutes later, Daniel posed an interesting question.

"Did you know that I had a crush on you when you first came to school?"

"Uh, you stammered. "No, I didn't know that."

"Yeah, I did. It was short, though. Surface-level."

"Oh," you said. "Should I take offence to that?"

"What?" His eyes widened in realization with what he said. "No, that's not what I meant. You have an amazing personality. I just meant that… I just meant I like you more as a friend than to ruin that with any of those feelings."

"Oh, ok. You wouldn't have, though."

"I wouldn't?"

"No, everyone needs an ego boost every once in a while."

"Haha!"

"And besides, I've had feelings for you at one point too. But it was very cliche, so I tried to shake it as hard as I could."

"Oh?" He raised his eyebrows. "And did you?"

"Like I said, as hard as I could. If it's still there somewhere, it's buried very deep, so much so that I was embarrassed."

"Embarrassed to like me?"

"I mean embarrassed to try and make my life seem like some movie."

"Oh, well, if you did, it would've just made you that much better as an actress. Speaking of that, would you consider acting in the least?"

"Maybe, now that I'm leaving, it's basically the last thing I have to connect me to you."

"No," he said, pointing to your bracelet. "You have that."

You had forgotten that it was Daniel who gave it to you, but the realization brought a smile to your face. "Oh yeah, I'll never take it off."

Later on, long before the ball ended, you saw many of your friends leaving.

"Hey, are you ready to go?" Daniel approached you.

"Where is everyone going?"

He wriggled his eyebrows. "Afterparty!"

"But it's not over?"

"Quit being a party popper and just come with us, L/N!"

You gave in, something you did a lot, and you all started driving. When you got there, you realized you were at Daniel's house.

"The afterparty is at your house?" you asked.

"Well…" James answered.

Kat joined in. "It's really an afterparty!"

"This is your going away party!" Daniel finished.

"But I'm not going away for another month."

"Well, now you have an entire month for people to give you gifts and stuff, and you don't have to worry about the party!" He reasoned.

"But why did it have to be after the Leavers ball?"

"Because you're already in a dress, and it has to be a surprise! Surprise!" Kat exclaimed.

"Alright, fine!"

The entire night you partied and danced, and though you didn't drink alcohol, plentiful amounts of pop and mocktails were passed around. The music was a delight to your ears with all your favourite songs. There were chips and pizza with all your favourite toppings.

"This party is awesome!"

Daniel grinned. "Well, I am an amazing party planner if I do say so myself."

☆◦ 。＼｜／。◦☆

Airport

☆◦ 。／｜＼。◦☆

Daniel's parents drove your family to the airport. Your parents had sold the car. Your dad would return in a week to close a deal on the house. Everything was official, and now you were leaving.

You got out of the car, and the tears forcefully began to fall.

"I'm really gonna miss you, jerk," you said disdainfully to Daniel.

He chuckled. "I'm going to miss you more."

"Impossible!"

He wiped the fallen tear from your eye, and for a moment, you could see every single multi-coloured speck in his eyes and noticed how sometimes they looked blue, and at others, they looked grey or green.

You noticed the curvature of his smile and the chisel of his jawline.You saw the hurt in his eyes that said, 'why do you have to go? You're killing me,' and wanted to never move from that position.

He continued to rub the tears that fell onto your cheek, and the sad moment was as sheltered as it could be. You felt safe with him, in his arms, just looking at his face and being reminded of how he comforted you in a place that felt as familiar as Oz felt to Dorothy.

"What am I gonna do without you?" you whispered.

"Get at least one acting job, get an assistant and an agent, I'll do the same thing, and then either one of us has our assistants reach out to our agents, so we get back in touch in case we ever lose touch."

He sounded so grave that you couldn't help but laugh. "That's assuming I do become an actress, Daniel."

"You're right," he whined. "But don't forget me."

"I promise."

And you tried to keep that promise. Throughout your first year, you interned at UCLA, working in the lab. You then applied to go to school there, and you still tried to keep Daniel in your mind. Maintaining a social life on campus combined with schoolwork already wasn't easy. However, you still wouldn't let yourself forget your best friend.

It wasn't until you entered your senior year and you were about to graduate that he started to wane in your memories. The things you did together became obsolete as new friends and memories replaced the old. The things he taught you were thrown out to make space for the new lessons you learned each day.

Even when you did become an actress, you never really remembered why you decided to. You remembered that your friend pushed you to do that play, but it was almost ten years ago, and for the life of you, you couldn't remember his name.

But you did do it, first as an extra, then a body double, and then you started getting l roles on smaller shows. But your big break was getting a quasi-lead role on the spin-off of a big television show, The Walking Dead. For two years, you enjoyed going to conventions and playing the complex character, Valeria Bishop, and you thought you had it all figured out.

But life has a funny way of coming full circle and throwing you a curveball that knows you off course and changes your life.

[nugnthopkns]

i wish i could disappear

word count: 3.6k

warnings: explicit!fem reader, cursing, feelings of anxiety due to social media harassment, invasion of privacy that border on stalking

recommended listening: brutal | olivia rodrigo

series masterpost: here

a/n: and we're off to the races!! i love this album and olivia so much. there's a shoutout to goon by tobias jesso jr. in here bc it's my favourite album to cry to lmao (highly recommend giving it a listen!). i'm on the fence about this one but am posting it anyways because i don't think i can make it any better

How the fuck do people find your social media?

All of your accounts are private and Kevin makes sure to never tag you on the rare occasion he posts a picture of the two of you together. The wives and girlfriends who have public accounts make sure to never post about you, and you’re careful not to comment on posts often. You’re a private person and though you understand that due to the nature of your relationship with Kevin you intrigue some fans, you don’t want to give them more than you have to.

Despite making no attempt to open up to the public or media, every day you wake up with hundreds of follow requests from complete strangers. At first it was a little exciting knowing that people were curious about your life but after years of the same routine it’s become draining. It takes you nearly twenty minutes each day to weed through them and accept only the people you know personally. Kevin doesn’t actually know how many people want to catch a glimpse of your daily life because you do your best to keep it from him. Knowing would only bring him stress, and you want him to be able to focus on winning games and loving you with his entire heart.

☼☼☼☼

The phone on your desk rings loudly, pulling your attention away from the computer screen that has way too many numbers on it for your liking. The finance department needed someone to proof their audit before sending it away and since you’re the only one in human relations that has a business degree the job landed on your shoulders. Eager to take a break, you pick it up and press the receiver against your ear.

“Hello?”

The voice on the other side laughs gently, but you immediately know it’s Kevin. “Hi sweetheart,” he says warmly, “How’s work?”

“Fine I guess. It’s work, Kev. Nothing terribly exciting happens here,” you explain but continue to fill him in on all the coffee pot gossip you got this morning. Kevin listens as you complain about forgetting your lunch on the counter and chuckles at how upset the situation makes you.

“What if I told you I’m outside your window with a burrito bowl?”

Excited at the possibility of seeing your boyfriend before dinnertime, you whip towards the window and spot Kevin on the sidewalk, waving like an idiot despite knowing your office is on the fifth floor. You hang up quickly after telling him you’ll be down in two minutes and let the receptionist know you’re stepping out for lunch. There’s a line for the elevator so you head to the stairwell, taking them two at a time in your haste. You’re crossing the street to the small park where Kevin has set up a picnic before your co-workers are even out the door.

You plop down on the blanket beside Kevin and lean into him. He presses a sweet kiss to your forehead before passing you the food he brought. You take a bite, sighing at the taste. Kevin knows you better than you know yourself and knew exactly what to get that would satisfy your mounting hunger.

“Thanks babe,” you smile, holding up your fork and offering him a bite. He takes it graciously but makes a face. “What’s the matter?” you laugh as you take the utensil back.

“I fucking hate avocado.”

The two of you eat in relative silence, speaking only when you remember a detail from your morning. Kevin tells you about the drills he’s going to lead at practice in the afternoon and what he plans on cooking for dinner since he’ll be home before you. You insist you can whip something up when you get home but Kevin shakes his head. He reminds you that relationships are give and take, and that you’ve made dinner the past three nights because he had a string of games. You manage to reach a compromise that has you doing the dishes before you have to return to work.

Kevin insists on walking you back to your office even though you protest vehemently. Your relationship is far from secret, and has been the topic of workplace gossip more times than you can count, but after five years you’ve learned to ignore most of it. However, you don’t want your co-workers to think you flaunt your NHL player boyfriend to prove you’re better than them. They all love Kevin, and a couple of them congratulate him on last night’s goal as he follows you down the hall. A few of the newer hires stare in awe and shake his hand, completely blown away that one of Philadelphia’s biggest stars is asking how they like their jobs.

“Pretty soon they’re going to approach you to do PR for us,” you chuckle as you flip the light on and close the door of your office.

His laughter echoes off the walls as a pair of strong arms find a home around your waist. “It would be kind of fun to hear myself crush those radio commercials.”

“Since when do you listen to the radio?”

“Checkmate,” Kevin sighs, pulling you closer. He kisses you quickly, not wanting to give a show to anyone who could be walking past, but it still sends you reeling. You don’t want him to pull away and kiss him again.

You get your way for a few more moments and then Kevin’s leaving with a promise to not burn the house down and wishes for a good rest of the day. Focussed on giving the audit its final once-over you don’t bother pulling your phone from the drawer you had placed it in when you got to work that morning. You turn up the small radio at the corner of your desk and get to work scanning the document for errors. There’s a mistake halfway through that skews the rest of the data and fixing it takes a bit of time, but it isn’t a huge deal. You have nothing else to do except answer a few emails and organize meetings for after the weekend.

An hour or so later you’ve completed all your tasks and debate what to do. It’s too early to leave for the day, so you decide to kill time by checking your phone. You’re expecting a few notifications, perhaps two or three memes in the group chat you share with your friends, but not the hundreds that greet you.

The majority of them are instagram notifications, and assuming they’re just more fans requesting a follow you ignore them, instead heading to your text messages. There’s a picture from Kevin of a dog he found walking home and another from your mom asking why you haven’t called home in a few weeks. However the one from Claude’s wife is the one that piques your curiosity.

Just a heads up that someone posted a pic of you and Kev to one of those stupid wag pages. I filed a request for Instagram to take it down but it’s gotten a lot of traction. Sorry :((

Your heartbeat increases rapidly and a million thoughts fly through your head at a rapid speed. Fingers shaking, you respond with a thanks and open up the dreaded app. You don’t see it immediately, your feed being full of photos belonging to friends and family, but it’s in your messages almost two hundred times. Many of them have text attached and you know there will be a comment about your relationship regardless of which one you open.

Tapping on the most recent message you brace yourself for the worst. The new window opens a photo someone took of you and Kevin while eating lunch in the park across from your office not even three hours prior. It’s grainy and the camera angle is strange, but you’re eating and Kevin is looking somewhere out of frame. The accompanying caption reads Kev and his girlfriend out for lunch today! Follow @philllywagupdates for more :).

You let out a sigh of relief – it could have been a lot worse. Personal pictures of yourself have made it onto pages like that before and most of them they’re paired with mean-spirited captions about your appearance or other trivial matters. Assuming you’re in the clear, you head back to the page of the original message to thank the person for bringing the post to your attention. However, the message accompanying the post is anything but positive.

He can’t even fucking look at you. It’s only a matter of time before he leaves you

The blood in your veins runs cold. You know it’s not true – Kevin’s made it clear you’re the one and truthfully you’re just waiting for a ring – but it doesn’t stop the sting you feel. What could possess someone to say such horrible things? You decide not to respond despite, possibly opening another can of worms with the seen function, and close the app. Leaning back in your office chair you focus on anything but your phone, looking out the window at passersby while regaining your breath. It works for a while, but eventually not knowing what others said eats away at you. You go through every single message to see hundreds of similar comments to the first, with only a few saying they’re glad you’re happy or how posting the picture is a violation of your privacy.

By the time you’re finished your spirit has been crushed. However, it’s also an acceptable time to start the weekend – at least no one in the office will have to see you cry. Things are hastily packed into your bag and you wave a few quick goodbyes before once again taking the stairs. You curse yourself for deciding to walk to work that morning and set off in the direction of home wiping away tears. The last thing you need right now is for someone to recognize you, but you have to get home. Tobias Jesso Jr plays at much too loud a volume through your headphones and Kevin will most certainly remind you it’s bad for your hearing, but the melancholy piano riffs of Goon overpower the thoughts swirling around your head.

Do people really feel that way about me?

Are my friends just too nice to stop inviting me places?

Does Kevin really feel trapped?

Hundreds of similar sentiments and situations cross your mind as you stumble through the streets of downtown Philadelphia, but you force them as far back as possible before opening the door to the apartment you share with Kevin. Hoping to slip inside undetected, you take your shoes off slowly and throw your jacket on the end table instead of hanging it in the closet. Your plan fails somehow and Kevin hears you, greeting you in a goofy apron covered in flour.

“Hey sweetheart,” he smiles, but it drops once your eyes meet and he sees the hurt on your face. “What’s the matter?”

“It’s nothing,” you insist, trying to step around him in pursuit of the bathroom.

Kevin doesn’t buy it and sees right through your feeble words. “It’s not nothing if you’re this upset. If you don’t want to talk now that’s fine, but I think you should get it off your chest.”

You know he’s right, but you also know you can’t tell him the true cause of your despair. “Just some work stuff,” you sigh. “The audit got all fucked up and I had to fix it even though it’s not my job.”

It’s not technically a lie, which makes you feel better, and Kevin buys it. He presses a sweet kiss to your lips in sympathy. “Go take a shower and the gnocchi should be ready by the time you’re done. We can spend the night cuddling on the couch.”

“And watching Selling Sunset?”

“We can watch whatever you want sweetheart,” he chuckles. You part from him with a final kiss and head to the bathroom. Hopefully the steam from the water will carry away the negativity brought on by that damn post.

☼☼☼☼

Time passes but the hateful comments on social media don’t stop. In fact, you’re pretty sure they get worse. It’s so bad that you’ve deleted every app except facebook because you need it for work. Kevin doesn’t notice your abstinence from social media, but he picks up on how you spend more time criticizing yourself or staring off into space. When he pushes you either brush him off or feed some bullshit excuse about how work is getting you down. You know he doesn’t believe you but trusts you enough to come to him when you’re ready to talk.

You aren’t sure if you’ll ever be able to tell Kevin what’s been going on. There’s been scrutiny from social media before, when you first started dating, but it quieted down after the initial media frenzy. He helped you through that but it’s different this time around. Never before have you had strangers tell you your life is worthless or that your boyfriend should end your relationship. Some of the other wags notice your absence on instagram but chalk it up to you just taking a break. They reach out via the group chat and send wishes to see you at the next home game. It’s nice to know they care, but the voice in your head that has grown much larger in recent weeks tells you they don’t truly mean it. This leads you to decline the invite as politely as possible, citing extended work hours for your absence. In reality you’re too anxious to be anywhere that isn’t home or work, petrified someone is going to post something that will add fuel to the flames of those who interrogate you.

It’s another Friday afternoon, and you’re leaving the office early once again. There’s a small craft exhibition taking place around the corner from work and today is the last day it’s open. You had been meaning to go all week, hoping to find something small to add to Kevin’s birthday gift. As you step out of the building there’s a small group of young women, who don’t look old enough to have graduated college, standing off to the side. It fills you with dread, worried that somehow someone found out where you work and the insults are going to start occurring verbally, but you force yourself to be rational. You work fairly close to one of the artsier districts in the city and it’s more than likely they just want to find a cute mural to take pictures in front of.

You pass by and swear you hear them snicker, but you remind yourself you’ve just been jumpy lately. When they peel from their place on the wall and follow behind at a distance you think the coincidences are running out. It seems a little too strange how their movements line up with yours, and you go down a few winding side streets in an attempt to lose them. Part of you feels ridiculous because what group of barely legal girls would track a full-blown adult around a city of nearly two million people, but your life is currently strange enough you can’t be sure. They don’t follow you, and by the time you reach the market your heart rate has returned to normal.

The first few stalls have little to catch your eye, but a few rows in you find a leatherworker who makes adorable wallets. Kevin’s is ridiculously old and falling apart at the seams – his mom bought it for him before the two of you got together. You think a new one will make a perfect addition to the concert tickets you already bought and browse the table for something simple and elegant. A deep brown one with tan braiding around the edges catches your eye and you know it’s the one for Kevin. Checking the price to make sure you have enough cash in your wallet, you approach the shop owner to purchase. The older man has a kind smile that reaches his eyes as he thanks you for purchasing from him.

“No, thank you for making something so beautiful!” you gush. “My boyfriend is going to love it.”

It’s then you hear it – snickering accompanied by the click of a camera. You look over your shoulder to see the same group of girls from before laughing as they huddle over a cell phone, no doubt already starting to broadcast the photo across the internet. Tears prick at the corners of your eyes but you refuse to let them fall. Those girls don’t deserve to see their mission accomplished, but the longer they laugh at you the harder it is to swallow your feelings.

Head held high, you thank the owner one more time before holding your head high and walking past the group. The only way out is past them so you hold your breath and pray they don’t notice you. Unfortunately you aren’t that lucky, and one of them looks up just as you come into earshot.

“If Kevin doesn’t leave you after that sorry excuse for a gift I don’t know what’s wrong with him,” she sneers.

Another one chimes in, “You’re honestly so pathetic.” They all cackle in amusement, and you speed up. The tears flow freely now, and you call an uber even though it will be a ridiculous amount of money. You just want to get home.

The uber driver doesn’t say anything when you get in, though you know it’s strange to be bawling your eyes out at four in the afternoon. You can’t help it – weeks of keeping all the hate to yourself finally got to you and being followed with the sole intent of ridicule is the final straw. At one red light he silently passes you a box of tissues, which you accept gratefully.

Luckily the lobby of your apartment complex is empty and you manage to get to your floor without encountering a familiar face. There’s a few hours until Kevin gets home from his final roadtrip of the season, and if you play your cards right you can get all the tears out and be as normal as possible before he comes through the door. You don’t even bother to put anything away, just head straight to the bathroom to slump against the tub. Sobs rack your body and you lose all sense of time. All you can feel is the hurt you’ve been holding in releasing itself and soaking the material of your blouse.

Kevin finds you laying in the position hours later. He tripped over your shoes coming in the door and immediately knew something was wrong – you always place them neatly on the rack in the closet upon arriving home. Peering through the quiet house for a hint at where you are, he sees the bathroom light on and makes a beeline for the room. It breaks his heart to see you like this, and even more so because he doesn’t know what spurred it on.

“Sweetheart, hey,” he coos, maneuvering his body to sit beside you and pull you into his lap. “What’s the matter?”

You bury your head in his shoulder and clutch the material of his dress shirt as you cry harder at the sound of his voice. Kevin takes your reaction in stride, rubbing circles on your back and working on evening out your breath. He doesn’t pressure you to speak and provides the stability you desperately crave as the world around you spins. An unknown amount of time passes before your tears run out, but spend it all on the bathroom floor curled into Kevin.

“I guess I should have told you sooner,” you mumble, “But I didn’t want to bother you.”

Concern laces Kevin’s features and his eyebrows knit together. “Tell me what?”

“I, uh, have been the subject of some internet hate for the past little bit,” you say sheepishly. It feels stupid to not have told him now, but you can’t change that. “But you were really busy with the season and I wanted to make sure your head was completely focused on the game so I just dealt with it myself. I deleted the apps and tried my best to go about my life. And then today after work I was followed by some people and they said some really hurtful stuff and shit became a little too real.”

“I’m so fucking sorry.”

It’s your turn to be confused. “Why are you sorry Kev? You're Not the one sending me death threats.”

He tucks a loose strand of hair back into your ponytail. “Maybe not, but I still made you feel like you couldn’t talk to me about what was going on. What kind of partner am I?”

“The best one,” you say confidently. “It’s okay, I’m okay. I just want to forget about it right now. Can we just disappear for a little bit?”

Kevin wraps his arms around you tighter, as if he can engulf you to protect from the cruel outside world. “We can do whatever you want. If you want to get out of the city for a bit if you want, or just spend the next few days here away from prying eyes.”

“I love you.”

You say it because you mean it, and if you could scream it from the rooftops you would. Kevin is incredibly easy to love, even when you make it difficult for him to love you back. You know another much longer conversation is coming about everything that has happened recently because communication is the only way to solve problems and Kevin deserves that, but you’re thankful he’s willing to put it to rest for a few more moments.

He cracks a smile for the first time since he’s been home and kisses the crown of your head. “I love you too sweetheart,” he whispers, “Always and forever.”

Things are far from over and though you still never want to show your face in public ever again, you know that Kevin is going to do whatever he can to make things better and that’s enough for you.

☼☼☼☼

taglist: @ricohenrique @tortito @boqvistsbabe @iwantahockeyhimbo @himbos-on-ice @2manytabsopen if you want to be added just shoot me an ask :)

[coochiequeens]

Ladies if we need to start reporting Medical professionals that don’t give enough pain relief.

I was an interventional radiologist for 35 years, placing needles and catheters into conscious patients every day. I had three different intensely painful procedures before I qualified in medicine and as a result have had a needle phobia all my life – ironic considering my career. I discovered early in training that hurting anyone was avoidable with conscious sedation and intravenous pain relief, supplemented with generous local anaesthetic administered with long needles as thin as a hair applied to the nerves of the region.

None of my colleagues in the three countries in which I worked did this consistently, if at all. I am aware that it was largely my own experiences that alerted me to the need for adequate pain relief. The medical injunction to do no harm should also mean cause no pain, as this is not difficult to achieve. Some surgeons and radiologists should never be let near a conscious patient. I knew an orthopaedic surgeon who retired at 58 due to cancer. He told me later that he realised he had never given enough pain relief throughout his career. What a sad epitaph for an otherwise decent man and able surgeon.  Mark J Towers Navan, County Meath, Ireland

 A few years ago, I experienced a post-menopausal bleed and was referred for an ultrasound scan. The female radiographer who did the scan said all was well. She was pleased that I would not now have to go into “the next room”, where a doctor was waiting to carry out further investigations on women whose scan showed potential abnormalities. She said that she often held the hands of these women and could hardly bear the sound of their “ whimpering”. That word will stick with me for ever. A year or so later I mentioned this on a routine visit to a gynaecologist. His response: “She should never have said that. It’s not that bad.” What a conspiracy of silence.  Stella Acton Cambridge

I was recently admitted to A&E with excruciating abdominal pain. I was denied effective pain relief for three days before being given “patient controlled analgesia”. During the three days prior to this, I requested pain relief for the removal of my coil and was reluctantly given gas and air. I later requested extra pain relief for the removal of an abdominal drain, which I was denied. The devastation of the NHS seems to be affecting clinical practice to the point of illegality. Name and address supplied

 Hospital gynaecology departments seem to be coercing women into endoscopies of the womb with no sedation or anaesthesia, just done with over-the-counter medicines to be taken at home. NHS audits show that one in three experience severe pain during a hysteroscopy, biopsy or polyp removal, which can take more than half an hour. “I was tortured by lovely people” – the Campaign Against Painful Hysteroscopy hears this almost daily.

Hospital clinics are pretending that uterine endoscopy causes only “mild discomfort”, when in fact it causes significant pain for most patients. The Campaign Against Painful Hysteroscopy has an ongoing survey of more than 2,500 stories of gynaecological violence. It’s time that the Department of Health offered all hysteroscopy patients anaesthesia or safely-monitored intravenous sedation with analgesia. Katharine Tylko Campaign Against Painful Hysteroscopy

[pochiperpe90]

Here comes “The Old Guard”. Marinelli goes to Hollywood, alongside Charlize Theron.

“Alone, fragile and immortal.”

A story of love, friendship and compassion with an ancient warrior and a young African American, who has just discovered she is immortal, as protagonists. Because the world needs women and courage knows no gender differences. 20 years after “Love & Basketball” and after “The Secret Life of Bees” and “Beyond the Lights - Find Your Voice”, Gina Prince-Bythewood comes to the action movie with very clear ideas on how to reinvent the rules. We talked to her over the phone while she was in Los Angeles during the lockdown. 

A superhero movie that doesn't look like a superhero movie. Is that why you decided to make it? 

Absolutely yes, when I read the script I realized that despite the fantastic genre there was a very realistic background. These characters are real and it's easy for the audience to relate to them despite being immortal. They fight for goals and reasons that people understand. The more realistic the film, the more viewers can reflect themselves in the protagonists. 

In fact, the most fascinating aspect of the characters is their vulnerability: they are immortal, but up to a certain point, which is a paradox. They too have to deal with the sense of the end. 

There is a possibility that they may die, that their immortality is interrupted, that they still suffer from their wounds, and this brings them closer to us. The public still feels sorry for them when they see them in danger.

Immortals suffer, and not just physically.

Many think that being able to live forever would be extraordinary, but no one asks what this really means. Immortality has consequences: it can be a gift, but it can also be a curse.

And we don’t know why immortality fell to them. 

The thing I loved about the graphic novel and the script is the fact that there is no explanation. Not only do we not know it, but neither do the protagonists. But it is a trilogy and therefore there is still a lot to tell.

Could you offer your contribution to the script? 

It was a great script, with great roles based on the graphic novel so I stayed very true to the text. With the author, Greg Rucka, we wanted to reflect on the fear of taking someone's life, the one that sometimes overwhelms soldiers in war, whose psychology is often neglected. Hollywood films have never been very concerned with this aspect, as if killing had no consequences. The protagonists are forced to kill, but if someone has been doing it for centuries, for others it’s the first time. 

What struck you about Luca Marinelli? 

I could talk about him for days, I love him, he's the actor that all directors dream of having on set. He loved the character and gave him life in a very credible way. Between him and Marwan Kenzari is born a great complicity, necessary between two people who have been together for centuries. Luca's eyes are full of soul, his Nicky is the heart of the group, he’s the most sensitive character of all of them. 

Charlize Theron, who is also one of the producers, has an increasingly and more torn body.

Charlize has already played roles like this one, she is very credible in the genre of action and has been helpful to who had never faced it before. From her, who really worked hard, others learned to do the same. She is very credible in the role of a woman who lived for thousands of years.

Matthias Schoenaerts, on the other hand, has an insidious role. 

He embodies the tragedy of immortality, loneliness, betrayal. He is the actor who most resembles his character in the graphic novel. He wanted to make the film at all costs because he had never measured himself with the action genre and felt he had things to express. 

The film underlines how today it’s no longer possible to hide, images can capture you at any time. 

In a scene near the end, when the immortals look at photos and articles about them, they truly become aware for the first time of everything they have done to protect humanity. They understand the power of images from which they continually try to escape in order to hide their identity. 

And then we talk about science and profit. 

In the film, people from different places join forces to protect the world, a need even more relevant today. Yet it is increasingly evident that profit matters more than human lives. 

Do you think the film industry is becoming more inclusive with women? 

Things are finally changing and I am grateful that, despite having no other action films on my resume, I have been entrusted with The Old Guard. I am grateful for the trust they have placed in me. It should be taken for granted by now that women are capable of coping with any film genre and I think how much pressure from the industry Patty Jenkins, who directed Wonder Woman to success and opening the door for many of us, went through. But the door must be wide open because there are still few who have such opportunities. 

In your opinion, have opportunities grown with the arrival of platforms like Netflix? 

Netflix wasn't afraid to trust a series of directors. Which studio would have produced Roma or Irishman? He has the courage to make films that Hollywood deems too risky.

The Golden boy

“Luca Marinelli, as we have never seen him before: in his Hollywood debut, he becomes an immortal and fights with Charlize Theron to save the world.”

Just before the lockdown he was one of the jury members of the 70th Berlinale in the city where he has lived for years - and he swears he had so much fun watching three films a day. The audience awaits him in theatre in the role of Diabolik, in the film directed by Manetti Bros., but on July 10th he arrives on Netflix with The Old Guard, the action movie that sees him alongside Charlize Theron. And where he plays the Italian Nicolo, Nicky for the group of immortals he belongs to. Directed by Gina Prince-Bythewood and based on the graphic novel by Greg Rucka and Leandro Fernández, the film offers Luca Marinelli an insidious superpower, an endless love and a new opportunity to demonstrate his talent as a true champion. We reached him on the phone and he, less shy than usual, told us how he became a secular "superhero".

How did you get to the project? 

I auditioned in London, where I later returned and met the director. Lastly, there was a final meeting between me and Marwan Kenzari. We made a scene together and then they announced to me, "We'd love for you to be Nicky." 

What struck you about this character? 

The story fascinated me because it tells of immortals as if they were the damned. Nicky and Joe live this condition as a gift because they are linked by a wonderful love story and they are not alone. They met in an absurd and paradoxical situation, during the Crusades, ready to kill themselves. They did it a hundred times and then they looked at each other and fell in love. But others suffer from it, like Andy and Booker. In a beautiful scene, Booker, played by Matthias Schoenaerts, explains what happens to them: they see the people they love die and blame them because they cannot prevent it. And they are tired of watching the world repeat itself following the same dynamics. They fight to save people, but everything seems to go on the same way. Only in the end will they discover what they have done and what they are doing. 

How did it go with Charlize Theron? 

Well, it was wonderful! As I read the script I said to myself: am I really going to make a film with Charlize Theron? And hug as well! I was very excited and intimidated already while reading. She is an extraordinary actress. In the scene where we are at the table and everyone tells Nile something about us, Andy tells her what we are and it was nice to see her running and venturing into the midst of emotions and thoughts. Sometimes I got distracted and didn't say my line. But Charlyze is also a crazy athlete. You have to be really athletes, otherwise you don't survive at the end of the day. And Charlize is an athlete of the body and the heart. 

What about her athletic training? 

We got together a month before shooting to start working with the stunts. I had to get some athleticism back: when I arrived and they looked at me I think they were a little worried. We had to become familiar with martial arts and then we switched from the sword to other weapons and to hand-to-hand combat. We prepared scene by scene, including the choreographies, different for each fight, and each of us had his own rubber reproduction of the sword. It was an unforgettable training.

The immortals come from different places in the world. How much of Italy is there in Nicky? 

Apart from the pronunciation? They still laugh at some of the things I said. Marwan and Matthias, but also Charlize, speak Italian at different levels and every now and then I enjoyed shooting a few sentences to which they could answer me. 

Did you offer your character something that wasn't in the script? 

Well, being in such a group, shy as I am ... I tried. I have always focused on the bond between Nicky, Joe and the other members of the group, because I am interested in discovering what is inside a character, his feelings, how he looks at the world, what excites him. Nicky has lived for centuries, but still greets the people he meets in the desert with a smile, inside him there is the flame of an infinite good. Each character has a different sensitivity and their own armor. Nicky is perhaps the least armored one.

The challenge was also to make people believe in a love story that has lasted for centuries. 

Marwan recites a beautiful monologue in which he talks about their love story. I hope that each of us, in their short life, can say the same thing about the person they love. 

You’ve already had superpowers in “They Call Me Jeeg”. What is your relationship with this genre? 

I like it very much and I think that both films, very different from each other, have a very interesting soul. In Jeeg Robot, Enzo Ceccotti uses his superpowers to help others, taking on a social responsibility. In The Old Guard the protagonists put themselves at the service of others, even if no one has asked them to. “This is what we do,” they repeat over and over to each other. What they do is save people, participate in what they think is right. 

How do you think they would react to protests on American streets and around the world?

I don't feel like playing games, mixing reality and fiction on a terribly real subject like this. I think that in reality, outside of any cinematic fiction, it’s fundamental to fight for equality, within society, but also within ourselves. To go back to our film, if in a microscopic way we manage to carry a message in that direction, I would be very happy. 

What director was Gina Prince-Bythewood? 

She is always ready to listen, and I am someone who asks a lot of questions even at inappropriate times. She always had great patience and was very attentive to the emotional side of the film, to the interiority and beauty of the characters.

CIAK Magazine - Luglio 2020

Just wanted to translate this old interview for the non-italian’s fans ^^ (sorry for my English)